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Displayed below are some selected recent viaLibri matches for books published in 1924

        Commerce. Cahiers trimestriels. Numéros 1 à 29, 29 volumes + index des années 1924-1928, série complète.

      Paris,1924-1932, 240x190mm,broché.

      [Bookseller: Bouquinerie du Varis]
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        Aeronautical Prints & Drawings. With Text by Lt.-Col. W. Lockwood Marsh. and Foreword by Major-General Sir Frederik H. Sykes.

      - London, Halton and Truscott Smith, 1924. In-folio, XX-36 pp., frontispice, une vignette et 2 doubles planches, et 87 planches hors-texte (complet), reliure plein cuir. Tirage limité à 100 exemplaires numérotés (ici n°4), imprimé sur beau papier (filigrané Alton Mill). Bel exemplaire. / Printing limited to 100 numbered copies (here #4), printed on fine paper (watermarked Alton Mill). A beautiful copy. * Voir photographie(s) / See picture(s). * Frais de port en sus. * Membre du SLAM et de la LILA / ILAB Member. * La librairie est ouverte du mardi au samedi de 14h à 19h. * Si vous souhaitez passer à la librairie pour un livre, merci de nous prévenir au préalable, l'ensemble du stock visible en ligne n'étant pas immédiatement consultable. * Langue : Français

      [Bookseller: Chez les libraires associés]
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      SHEPARD, ERNEST. MILNE,A.A. WHEN WE WERE VERY YOUNG. NY: Dutton (1924). 8vo, cloth backed color pictorial boards, some rubbing to bottom edge and tips else near Fine in pictorial dust wrapper, (dw with wear, chipping, repairs, dw Fair-Good). LIMITED TO ONLY 100 LARGE PAPER COPIES SIGNED BY MILNE (400 of this edition were not signed). Illustrated by E.H. SHEPARD with color cover, pictorial endpapers (neither of which appear in the U.K. edition) and black & whites throughout the text. Extremely scarce.

      [Bookseller: Aleph-Bet Books, Inc.]
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         LE FESTIN D'IMMORTALITE. Etude de mythologie comparée indo-européenne. LE CRIME DES LEMNIENNES. Rites et légendes du monde égéen.

      Librairie orientaliste Paul Geuthner, 1924. Deux volumes in-8 brochés, 318 et 71 pages. Rare réunion en édition originale de la thèse et de la thèse complémentaire de Dumézil. Beaux exemplaires (quelques lignes soulignées légèrement au crayon de couleurs dans le deuxième ouvrage). On sait que Dumézil reniera plus tard ses oeuvres des années 20 et particulièrement Le Festin. Toutefois, Le crime échappera à sa sévérité. EDITION ORIGINALE

      [Bookseller: Librairielegalet]
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        Lessons of October 1917

      Berlin Publishing House 1924 - some scattered rubbing/staining to covers, otherwise a nice sound copy in original wrappers. RARE First separate printing which previously appeared as the preface to the first volume of Trotsky's collected works in October 1924. He wrote this history of the struggle within the Bolshevik Party from February to October 1917 just months after the Communist Party failed to seize power in Germany in the fall of 1923. It was immediately denounced by Josef Stalin and his henchmen. [Attributes: First Edition; Soft Cover]

      [Bookseller: Anniroc Rare Books]
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        Plays in Prose and Verse

      The Macmillan Company, 1924 One of 250 signed limited edition, in the scarce publisher's slipcase, also housed in an additional custom-made collector's case. Very good. Signed by Yeats.. Signed by Author(s). Limited Edition. Hardcover. Very Good/No Jacket.

      [Bookseller: Bookbid Rare Books]
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        The Works of Joseph Conrad. Comprising: Arrow of Gold, Nigger of the Narcissus, Victory, Nostromo, Rover, Secret Agent, Under Western Eyes, Typhoon, Twixt Land and Sea, A Set of Six, A Personal Record, The Rescue, Within the Tides, Lord Jim, Tales of Unrest, Suspense, An Outcast of The Islands, Almayer's Folly, Tales of Hearsay, Shadow Line, Mirror of The Sea, Inheritors, Chance, Youth, Notes on Life, Romance.

      New York: Doubleday, Page and Company, 1924. - Complete in 26 volumes. Octavo. A superb set bound in recent dark blue half calf with titles and gilt raised bands to spines, dark blue cloth boards, top edges gilt. [Attributes: Hard Cover]

      [Bookseller: Adrian Harrington Ltd, PBFA, ABA, ILAB]
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        2 eigenh. Briefe mit U. Stift Neuburg bei Heidelberg und Schloß Donaumünster in Donaumünster, 1924.

      1924. Zusammen (1+4=) 5 SS. auf 3 Bll. Gr.-4to und kl.-4to. An den Verleger und Sammler Kurt Wolff (1887-1963): "Ich bin bereit, das eine oder andere Buch aus meiner St. George-Bücherei abzugeben [...]" (6. August). - "Da die Instandsetzungsarbeiten von Schloss Münster immer mehr Geld verschlingen, so gedenke ich auch von meinen Georgica noch einiges abzugeben u. zwar diesmal 2 Hauptstücke: 1.) Die 'Pilgerfahrten' in der ersten Ausgabe mit eigenhändiger intimer Widmung St. Georges [...] 2.) Das 'Jahr der Seele' in der ersten Ausgabe gleichfalls mit Widmung St. Georges [...] Die 2 Bücher stammen aus dem Nachlaß Perls, die Widmungen sind an diesen, nicht an mich, sonst würde ich die Bücher natürlich nicht abgeben [...]". - Alexander Bernus leitete von 1902 bis 1905 die Zeitschrift "Freistatt", zu deren Mitarbeitern u. a. Frank Wedekind und Ricarda Huch zählten; erste Stücke wie "Don Juan" und "Masken" wurden in den 1907 gegründeten "Schwabinger Schattenspielen" aufgeführt. Zunehmend an Anthroposophie und Theosophie interessiert, gründete Bernus 1916 die anthroposophische Zeitschrift "Das Reich", in der u. a. Artikel von Alfred Kubin, Else Lasker-Schüler und Rudolf Steiner erschienen; nach Ende des Krieges war er Herausgeber der "Mitte". - Jeweils im linken Rand gelocht (geringf. Buchstabenberührung); papierbedingt etwas gebräunt.

      [Bookseller: Antiquariat Inlibris]
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        The Man in the Brown Suit

      The Bodley Head, London, 1924. Hardback. Book Condition: Very Good. Dust Jacket Condition: Fine Facsimile. 1st Edition. An author signed 1st impression copy of this scarce, early Agatha Christie novel in publisher's original light beige printed cloth with titles and charateristic art nouveau border pattern to front board and spine - still very good with fading to spine, one very small, dark, surface mark to front board and a larger, lighter one to rear board which has had a little professional and inconspicuous repair work to lower end of joint; the spine is a little wrinkled. The binding is tight, sound and square. Internally clean with some age-toning to endpapers and embossed, blind ownership stamp to half-title ['Shipley Manor Nr Torquay'] ; AUTHOR'S SIGNATURE DIRECTLY TO FFEP. A high quality, professionally produced dustjacket is supplied with the book. Early signed copies of Agatha Christie crime novels are very scarce, especially in original covers and this title particularly so. Size: 12mo - over 6¾" - 7¾" tall. Signed by Author. Bookseller Inventory # 000964

      [Bookseller: London Rare Books]
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      - (CARROLL,LEWIS). (REFERENCE) SOME RARE CARROLLIANA with notes by Sidney Herbert Williams. London: Printed for Private Circulation Only 1924. 4to, cloth backed boards, 23p., slight soil on a few pages, near fine. NUMBER 41 OF ONLY 79 COPIES SIGNED BY WILLIAMS. Previously unpublished letters and drawings that came to light after Williams had published his bibliography are here reproduced and explained. Photo frontis of a biscuit tin. Rare. [Attributes: Signed Copy; Hard Cover]

      [Bookseller: Aleph-Bet Books, Inc. - ABAA]
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      Chicago, 1924. Volume Two, Numbers 1 through 7 (II:2 is incorrectly denoted II:3, and is followed by the proper II:3). Seven issues. Illustrations. First five folio tabloid, numbers 6 & 7 large quarto tabloid. Printed self wrappers. Folio issues with horizontal fold, as issued. II:1 has split cleanly and completely along the spine fold and the first two leaves are substantially split along the horizontal fold, otherwise the remaining numbers in the lot are in very good to near fine condition, and are highly unusual thus. Edited by Ben Hecht and associate editor Maxwell Bodenheim, with both editors being the primary contributors of the text. Published semi-monthly beginning 1 March 1923, and concluding with the last number present here, CHICAGO LITERARY TIMES (as the issues in the first volume were titled) was in many ways Hecht's response to his dismissal by the CHICAGO DAILY NEWS and the rise of Chicago's prudishness in the face of the advance of modern letters. Hoffman, et al, are worth quoting at length: "...famous for its broad ironies and its parodies of the literary life of Chicago and New York. It is primarily a literary 'stunt,' immensely amusing, and has to be accepted as such. It is arranged in newspaper format, its shrieking headlines announcing 'events' improbable and ludicrous. Ben Hecht's 1001 AFTERNOONS IN CHICAGO appears in each issue, as does Bodenheim's 'authorized' but incredible autobiography. Ring Lardner and Samuel Putnam also contribute. The magazine is a thoroughly enjoyable bit of 'history' of Chicago's Bohemianism and how it grew." HOFFMAN, et al, p.268.

      [Bookseller: William Reese Company - Literature ABAA-]
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        The Holy Bible : reprinted according to the Authorised version 1611 - Complete in 5 volumes

      London New York : Nonesuch Press ; Dial Press 1924-1927 - Fine copies in the original gilt-blocked parchment over boards. Small nick to the upper spine of the Samuel to Psalms volume. Remains an exceptional set; scans and additional data on request. Physical description; 5 v. : ill. ; 31 cm. Notes; Includes the Apocrypha. Title varies.New Testament has colophon: "This book has been printed by John Johnson, printer to the University, at the Oxford University Press, where the proofs have been read. It completes in June of the year 1927 the edition of the Bible put out by the Nonesuch Press in 5 volumes, of which that containing the Apocrypha was published in December, 1924; Genesis to Ruth in May, 1925; Samuel to Psalms in December 1925; Proverbs to Malachi in August, 1926. The copperplates have been designed and engraved by Stephen Gooden. The typography has been arranged by Francis Meynell. The edition is limited to 1,000 copies on japon vellum and 75 copies on Arnold unbleached rag paper for sale in England and America. Contents; [1]. The Apocrypha -- [2]. Genesis to Ruth -- [3]. Samuel to Psalms -- [4]. Proverbs to Maccabees -- [5]. The New Testament. Colophon of v. 1: This book has been printed . at the Oxford University Press . The copperplates have been designed and engraved by Stephen Gooden. The typography has been arranged by Francis Meynell. The edition is limited to 1,000 copies on Japon vellum and 75 copies on Arnold unbleached rag paper.This set is supplemented by a volume containing the Apocrypha, published by the Nonesuch Press in 1924."This book has been printed by Frederick Hall, printer to the University of Oxfor Press, where the proofs have been read. The copperplates have been designed and engraved by Stephen Gooden. The typography has been arraged by Francis Meynell. The type is a modern rendering, redesigned for this book, of a letter used by Plantin. Twelve hundred and fifty copies, numbered 1 to 1250, have been printed on japon vellum for England and America, and seventy-five copies, numbered I to LXXV, on Arnold unbleached rag paper. This is number 485" Printed at end of Apocrypha. 10 Kg. [Attributes: Hard Cover]

      [Bookseller: MW Books Ltd]
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        Dingo. Cinquante - cinq eaux - fortes originales de Pierre Bonnard.

      In folio; pp. 193 non num. 7, con 55 stupende incisioni di Bonnard, di cui 14 f.testo a piena pagina, le altre quali testate, capilettera e finalini ed una alla copertina. Pregevole edizione di Vollard tirata a complessivi 350 esemplari numerati su diversi tipi di carta, questo nostro è uno dei 280 su vergé d'Arches. Preziosa legatura d'arte firmata "Alix": m.marocchino con angoli, cinque nervi e titoli in oro al dorso, piatti e fogli di sguardia decorati, taglio superiore dorato, sono conservate le copertine e il dorso originali. L'atelier di rilegatura della maison Alix, di lunga tradizione, è tuttora attivo a Parigi in rue Saint André des Arts. Il precedente proprietario ha aggiunto una custodia in pelle e velluto a protezione dell'opera. Perfetto esemplare di questo libro ricercato. Primo libro illustrato da Bonnard con incisioni, fu messo in vendita solo nel 1927. Cfr. Bouvet 90; Monod 8199.(vedi riproduz.)

      [Bookseller: Libreria Antiquaria Prandi s.n.c.]
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        A collection of 15 original watercolours, all showing Arabian horses (all captioned with the name of the horse). Partly signed ("MJ Stevens") and dated. All matted and housed in half-leather box with gilt title to spine. Folio (35 x 30 cm). Great Britain, 1924-1961.

      1924. I: Ibn Yashmak, portrait of a chestnut Arabian horse (145 x 197 mm). II: Radi at the Islington Arab Horse Show, March 5th, 1938 - Radi by Rishan ex Rosaria (145 x 197 mm). III: Nasik, 1924, head and neck portrait (197 x 145 mm). IV: An Arabian mare and her foal in a stable (195 x 254 mm). V: Study of two Arabian horses in a stable (147 x 197 mm). VI: Study of an Arabian mare and foal (158 x 210 mm). VII: Study of an Arabian circus horse with female rider in Spanish costume (197 x 145 mm). VIII: Two riders on Arabian horses in a mountainous desert landscape (188 x 240 mm). IX: Enys Park, 1961. Six Arabians and two foals, all named on the backing card (beneath the mat). From left to right: Yaquin, Yamina, Yatagan, Roshnara, Halfa, Bint Roxana, Colt foal and Roxana (190 x 260 mm). X: Wentworth Park (146 x 245 mm). XI: A Middle-Eastern street scene (195 x 245 mm). XII: An Arabian horse and two dismounted riders (220 x 85 mm). XIII: Study of a bay Arabian horse (200 x 254 mm). XIV: A bay Arabian stallion being led towards a mare and foal (145 x 246 mm). XV: Two Arabian horses on the range. An outstanding collection of original watercolours by Meg Stevens, containg a view of Wentworth Park as well as of Enys Park and numerous portraits of the most famous Arabian Horses bred there, several painted at the Arab Horse show in Islington, March 1938. The collection also includes the original watercolour used for the front cover illustration of The Arab Horse Society News, No. 75, and is topped off by a charming oriental street scene. - Stevens's possibly most famous work is the watercolour used for the cover illustration of Greely's "Arabian Exodus", one of the principal works on the subject of Arabian horses, first published in 1972 (while her watercolour was produced as early as 1940). As the owner of the Pelere Arabian Stud, Stevens was both a highly respected breeder of Arabian horses and a gifted artist. Born in Penryn in 1903, she received her early tutelage from her mother; this was followed by spells at the Slade and Lucy Kemp-Welch's school at Bushey in Hertfordshire.

      [Bookseller: Antiquariat Inlibris]
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        La Bièvre et Saint-Séverin. Illustrés d'eaux-fortes originales par Auguste Brouet

      Paris Editions de l'Estampe 1924Grand in-8 (221 x 169 mm), maroquin havane clair, dos lisse et plats ornés de filets, filets intérieurs, doublures et gardes de soie marron, doubles gardes imprimées, tranches dorées sur témoin, couverture et dos conservés, chemise au dos de maroquin havane, étui bordé (reliure signée Zipélius Brillouin, vers 1950). Illustré de 27 eaux-fortes originales par Auguste Brouet, dont 6 hors texte, 1 vignette sur la couverture, 1 vignette sur le titre, 11 vignettes dans le texte, et 8 culs-de-lampe. Tirage limité à 210 exemplaires numérotés ; un des 20 premiers, sur papier Madagascar, contenant une suite des eaux-fortes, ainsi qu'un état supplémentaire des 6 hors-texte (N° 14). Bel exemplaire. // Tall octavo (221 x 169 mm), fair havana morocco, smooth spine and covers tooled with fillets, fillets inside, brown silk linings and end-papers, printed double end-papers, edges gilt over support, soft cover and spine preserved, folder with havana morocco spine, slipcase with border (binding signed Zipélius Brillouin, around 1950). Illustrated with 27 original etchings by Auguste Brouet, including 6 plates, 1 vignette on cover, 1 vignette on title, 11 vignettes in the text, and 8 culs-de-lampe. Limited printing of 210 numbered copies ; one of the 20 first ones, on Madagascar paper, containing an extra suite of the etchings, and an added state of the 6 plates (Nr 14). Nice copy.

      [Bookseller: Henri Picard et Fils]
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        L'allure poétique

      1924. Nrf, Paris 1924, 13,5x19cm, broché. - Nrf, Paris 1924, 13,5x19cm, broché. - Prima edizione, una delle 535 copie numerate su vergata Navarra, con 10 camere singole pareggio Giappone. Autografo prezioso e bello firmata dall'autore "Jeanine e Raymond (Queneau). Brotherhood amichevole (sic!) E tutto. Jacques. Questo 19 aprile, 1935 nella loro casa di Neuilly dice Neu Neu per le signore" arricchito questo quartina scritto a mano: ". ombre Ciao oggi / Ravissant il muro in un sogno / Se andando da amico a amico / De come una naked canzoni Eve" Libro illustrato con un ritratto di auterur frontespizio di Man Ray. Bellissimo esemplare. [FRENCH VERSION FOLLOWS] Edition originale, un des 535 exemplaires numérotés sur vergé Navarre, seul tirage avec 10 Japon. Précieux et bel envoi autographe signé de Jacques Baron à " Jeanine et Raymond (Queneau). Fraternité amical (sic) et tout et tout. Jacques. Ce 19 Avril 1935 en leur domicile de Neuilly dit Neu Neu pour les dames" enrichi de ce quatrain manuscrit : "Salut aux ombres d'aujourd'hui / Ravissant la muraille en rêve / S'en allant d'amis en amis / De chansons aussi nues qu'une Eve." Ouvrage illustré d'un portrait de l'auteur en frontispice par Man Ray. Bel exemplaire.

      [Bookseller: Librairie Le Feu Follet]
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        Maternité. Recueil de huit planches dessinées, gravées et tirées par Maurice Asselin.

      Paris, Chez l'auteur, Au Nouvel Essor, (vers 1924). In-folio, (8) ff. libres sous couverture imprimée à rabat (petits défauts à la couverture). Belle suite, complète, des 8 gravures, toutes numérotées et signées par Asselin. Tirage limité à 65 exemplaires, ici un des 50 Arches, numéroté et paraphé par l'artiste. * Voir photographie(s) / See picture(s).* Frais de port en sus. * Membre du SLAM et de la LILA / ILAB Member. * La librairie est ouverte du mardi au samedi de 14h à 19h. * Si vous souhaitez passer à la librairie pour un livre, merci de nous prévenir au préalable, l'ensemble du stock visible en ligne n'étant pas immédiatement consultable. *

      [Bookseller: Chez les Libraires Associés]
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        Les Contes de Jacques Tournebroche.

      P. René Kieffer 1924 Petit in-4° broché, sous couverture rempliée. Frontispice et 19 eaux-fortes de Sylvain SAUVAGE, coloriées au pochoir. Tirage limité à 550 exemplaires. Un des 20 sur vélin à la cuve avec une suite en noir

      [Bookseller: Librairie In-Quarto]
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        Autograph list of corrections. N. p., [before 8 Dec. 1924].

      1924. 8vo. 1 p. Apparently referring to his masterpiece "Der Zauberberg" ("The Magic Mountain"), the first edition of which had been published in two volumes on November 28 and quickly sold out: "Zu verbessern Bd. I S. 559 Z. 14 von oben ragione (statt raggione) Bd. II S. 13 Z. 7 v. u. Rhätikon (statt Rätikon) Bd. II S. 208 Z. 13 v. u. Davvero (statt Da vero) [...]". - From the collection of the German theologian Hermann Dembowski (1928-2012).

      [Bookseller: Antiquariat Inlibris]
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        The Works of Joseph Conrad. Comprising: Arrow of Gold, Nigger of the Narcissus, Victory, Nostromo, Rover, Secret Agent, Under Western Eyes, Typhoon, Twixt Land and Sea, A Set of Six, A Personal Record, The Rescue, Within the Tides, Lord Jim, Tales of Unrest, Suspense, An Outcast of The Islands, Almayer's Folly, Tales of Hearsay, Shadow Line, Mirror of The Sea, Inheritors, Chance, Youth, Notes on Life, Romance.

      New York: Doubleday, Page and Company, 1924.. Complete in 26 volumes. Octavo. A superb set bound in recent dark blue half calf with titles and gilt raised bands to spines, dark blue cloth boards, top edges gilt.

      [Bookseller: Adrian Harrington Rare Books]
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        Fairy Tales by Hans Andersen.

      London, Hodder & Stoughton, n.d. (ca. 1924). Gr. 4° (29x23cm), mit 12 montierten Farbtafeln unter Schutzblatt, zahlreichen Textillustrationen, Buch- und Vignettenschmuck. 197 S., Orig.-Ganzleinenband mit reicher Deckel- und Rückenverzierung. Erste Ausgabe. - With 12 color plates, text illustrations and vignettes. 197 p., original cloth boards. First edition. - English text. Hinterdeckel etwas lichtrandig. Insgesamt sehr schönes Exemplar. Back board slightly brightened. Altogether in very good condition. Versandkostenfreie Lieferung Jugendstil, Art nouveu, Kinderbuch, Illustration, Kinderbuchillustration, L.

      [Bookseller: \"erlesenes\" - Antiquariat und Buchhand]
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      STAB. TIPOGRAFICO E NICCOLAI, 1924-26. L'EROICA Rassegna Italiana di Ettore Cozzani nn. 84-100 sequenza completa rilegata in volume mezza pelle 24 x 31,5 cm pag. nn b/n e col. Stato di conservazione: OTTIMO! Dorso un pò usurato. L'Eroica è una rivista mensile italiana di futurismo, arte, letteratura e xilografia, fondata alla Spezia agli inizi del XX secolo, diretta da Ettore Cozzani. La rivista aveva il proposito editoriale di valorizzare le forze creative nazionali, occupandosi dichiaratamente di "ogni aspetto dell'arte e della vita". Pubblicazione aperta alla Secessione viennese e al Razionalismo, fu subito importante per il suo carattere innovativo, curiosa dei nuovi giovani talenti contemporanei, sia italiani che europei. Questo volume presenta la sequenza completa dei numeri da 84 a 100. Nel dettaglio si tratta dei numeri n. 84 n. 85-86 n. 87-90 n. 91 n. 93-94 n. 95-96 n. 97-100 Non sono conservate le copertine.

      [Bookseller: Supergulp di Rem Srl]
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        Autograph letter signed ("TE Shaw"). Clouds Hill, Moreton, Dorset, 15. X. 1924.

      1924. 8vo. 2 pp. With autogr. envelope. Includes TDS by G. E. B. Bromley-Martin, of the Bank of Liverpool and Martin, London (dated 22. Dec. 1924). To Whitney H. Shepardson of New York, who had inquired as to how he might obtain a copy of the "Seven Pillars of Wisdom" when the book was finally published: "The Prophet has sent me on your letter, with instructions to deal with it: - and I'm puzzled. Really you know you are foolish to want a copy. It's a thirty guinea book, of which so many copies are being sold as will meet the printing bills (about 120 copies perhaps) with some off-prints of the unadorned text for the twenty or thirty fellows who shared the campaign with me. I can't give them 30-guinea presents: they can't buy 30-guinea books. So I want the subscribers to pay for my generosity in giving them free copies. The prime cost lies in the pictures (about 60, many in colour, at 10/- a print!) and the pictures are only an unjustifiable whim of mine. They have been done by British artists whom I liked, + who would work for me. Such a luxury book is for the idle rich. Mrs. Lamont is getting one. Huntingdon [!] + Pierpont Morgan aren't...! ... Do you feel justified in chucking away so much on an amateur production? The writing is pretentious, dull, hysterical, egotistical, + preternaturally long. No human being has ever been to the end of it [the 335,000 word ms.]. They return it, thumbed to about half way, with pretty speeches. So long as I hold it secret, the sight of it is a boast, so long it will be praised. Seriously, it isn't any earthly good. It costs as I have said, may be a year yet in printing, + is horrible in parts. Eleanor (beg her pardon, but that's her only possible name. The proper ones only indicate her wayward choice of parents etc.) would be sick over it. The thing will not be reprinted entire in my life-time: you suggest 'for a long time.' ... but the prospect isn't pleasing. There will be an American Edition, to secure copyright. Doubleday, probably. He has made a reasonable estimate. It would be printed at my expense, two copies for the Library of Congress, or whatever the show is, + eight for sale: + the sale price will be prohibitive, so that they will never sell, + the edition will never be exhausted, + no one may pirate! I suggest 10,000 dollars, but F.N.D. hasn't yet considered what is above-high-water-mark in U.S.A. Tell me, please, if you are knowing! If despite all faults (my most honest dissuasion puts people on sometimes!) you want a copy: then you'll have to send fifteen guineas, half price - E. will know the size of the extinct coin - to: Manager / Bank of Liverpool + Martins / 68 Lombard St. / London, E.C.3, payable to TE Lawrence, + 'Seven Pillars account' . Balance when you get the book. Let me strongly urge you not to. I have 90 subscribers, so there is no urgency - on the point of helping lame dogs! [...]". - When the book finally appeared in 1926, the cost of each copy to Lawrence was triple the selling price, and it was not until the fourth reprint of the 1927 abridgement "Revolt in the Desert" that his debts were paid off. As the included receipt shows, Shepardson was undeterred and duly transferred the £15. 15/- to Liverpool & Martins' (the last copy of the 1926 "Pillars" at auction commanded £30,000 at Sotheby's in 2009). - The U.S. businessman Whitney Hart Shepardson (1890-1966), educated at Colgate, Balliol (as a Rhodes Scholar), and Harvard, had served as aide to the State Department at the 1919 Paris Peace Conference, where he may have met Lawrence. Between 1925 and 1927 he served as director on J. D. Rockefeller's General Education Board. A leading O.S.S. operative in WWII, he was the first London head of Secret Intelligence and remained with the organization soon to become the C.I.A. until 1946.

      [Bookseller: Antiquariat Inlibris]
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      Paris Plicque 1924 1 in-4Paris, Plicque & Cie, 1924, grand-4, broché, couverture illustrée en couleurs et rempliée, sous étui cartonné marron, 209 pp. Ce roman fut publié dans la Revue des Deux Mondes en 1899, puis édité chez Calmann-Lévy en 1890. Il conte la vie de Thaïs, une belle courtisane du IVème siècle officiant à Alexandrie et dont la renommée était importante. Le moine Paphnuce parvint à la convertir au Christianisme, mais la beauté de la pécheresse hanta son coeur. Le réalisme, souvent cruel, du trait de Raphaël FREIDA, est ici magnifié. Ce roman inspira Jules Massenet dont il tira son célèbre opéra "La Méditation de Thaïs". Les gravures ont été tirées à la presse à bras par Leblanc et Trautman. Tirage limité à 781 exemplaires. Un des 700 exemplaires sur Vélin de Rives (N°718). Usures à l'étui, infimes usures à la couverture. "Edition recherchée" (Carteret IV, 171 ; Monod 4960). Accidents à l'étui, légers plis et infimes usures à la couverture.

      [Bookseller: Librairie Chrétien]
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        L'Art islamique en orient. I [& II] Partie. Prague, [1921-1924].

      1924. Imperial folio (360 x 490 mm). In the two original, matching decorative portfolios. Half cloth, boards with illustrated lithogr. title, inside covers and flaps with ornamental decoration printed in gold, green and blue. Green ties. I: 12 pp. 36 lithogr. plates in colour (of which 4 are double-page). II: 12 pp. 54 plates in colour (of which 2 are printed in gold on blue paper and 8 double-page sized). First edition of both parts, complete and not listed thus in library catalogues or auction records of the last decades. The first part was considered lost; indeed, its very existence was even doubted ("apparently the first part was never published", Atabey Sale, Sotheby's 29 May 2002, lot 990, the second part alone fetching £22,000). Contains a finely chromolithographed selection of plates illustrating Islamic architecture and architectural details drawn from various mosques and numerous examples of ornamental decoration taken from Islamic fayences. - Some staining to upper covers of both portfolios; outer cloth of spines restored; mild foxing to margins of a few plates in part II; otherwise, plates clean and in good condition. Atabey 1015 (part 2 only). Not in Blackmer.

      [Bookseller: Antiquariat Inlibris]
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      Paris, Emile-Paul Frères, 1924. Avec une gravure couleurs en frontispice et vignettes noir/blanc d'Hermine David(peintre et graveur français 1886-1970), connue pour ses illustrations de livres pour bibliophiles. Ouvrage tiré à 1600 exemplaires numérotés; un des 75 exemplaires sur papier Hollande van Gelder (second papier). Reliure plein maroquin violet (signée Renée M. Minvielle); dos à 5 nerfs; mosaïque des caissons dorée, tranche de tête et titre dorés. Plats encadrés de sept liserés dorés; filet doré sur les coupes et les mors. Cinq filets dorés encadrant les contreplats. Couverture et dos conservés. Chemise assortie en cuir. 276 pages. Format 15 x 23,5 cm. Bel exemplaire, belle reliure. Dos de la chemise frotté et insolé.

      [Bookseller: Librairie Equinoxe]
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      A. C. McClurg & Co., Chicago 1924 - Octavo, pp. [1-6] 1-346 [347-350], inserted frontispiece with illustration by J. Allen St. John, original light brown cloth, front and spine panels stamped in dark brown. 10,000 copies printed. ".it must be regarded as a high point in the Tarzan series and for that matter in Burroughs' entire career." - Richard A. Lupoff, Edgar Rice Burroughs: Master of Adventure, pp. 213. Bleiler, Science-Fiction: The Early Years 325. In 333. Bleiler (1978), p. 36. Reginald 02316. Heins AM-1. Page edges a bit dusty with the top edge spotted, several tiny stains to front cover and a touch of rubbing to corner tips and spine ends. A nearly fine copy. No dust jacket. (19954) First edition, first binding with "A. C. McCLURG / & CO." at base of spine panel. [Attributes: First Edition; Hard Cover]

      [Bookseller: John W. Knott, Jr, Bookseller, ABAA/ILAB]
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        Fairy Tales by Hans Andersen.

      London, n.d. (ca. 1924)., Hodder & Stoughton, - Gr. 4° (29x23cm), mit 12 montierten Farbtafeln unter Schutzblatt, zahlreichen Textillustrationen, Buch- und Vignettenschmuck. 197 S., Orig.-Ganzleinenband mit reicher Deckel- und Rückenverzierung. Erste Ausgabe. - With 12 color plates, text illustrations and vignettes. 197 p., original cloth boards. First edition. - English text. Hinterdeckel etwas lichtrandig. Insgesamt sehr schönes Exemplar. Back board slightly brightened. Altogether in very good condition. Englisch Band:

      [Bookseller: erlesenes · Antiquariat & Buchhandlung]
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        Scènes mythologiques. Avec 40 eaux fortes par André-E. Marty.

      P., "Le Livre", 1924, In-8, maroquin bleu nuit, double filet encadrant les plats en vélin ivoire, pièce de titre en maroquin sur le premier plat, dos lisse orné, tête dorée, couverture et dos conservés, 73 pp. Reliure signé M. Nyst.Edition originale tirée à 350 exemplaires numérotés, celui-ci sur vergé de Hollande.Avec un ex-libris de R. Callens.Premier livre illustré par Marty dont les esquisses ont été conçues en 14-18 dans les tranchées.Les 40 eaux-fortes sont accompagnées de petits poèmes en prose écrits spécialement pour l'illustration dans une élégante mise en page: une oeuvre centrale.

      [Bookseller: Librairie Pages Volantes]
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        [Giant Nova Scotia Tuna.] Manuscript Section, from Tales of Swordfish and Tuna

      1924. Comprising the first half of Chapter 2, Giant Nova Scotia Tuna, pp. 12-63 in Tales of Swordfish and Tuna. Published: Harpers, 1927. 114 manuscript leaves, ink and pencil mostly on rectos only, on ruled, hole punched paper, irregularly paginated. First leaf with blindstamp "Zane Grey"; ff. 26, 27, 34, and 35 are blank, no page 33; two added leaves between ff. 45-46 numbered "I" and "II," 61 has "62 1/2" on verso, 62 has "62 3/4" on verso, 63 has "62 3/4" on verso, following 105 is a "105 1/2". 8vo. Half blue morocco slipcase and chemise. Fine. Comprising the first half of Chapter 2, Giant Nova Scotia Tuna, pp. 12-63 in Tales of Swordfish and Tuna. Published: Harpers, 1927. 114 manuscript leaves, ink and pencil mostly on rectos only, on ruled, hole punched paper, irregularly paginated. First leaf with blindstamp "Zane Grey"; ff. 26, 27, 34, and 35 are blank, no page 33; two added leaves between ff. 45-46 numbered "I" and "II," 61 has "62 1/2" on verso, 62 has "62 3/4" on verso, 63 has "62 3/4" on verso, following 105 is a "105 1/2". 8vo. After Bluefin Tuna in Nova Scotia. A substantial manuscript by Zane Grey, comprising the first half of Chapter 2, "Great Nova Scotia Tuna," pages 12 to 63 of the published edition of Tales of Swordfish and Tuna. Opening: "It seemed a far cry from Avalon, California to Liverpool, Nova Scotia. And at the beginning of the best Swordfish time in the Pacific, to leave for the doubtful pursuit of giant Tuna off the Atlantic was something extremely hard to do." This is a stirring account and the anglers endure rugged conditions, rough seas, and lost fish. Zane Grey catches a 684-pound tuna; the last portion of the chapter (not present) includes his account of catching a record 758-pound bluefin tuna off Nova Scotia. A classic Zane Grey fishing tale.

      [Bookseller: James Cummins Bookseller]
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        Sports Olympiques.

      1924Série de 10 lithographies en couleurs sur papier signées en bas, 1924, 56 x 45 cm. Belle réunion de dix lithographies en couleurs, épreuves avant l'impression, sur le thème des jeux olympiques. Il figure quelques petites marques pour l'impression. Jean-Raoul CHAURAND-NAURAC (Lyon 1878- Paris 1948), peintre, aquarelliste et affichiste, fut surnommé "le peintre du cheval" suite à sa prédilection pour le monde hippique et ses nombreuses représentations. Il suit l'école des Beaux-Arts de Lyon, puis fut l'un des premiers pensionnaires de La Ruche. Elève de Gustave Moreau, il fréquenta Matisse, Marquet, Rouault... Différents sports Olympiques sont représentés dans un esprit Art-déco : la pelote Basque, l'aviron, le saut de haie, le tennis, le football (en version masculine et plus surprenant pour l'époque -également- en version féminine), le rugby, la natation, le hockey, le lancer de poids. Quelques mouillures, fines taches et infimes déchirures n'atteignant pas les dessins.

      [Bookseller: Librairie Chrétien]
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        Prométheus. Traduit du grec par Lucien Dhuys. Eaux-fortes et bois gravés par François Kupka. Etude par Lucien Dhuys.

      Paris, Auguste Blaizot, 1924, 1 volume in-4 de 283x197mm environ, plein chagrin chocolat sous étui mabré avec ouverture en cuir assorti, dos à nerfs portant titres dorés, gardes marbrées avec dentelle dorée sur les chasses, tranche de tête dorée, couvertures et dos conservés imprimés en noir et orange. Complet des 3 hors-texte. Exemplaire N° 124/200, un des 150 exemplaires contenant un seul état des gravures, sur papier des Manufactures Impériales du Japon, illustré des eaux-fortes et bois gravés par François KUPKA . Bordures de l'étui décolorées, frottements sur les angles de l'étui, légère trace de notes gommées sur la première garde blanche, sinon bon état. Eschyle, né à Éleusis (Attique) vers 526 av. J.-C., mort à Géla (Sicile) en 456 av. J.-C., est le plus ancien des trois grands tragiques grecs. Précédé par d'autres dramaturges, il participe à la naissance du genre tragique grâce à certaines innovations, comme le nombre d'acteurs qu'il porte à deux selon Aristote. Treize fois vainqueur du concours tragique, il est l'auteur d'environ 110 pièces dont sept seulement nous ont été transmises.Frantiek Kupka, dit François Kupka, né à Opo no, Bohême orientale, le 23 septembre 1871 et mort à Puteaux, Hauts-de-Seine, le 24 juin 1957, est un peintre tchèque comptant parmi les pères de l'abstraction avec Vassili Kandinsky, Gino Severini, Piet Mondrian, Kasimir Malevitch et Robert Delaunay. Merci de nous contacter à l'avance si vous souhaitez consulter une référence au sein de notre librairie.

      [Bookseller: Librairie Diogène]
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        La Divina Commedia. Nella figurazione artistica e nel secolare commento. A cura di G. Biagi

      UTET, 1924-1939. in Folio (cm. 39 x 30) legat. edit. mezza pelle, tit. oro ai dorsi e piatti, volumi 3, pp. pp. XVI-816; VIII-742; VIII-764. Testo inquadrato in filetto rosso, ornato da testat., finalini e grandi iniziali all'inizio di ogni canto, con 388 figure in nero nel testo e 4 tavole fuori testo (di cui 1 è un ritratto di Dante a colori) che riproducono le illustrazioni di documenti contemporanei alla "Commedia". Mambelli, 641: "Opera veramente monumentale che raccoglie attorno al testo, in ordine cronologico e riveduti sui manoscritti più autorevoli, tutti i più significativi commenti antichi e moderni, da Jacopo della Lana a Raffaele Andreoli. Legat. del I° vol. un po' allentata, leggere spellat. ai dorsi, timbretto di proprietà, ma esempl. molto ben conservato.

      [Bookseller: Studio Bibliografico Michelotti]
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        N°9-Mai 1924, 6ème année. La Gazette du Bon Ton. Art, Modes et Frivolités. Revue Mensuelle.

      Paris VOGEL 1924 1 in-4Paris, Librairie Centrale des Beaux-Arts, Lucien Vogel Directeur, 1924, petit in-4, en feuilles, sous chemise éditeur illustrée. Cette revue de mode du début du XXème siècle est considérée comme la plus remarquable et est devenue la plus recherchée. Les couturiers "les plus exquis (...) lui réserveront la primeur de leurs créations" : Les Chéruit, Doeuillet, Doucet, Paquin, Poiret, Redfern, Worth... Les auteurs et les chroniqueurs en vue participent à sa rédaction, tels George CECIL, FAURE-BIGUET, James de COQUET, Georges-Armand MASSON... Leurs rubriques concernent tant la mode, que les spectacles, les chroniques mondaines... Les illustrations, pour beaucoup réalisées au pochoir, sont l'oeuvre des plus grands artistes, tels BARBIER, LEPAPE, MARTY, MOURGUE, THAYAHT... "A côté de sept planches hors-texte, qui sont des modèles crées par les couturiers, trois planches qui sont des modèles inventés par les artistes". Fine restauration à la couverture. "La plus importante et recherchée des revues de modes contemporaines". "La Gazette du Bon Ton, tant par ses illustrations que par ses articles, constitue la meilleure représentation que nous ayons de la période Art Déco" (in l'introduction "Gazette du Bon Ton"). (In Jeanne Laffitte, 50 revues 1890/1930) ; "Le plus important et le plus intéressant pour les modes contemporaines" (in Carteret IV, 180) ; "Luxueuse revue de mode vestimentaire tout en couleurs dans laquelle les dessinateurs sortent de leur style habituel pour aller vers l'illustration" (in Dico Solo, 332).

      [Bookseller: Librairie Chrétien]
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        Orientalisme et Architecture Contemporaine. Compositions Décoratives et Architecturales Exécutées et Projetées par Alexandre Marcel, Architecte

      1924. 20 pp. introduction with specific information on the building projects, list, and 40 superb plates (some in color or tint, one double) showing plans, elevations, and photographs of realized buildings and proposed works by the early 20th-century French architect heavily influenced by extensive study and in situ research on indigenous Asian architecture, borrowing directly and indirectly from those influences, each numbered 36/110 in pencil. Some soiling, staining, and foxing throughout, title page with extensive soiling and toning. Folio. Boards portfolio, minor rubbing, extremities chipped. Paris (Éditions Albert Morancé) 1924. Copy 36 of only 110 copies printed. An important and very rare work. Among the projects documented are La Tour et les Constructions Japonaises du Domaine Royal in Laeken, Belgium, Le Palais de son Altesse le Maharajah de Kapurthala in India, L'Hippodrome des Courses in Ostende, Belgium, the Cambodian pavilion at the Exposition Universelle de Paris in 1900, the central train station in Bucarest, Romania, Le Palais de la Paix at the Hague, and a shopping center in Strasbourg, France.

      [Bookseller: F.A. Bernett Books]
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        Dictionnaire raisonné De L'architecture Française Du XIe Au XVIe Siècle (en 10 tomes)

      Ernest Gründ In 8° Éditeur Demi-chagrin ParisVIOLLET-LE-DUC E. (architecte) - Dictionnaire raisonné de l'Architecture Française du XIe au XVIe siècle - En 10 tomes - Paris, Ernest Gründ, sans date (1924) - 10 volumes in 8° (9 tomes de texte, 1 tome de table analytique) de 506, 546, 514, 509, 566, 458, 570, 523, 554 et table non chiffrée - Près de 3.000 illustrations dans le texte et à pleine page - Reliure éditeur demi-chagrin marron, dos rond orné d'un motif "or" en long, tête dorée, petites taches noires au dos de 3 volumes sans gravité - Complet - Bel état - FRAIS DE PORT EN FONCTION DES TARIFS POSTAUX EN VIGUEUR ET SELON POIDS, DIMENSION ET DESTINATIONPoids : 12kg 200Bel État

      [Bookseller: Librairie Remy]
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        A Passage to India.

      London, Edward Arnold & Co.,, 1924. Octavo. Finely bound by The Chelsea Bindery in burgundy morocco, titles and decoration to spine, raised bands, single rule to boards, twin rule to turn-ins, plain dark green endpapers, gilt edges. The occasional minor blemish, an excellent copy handsomely bound. First edition, first impression.

      [Bookseller: Peter Harrington]
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        Der Zeichner Lovis Corinth.:

      Dresden, Ernst Arnold, 1924. - 4°. 28 S., 2 nn. Bl., 86 Tafeln, 3 nn. Bl., mit 1 signierten Originalradierung von Lovis Corinth. Originalhalbpergament mit goldgeprägtem Rückentitel in Schuber, Kopfgoldschnitt, (Schuber leicht berieben, Goldprägung leicht verblasst). (Arnolds Graphische Bücher, 2. Folge, Bd. 5). Erste Ausgabe. - Eins von 200 nummerierten Exemplaren der Vorzugsausgabe mit der signierten Originalradierung "Winter am Walchensee". - Müller 858. - Die kräftige Radierung zeigt das Hotel Fischer am Walchensee. - Schönes Exemplar. [Attributes: First Edition]

      [Bookseller: Antiquariat Tresor am Roemer]
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        From China To Hkamti Long.

      London Edward Arnold 1924 - First edition. 8vo., 312pp., frontispiece, 19 photographic illustrations, map, originalblack cloth, remains of pictorial dust-wrapper tipped-in, a very good copy. [Attributes: First Edition; Hard Cover]

      [Bookseller: Shapero Rare Books]
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      Sans lieu ni date( Hors commerce Paris)Edition originale [1924]. une plaquette in-8°(25x19cm). Brochée. 38p; Envoi de l'auteur("A Maggy ce livre romanesque,une vague de vols.Affectueusement Aragon").Un tampon. Couverture frottée et légèrement tachée à un coin sinon bon état.

      [Bookseller: Librairie Merolle]
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        Les aventures du Roi Pausole. Édition illustrée de dessins originaux de Carlègle.

      Le livre du Bibliophile G.&R. Briffaut, 1924. 8°; pp. 301 non num. 2 su carta vergé van Gelder Zonen; con, nel testo, 87 composizioni incise su legno ed acquerellate da Berthelot. Edizione limitata a complessivi 1010 esempl. numerati, su diverse tipologie di carta. Bella legatura d'arte firmata Mireille Magnin, in pieno marocchino a grana fine, con intarsi mosaicati di pelli di colore diverso al piatto a rappresentare la testa barbuta del Roi Pausole, filetti in oro, piatto posteriore decorato con intarsio in pelle, titoli e fregio in oro al dorso; taglio sup. dorato, sguardie marmorizzate e dipinte a mano con dentella in oro; astuccio protettivo in cartone decorato. Ottimo esemplare. Cfr. Monod 7369.(vedi riproduz.)

      [Bookseller: Libreria Antiquaria Prandi s.n.c.]
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        LI - von H. M. Weiss. Begleitet durch Radierungen / Aquarelle und Handzeichnungen von Emil Orlik.

      Berlin : Eigenbrödlerverlag, [1924]. 79 S. : u. Abb. 4°. Weißer O-Ganzleineneinband mit gold Motivprägung. In Schuber. Schuber mit Läsuren. Einbandprägung lt. berieben. Papierbedingte Tönung, ansonsten gut erhalten. - Eins von 1.000 Exemplaren. Dieses Exemplar trägt die Nummer 626 und wurde von Emil Orlik im Druckvermerk signiert. Versand D: 4,90 EUR

      [Bookseller: Antiquariat Pierot]
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      EDITION ORIGINALE tirée à 677 exemplaires. Celui-ci (n°394) un des 500 sur vergé baroque à Barbes. Paris, Edition de la Nouvelle Revue Française, 1924. Ouvrage broché, non coupé. Couverture imprimée en rouge et noir. Petite déchirure sans manque de 3 cms en tête du 1er plat. Bon état. Format in-4° (28x21).

      [Bookseller: Livres et Collections P. Commerot]
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      1924. Nrf, Paris 1924, 13x19cm, broché. - Nrf, Paris 1924, 13x19cm, broché. - Prima edizione, una copia del servizio stampa. Autografo Precious firmata dall'autore Paul Morand. Primo leggermente rugosa e marginalmente innocuo, altrimenti bella copia. [FRENCH VERSION FOLLOWS] Edition originale, un des exemplaires du service de presse. Précieux envoi autographe signé de André Gide à Paul Morand. Premier légèrement et marginalement froissé sans gravité, sinon agréable exemplaire.

      [Bookseller: Librairie Le Feu Follet]
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        Meyers Lexikon

      Leipzig, Bibliographisches Institut, 1924-1935. siebente Auflage, 17 Bände 12+3 Ergänzungsbände, Atlas, Ortslexikon mit etwa 5000 Textabbildungen und über 1000 Tafeln, Karten und Textbeilagen Gr.-8°, 23,5 - 25 cm, Halbleder, Rückenvergoldung, verstärkte Ecken, sehr guter Zustand, Einbände und Inhalt sehr sauber, mit dem absolut seltenen: Orts- und Verkehrslexikon der Deutschen Reiches von 1935 und dem Atlasband von 1933 F527 Versand D: 5,00 EUR

      [Bookseller: Versandantiquariat Schmitz]
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        L'art Islamique en Orient. II. Partie

      Istanbul Librairie Raymond 1924 - Raymond, Alexandre M. "L'art Islamique en Orient. II. Partie. Fragments d'Architecture Religieuse et Civile". Pera-Constantinople: Librairie Raymond, (1924). Printed in Prague by M. Schulz. Folio (50:35,5 cm). Chromolithograph title page and dedication page to the Honorable Charles R. Crane, former US Ambassador to China, in honor of his protection of Turkish decorative arts, 12 pages of illustrated text, 60 color plates (chromolithographs - some double-page) of portals, windows, iron work, facades, etc. of minarets, mausoleums and mosques. A portfolio bound with cloth spine and green and gold lithographed boards with a Turkish design on both sides. Small waterstain on the front left part of the portfolio, cloth spines partly broken. Inside well preserved. [Attributes: Hard Cover]

      [Bookseller: Antikvariat Krenek]
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        Immortelle maladie. Poème. Avec un frontispice de Man Ray.

      P., Collection "Littérature", 1924 - 21 x 16,5 cm, 18 p., ill. Broché, couverture imprimée en noir sur orangé. Très bel exemplaire. Edition originale de ces six poèmes, tirage limité à 201 exemplaires, un des 120 numérotés sur vélin (après 1 Chine, 10 Japon et 20 Hollande). [Attributes: First Edition; Soft Cover]

      [Bookseller: SOLSTICES RARE BOOKS]
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      (4), (4), 75 pp. text on palaces and dwellings associated with the Imperial Household, including locations in Kyoto, Katsura, Shugakuin, Tokyo, Nijo, Nagoya, and elsewhere, with emphasis on the architecture, interiors, gardens, etc., 100 excellent photographic plates showing views and details. Oblong large 4to. Cloth covered boards, tie-bound in the Japanese manner, cloth case with overall wear. Tokyo (Hokokai) 1924. A beautiful publication on properties relating to the Imperial family, with detailed discussion and illustrations of structures dating from the Medieval period onward. Many of the dwellings were used when members of the Imperial family traveled through the country.

      [Bookseller: F.A. Bernett Books]
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        Nouvelles asiatiques.

      Paris, Editions G. Crès & Cie, 1924. 1 vol. in-4. Demi-maroquin brun à coins, dos à nerfs, titre et auteur dorés, tête dorée, couvertures et dos conservés.Tirage à 570 exemplaires, celui-ci un des 550 exemplaires sur papier vélin de Rives, après 20 exemplaires sur japon. Ouvrage orné d'un portrait de l'auteur, de sept hors-texte gravés à l'eau-forte et de quarante larges vignettes par Maurice de Becque. Notre exemplaire est enrichi de la suite en noir des sept eaux-fortes.Relié in-fine le specimen de l'ouvrage en deux feuillets. Ex-libris de Pierre Claudio Jannet.Rousseurs éparses, plus présentes sur certains feuillets.

      [Bookseller: Librairie Gaëlle Cambon]
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      1924. Nrf, Paris 1924, 13x19cm, relié. - Nrf, Paris 1924, 13x19cm, relié. - Prima edizione, uno dei 1115 esemplari numerati su pergamena serbatoio imitazione pareggio solo con il Giappone 25. Bound in metà marocco nocciola, liscio schiena, coperto con piatti di carta decorati con una scena raffigurante un filato mescolati che ricorda un labirinto, guardie e contreplats legno carta imitare, copertine e colonna vertebrale conservato, lievi graffi sui bordi, elegante e originale vincolante siglato Mercher. Libro illustrato con un ritratto dell'autore da Maccown incisa su legno da G. Aubert. Stupenda dedica autografa firmata dall'autore, a schermo intero, Valentine e Jean Hugo: "... The Lost primogenito, poi trovato, e io li raccomando per loro di imparare senza Detour disegno, arte costumi, sogni su schermo e la gentilezza di amicizia. simpatia abbastanza. Crevel. 1926. " Bellissimo esemplare, perfettamente preparate, provenienza eccezionale. [FRENCH VERSION FOLLOWS] Edition originale, un des 1115 exemplaires numérotés sur vélin simili-cuve, seul tirage avec 25 Japon. Reliure en demi maroquin noisette, dos lisse, plats recouverts de papier agrémenté d'un décor représentant un fil entremêlé faisant penser à un labyrinthe, gardes et contreplats de papier façon bois, couvertures et dos conservés, petites éraflures sans gravité sur les tranches, élégante et originale reliure signé de Mercher. Ouvrage illustré d'un portrait de l'auteur par Maccown gravé sur bois par G. Aubert. Superbe envoi autographe signé de René Crevel, à pleine page, à Valentine et Jean Hugo : "...ce premier né perdu, puis retrouvé, et que je leur confie pour qu'ils lui apprennent sans Détours le dessin, l'art des costumes, des rêves sur paravent et la gentillesse de l'amitié. En toute sympathie. Crevel. 1926." Bel exemplaire, parfaitement établi, d'une exceptionnelle provenance.

      [Bookseller: Librairie Le Feu Follet]
 50.   Check availability:     Link/Print  


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