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Displayed below are some selected recent viaLibri matches for books published in 1922


      (HOPPE, E.O.). Hoppe, Emil Otto & Richard King. THE BOOK OF FAIR WOMEN: THIRTY TWO PLATES FROM PHOTOGRAPHS BY E.O. HOPPE WITH AN INTRODUCTORY ESSAY BY RICHARD KING. New York. ND (1922).: Alfred A. Knopf, Inc., First American Edition 1/500. 4to. 1/4 Vellum Over Boards. Photography Monograph. Good -./No Jacket - As Issued. np, 32 tipped-in monochrome gravure illustrations. In a protective clear acetate dustwrapper. "The Book of Fair Women" is E.O. Hoppé's spectacularly beautiful 1922 collection of thirty-two dramatically staged and lit modernist photographic portraits of young ladies of standing from around the world - including Miss Marion Davies. It features an introductory essay by Richard King, with the text and captions printed by hand letterpress. An internally bright and sound copy (#386 of 500) of the first American edition with all tipped-in gravures present and secure, and whose fragile vellum spine and internal hinges are completely sturdy and intact. The decorative batik boards along with the edges of the textblock show some typical soiling and age-toning, with much of the edges of the covers worn, chipped and abraded through to the cardboard - especially at the tips. Still in all, this a most presentable age-appropriate example of this lavish production that looks much nicer in hand than it describes. It has been priced accordingly. PLEASE NOTE: Additional shipping costs are required for this item beyond our standard rates due to its weight and value - we will inform you of the applicable amount at time of purchase. Inventory Number: 020408&

      [Bookseller: Arcana: Books on the Arts]
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        Il giardino e la Pergola nel paesaggio di Capri.

      Le pagine dell?isola, Alfieri e Lacroix s.d. (1922) Le pagine dell?isola, Alfieri e Lacroix, s.d. (1922). In 8vo; pp.17. 21 tavole fuori testo e 3 illustrazioni nel testo. Cart. edit. illustrato. Edizione originale. Sandomenico, pag.107.

      [Bookseller: Studio Bibliografico Casella]
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        The Story of Inyo - [Association - Presention Copy by Author to Edgar Rice Burroughs with Burroughs' BOOKPLATE to Front Pastedown]

      [Chicago] The Author, 1922. 1st Edition. Description: xviii, 358 p. Front. (fold. Map) 20 cm. Subjects: Indians of North America--Wars--1862-1865. Inyo County (Calif. ) --History. Death Valley (Calif. And Nev. ). Signed by the author with an additional signed typed letter tipped-in. Near fine copy in the original gilt-blocked cloth. Slightest suggestion only of dust-dulling to the spine bands and panel edges. Particularly well-preserved; tight, bright and clean.

      [Bookseller: MW Books Ltd.]
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        Remembrance of Things Past

      London: Chatto & Windus, Alfred A. Knopf, 1922.. First edition. Octavo, 11 volumes. Original blue cloth with titles to the spine in in gilt. In fine condition. Translated by C.K. Scott Moncrieff. An excellent set, rare in this condition.

      [Bookseller: Raptis Rare Books, ABAA/ ILAB]
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        Les Sources inédites de l'histoire du Maroc. Deuxième série : Dynastie Filalienne. Complète.

      Ernest Leroux / Paul Geuthner 1922-1960 6 volumes in-4, 711, 660, XXVIII-585, XVI-729, VIII-548 et VIII-870 pages, broché Publications de la Section Historique du Maroc. Archives et Bibliothèques de France. Les lettres reproduites dans leur texte original, sont traduite de l'arabe en français. Exemplaires non coupés, très frais. Seul le second volume présente une couverture défraichie : dos fendu, avec quelques petits manques, dernier plat accidenté et restauré avec de l'adhésif ancien. Bon ensemble. Rare.

      [Bookseller: Librairie Aubry]
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        La Vie en Fleur.

      Paris: Calmann-Lévy 1922. II + 352 s. Opl. 200 numr. ekspl. på papier de Hollande. Indb. ubesk. med o.o. i smukt priv. papirbd. med overtræk af ægte kattunpapir fra ca. 1860, samt med skindtitelfelt. Bindet sign. Anker Kyster. Limited to 200 numb. copies on Papier de Hollande. Uncut copy bound with orig. wrappers in nice contp. paperbinding (calico-paper from c. 1860) with leatherlabel. (Anker Kyster).. Ekspl. nr. 32 af 200 ekspl. på papier de Holland. Copy no. 32 of 200 on Papier de Hollande

      [Bookseller: Peter Grosell's Antikvariat]
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        Cy Comencent Les Chroniques de Jherusalem Abregies [manuscript facsimile of the original Chronicles of the Crusades in the Austrian National Library]

      [Vienna: 1922-24]. Folio. (21 x 11 inches). 34 pages, on fine vellum, written in a batarde hand in red and black ink. 2 full-page and 83 half- page, quarter-page, and column width miniatures illuminated in full color and burnished gold, numerous illuminated initials, all within alternating red and blue borders with gold decoration. Original vellum over bevelled oak boards. Housed in a black morocco backed box. Astounding manuscript facsimile of a celebrated illuminated manuscript account of the Second Crusade. The Croniques de Jherusalem is among the prized possessions of the Austrian National Library. The richly illuminated codex, of which this manuscript is a painstaking exact copy, was prepared on behalf of Phillip the Good, (also known as Phillip III, Duke of Burgundy) circa 1450. Recent scholarship has attributed the original to the Master of Girart de Rouissillon, naming the codex as among his finest works. Phillip the Good is best remembered for his extravagant court, his taste for luxury and his patronage of the arts. During his reign, some six hundred illuminated manuscripts were commissioned, including the Croniques de Jherusalem. The original manuscript came into possession of Emperor Mathias and was passed down by inheritance to Emperor Max I, being notable enough to be mentioned in the inventory of the Treasury at that time. In the mid-18th century, the codex passed to the Imperial Library, later to be renamed the National Library. In 1922, artist, antiquary and publisher Annete von Eckardt was given permission to copy the famed manuscript, which to that time had not been reproduced. Von Eckardt, perhaps best known for her relationship with Franz Marc, was an extraordinary artist and colourist, as evidenced by this manuscript. In a note laid in, Eckardt describes the two year process by which she accomplished the work: "The original miniatures are shown very rarely and only by exceptional permission. Thanks to the kindness of the Director Herr Smital for two long years of tedious work it was possible to copy leaf by leaf with the aid of a magnifying glass. Again and again every detail of the work was compared with the original, while the precious leaves were kept under a protecting sheet of glass. Great difficulties were produced by the poor light in the library, which being situated in the old in period castle is entirely equipped in the style of the middle ages. Of course to execute the minute work of the miniatures no ordinary water-colours could be used: the lapis lazuli blue, scarlet red, turquois green had to be prepared with the aid of the yellow of eggs, honey, etc. etc. All the gold consists of pure gold and is finished by polishing with an agate style and will never tarnish. Such difficult and tedious copying of precious and antique masterpieces can hardly be expected, if at all, more than once. Therefore, this exquisite work of art, the Chronology of the Crusades, will ever be increasing in value as time goes on." An extraordinary work of art. Cf. Osterreichische Nationalbibliothek, Cod. 2533.

      [Bookseller: Donald Heald Rare Books]
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        Das Hohelied Salomos (The Song of Songs)

      (Berlin, 1922). Octavo. (16)pp. An extraordinary illuminated manuscript on vellum calligraphed by Peter Moser. The text, in black, is adorned with red and blue illuminated initials and delicate tendrils in blue that create a border on the left margin of each page. On the title page, the title is gilt on top of a gesso ground, giving dimension to the letters. Beautifully bound by Bruno Scheer in gilt-decorated red morocco, with vellum paste-downs bordered with gilt dentelles. Spine with seven raised bands, gilt-titled in five of the six compartments. Spine and corners slightly rubbed along edges, else fine. In a slipcase of mottled gray paper. With the bookplate of the Talmud scholar, translator, and bibliophile Lazarus Goldschmidt, whose distinguished collection is now held at the Royal Library of Denmark. A.e.g.

      [Bookseller: Bromer Booksellers]
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        Diary Kept by Joseph McAleenan for a Cruise for Sword-Fish in the Month of July, 1916

      New York: Privately Printed by the Author and His Friends [by H.S. Nichols, New York], 1922. First edition, one of 50 numbered copies, signed by the author, this being no. 1, said to be bound for the author's mother. 8vo. Frontispiece and 29 half-tone plates. pp. [i-ii] blank, [iii]-[xvi], [xvii-xviii] half-title, 1-115, [116] printer's notice. Bound in full brown morocco extra gilt, morocco doublures, t.e.g. Front hinge and corners professionally repaired. Bruns M-91 (without title or full description) . Rare and privately printed account of fishing for swordfish off Montauk Point and the adjacent waters of Block Island. McAleenan was also the author of Hunting with Rifle and Camera in the Canadian Rockies (1916, edition of 20 copies). McAleenan has a flair for writing and writes lovingly of this three week adventure, harpooning swordfish, battling sharks, sighting whales, etc.: " ... glad days, cheery companions, and the joy of living ... [for] those who have heard the wind in strange places ... " (Foreword)

      [Bookseller: James Cummins Bookseller]
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      Paris: Shakespeare and Company,, 1922. Small quarto (224 × 176 mm). Contemporary red morocco, spine gilt in compartments, titles and panelling to boards in gilt and blind, maroon silk doublures and endpapers, speckled edges. Housed in a black cloth slipcase. Contents faintly toned. An excellent copy. First edition. From a total edition of 1000 copies this is copy number 966 of the 750 on handmade paper. There were also 100 signed copies on thicker paper and 150 large paper copies.

      [Bookseller: Peter Harrington]
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      Published by Ernest Nister, 1922. Hardback. Good. Illustrated by Hardy, E. Stuart. Almost very good condition with no wrapper. A Panorama Picture Book of Fairy Stories. Nister book 633. Six stunning three-dimensional stand-up scenes. Large oblong format. Green cloth spine, colour pictorial paper boards. Front cover shows the Babes in the Wood riding on a leaf in the air harnessed to a pair of robins. Green/white floral endpapers. Spine has been rebacked with red cloth. Corners and cover edges are worn. There is some scuffing to the covers. Front free-endpaper is missing. Inscription in ink to top margin of title-page. One page has a large closed tear which has been neatly repaired. From the pop-up scenes there are some flowers missing at the top of the fairy's oar (in the swan picture) and the giant is missing from behind Jack (in the Jack and the Giant picture) otherwise the pop-ups are complete, bright and in excellent working order. The text pages are well fingered and thus a little grubby. A decent copy of a scarce pop-up book. [R]

      [Bookseller: Stella & Rose's Books]
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        The Pageant of Peking. Comprising Sixty-Six Vandyck photogravures of Peking and environs from photographs by... with an Introduction by Putnam Weale

      Shanghai: A.S. Watson & Co., 1922. . Third edition, folio, (viii), 40, (2) pp. 66 photogravures tipped in, some light foxing to margins and the text leaves, small closed tear to the final text leaf, but not affecting the text. Original blue silk covers, gilt title and Chinese characters to upper cover, spine and edges slightly faded, a little wear to the lower edges.

      [Bookseller: Bow Windows Bookshop]
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        Where the Blue Begins

      London: William Heinemann. no date (1922). Limited edition. Hardcover. Very Good. Signed by illustrator Arthur Rackham, limited edition, this no. 87 of 175 copies, hardcover, quarto, 227pp., illustrated in color and b&w. Book VG with rubbing, toning, and soil to boards, mild wear to spine ends and corners, gilt decoration and title to spine, top edge of textblock gilt, binding tight, flyleaves mildly off-set, text clean and unmarked. No DJ. In protective mylar wrap.

      [Bookseller: Caliban Books ABAA-ILAB]
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        Siluet'i Sovremennikov I Poet'i. Silhouettes of Contemporaries. I : Poets

      Moscow:: Al'tsiona. Very Good. 1922. First Edition. Paperback. Covers a little soiled and discoloured, tear to lower edge, rear cover neatly repaired with one other tear. A little thumbing and marking but generally internally clean. ; Russian painter and etcher known for her cut black paper and silhouettes. Part one of the projected series of silhouettes of contemporaries in artistic circles. 'Hand painted' printed card covers. See scissors motif to lower cover. 1,000 printed. Collection of silhouettes of the well-known poets of the day including Anna Akhmatova, Andrei Belyi, Aleksandr Blok, Valeri Briusov, Osip Mandelshtam, M Tsvetaeva, M Voloshin and others. More pictures on request. RUSSIAN AVANT GARDE & RUSSIAN SILVER AGE original editions: New collection of c.200 items in stock. Photos of all books available on request. See our RUSSIAN AVANT GARDE catalogue. ; 27 pages .

      [Bookseller: Marijana Dworski Books]
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        Le Peintre Graveur Illustré (XIXe et XXe siècles). Tome quartorzième [... Tome quinzième]. Francisco Goya. Pemière [Seconde] Partie

      Paris: Chez l'Auteur, 1922. 2 volumes bound as in one volume, quarto. (12 5/16 x 9 1/4 inches). Goya etching present. Later blue cloth, original olive paper wrappers bound in. The first edition of the two volumes from Delteil's magnum opus which deal with the prints etched, engraved and lithographed by Goya This first edition is particularly valued because Delteil included an original etching by Goya: the third state of Goya's 'Aveugle assis, chantant' (Delteil 30 [3rd state]). This is present here. Delteil includes every known print by Goya, listing all the known states and accompanying each entry with an image.

      [Bookseller: Donald Heald Rare Books]
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        The Trembling of the Veil

      London: Privately printed for Subscribers by T. Werner Laurie Ltd. 1st Edition. Hardcover. Fine/Fine. SIGNED LIMITED FIRST EDITION of Yeats's autobiographical work; one of only 1000 copies signed by Yeats. "One aspect of the fin de siècle nurtured in Yeats one of the most fruitful strains in his sensibility. The sense of imminent revelation appealed greatly to him. Looking back from 1922, he titled his autobiographical account of the decade of the 1890s The Trembling of the Veil. He recalled that Mallarmé has said that 'his epoch was troubled by the trembling of the veil of the Temple,' and that 'as those words were still true, during the years of my life described in this book,' he had named it accordingly" (The Cambridge Companion to W.B. Yeats). Octavo, original half parchment over light green boards; original dust jacket. London: Privately printed for Subscribers by T. Werner Laurie Ltd, 1922. Dust jacket spine with a little wear (slightly affecting label) and browning.

      [Bookseller: The Manhattan Rare Book Company]
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        The Beautiful and Damned / by F. Scott Fitzgerald

      New York : C. Scribner's Sons, 1922. 1st Edition. Scans and additional detail on request. 1st issue without the Scribner's seal to the copyright page ; no ads to the rear. Previous owner's inscription. Good to very good copy in the original gilt-blocked cloth. Slightest suggestion only of rubbing and toning to the spine bands and panel edges. Remains particularly well-preserved overall; tight, bright, clean and strong.

      [Bookseller: MW Books Ltd.]
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        The Beautiful and the Damned

      New York: Scribner's, 1922.. First edition, first state of the author's second novel. Octavo, original green cloth, titles to the spine in gilt. In excellent condition, showing only light wear to the spine extremities. Contemporary bookplate to the inside gutter.

      [Bookseller: Raptis Rare Books, ABAA/ ILAB]
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      London: Privately printed for the Navarre Society, 1922. Hardcover. 232 x 152 mm (9 1/8 x 6"). Five volumes. Publisher's original white buckram, gilt, covers with double fillet border and central medallion containing a fleur-de-lys, flat spines outlined by double fillet and featuring a tall tree with a grape vine twining around its trunk, gilt titling, top edges gilt, other edges untrimmed and MOSTLY UNOPENED. IN ORIGINAL GRAY DUST JACKETS. With 150 head- and tailpieces by Dunker and 73 engraved plates designed by S. Freudenberg, as called for, all plates with tissue guards. Spines of dust jackets a little sunned and with very slight traces of use, one fore edge uneven (paper flaw), one tissue guard creased, but A REMARKABLY FINE SET, in as close to original condition as one could hope to find. Inspired by Boccaccio's "Decameron," this is an attractively printed, attractively bound edition in fabulous condition of a collection of tales comprising the most famous work of Margaret of Navarre (1492-1549), author, intellectual, and patron of humanists and reformers. It was originally intended to contain 100 stories, but the author died before the work could be completed. Characterized by Samuel Putnam as "the first modern woman," Marguerite d'Angoulême, the sister of French king Francis I and the wife of Henri II, king of Navarre, was an intelligent and unusually well-educated woman who could read Latin, Italian, Spanish, and Hebrew. She was very interested in church reform, and corresponded with Erasmus and Calvin, even sheltering the latter at her court for a time. The tales in the "Heptameron" (so called because it covers a seven-day period) are told by travellers stuck at an abbey in the Pyrenees after floods have washed out a bridge. The stories deal with love "as a serious and sometimes a tragic passion. Each tale is followed by a discussion in which views commonly current at the time, e.g., on the nature of love and its manifestations, are advanced, and opposed by the more moral and religious opinions of Marguerite herself. . . . There is no doubt the the 'Heptameron' was designed to have an elevating and civilizing influence. The tales throw light on details of life and custom among the upper classes of the day." ("Oxford Companion") While no one would mistake the Navarre Society publications for items from the Kelmscott Press, these are books made with care. An advertisement in "The Library" in 1923 says that "the Fine Publications of the Navarre Society . . . strike a new note in fine book production," being "limited in issue, printed in large type upon specially made paper, illustrated by leading artists, bound in cream buckram, gilt extra, and issued at moderate prices to subscribers." Our set is in impeccable condition, with unused interiors, spotless, unworn gilt-decorated white bindings, and beautifully preserved, uncommonly seen dust jackets.

      [Bookseller: Phillip J. Pirages Fine Books and Mediev]
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      1922. Canterbury: Printed for Private Circulation by H. J. Goulden, 1922. Original pale turquoise wrappers. First Edition, first printing (i.e. with no title page). Galsworthy had met Conrad in early 1893, when a passenger on board the "Torrens" -- of which ship Conrad was then first mate. This was actually written as a review of Galsworthy's Forsyte novel A MAN OF PROPERTY; the review appeared in the 31 March 1906 issue of Outlook magazine. Conrad later had to apologize to his friend Galsworthy when this was inadvertantly omitted from NOTES ON LIFE & LETTERS (it was collected in the posthumous LAST ESSAYS instead).~As with the companion piece THE DOVER PATROL, Conrad disliked the initial printing because it did not have a title page (other than the front wrapper), and asked that it immediately be reprinted to include one. "Copies from the second printing of both pamphlets are much more common than copies from the first printings" [Cagle]. (It is often stated, but not by Cagle, that only 75 copies were printed; if this is true, it would apply only to the first printing, as the second is not that scarce.) This is a near-fine copy (some fading of the edges of the pale turquoise wrapper, as always). Cagle A57b.

      [Bookseller: Sumner & Stillman]
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      New York: Charles Scribner's Sons, 1922.. Green cloth, lettered in gilt and blind. Top edge and endsheets dust marked, otherwise about fine, the cloth unusually bright and the gilt lettering unblemished. The outer panels of the pictorial dust jacket are uniformly dust soiled, there is an old, small tape mend at the crown of the lower flap fold, and there are three small chips (none affecting letterpress): one at the extreme top edge of the rear panel, one at the extreme lower edge of the front panel, and one at the crown of the upper flap fold. First edition, first printing, in the first state of the dust jacket. A completely honest copy, untainted by restoration of any sort, and uncommon thus these days. BRUCCOLI A8.I.a.

      [Bookseller: William Reese Company - Literature ABAA-]
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        Beautiful and Damned, The

      New York: Charles Scribner's Sons, 1922. First Edition. Hardcover. Fine-. True First Printing (without the publisher's seal on the copyright page or the concluding advertisements on pp. 451-452 of later printings) of the author's second novel. 8vo; [10], 449, [1]pp. Publisher's dark blue-green linen-like cloth, the spine lettered gilt, the upper cover blind-stamped with the title and author, the fore-edge untrimmed. A just about Fine copy, (lacking the dust jacket), save for offsetting to the end papers and faintly discernible pencil erasures to the front fly leaf. Bruccoli A8.1.a& The Beautiful and Damned, in cut and edited form, first appeared in seven installments in Metropolitan magazine, from September 1921 to March 1922. The book, according to Bruccoli, came out on 4 March 1922, in a first impression of 20,600 copies. It went through two more printings that year, for a total of 50,000 copies. After the spectacular success of Fitzgerald's first novel, This Side of Paradise (1920), he struck out in a new direction, presenting in The Beautiful and Damned a more sparing, focused narrative, relying largely on an omniscient narrator. "Its style," according to the Literary Encyclopedia, "moves towards that integration of romantic and modernist elements which will come to such dazzling fruition in his next novel, The Great Gatsby." Note: With few exceptions (always identified), we only stock books in exceptional condition, carefully preserved in archival, removable polypropylene sleeves. All orders are packaged with care and posted promptly. Satisfaction guaranteed.&

      [Bookseller: Fine Editions Ltd]
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        The Beautiful and Damned

      Charles Scribner's Sons, 1922. Hardcover. Very Good. Charles Scribner's Sons, New York 1922. First Edition / First Printing / First Issue. Dated March 1922 with no additional printings listed. Lacking the Scribner's seal on the copyright page as issued. {ref: Bruccoli A8.I.a}. Gree cloth boards blindstamped title and author's name. Book Condition: Very Good, light shelf wear, foxing spots at the endpaper with light repair at the hinges, previous owner's name at the front endpaper, light age toning. The scarce dust jacket is not present.

      [Bookseller: 1st Editions and Antiquarian Books, ABA,]
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        Back to Methuselah

      Constable and Company, Ltd., London,, 1922. A Metabiological Pentateuch. Octavo. Original green cloth, titles to spine gilt. Contents a little shaken, endpapers browned. Very good. Second edition. Signed on the endpaper by Shaw and the cast of Barry Jackson's original production at the Birmingham Repertory theatre. The actors also identify the parts they played.

      [Bookseller: Peter Harrington]
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        The Works of Nikolay Gogol. Translated from the Russian by Constance Garnett. Include: Dead Souls, The Overcoat and Other Stories, Evenings on a Farm near Dikanka, Mirgorod, and The Government Inspector and Other Plays

      London: Chatto and Windus, 1922-28., 1922. 6 volumes; 8vo. A pretty set recently bound in dark green half morocco with gilt titles to spines,green cloth boards, top edges gilt. Constance Garnet translated the works of several Russian authors. She was credited by many as being responsible for introducing a whole generation of English speaking readers to the Russian modernists.

      [Bookseller: Adrian Harrington Rare Books]
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        The Complete Writings

      New York: Gabriel Wells,, 1922. Introduction by Albert Bigelow Paine. Octavo. 37 volumes. Finely bound in recent tan half calf with red and green labels, in filled gilt design to spine, raised bands, marbled boards, all edges cut. Printed on specially made all rag Old Enfield paper which bears the watermark "Samuel L. Clemens - Mark Twain". Frontisportrait and with about another 160 illustrations throughout the set. Internally very clean. A beautiful set. The Definitive Edition, limited to 1,024 numbered sets, each signed "S L Clemens / Mark Twain". Clemens planned a definitive and complete edition of his works before his death and, to that end, in 1906 signed 1,024 sheets with both forms of his name to be inserted in the first volume of the planned edition. The set was delayed for many years, when the sheets were removed from storage and used to create this posthumous signed edition.

      [Bookseller: Peter Harrington]
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        Revista Virolet 5 Volums

      Barcelona 1922 - 5 Volums de la revista Virolet suplement ilustrat d'en Patufet. Anys complets 1922, 1923, 1924, 1925, 1926. [Attributes: Hard Cover]

      [Bookseller: Reus, Paris, Londres]
 27.   Check availability:     IberLibro     Link/Print  

        Nouvelle Encyclopedie Autodidactique Illustree D'Enseignement Moderne [Volume I, Volume II, and Volume III]

      Paris: Librairie Aristide Quillet, 1922. Very Good + in hardcover. 30 by 21 cm. Volumes I, II and III. Large set. In French. This set of books contains some fascinating page fold-outs of color illustrations. Inside the front cover of Volume II alone is a color illustration of a ship wiith cut out layers showing the details of the individual decks of the ship. The volumes also contain many black and white illustrations as well as some color illustrations. There are library labels on the spine of two volumes and each has a few library stamps within the volume. Wear to edges of volumes but all are in very good condition for their age and have all the fold-out pages intact. Bright, clean.. Hard Cover.

      [Bookseller: Laird Books]
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      New York: Harcourt, Brace and Company, (1922). First Edition. Hardcover. Slight foxing to preliminaries, slight wear to covers with rubbed spot at the heel of the spine and a smaller spot on the front spine edge. Lacking the rare dustwrapper. Very Good or better and scarce when signed. Chosen and edited with an essay on the Negro's Creative Genius" by Johnson who has INSCRIBED and SIGNED the book on the front endpaper: "To Senator Samuel M. Shortridge,/With the sincere admiration of/James Weldon Johnson/November 28,1922. Samuel M. Shortridge was a Republican Senator from California and a descendant of Daniel Boone. He was elected to the U.S. Senate in 1920, riding Warren G. Harding's post World War I "Return to Normalcy" campaign, and reelected in 1926.

      [Bookseller: Charles Agvent]
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      Paris: Shakespeare & Company, 1922.. First edition. One of 750 numbered copies on handmade paper from a total edition of 1000 copies. Thick quarto, original blue and white wrappers. A near fine copy, internally fresh and largely unopened, the wrappers not significantly soiled or faded, and completely unrestored. In a custom quarter morocco box. This is copy #992, and has laid in the front panel of the original prospectus with the tipped-on reproduction of the 1918 photo of Joyce by C. Ruf. The front panel of the prospectus has been amended, as often, to indicate the book "is now ready," and the original buyer must have jumped at the opportunity, as the order panel of the prospectus has been neatly cut away. Sisley Huddleston's 5 March 1922 review from The Observer is also laid in (though both items are in prophylactic sleeves that have prevented any offsetting). Also laid into the slipcase is some correspondence relating to the sale of this copy in 1972 by Duschnes in New York City. A very sharp copy with nice provenance.

      [Bookseller: Raptis Rare Books, ABAA/ ILAB]
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        The Man With Two Left Feet And Other Stories

      London: Methuen & Co. Good in Fair dust jacket. (1922). Hardcover. 1 1/4" x 1/2" missing at head of spine. Tail of spine faded. Some spotting to page edges. 3" x 3 1/2" chip missing at tail of spine and along rear panel of dust wrapper. 2 1/4" x 1 1/2" chip missing at head of dust wrapper spine. 1/2" x 1/2" chips at head of front fold of dust wrapper and at head of rear panel of dust wrapper. Dust wrapper protected in archival mylar cover. ; [vi], 215 pages. Red papered boards with black lettering. Page dimensions: 188mm x 120mm. Lists four novels on the verso of the half-title page and 5 novels on the rear panel of the dust wrapper (The Man Upstairs; Uneasy Money; The Little Nugget; The Man with Two Left Feet; Something Fresh). ; 12mo 7" - 7½" tall .

      [Bookseller: Renaissance Books]
 31.   Check availability:     Biblio     Link/Print  

        Captain Blood, His Odyssey

      Houghton Mifflin Co. Boston 1922 - First Edition. N. C. Wyeth dustjacket art and frontis. Sabatini's scarce historical adventure novel of a physician sold into slavery who eventually becomes a feared pirate. Basis for a lesser known 1924 black and white silent film directed by David Smith and starring J. Warren Kerrigan and Jean Paige. The classic Michael Curtiz directed Warner Brothers feature released in 1935 starred Errol Flynn and Olivia de Havilland. Very Good to Near Fine, doctor's ownership stamp and undated gift inscription that appears more modern than contemporary at front endpaper, in Good dustjacket, an excellent candidate for some modest archival work, scotch tape along front flap edge and corner of front panel, scattered edge chips and short closed tears, inch sized chip at lower rear panel, circular punch hole at mid spine. [Attributes: First Edition; Hard Cover]

      [Bookseller: Babylon Revisited Rare Books]
 32.   Check availability:     AbeBooks     Link/Print  

        Hawthorne's Wonder Book. Signed Limited edition

      London: Hodder & Stoughton. VG : in very good condition without dust jacket as issued. In clear protective wraps. Decorative endpapers. Teg - remaining edges uncut. [1922]. Limited Edition [198/600]. Cream gilt-illustrated hardback cloth cover. 290mm x 230mm (11" x 9"). 207pp. 24 colour plates illustrated by Rackham; some with captioned tissue-guards. Deluxe Limited edition copy. Signed by Arthur Rackham on the Limitation page. .

      [Bookseller: Barter Books Ltd]
 33.   Check availability:     Biblio     Link/Print  

        (Rackham, Arthur) A Wonder Book

      London: Hodder & Stoughton, (1922). Quarto. viii, 207pp. One of 600 copies signed by the illustrator, Arthur Rackham. With twenty-four color plates, sixteen of which are tipped-in with titled tissue guards, and twenty line drawings. A beautifully illustrated collection of six Greek myths re-told for an audience of children. Some soiling to boards, spine lightly sunned, extremities slightly bumped, with a small tear to cloth at foot of spine, mild split before and after one signature where plates were inserted, else about fine in gilt-stamped white cloth. T.e.g.

      [Bookseller: Bromer Booksellers]
 34.   Check availability:     Biblio     Link/Print  


      Published by Hodder & Stoughton, 1922. 1st edition.. Hardback. Good. Illustrated by Rackham, Arthur. Almost very good condition with no wrapper. Limited to 600 copies. Bound in cream buckram, with pictorial stamping on the cover in gold. Titles to cover and spine in gold. Top-edge gilt, others untrimmed. 206 pages. 11.5 x 9". 16 tipped-in colour plates with captioned tissue-guards. 8 full-page colour illustrations and 20 b/w drawings. Tan and white pictorial endpapers. Copy no. 514 SIGNED by Rackham. Covers grubby. Spine darkened, bumped with slight damage at top of spine. Corners bumped and worn. All plates in fine condition. A few pale margin marks but generally contents are bright and clean. [S]

      [Bookseller: Stella & Rose's Books]
 35.   Check availability:     Biblio     Link/Print  

        Voltaire, La Princesse de Babylone, 40 Etchings by Friedrich Heubner

      Munich. 1922. First printing. Hardcover. Near Fine. Edition of 35, small folio (13 x 10), vellum chemise printed in sepia and gilt, housing 40 etchings (20 etchings in 2 states). About fine, slight soil and wear to the vellum folder, etchings inside in great condition. Friedrich Heubner (1886-1974) was a Munich-based artist, illustrator and graphic designer associated with "Die Sechs," a group of young modernist artists, and he was also loosely associated with both the Berlin and Munich Secession movements, an illustrator primarily whose works appeared in Jugend, Simpliccimus and Die Gartenlaube. RARE.

      [Bookseller: Caliban Books ABAA-ILAB]
 36.   Check availability:     Biblio     Link/Print  

        The Rubaiyat of Omar Khayyam

      London: John Lane, The Bodley Head, 1922 . First printing. Hardcover. Very Good. quarto, hb 108 pp. binding is decorated paper-covered paper boards, cloth spine with gilt lettering. decorated endpapers. stated first printing.Tissue-guarded frontispiece, and 19 other tissue-guarded full-page art-deco style illustrations by A.H. Fish as well as many page decorations in the text in black and orange. cloth bookmark bound in.Text is set in quite attractive serif type and printed in letterpress by the Curwen Press; plates by Geo. Gibbons & Co. A very good or better copy, gift inscription to art director Gene [Federico] on first free endpaper, dated 1961, else clean and unmarked, binding tight, pages bright, boards only slightly soiled and rubbed along the edges, a slight touch of foxing to the prelims.

      [Bookseller: hi+lo modern]
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        Rubaiyat of Omar Khayyam Rendered Into English Verse By Edward Fitzgerald

      London, (Sept. 1922): John Lane the Bodley Head Limited First [Anne Harriet] Fish illustrated edition, beautifully illustrated in art deco style with artwork highlighted in gold or silver with tissue guards present. color pictorial initials heading each verse, a magnificent production bound in green cloth covered boards backed in blue cloth, spine lettered and decorated in gilt, covers rubbed with some toning or rubbing, minor wear to joints and spine ends, previous owner's tasteful bookplate. Very nice. Anne Harriet Fish (1890-1964) was a British artist and illustrator. In her nearly 15-year career at Condé Nast, she produced 30 covers and hundreds of illustrations depicting modern society, often cynically.. First Edition. Quarto.

      [Bookseller: Alcuin Books, ABAA-ILAB]
 38.   Check availability:     Biblio     Link/Print  

        Jacob's Room

      Published by Leonard & Virginia Woolf at the Hogarth Press, Richmond,, 1922. Octavo. Original yellow cloth, white paper title label to spine printed in black. Housed in a quarter black morocco box. Some foxing early and late, endpapers lightly browned, contents a little shaken, spine slightly cocked and a touch sunned. Very good. First edition, first impression. One of probably 40 "A" subscribers' copies with the part-printed limitation label to the front free endpaper completed in ink by Virginia Woolf and signed by her. These copies were issued in advance of the trade publication and were not issued in dust jacket; they were given to the 40 active subscribers who had supported the press's early publications. The present copy was issued to "Mr Waterlow", i.e. Sydney Philip Perigal Waterlow (1878–1944), scholar and diplomat and intimate friend of both Virginia and Leonard Woolf. He attended Cambridge University with Leonard Woolf and Virginia's brother Thoby. Waterlow became one of Virginia's suitors, and proposed marriage to her following the breakdown of his first marriage and, despite her rejection, remained lifelong friends.

      [Bookseller: Peter Harrington]
 39.   Check availability:     Biblio     Link/Print  


      New York: Gabriel Wells, 1922-1925. First Edition. Hardcover. The books are in beautiful condition, the blue cloth spines and paper labels still bright. Volume 9, the only one lacking a dustwrapper, has some brown spotting on the rear board. Several volumes have minor dust soiling to the blue cloth. The dustwrappers are, for the most part, free of tears and very lightly soiled with slightly darkened backstrips and only minor wear. Several have longer tears, with the first volume having the front panel neatly separated from the backstrip and another volume with both panels neatly separated from the backstrip. All in all, a lovely set, quite uncommon in the dustwrappers. E. W. Kemble, Howard Pyle, Dan Beard, Peter Newell, A. B. Frost. The Definitive Edition consisting of thirty-seven octavo volumes bound in blue cloth-backed boards with printed paper labels on the spines and plain printed dustwrappers. Illustrated with photogravure frontispieces and plates (including portraits) after E. W. Kemble, Howard Pyle, Dan Beard, Peter Newell, A. B. Frost, and others. With notes of appreciation and commentary by W. D. Howells, Booth Tarkington, G. K. Chesterton, and many others. This is copy #744 of 1024 sets with a tipped-in leaf SIGNED "S.L. Clemens/Mark Twain" in the first volume and SIGNED additionally by Mark Twain's biographer Albert Bigelow Paine, as issued. The last two volumes, 36 and 37, print Twain's AUTOBIOGRAPHY, and due to the span of time between publication of the earlier volumes and the final two, they are often lacking from the set.

      [Bookseller: Charles Agvent]
 40.   Check availability:     Biblio     Link/Print  

        The Man Who Knew Too Much

      London: Cassell & Co., 1922. Stories by the author of the Father Brown books. Green cloth black lettering. Edgewear but a very good copy otherwise.. 1st. Cloth. VG/No Jacket. Octavo.

      [Bookseller: Contact Editions]
 41.   Check availability:     Biblio     Link/Print  

        Fac Simile of an Indian Painting [Tab. 22]

      [Leipzig: Schmidt and Guenther, 1922]. Aquatint engraving by J. Hurlimann after Bodmer. 13 3/8 x 18 3/4 inches. 19 3 /16 x 25 1/2 inches. From the scarce Leipzig edition printed from the original copper-plates. Limited in number, the prints from the Leipzig edition are more scarce than, and compare favorably to, the first edition. (David C. Hunt, "Karl Bodmer and the American Frontier," Imprint/Spring 85, p.18) An important record of the work of the prominent Mandan Chief, Mató-Tópe (`Four Bears'). He here records an incident from amongst his own many war exploits: during hand-to- hand combat with a Cheyenne Chief, he grabbed for his opponent's knife and wounded his own hand in the process. In the actual encounter he managed to get hold of the knife and used it to kill his opponent. Mató-Tópe was the second chief of the Mandans, one of George Catlin's closest Indian friend (he had painted him in 1832) and a popular leader amongst his people, respected for his prowess in battle. He was also admired by Prince Maximilian, not only for his bravery and his knowledge of the customs of the Mandans and the neighboring Arikaras, but also for his strength of character and generosity. Karl Bodmer's images show great versatility and technical virtuosity and give us a uniquely accomplished and detailed picture of a previously little understood (and soon to vanish) way of life. Swiss-born Bodmer was engaged by Prince Maximilian zu Wied-Neuwied (1782-1867) specifically to provide a record of his travels in North America, principally among the Plains Indians. In the company of David Dreidoppel (Prince Maximilian's servant and hunting companion), their travels in North America were to last from 1832 to 1834. Well-armed with information and advice, the party finally left St.Louis, on the most important stage of their travels, aboard the steamer Yellow Stone on April 10 1833. They proceeded up the treacherous Missouri River along the line of forts established by the American Fur Company. At Bellevue they encountered their first Indians, then went on to make contact with the Sioux tribe, learning of and recording their little known ceremonial dances and powerful pride and dignity. Transferring from the Yellow Stone to another steamer, the Assiniboin, they continued to Fort Clark, visiting there the Mandan, Mintari and Crow tribes, then the Assiniboins at Fort Union, the main base of the American Fur Company. On a necessarily much smaller vessel they journeyed through the extraordinary geological scenery of that section of the Missouri to Fort Mackenzie in Montana, establishing a cautious friendship with the fearsome Blackfeet. From this, the westernmost point reached, it was considered too dangerous to continue and the return journey downstream began. The winter brought its own difficulties and discomforts, but Bodmer was still able to execute numerous studies of villages, dances and especially the people, who were often both intrigued and delighted by his work. The portraits are particularly notable for their capturing of individual personalities, as well as forming a primary account of what were to become virtually lost cultures. David C. Hunt, "Karl Bodmer and the American Frontier," Imprint/Spring 1985, p.18. Cf.Graff 4648; cf. Howes M443a; cf. Pilling 2521; cf. Sabin 47014; cf. Wagner-Camp 76:1.

      [Bookseller: Donald Heald Rare Books]
 42.   Check availability:     Biblio     Link/Print  

        The Waste Land

      New York: Boni and Liveright. 1st Edition. Hardcover. Very Good/Fine. FIRST EDITION, FIRST ISSUE, FIRST STATE of the most influential poem of the twentieth century. Complete with the extremely rare dust jacket and glassine. With important provenance: from the estate of Scofield Thayer. "Assembled out of dramatic vignettes based on Eliot's London life, The Waste Land's extraordinary intensity stems from a sudden fusing of diverse materials into a rhythmic whole of great skill and daring. Though it would be forced into the mold of an academic set piece on the order of Milton's 'Lycidas,' The Waste Land was at first correctly perceived as a work of jazzlike syncopation--and, like 1920s jazz, essentially iconoclastic. A poem suffused with Eliot's horror of life, it was taken over by the postwar generation as a rallying cry for its sense of disillusionment. Pound, who helped pare and sharpen the poem when Eliot stopped in Paris on his way to and from Lausanne, praised it with a godparent's fervor. As important, Eliot's old friend Thayer, by then publisher of the Dial, decided even before he had seen the finished poem to make it the centerpiece of the magazine's attempt to establish American letters in the vanguard of modern culture. To secure The Waste Land for the Dial, Thayer arranged in 1922 to award Eliot the magazine's annual prize of two thousand dollars and to trumpet The Waste Land's importance with an essay commissioned from the Dial's already influential Edmund Wilson. It did not hurt that 1922 also saw the long-heralded publication of Ulysses, or that in 1923 Eliot linked himself and Joyce with Albert Einstein in the public mind in an essay entitled 'Ulysses, Order and Myth.' Meteorically, Eliot, Joyce, and, to a lesser extent, Pound were joined in a single glow--each nearly as notorious as Picasso" (American National Biography). Provenance: From the estate of Scofield Thayer, Eliot's good friend and the publisher of the Dial, who awarded Eliot the Dial's 1922 annual literary prize and was instrumental in getting the poem published. This copy has never been in circulation - it has come directly from the Thayer estate, with an accompanying letter of provenance. #91 of 1000 copies published. One of approximately 500 copies of the first issue, with flexible black cloth binding and stamped limitation number 5mm high. With first state of text ("mountain") on page 41. With advertising bookmark presumably issued with the book laid-in. New York: Boni and Liveright, 1922. Octavo, original flexible black cloth, original glassine, original dust jacket; custom half-leather box. Book with pristine text entirely unopened, but with damage to the cloth on the upper joint and a little fraying at top corner and bottom edge. Glassine with wear and chips corresponding to the damage in cloth; dust jacket exceptionally clean and fresh with only chips to spine ends. EXTREMELY SCARCE complete with dust jacket and glassine, and with a significant provenance.

      [Bookseller: The Manhattan Rare Book Company]
 43.   Check availability:     Biblio     Link/Print  


      New York: Boni & Liveright, 1922. First Edition. Flexible covers. Near Fine. First printing, first state. A remarkably well preserved copy of T. S. Eliot's magnum opus. A first state copy with flexible boards and the limitation number in 5 mm font. Number 196 of 1000, approximately 500 of which were offered in the first state flexible boards. Mountain with the dropped "a" on page 41, generally considered second issue for that leaf. Near Fine with slight sunning to the spine and a slight tear to the top of the spine, but all gilt bright and complete. Small bookstore label to rear paste-down otherwise devoid of any markings. Title page still unopened, but small chip from top of second half-title where it appears the pages were roughly opened. One light bump to bottom front corner, otherwise book is clean and sharp. Arguably, one of the most important and influential poems written in the 20th century. Offered here in exceptional condition and housed in a quarter-leather custom clamshell case. Additional photos available upon request. Near Fine.

      [Bookseller: Whitmore Rare Books]
 44.   Check availability:     Biblio     Link/Print  

        The Meaning of Relativity

      London: Methuen & Co. Ltd., 1922 Four lectures delivered at Princeton University, May, 1921. Translated by Edwin Plimpton Adams. First edition, first printing. Original publisher's cloth, dust jacket. About fine with some spotting to page edges and the front endpaper; in the original fragile, blue printed dust jacket with some chipping to the spine ends, a few small spots, spine a bit soiled, else very good.. First Edition. Hard Cover. Fine/Dust Jacket Included.

      [Bookseller: B & B Rare Books, Ltd., ABAA]
 45.   Check availability:     Biblio     Link/Print  

        Zwolf Zeichnungen zu dem Marchen: Die Singende, Springende, Loweneckerchen (The Singing, Springing Lark)

      Berlin: Bruno Cassirer, (1922-23). Limited edition. Hardcover. Near fine. Max Slevogt. Folio (12 x 15'). Twelve small sketches on thin paper mounted to folding mats, each signed in pencil by the artist illustrating the tale by the Brothers Grimm.. In fine condition. With a single leaf, folded, giving the title and the limitation. In publisher's original folding box: vellum spine, gilt; vellum corners; paper over boards; bone and vellum clasp. Vellum soiled, box worn at corners, paper limitation folder browned at edges; but contents (matted and signed illustrations) are fine. One of 50 numbered copies. 'Alle Blatter sind von Max Slevogt unterschrieben.' Number 88 of the Brothers Grimm tales. A convoluted tale involving a lion/prince, a lark, three daughters, a princess, a griffin, a magic nut, and more. Sometimes known as "The Lady and the Lion".

      [Bookseller: Thorn Books]
 46.   Check availability:     Biblio     Link/Print  

        The Golden Hind Volume 1 Numbers 1 to 4

      London: Chapman, 1922. Limited de luxe ed. 27/75 signed by both Clifford Bax and Austin Spare. No 1. Pp. (4), 48. No 2. Pp. (4), 40. No.3. Pp. 40. No.4. Pp. 40. Writers include Aldous Huxley, Alec Waugh, Laurence Housman, W.H.Davies, Tagore, Richard Church and Havelock Ellis. Illustrators of drawings, lithographs and woodcuts include Austin Spare, Alastair, John Austen, Gibbings, John Nash, Brangwyn and Allan Odle. With it 3 out of 4 signed lithos by Cecil French, Grace E. Rogers and Laurence Bradshaw. The lithos were issued to subscribers of this de luxe edition. With it flyer for La Grande Ducasse Drolatique by Hayden Mackey and a publisher's announcement for Volume 2. Numbers 1 and 2 slightly scuffed, all numbers with corners rubbed, numbers 3 and 4 with original dust wrappers although these are rather frayed. The lithos are creased at the edges. Four more numbers were published in smaller format, publication then ceased.. Signed by Author. 1st Ed. Hard Cover. Very Good/Poor. Illus. by Austin Spare and Others. 37.0 x 27.0 Cm.

      [Bookseller: Besleys Books]
 47.   Check availability:     Biblio     Link/Print  

        Gullivers Reise ins Land der Riesen - Eine Reise nach Brobdingnag. Mit fünfundzwanzig Originallithograpien von Lovis Corinth.

      Propyläen Verlag, Berlin 1922. - Flur 34 x 27,5 cm. Grüner Original Halbmaroquinband mit goldgeprägtem Rückentitel und Kopfgoldschnitt. 75 (1) Seiten mit 25 ganzseitigen Lithografien von Lovis Corinth. Seiten an der Seite und unten unbeschnitten. Leder am Rücken berieben, Vorsatz und Titelblatt etwas braunfleckig, im Innenteil nur sehr gering. Gutes Exemplar. // 34 x 27,5 cm. Brown original half-morocco with gilt spine title and top edge gilt. 75 (1) pages with 25 full-page lithographs by Lovis Corinth. Pages untrimmed, Binding slightly rubbed. Fly leafs a little brownstained, inside almost clean. Good copy. Limitierte, nummerierte Auflage von 400 Exemplaren. Das vorliegende Exemplar trägt die Nummer 348 und ist im Druckvermerk vom Künstler signiert. Der Einbandentwurf stammt von Hugo Steiner-Prag. 950

      [Bookseller: Antiquariat Carl Wegner]
 48.   Check availability:     AbeBooks     Link/Print  


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