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Displayed below are some selected recent viaLibri matches for books published in 1922

        Kostüme / Plakate und Dekorationen dreiundvierzig Tafels mit begleitendem text von Oskar Bie zweite Auflage

      München Musarion Verlag 1922. Quarto. Original publisher's pictorial cloth-backed boards printed in colour, decorative titling to spine gilt. [1] (title), [2] (copyright notice), 3-10 text in German, [i] (publisher's notice), [i] (blank) pp. followed by 42 plates (30 of which are in pochoir). With a fine photographic frontispiece depicting Schnackenberg in his Munich studio with the dancer Lo Hesse. Pochoir plates include: Plakat. Schnackenberg- Ausstellung 1914 Plakat. Ritter Blaubart Plakat. Anne Ehmans Figurine. Maria Hagen: Altfranzöisches Ballett Plakat. Hagen-Pathe Plakat. Cabaret Bonbonniere Plakat. Laederlappen, Stockholm Figurine. Pathe: Groteske Figurine. Die blaue Flamme Figurine. Maria Hagen Innenplakat. Odeon-Casino Figurine. Maria Hagen. Chinesenbaby Weinkarte. Preysing-Palais, München Panneaux. Orientalisches Fest 1914 Figurine. Der Salamander Film-Plakat (Hedemaria Scholz in "Die Rodelhexe") Figurine. Fleur du mal Figurine. Joachim von Seewitz in: Liebe der Tschaikiun Plakat. Hagen-Pathe Plakat. Odeon-Casino FigurineTänzerin in einem orientalischen Festzug Theater-Dekoration. Indischer Tempel Plakat. Deutsches Theater, München Figurine. Schlange Plakat. Odeon-Casino 1911 Plakat. Erry u. Merry Figurine. Maria Hagen: Walzer Figurine. Lo Hesse Plakat. Lena Amsel Plakat. Consee, München Black and white plates include: Figurine. Der böse Zauberer Figurine. Der gute Zauberer Figurine. Maskerade Figurine. Orientalische Tänzerin Tortola Valentia. Studie Photographic studies include: Joachim v. Seewitz. Puderquaste (Setzer Wien) Peter Pathe. Groteske (Greiner Munchen) Maria Hagen u. Peter Pathe. Licht u. Schatten (Greiner München) Lo Hesse u. Joachim v. Seewitz. Maskerade (Setzer Wien) Anita Berber. Bingha (A. Binder Berlin) Lo Hesse. Tschaikiun (Setzer Wien) Maria Hagen. Walzer (Schenker Berlin) Binding slightly worn, soiled and shaken, endpapers somewhat foxed. Some signatures slightly split at spine. Plates in very good condition, with tissue guards.. Second Edition. Derra de Moroda 2271. Hilar p. 784. Often referred to as the "Toulouse-Lautrec of Germany," Schnackenberg masterfully captured the exotic world of expressionist pre- and post-World War II Munich. The present highly attractive collection includes his finest costume, poster and theatre designs rendered in vibrant colour, along with fine photographic illustrations of some of the most noted dancers of the time. "When we remember this [dance renaissance] movement [in Germany] we think of the Munich art feasts and performances in theaters and concert halls, which came out of this art-loving city thanks to the collaboration of creative artists. Among those who actively and knowingly took part in this movement, the painter Schnackenberg attracted attention with his creations. His planes, figures and drawings make it clear that in dance and pantomime, we can reclaim the right to rejoice in the beauty of the body, the striking pose and the animated movement. Glowing colors delight the eye, joy of life shines in the lightness, and the bright colors conveny to us that the world need not remain grey and colorless if we have the courage to be guided by our yearnings." Gleichen-Russworm: Schnackenberg: Ballet und Pantomime (foreword), 1920. Bie was the author of a number of noted works in the fields of both music and dance.

      [Bookseller: J & J Lubrano Music Antiquarians]
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        Collection of almost 200 autograph and typed letters signed, addressed to officers of the LSE student body, including J. M. Keynes, Rudyard Kipling and Bertrand Russell.

      Various places, largely dating from the last years of the Great War and the 1920s.. Various formats. Altogether 137 counted and 49 uncounted letters, cards, etc.. Comprising a series of eight autograph letters and one typed letter by Bertrand Russell, Honorary President of the Students Union ("[...] I have to give an address at about the same time at Liverpool on 'Mental Freedom in Education', which might do. On the other hand I think perhaps you would prefer something less platitudinous & more concerned with actualities, such as 'Reflections of a Globe-trotting theorist' or 'Asia & Europe' or 'Internationalism & Finance' [...]", 14. VII. 1922), Norman Angell (1), Arthur Balfour (2), Lilian Baylis (1), Norman H. Baynes (3), Max Beerbohm (1), Clive Bell (1), Hillaire Belloc (2), Arnold Bennet (1), William H. Beveridge (1; when Director of the School - "the portrait of Mr and Mrs Webb by Mr William Nicholson will be on private view in the Founders' Hall"), George Bowyer (1), William Henry Bragg (2), Henry Noel Brailsford (1), Constance Braithwaite (1), James Bryce (3), James Buchan (1), John Galsworthy (1), J. B. S. Haldane (4), Julian S. Huxley (1), William R. Inge (3), Sheila Kaye-Smith (2), Marjory Kennedy-Fraser (1), J. M. Keynes (1; in February 1925, soon after starting work on A Treatise on Money - "I am at the present time much engaged, partly in connection with a new book"), Rudyard Kipling (2), H. J. Laski (3; "[...] May I generalize your suggestion to 'Coalition Government'? [...]"), Stephen Leacock (2), Walter Leaf (1), Sidney Lee (2), Hastings Bertrand Lees-Smith (1), Oliver Lodge (2), David Low (2), James Lowther, 1st Viscount Ullswater (1), Charles Prestwood Lucas (1), James Ramsay MacDonald (5), Eugene O'Connell Maggs (1), Walter de la Mare (3), John Masefield (1), James Maxton (1), Reginald McKenna (3), Oswald Mosley (4; e. g. one when Labour and one as New Party), Gilbert Murray (1), A. S. Neill (1), H. W. Nevinson (1; 18 January 1915 - "this morning the War Office suddenly orders me to France"), Philip Noel-Baker (1), Helena Florence Normanton (1), Bernard Pares (2), William Flinders Petrie (2), Marion Philips (1), Arthur Ponsonby (1), Eileen Power (2), Josef Redlich (1), R. Redmayne (1), G. Riddell (1), Dennis Holme Robertson (1), Ronald Ross (3; proposing to talk on 'The Blessing of War' in July 1914 but changing the title to 'Evolution and War' that October), Ernest Rutherford (1), Caleb Williams Saleeby (1), G. B. Shaw (1 and telegram; "[...] I am afraid I cannot accept the Presidency [...] It would involve the preparation of a written paper; and for this I have no time [...]"), Montague Shearman (1), Emanuel Shinwell (1), Jan Smuts (3 and telegram; accepting the post of President during the closing months of the Great War), Arthur Steele-Maitland (1), Lytton Strachey (1; "[...] lectures & addresses are I am sorry to say quite out of my line [...]"), Ethel Snowden (1), Frederick Soddy (5), Henry Wickham Steed (1), Christopher Stone (1), Montague Summers (1; "[...] I would suggest that I read a paper on Werewolves [...] If you prefer a paper on Witchcraft I can just easily speak on that subject [...]"), Sybil Thorndike (1), Charles Trevelyan (3), Edgar Wallace (1), Hugh Walpole (1), Beatrice (1) and Sidney Webb (2), Josiah Wedgewood (2), H. G. Wells (2), Rebecca West (1), Hartley Withers (1), Lucien Wolf (1), Allyn Abbott Young (1), and Alfred Zimmern (2). - Includes a collection of 42 mostly autograph letters by the English author, poet and dramatist Eden Phillpotts (1862-1960), largely to his agent W. M. Colles, other recipients including the publisher John Lane.

      [Bookseller: Antiquariat Inlibris, Gilhofer Nfg. GmbH]
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        Bildnerei der Geisteskranken. Ein Beitrag zur Psychologie und Psychopathologie der Gestaltung.

      Berlin, Springer, 1922.. ( Erste Ausgabe ) VIII, 361 Seiten, 1 Blatt. Mit 187 zum Teil farbigen Abbildungen im Text und auf 20 Tafeln vorwiegend aus der Bildersammlung der Psychiatrischen Klinik Heidelberg. Schlichter schwarzer OPappband, 4° ( 26 x 21 cm ). Der Einband etwas berieben, Ecken und Kanten etwas bestoßen, ( obere Ecke des Vorderdeckels gestaucht ), der schmale Einbandrücken leicht angeplatzt. Innen wenige Seiten gering fleckig. Insgesamt guter Zustand des seltenen Werkes in erster Ausgabe. ( Gewicht 1400 Gramm ) ( Pic erhältlich // webimage available ).

      [Bookseller: Buchhandlung & Antiquariat Friederichsen]
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        THE WASTE LAND. By T.S. Eliot

      NY: Boni & Liveright, 1922. NY: Boni & Liveright, 1922. First Edition. Original Cloth. Fine/Very Good. 64pp. Limitation notice on verso title-page. Rough-trimmed leaves. Black cloth over flexible boards, bright gilt, 7.5" x 5". Dust wrapper slightly chipped at spine ends; glassine chipped at edges. (The light streak in our image of the dust wrapper is a reflection, not a flaw). In cloth clamshell box with morocco shelf back, gilt, fine condition, 8.25" x 5.75 This is #277 of 1,000 copies printed. [Gallup A6a: Flexible black cloth lettered in gold on front cover and on spine....Salmon dust-wrapper printed in black; outer glacine wrapper. Number in limitation notice is approximately 5mm high....The word "mountain'"is correctly spelled on p. 41. Also, this copy has "a" dropped from the word "water" on p.22. The dust jacket has a final period on the front cover, a comma after "Dante" on the front flap, and does have a dollar sign on the price on the spine.]

      [Bookseller: R & A Petrilla, Booksellers (IOBA)]
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        THE WASTE LAND

      New York:: Boni & Liveright,, 1922.. New York:: Boni & Liveright,. 1922. First edition of his most influential book. Second state in stiff boards (versus flexible) with colophon 2mm high (versus 5mm) and "mount in" page 41. Number 576 of 1000 copies. Spine lettering a little flaked and ends soft but still very good or better, lacking the rare dust jacket.

      [Bookseller: Quill & Brush]
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        The Waste Land

      US: Boni & Liveright, 1922. US: Boni & Liveright. New York, Boni & Liveright, 1922. Hardback second edition, limited to 1000 copies. This being number 299. The second edition is more commonly referred to as the second impression. This copy has 'mountain' misspelt as 'mount in'. Fine condition with darkening to the gilt on the spine, but nothing else of note. . Fine. Hardback. 2nd Edition. 1922.

      [Bookseller: Hyraxia]
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        JACOB'S ROOM

      Richmond: Hogarth Press, 1922 Woolf, Virginia. JACOB'S ROOM. London: The Hogarth Press, 1922. First Edition of Virginia Woolf's third novel, a homage to those soldiers who died in World War 1 and to her late brother Thoby, in which she completely breaks with the traditional form. "There's no doubt in my mind that I have found out how to begin (at 40) to say something in my own voice." 8vo. 290 pp. + 14 pp. of publisher's adverts. A near fine copy in crocus-yellow cloth, small bump at lower front tip, cream printed paper label to the spine in a lovely example of the Vanessa Bell designed dustwrapper showing modest use and a couple of tiny chips and one small "island" loss on the back panel. Overall a wonderful copy of this elusive Woolf Highlight. Kirkpatrick and Clarke A6a. Woolmer 26. . First Edition.. Illus. by Vanessa Bell.

      [Bookseller: TBCL The Book Collector's Library]
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        Gedichte um Netra. V o r z u g s a u s g a b e. Nummer 1 von 25 Exemplaren. >Dieses Buch erschien im Verlag der Galerie von Garvens, Hannover; im Einvernehmen mit dem "Verlag Neuer Graphik" der Rikola Verlag A. G.; Es wurde von Julius Zimbel auf den Stein geschrieben und in der Sezessionsdruckerei von A. Berger in einer Auflage von 100 Exemplaren auf der Handpresse gedruckt. Dies ist Nummer [handschriftlich mit Tinte: 1],

      Wien, 1922 - Wien, 1922, 21,6 x 13,7 cm, 1 Blatt, 41, (3) Seiten, 8 Schmuckinitialen, drei ganzseitige Illustrationen von Zimbel, Original-Halbledereinband der Vorzusausgabe, Kleisterpapierbezug und illustrierte Vorsätze. Von Kindermann im Impressum handschriftlich signiert. Ecken und Kanten etwas berieben. Gutes Exemplar mit bester Provenienz. Exemplar Nummer 1 mit der handschriftlichen Signatur von Heinrich Stinnes auf dem leeren Zwischenblatt. Dieses Exemplar wurde vom 7.-9. April 1938 unter Los 1969 (= Konvolut 8 Titel) in der Auktion 57 II. Teil bei Reinhold Puppel in Berlin versteigert. - Umfassendste Literatur hierzu: Vester, Katrin, Herbert von Garvens-Garvensburg: Sammler und Galerist im Hannover der frühen Zwanziger Jahre. Wissenschaftliche Hausarbeit zur Erlangung des akademischen Grades eines Magister Artium der Universität Hamburg, Hamburg, 1989 (nur als Manuskript gedruckt); darin: Seite 26ff. Kapitel 1.3. Verlag der Galerie von Garvens, Zitat: "Seit Beginn des Bestehens der Galerie beabsichtigte Herbert von Garvens einen eigenen kleinen Verlag zu gründen. Die insgesamt sechs [sic!] Publikationen sind von exklusiver Ausstattung, Liebhaberstücke in kleiner Auflage. [.] Rudolf Kindermanns "Gedichte um Netra" sind "auf den Stein geschrieben", mit Original-Lithographien versehen, jedes der 100 Exemplare - 25 auf handgeschöpftem Büttenpapier mit Halbledereinband, 75 auf Dokumentenpapier mit Halbpergamenteinband - vom Dichter handschriftlich signiert. [.] - Siehe den Ausstellungskatalog "Die Zwanziger Jahre in Hannover", Kunstverein Hannover, 1962, darin im Ausstellungsverzeichnis ein Exemplar der Normalausgabe unter C35. - Kindermann war österreichischer Germanist und als Bezirksschulrat tätig, arbeitete auch als Redakteur der >Wiener Zeitung< (vgl. Kosch VIII, 1172). Sprache: Deutsch Ecken und Kanten etwas berieben. Gutes Exemplar mit bester Provenienz. Original-Halbledereinband der Vorzusausgabe, Kleisterpapierbezug und illustrierte Vorsätze. Von Kindermann im Impressum handschriftlich signiert. [Attributes: Hard Cover]

      [Bookseller: Stader Kunst-Buch-Kabinett]
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        ALEXANDRIA. A History and Guide

      Whitehead Morris Limited. Alexandria. 1922. Whitehead Morris Limited. Alexandria. 1922. FIRST EDITION. 8vo. (7.5 x 5 inches). Illustrated with line drawings and plans. Fold out colour printed map in pocket at rear of book. Publishers beige paper covered stiff boards. Spine and front board lettered in black. Spine and board edges darkened but lettering still readable. Some rubbing to boards. Previous owners neat name (and home town, dated 1923) on the front free endpaper. Small v shaped chip (0.5 x 0.3 inch) to the edge of the fold out map at the rear. Overall a near very good copy. The publishers recorded that a large proportion of this original edition was destroyed by a fire at their warehouse.

      [Bookseller: Paul Foster Books]
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        The Waste Land in The Dial November 1922.

      The Dial Publishing Company, Inc. 1922 - First U.S. appearance of The Waste Land. Original beige wrappers. Very mild chipping to the edges, light shelf wear, short closed tear to back cover. A bright, near fine copy. [Attributes: First Edition; Soft Cover]

      [Bookseller: Lyrical Ballad Bookstore ABAA/ILAB]
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        Ulysses

      London,: The Egoist Press, 1922.. London,: The Egoist Press, 1922.. Octavo (215 ? 168 mm); uniquely bound in contemporary Italian half-vellum, green morocco label to spine with gilt titles, and white paper to sides with a floral pattern in red and blue; light rubbing to spine label and extremities, browning and a small burn mark to upper board, leaves slightly cockled, with a small stain to early leaves; overall in very good condition. An exceptionally interesting copy of Ulysses, given by Joyce to an admired young Italian writer and translator, Lauro De Bosis, perhaps anticipating a translation, and in an extraordinary way prefiguring De Bosis's Icarus/Daedalus fascination and ultimate death in an Icarian flight ten years later.This is an example of the first UK edition (printed in France for distribution in London), the second printing overall, limited to 2000 numbered copies for publication in the UK of which 500 were reportedly destroyed on arrival by British Customs. This copy is stamped "Press Copy" on the half-title, and "Unnumbered Press Copy" on the limitation leaf - as with the February edition, all the press copies, by Joyce's own account (letter to Weaver, 17 November 1922), were stamped by Joyce himself, wielding the two rubber stamps "with great delight".This copy, given to him by Joyce, was owned by Lauro De Bosis, is in an Italian binding that must have been arranged by him, and has his bookplate. Lauro De Bosis was a young Italian poet, only 20 at the time of publication. In his short life he would become acquainted, among many other literary figures, with Ezra Pound, would teach a summer course in Literature and Philosophy at Harvard, and complete Italian translations of Aeschylus and Sophocles as well as Frazer's Golden Bough.Two letters from Joyce give evidence of his relationship with De Bosis. One, sent to Harriet Shaw Weaver on 19 July 1923 from England, makes a glowing assessment of his character: "Mr De Bosis can see me any time he likes. He himself is so nicelooking and so very well washed and dressed and so agreeable and enthusiastic that I shall be very pleased to see him and listen to any proposal he may make as to the translation into any language of anything ever written by anybody." The other, to Italo Svevo on 20 February 1924 from Paris, asks Svevo to send De Bosis a copy of Ulysses. Since De Bosis was best known as a translator, and given the implication in Joyce's first letter that De Bosis had asked permission to translate Joyce's works, the present copy, sent to him on Joyce's instruction, may be construed as an invitation to translate Ulysses into Italian.Though there is no record of this translation being attempted, the young De Bosis, after receiving this book, may be said to have been translated into a Joycean phenomenon. He became obsessed with the figure of Icarus (and, by extension, Joyce's Icarian character Stephen Dedalus). In 1928, De Bosis entered the literary competition of the Olympic Games with a classical drama entitled "Icaro", for which he won the silver medal - it was a work of Romantic mytho-politics in which the tyrant Minos bore obvious parallels to Mussolini, and the hero Icarus to De Bosis himself.Then, on 3 October 1931, after enduring a period of political exile for his support of Victor Emmanuel III (De Bosis was posing as a concierge in a Rome hotel named after the king), Lauro De Bosis, not a trained flyer, took to the skies over Rome in a plane that he had bought for the purpose (christened "Pegasus"), and hurled hundreds of thousands of antifascist leaflets down upon the city. Through the agency of Mussolini's air force, De Bosis completed his first and final flight in true Icarian style, plunging in flames into the Tyrrhenian sea.On the night before this fatal flight, however, De Bosis had written a letter, a sort of politically and poetically defiant suicide note, addressing himself simultaneously to his family, to the king, to Mussolini, to people of Rome, and to posterity, entitled L'Histoire de ma Mort. On the way to the aviation field in the morning, he had posted this letter to a journalist friend in Belgium with the instruction that it be published in all the newspapers of Europe still free from fascist censorship, which (as well as in the New York Times) it was, bringing to the name of Lauro De Bosis a brief flare of world-wide fame for his daring act.A superb association copy of Ulysses, in a unique binding, given by Joyce to someone who might indeed be the most Stephano-Daedalian of his acquaintances, a man simultaneously motivated by myth and politics, even to the extent of self-destruction. We have included copies of De Bosis's aforementioned works (the first English editions, these two with the calling cards of his American lover and posthumous translator, Ruth Draper), so that they may tell their own story.De Bosis's other works were: the anthology "The Golden Book of Italian Poetry" (OUP, 1932), the Italian versions of his Icaro (1930 Milan), and his translations of Prometheus Unbound (1930 Milan), Thornton Wilder's The Bridge of San Luis Rey, (Milan 1929), Sophocles's Antigone (Rome, 1927) and Oedipus Rex (Rome 1924), Fraser's The Golden Bough (Rome 1925). Thornton Wilder dedicated his novel Ides of March (1948) to his memory, suggesting a parallel between De Bosis and Catullus.

      [Bookseller: Hordern House Rare Books]
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        Tupeinyi Khudozhnik. (The Master Hairdresser) Rasskaz na Mogile.

      Akvilon, Petersburg 1922 - Original printed card covers, lap edges, good quality paper all round. Minor damage to spine tail, covers a little darkened, stain affecting top-edge, inner joint cracked. Complete and generally a good copy of this very scarce item. ; A delightful edition with illustrated covers, title, capitals and both in-text and full page illustrations and vignettes by Dobuzhinsky. No 1134 of 1500 only. Mstislav Valerianovich Dobuzhinsky, painter, graphic artist and theatre designer. In his art he ".had a love of the grotesque and potentially fantastic aspects of everyday life." John Milner pp. 124-127 ; 41 pages [Attributes: First Edition; Soft Cover]

      [Bookseller: Marijana Dworski Books- 01544267300]
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        The Waste Land

      Limited Edition 586/1000. Black hardback cloth cover. G : in Good condition with fragile and damaged dust jacket. Slight warping to covers. Light staining to margins within. 190mm x 130mm (7" x 5"). 64pp. In modern folding case.

      [Bookseller: Barter Books Ltd]
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        The Clicking of Cuthbert. Dedicated copy

      First Edition. Green hardback cloth cover. G : in Good condition with poor first state dust jacket. Cover rubbed. 190mm x 130mm (7" x 5"). 256pp. Signed and dedicated in ink on fep: "To Jack from himself. Teignmouth 2.IX.22.".

      [Bookseller: Barter Books Ltd]
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        The Worst Journey in the World. Antarctic 1910-1913.

      Constable & Co.,, London: 1922 - Rare first edition of this Antarctic classic, which includes the 10 panoramic collotype plates that do not appear in later editions. It is a first-person account of Scott's last Antarctic Expedition from 1910-13. Hearing of Scott's proposed 2nd expedition, Cherry-Garrard volunteered his services to Dr. Wilson, whom he had met previously. "In an expedition every member of which was a specialist, he was accepted by Scott on Wilson's recommendation alone & duly enlisted as 'assistant zoologist". Yet from the outset, despite his youth and inexperience, he won the affectionate regard of his more seasoned comrades, and before the close of the expedition had more sledge-journeys to his credit than any other surviving member. Cherry-Garrard was warmly commended by Scott for his efficiency and unselfishness as a sledger and tent-mate. In the comparative comfort of life at base, he edited the South Polar Times. Wilson chose Bowers and Cherry-Garrard -- 'the pick of the sledging element' (Scott) -- as his companions for a Winter Journey in 1911 to the rookery of the Emperor Penguin at Cape Crozier, an exploit which is still without parallel in the annals of polar exploration. On their return 5 weeks later, Scott described their journey as 'the hardest that has ever been made' -- a phrase which later suggested to Cherry-Garrard the title of his narrative. The book is widely regarded as the most readable of all the Antarctic literature - it has been suggested that the manuscript was heavily edited by George Bernard Shaw, who was a close family friend of the Cherry-Garrards. 2 vols., large 8vo, lxiv, 300pp, (4) appendix, 30 ills & 4 maps (&) viii, 301-585pp, 28 ills & 1 map. A pleasant period green half morocco sunned evenly to brown, raised bands and gilt titles, green pebbled cloth, marbled end papers, front pastedowns with bookplate of Claud Lambton, top edges gilt, fore-edges and lower edges uncut. An increasingly difficult book to find in a first edition. Spence 278; Rosove 71.A2. [Attributes: First Edition; Hard Cover]

      [Bookseller: Antipodean Books, Maps & Prints, ABAA]
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        A REVISION OF THE TREATY. Being a Sequel to The Economic Consequences of the Peace

      London:: Macmillan,, 1922. London:: Macmillan,, 1922. First Edition. Very Good+. SIGNED BY J. M. KEYNES ON TIPPED IN SHEET on title page with a second signature (H. Leatham) beneath it. A Very Good+ hardback First Edition First Printing with foxing edges, darkening endpapers (as is common in this volume) Mild cover edge wear. Very Good Dust Jacket with usual darkening edges & spine, mild edge wear, soil, mild chips. 8vo. viii, 223, [1], [6 Ads] pp. A Scarce Signed work in Dust Jacket.

      [Bookseller: By The Book, LC ABAA-ILAB]
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        The Stock Market Barometer

      New York: : Harper Brothers Publishers,, 1922.. New York: Harper Brothers Publishers, 1922. First edition. Octavo, original red cloth. Fine in a near fine dust jacket with the lightest of wear. An exceptional copy, scarce in this condition. In The Stock Market Barometer, William Hamilton&#39;s clear and in-depth analysis explores the Dow Theory&#39;s underlying principles, its explanation of averages and its remarkable affinity for predictable cycles of panic and prosperity. More than just a blueprint of the Theory, however, Hamilton&#39;s cogent discussion provides a concise examination of the stock market and its history since 1897, as well as thorough descriptions of the notable trends he observed during a distinguished career. His undisputed gifts of insight and interpretation bring focus and flavor to his candid views on a variety of vital topics, including market manipulation, speculation, and regulation. "I urge you to read this book, and read it again and again. Robert Rhea, the famous Dow Theorist of the 1930s, stated that he read and reread The Stock Market Barometer at least once a year. Frankly, I can think of no better advice" (Richard Russell).

      [Bookseller: Raptis Rare Books, ABAA/ ILAB]
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        ULYSSES

      London: London: The Egoist Press, John Rodker, 1922. First UK edition. Paperback. Very Good. London: Published for the Egoist Press by John Rodker, 1922. First UK Edition, printed in Dijon, France; the second printing of the novel. No. 300 of 2000 copies printed on handmade paper. Lacks the 8 pg. inserted errata. Original blue paper wrappers. Condition is VERY GOOD ; considering the woefully inadequate paper used for the wrappers, this copy has survived very well. The wraps are chipped at all edges with tears at the folds. The wraps are clean and bright, with some slight toning to the extremities. The spine is worn at both ends and has wear and some vertical cracks along the segments of the bound sections. (I can&#39;t use the correct word, because ABE would then flag this as SIG...ED.) The binding is tight and solid, and the text clean and bright, with no internal markings. A recent custom-made red cloth hinged case is provided, with a paper label on the side with a hand-lettered title. One of the monoliths of 20th c. fiction. Rare. RGR.

      [Bookseller: Andre Strong Bookseller]
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        STYL. Bl&#144;tter f¸r mode und die angenehmen dinge des Lebens. Erster Jahr Heft 2 & 4

      Berlin: Erich Reiss Verlag, 1922. Heft 2, 1922 (February, 1922), Heft 4, 1922 (April-May, 1922). 2 vols., 4to. Illustrated in color throughout. February 1922 : with 12 separate color plates; April-May 1922, with 11 separate color plates, and [2] additional. Pictorial wrappers, minor shelf-wear. Inside fine . Advertising Posters; February,1922, illustrated by: Weirtz, Koxner, Offterdinger, Kainer, Krell, Claus-Erle, Schmidt-Caroll, Krotowski, Weiss, and Kabisott; April-May, 1922, illustrated by: Kanneberg and Leonard, Leonard, Kretschmann, Christophe, Schmidt-Caroll, Kainer, Offterdinger, Kobbe, and Gavrilow

      [Bookseller: James Cummins Bookseller]
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        The Waste Land

      New York: Boni & Liveright, 1922 New York: Boni & Liveright. 1922. First. First edition. Publisher's flexible cloth, the stamped number (198) 5mm in height, and the "a" in "mountain" on page 41 (a possible state in the first printing); one of the first 500 copies. Very nearly fine with a bookplates in a dustwrapper with some tiny chips and internal tissue strengthening at the folds; in a custom clamshell box. .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
 20.   Check availability:     ABAA     Link/Print  


        The Waste Land, in The Dial, November 1922 Volume LXXIII, Number 5

      New York: Dial Publishing,1922. First edition. Octavo, original wrappers as issued. The first appearance in the United States of Eliot's masterpiece, "The Waste Land". Some wear to the cover, name to the front free endpaper; a very good copy. A very good copy of one of the most desirable literary journals of the century.The Waste Land," T. S. Eliot's masterpiece, is not only one of the key works of modernism but also one of the greatest poetic achievements of the twentieth century.

      [Bookseller: Raptis Rare Books, ABAA/ ILAB ]
 21.   Check availability:     ABAA     Link/Print  


        Mount Everest: the reconnaissance, 1921. With illustrations and maps

      New York: Longmans, Green and Co. and Edward Arnold, 1922-01-01. Hardcover. Very Good. FIRST US EDITION. New York: Longmans, Green and Co. 1922. 356 pp. with color fold-out maps at rear. Blue cloth with gilt lettering. First American edition, first printing. (Dated 1922 on title page with no additional printings on copyright page.) Very Good hardcover. No jacket. Clean pages and strong gilt lettering. Some soiling and rubbing to cloth. Small vintage booksellers&#39; stamp on fep, small stain on fore edge, foxing to fore edge. All maps present in nice condition. A nice copy.The first American appearance of C.K. Howard-Bury&#39;s account of the Mount Everest Reconnaissance Expedition.

      [Bookseller: Odd Duck Books]
 22.   Check availability:     Biblio     Link/Print  


        Etiquette

      New York: Funk & Wagnalls Company, 1922. First edition of this seminal work in etiquette and personal relations. Octavo, original blue cloth with titles to the spine and front panel in gilt. In near fine condition with some light rubbing to the spine extremities. A very sharp copy of this rare first edition.Etiquette is a seminal work in personal relations that ranges from topics on how to conduct oneself when meeting strangers to how one should behave at formal dinners and engagements. It has pioneered many social networking concepts, granting Post a name synonymous with proper etiquette and manners that is referenced in etiquette books even today. Joan Didion, contemporary author of The Year of Magical Thinking, considered Post's entry on funerals a source of great consolation after the passing of her husband (Campbell, 2005). The recent publication of Post's first full-length biography suggests that her legacy is pertinent more now than ever (Claridge, 2008).

      [Bookseller: Raptis Rare Books, ABAA/ ILAB ]
 23.   Check availability:     ABAA     Link/Print  


        Trembling Of The Veil (Limited Edition)

      T. Werner Laurie, 1922. Hardcover. Good/ACCEPTABLE. 1922. 247 pages. Hard cover with a dust jacket. Limited edition, numbered 178 (of 1000). Signed by the author. Clean pages with no markings or annotations.Pages are unevenly bound and rough cut.Tanned end papers. Light foxing to the edge of the pages. Mild edge wear to the boards and spine ends.Tanning to the spine and boards edges. The dust jacket has only mild chipping and edge wear, but is tanned.

      [Bookseller: The World of Rare Books]
 24.   Check availability:     Biblio     Link/Print  


        Ulysses

      Paris: Shakespeare & Company, 1922. First edition. One of 750 numbered copies on handmade paper from a total edition of 1000 copies. Thick quarto, original blue and white wrappers. A near fine copy, internally fresh and largely unopened, the wrappers not significantly soiled or faded, and completely unrestored. In a custom quarter morocco box. This is copy #992, and has laid in the front panel of the original prospectus with the tipped-on reproduction of the 1918 photo of Joyce by C. Ruf. The front panel of the prospectus has been amended, as often, to indicate the book "is now ready," and the original buyer must have jumped at the opportunity, as the order panel of the prospectus has been neatly cut away. Sisley Huddleston's 5 March 1922 review from The Observer is also laid in (though both items are in prophylactic sleeves that have prevented any offsetting). Also laid into the slipcase is some correspondence relating to the sale of this copy in 1972 by Duschnes in New York City. A very sharp copy with nice provenance.Ulysses was published in Paris by Shakespeare & Company, 1922. It was a struggle for the author to find a publisher, a comic irony considering that Ulysses is "[u]niversally hailed as the most influential work of modern times" (Grolier Joyce 69). Ulysses was an immediate success. The first printing sold out, and "within a year Joyce had become a well-known literary figure. Ulysses was explosive in its impact on the literary world of 1922" (de Grazia, 27). Even so, the book faced difficulties in global reception. It was banned in the U.K. and was prosecuted for the obscenity in the Nausicaa episode (Ellmann, 1982). Joyce's inspiration for the novel began as a young boy reading Charles Lamb's Adventures of Ulysses and writing an essay entitled "My Favourite Hero" after being impressed by the wholeness of the character (Goreman, 1939). The idea for the novel grew from a story in Dubliners in 1906, which Joyce expanded into a short book in 1907, before reconceptualizing it as the heady novel in 1914 (Ellmann, 1982). The book can initially seem unsctructured and chaotic, and Joyce admitted that he "put in so many enigmas and puzzles that it will keep the professors busy for centuries arguing over what I meant" (The Observer, 2000). The French translator Stuart Gilbert published a defense of Ulysses shortly after its publication in which he supported the novel's use of obscenity and explained its internal structure and links to the Odyssey against accusations of ambiguity. Every episode, Gilbert explained, is connected to the Odyssey by theme, technique, and correspondence between characters. Another instance of Ulysses' literary contribution is his use of stream-of-consciousness, a technique employing carefully structured prose, both humorous and charactering, and involving puns and parodies. Joyce was a precursor to the use of stream of consciousness in the later decades. Similar narrative techniques were used by his contemporaries Virginia Wolfe, William Faulkner, and Italo Svevo. Their style can be better characterized as an "interior monologue, rather than stream of consciousness, is the appropriate term for the style in which [subjective experience] is recorded, both in The Waves and in Woolf's writing generally" (Stevenson, 1992).

      [Bookseller: Raptis Rare Books, ABAA/ ILAB ]
 25.   Check availability:     ABAA     Link/Print  


        The Unspeakable Gentleman (First Edition, two volumes in variant jackets)

      New York: Charles Scribner&#39;s Sons, 1922. First Edition. Hardcover, two volumes, both First Editions. Each volume in an example of the two variant dust jackets, one in blue, the other in orange. First Edition. Near Fine in Very Good dust jackets, with numerous small chips, creasing, and a couple of professional repairs (but not restoration). Marquand&#39;s first book, extremely uncommon in any kind of jacket.

      [Bookseller: Royal Books, Inc.]
 26.   Check availability:     Biblio     Link/Print  


        The Unspeakable Gentleman

      NY: Scribners, 1922. 1st ed., 1922. 8vo. Frontispiece by A. I. Keller. 265 pp. Marquand&#39;s first book. Slight wear at the spinal extremities else this is a fine book in a lightly dust soiled near fine DJ with shallow edge wear at the crown of the spine. Scarce thus.. 1st Edition. Hardcover. Fine/Dust Jacket Included.

      [Bookseller: Thomas Dorn ABAA]
 27.   Check availability:     Biblio     Link/Print  


        Building Plans, Elevation, and Perspective for a Building for Walter N. Brunt. at 7th St. and Minna St., San Francisco. Current address 111-121 7th St

      San Francisco: James H. Hjul, Structural Engineer, May 1922. Original pencil drawings on tracing paper. Sheet size primarily 18" x 36". 9 sheets. Job #98. James Hansen Hjul (1882 - 1957), a structural engineer, constructed many buildings in San Francisco. He was the founder of the J.H. Construction Company and was listed as a contractor, civil engineer, structural engineer and construction engineer in San Francisco City Directories from 1907 to 1958. Most of his work occurred in the South of Market area on warehouses and industrial buildings.

      [Bookseller: Alan Wofsy Fine Arts]
 28.   Check availability:     Biblio     Link/Print  


        BIBLIOTECA DEL MURCIANO O ENSAYO DE UN DICCIONARIO BIOGRAFICO Y BIBLIOGRAFICO DE LA LITERATURA EN MURCIA

      - Madrid, Tip. Rev. de Archivos, 1922-1957, 3 tomos de 28x21 cm., en holandesa, 861 págs.+ 1 h. 750 págs.+ 1 h. y 454 págs

      [Bookseller: Fábula Libros (Librería Jiménez-Bra]
 29.   Check availability:     IberLibro     Link/Print  


        The Pageant of Peking. Comprising Sixty-Six Vandyck photogravures of Peking and environs from photographs by... with an Introduction by Putnam Weale.

      Shanghai: A.S. Watson & Co., 1922. . Third edition, folio, (viii), 40, (2) pp. 66 photogravures tipped in. Original gold and black silk covers, gilt title and Chinese characters to upper cover, some mostly light rubbing, top of lower hinge just starting otherwise an excellent copy.

      [Bookseller: Bow Windows Bookshop]
 30.   Check availability:     Booksatpbfa     Link/Print  


        A HISTORY Of MUSKOGEE And NORTHEASTERN OKLAHOMA Including the Counties of Muskogee, McIntosh, Wagoner, Cherokee, Sequoyah, Adair, Delaware, Mayes, Rogers, Washington, Nowata, Craig and Ottawa

      Chicago:: The S. J. Clarke Publishing Company,. 1922.. Folio. 10-7/8" x 7-3/4". 1st edition. 3 volumes.. Original green cloth bindings with gilt stamped title lettering to spine. Marbled edges & eps.. Modest binding wear. Bookplate. Occasional po annotation. A VG -. VG+ set.. Illustrated.

      [Bookseller: Tavistock Books, ABAA]
 31.   Check availability:     Biblio     Link/Print  


        Funeral Scaffold of a Sioux Chief near Fort Pierre [Tab. 11]

      [Leipzig: Schmidt and Guenther, 1922]. Hand-coloured aquatint engraving by Hürlimann after Bodmer. 13 3/4 x 16 3/4 inches. 18 5/8 x 24 3/16 inches. From the scarce Leipzig edition printed from the original copper-plates. Limited in number, the prints from the Leipzig edition are more scarce than, and compare favorably to, the first edition. (David C. Hunt, "Karl Bodmer and the American Frontier," Imprint/Spring 85, p.18) An image of powerful spirituality: the living continue their lives whilst acknowledging both the mortality of their relatives and by extension themselves. This fine plate is from a sketch by Bodmer made on 28 April 1834 during the journey back down the Missouri River. The scene is near Fort Pierre; the scaffold in the right foreground holds the remains of a warrior who had apparently been brought home from a great distance. Scaffold burial, on an erected platform or in the limbs of a tree, was a wide spread practice amongst the plains peoples in general and the Sioux in particular, for whom the ritual held deep spiritual significance. Karl Bodmer&#39;s images show great versatility and technical virtuosity and give us a uniquely accomplished and detailed picture of a previously little understood (and soon to vanish) way of life. Swiss-born Bodmer was engaged by Prince Maximilian zu Wied-Neuwied (1782-1867) specifically to provide a record of his travels in North America, principally among the Plains Indians. In the company of David Dreidoppel (Prince Maximilian&#39;s servant and hunting companion), their travels in North America were to last from 1832 to 1834. Well-armed with information and advice, the party finally left St.Louis, on the most important stage of their travels, aboard the steamer Yellow Stone on April 10 1833. They proceeded up the treacherous Missouri River along the line of forts established by the American Fur Company. At Bellevue they encountered their first Indians, then went on to make contact with the Sioux tribe, learning of and recording their little known ceremonial dances and powerful pride and dignity. Transferring from the Yellow Stone to another steamer, the Assiniboin, they continued to Fort Clark, visiting there the Mandan, Mintari and Crow tribes, then the Assiniboins at Fort Union, the main base of the American Fur Company. On a necessarily much smaller vessel they journeyed through the extraordinary geological scenery of that section of the Missouri to Fort Mackenzie in Montana, establishing a cautious friendship with the fearsome Blackfeet. From this, the westernmost point reached, it was considered too dangerous to continue and the return journey downstream began. The winter brought its own difficulties and discomforts, but Bodmer was still able to execute numerous studies of villages, dances and especially the people, who were often both intrigued and delighted by his work. The portraits are particularly notable for their capturing of individual personalities, as well as forming a primary account of what were to become virtually lost cultures. David C. Hunt, "Karl Bodmer and the American Frontier," Imprint/Spring 1985, p.18. Cf.Graff 4648; cf. Howes M443a; cf. Pilling 2521; cf. Sabin 47014; cf. Wagner-Camp 76:1.

      [Bookseller: Donald Heald Rare Books]
 32.   Check availability:     Biblio     Link/Print  


        Les Clowns -

      Les Deux Amis 1922 -, Paris - 1 In-12 38 pp. Couverture rempliée illustrée en couleurs. Intérieur frais. Ornée de 3 dessins de Georges Rouault en phototypie et coloriés au patron par Daniel Jacomet. Mors intérieur fragile. Etat correct EDITION ORIGINALE. Tirage à 250 exemplaires, celui-ci un est l'exemplaire d'auteur sur papier Japon. [Attributes: Soft Cover]

      [Bookseller: Librairie KOEGUI]
 33.   Check availability:     AbeBooks     Link/Print  


        The Cauldron of Annwn

      London: T Werner Laurie, 1922 In 2 tone cloth, corners and edges bumped and a little worn and grubby. Spine has title in gilt, edges bumped a little chipped. Internally green endpapers, (xix), [1], 327 pp, text block edges uncut, an edition limited to just 250 copies numbered and signed by the author, privately printed for subscribers only. Contains, Children of Don, Dylan son of the Wave and Bronwen. A lovely copy.SCOTT-ELLIS, THOMAS EVELYN, 8th BARON HOWARD DE WALDEN and 4th BARON SEAFORD, landowner and sportsman, writer, and patron of the arts who Besides being a patron of dramatists (in Wales and London ) and musicians, e.g. his association with Josef Holbrooke in the production of The Children of Don and Dylan, was himself a writer, the Arthurian cycle giving him the subject of his first play, and, later, the folklore of Wales providing him with material for operatic libretti. See NLW WBO for a full Bio

      [Bookseller: Madoc Books]
 34.   Check availability:     IOBABooks     Link/Print  


        A HISTORY Of MUSKOGEE And NORTHEASTERN OKLAHOMA Including the Counties of Muskogee, McIntosh, Wagoner, Cherokee, Sequoyah, Adair, Delaware, Mayes, Rogers, Washington, Nowata, Craig and Ottawa.

      The S. J. Clarke Publishing Company,, Chicago: 1922 - Illustrated. Modest binding wear. Bookplate. Occasional po annotation. A VG - VG+ set. Original green cloth bindings with gilt stamped title lettering to spine. Marbled edges & eps. Folio. 10-7/8" x 7-3/4". 1st edition. 3 volumes. [Attributes: First Edition; Hard Cover]

      [Bookseller: Tavistock Books, ABAA]
 35.   Check availability:     AbeBooks     Link/Print  


        Alexandra Ekster Kak Zhivopisets I Khudozhnik Stseny

      Berlin 1922 - 1922 1st edition of this uncommon monograph on Alexandra Exter, key member of the Russian Avant-Garde. VG in its original printed wrappers, with very light chipping at the spine ends and light creasing and chipping along the front panel's lower-edge. Binding still very solid and internally clean as could be. 39 soft black-and-white reproductions plus 4 mounted plates (3 of which are in vivid color). Octavo, 31 pgs. of text plus the plates. Published out of Weimar Berlin, text in Russian. [Attributes: First Edition; Soft Cover]

      [Bookseller: APPLEDORE BOOKS, ABAA]
 36.   Check availability:     AbeBooks     Link/Print  


        A Middle English Vocabulary designed for us with Sisam&#146;s Fourteenth Century Verse & Prose

      Clarendon Press, Oxford, 1922 - Wrappers a little marked, otherwise a very nice copy; ownership signature on front free end-paper The second issue has a stamp "Printed in England" at the foot of the title-page not present here. Original brown printed wrappers First Edition, First Issue with advertisements dated October 1921 [Attributes: Soft Cover]

      [Bookseller: Bertram Rota Ltd]
 37.   Check availability:     AbeBooks     Link/Print  


        Babbitt

      New York: Harcourt, Brace 1922 - 8vo., blue cloth with orange boxes lettered in dark blue; a bright copy with a trace of soiling. First edition, with all first state points. Marcus Tullius Reynolds&#146;s copy, with the noted architect&#146;s ownership signature and date on the front free endpaper. Educated at Williams College and Columbia University, Reynolds designed the first skyscraper at Albany, NY, as well as the Gideon Putnam Hotel at Saratoga. An unusual association copy. [Attributes: Hard Cover]

      [Bookseller: North Star Rare Books & Manuscripts]
 38.   Check availability:     AbeBooks     Link/Print  


        Südliche Stadt (Italien)., Federzeichnung.

      Wohl 1922. - Unten rechts monogrammiert. Rückseitig mit dem Nachlassstempel. Die flüssig gezeichnete Alltagsszene zeigt Wäscherinnen am Fluß vor einer Stadtkulisse. Das Blatt ist eine Arbeit aus Schwichtenbergs fruchtbarer Schaffensphase der 20er Jahre. - An der Kunstgewerbeschule in Düsseldorf ausgebildet ging Martel Schwichtenberg 1917 nach Hannover, wo sie bis 1932 immer wieder Aufträge der Firma Bahlsen erhielt. 1920 bezog sie ein Atelier in Berlin-Charlottenburg, trat dem Werkbund bei und stellte mit der Novembergruppe aus. 1922 folge eine Reise nach Italien und daran anschließend ihre erste bedeutende Ausstellung bei F. Möller, Berlin. - Von sehr guter Erhaltung. Sprache: de Gewicht in Gramm: 2100

      [Bookseller: Kunstantiquariat Joachim Lührs]
 39.   Check availability:     AbeBooks     Link/Print  


        Knole and the Sackvilles

      William Heinemann, London, 1922. First Edition, first printing. Large 8vo. xvi + 230pp. White buckram lettered in black at spine and featuring a superb William Nicholson drawing to the upper board. Publisher&#39;s motif black-stamped to corner of lower board. With a tissue-guarded frontispiece and twenty-three plates, plus a Chronology. A hint of shelf-wear to head and base of spine and a minor bump to the head and base of rear board. Endpapers lightly and partially browned. A hint of spotting to preliminary leaves. A really superbly preserved copy in the scarce dust wrapper, reproducing in red Nicholson&#39;s upper board drawing. Wrapper tanned at spine panel and with some notable fading to the lettering, a little dust marked and chafed at one or two extremities. A classic in the literature of English country houses. An account of the history and occupants of Knole House, granted to Thomas Sackville by his cousin Queen Elizabeth I in 1566 and whose descendants the Earls and Dukes of Dorset and Barons Sackville resided there until it was bequeathed to the National Trust. Knole was the inspiration for Virginia Woolf&#39;s Orlando and also the setting of several Beatles videos.. 1st Edition. Hardcover. Very Good/Good.

      [Bookseller: Clearwater Books]
 40.   Check availability:     Biblio     Link/Print  


        A Set of Six

      Garden City, NY: Doubleday, Page & Company,, 1922. Octavo. Original blue limp morocco, titles and ship design to spine and upper cover gilt, pictorial endpapers, top edge gilt. With the dust jacket. A little faint spotting to covers. An excellent copy in the jacket with chips from the ends of the spine panel. The Deep Sea edition. Inscribed by Conrad on the front free endpaper, "D. W. R. from J. C.". The recipient, Douglas Whitehead Reed (1883&#150;1930) qualified as a radiologist and surgeon in 1909. He was both senior surgeon at the Kent and Canterbury Hospital and St. George&#39;s House, a nursing home in Canterbury. During the early 1920s he attended to the problems with Jessie Conrad&#39;s leg. A Set of Six was originally published in 1908. From the library of Conrad collector Stanley J. Seeger, with his bookplate on the verso of the front free endpaper.

      [Bookseller: Peter Harrington]
 41.   Check availability:     Biblio     Link/Print  

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