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Displayed below are some selected recent viaLibri matches for books published in 1922

        Mehkskeme-Sukahs. Blackfoot-chief. Tátsicki Stomick. Piëkann Chief

      Schmidt and Guenther, [Leipzig 1922 - From the scarce Leipzig edition printed from the original copper-plates. Limited in number, the prints from the Leipzig edition are more scarce than, and compare favorably to, the first edition. (David C. Hunt, "Karl Bodmer and the American Frontier," Imprint/Spring 85, p.18) A fine half-length double portrait by Bodmer of two Blackfoot chiefs: Prince Maximilian referred to Mehkskéhme-Sukáhs [`Iron Shirt'] as the most distinguished of the several chiefs who gathered to welcome the arrival of the keelboat Flora at Fort McKenzie on 9 August 1833. At the time he was wearing a lace-trimmed scarlet uniform obtained from the British traders as a gift. He posed for this portrait on August 11th wearing a hide shirt decorated with otter fur, beadwork and metal trade buttons. In his hair are feathers, a bear claw and what appears to be a small ermine with blue beads for eyes. Tátsicki-Stomíck [`Middle Bull'] was probably the principal chief of the Piegan Blackfoot. He was a serious thoughtful man who had sought to maintain an amicable trading relationship between his people and the various companies competing for hides and pelts. Maximilian had particularly admired a shirt of his made from the skin of a bighorn sheep, richly ornamented with ermine, feathers and tufts of hair, and Maximilian lamented that for the present portrait he wore a much simpler shirt decorated with simple beadwork. Karl Bodmer's images show great versatility and technical virtuosity and give us a uniquely accomplished and detailed picture of a previously little understood (and soon to vanish) way of life. Swiss-born Bodmer was engaged by Prince Maximilian zu Wied-Neuwied (1782-1867) specifically to provide a record of his travels in North America, principally among the Plains Indians. In the company of David Dreidoppel (Prince Maximilian's servant and hunting companion), their travels in North America were to last from 1832 to 1834. Well-armed with information and advice, the party finally left St.Louis, on the most important stage of their travels, aboard the steamer Yellow Stone on April 10 1833. They proceeded up the treacherous Missouri River along the line of forts established by the American Fur Company. At Bellevue they encountered their first Indians, then went on to make contact with the Sioux tribe, learning of and recording their little known ceremonial dances and powerful pride and dignity. Transferring from the Yellow Stone to another steamer, the Assiniboin, they continued to Fort Clark, visiting there the Mandan, Mintari and Crow tribes, then the Assiniboins at Fort Union, the main base of the American Fur Company. On a necessarily much smaller vessel they journeyed through the extraordinary geological scenery of that section of the Missouri to Fort Mackenzie in Montana, establishing a cautious friendship with the fearsome Blackfeet. From this, the westernmost point reached, it was considered too dangerous to continue and the return journey downstream began. The winter brought its own difficulties and discomforts, but Bodmer was still able to execute numerous studies of villages, dances and especially the people, who were often both intrigued and delighted by his work. The portraits are particularly notable for their capturing of individual personalities, as well as forming a primary account of what were to become virtually lost cultures. David C. Hunt, "Karl Bodmer and the American Frontier," Imprint /Spring 1985, p.18. Cf.Graff 4648; cf. Howes M443a; cf. Pilling 2521; cf. Sabin 47014; cf. Wagner-Camp 76:1. Aquatint engraving by Allais after Bodmer, issue without artist or engraver's names, or imprint lines for France or Germany. Tears to lower and right margins, surface soiling to outer left margin, not affecting plate area. [Attributes: First Edition]

      [Bookseller: Donald A. Heald Rare Books (ABAA)]
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      Oskar Beck, München [Munich] 1922 - Spengler, Oswald. DER UNTERGANG DES ABENDLANDES. Umrisse Einer Morphologie der Weltgeschichte. München [Munich]: Oskar Beck, 1922, 1923. Two octavo Volumes: pp 559, 637. [Translated into English as THE DECLINE OF THE WEST]. The Rare limited edition of 150 numbered copies; this set numbered 33 on the limitation page of each volume and SIGNED by Spengler on the limitation page in volume I. Both volumes are uniformly bound in the publisher's gilt-ruled dark blue morocco, the spine with 5 raised bands, red morocco gilt-lettered label, elegant hand-made marbled endpapers, top-edge gilt. A near fine superb example of this rare issue, [small archival repair to the head of volume I & corners] the text block free of blemish. [1922 forward by Spengler]. Volume II is the 1st edition published in 1922. Volume I is an early printing but the first in this binding by Beck who acquiring the copyright from Braunmuller, the Viennese academic house that published the original 1st edition in 1918. Beck also published an unsigned trade edition uniformly bound in cream coloured paper covered boards printed with black titles & graphics. "During the period after the First World War, is a politico-sociological phenomenon that has nothing to do with the intrinsic merits or demerits of this 'new outlook on history and the philosophy of destiny', as the author himself described the aim of his book. . . it was the major prophet, Toynbee, who took up the mantle that fell from the minor prophet, Spengler". - PMM, PRINTING AND THE MIND OF MAN # 410. A rare set. Surviving original cardboard slipcase neatly restored. Custom collectors gilt bordered blue leather outer slipcase in very fine condition. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: TBCL The Book Collector's Library]
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        I Fioretti del glorioso poverello di Cristo S. Francesco Di Assisi

      London: The Ashendene Press, 1922. (ASHENDENE PRESS) 8vo. Japon paper proofs of the 53 illustrations in the book, drawn by Charles M. Gere and cut on wood by J.B. Swain. The 53 individual proofs are tipped into a blank book (some leaves of which have been excised) bound in tan morocco, upper cover elaborately tooled in gilt and blue, lower cover in blind, a.e.g., probably Italian, 19th century, some foxing to a few blank pages, the proofs, except for a faint rust stain in the corner of two, are in fine condition, with about one-inch lower blank margins. Ashendene Bibliography XXXI and pp. 133-35; Franklin, The Ashendene Press, pp. 124 et seq.; Ransom, Private Presses, p. 206, No. 34; Tomkinson, p. 7, No. 34 . The complete set of 53 woodcuts illustrating the life of St. Francis of Assisi, the last Ashendene to be printed in Italian, and the last (apart from two contributions to the Press Bibliography) to contain Charles Gere's work. The book itself was published in an edition of 240 copies on Batchelor paper and 12 copies on vellum, and it is possible that these japon paper proofs were pulled to test the designs and inking on a vellum-like surface. RARE, AND QUITE PROBABLY UNIQUE

      [Bookseller: James Cummins Bookseller]
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        La Pecheresse

      Albin Michel (Les Grand Livres du XX Siecle), Paris 1922 - FIRST EDITION, first printing. Three quarter dark blue morocco leather binding with bind stamped gilt decoration to spine and marbled boards and silk ribbon. Lovely signed binding. First Edition. number 136. has bookplate of John Roland Abbey. Original wrappers bound in. Carteret IV, 335; Monod 9561. Size: Folio - over 12" - 15" tall [Attributes: First Edition; Hard Cover]

      [Bookseller: Ziern-Hanon Galleries]
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      London: Egoist Press. 1922. First. First English edition. Bound without wrappers in contemporary three-quarter black morocco and papercovered boards. Extremities rubbed and worn, half-title and title page a little smudged, still a nice and sound, very good copy that could use a little polishing. One of 2000 numbered copies. A nice copy of an increasingly scarce edition of one of the most important novels of the 20th Century. Connolly 100. .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
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        Hermann und Dorothea.

      Leipzig, Singer. 1922 - Zweifarben-Druck (schwarz/rot). Quart. 3 Bll., XVI, 67 SS., 2 Bll. Orig.-Ganzmaroquin auf 5 echten Bünden. Doppelte Innenkantenfileten. Kopfgoldschnitt, sonst unbeschnitten. Meistereinband Holzhey, Leipzig. Widmung auf Vorsatz. Sehr gut erhalten.

      [Bookseller: Biblio Industries Alain Haezeleer]
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        The Sweet Miracle and Other Poems

      London: Richard Cobden-Sanderson 1922 - 8vo., blue cloth with morocco label lettered in gilt. Advance copy, with publisher's notice affixed to the free front pastedown. Stead's own copy, filled with copious annotations, along with a 2-page manuscript poem, "The Sweet Miracle," in Stead's hand, with variant text; accompanied by two lengthy autograph letters from Edmund Blunden, October 3, 1920, and August 23, 1921, to Stead, approximately 500 words, discussing Stead's meeting with W.B. Yeats, as well as a careful analysis of "The Sweet Miracle," which Blunden called "magnificent. I can't think of any religious narrative, in verse, which has moved me so much." Blunden also discusses the role and responsibilities of the poet in society; unpublished. A wonderful association copy [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: North Star Rare Books & Manuscripts]
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      F. Warne & Co. Ltd 1922 - First edition. 12mo. Red paper covered boards with white lettering and colour onlay to upper cover. In printed glassine dustwrapper. A very good copy, which has a light stain to the lower edge of the upper panel of the book. The dustwrapper is in very good condition, being mainly complete, with a long tear between the front flap and front panel. Loosely inserted is the flier for "a new and exciting board game", The Peter Rabbit Race Game with details of the two versions on sale. Pictorial endpapers and colour plates accompanying the nursery rhymes. Very rare in the original dustwrapper, due in part to the fact that the rear panel advises us, "This cover may be forwarded to your bookseller, with instructions to supply any of the volumes included in the lists of titles". The rear wrapper lists the main story books plus the first four books in French; whilst front and rear flaps offer the large format books, the book shelf, Race Game and painting books. [Attributes: First Edition; Hard Cover]

      [Bookseller: Jonkers Rare Books ABA ILAB]
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        Saint-Martin the French Mystic and the Story of Modern Martinism

      London: William Rider and Son. 1922. First. First edition. 12mo. Cloth wrappers. Very slight wear, a nice, near fine copy. Inscribed by A.E. Waite to his wife: "With love to Ada from A.E. Waite at Christmastide 1922." Waite was a major writer on spiritualism, mysticism, and occult matters. .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
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        Zwolf Zeichnungen zu dem Marchen: Die Singende, Springende, Loweneckerchen (The Singing, Springing Lark),

      Bruno Cassirer (1922-23), Berlin - Folio (12 x 15'). Twelve small sketches on thin paper mounted to folding mats, each signed in pencil by the artist illustrating the tale by the Brothers Grimm. In fine condition. With a single leaf, folded, giving the title and the limitation. In publisher's original folding box: vellum spine, gilt; vellum corners; paper over boards; bone and vellum clasp. Vellum soiled, box worn at corners, paper limitation folder browned at edges; but contents (matted and signed illustrations) are fine. One of 50 numbered copies. 'Alle Blatter sind von Max Slevogt unterschrieben.' Number 88 of the Brothers Grimm tales. A convoluted tale involving a lion/prince, a lark, three daughters, a princess, a griffin, a magic nut, and more. Sometimes known as "The Lady and the Lion". [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Thorn Books, ABAA]
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        Manuel du Bibliophile suisse. Essai sur la typographie, la littérature, la bibliophilie et l'art suisse dans l'illustration du livre du XVIe au XXe siècle suivi d'une bibliographie générale.

      Libraire des Bibliophiles, Paris et Lausanne, 1922. - 165 X mm. broché, couverture rempliée. 191-440-XXXVIII pp. Avec tableaux, vignettes et 54 planches. Edition tirée à 380 ex. num. et signés par l'auteur. 1/350 ex. sur vélin. Quelques piqûres sur la couverture et dans les marges. [Attributes: Soft Cover]

      [Bookseller: Serge Paratte, Livres anciens & modernes]
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        Tales of Lonely Trails.

      Harper & Brothers, Publishers, New York - 1922, 1st Edition. () Very good. iv, 394pp. Octavo. Dark green cloth with gilt lettering on spine and front cover. B / W photograph affixed to front cover. Boards are lightly rubbed with light bumping to corners and ends of spine. The picture attached to front is worn. Contains many B / W photographic plates throughout (including portrait frontis). Brownish top edge of text block with other outer edges roughly trimmed. Clean tight text block (save for a couple of small stains, including on on frontis). A very nice copy. Pearl Zane Grey (January 31, 1872 – October 23, 1939) was an American author best known for his popular adventure novels and stories that presented an idealized image of the Old West. [Attributes: First Edition; Hard Cover]

      [Bookseller: Aquila Books(Cameron Treleaven) ABAC]
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        Eigenh. Brief mit U.

      [Wien, 20. IX. 1922]. - 1 S. 8vo. Mit eh. Adresse (Kartenbrief). An den Journalisten und Schriftsteller Jakob Lippowitz (1865-1934): "Als Mitarbeiter des 'N.W.J.' [d. i. das von Lippowitz 1893 zusammen mit Oscar Löwenstein gegründete "Neue Wiener Journal"] befinde ich mich leider nicht in der wirtschaftlichen Situation, das 'N.W.J.' abonnieren zu können. Da ich aber in begreiflicher Autoreneitelkeit mich doch hie und da gern gedruckt lese, so bitte ich Sie, mir die Möglichkeit hierzu dadurch zu geben, daß Sie mir das Blatt durch die Trafik Semperstraße 25 (XVIII. Bez.) als Freiexemplar liefern [.]". - Mit Absenderstempel. [Attributes: Soft Cover]

      [Bookseller: Antiquariat INLIBRIS Gilhofer Nfg. GmbH]
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      T. Werner Laurie 1922 - Autobiography. Includes accounts of meetings with Blavatsky, Mathers and Oscar Wilde. Quarter vellum, title label, handmade paper, pages untrimmed. First Edition Limited & Numbered Edition (Number 338 of 1000 copies) Signed by the author. Privately Printed for Subscribers only by T. Werner Laurie 1922. frontis, vii + 247pp hb dw discoloured, book fine [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Occultique]
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      [Bookseller: JOHN LUTSCHAK BOOKS]
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        Seven Poems and a Fragment

      Cuala Press, Churchtown, Dundrum, 1922 - One of 500 copies Front a rear free end-papers very slightly browned, otherwise a exceptionally nice copy Issued without lettering label to spine. [Attributes: First Edition]

      [Bookseller: Bertram Rota Ltd]
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        The History of Magic including a Clear and Precise Exposition of its Procedure, its Rites and its Mysteries

      London: William Rider 1922 - 2nd edition. VG HB in beautiful bright blue/gilt cloth boards, in VG scarce unclipped dj, price One Guinea on spine. Top edge gilt, other edges uncut, many pages unopened. Top corner cut out of ffep. 536pp on laid paper, plus 36pp prelims, with 20 b/w plates, frontis has tissue guard. Translated , with preface and notes, by Arthur Edward Waite. Pages clean & tight, excellent condition for its age. [Attributes: Hard Cover]

      [Bookseller: Cheshire Book Centre]
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      The Casanova Society, London 1922 - 254 x 203 mm (10 x 8"). 12 volumes bound in six. Translated by Arthur Machen. ONE OF 1,000 COPIES. Attractive later burgundy half morocco over red linen boards by Bayntun (stamp-signed on front flyleaf in each volume), raised bands flanked by gilt rules, spine panels with gilt chandelier-like centerpiece, each spine with two olive brown morocco labels, top edges gilt. With 12 frontispieces of various kinds (a bust of Casanova, a large fold-out map of Venice, a fold-out facsimile of two documents in Casanova's hand, an engraving showing a Casanova escape, two portraits of Casanova, a title page of a minor work by Casanova, a portrait of Manon Baletti, engravings of a London cityscape and of Vaux Hall, Casanova's death record, and his grave). Corners a bit worn, joints of the early volumes a little rubbed (two joints cracked and boards consequently with a little wobble), one volume with small loss of leather at bottom of spine, but still quite an attractive set, the bindings entirely sound and without any serious wear, and the wide-margined text in virtually unused condition. Based on the rare unabridged London edition of 1894, this is an attractively bound copy of a limited edition of what Franco Fido (in the "Cambridge History of Italian Literature") calls "one of the most entertaining and exciting tales of the century." Fido says that sometime during the last eight years of his life, the Italian-born Casanova (1725-98) "composed his 'Histoire de ma Vie,' above all in order to relive in writing the vivid sensations and intense pleasures of his vagabond, libertine life and thus compensate for his gloomy and solitary existence as librarian in a remote castle in Bohemia." Written in fluent French, the account describes with unabashed frankness Casanova's rogueries and amours across an 18th century Europe that comes alive as the narrative backdrop. A writer of romantic and macabre tales, our translator Arthur Machen (1863-1947) provides a preface here in which he calls Casanova not only a "woman hunter," but also an "occult swindler" who victimizes senators, noble ladies, and Dutch financiers with a phony cabala. Also in this special edition are two additional chapters discovered by Arthur Symons, an index, and a map indicating the hero's itineraries. Our quarto-size volumes are distinguished by an extremely pleasing italic typeface and are handsomely printed in general. [Attributes: Hard Cover]

      [Bookseller: Phillip J. Pirages Rare Books (ABAA)]
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        Die Flucht aus den Bleikammern Venedigs.

      Berlin: Hans Heinr. Tillgner 1922. - Vitri 25,8 x 17,5 cm. Mit 6 sign. OrRadierungen auf Tafeln von Magnus Zeller. 100 SS., 1 Bl. Rotes OriginalSaffianleder mit Goldprägung und Rückenvergoldung. Der Rücken leicht berieben, Bezug schwach fleckig. Gutes Exemplar. Nr. 36 der Vorzugsausgabe von 150 Exemplaren auf handgeschöpftem Bütten, die Radierungen einzeln vom Künstler signiert (insges. 500 Ex.). - Lang, Expr., 376. Sennewald 254, 22,2. - 3. Tillgner-Druck. 1100

      [Bookseller: Antiquariat und Buchhandlung Carl Wegner]
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        Handwoven Carpets, Oriental and European

      Benn Brothers, London 1922 - 9 x 11 Hardback in Good condition; Illustrated by 18 color plates, 186 black and white; GWO 646. Major standard work. Two volume set. Limited to 1,000 copies.; 11; 636 pp. [Attributes: Hard Cover]

      [Bookseller: RugBooks, IOBA]
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      Messein Albert 1922 - Trois volumes in-8 (19 x 15 cm), reliés. Demi-chargin havane à coins, couverture et dos conservés, tête dorée. Reliures signées de Devauchelle. ÉDITION ORIGINALE. Préface et notes de Ad. Van Bever. Édition réunissant les lettres adressées à Edmond Lepelletier, Léon Valadet, A. Poulet-Malassis, Émile Blémont, Léon Vanier, Albert Savine, aux Chères Amies, aux correspondants anglais, à F.-A. Cazals, Fr. Copée. Rimbaud, Rops. soit 697 lettres et quelques fragments d'autres en appendice. L'un des 15 premiers exemplaires sur Japon. Exemplaire à belles marges. Les trois volumes (parus respectuvement en 1922, 1923 et 1929), sont au même numéro (le n°5). Dos légèrement plus clair. Réf. : Fischer - Galantaris 'Verlaine, Rimbaud, Mallarmé' pp. 202-203 ; Van Bever - Monda 'Bibliographie et Iconographie de Paul Verlaine' p.71. [Attributes: First Edition; Hard Cover]

      [Bookseller: Abraxas-libris]
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        LA RIVOLUZIONE LIBERALE, - 1922 - 1925 - rivista storica settimale e di politica diretta da PIERO GOBETTI lotto di 52 giornali ORIGINALI ed arrivati fino a noi anche - dopo numerosi e puntigliosi sequestri - che li fanno maggiormente apprezzare - ., Torino, Stab. Grafico Fo? , 1922

      - giornale di 4 facciate, 35 x 50. Buone condizioni, con restauri alle pieghe centrali ed ai margini, senza però perdite di testo.Straordinaria palestra dove persone coraggiose, di grande rigore morale e di notevole preparazione culturale, tentarono di mandare messaggi positivi al mondo civile e politico che in quegli anni andava decadendo. La sapiente ed appassionata regia e partecipazione di PIERO GOBETTI, vera e propria "anima" del settimanale risultò decisiva. Nato a Torino nel 1901 all'epoca era poco più che ventenne La casa editrice di sua propriet? affiancò poi dal 1924 tutte le iniziative in modo incisivo. Nel dicembre del 1924 Gobetti fonder? lìaltro periodico divenuto famoso IL BARETTI tenendone la dirigenza fino alla sua scomparsa avvenuta a Parigi, dopo le botte di squadracce fasciste. nel febbraio 1926. Offriamo questo raro lotto che ha il pregio di essere un gruppo di DOCUMENTI ORIGINALI dove si sente il profumo di storia, rigore, coraggio, politica, emozioni che certo una copia anastatica non potr? mai dare. E' vero che la carta è stanca, ha delle ferite, ma il lettore e lko studioso dovranno ricordare felicemente i passaggi ed i vissuti che questi giornali hanno avuto. Notiamo come alcuni di essi fossero indirizzati (quindi appartenuti e letti) a GIOVANNI PAPINI DI FIRENZE, FILOMENA FERRARI BURICH DI FIUIME, MARIO FUBINI DI TORINO, ANNO PRIMO 1922 : n. 1 (12 febbraio), 2, 3, 30 , 31, 32, 34, 37, 38-39 (28 dicembre) totale 9 giornali ANNO SECONDO 1923 : n. 6 (15 marzo), 34, 35, 36, 37, (27 novembre) totale 5 giornali) ANNO TERZO 1924 : n. 11 (11 marzo), 12, 15, 16, 17, 18, 26, 29, 31, 33, 34, 35, 40, 41, 42, 43, 44, 45, 46, 47 (16 dicembre) totale 20 giornali) ANNO QUARTO 1925 : n. 1 (2 gennaio), 2, 3, 4, 8, 9, 10, 11, 13, 14, 15, 16, 17, 19, 22, 23, 24, 37. (18 ottobre) totale 18 giornali. Sul famoso numero uno del 1922 C'è Il MANIFESTO PROGRAMMA" firmato da PIERO GOBETTI che nobilita la strada che il settimanale percorrer? . Lo stesso Gobetti illumina il giornale con decine di suoi scritti. Ricordiamo comunque anche tutti gli autori degli scritti che compaiono in questo lotto : AMENDOLA GIOVANNI, Aniante Antonio, ANSALDO GIOVANNI, Arpesani Giustino, Ascoli Max, Avarna di Gualtieri Carlo, Berté Eduardo, Brosio Manlio, Brunello Bruno, Burresi Piero, Burzio Filippo, Cappa Giuseppe, Caramella Santino, Carano Donvito Giovanni, Cavalli Armando, Coletti Francesco, Courier Paul, Crespi Angelo, Damiano Andrea, Del Filpo Luigi, Della Corte Giuseppe, Dorso Guido, EINAUDI LUIGI. Emery Luigi, Ferrara Mario , Ferrari Francesco Luigi, Filodemo Prometeo, Fiore Tommaso, Fischer Louis, Formentini Ubaldo, Fovel Massimo, Fubini Mario, Giordani Igino, Giovenale Bernardo, Giretti Edoardo, GIULIOTTI D., Guia Stefano, Lamberti Mario, Lanzillo Agostino, Lironcurti Mario, Luzzatto Gino, Marussi Vincenzo, Masson Maurice, MISSIROLI MARIO, Mondolfo Rodolfo, Monti Augusto, Nitti Francesco, Piccioni Attilio, Pittavino Arnaldo, Poggi Alfredo, Porri Vincenzo, Puglionisi Carmelo, ROSSELLI CARLO, ROSSELLI NELLO, Rossi Ernesto, SALVEMINI GAETANO, Sapegno Natalino, Servadio Emilio, Soleri Marcello Spellanzon Cesare, STURZO LUIGI, Viglongo Andrea,Vinciguerra Mario. IL LOTTO DEI 52 GIORNALI - NON DIVISIBILE- VIENE OFFERTO A

      [Bookseller: Ferraguti service s.a.s. - Rivisteria]
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        Chinese furniture: A Series of Examples from Collections in France. English Edition of Les Meubles de la Chine by Odilon Roche

      London: Benn Brothers, 1922 - First edition, first printing. Small folio, 31.5*25cm, wt:1.7kg. Library bound, with a few library markings, text pages and plates clean and bright. 54 collotype plates, plus 10 half-tones. These 54 plates are exactly the same as those contained in Roche's "Les Meubles de la Chine", with an added introduction by Herbert Cescinsky. [Attributes: First Edition; Hard Cover]

      [Bookseller: Chinese Art Books]
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        The Forsyte Saga

      William Heinemann, London 1922 - First complete edition, first state. Dedication leaf, and chart folding to the right. Armorial bookplate on the front pastedown, small tears at the edges of the fold-out genealogical chart, and small stain to interior page with some offsetting, else near fine in very good dustwrapper with shallow chipping at the crown and professional strengthening at the internal folds. Embossed "Presentation Copy" stamp on the title-page. See this book in 3D on our site. [Attributes: First Edition; Hard Cover]

      [Bookseller: Between the Covers-Rare Books, Inc. ABAA]
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        Paradise of Children, The"

      [n.p.]: , 1922. - A Superb Original Arthur Rackham Watercolor Drawingfor Nathaniel Hawthorne’s "A Wonder Book" RACKHAM, Arthur (1867-1939). "The Paradise of Children." London: 1922. Original pen-and-ink and watercolor drawing for the tinted line drawing illustrating "The Paradise of Children" ("Pandora’s Box") in Nathaniel Hawthorne’s A Wonder Book (London: [n.d., 1922]). Signed and dated at lower right. Image size: 15 x 11 inches (381 x 279 mm.). Matted, framed, and glazed."Long, long ago, when this old world was in its tender infancy, there was a child, who never had either a father or a mother; and, that he might not be lonely, another child, fatherless and motherless like himself, was sent from a far country, to live with him, and be his playfellow and helpmate. Her name was Pandora.The first thing that Pandora saw, when she entered the cottage where Epimetheus dwelt, was a great box. And almost the first question which she put to him, after crossing the threshold, was this,—‘Epimetheus, what have you in that box?’ ‘My dear little Pandora,’ answered Epimetheus, ‘That is a secret, and you must be kind enough not to ask any questions about it. The box was left here to be kept safely, and I do not myself know what it contains.’‘But who gave it to you?’ asked Pandora. ‘And where did it come from?’‘That is a secret too,’ replied Epimetheus.‘How provoking!’ exclaimed Pandora, pouting her lip. ‘I wish the great ugly box were out of the way!’‘Oh come, don’t think of it anymore" cried Epimetheus. "Let us run out of doors, and have some nice play with the other children.’It is thousands of years since Epimetheus and Pandora were alive; and the world, nowadays, is a very different sort of thing from what it was in their time. Then, everybody was a child. There needed no fathers and mothers to take care of the children; because there was no danger, nor trouble of any kind, and no clothes to be mended, and there was always plenty to eat and drink. Whenever a child wanted his dinner, he found it growing on a tree; and, if he looked at the tree in the morning, he could see the expanding blossom of that night’s supper; or, at eventide, he saw the tender bud of tomorrow’s breakfast. It was a very pleasant life indeed. No labor to be done, no tasks to be studied; nothing but sports and dances, and sweet voices of children talking, or caroling like birds, or gushing out in merry laughter, throughout the livelong day."This charming watercolor drawing depicts life as it was before Pandora opened the "great ugly box"— a wonderfully gentle pastoral scene, with a group of three naked children dancing merrily, without a care in the world, with "the expanding blossoms of that night’s supper" hanging heavily on the tree above their heads and "the tender bud of tomorrow’s breakfast" growing on the plants in the foreground."The moment one opens Hawthorne’s Wonder Book one becomes aware of the rounding and softening of form in Rackham’s work. The modern Pandora of Hawthorne opens her box for the world in 1921, and she is a very living young girl, with breasts just beginning to swell, indicating that Rackham was aware of the undertones of this story which is being retold with every lifetime. In ‘The Paradise of Children’ from the same text the children are drawn in line, but the washes of colour give them a rotundity of form and a very human life. The point which Rackham is making, surely, is that these are real children, a real Pandora, and not some dream from fairy land" (Fred Gettings, Arthur Rackham, p. 141).

      [Bookseller: David Brass Rare Books, Inc.]
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        La Poblacion del Valle de Teotihuacan. El medio que se ha desarrollado. Su Evolucion Etnica y Social Iniciativas para procurar su Mejoramiento pr la Direccion de Antropologia [Complete 3 volume set]

      Direcciòn de Talleres Gráficos, Dependiente de la Secretaria Pública Mèxico, 1922 - 2 volumes in 3, as published. 4to. Olive cloth with gold lettering on spine. Manuel Gamio (1863-1960) was a Mexican anthropologist, archaeologist, sociologist, as well as a leader of the "Indigenismo" movement. He was the first scientific investigator to explore Teotihuacan. The result of these investigations is "La Poblacion del Valle de Teotihuacan" (The Population of the Valley of Teotihuacan). A revision of his Columbia thesis, this work is still an important source for ethnographic information on the northern zone of Mexico. All 3 volumes with color frontispiece, illustrated title-pages, as well as many b/w reproductions of photographs, diagrams, fold-out plates (some lithographic) of charts, drawings, maps, art work, documents, etc. Some of the plates are in color. Vol I., volumes primero: La población prehispánica. cii,362,xvipp. Vol. I., volumes segundo: La población colonial. 368-778,xiipp. Vol. II: La población contemporánea. 670,xxxpp. Vol. I, volumes secundo without binding but complete. Heavy age wear, scuffing and staining on bindings. Paper split along gutter at front- and rear endpapers in volumes with binding. Heavy waterstaining to first eight unnumbered pages, some interior leaves, and to page 777 through rear endpaper in part 2 of Vol. I. Tissue guard on frontispiece-, half-title and frontispiece pages on same volume stuck together due to water exposure, half-title page loose but present. Closed tears to few plates. Part two of Vol. I in poor, binding on other volumes in fair, interior in overall very good condition. Important extensive work by Gamio, who was one of the leading and most important archaeologists of Mexico. Scarce as a complete set. [Attributes: First Edition; Hard Cover]

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        La Poblacion del Valle de Teotihuacan El Medio en que se ha desarrollado. Su evolucion Etnica y Social Iniciativas para Procurar su Mejoramiento

      Direcciòn de Talleres Gráficos Dependiente de la Secretaria de Educacion Pública Mèxico, Mexico City 1922 - 3 parts in 2 volumes: Volume 1, part 1: cii+326+xvi with tables (some folding), maps (some folding and in color), plates (many folding and in color), photographs, illustrations and figures. Volume 1, part 2: [363]-778+xii with tables (some folding), maps (some folding and in color), plates (many folding and in color), photographs, illustrations and figures. Volume 2: 670+xxx with tables, maps (some folding), plates, photographs, illustrations and figures. Quarto (11" x 7 1/2') round in full leather with raised spine bands, black and white labels in gilt lettering. Two title pages with one in red and black. First edition. This report embodies the results of some five years of preparation survey, investigation, and excavation on the part of the combined force of the Mexican Department of Anthropology, with the assistance of a corps of specialists from other governmental scientific departments, including biologists, geologists, meteorologists and even artists and musicians. The first volume is that of the greatest interest to archaeologists, consisting of three parts: Introduction, Synthesis, Conclusion and Remarks; Physico-Biological Survey; and the Pre-Hispanic Inhabitants. The second volume contains the Colonial Inhabitants and interest to anthropologists, while the third volume contains The Colonial Inhabitants and The Inhabitants During the Nineteenth Century, while the third volume refers to The Contemporaneous Inhabitants and contains considerable valuable material on somatology, ethnology, folklore and linguistics. In the Synthesis is to be found the detailed report, profusely illustrated, on the excavation of the beautiful Temple of Quetzalcoatl which was discovered too late for this report to be included in the chapter on the Archaeology of Teotihuacán. The greater part of volume one, 312 pages and 130 plates, is devoted to the Pre-Hispanic Population, consisting of eight chapters on Physical Type, Intellectual Manifestations and Archaeology. Of consummate interest to Americanists are the chapters on archaeology, giving as they do the full details, amply illustrated by photographs, maps, plans, drawings and reconstructions, of the recent excavations at Teotihuacán carried out by the department, combined and digested with the results of earlier investigations. Volume two, containing parts 3 on The Colonial Population, and 4 on the Population in the Nineteenth Century treats of economic, social and religious life, colonial architecture, history and similar topics. Volume three, the fifth part, on The Contemporary Population, is also primarily of interest to sociologists, though containing much of interest for students of Mexican archaeology and linguistics. The dominant note of the entire work is completeness and comprehensiveness. Every possible phase of the survey is treated with thoroughness. The volumes are tributes to the admirable ability of the Mexican printer, engraver, artist and binder, being of a quality not to be excelled. (American Anthropologist volume 26, pages 416-421) Condition: Slight stain to spine of volume 2. Leather at edges lightly rubbed else a better than very good set. [Attributes: First Edition; Hard Cover]

      [Bookseller: The Book Collector, Inc.]
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        SIBILLA. Poema drammatico in quattro atti.:

      L'Eroica,, Milano 1922 - (Codice EK0192) In 4º (32x26 cm) 228 pp. Capolavoro dell'arte grafica del '900: sontuosa edizione su carta forte di pregio illustrata dall'autore con 219 tavole e fregi (cornici, testate, iscrizioni ecc.) secondo il procedimento dell'incisione su lastre di zinco. Testo interamente disegnato a mano dallo stesso artista con un carattere nuovo e di forte rilievo ornamentale da lui creato, cosicchè le cento e più pagine del poema acquistano il valore "di un rarissimo codice miniato": dopo la stampa tutto il materiale tipografico è stato distrutto. Prima e unica edizione di 1333 copie numerate e firmate da A.Sartorio e dall'editore E.Cozzani, esemplare n.525. Applicati all'interno della copertina, in fotocopia: descrizione dell'opera apparsa su un numero dell'EROICA (1923) e scheda dal catalogo della libreria Prandi (1979). Legatura cartonata editoriale color avorio, titolo al dorso e al piatto con grande incisione. Nastro segnapagina, carta protettiva originale, nell'astuccio originale figurato in cartone (lievemente usato). Splendido e freschissimo il volume. Euro 800 ~~~ SPEDIZIONE IN ITALIA SEMPRE TRACCIATA ~ Tutti i libri subito disponibili. Descrizioni precise, consegna rapida con imballaggio solido. All books are in stock in fine conditions or described meticulously. Very safe packaging ~

      [Bookseller: Bergoglio Libri d'Epoca]
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        De Arte Phisicali et de Cirurgia of Master John Arderne, Surgeon of Mewark Dated 1412. From a Transcript Made by ERIC MILLAR From the Replica of the Stockholm Manuscript in the Wellcome Historical Medical Museum. BOUND WITH: CAPPARONI, Pietro. 'Magistri Salernitani Nondum Cogniti'. A Contribution to the History of the Medical School of Salerno. BOUND WITH : SPIELMANN, M. H. The Iconography of Andres Vesalius (André Vésale) Anatomist and Physician. Paintings - Pictures - Engravings - Illustrations - Sculpture - Medals. With Notes, Critical, Literary, and Bibliographical.

      John Bale Sons and Danielsson. London. ;1923;1925. 3 parts in 1 volume 1922 - pp. xii, 60. Coloured frontispiece, 15 plates; (ii), v, (iii), 68. Coloured frontispiece, 27 plates; (ii), xxxvii, (i), 243, (i). 68 plates [including a copy of the title-page of the second edition of the Fabrica of 1555, printed from the original wood-block, folding, linen-backed, in pocket of the rear board], 12 text figures. Publisher's blue cloth gilt, spine ends brusied, a few trivial marks on the front cover, else a very good copy. *A collection of the RESEARCH STUDIES IN MEDICAL HISTORY, 1-3, Wellcome Historical Medical Museum. They were all issued separately. GARRISON-MORTON #5557 for John Arderne. [Attributes: Hard Cover]

      [Bookseller: Patrick Pollak Rare Books ABA ILAB]
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        Q.B.L. or The Bride's Reception: Being A Short Cabalistic Treatise On The Nature And Use Of The Tree Of Life.

      Printed for the Author, Chicago 1922 - First edition of Achad's most important book. Ex-Libris Aleister Crowley. Extraordinary Presentation Copy Inscribed By Frater Achad: "To my Beloved Father / 666 / in the hope that this, my / first book, may meet with / his approval / 777". 8vo., 106 pp + 43pp. + 4 colour plates (including frontispiece) + 1 folded black & white diagram. Limited Edition: #2 of 250 signed copies. THE MOST IMPORTANT POSSIBLE ASSOCIATION COPY. Black paper-covered boards, linen spine, paper title label, top edge gilt. Label slightly chipped, some wear to corners and edges of boards. Light damping along top margin of first few leaves and a couple of inconsequential nicks. Interesting bookplate of Phyllis Duveen. A very good & important copy. Aleister Crowley ("666") considered himself to be the "Spiritual Father" to Frater Achad (Charles Stansfeld Jones, "777"), as he relates on page 801 of the CONFESSIONS: "What I had really done . was to beget a Magical Son. So, precisely nine months afterwards . Frater O.I.V., entirely without my k now ledge, became a Babe of the Abyss. . The Book of the Law speaks of this 'Child' as 'One,' as if with absolute vagueness. But the motto which Frater O.I.V. had taken on becoming a neophyte was 'Achad,' which is the Hebrew word for 'One.' It is further predicted that this 'Child' shall discover the Key of the interpretation of the Book itself, and this I had been unable to do." In this light, Achad refers to Aleister Crowley as his "Beloved Father" in the INSCRIBED DEDICATION. This is copy # 2 of 250; we presume that copy #1 was retained by the Author. The bookplate of Phyllis Duveen, the wife of Denis I. Duveen, a noted collector of Alchemical books & Esoterica] was possibly executed by AUBREY BEARDSLEY (although unsigned). The Duveen Collection is noted for its depth and balance. The catalogue of Duveen's library "Bibliotheca Alchemica et Chemica: An Annotated Catalogue of Printed Books on Alchemy, Chemistry, and Cognate Subjects in the Library of Denis I. Duveen," printed in London, 1949 remains a touchstone for scholars and collectors of European Chemistry before 1900. There are some penciled annotations in the margins of the text. These include the following: Page 2 has the phrase "get Essay Berashith" (to be found in the Collected Works of Aleister Crowley). Page 49 has the word "Tau" noted across from a discussion of THE UNIVERSE. Page 64 has the phrase "Book 777" across from a section on THE TREE OF LIFE. Page 97 has the phrase "Liber Legis" in the margin where the author refers to THE INITIATION OF 1917. BY THE MASTERS OF WISDOM FROM OTHER PLANES OF BEING. We cannot confirm that this penciling is in the hand of Crowley, nor of the previous owner Duveen but all things are possible. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: TBCL The Book Collector's Library]
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        The Shirley Letters from the California Mines in 1851-52. Being a Series of Twenty-three Letters from Dame Shirley . To Her Sister in Massachusetts .

      Thomas C. Russell, at His Private Press, San Francisco, California 1922 - First, limited edition, number 138 of 200 copies on Exeter paper, from a total edition of 450 copies, signed by the publisher. Near fine in near fine dustjacket. Series of personal letters from the Gold Rush period, reproduced here with eight hand colored tissue protected plates, with additional commentary by the publisher. Grayish blue hardcover with tan linen cloth spine, paper spine label, several pages printed with decorative headers and other elements in blue, 350 pages plus colophon, grayish blue dustjacket with paper spine label and gilt lettering and design on front panel. The book has effectively no wear, tight binding, one plate neatly detached but present with very minor wear to its top edge, very clean pages with no names or other markings, a few imperfections to the lovely and probably handmade Exeter book-paper visible in margins. The mylar protected dustjacket has a very tiny chip to the spine head, otherwise about fine. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Resource Books, LLC]
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        The Shirley Letters From California Mines 1851-1852.

      San Francisco. Thomas C. Russell. 1922. - #166 of only 200 copies, printed upon California Bond. Signed by Thomas C. Russell. Illustrated with 8 hand-coloured plates and various page decorations and vignettes. 8vo. Custom bound in full, pictorial gilt decorated limp Levant Morocco. Elaborateinner-dentelles. Marbled endsheets. All edges gilded. Renowned collection of 23 letters from Louise Amelia Clappe to her sister in Massachusetts, originally published in the Pioneer Press magazine of 1854-1855, these letters vividly depict everyday mining life at the zenith of the California Gold Rush. Howes C-433b, Zamorarano 80 #69. Repaired short tear to bottom of Title Page, else A Very Fine, pristine copy. [Attributes: Signed Copy; Soft Cover]

      [Bookseller: Heldfond Book Gallery, Ltd. ABAA , ILAB]
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        LA BELLEZA Y EL DOLOR DE LA GUERRA. Versos de un Neutral.

      Libros para Amigos de José Mª de Cossío (Imp. de la Viuda de Montero), Valladolid 1922 - 1ª ed. 13x17.3. 2h. 117pp. 5h. Rústica. Dedicatoria autógrafa al poeta Alejandro Nieto. Edición no venal de 200 ejemplares numerados. Huellas de óxido, lomo agrietado. Los "Libros para Amigos" son extremadamente raros. Envíos para España: el pago contra reembolso conlleva un recargo de 2 Euros.

      [Bookseller: Carmichael Alonso libros]
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        Where The Blue Begins.

      London/NY, William Heinemann/Doubleday, Page, 1922 - London/NY, William Heinemann/Doubleday, Page, 1922, first edition. TEG, black cloth spine with label to front board, issued without dust jacket, color frontispiece and three other color illustrations by Arthur Rackham along with 16 line drawings, this de luxe edition is limited to 100 copies Signed by both Morley and Rackham, this copy is unnumbered. Extremity wear, else very good. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: James M. Dourgarian, Bookman ABAA]
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        Where the Blue Begins

      William Heinemann no date (1922), London - Signed by illustrator Arthur Rackham, limited edition, this no. 87 of 175 copies, hardcover, quarto, 227pp., illustrated in color and b&w. Book VG with rubbing, toning, and soil to boards, mild wear to spine ends and corners, gilt decoration and title to spine, top edge of textblock gilt, binding tight, flyleaves mildly off-set, text clean and unmarked. No DJ. In protective mylar wrap. [Attributes: Signed Copy; Hard Cover]

      [Bookseller: Caliban Books Pittsburgh PA, ABAA]
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        A set of woodcuts being the illustrations to A Farmer's Life by George Bourne

      London: Jonathan Cape,, 1922. 8 loose leaves housed in a green cloth chemise. 6 woodcuts by Stephen Bone. An excellent set. From a limited edition of only 55 copies, with each plate printed on Japanese vellum and signed by the artist in pencil.

      [Bookseller: Peter Harrington]
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      Boni & Liveright (1922) [i.e., 1923], New York - Stiff black boards. Stated "Second Edition" in the colophon, this is actually a second impression of the First Edition from the same setting of type but with a different colophon and with the reading "mount in" on page 41 uncorrected. Gallup A-6b. Copy #734 of 1000 numbered copies. Though not identified as such, this copy is from the estate of Scofield Thayer, benefactor of the arts and publisher of the literary magazine THE DIAL from 1920 to 1926. Thayer was a school friend of Eliot and arranged for Eliot to be the 1922 recipient of the Dial $2000 annual award to a young American writer. The award is noted on the front panel of the dustwrapper. Mostly unopened. A spectacular copy of both the book and the dustwrapper, just as new as the day it was published [Attributes: First Edition; Hard Cover]

      [Bookseller: Charles Agvent, est. 1987, ABAA, ILAB]
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        The Waste Land

      Boni and Liveright 1922 - First Edition, one of 1000 numbered copies with 1922 printed on the title page. Second issues lack the 1922 on the title page and mention "second edition" on the copyright page. An attractive copy in the original black cloth with light wear to the spine and edges. The binding is tight and the boards are crisp. The pages are clean with no writing, marks or bookplates in the book. A lovely copy. [Attributes: First Edition; Hard Cover]

      [Bookseller: Quintessential Rare Books, LLC]
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      Boni and Liveright, New York 1922 - An Unopened Copy in Virtually Mint ConditionOf the Second Impression of Eliot's Masterpiece. 197 x 130 mm (7 3/4 x 5 1/8"). 64 pp. ONE OF 1,000 COPIES of the Second Edition/Impression (see below). (This is copy #546.). Original black buckram, gilt titling on upper cover and spine, UNOPENED. In original pale orange dust jacket with black lettering. Gallup A-6b. Slight uniform fading to the spine of the dust jacket, but AS CLOSE TO A MINT COPY AS ONE COULD HOPE TO FIND--A SURELY UNSURPASSABLE COPY, the jacket virtually untouched, and with the unopened text obviously never read. This is an absolutely sparkling, once-in-a-decade copy of Eliot's masterpiece, which Day has called "the most discussed poem of the 20th century." An attack on the sterility and futility of modern life, the poem perfectly captured the disillusionment of the generation that had fought the Great War, and it was an immediate sensation. DNB describes it as "an iconoclastic and provocative work of jazz-like syncopation," observing that its "extraordinary intensity stems from a sudden fusing of diverse materials into a rhythmic whole of great skill and daring." Thomas Stearns Eliot (1888-1965) was born in St. Louis and educated at Harvard, but never really felt at home in America. He moved to Britain in 1914, becoming a citizen in 1927. Clever and socially adept, he quickly became a part of the post-war literary scene in London, where, ANB notes, he "gained a reputation in the world of belles-lettres as an observer who could shrewdly judge both accepted and experimental art from a platform of apparently enormous learning." The success of "The Waste Land" opened new doors for Eliot: a position as an editor at a publishing house allowed him to leave his boring day job at a London bank and freed him to spend more time on his writing. He went on to author a number of acclaimed poems and dramas, as well as perceptive literary criticism, but "The Waste Land" will always be the work most associated with his name. As Gallup indicates, our volume was probably published early in 1923, after 1,000 copies of the first printing were issued in 1922. Gallup says that although our printing is "called 'Second Edition' in the colophon, this is actually a second impression from the same setting of type as the first edition, but with a different colophon." In all its important particulars, our copy agrees with copies from the later part of the first impression press run: the "a" in our copy has dropped out of "mountain" in line 339 of p. 41; our binding is stiff (not flexible) boards; and our copy number is in stamped numbers 2 mm. (not 5 mm.) high. ONE OF 1,000 COPIES of the Second Edition/Impression (see below). (This is copy #546.) [Attributes: Hard Cover]

      [Bookseller: Phillip J. Pirages Rare Books (ABAA)]
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        The Waste Land

      Boni & Liveright 1922 [1923?], New York - Number 369 (stamped in type 2-mm high, per Gallup A6b) of the second impression limited to just 1000 copies. (Though stated as the "second edition" on the colophon page, this second impression of 1000 copies was printed from the same setting of type as the first printing and is more accurately termed, as listed in Gallup, the "second impression.") With the incorrect 'mount in,' line 339, p. 41. Slim octavo; 64pp. Publisher's stiff black cloth, the spine and upper cover lettered in gilt, all edges deckled; in the original salmon-pink dust jacket printed in black. Near Fine, clean and complete, the gilt lettering still bright, with minor bumping to the spine ends; flawed by dark offsetting from paper laid in between the rear end papers and between pp. 38-39 and light chipping to the top of the half title and title pages where the uncut pages were opened carelessly; otherwise a bright, unmarred, very lightly read copy with no names, bookplates, or writing. The jacket is Near Fine or better without restoration, the front and back panel clean and complete—indeed Fine—but the spine darkened with trivial rubbing to the ends and a small sliver of loss mid-spine, not affecting any lettering. Overall, a remarkable, highly collectible copy of likely the century's most important poetic work. Note: With few exceptions (always identified), we only stock books in exceptional condition, with dust jackets carefully preserved in archival, removable polypropylene sleeves. All orders are packaged with care and posted promptly. Satisfaction guaranteed. [Attributes: First Edition; Hard Cover]

      [Bookseller: Fine Editions Ltd]
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