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Displayed below are some selected recent viaLibri matches for books published in 1922

        Le Printemps sur la Neige et d’autres Contes du bon vieux temps.

      Paris: L’Edition D’Art, H. Piazza, 1922. - First Edition in French[RACKHAM, Arthur, illustrator]. GUYOT, Ch. Le Printemps Sur La Neige et d'Autres Contes du Bon Vieux Temps. Illustrations de A. Rackham. Paris: L'Edition D'Art, H. Piazza, 1922. Limited to 1300 copies, this being copy no. 1227. Tall quarto (11 7/8 x 9 1/8 in; 301 x 230 mm). 103, [5] pp. Sixteen tipped-in color plates and nine drawings in black and white. Publisher's original brown-gray wrappers with pictorial stamping in green and deep reddish brown with gilt lettering.First edition in French of the Rackham-illustrated Snowdrop and Other Tales by the Brothers Grimm (1920), containing eight stories from Fairy Tales by the Brothers Grimm illustrated in color by Rackham in 1909.Latimore and Haskell p. 53. Riall p. 140. Cf. Latimore and Haskell p. 34. [Attributes: First Edition]

      [Bookseller: David Brass Rare Books, Inc.]
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        Faust. Eine Tragödie von Goethe. 1 - 3 . (Drei Bücher in einem Band. = Komplett. Lederausgabe im Schuber ).

      Frankfurt a/M. bzw. Darmstadt: Druck der Ernst Ludwig Presse (DA), unnternommen von der Kleukens Presse (Ffm) : 1922, 1923,1924.. Format: 20 x 27 cm, jeweils Erstausgaben, nacheinander erschienen in den Jahren 1922, 1923, 1924. > Faust 1: 2 Bll. 218 Seiten; 1 Bll. > Faust 2: 326 Seiten und 1 Bll; > Faust 3: 150 Seiten , 3Bll. , sämtlich auf Zanders ELP Bütten. Schöner, klarer , breitrandiger Druck mit roten Anfangszeilen. Orig. Ledereinband (vermutlich auf Holzdeckeln aufgezogen) , der Buchbinderei der Kleukens-Presse zuzuordnen . Handgestochenes orange/ braunes Kapitalband. Rücken auf sieben Bünden (zwei davon dem gestochenen Kapital geschuldet) mit goldgepr. Titel. Zarte goldgeprägte Filetenrahmung auf beiden Deckeln, goldverzierte Bünde und Innen- sowie abgeschrägten Stehkanten. Leder-Falzverstärkung, ledergerahmte, goldverzierte feste Vorsätze. Kopfgoldschnitt. Seitlich und unten unbeschnitten. Lesebändchen. Ledereingefaßter, goldfiletierter, filzgefütterter Orig. Schuber aus starkem Karton. Eines der seltenen nach Wunsch des Kunden gefertigten Exemplare der dreibändigen Kleukens- Faust- Ausgabe in einem Band. Nur der Schuber weist dezente Verfärbungen außen wie innen auf. Sonst hervoragend erhalten, sammlungswürdig.. * > Faust 1. Mit Vorspiel und Prolog (Aufl.: 900) , > Faust 2 (Aufl. 900) > Faust 3 . Der Tragödie ursprüngliche Gestalt und Paralipomena. (Aufl. 400). ** Jeder Band enthält den editorischen Schlußvermerk: "Druck der Ernst Ludwig Presse zu Darmstadt. Unternommen von der Kleukens Presse zu rankfurt am Main. Die Frankfurter Bürger Moritz Freiherr von Bethmann und Hans von Passavant stifteten die für das Papier erforderlichen Mittel in dem Einverständnis, daß in ihrem Namen von Seiten der Kleukens-Presse dem Goethehaus in Frankfurt aus den Erträgen eine Summe in gleicher Höhe überwiesen wird. (. . . )" Der abweichende Eintrag im 3. Bd. lautet " (. . . ) Schlußband der von der Kleukens-Presse unternommenen Faust-Ausgabe. Die Namen Moritz von Bethmann und Hans von Passavant sind in der gleichen ehrenden Weise hinzuzufügen wie den beiden zuvor gedruckten Teilen. Die Druckvorlage besorgte Rudolf G. Binding (: . . )."

      [Bookseller: Hrdina-Lenz-Hrdina PHV Verlag & Antiquar]
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        Researches into Chinese Superstitions, Vol I-VII

      Shanghai, T'Usewei Printing, 1914-1922. - 7 volumes, 8-vo, illustrated boards sewn at spine as issued, profusely illustrated with coloured plates, very good condition. Researches into Chinese Superstitions by Henri Doré, translated by M. Kennelly. This set is a rare collection of the seven first volumes translated in english (on 11 published). First part: Superstitious Practices. Vol I: Birth, Marriage, Death (1914) -XXI-155 pp., 8 photogravures, 75 chromos. Vol II: Charms and Spells (1915)- XV-72 pp., 2 photogravures, 153 chromos. Vol III: Mode of Writing and Explanation of Charms and Spells (1916) -XXVIII-93 pp., 89 fac-simile. Vol IV: Divination - Vain Observances (1917) -XXV-144 pp., 4 photogravures, 32 chromos. Vol V: Vain Observances;Annual religious Festivals and Customs; Animals, trees and Plants Endowed with Marvellous Powers (1918) - XXIV -271 pp.,1 photogravure, 53 chromos. Second Part: Chinese Pantheon; Vol VI: The principal Triads;Gods Principally Worshipped by the literati; Buddhas, Bodhisattvas, etc. (1920) - XXIV-223 pp., 5 photogravures, 2 fac-simile, 32 chromos. Vol VII: The Buddhist Hades; The 18 Arhats or Lohans, The Buddhist Patriarchs, etc. (1922) -XV-263 pp., 2 photogravures, 67 chromos. [Attributes: Hard Cover]

      [Bookseller: INDOSIAM RARE BOOKS]
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        A WITHERED NOSEGAY

      London Christophers 1922 - First edition. Black cloth lettered in yellow in pictorial dustwrapper. A fine copy in a near fine dustwrapper, bright and clean with some fraying to the head of the spine. Illustrated throughout by Lorn MacNaughton. An early work by Coward at his most frivolous. Seldom encountered in its dustwrapper. [Attributes: First Edition; Hard Cover]

      [Bookseller: Jonkers Rare Books ABA ILAB]
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        The Book of American Negro Poetry with an Essay on the Negro's Creative Genius

      New York: Harcourt, Brace and Company. (1922). First. First edition. Foredge somewhat foxed, else fine in a very attractive, near fine example of the very scarce dustwrapper with a small chip on the front panel, negligible wear at the spine ends and some small loss at the crown. Poems by Paul Laurence Dunbar, W.E.B. Du Bois, William Stanley Braithwaite, James Weldon Johnson, Leslie Pinckney Hill, Georgia Douglas Johnson, Claude McKay, Alice Dunbar-Nelson, Jessie Fauset, Benjamin Brawley, and many others. Rare in dustwrapper, this is an unusually nice copy. .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
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        The Waste Land

      New York: Boni & Liveright. 1922. First. First edition. Publisher's flexible cloth, the stamped number (198) 5mm in height, and the "a" in "mountain" on page 41 (a possible state in the first printing); one of the first 500 copies. Very nearly fine with a bookplates in a dustwrapper with some tiny chips and internal tissue strengthening at the folds; in a custom clamshell box. .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
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        THE WASTE LAND in THE DIAL, November 1922, Original wraps

      (Dial Publishing), (New York) 1922 - Volume LXXIII, Number 5. Original printed salmon wraps. Contains the first printed appearance in the United States of THE WASTE LAND, and only its second appearance overall, having appeared the previous month in England in the CRITERION Magazine. Also includes contributions by Yeats, Picasso, Sherwood Anderson, Ezra Pound, Malcolm Cowley, Bertrand Russell, and others. Uncommon in original wraps, unrestored, in this condition. Near Fine with just a very small chip to the head of the spine and a small piece clipped from the top outside corner of the front cover which also has a small marginal stain [Attributes: First Edition; Soft Cover]

      [Bookseller: Charles Agvent, est. 1987, ABAA, ILAB]
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        7 Orig.-Fotografien.

      - 5 x 13, 5 x 9 cm; 2 x 13 x13 cm, Tadell. Rückseitig Stempel der Fotografien. Auf 3 Bildern ist die Dichterin Erika Burkhart (1922- 2010) zu sehen, drei zeigen das Innenleben der 250 jährigen ehemaligen Sommeresidenz der Aebte von Muri «Haus Kapf». Eines zeigt einen verwunschenen Baum aus Erikas Garten.Barbara Davatz, geboren 1944 in Zürich, 1948 Umzug der Familie in die USA. 1965?68 Fachklasse für Fotografie, Schule für Gestaltung in Zürich. Seit 1968 freiberuflich tätig v.a. für Zeitschriften. Lebt und arbeitet in Steg im Zürcher Oberland. Verschiedene Porträtprojekte wie «Gsüün» (über familiäre Ähnlichkeiten), «Zwillinge. Eine Laune der Natur», «Portrait einer Schweizer Firma 1973" und die bisher einzige monografische Publikation «As Time Goes By» mit diachromen Vergleichsbildern von Paaren. 1100 gr.

      [Bookseller: antiquariat peter petrej]
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        South Wind

      Martin Secker, London 1922 - Signed by the author on the limitation page -- this is number 48 of 150 large paper copies. 1922. Exquisite binding by Fahey: full blue leather with designs and in quarter- leather slipcase. Printed on high-quality blue paper, 464 pp., clean unmarked text. Near Fine copy with the slightest discoloration to the bottom of the spine. Otherwise a clean, tight copy, in a Near Fine slipcase that shows light rubbing to the leather spine, and mild wear to the corners on the open end. Digital images available upon request. [Attributes: Signed Copy; Hard Cover]

      [Bookseller: Caliban Books Pittsburgh PA, ABAA]
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        South wind.

      London. Martin Secker 1922 - In 8vo; pp.IV, 464. Edizione a tiraggio limitato, copia n.144 di 150 firmata dall'autore. Esemplare intonso stampato su carta azzurra. Tela editoriale, fregi in oro ai piatti, titolo al dorso. Ex libris. Woolf A19b: "The first de luxe edition of a book by Douglas". Douglas's most famous novel celebrates the pleasures of the hedonistic life on the island of Nepenthe, a literary idealization of Capri. [Attributes: Hard Cover]

      [Bookseller: CASELLA STUDIO BIBLIOGRAFICO ALAI-ILAB]
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        The Pageant of Peking, Comprising Sixty-Six Vandyck Photogravures of Peking and Environs

      A. S. Watson & Co.. Very Good. 1922. B00BBVJQXE Very Good. (Binding: Hardcover, Jacket: No Jacket) Cloth. Second edition. This is a very good copy but for the . B00BBVJQXE .

      [Bookseller: Moe's Books]
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        LAS HOGUERAS DE CASTILLA. (1922)

      1922 - IMPRESOR-LUGAR: Barcelona: [s.n.], 1922 (Imp. Oliva de Vilanova) DESCRIPCIÓN FÍSICA: 5 h., 193 p., [1] h. 1 mapa y 10 grabados al aguafuerte de Castro Gil, Manuel (1891-1961). Viñetas coloreadas a mano, capitulares historiadas . Folio: 365 x 260 mm ENCUADERNACIÓN: Pergamino con título y autor rotulado en lomo. Escudo estampado y dorado en plano. CONSERVACIÓN: Muy buen ejemplar. Bello ejemplar de la edición limitada y numera de 500 ejemplares en papel hilo, siendo el presente el nº 51. Contiene las estampas al aguafuerte con panoramas de las ciudades de Toledo - Cuenca - Segovia - Medina Del Campo - Ávila - Valladolid - Palencia - León - Salamanca - Oviedo. Manuel CASTRO GIL [Lugo 1891 - Madrid 1961]. El escritor Wenceslao Fernandez Flórez, que utilizó un dibujo de Castro Gil para su mejor obra, «El bosque animado», dice el grabador: «Tiene bien probada una particularidad que, sin duda, habría que explicar por una razón racial: por innatas inclinaciones de su naturaleza céltica. Siente las piedras y los árboles. Ama a ese ser maravilloso que por estar sujeto a la tierra y vivir de ella por sus raíces, y elevar la cima a lo alto en aspiraciones celestes es el mejor símbolo del hombre y casi más hombre que un hombre, por su esquematismo cabal. Ama también las viejas ruinas cosidas con hiedra, la hermosura que duerme en el rincón de una callejuela, la que brota de un feliz hacinamiento de casitas, la de un simple muro en pie que aún conserva un rosetón sin vidrios. Y nadie sabe extraer tanta emoción como él de sus frecuentes veneros». (recogido de Novacaixagalicia) [Attributes: Hard Cover]

      [Bookseller: LIBRERIA MARGARITA DE DIOS]
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        L'HISTOIRE DU COSTUME FÉMININ FRANÇAIS DE L'AN 1037 À L'AN 1870. COMPLETO

      EDITIONS NILSSON, PARIS - (1922). ESTUCHE PORTAFOLIO ORIGINAL EN TELA ENMARCADO CON BONITA ILUSTRACIÓN DECORATIVA. OBRA COMPUESTA POR 10 ALBUMES CRONOLÓGICAMENTE ORDENADOS, TEXTO EN FRANCÉS Y NUMEROSAS LÁMINAS, CON 120 PLANCHAS A COLOR BELLAMENTE LITOGRAFIADAS. TRAJES COMPLETOS Y COMPLEMENTOS: ZAPATOS, GUANTES, ACCESORIOS, BORDADOS, Y PATRONES DE TELA. OBRA ESENCIAL PARA AMANTES Y PROFESIONALES DE LA MODA. CALZADO. MODISTAS. MODA FRANCESA. DISEÑO DE MODA. OBRA COMPLETA. MUY BUEN ESTADO. Size: 38 X 28

      [Bookseller: Librería Tormos]
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        Za Svobodu: Obrazkova kronika ceskoslovenskeho / revolucniho hnuti na rusi / 1914 - 1920. Vydava a obrazkovou cast ridi legionar Otakar Vanek. - Hlavni spolupracovnik Br. Vojta Holecek za vrchni redakce Br. Rudolfa Medka. / Mit vielen dokumentarischen Abbildungen im Text und auf Tafeln, davon wenige in Farbe sowie einigen Karten. 4 Bände.

      Pamatniku Odboje / Nakladem Vlastnim., Praha, 1922 - 1. Auflage. 841, 896, 891, 900 Seiten. - Band 3 mit einer aufklappbaren mehrfarbigen Karte im Anhang [79 : 54 cm]. Sprache: cs Marmorierte Originalhalblederbände auf 5 Scheinbünden, mit vornehmer Rückenvergoldung, Lederecken, Schmuckpapiervorsätzen, Lesebändchen und Kopfgoldschnitt. - Sehr gut erhaltene, saubere Prachtexemplare in fester Bindung und ohne Eintragungen.

      [Bookseller: Antiquariat Tarter, Einzelunternehmen]
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        The Complete Writings

      New York: Gabriel Wells,, 1922. 37 volumes, octavo. Bound in recent full burgundy morocco, crimson and dark green labels, decoration to spines, raised bands, roll to boards, marbled endpapers, top edges gilt, others untrimmed. Portrait frontispiece and numerous black and white illustrations throughout. A fine set. The Definitive Edition, signed "S L Clemens / Mark Twain" in volume 1, limited to 1024 numbered sets. The publisher states that Twain intended a definitive collected edition and so put his autograph to 1024 single leaves in 1906. These were not recovered until long after his death, when the project could finally be completed. This set includes the extra two volumes of Autobiography.

      [Bookseller: Peter Harrington]
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        The Girl on the Boat

      Herbert Jenkins 1922 - London ,first variant in facsimile wrapper . A very good copy of an unrecorded first in green cloth with green lettering .A very rare item , which is identical to the orange clothed edition as described in Mcilvaine.I have never seen another copy or seen one offered in any of the major collections that have come up in the last twenty years which means absolutely nothing .I don't think it is a colonial edition as we have pretty well established that these early Herbert Jenkins titles used the UK firsts and stuck an oversize colonial label over the 7/6 or 3/6 . I am doubtful it was a trial binding as this was not Herbert Jenkins way so another PGW mystery. [Attributes: First Edition; Hard Cover]

      [Bookseller: Dick Neal Fine Books]
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        Trip in Chosen ?????

      Keijo (??): ??????????. Taisho 11.1922. [80pp] black and white collotypes, many pages showing two or three or occasionally more images. Album measures 18.3 x 25.1cm. Attractive oblong octavo cloth binding, silk title label in Japanese and English laid down upper cover, two hole stab binding with purple fabric ties, silk on spine damaged with loss, all edges gilt. Original dustjacket titled in English and Japanese on upper cover torn with a little loss and now protected. Dustjacket is larger in size than the book (21.5 in height and with very generous folds). Front free endpaper creased, publication leaf and last blank foxed, some soiling throughout. A nice copy of a very interesting and scarce album. This comprehensive travel book about Korea was published during the Japanese colonial era. The text is mainly in Japanese with the cover title and the table of contents also in English. This book was published to encourage tourism principally from Japan and includes many pictorial images which give us a taste of everyday life in Korea at the time. Pictorial images include: women farmers weaving silk, people bathing at the beach at the seaside resort in Jinsen, a golf course for tourists, and also historical colonial buildings such as the General Office of the Government, Chosen Hotel and Bank of Chosen. .

      [Bookseller: Asia Bookroom]
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        Gazette du bon ton - 1922 N°1

      Vogel, Paris 1922 - Premier numéro de l Année 1922 de la célèbre et luxueuse revue de mode.Exemplaire bien complet avec ses 8 hors textes (MOURGE ERIKSON FLOREZ BRISSEAUD MARTY BARBIER ZENKER ) et 8 croquis des soeurs David ( Perles et pierres - Ourgandi - Broderie anglaise - la Plume- le point de croix- la dentelle- la peau- le Crin ) .Bel état malgré quelques rousseurs marginales Sur la planche de Mourgue intitulée Soir de Paris une légère trace au dessus du personnage feminin telle une vapeur. [Attributes: Soft Cover]

      [Bookseller: Au fil des livres - christian olliet]
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        Deutsches Archiv für klinische Medizin. Bde. 138-165. 1922-1929. 28 Bde.

      Leipzig, Vogel, 1922-29. - Pro Band ca. 380 S. Mit insges. 821 Abbildungen im Text und 41 Tafeln. Halbleinen d. Zt. mit Rückengoldprägung und marmoriertem Bezugspapier. Gr.-8°. In guter Erhaltung. Mit Generalregister für Bde. 131-150 in Bd. 150 und Generalregister für Bde. 151-160 in Bd. 161. 21500 Gramm. [Attributes: Hard Cover]

      [Bookseller: Antiquariat An der Rott]
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        Plays in Prose and Verse. Written for an Irish Theatre, and Generally with the Help of a Friend

      Macmillan & Co., London 1922 - First edition. Faint offsetting to the free endpapers, a touch of sunning to the head of the spine, else fine in near fine dustwrapper which is modestly chipped at the head of the spine. One of 1500 copies. *Wade* 136. A nice example of the fragile and seldom found jacket. See this book in 3D on our site. [Attributes: First Edition; Hard Cover]

      [Bookseller: Between the Covers-Rare Books, Inc. ABAA]
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        Raseya

      C. Efron, Berlin - 1922. (Small 4to) Very good, no dust jacket. Beige cloth printed with red and yellow illustration on both covers and spine and with vignette illustration in black on front cover. 47 full-page illustrations (4 in color). Lacks the front endpaper, and there is an owner inscription on the back of the frontispiece. The covers are lightly shelfworn. Rare. Text in Russian Language. (Art, Artists--Russia) [Attributes: Hard Cover]

      [Bookseller: Burton Lysecki Books, ABAC/ILAB]
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        Ex Libris.

      Moskau, Moskowskaja Grafika, 1922. - Stichotworenija k nim K. C. Krawtschenko. [Text russisch]. 12°. Illustr. OKart. (leichte Gebrauchsspuren). 4 Bll. mit 2 illustr. Titeln, 12 num. Tafeln mit 12 Orig.-Holzschnitten von Alexej Krawtschenko, 3 Bll., 12 num. Bll. mit Vignetten, 1 Bl. Sprache: Russisch, Erste Ausgabe. - Nr. 107 von 500 Exemplaren. - Zwölf Holzschnitt-Exlibris des bedeutenden russischen Künstlers mit dazugehörigen Gedichten seiner Frau. - Schmidt, Rus. Graphik S. 151 Nr. 3. Tarasenkow 193. Thieme-B. XXI, 474. - Vereinzelt gering fleckig. - Selten. [Attributes: First Edition]

      [Bookseller: Antiquariat Frank Albrecht (VDA/ILAB)]
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        More Men of Mark

      London: Duckworth & Co.. (1922). First. First edition. Quarto. Original quarter cloth and beige linen gilt. 33 tipped-in monochrome photogravure plates with tissue guard. Introduction by Coburn. Corners bumped, else a near fine copy. Portraits of artists and authors including Ezra Pound, Thomas Hardy, Joseph Conrad, Wyndham Lewis, Edmund Dulac, A.E. Waite, a self-portrait by Coburn, and others. .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
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        TITINE HISTOIRE D ' UN VIOL . EXEMPLAIRE réimposé grand format 20 x 25 cm , sur papier de HOLLANDE VAN GELDER

      - Paris . Editions André . 1922 . Un des 40 exemplaires réimposés au format 20 x 25 cm , sur papier de Hollande Van Gelder Zonen . ( N° 29 ) . Un volume broché sous couverture rempliée illustrée , in-4 de 181 pages + table , non coupé . Cette édition de tête compte plus de 50 illustrations dont 16 gravures hors texte , de Louis Robert ANTRAL( + lettrines ) . Suivi de TROIS SUITES sur papier JAPON de huit planches : Premier état / Second état & état définitif + un tirage en bistre de la couverture et une planche refusée en bistre . Superbe et sensible illustration interprétant fidèlement le naturalisme pathétique de ce texte sur l' enfance bafouée . Ensemble en trés bon état , de toute rareté . [Attributes: Soft Cover]

      [Bookseller: LA FRANCE GALANTE]
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        THE MAN WHO KNEW TOO MUCH AND OTHER STORIES

      London, New York, Toronto and Melbourne: Cassell and Company, Ltd,. [1922]. Octavo, pp. [1-8] 1-307 [308] [309-310: blank] [note: last leaf is a blank],. original green cloth, front and spine panels stamped in black.. A nearly fine copy. A sharp copy of a book which does not age. gracefully, (#110049). First edition. The contents of the Cassell edition differ from those in American edition published by Harper in 1922. The Cassell edition has the eight tales featuring Horne Fisher and the four-part "The Trees of Pride," plus three stories not in the Harper edition; "The Garden of Smoke," "The Five of Swords" and "The Tower of Treason." "The Garden of Smoke" is a murder mystery about roses and drugs. As is typical with Chesterton, it's also about the flimsiness of appearances and the paradox that the only really solid things are those that are unseen. A whiff of fantasy hangs over the story with its premise of a special, very rare kind of opium so good that it not only supplies the needed inspiration for "a famous lady novelist and fashionable poet," but the motivation for a murder. As is also typical with Chesterton, the male characters here and in the following story move about (deliberately or helplessly) on a plane of irony, while the heroine moves about on a plane of romance. "The Trees of Pride" is longer, more ambitious and more fantastic, dealing with the legend and superstitions surrounding a stand of peacock trees, a flamboyant Asian/African species that has been imported to a seaside town in Cornwall. The locals believe them responsible for a spate of recent deaths and disappearances in the town and want to cut them down. The owner of the estate, one of those "advanced" and "enlightened" specimens of modernity that Chesterton loves to attack, refuses. The arrival of an American critic and the local poet he has discovered provide the catalyst for what follows: the disappearance and presumed death of the estate owner after he announces angrily that he is going to spend the night in the grove of demon trees to dispel the local superstitions. The mystery is resolved with a kind of triple reverse as the supernatural gives way to the criminal, which gives way to the humorous, which gives way, once again, to the supernatural. The story has something of the feeling of Chesterton's fantasy masterpiece, THE MAN WHO WAS THURSDAY, as the reader falls through one trap door after another. The most explicit serious theme here is that elites should not be quick to dismiss a thing just because it is held true by the masses. The background legend from North Africa about the carnivorous peacock trees constitutes a very attractive and potently weird storyette; this and the ambiguity surrounding them in modern Cornwall allow for this story to be classified as fantastic. "The Five of Spades" is a murder mystery set in France amid the intersecting worlds of dueling and business. It blends cleverness (in its detection), idealism (in its romance), urbanity (in its cultural insights) and an abiding sense of mystery (in both the macrocosm of its plot and the microcosm of its aphorisms) as one seeming truth gives way, like a discarded mask, to another, and another, and so on: all of it adding up that characteristic Chestertonian bravura whose exuberant levity is exactly balanced by its moral gravity. The same could be said of "The Tower of Treason" (or, indeed, to one degree or another, of everything else that the author wrote), which moves the setting from the bright plains of France to the dark mountains of an unspecified Balkan country, from the busy doings of the secular to the intricate broodings of the monastic. The story involves diamonds and history, treason and sacrifice, each one indestructible, disappearing only to come back in faint echoes or brilliant flashes. This, the final story of the collection, closes it out on a more overtly religious note - or chord - reminding us that, at the very heart of Christianity and shot through it, is that Chestertonian trademark, paradox, the paradox of sacrifice, divine and human, which wears a mask of loss only to stand revealed in the final act as ultimate gain. The last paragraph, with its metaphorical equation of a diamond, a bullet, the truth, the soul and a star, is as dazzling and conclusive as a Euclidean proof. Beyond this pervasive sense of religious mysteriy, neither of the stories have any fantastic or supernatural content. Bleiler (1948), p. 77. Not in Bleiler (1978) or Reginald (1979; 1992). Barzun and Taylor, A Catalogue of Crime 2407. Queen, The Detective Short Story, p. 21. Hubin (1994), p. 159.

      [Bookseller: L. W. Currey, Inc.]
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        A Wonder Book. Illustrated by Arthur Rackham

      London, New York, Toronto: Hodder & Stoughton Ltd. [1922] - Quarto. Original red cloth binding, gilt spine title, blind title and gilt pictorial decoration, grey and white pictorial endpapers, top edge stained blue. A fine copy. 16 colour plates with captioned tissues, 8 two- and three-toned full-page illustrations, line drawings throughout. First trade edition, this copy signed by Rackham on the front free endpaper. [Attributes: First Edition; Signed Copy]

      [Bookseller: Peter Harrington. ABA member]
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        GARGANTUA & PANTAGRUEL.

      Paris G. Crès 1922 - 20x27.6 cm., 813 pp., édition transcrite et annotée par Henri Clouzot, conservateur du Musée Galliéra et illustrée de 525 vignettes en n/b par Joseph Hémard, relié demi-maroquin havane à coins, signée par Laurent Peeters - Anvers. Filet doré cernant les plats de pap., dos orné, dos à 5 nerfs et finnement fleuronnés dorés (décor floral), tête dorée, couverture imprimée d'éditeur. Tirage limité. Tirage de 400 exemplaires sur vélin à la forme des papeteries de rives. 2930 g. [Attributes: Signed Copy; Hard Cover]

      [Bookseller: BOOKSELLER - ERIK TONEN BOOKS]
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        Tilla Durieux spielen und traumen mit funf radierungen und einer lithographie von Emil Orlik

      (Orlik, Emil). Tilla Durieux spielen und traumen mit funf radierungen und einer lithographie von Emil Orlik. Berlin: Galerie Flechtheim, 1922. No. 66 of 125 copies signed by Tilla Durieux and Emil Orlik. Sm folio, vellum backed-boards, slightly rubbed. With five original etchings and one lithograph, each signed by Orlik. A beautiful album of the first lady of the pre-WWII German stage. Tilla Durieux (August 18, 1880 - February 21, 1971) was a renowned German actress of the first three decades of the 20th century. Born Odilie Godefroy, daughter of Richard Goddefroy, a University professor in chemistry and a Hungarian pianist. Because they didnít support her acting career, she took the name of her French grandmother. She trained in Vienna, her native town, and got her first engagement in Bresla in 1902. Later she worked with Max Reinhardt and Erwin Piscator in Berlin. In 1912 she played Circe in Calderonís comedy of the same name. In 1913 she played Frank Wedekind's Lulu in Munich. Tilla Durieux was the first to perform Oscar Wilde's Salome on the stage and also the first Eliza Doolittle in Shaw's Pygmalion. In 1914 she made her film debut in the silent movie. Her private life found her four husbands, one of whom committed suicide, another perished in the camps. Her second husband, the successful art dealer and editor, Paul Cassirer, introduced her to important artists all over Europe (Renoir did a portrait of her). In 1933 she left Germany for Switzerland to escape Nazi rule. In 1937 she moved to Zagreb (then in the Kingdom of Yugoslavia) until 1953. She returned to Berlin in 1954. In 1959 she became an Honorary Member of the German Academy for Performing Arts and in 1961, a member of the Academy of Arts. Her last engagement was in 1969/1970 at the Wiesbadener Staatstheater. The artist Emil Orlik (b Prague, 21 July 1870; d Berlin, 28 Sept 1932) was a German printmaker and painter of Czech origin. Showing an early talent for drawing, he studied in Munich from 1889 to 1891 with Heinrich Knirr (1862-1944) and from 1891 to 1893 with Wilhelm Lindenschmitt (1829-95). As a draughtsman, he took particular interest in the work of Jean-Francois Millet, Max Liebermann, Adolph Menzel and Wilhelm Leibl. In 1898 he traveled to England, Scotland, Belgium, the Netherlands and Paris, becoming acquainted with the work of the French Impressionists and the prints of Whistler, Felix Vallotton and William Nicholson, and in 1899 he became a member of the Vienna Secession. After travels to Japan, in 1903 he again traveled to London, Amsterdam and Paris, where he became acquainted with the work of Cezanne. He then lived briefly in Vienna, where he was active in the circle of Gustav Klimt and Josef Hoffmann. A strong influence of the decorative impulses of the Vienna Secession is evident in the prints he made at this time. Most notable in his art career were two periods in Berlin. Immediately after arriving in Berlin in 1905 he formed a close connection with the theatre director Max Reinhardt (1873-1943). Orlik worked on a series of set and costume designs for productions at Reinhardtís "German Theatre" where he had occasion to sketch playwrights, including Gerhardt Hauptmann, Maxmilian Harden, Luigi Pirandello, Frank Wedekind and Oskar Kokoschka. He also often drew sketches of the outstanding actors in Reinhardtís group: Paul Wegener, Werner Krauss, Max Pallenberg, Emil Jannings, Ernst Deutsch, Alexander Moissi, Tilla Durieux, Lil Dagover and the Danish star of the German silent film era, Asta Nielsen. In the 1920s, he produced many expressive and atmospheric portrait sketches and studies of personalities from the artistic, literary, musical and more particularly theatrical life of Berlin society. Reference: Emil Orlik (exh. cat., ed. S. Salzmann; Duisburg, Lehmbruck-Mus., 1970); Emil Orlik (Exhibition Catalog, edited by F. Matsche. Bonn, St?dt.: Kstmus., 1972); http://www.oxfordartonline.com:80/subscriber/article/grove/art/T063863.

      [Bookseller: Golden Legend, Inc.]
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        The New Broadside. Nos 1-14. Coloured Decorations and Accompanying Poems

      London: The Poetry Bookshop. VG : in very good condition. Leaves 1 and 2 lightly foxed and some minor corner creasing to several other illustrations. Folder rubbed and marked. [1922]. [First Edition]. Grey board cover. 460mm x 220mm (18" x 9"). 14 leaves. 14 leaves [430 x 190] each with coloured decorations and poems. Contents comprise 1: 'The Huntsmen' by Walter de la Mare and decorations by Ethelbert White; 2: 'An Immorality' by Ezra Pound, decorations by Paul Nash; 3: 'Journey's End' by Humbert Wolfe, decorations by Albert Rutherston; 4: 'The Parrot' by Sacheverell Sitwell, decorations by E. McKnight Kauffer; 5: 'Windy Nights' by R. L. Stevenson, decorations by John Nash; 6: 'The Schoolboy' by William Blake, decorations by Cecil Rhodes; 7: 'Matrimonal Maxims' decorated by Margaret Daviel; 8: 'From Whitman's Song of Myself', decorations by John Nash; 9: 'Susan' by J. Murray Allison, decorations by Edy Legrand; 10: 'The Cock' by Eleanor Farjeon, decorations by E. McKnight Kauffer; 11: 'Sister Awake', decorations by John Nash; 12: 'Forgetfulness' by Harold Monro, designs by Albert Rutherston; 13: 'The Dromedary' by A.Y. Campbell, decorations by John Nash; 14: 'Finland' by Robert Graves, decorations by Edy Legrand. .

      [Bookseller: Barter Books Ltd]
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        Zivot. Nove umeni - konstrukce - soudoba intelektuelni aktivita; La Vie. L'art nouveau - construction - activite intellectuelle contemporaine.

      Prague: Umelecka Beseda (Union d'artistes) 1922 - Octavo, wrappers, 204pp. The second year of this prestigious art journal, enormously ambitious with Teige's hand on almost every page. An assemblage of the new experiments and theories emerging in Czechoslovakia and the cutting-edge developments in art and design in France, Italy and the US. Teige and Krajcar were working architects and designers in addition to their polemical and editing skills. Architecture and film are highlighted as well as all the visual arts, with emphasis on the avant-garde in France (Purism, early surrealism) and Germany (Neue Sachlichkeit) A hallmark publication of the time. Spine and rear cover repaired, else very good. [Attributes: First Edition; Soft Cover]

      [Bookseller: Michael Fagan Fine Art & Rare Books]
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        Revolucni Sbornik Devetsil (Almanach révolutionnaire Devetsil)

      Praha (Prague), podzim, 1922., 1922. Toile bleue, dos titré en long, tranche supérieure rouge.. 15/22 cm, 202 pp., 3 ff.. Edition originale, postface en français signée :" union internationale des artistes d'avant-garde révolutionnaire". On trouve dans cette revue quelques textes en français de : Cocteau, Yvan Goll, Jindrich Horejsi, et aussi des illustrations in-texte de Marc chagall, Alexander Archipenko, Fernand léger, Roger Bissière, Modigliani, Seurat, Georg Grosz, Foujita, Coubine, Utrillo, Survage, etc.. Fondé en 1920, le groupe Devetsil réunit tous les acteurs de l’avant-garde tchèque sous la conduite de Karel Teige. D’abord chantre de l’art prolétarien puis, de l’esthétique des machines et rouages de la modernité industrielle, Devetsil devient ensuite un véritable carrefour de l’avant-garde européenne. L’explosion de ces échanges artistiques, littéraires, poétiques, typographiques se manifeste bien sûr par la création de revues. La première sera : Revolucni Sbornik Devetsil (que nous présentons ici) d'autres suivront, plus ou moins éphémères jusqu'en 1931, année qui verra naitre l’aube du surréalisme, annonçant la mort du groupe « constructivo-poétiste ». Si Prague en particulier et la Tchécoslovaquie de l'époque en général furent à la pointe des avant-gardes artistiques c'est en partie à Devetsil qu'elles le doivent et à sa revue artistique éponyme. Etat parfait.

      [Bookseller: Librairie Traits et Caracteres]
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        Beautiful and Damned

      Scribner's 1922 - First Edition, First Printing SIGNED by F. Scott Fitzgerald on a laid in signature. An UNRESTORED First Issue dustjacket outlined in Black with White lettering. This ORIGINAL dustjacket is rich in color with slight wear to the spine and edges. The book is in excellent condition. The binding is tight, with the GOLD lettering on the spine present. The boards are crisp with light wear to the edges. The pages are exceptionally clean with NO writing, marks or bookplates in the book. Overall, a beautiful copy of this TRUE FIRST EDITION SIGNED by the author housed in a custom clamshell for preservation and presentation. We buy SIGNED Fitzgerald First Editions. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Quintessential Rare Books, LLC]
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        THE BEAUTIFUL AND DAMNED

      Scribners 1922 - First edition. Original green cloth lettered in gilt to the spine and in blind on the upper cover, in pictorial dustwrapper. A near fine copy in a very good dustwrapper, which shows a little chipping to the head of the spine, and a couple of very small chips to the back panel. [Attributes: First Edition; Hard Cover]

      [Bookseller: Jonkers Rare Books ABA ILAB]
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        Tales of the Jazz Age

      Scribner, scribners 1922 - First Edition, First Printing with the ORIGINAL FIRST STATE dustjacket. A stunning dustjacket that has benefitted from professional restoration. The end result is a beautiful dustjacket that is rich in color with no chips or tears. The book is excellent condition. The binding is tight, and the boards are crisp with light wear to the edges. The pages are exceptionally clean with no writing, marks or bookplates in the book. Overall, a lovely copy of this TRUE FIRST EDITION in collector's condition. We buy Fitzgerald First Editions. [Attributes: First Edition; Hard Cover]

      [Bookseller: Quintessential Rare Books, LLC]
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        Beautiful and Damned, The

      Charles Scribner's Sons, New York 1922 - True First Printing (without the publisher's seal on the copyright page or the concluding advertisements on pp. 451-452 of later printings) of the author's second novel. 8vo; [10], 449, [1]pp. Publisher's dark blue-green linen-like cloth, the spine lettered gilt, the upper cover blind-stamped with the title and author, the fore-edge untrimmed. A just about Fine copy, (lacking the dust jacket), save for offsetting to the end papers and faintly discernible pencil erasures to the front fly leaf. Bruccoli A8.1.a The Beautiful and Damned, in cut and edited form, first appeared in seven installments in Metropolitan magazine, from September 1921 to March 1922. The book, according to Bruccoli, came out on 4 March 1922, in a first impression of 20,600 copies. It went through two more printings that year, for a total of 50,000 copies. After the spectacular success of Fitzgerald's first novel, This Side of Paradise (1920), he struck out in a new direction, presenting in The Beautiful and Damned a more sparing, focused narrative, relying largely on an omniscient narrator. "Its style," according to the Literary Encyclopedia, "moves towards that integration of romantic and modernist elements which will come to such dazzling fruition in his next novel, The Great Gatsby." Note: With few exceptions (always identified), we only stock books in exceptional condition, carefully preserved in archival, removable polypropylene sleeves. All orders are packaged with care and posted promptly. Satisfaction guaranteed. [Attributes: First Edition; Hard Cover]

      [Bookseller: Fine Editions Ltd]
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        The Beautiful and Damned

      Scribners, NY 1922 - Endpapers professionally restored and book tightened. This is the second printing of the first edition (Ref. -- Bruccoli A.8.1.b). Bound in green cloth, stamped in gold on spine (still bright). Book is tight and clean. One of 19,750 copies in the second printing (after the 20,600 in the first printing). Fitted with a facsimile second state dust wrapper that fits the book perfectly. [Attributes: First Edition; Hard Cover]

      [Bookseller: Michael J. Toth, Bookseller, ABAA]
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        The Waste Land.) The Dial.

      New York. The Dial Press. November 1922. - Volume LXXIII Number 5. 8vo. Printed wrappers. The first U.S. appearance of what is considered to be the most significant poem in English of the 20th Century. The poem first appeared a month earlier, (October, 1922.), in The Criterion Magazine. This appearance preceded any publication of the poem in book form. A very rare hallmark of Modern Literature, this item has not appeared at auction since 1977. Covers are chipped with some pieces lacking at extremities, wear to edges, else Very Good. A most important artifact of 20th Century Literature [Attributes: Soft Cover]

      [Bookseller: Heldfond Book Gallery, Ltd. ABAA , ILAB]
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        (The Waste Land.) The Dial

      New York. The Dial Press. November 1922. Printed wrappers. 8vo. The first U.S. appearance of what is considered to be the most significant poem in English of the 20th Century. The poem first appeared a month earlier, (October, 1922.), in The Criterion Magazine. This appearance preceded any publication of the poem in book form. A very rare hallmark of Modern Literature, this item has not appeared at auction since 1977. Covers are chipped with some pieces lacking at extremities, wear to edges, else Very Good. A most important artifact of 20th Century Literature

      [Bookseller: Heldfond Book Gallery, ABAA-ILAB]
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        The Little Green Road to Fairyland

      London: A. & C. Black Ltd.,, 1922. Quarto. Original blue cloth-backed floral patterned boards, title label to front board printed in blue, pictorial endpapers. 8 coloured plates and 8 black and white plates plus black and white illustrations throughout the text. Ownership inscription to half-title, some occasional light foxing, spine a little faded and corners a little worn, a very good copy. First edition, first impression.

      [Bookseller: Peter Harrington]
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        La Divine Comédie (La divina commedia)

      Paris: Jacques Beltrand. 1922. Limited/Numbered Edition. Hardcover. Three volumes: xii, 319pp, 320pp, 313pp. Edition published to celebrate the six hundredth anniversary of Dante's death and limited to 225 numbered copies, this being copy #190. Full vellum with gilt decorations and rules on covers, gilt lettering on spines, gilt inside dentelles; top edges gilt, others uncut, marbled endpapers. Printed on Arches paper with a "1321 Dante 1921" watermark. Illustrated with numerous wood engravings by Jacques Beltrand and his brothers Camille and Georges based on the drawings by Sandro Botticelli. Text in Italian and French. Translation from the Italian by André Pératé. Covers are a bit soiled and spines slightly darkened. Internally clean. A wonderful and well preserved set in a simple and stylish binding. ; Folio .

      [Bookseller: Parigi Books, ABAA/ILAB]
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        Mesure de la France.

      Grasset 1922 - - Grasset, Paris 1922, 12x19cm, broché. - Edition originale, un des 100 exemplaires numérotés sur pur fil, tirage de tête après 30 papier vert lumière. Envoi autographe signé de l'auteur à Paul Chadourne. Dos et plats marginalement insolés comme généralement, agréable état intérieur. [Attributes: First Edition; Signed Copy; Soft Cover]

      [Bookseller: Librairie Le Feu Follet]
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        The Diary of a Drug Fiend

      COLLINS, LONDON 1922 - General shelf wear, rubbed cover, cracked hinge, slightly shaken binding, faded spine, and few small white spots on cover. DATE PUBLISHED: 1922 EDITION: FIRST ED 368 FAIR+ FIRST EDITION, FIRST IMPRESSION. [Attributes: First Edition; Hard Cover]

      [Bookseller: Princeton Antiques Bookshop]
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        A Complete Set of Doctor Dolittle. Doctor Dolittle, The Voyages of Doctor Dolittle, Doctor Dolittle's Post Office, Doctor Dolittle's Circus, Doctor Dolittle's Zoo, Doctor Dolittle's Caravan, Doctor Dolittle's Garden, Doctor Dolittle in the Moon, Doctor Dolittle's Return, Doctor Dolittle and The Secret Lake, Doctor Dolittle and The Green Canary, Doctor Dolittle's Puddleby Adventures.

      London, Jonathan Cape, 1922–51 - 12 volumes, octavo. Recent full green morocco, titles and decoration to spines gilt, raised bands, single rule to boards gilt, marbled endpapers, all edges gilt. Some occasional light foxing, previous owner's inscription to the half-tiltle of one volume, an excellent set beautifully bound. With black and white illustrations by the author. First UK Editions, First Impressions. [Attributes: First Edition]

      [Bookseller: Peter Harrington. ABA member]
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        Menshelakh un stsenes : zekhtsen tseykhenungen tsu Sholem Aleykhems verk "Motl Peysi dem hazens yingel" [YIDDISH]

      Klal farlag, Berlin 1922 - Small folio. Unpaginated (21pp). Original beige boards. Illustrated with fifteen b/w reproductions of sketches. Illustrated frontispiece. Yiddish art depicting scenes from Jewish life based on "Motl the Cantor's Son," Sholem Aleichem's unfinished novel. The painter Rachel Szalit-Marcus created these astounding lithographs as to illustrate Sholem Aleichem's literary work. Szallit-Marcus (1894-1942) grew up in Lodz and was sent by her parents to Munich in 1911 to study at the Art Academy. She moved to Berlin in 1916 and became a member of the November group, a circle of young avantgarde artists. When Hitler came to power in 1933, Szalit-Marcus emigrated to France, but was imprisoned and murdered in concentration camp in 1942. She painted still-lifes, portraits and illustrated books by authors like Mendele Moikher Sforim, Heinrich Heine and Martin Buber. Includes an essay written by the Yiddish literary critic Israel Isidor Elyashev (Baal-Machshoves). Baal-Makshoves, (1873-1924) grew up with a traditional Jewish education at the Courland Yeshiva and with an additional modern curriculum in mathematics, geography and German. After finishing High school in Switzerland, he studied medicine in Berlin and Heidelberg. Baal-Makhshoves practiced in Latvian cities, like Riga and Vilna, but also in the Polish city Warsaw. He began to write in Russian and German in 1896 and published his first piece in Yiddish in 1901. Besides his main interest in belles lettres, he translated German authors like Theodor Herzl, Yiddish writers like David Bergelson and Russian novelists like Ivan Turgenyew. Well-known as a pioneer for the recognition of both Yiddish and Hebrew as Jewish national languages, but less know is his own work "Ironic Tales". Age-wear to front and back boards. Heavy foxing to plates. Chipped at head and tail of spine. Foxing to boards. Paper split along joints of front and back boards, firmly holding. Overall good -. [Attributes: First Edition; Hard Cover]

      [Bookseller: ERIC CHAIM KLINE, BOOKSELLER (ABAA ILAB)]
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        THE WORKS OF FRANCIS PARKMAN Pioneers of France In New World Jesuits In North America La Salle And Discovery Of Great West Old Regime In Canada Count Frontenac And France Half-Century Of Conflict Montcalm And Wolfe Conspiracy Of Pontiac Oregon Trail

      Little Brown, 1922. - Centenary edn. 12 vols: Vol I Pioneers of France In The New World; Vol II The Jesuits In North America In The Seventeenth Century; Vol III La Salle And The Discovery Of The Great West; Vol IV The Old Regime In Canada; Vol V Count Frontenac And New France Under Louis XIV; VI A Half-Century Of Conflict I; Vol VII A Half-Century Of Conflict II; Vol VIII Montcalm And Wolfe I; Vol IX Montcalm And Wolfe II; Vol X The Conspiracy Of Pontiac And The Indian War After The Conquest Of Canada I; Vol XI The Conspiracy Of Pontiac And The Indian War After The Conquest Of Canada II; Vol XII The Oregon Trail Sketches Of Prairie And Rocky-Mountain Life. 8vo. Original uniform blue buckram cloth with paper spine labels (some very light marks to boards; edges of some labels a little tanned - otherwise a near Fine set.) Pp. various, illus with b&w frontispiece plates with double tissue-guards (no inscriptions). [Attributes: Hard Cover]

      [Bookseller: Rothwell & Dunworth (ABA, ILAB)]
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