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Displayed below are some selected recent viaLibri matches for books published in 1922

        Der Tod des Löwen.

      Leipzig und Prag, Verlag der André'schen Buchhandlung, 1922. - FL2201 4° ( 27 x 18 cm). Blauer Originalganzlederband auf 5 Bünden mit goldgeprägtem Rückentitel, reichhaltiger goldgeprägter Rückenverzierung, Deckelvignette und Kopfgoldschnitt. Buchrücken und Kanten stärker beschabt. 173 (+2) Seiten mit radierter Titelvignette und 10 signierten ganzseitigen OriginalRadierungen von Hugo Steiner-Prag. Die Vorsatzpapiere gering leimschattig, vorne mit schwachem Fingerflleck. Die den Radierungen gegenüberliegenden Textseiten mit geringem Bildabklatsch. Innen richtig schön sauber. Nummer 137 von 145 (GA. 400) num. Exemplaren der Ausgabe A, alle ganzseitigen Radierungen vom Künstler signiert. 1100

      [Bookseller: Antiquariat und Buchhandlung Carl Wegner]
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        Die Große Politik der europäischen Kabinette 1871 - 1914. Sammlung der Diplomatischen Akten des Auswärtigen Amtes. 40 in 54 Bänden, plus 5 in 8 Kommentarbänden = KOMPLETT. Zusätzlich: Zeitkalender der Diplom. Akten, v. B. Schwertfeger.

      Berlin Deutsche Verlagsgesellschaft für Politik und Geschichte. 1922-1927. EA. Groß-8° (25x17cm). Bläuliche O-HLwd. mit blindgeprägtem Adler auf Vorderdeckel u. gold. Titelei u. Ornamentik auf Rücken. Insgesamt 54+8= 62 Bände; sowie dem (seltenen) Zusatzband "Zeitkalender der Diplom. Akten...", v. B. Schwertfeger (dieser Band MIT DEM SEHR SELTENEN ORIGINALSCHUTZUMSCHLAG, sehr gut erhalten, nur Rücken leicht fleckig). ++++ ALLES IN SEHR GUTEM ZUSTAND (aus langjähriger Sammlerhand). Einschränkungen: Manche Rückdeckel etwas beschabt (wie meistens - wg. des hartgeprägten Reichsadlers auf Vorderdeckel...), manche Vortitel mit (blassem) Stempel ("Ehemaliges Krongut"), Schnitt manchmal sehr leicht stockfleckig, manche Vorsätze leicht stockfleckig. Ab Bd. 30 Ebd. mit etwas kälterem (ins Türkis gehendem) Blau. Innen: exzellenter Zustand. ++++++ Weitere Fotos gern von: mDOTfruthAThotmailDOTde. Hardcover Buch. Sehr gut

      [Bookseller: Magister Michalis Versandantiquariat]
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        Die Schriften Salomos. 2 Bände (1 Textband und 1 Tafelkassette).

      München, Schröder, 1922. - Gr.-4to. 90 S., 2 Bll. Mit 8 monogr. Orig.-Holzschnitten von Bruno Goldschmitt sowie 2 (1 koloriert) Extra-Suiten der Holzschnitte auf Japan, vom Künstler signiert und numeriert. Orig.-Pergament mit goldgeprägtem Rücken- und Deckeltitel, Innenkantenvergoldung, Kopfgoldschnitt (sign.: Knorr & Hirth, München) in Orig.-Pergamentschuber mit goldgeprägtem Titel. 10. Band der Meisterwerke der Weltliteratur mit Originalgraphik. - Eins von 34 (GA 250) Exemplaren der Vorzugsausgabe, vom Künstler signiert. - Sehr schönes Exemplar. [Attributes: Signed Copy]

      [Bookseller: Antiquariat Manfred Nosbuesch Berlin]
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        The Works

      New York: Gabriel Wells,, 1922. The Definitive Edition. 37 volumes, octavo. Bound in near-contemporary dark blue half morocco, blue cloth sides, titles to spines gilt with gilt raised bands and decorated compartments, gilt rules to boards, top edges gilt, pale blue endpapers. Frontispieces with captioned tissue-guards. Spines faded to brown, tips a little worn. An excellent set. Signed limited edition, attractively bound. This is set number 325 out of 1024 copies, signed by Twain on the second blank; together with a statement that the leaves were signed by him in 1906 in anticipation of the present definitive edition, and further signed by Albert Bigelow Paine, the biographer noted for his work on Mark Twain.

      [Bookseller: Peter Harrington]
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        Tagebücher 1895-1904

      Berlin: Jüdischer Verlag. Exemplar des bedeutenden jüdischen Kritikers Ludwig Lewisohn mit zahlreichen Annotationen und Markierungen von seiner Hand / From the library of the jewish critic Ludwig Lewisohn with numerous markings and annotations from his own hand. The volumes worn and used. Binding of Volume I cleanly separating.. Drei Bände. Berlin, Jüdischer Verlag, 1922. 8°. 647, 619, 661 Seiten. Hardcover / Originales Leinen. Exemplar des bedeutenden jüdischen Kritikers Ludwig Lewisohn mit zahlreichen Annotationen und Markierungen von seiner Hand / From the library of the jewish critic Ludwig Lewisohn with numerous markings and annotations from his own hand. The volumes worn and used. Binding of Volume I cleanly separating. Ludwig Lewisohn (May 30, 1882, Berlin, Germany ?- December 31, 1955) was an American Jewish critic and novelist, perhaps known best for his novel The Island Within. He wrote several autobiographies, translated German literature and wrote the preface to the first English language edition of Otto Rank's seminal work, Art and Artist. He also authored several works on Judaica and Zionism. Lewisohn immigrated to the United States in 1890 with his parents. The family settled in Charleston, South Carolina. Though his mother was the daughter of a rabbi, the family converted to Christianity. In his youth, Lewisohn was an active Methodist. After graduating with honors from the College of Charleston, he went to Columbia University in 1902 to work on a doctorate. He received the degree of A.M. in 1903. In 1904 he was told by his advisers that a Jew would never be hired to teach English literature at an American university. The bitter irony in this advice led Lewisohn to return to Judaism and he became an outspoken critic of American Jewish assimilation. In 1948 Lewisohn was among the founding faculty members of Brandeis University, where he taught until his death. It was Lewisohn who first translated Franz Werfel's The Song of Bernadette into English. (Wikipedia)

      [Bookseller: The Time Traveller's Bookshop]
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        GÜTER - ADRESSBUCH FÜR PROVINZ GRENZMARK POSEN - WESTPREUSSEN.- Sowie Freistaat Danzig, Ostpr. Reg.- Bezirk Marienwerder. Verzeichnis sämtlicher Rittergüter, Güter und größeren Bauernhöfe der Provinz mit Angabe der Guts-Eigenschaft, des Grundsteuer-Reinertrages, der Gesamtfläche . Angabe der Besitzer, Pächter und Verwalter, der Post-, Telegraphen- und Eisenbahnstationen . einem alphabetischen Orts- und Personenregister, dem Handbuch der Königlichen Behörden. Nach amtlichen Quellen und auf Grund direkter Angaben bearbeitet von Oskar Köhler.

      (Reichenbach),, Leipzig 1922 - 3. Aufl. Leipzig (Reichenbach), 1922. Gr. 8°. XXVI, 176, 16 S. + 1 farb. Landkarte im Maßstabe 1:1000000. ill. OHLn. hinteres Gelenk etwas gelockert, Karte in den Falzen eingerissen. = Band II. Eine Seltenheit. hinteres Gelenk etwas gelockert, Karte in den Falzen eingerissen. [Attributes: Hard Cover]

      [Bookseller: Alexander Zimmeck]
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        Christmas Card Album of Christmas Cards sent by Joseph Widener of Philadelphia, 1922-1934

      Philadelphia: Privately Printed, 1922. Hardcover. VG+ The whole enclosed in a luxurious cottom-lined box which needs repairs. Luxurious 3/4 leather with moderate gilt tooling on corners, edges and within the six spine compartments (formed from the 5 raised-bands). Heavy rag cotton paper with gilt top edge and untrimmed edges. 12 cards and 1 loose, unrelated etching. This fascinating album measures 18.5" x 16" x 2". It has plain endpapers. Within it are yearly Christmas cards sent from Joseph Widener to his unknown recipients, these likely being his own keepsakes. The engravings and prints showcase artwork (apparently from his own collection) and later racehorses (presumably from his own stables, 1933 and 1934). The card for 1931 is not present. All engravings are signed by the engraver: Devitt Welsh (1922, 23 and 24); Timothy Cole (1925, 27, 28, 29, 30); A. Witherspoon (color engraving, 1926); unknown engraver (1932). The size of the cards and etchings / images varies, with the 1925 by Timothy Cole being the largest. All were mounted at one time to individual pages, and those mounts have dried and most have come loose. All are in VG+ condition. Widener has signed all of the cards except for 1924. In addition, there is laid-in loose within the album an etching of William Penn published by the Historical Society of Pennsylvania dated 1877.

      [Bookseller: Mullen Books, Inc. ABAA / ILAB]
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        Ulysses

      Paris: Shakespeare & Co.,, 1922. Quarto. Original blue and white wrappers. Pale offsetting on half-title, inscription slightly bled, old glue remains beneath inscription presumably where bookplate removed, some small losses at ends of spine, larger along the lower rear joint, a few small nicks to edges, but an unsophisticated copy. First edition, first issue, one of 100 copies on Dutch handmade paper, this copy number 41, signed by Joyce on the limitation page. A fine association copy, owned by the novelist and editor Bryher who helped finance and support numerous other publishers, including Sylvia Beach. She also gave financial support to writers, including Joyce and Edith Sitwell, and counted among her circle of friends Gertrude Stein, Ernest Hemingway and Berenice Abbott. Provenance: Annie Winifred Ellerman (1894?-1983, remnants of bookplate), known as Bryher, novelist, poet, magazine editor, and companion to the poet Hilda Doolittle (H.D.). She and her husband at the time, Robert McAlmon, befriended Joyce in Paris in 1921 and helped finance publication of Ulysses, McAlmon also serving as Joyce's typist for sections of the manuscript. The bookplate was designed by George Plank (1883?-1965) using an Icelandic theme. Bryher travelled several times to Iceland, first in 1929, accompanied by H.D. and their friend Robert Herring, editor of a literary journal Bryher financed in the 1930s and 1940s, Life and Letters Today. His pencil initials also appear on the flyleaf. The bookplate was partially torn out by H.D. during a nervous breakdown in 1946, when she and Bryher were living at Lowndes Square, London; thence by descent to the present owner. The impact of Joyce's Ulysses was revolutionary in its own time, and the book continues to stand as the single most significant English language novel of the last century. The complexities of its formal structure, its linguistic inventiveness and its imaginative cohesion of historical sources have made Ulysses the most diligently studied work of modern literature in English. Cyril Connolly, while criticizing Joyce's "preference for language rather than people," nevertheless could not reject the novel's immense intellectual weight: "somehow it does achieve greatness like a ruined temple soaring from a jungle ?- and should be judged perhaps as a poem, a festival of the imagination." The first edition of Ulysses was divided into three issues, in imitation of French practice. The first 100 copies on Dutch paper were signed by Joyce; the second 150 copies were in large paper format, though on a lesser grade of paper, and unsigned; the remaining 750 copies were on smaller and least expensive stock of paper, again unsigned. The various issues did not arrive at Sylvia Beach's bookshop in strict order, and Sylvia Beach's notebook recording copies sold up to 1 July 1922 does not list this copy as sold by that date.

      [Bookseller: Peter Harrington]
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        Historia general de España : desde los tiempos primitivos hasta la muerte de Fernando VII

      Montaner y Simón. 1922 Barcelona. 24 cm. 27 v. lám. neg. y col., grab. Encuadernación en tapa dura de editorial estampada. Lafuente, Modesto 1806 - 1866. Continuada desde dicha época hasta la muerte de don Alfonso XII, por don Juan Valera en colaboración con D. Andrés Borrego y otros y hasta la mayor edad de don Alonso XIII por don Gabriel Maura y Gamazo. España. Historia. Valera, Juan. 1824 - 1905. Maura Gamazo, Gabriel,. Duque de Maura. Borrego, Andrés. 1802 - 1891 . Cubierta deslucida. (=373465=) Ver imagen

      [Bookseller: Libreria Alcaná]
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        Chinesische Tierplastik und Tierbilder. Eine Sammlung von Beispielen. Ausgewählt und beschrieben v. H. d'Ardenne de Tizac.

      Berlin, Wasmuth, um 1922.. Mit 7 montierten, farb. Abb. auf 6 Tafeln und 86 Abb. auf 44 Tafeln, jeweils mit Erläuterungen auf einem vorgeschalteten Beiblatt. 6 Bl. Kl. Folio. Illustr., goldgepr. OLn., dieses etwas berieben u. mit Feuchtigkeitsfleck an der rückseitigen Oberkante, der Rücken schwach gebleicht und am unteren Kapital minimal defekt. Kopfgoldschnitt. Stempel a. d. Vorsatz, stellenweise etwas fleckig, 1 Beiblatt geknickt, die letzten Tafeln und Beiblatt im oberen Eck leicht gewellt, mit Wasser- und Farbrand. (3110 Gr.). Für Fragen stehen wir Ihnen gerne telefonisch zur Verfügung!Exemplar 98 von 200 Exemplaren. Das Werk entstand auf Grund einer Ausstellung im Museum Cernuschi (Paris) mit wichtigen Stücken aus Sammlungen in Paris, London und Brüssel.

      [Bookseller: Antiquariat & Buchhandlung Held GbR]
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        The Works. The Definitive Edition.

      New York: Gabriel Wells, 1922 - 37 volumes, octavo. Bound in near-contemporary dark blue half morocco, blue cloth sides, titles to spines gilt with gilt raised bands and decorated compartments, gilt rules to boards, top edges gilt, pale blue endpapers. Spines faded to brown, tips a little worn. An excellent set. Frontispieces with captioned tissue-guards. Signed limited edition, attractively bound. This is set number 325 out of 1024 copies, signed by Twain on the second blank; together with a statement that the leaves were signed by him in 1906 in anticipation of the present definitive edition, and further signed by Albert Bigelow Paine, the biographer noted for his work on Mark Twain.

      [Bookseller: Peter Harrington. ABA member]
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        Rub og Stub

      Regensens Rusgilde, 1922, Softcover, Book Condition: FairSize: 8vo - over 7¾" - 9¾" tall. 55 pp. Text clean and in DANISH. Small number written lightly on front free endpage. Pages lightly tanned. Wraps bumped and shelf worn at corners, edges and spine ends with some light soiling. First four pages creased at upper corner. Small closed tears to front top edge of wraps. Wraps tanned. Staples at spine rusted. Wrap becoming loose at staples but still attached. Small closed tears and chipping to spine. Quantity Available: 1. Inventory No: 106423.

      [Bookseller: The Dusty Bookshelf]
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        Pfarrkirche zur Unserer Lieben Frau in Memmingen" originales Aquarell ca. 23x29cm; untenmittig signiert, betitelt und datiert "(19)24" auf Karton aufgezogen

      - Typische stimmungsvolle Kircheninterieurstudie Hamels: lichtdurchflutet, freudestrahlend, farbenfroh. Otto Hamel studierte an der Kunstschule Erfurt bei Eduard von Hagen, an der Unterrichtsanstalt des Kunstgewerbemuseums in Berlin sowie an der Académie Julian in Paris bei Benjamin Constant und Robert Fleury. Er war Professor an der Kunstgewerbeschule Hannover und leitete dort die Abteilung für dekorative Malerei. Studienreisen führten ihn nach England, Holland, Frankreich, Spanien und Italien. Seit 1922 war der Künstler in München ansässig. Er malte bevorzugt Straßenzüge, Kircheninterieurs, Hafenansichten aus Italien, Holland und Norddeutschland. Nachdem er 1943 in München ausgebombt wurde, zog er nach Lohr am Main um.

      [Bookseller: Antiquariat Niederbayern]
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        The Story of Inyo - [Association - Presention Copy by Author to Edgar Rice Burroughs with Burroughs' BOOKPLATE to Front Pastedown]

      [Chicago] The Author, 1922, Hardback, First EditionSigned by the author with an additional signed typed letter tipped-in. Near fine copy in the original gilt-blocked cloth. Slightest suggestion only of dust-dulling to the spine bands and panel edges. Particularly well-preserved; tight, bright and clean. ; 358 pages; Description: xviii, 358 p. Front. (fold. Map) 20 cm. Subjects: Indians of North America--Wars--1862-1865. Inyo County (Calif. ) --History. Death Valley (Calif. And Nev. ).

      [Bookseller: MW Books Ltd.]
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        The Waste Land

      New York: Boni & Liveright,, 1922. Octavo. Original black cloth, titles to spine and upper board gilt. With the dust jacket. A bright copy in the dust jacket with just a hint of soiling to spine, touch of wear along extremities. An excellent copy. Second edition (second impression of the first edition). The colophon describes this as the second edition, but it is actually a second impression from the same setting of type as the first, with the error "mount in" on page 41 left uncorrected. A beautiful copy.

      [Bookseller: Peter Harrington]
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        CHINESE FURNITURE: A Series of Examples from Collections in France.

      A KEEN AND EARLY REFERERENCE ON CHINESE FURNITURE London 1922, - Benn. Black cloth, very good, 20 pages text, 54full page photo plates, 10 half-tones, 25 x 32 cm., neatlyrebacked, tissue guards on each plated, excellent clean,verysolid copy, new end papers, sharp copy! FIRST & ONLY EDITION Color scans available for this book on request. Description content 2015Copyright Rare Oriental Books Co.

      [Bookseller: RARE ORIENTAL BOOK CO., ABAA, ILAB]
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        Agada / Haggadah. Skazanija, priti, izreenija Talmuda i Midraej v etyrech astjach. Avtorizovannyj prerevod s vvedeniem S. G. Fruga

      Berlin, Zal'tsman, Saltzmann, 1922.. 2 Bände. Gross Oktav. 221, 3, 200 pp. With a frontispiece, illustrated title in woodcut and several illustrated head-pieces and vignettes. Hardcover, illustrated half cloth binding. Illustrierte Original Halbleinenbände. Etwas angestaubt, Ecken leicht bestossen und ohne die einfarbigen braunen Schutzumschläge, sonst gut. A bit dusty, corners slightly bumped, without the brown dustjackets.. Rare first edition, no reprint. Joseph Budko (1888-1940), born in Plonsk, studied at the art school in Vilna and moved in 1910 to Berlin, where he met Hermann Struck, in 1933 he emigrated to Palestine.

      [Bookseller: J.J. Heckenhauer e.K .]
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        L'OEUVRE DE LEON BAKST Pour La Belle au Bois Dormant / Ballet en Cinq Actes d'apres le conte de Perrault

      Paris: M. de Brunoff. 1922. hb. Folio, The English edition was published a year later, by Benn Bros., in an edition of 1,000 copies, with a Preface by Andre Levinson. . Bound in the original frail stiff card covers, the front cover being printed and decorated in gilt. One of 500 numbered copies, of which this is copy number 466, signed on the limitation page by both Bakst and de Brunhoff. With 54 magnificent full-colour laid-in plates of spectacular Bakst costume designs, each protected by a captioned tissue guard, and each signed and dated in the plate by Bakst. This is preceded by a striking lithograph portrait of Bakst, rendered by Picasso, and signed and dated (1-4-22) in the plate by the artist. "The Sleeping Beauty" premiered in St. Petersburg, Russia, January 3, 1890. Despite a lavish production, and the choreography of Marius Petipa, it was not well-received, the critics and the public alike finding the music too "symphonic". It wasn't until 1921, when the Russian impressario Serge Diaghilev brought together Leon Bakst to design the sets and the costumes, and Igor Stravinsky to orchestrate the music, that the ballet was truly appreciated. Bakst's designs, in particular, were revolutionary: "Bakst's greatest claim to theatrical glory lies in his feeling for synthesis, in his impeccable instinct for harmony, which blends the innumerable elements of the performance into one, single, coherent, whole" (from Levinson's Preface). The front cover of this copy has detached, but is present. The rear hinge is weak but holding. Spine paper absent and stitching is shaken but holding nicely. No loose pages and all tissue guards are present. The plates, and the lithograph, are unblemished. C'est magnifique! .

      [Bookseller: GREENFIELD BOOKS]
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        SEFER HADEVARIM

      FREUD, TOM SEIDMANN. (FREUD,TOM SEIDMANN)illus. SEFER HADVARIM [A BOOK OF THINGS] [by] H.N. Bailik. Berlin: Ophir 1922. Square 8 1/4", cloth backed pictorial boards, some cover soil, tips rubbed and ribbing at inner hinges else an unusually clean, tight and VG+ copy. 1st edition of Freud's first book published by Ophir. There are 16 poems by Bialik and 16 striking full page hand-colored illustrations by Freud. Freud, whose real name was Martha Gertrude Freud, adopted the name "Tom" at age 15. She was the niece of Sigmund Freud and an innovator in early education in Germany. When Hitler came to power, her books were banned because of her Jewish heritage. That is why it is difficult to find complete copies of her later novelty books, but it is rarer still to find any copy of this picture book by her. In the introduction to the reproduction of Ten Fairytales done by the Israel Museum, it is explained that Freud married Jankew Seidmann in 1921 and he, along with Bialik, was a partner in the new publishing firm Ophir. "Clearly, all three partners involved in the venture keenly felt that they were pioneering in the creation of new, excellent Hebrew books for the young." Sadly this is one of only 2 books published by them before they broke up. A real rarity and a nice copy.

      [Bookseller: Aleph-Bet Books, Inc.]
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        The Making of Index Numbers

      Boston and New York: Houghton Mifflin Company. 1922. First. First edition. Tall thick octavo. 526pp. Blue cloth gilt. Owner's small name stamp and signature ("Charles Ashley White") on the front fly, boards a little bit smudged and worn at the extremities, a very good copy lacking the very uncommon dustwrapper. Fisher was an important American economist, who after the Great Depression was best known for his work on debt deflation. Very scarce. .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
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        Babbitt

      New York: Harcourt, Brace and Company, 1922 First edition, first printing, first state, with "Supposing Purdy and I" and "to ruin my fellow human" to page 49. One of 9,500 copies. Inscribed by Lewis on the front free endpaper: "To N. N. Wallack / Sinclair Lewis / Washington / Feb. 24, 1938". Publisher's blue cloth, stamped in orange; in the original blue and white dust jacket. Book near fine or better, with a hint of faint toning to the spine ends, Wallack's bookplate to the front pastedown, else fine; unclipped dust jacket, with professional restoration to strengthen to what Pastore calls the "absurdly fragile dust jacket" and repair the losses to the spine ends and front panel, some minor toning to the spine, light soiling to the front panel. Overall, a very good and attractive copy. Pastore 8. Lewis inscribed this copy of Babbitt to notable book collector Nathan N. Wallack from Washington, D.C. Babbitt, is Lewis' eighth novel that and established his reputation as a major American author. Just as Main Street (1920) criticized romantic conceptions of American small-town life, Babbitt satirizes urban life in America in the 1920s. Specifically, it tells the story of George F. Babbitt, a "hustling, prosperous real estate broker" in the fictional city of Zenith. An immediate bestseller, Babbitt's popularity was such that "babbitt" became a neologism for a person or businessman who unquestioningly conforms to middle-class standards of living. Notably, Babbitt played a significant role in Lewis' being awarded the Nobel Prize for Literature in 1930, making him the first American author to win the prestigious honor.. 1st Edition. Hard Cover. Very Good/Dust Jacket Included.

      [Bookseller: B & B Rare Books, Ltd., ABAA]
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        A Wonder Book. SIGNED BY ARTHUR RACKHAM. Limited edition 558/600.

      Hodder & Stoughton, London. 1922 - A fantastic copy and SIGNED by the great Arthur Rackham on the limitation page. This being number 558/600. 207 rough cut pages.Thick 4 to (9.5 x 11.5 inches) includes 24 magnificent plates, (16 tiped in colour plates with tissue guard). 20 black/white drawings.Tan and white pictorial end papers. Book bound in cream buckram with pictorial stamping and titled to cover and spine in gold.Spine toned, some cover soil and spots. Stitching showing. Previous owners bold Christmas message and date .Plates incorrectly numbered on this copy (index shows plate on page 111 it should be 113 plus others similarly indexed etc). Scattered light foxing. A great copy and one for the collection. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Baggins Books and Collectables]
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        Autograph letter signed in full to Otto Freund

      . 1 page of a bifolium. Octavo. Dated Mödling, near Vienna, June 17, 1922. With Schoenberg's address handstamped to upper left corner. In German (with translation). Schoenberg thanks Otto Freund, a banker in Prague, for immediately complying with his request to send money to Anton von Webern: "Without concern for the fact that he who gives soon gives twice, you have given the double amount-that is, fourfold-and you are announcing to mobilize others. That is very nice of you, and I am very glad to have taken the courage to turn to you [already] after such a recent acquaintance, and I see my trust rewarded in the most beautiful way." Creased at folds; hinged at upper edge with archival tape.. Unpublished (except for the incipit on the website of the Arnold Schönberg Center, Vienna). The present letter follows Schoenberg's first letter to Otto Freund, a banker in Prague, sent on June 9, 1922 (held at the Arnold Schönberg Center). In his earlier letter, Schoenberg had asked for finanical assistance for Anton von Webern, who at the time was in great financial need. Freund sent 250,000 Austrian crowns; see his letter of June 15, 1922 (at the Library of Congress).

      [Bookseller: J & J Lubrano Music Antiquarians LLC]
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        The Unspeakable Gentleman.

      NY: Scribners, 1922. - 8vo. Frontispiece by A. I. Keller. 265 pp. Marquand's first book. Slight wear at the spinal extremities else this is a fine book in a lightly dust soiled near fine DJ with shallow edge wear at the crown of the spine. Scarce thus. [Attributes: First Edition; Hard Cover]

      [Bookseller: Thomas Dorn, ABAA]
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        Autograph letter signed in full to Otto Freund

      1 page of a bifolium. Octavo. Dated Mödling, near Vienna, June 17, 1922. With Schoenberg's address handstamped to upper left corner. In German (with translation). Schoenberg thanks Otto Freund, a banker in Prague, for immediately complying with his request to send money to Anton von Webern: "Without concern for the fact that he who gives soon gives twice, you have given the double amount—that is, fourfold—and you are announcing to mobilize others. That is very nice of you, and I am very glad to have taken the courage to turn to you [already] after such a recent acquaintance, and I see my trust rewarded in the most beautiful way." Creased at folds; hinged at upper edge with archival tape. . Unpublished (except for the incipit on the website of the Arnold Schönberg Center, Vienna). The present letter follows Schoenberg's first letter to Otto Freund, a banker in Prague, sent on June 9, 1922 (held at the Arnold Schönberg Center). In his earlier letter, Schoenberg had asked for finanical assistance for Anton von Webern, who at the time was in great financial need. Freund sent 250,000 Austrian crowns; see his letter of June 15, 1922 (at the Library of Congress).

      [Bookseller: J & J Lubrano Music Antiquarians LLC]
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        A WONDER BOOK Illustrated by Arthur Rackham.

      London, New York & Toronto, Hodder & Stoughton Ltd., s.d. (1922). In-8, bella legatura edit. in tela rossa con decoraz. oro, con la rarissima sovraccoperta orig. che porta applicata al piatto anter. una ill. di Rackham, risg. figur., pp. VIII,206,(2), molto ben illustrato dal grande artista inglese: sono testate, finalini e 24 pregevoli tavole f.t. di cui 16 sono a colori (applic. alla pag.) e precedute da una velina con didascalia e 8 sono disegni più o meno colorati. Questa importante edizione raccoglie 6 antiche leggende per ragazzi, rielaborate dallo scrittore americano Hawthorne (1804-1864) e precisamente: ?"The Gorgon?'s head - The golden touch - The Paradise of children - The three golden apples - The miraculous pitcher - The Chimaera?". Cfr. Benezit,XI, p. 376: ?"Arthur Rackham (1867-1939) fut surtout aquarelliste et a illustré de très nombreux ouvrages. Il a connu un considérable succès et son style est en accord avec celui de l?'époque du symbolisme et de l?'art nouveau?". Con qualche fiorit. ai soli bordi delle pagg., altrimenti esempl. su carta distinta, ben conservato.

      [Bookseller: Libreria Malavasi sas]
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        TWO ALBUMS OF 242 IMAGES OF THE SIBERIAN EXPEDITION, CIRCA 1920

      1922. [PHOTO ALBUM - SIBERIAN EXPEDITION]. TWO ALBUMS OF 242 IMAGES OF THE SIBERIAN EXPEDITION, CIRCA 1920, AND 16 POSTCARDS Album 1 Patterned cloth , with a printed dancer pattern, over flexible boards, 27 x 36 cm, cord tie, a.e.g. 86 photos mounted on [12] ff. The photos range in size from 6 x 4 cm up to 10.5 x 15 cm, though most are somewhere in between, around 14 x 8.5 cm. Included are five panoramic views, 27 x 8.5 cm, that are formed by butting two photographs. The first four pages have Japanese captions written on the mount. Fourteen photos have Japanese captions printed within the image, and five photos have Russian captions printed within the image. Laid-in are 15 blank postcards, 9 x 14 cm, showing scenes from the expedition and a map. Nine in color plus six black and white. Album 2 Padded silk, woven with a cloud and dragon pattern, over boards, 27 x 35 cm, cord tie, a.e.g. 156 photos mounted on [20] ff. The majority of the photos are 8.5 x 13.5 cm, with a couple of larger photos that measure 14 x 19.5 cm, and three 27 x 8.5 panoramas formed by butting two photos together. 50 photos have Japanese captions printed within the image, while two others have Russian captions printed within the image, and another two are captioned by hand in Russian. These two albums contain photographs taken around the time of the Allied Siberian Expedition (1918- 1922). One depicts scenes of home life of local (presumably White) Russian people around Vladivostok and interaction with Japanese troops. This is the "soft" album, perhaps suitable for showing to civilians, to ladies, to the public. The other concentrates on Japanese military involvement in the Intervention and on the realities of life in Siberia during that turbulent period. There are scenes of disease, of starvation, of brutal death - both military and civilian, men and woman. This is the "hard" album that speaks to the bleak winter and even more bleak chaos and misery. It includes scenes of troop movement along the Siberian Railway with several images of sabotage and battlefield aftermath.

      [Bookseller: Boston Book Company]
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        Die Graphik der Neuzeit. Vom Anfang des XIX. Jahrhunderts bis zur Gegenwart.

      Berlin, Bruno Cassirer, 1922. 4to. IX + (1 blank) + 585 s. Orig. rødt helskinnbd. med fem opph. bind. Ryggdekor i gull. Dekor i gull på for og bakperm. Topp gullsnitt. Navn på forsatsbl. Smusstbl., tittelbl. og de første sider (I-X) med små bretter. Originalraderingen av Munch litt brunplettet ved øvre kant, ellers et fint eks.. Nr. 123 av 150 numm. eks. Originalraderinger av Edvard Munch, Lovis Corinth, Max Pechstein, Hans Purrmann. Original litografi av Max Liebermann. Tresnitt av Max Slevogt

      [Bookseller: Ruuds Antikvariat]
 28.   Check availability:     Antikvariat     Link/Print  


        Don Quijote von der Mancha. Ritter der traurigen Gestalt. Zwanzig Holzschnitte von Arminius Hasemann.

      Berlin und Leipzig, B. Behrs Verlag, Friedrich Feddersen, 1922.. Groß-Folio. 2 Bll. und 20 signierte Orig.-Holzschnitte unter Passepartout lose in Orig.-Pergamentmappe mit goldgeprägter Deckelvignette.. 2. Werk der Kummerfels-Presse. - Eins von 110 num. Exemplaren, im Druckvermerk von Hasemann hs. signiert und mit seinem Stempel versehen. Hier eins der wenigen Exemplare der Vorzugsausgabe ("Außer der schlichen Halbleinen-Mappe werden noch einige Stücke in kostbarem Gewand nach Angabe des Künstlers ausgegegben."). - Schönes Exemplar.

      [Bookseller: Antiquariat Manfred Nosbüsch]
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        Revolucni sbornik DEVETSIL vydal Umelecky svaz / DEVETSIL Union Internationale des Artistes d'Avant-Garde Révolutionaire

      Praha: V. Vortel, 1922 - 8° - 202pp - B/w reproductions by A. Archipenko, J. Lipchitz, O. Zadkine, M. Chagall, D.P. Steremberg, F. Léger, R. Bissière, A. Modigliani, G. Seurat, G. Grosz, T. Foujita, M. Kisling, Per Krohg, Ot. Coubine, H. Rousseau, M. Utrillo, J. Krejcar, K. Teige, & L. Survage. First edition of DEVETSIL, text in Czech and resumé in French, Russian and German. Original wrappers.Back cover is missing 1/2 cm on upper-part otherwise in Fine condition [Attributes: First Edition; Soft Cover]

      [Bookseller: °ART...on paper - 20th Century Art Books]
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        Framed Photograph Inscribed to a politial colleague

      1922 - 12 x 9 inches (including the tan border), no place, no date, circa 1922 -- a vintage photo of Harding with a serious expression, gazing just above the camera. Warmly inscribed in the bottom margin: "To David H. Scott With the fraternal greetings of membership in the Ohio General Assembly and assurances of high esteem. Sincerely, Warren G. Harding." Uneven toning in the border, but still a handsome piece in very good condition. Double-matted in brown and white and set in a copper-colored frame measuring 19.5 x 16.75 inches. [Attributes: Signed Copy]

      [Bookseller: Argosy Book Store, ABAA, ILAB]
 31.   Check availability:     IberLibro     Link/Print  


        Les Malheurs des Immortels by Paul Eluard and Max Ernst

      1922. ERNST, Max. Les Malheurs des Immortels. By Paul Eluard and Max Ernst. 43, [1] pp. Illustrated with 21 collages by Max Ernst. 4to., 250 x 193 mm, bound in original publisher's printed wrappers. Preserved in a new black cloth box with gilt leather label. Paris: Librairie Six, 1922. First Edition of Max Ernst's second use of Surrealist collage in a book (following Repetitions issued earlier in 1922). Les Malheurs des Immortels also was his second collaboration with the poet Paul Eluard, who wrote the Surrealist prose poems in a collaboration with Ernst. For Repetitions the text was exclusively Eluard's, and it was Eluard who chose the collages of Ernst that he felt best matched his surrealist text. As a testimony to its significance, Les Malheurs des Immor-tels has been reissued several times, most notably by the Black Sun Press. This is an unusually fine copy, with minimal soiling to the fragile white wrappers. The limitation, although unspecified, must have been very small. Max Ernst: Beyond Surrealism 15.

      [Bookseller: Ursus Rare Books]
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        Die Meistersinger von Nürnberg.

      München, Drei Masken Verlag, 1922. - Ca. 36 x 29 cm. Titelblatt, 462 Seiten, 1 Seite Druckvermerk. Faksimile der Reinschrift der autographen Partitur. Eines von 410 arabisch numerierten Exemplaren (Gesamtauflage 530 Exemplare). Aus dem Druckvermerk: "Das Autograph der vollständigen Partitur von Richard Wagners "Die Meistersinger von Nürnberg" wurde im Auftrag des Drei Masken Verlags in München im Laufe des Jahres 1922 erstmalig reproduziert. Das Originalmanuskript, von Richard Wagner einst König Ludwig II. überreicht, ist 1902 durch Schenkung des Prinzregenten Luitpold aus der Schatzkammer der Münchener Residenz in den Besitz des Germanischen Museums in Nürnberg übergegangen. Der Druck dieser Faksimile-Ausgabe erfolgte durch die Kunstanstalt Obernetter in München. Die einmalige Auflage beträgt 530 Exemplare, von denen 500 in den Handel gelangen, und zwar 90 Exemplare numeriert von I bis XC und 410 Exemplare von 1-410." Rücken etwas berieben und fleckig, Einbandkanten berieben, Ecken bestoßen. Schönes Exemplar. Ziegelroter Original-Halblederband mit Marmorpapierbezug, goldgeprägtem Rücken und Kopfgoldschnitt.

      [Bookseller: Antiquariat Rainer Schlicht]
 33.   Check availability:     AbeBooks     Link/Print  


        Jacob's Room

      Richmond: Leonard and Virginia Woolf at the Hogarth Press,, 1922. Octavo. Original crocus-yellow cloth, printed paper spine label. With the dust jacket designed by Vanessa Bell. Housed in a black quarter morocco solander box by the Chelsea Bindery. Cloth soiled and darkened, label rubbed and chipped, short tear to lower joint at head, inner hinges cracked, an artist's copy in the chipped jacket that is dust-soiled, lacks the upper portion of the spine, and has the rear panel detached. First edition, first impression, presentation copy to Vanessa Bell, inscribed by the author on publication: "Vanessa Bell from V.W. Oct. 1922". An exceptional association copy: Jacob's Room was the first of VW's books for which Vanessa Bell designed the dust jacket, and the text represents VW's attempt to do in fictional form what her sister had been doing with her paintings for the past decade. Jacob's Room does not carry a formal dedication, but given the collaboration between the sisters in its design and the identity of their artistic aims, this might be regarded as the de facto dedication copy. "Woolf's family portrait-making in Jacob's Room can be seen as a literary rendering of her sister's experiment, in particular Studland Beach and her portraits of 1911?-13. The affinities between the two works lie in their elegiac emotion as part of the Post-Impressionist method. In their reaction to the work of the Post-Impressionist painters, both women artists depart from realist representation of people and places and seek to influence the audience's emotions through formal means" (Justyna Kostkowska, "Studland Beach and Jacob's Room: Vanessa Bell's and Virginia Woolf's experiments in portrait making 1910?-1922", Partial Answers (9:1) Jan. 2011, pp. 79?-83. Virginia Woolf noted in her diary for Saturday 14 October 1922: "I have seen Nessa, Maynard, Lydia, Desmond, Saxon, Lytton, Frankie Birrell & Marjorie Fry, all within this week; & had two letters, from Lytton & Carrington, about Jacob's Room, & written I don't know how many envelopes; & here we are on the verge of publication … Richmond writes to ask that date of publication may be put ahead, so that they may notice it on Thursday." Jacob's Room was due to be—and was—published on Friday 27 October. The first edition was of 1,200 copies. The first full-length book to be published by the Hogarth Press, its publication marking the moment when the Woolfs decided to run the Press as a genuine business concern.

      [Bookseller: Peter Harrington]
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        Wuthering Heights

      London: J. M. Dent & Sons Ltd.,, 1922. With Six Coloured Illustrations by Edmund Dulac. Octavo (190 x 123 mm). Bound by Sangorski & Sutcliffe in red crushed half morocco, marbled sides, raised bands, titles and panelling to compartments gilt, top edge gilt, others untrimmed, marbled endpapers. Coloured frontispiece with tissue guard and 5 similar plates. Extremities slightly rubbed, boards a touch scuffed, margins of text block lightly toned. An excellent copy. An appealingly bound later reprint of the Dulac edition, originally published in 1905.

      [Bookseller: Peter Harrington]
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        Through Angola A Coming Colony

      Through Angola A Coming Colony. Colonel J. C. B. Statham. Edinburgh & London: William Blackwood & Sons, 1922, 1st. printing, xvi, 388 pp. *** Statham grew up hunting bear and tiger in India. He served in the British military during the Great War. The first sentence of the narrative is as follows ?" On a voyage to Angola, in April 1920, a Portuguese judge gravely told me that no countryman of his would be considered sane if, after five years of the hazards and discomforts of war, he set out at once for a year of life in the African wilds. *** Statham's hunting trip took him through some very remote parts of the remote Portuguese colony. The book is divided into two parts ?" By the Deserted Islands to Angola, and Through it in Quest of the Giant Sable; The Colony Its Past, People, Animals, Physical Features, Farming, Plants, and Future. In chapter five of Part II are descriptions of the big game animals in Angola, replete with reproductions of the spoors printed over the text (quite unique). There is a frontis. b& w photo illustration of giant sable in their habitat plus 137 b&w photo illustrations on forty-five (45) plates taken during the trip. In front is a folding Map of Angola, in back another folding map The Loango-Coanda Watershed (Giant Sable Country) and Its Approaches. *** This book comes with a clear mylar protective cover. *** Bound in dark green cloth boards with pictorial gilt of a giant sable head and horns and gilt lettering on the front cover, the same on the spine. The covers are clean with almost no wear, a little rubbing of pictorial gilt on spine. The contents are clean and complete in a good binding. A two inch closed tear near gutter of front map has been repaired on verso with archival tape. Near Fine condition. *** 8.75 inches tall by 6 inches

      [Bookseller: The Sangre Book Company]
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        DAS BUCH DER DINGE

      - FREUD,TOM SEIDMANN. DAS BUCH DER DINGE: Ein Bilderbuch fur ganz kleine kinder [A Book of Things: A Picture Book for Very Young Children]. Berlin: Mauritius 1922. Oblong 4to (9 1/2 x 8 1/4"), cloth backed pictorial boards. Some professional restoration at hinges and a few corners, light cover soil and edge rubbing, VG+ for this particular book. Due to the paper used, all copies of this title have some amount of edge chipping and binding wear. First edition. Illustrated with 16 striking and stylized hand-colored full page illustrations printed on one side of the paper only. The only text is a caption identifying each picture. Tom (born Martha Gertrude) was a German children's book illustrator who was one of the pioneers of the avant garde art movement "neue sachlichkeit" in post WWI Germany that coincided with the Bauhaus school design. Her innovations in children's books were felt the world over. Tom was also a niece of Sigmund Freud. She emigrated to Israel to escape the Nazi's and unfortunately died a tragic death. Rare and a nice copy. [Attributes: First Edition; Hard Cover]

      [Bookseller: Aleph-Bet Books, Inc. - ABAA]
 37.   Check availability:     AbeBooks     Link/Print  


        IN MEMORIAM: WINIFRED LICHTENAUER KOHLER, 1880-1922.

      No Place[New York]: No Publisher. 1922 - 1st edition. Original string-bound paper wrappers, 8vo 10 pages. Includes portrait. 23 cm. SUBJECT (S) : Funeral sermons, English. Kohler, Winifred Lichtenauer, 1880-1922. Henry Street Settlement (New York, N. Y. ) National Council of Jewish Women. Winifred Lichtenauer Kohler was the daughter-in-law of Kaufmann kohler and the wife of Max J. Kohler. Real photo tipped in as frontis. OCLC lists 3 copies worldwide (JTS, HUC, Harvard) , none outside the Northeast. Light wear, Very Good Condition. Very Scarce. (KH-3-5A) [Attributes: First Edition; Soft Cover]

      [Bookseller: Dan Wyman Books, LLC]
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        Siddhartha. Eine indische Dichtung (Erstausgabe)

      Fischer-Verlag 1922.. 146 Seiten gebundene Ausgabe. Gebundene Ausgabe OHNE Schutzumschlag, Fischer-Verlag 1922, 146 Seiten, Erstausgabe, in altersgemäß hervorragendem Zustand, farbiger Kopfschnitt, Papier innen sauber und hell, Buchschnitt leicht nachgedunkelt mit geringen Gebrauchsspuren, Privatbindung mit schönem nussbraunen Lederrücken und Lederecken, Einband aussen leicht nachgedunkelt mit nur moderaten Gebrauchsspuren (intern: 25B/NUSSBRAUN/Altdeutsch+Antiquarisch/GOU-2)

      [Bookseller: Lydia und Hubert Lohmaier GbR]
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        La Lyrosophie

      Paris: Éditions de la Sirene. Deuxieme édition, 1922. Bel exemplaire. Couverture en bonne état protégée par un papier glacée plié, amovible. Rousseurs éparses. Texte propre. Envoi autographe signé de l'auteur: "Pour Monsieur Epardand avec le plus grand plaisir et mes excuses pour l'exemplaire défraichi - un des derniers. Jean Epstein - le 12 novembre 1922 ".. Paris, Éditions de la Sirene, 1922. 19 x 12 cm. 229 pages. Broché. Deuxieme édition, 1922. Bel exemplaire. Couverture en bonne état protégée par un papier glacée plié, amovible. Rousseurs éparses. Texte propre. Envoi autographe signé de l'auteur: "Pour Monsieur Epardand avec le plus grand plaisir et mes excuses pour l'exemplaire défraichi - un des derniers. Jean Epstein - le 12 novembre 1922 ". La connaissance de raison et la connaissance d'amour.

      [Bookseller: The Time Traveller's Bookshop]
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        Time and the Gods. With 10 Illustrations in Photogravure by S.H. Sime

      London: G.P. Putnam's Sons, 1922., 39. Limited Edition to 250 copies of which this No56, SIGNED by Lord Dunsany in ink with a typical wide nib to end of Preface. Fine illustrations with entitled tissue guards, each INDIVIDUALLY SIGNED by Sime. Publisher's vellum spine with recently replaced red title label, orange cloth boards with gilt rule; top edge gilt, others untrimmed; marbled end papers. Vellum a little dusty to spine and a little picked to sides; light foxing to untrimmed edges. Generally clean and sound. A splendid signed Limited Edition copy of Dunsany's second book, first published in 1906 by William Heinemann.

      [Bookseller: Adrian Harrington Rare Books]
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        Die Jannowitzbrücke in Berlin.

      1922 1922 - Radierung, 1922, signiert. 24,7:30,8 cm. Erschienen in: Die Schaffenden, V. Jahrgang, 2. Mappe, 1926. – Riester 63; Söhn HDO 72718-10. – Prachtvoller, markanter Druck auf chamoisfarbenem Simili-Japan. Vertikale Mittelfalte geglättet, Knickfalte im rechten Rand. Nach einem Studium an der Karlsruher Kunstakademie sowie an der Lehranstalt des Kunstgewerbemuseums Berlin bei E. Orlik (1870-1932), wurde der Künstler 1928 Professor an der Karlsruher Kunstakademie, wurde jedoch 1933 entlassen und erhielt Berufsverbot. Nach 1945 erhielt er zunächst einen Lehrauftrag in Karlsruhe an der Technischen Hochschule, dann erneut an der dortigen Kunstakademie.

      [Bookseller: Galerie Joseph Fach GmbH]
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        Ilias

      Frankfurter Verlagsanstalt, Frankfurt 1922.. Gr-8°, handgebundener Ganzpergament, 2 nn. Bll., 491 SS., 9 nn. SS. (e. 4 und le. 7 leer).. Übers. v. Johann Heinrich Voß. Mit 24 Originallithographien und Buchschmuck von Alois Kolb. Exemplar der Normalausgabe, hier in einem außergewöhnlichen Einband: Ganz-Pergament auf 5 durchgezogenen Bünden mit handvergoldeter Ornamentik auf den Deckeln, Rücken und Steh- und Innenkanten. Die an Stacheldraht erinnernde Ornamentik ist durch Ritzungen in dem gesamten Schnitt wieder aufgenommen. Nahezu makelloses Exemplar. Sennewald 109, 22.3.

      [Bookseller: AS - Antiquariat Schröter (Versand mit d]
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        L'Oeuvre De Leon Bakst Pour La Belle Au Bois Dormant; Ballet en Cinq actes d'apres le conte de Perrault Musique de Tchaikovsky

      M. De Brunoff, Paris 1922 - 24 pages in text. 39 x 29 cm. Limited edition, copy 157 of 500 signed by Bakst & De Brunoff. Frontispiece, a lithograph of Bakst by Picasso and 54 mounted color lithographs with lettered tissue guards. Based on Perrault's classic fairy tale the ballet La Belle au Bois Dormant premiered in the Marinsky Theatre, St. Petersburg, on 15th January, 1890 with choreography by Marius Petipa. Diaghilev's Ballet Russes performed the work as The Sleeping Beauty during the 1921 season. Clean, fresh and bright copy. slight wrinkling to front cover free marbled endpaper, raised bands, spine lettered in gilt. Three quarter maroon morocco and marbled boards with matching marbled endpapers. Near fine [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Royoung Bookseller, Inc. ABAA]
 44.   Check availability:     AbeBooks     Link/Print  

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