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Displayed below are some selected recent viaLibri matches for books published in 1922


      Chicago: Covici-McGee,. 1922. original decorated black cloth, front and spine panels stamped in gold, all edges untrimmed, red endpapers.. A fine copy in a bright, fine pictorial dust jacket with just a touch. of fading to spine panel. Scarce in this condition. A offset reprint. produced in the early 1960s is often offered booksellers as a first. edition. The two editions differ in a number of ways (e.g., the first. measures 23.5 cm high, has red endpapers, and untrimmed edges all. around). (#149824). First edition. Limited to 2025 numbered copies, of which 2000 were for sale. Published for private circulation. A notorious book that was rigidly suppressed when first published and its illustrator imprisoned on charges of obscenity (see Sullivan [ed], The Penguin Encyclopedia of Horror and the Supernatural, p. 394). "... it is a remarkable volume ... an amazing study of the real and unreal in human sex desire, the actual and the imaginary becoming weirdly entangled." - Bennett, A Practical Guide to American Book Collecting, p. 222. "A brilliant novella." - Barron (ed), Fantasy Literature 3-170. The illustrations are no less remarkable than the text. Together, they present one of the most vivid explorations of madness, horror and ecstasy. Locke, A Spectrum of Fantasy, p. 108. Survey of Modern Fantasy Literature II, pp. 535-38. Bleiler (1948), p. 146. Reginald 07023.

      [Bookseller: L. W. Currey, Inc.]
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        Die Pickwickier (Band 1) aus den hinterlassenen Papieren des Pickwick-Klubs

      Wegweiser, Berlin 1922 - Buchrücken abgenutzt, grüner Kopfschnitt, Einband abgerieben, Einbandecken bestossen, Schnitt angeschmutzt, Buchblock gut erhalten - Text in altdeutscher Schrift deutsch 344 pages. 8 [Attributes: Hard Cover]

      [Bookseller: Der Bücherhof]
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      Paris: Egoist Press. Very Good. 1922. First Edition; Second Printing. Second printing overall, and first UK edition, this edition was distributed by John Rodker in Paris for the Egoist Press, and printed in a run of 2000 copies by the printer of the first edition, Maurice Darantiere at Dijon. The book was smuggled in various forms against the threat of discovery and pirated printings. At least 500 seized copies were allegedly burned by U. S. Authorities. (Birmingham, 2014) This copy is No. 1108 of the 2000 printed. Printed on handmade paper. Bound in contemporary 3/4 leather over green board with gilt title on spine. Spine has five raised bands and gilt ruling. Top edge gilt with deckle fore and bottom edge. Leather binding is pleasantly worn with light rubbing to board edges. Back boards shows 1" x 2 1/2" discoloration on green cloth. Original wrappers are bound in and are in very good condition as in the interior of the book. Complete errata sheet bound in. Edge of pages lightly toned. Overall a very pleasing presentation of one of the major literary works of the 20th century. ; 8vo 8" - 9" tall; 732 pp .

      [Bookseller: Back of Beyond Books, ABAA]
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        Wassily Kandinsky KONSTNÄREN. Andra upplagan 1920. Gummesons Konsthandel, Strandvägen 17, Stockholm.

      Druck: Tryckeri A=B. Thule,, Stockholm, 1922 - 2. Ausgabe des Textes aus dem Katalog von 1916. Stockholm, Druck: Tryckeri A=B. Thule, 1922, 24,6 x 19 cm, 16 Seiten, illustrierte Original-Klammerheftung (Rücken mit Japanpapierstreifen hinterlegt), zwei alte Mittelknicke, lichtrandig, insgesamt ordentliches Exemplar dieses seltenen Druckes. Literatur: Barnett, Vivian Endicott, KANDINSKY and Sweden. Malmö Konsthall; Moderna Muset Stockholm 1989/90. - Der Text stammt aus dem Jahre 1916 und wurde in dem ersten Ausstellungskatalog von Kandinsky bei Gummeson veröffentlicht. 1922 erschien diese zweite Ausgabe des Textes, allerdings ohne die Abbildungen, nur der Text. Sprache: schwedisch insgesamt ordentliches Exemplar dieses seltenen Druckes. zwei alte Mittelknicke, lichtrandig,

      [Bookseller: Stader Kunst-Buch-Kabinett]
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        Autograph musical quotation signed "Alexander Zemlinsky" and inscribed.

      - Zemlinsky composed the Lyrische Symphonie between 1922-1923. It was first performed in Prague on June 4, 1924 under the composer's direction and is his best-known work.An Austrian composer and conductor, "closely linked to the Second Viennese School (Schoenberg was his pupil), Zemlinsky was no outright revolutionary. While undisputedly a conductor of the first rank and an interpreter of integrity, he lacked ‘star quality’ and was overshadowed by more domineering personalities. His music is distinguished by an almost overpowering emotional intensity. It took several decades before it became known and began to be appreciated." Antony Beaumont in Grove Music Online. In black ink. Ca. 98 x 126 mm., laid down to white cardboard mount, overall size ca. 116 x 146 mm. Two measures from the Lyrische Symphonie, Op. 18, notated in treble clef on one hand-drawn staff. With autograph titling "Lyr. Symphonie."Slightly browned; creased at central fold and lower right corner; minor staining and smudging at upper edge, slightly affecting inscription; trimmed, with some wear to edges, not affecting text.

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      - This highly attractive map, designed in the contemporary Art Deco style, depicts Rio de Janeiro a splendid time in the city’s history, when it came into its own as one of the world’s great tourist and cultural centres. The map is orientated to the southeast, with the old city, the business and government centre, in the lower right, along the shores of Guanabara Bay, with the fast growing Ipanema and Leblon districts to the upper left. Rio, which in 1922 had population of around 1.13 million (as opposed to around 6 million in the city proper today, with a metro area of 12 million), was commencing a period of dramatic growth and change. Massive land reclamation schemes were underway, with the southern extension to the downtown largely complete, while the dotted lines of the quays to the north in Guanabara Bay, indicate that the port extension was still in the planning stages. High commodity prices and a bustling post-WW1 global economy had led to unprecedented prosperity of Rio, which was attracting the attention of international businesses and high-end tourists. This, in turn, was supporting a cultural flowering in the city. The 3rd South American Football championship (forerunner to the "Copa") was held in Rio in 1919 (and won by Brazil). The Federal University of Rio was founded in 1920, while the National Historical Museum of Brazil was opened in the city in 1922. The O Globo newspaper would begin publication in 1925. Meanwhile, the cultural and tourist centre of the city was shifting south from the downtown to the Zona Sul, with the physical barrier of the hills being negated by the construction of the tunnel between Botafogo and Copacabana Beach, as shown on the map. This opened Copacabana to becoming on of the world’s most desirable and stylish destinations, with the Copacabana Palace hotel being opened in August 1923, made famous by its appearance in the movie Flying Down to Rio (1933). The world’s wealthiest and most sophisticated travellers were flocking to the city, spurring the establishment of elegant restaurant, cafes and nightclubs. The legendary airship the Graf Zeppelin would make its first visit to Rio in 1930, followed by regular service connecting the city to Europe and New York, from 1932. The famous statue entitled Cristo Redentor (Christ the Redeemer) would come to grace the top of the Corcovado in 1931. The map was sponsored by a major real-estate agent Milton Ferreira de Carvalho, who advertised numerous estates and villas in desirable parts of the city. The property for sale is heightened in red. Overall an elegant and authentic large scale view of Rio during its historic apogee.

      [Bookseller: Antiquariat Dasa Pahor]
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      Edinburgh: Duniden Press, 1922. Hardcover. Very Good. THE TREMBLING OF THE VEIL, by WILLIAM BUTLER YEATS. Published by T. WERNER LAURIE, LONDON, 1922. Privately Printed for Subscribers Only. Printed at the Duniden Press, Edinburgh. SIGNED LIMITED EDITION. From the Signature / Limitation page: "This edition consists of one thousand copies numbered and signed. This is No. 870. HAND SIGNED by W. B. YEATS on the Signature / Limitation page. Rare Signed Limited Edition. Hardcovers, dustjacket, paper covered spine (simulated vellum) and cloth covered boards, paper title label on the spine, 5.5x9". Pagination vii, 247; [1]; frontispiece portrait of Yeats by Charles Shannon. Illustrated with a frontispiece portrait of W.B. Yeats. Book Condition is VERY GOOD: Spine slightly sunned, spine ends have some wear, boards have some shelf rubbing, covers still sturdy and attractive. There is a small bookplate of the Noted Book Collector ALBERT PARSONS SACHS on the front pastedown. Internally, the pages are just very lightly used and still tight, bright, clean and unmarked. A solid, very nice copy. Dustjacket Condition is POOR: the spine is detached (split at both the front and rear folds), chipped at the ends, and sunned / darkened; the front and rear panels are chipped along their top edge, starting to split at the flap folds, have some chips along the flap folds, and have some sunning. The dj is now held together in a dustjacket protector. A lovely copy of this SCARCE SIGNED LIMITED EDITION, in a present but piecemeal and raggedy dustjacket. William Butler Yeats was perhaps the greatest poet of the late 19th and early 20th century. His signature is like magic. About William Butler Yeats (from Wikipedia): ****** William Butler Yeats (13 June 1865 - 28 January 1939) was an Irish poet and one of the foremost figures of 20th century literature. A pillar of both the Irish and British literary establishments, in his later years he served as an Irish Senator for two terms. Yeats was a driving force behind the Irish Literary Revival and, along with Lady Gregory, Edward Martyn, and others, founded the Abbey Theatre, where he served as its chief during its early years. In 1923 he was awarded the Nobel Prize in Literature as the first Irishman so honored for what the Nobel Committee described as "inspired poetry, which in a highly artistic form gives expression to the spirit of a whole nation." Yeats is generally considered one of the few writers who completed their greatest works after being awarded the Nobel Prize.******

      [Bookseller: Blank Verso Books]
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        Fotoalbum mit auf Vorderdeckel montiertem Original-Etikett vom "CRp! Corps Rheno-Palatia München".

      Um -25 1922 - Albumformat 23 x 31,5 cm. Mit 105 verschiedenformatigen Fotos, 1 Radierung, 3 Fotokarten, 1 Zeitungsfoto, 2 ausklappbaren Fototafeln und 3 Studentika-Postkarten mit Silhouettenporträts. Halbleinenalbum der Zeit Kordelbindung. Unter den Fotos befinden sich mehrere größerformatige (ca. 23 x 18 cm) und reizvolle Abbildungen von verschiedenen Chargen in Uniformen und mehrere Gruppenporträts zu festlichen Anlässen (u. a. Gartenfest, Ratskeller in Weinheim, Stiftungsfest Bad Tölz und Prinzregententheater, Fasching). Die kleineren Fotos zeigen mehrere Zechgelage der Burschenschaftler, Einzelporträts und private Familienszenen von Corpsmitgliedern. Das großformatige Zeitungsfoto zeigt das Corps mit Fahnen / Standarten um Reichspräsident Hindenburg vereint in München 1922, Die Radierung zeigt eine Ansicht des Corpshauses in München, Platzl 8. Die Fotokarten zeigen sehr reizvolle Einzelporträts und 1 Gruppenporträt. Die beiden ausklappbaren Fototafeln zeigen jeweils 2 große Gruppenporträts mit zahlreichen Corpsmitgliedern vor einem mittelalterlichem Bauwerk in Weinheim 1925. Unter den Fotos, Fotokarten und Studentika-Postkarten befinden sich insgesamt 6 Exemplare mit EIGENHÄNDIG SIGNATUR der Abgebildeten. - Die Fotos sind meist gut erhalten und nebenstehend mit hs. Kurzkommentaren versehen, einige mit Eckknickspur und leichten Gebrauchsspuren, nur wenige sind entfernt, 1 Foto liegt lose bei. 1450 g Schlagworte: Studentika - Studenten; Burschenschaft; Burschenschaften; Monacensia; Studentenverbindungen; Photoalbum; Photoalben; Studentische Verbindungen; Photos; Fotos; Photographie; Hochschulwesen; Uniformen; Mode; Bayern; Bavarica

      [Bookseller: Antiquariat Wolfgang Mertens]
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        Om Atomernes Bygning [On the Structure of Atoms]

      Copenhagen: Jul. Gjellerup. FIRST EDITION, OFFPRINT ISSUE. Softcover, original wrappers. Very Good. FIRST EDITION, OFFPRINT ISSUE, INSCRIBED BY NIELS BOHR, of Bohr's Nobel Prize lecture, delivered on the occasion of Bohr's acceptance of the 1922 Nobel Prize in Physics. An association copy: Inscribed to J.A. Christiansen, noted scientist and student of Bohr. Inscribed in ink on the half-title by Bohr (in Danish): "Hr. Docent Dr. phil J.A. Christiansen med venlig Hilsen fra Forfatteren." [English translation: "Mr. Dr. Phil J.A. Christiansen with friendly greetings from the author"]. The recipient, Dr. Jens Anton Christiansen (1888-1969) "received his Ph.D from the Technical University of Denmark in 1921 and studied with Niels Bohr. He was the first to publish the term 'chain reaction,' which appeared in his doctoral thesis, Studies in Reaction Kinetics. Dr. Christiansen became Professor of Chemistry at the Technical University in 1931 and Head of the Institute for Physical Chemistry there in 1948" (The Sciences, Vol 7, Issue 6-7, Nov-Dec 1967). Professor J.A. Christiansen was also the recipient of the H.C. Oersted Medal in 1959, where he was introduced at the award ceremony by Bohr. 

Copenhagen: Jul. Gjellerup, 1923. Octavo, original wrappers; custom box. With printed letter from the publisher introducing the work laid-in. Light pencil notation on cover, minor rubbing to spine. A near-fine copy. Rare signed and in original wrappers.

      [Bookseller: The Manhattan Rare Book Company]
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        Der Tod des Löwen., Mit 10 signierten Radierungen von Hugo Steiner-Prag.

      Leipzig - Prag, Verlag der K. Andreschen Buchhandlung, 1922,. - 174(2) S., schwarzgrüner OLedereinband auf 5 Bünden mit Goldprägung auf dem Vorderdeckel, vergoldete Rückenverzierung und Innenkantenfileten, Kopf-Goldschnitt, Büttendruck. Mit radierter Titelvignette und 10 ganzseitigen, handsignierten Originalradierungen mit Remarquen von Steiner-Prag. Es gab mehrere Vorzugsausgaben. Aus dem Impressum: "von diesem Werke erschien eine einmalige numerierte Ausgabe von 400 Exemplaren. Dreihundert Stücke druckte die Offizin von Poeschel & Trepte in Leipzig, die Radierungen die Kupferdruckerei D.Felsing in Leipzig, die Bindung besorgte die Leipziger Buchbinderei A-G vorm. Gustav Fritsche. Die Nummern der Ausgabe A (1-145) enthalten die vom Künstler handschriftlich unterzeichneten Radierungen mit Remarquen, und sind mit der Hand in Ganzleder gebunden.Die Nummern der Ausgabe B (146-200) haben handschriftlich unterzeichnete Radierungen ohne Remarquen, die Nummern der Ausgabe C (201-295) sind einmalig vom Künstler signiert. die Ausgaben B und C sind in Halbleder gebunden." Vorliegend das maschninell nummerierte Exemplar Nr 132 der Ausgabe A mit den Remarquen. Die Vorsatzblätter mit Leimschatten, das Leder an den Kanten etwas berieben. Gutes Exemplar. Selten. Rare. Fine limited copy of 145 copies with handsigned etchings. Sprache: Deutsch Gewicht in Gramm: 1000 [Attributes: First Edition; Hard Cover]

      [Bookseller: Uta-Janine Störmer]
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        Poetical Works.

      London: Macmillan and Co.,, 1922. Reprinted from the original editions with notes by Francis T. Palgrave. Octavo (152 X 98 mm). Finely bound by Bayntun in brown morocco, titles and decoration to spine gilt separated by raised bands, elaborate foliate corner pieces to boards within gilt filets, inner dentelles gilt, marbled endpapers, gilt edges. A fine copy. Golden Treasury Series. A handsomely bound copy of Keats's poetry.

      [Bookseller: Peter Harrington]
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        Racing in America, 1866-1921

      Privately Printed for the Jockey Club, New York 1922 - 1922, First Edition, Privately Printed for the Jockey Club by the Scribner Press. 249 pp. Hardcover, Folio, cloth-backed boards with title label. Boards worn at corners; tearing and a quarter-sized loss to the foot of the spine; light tearing to head of spine; light rubbing to title label. Internally Fine; bright and unmarked contents; includes many plates of racehorses and their jocks. Rare. Digital images available upon request. [Attributes: First Edition; Hard Cover]

      [Bookseller: Caliban Books Pittsburgh PA, ABAA]
 12.   Check availability:     IberLibro     Link/Print  


      [Auburn, California: Clark Ashton Smith,. 1922]. original red cloth, front panel stamped in gold.. Spine worn, cloth damp-stained in patches, binding broken along most. of rear hinge, a fair copy physically but a highly desirable. association copy in a fine dust jacket made in 1993 using a jacket. design by Clark Ashton Smith. (#137280). First edition. Limited to 500 numbered copies signed by Smith. A presentation copy with inscription in Smith's hand on the copyright page: "For Alfred Galpin, Jr." Galpin's signature and date 19 December 1922 are present on the front paste-down. In 1922, Alfred Galpin (1901- 1983), amateur writer, composer and correspondent of H. P. Lovecraft (1917- 1937), gave Lovecraft a copy of Smith's THE STAR-TREADER AND OTHER POEMS (1912), prompting Lovecraft to write to Smith. Additionally, a presentation inscription by Samuel Loveman, the book's dedicatee, to bookseller Irving Binkin is present on the title page. This copy has eighteen minor corrections in Smith's hand throughout the text. The author's third book.

      [Bookseller: L. W. Currey, Inc. ]
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        20 Poemas para ser leídos en el tranvía. Ejemplar N° 265. Ilustraciones por el autor

      La Facultad, Argenteuil 1922 - Algunas roturas en la sobrecubierta. Manchas de humedad perladas a lo largo del texto. Colorido de las ilustraciones Ch. Keller. (Ver fotografías) Terminóse de imprimir este libro el 15 de Diciembre de 1922, en la imprenta de Coulouma. H. Barthélemy, director.Compónese el tiraje de esta obra de 850 ejemplares numerados. Ejemplar N° 265. WE SEND (free of charge) video demonstration of the conservation status of the book. ENVIAMOS (a solicitud y sin cargo) video de demostración del estado de conservación de los ejemplares. Nous ENVOYONS (sur demande et gratuitement) vidéo de démonstration de l'état de conservation du livre. [Attributes: Soft Cover]

      [Bookseller: Eduardo Martínez Moreira]
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        Reden an Die Deutsche Nation

      Munich: Bremer Presse, 1922. No.214 of 270 copies. Calligraphic title and initials by Anna Simons. Printed on handmade paper. Folio, an exceptionally attractive copy in contemporary full maroon morocco ruled in gilt and black onlay, spine in compartments each with gilt and black morocco onlay borders, black morocco and gilt spine label, marbled endpapers, gilt ruled borders on turn-ins, housed in slipcase with matching maroon morocco edges, binders stamp of Hubel & Denck in Leipzig. Spine very slightly faded but still a very handsome, bright copy. Fichte's patriotic 'Addresses to the German Nation' were originally delivered in 1807. Here they are beautifully presented by the fine printing of the Bremer Presse.

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      London & New York: G. P. Putnam's Sons,. [1922]. original vellum-backed orange cloth, front, spine and rear panels ruled in gold, leather label lettered and ruled in gold affixed to spine panel, marbled endpapers, t.e.g., other edges untrimmed.. A fine copy in fine decorated dust jacket with tiny chip from tail of. spine panel and touch of wear at crown of spine panel and corner. tips. A lovely copy. (#149247). First edition. One of 500 numbered copies signed by Dunsany and Sime. The author's first novel. An episodic romantic fantasy, Dunsany's version of Don Quixote. Schlobin, The Literature of Fantasy 895. Bleiler (1978), p. 65. Reginald 04608. Anderson I.20.a.1.

      [Bookseller: L. W. Currey, Inc.]
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      Bridgeport, Conn., New York, N.Y.: Published by Co-operative Publishing Co., Inc.,. [1922]. original blue cloth, front and spine panels stamped in gold.. A bright, very good copy in very good pictorial dust jacket with. light wear at edges and dust soiling to spine and rear panels. Rare. in jacket. (#149813). First edition. "Highly eccentric romance of reincarnation, which includes an account of the colonization of the Moon by near-perfect humans of Mars and the unhappy circumstances of the descent of our ancestors to Earth." - Anatomy of Wonder (1981) 2-4. Bleiler, Science-Fiction: The Early Years 101. Locke, A Spectrum of Fantasy, p. 26. Sargent, British and American Utopian Literature, 1516-1985, p. 169. Bleiler (1978), p. 13. Reginald 00688. Smith, American Fiction, 1901-1925 B-10.

      [Bookseller: L. W. Currey, Inc. ]
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        Toreinfahrt in Marktbreit),,

      1922 - Ein Fuhrwerk und Bauersleute passieren das Stadttor, links ist ein Krämerladen zu sehen. Großformatiges Aquarell a. Papier von Franz Freidhof, li. u. sign., dat. "1922" u. bez. "Würzburg". Ca. 58 x 45 cm. - Unter Glas mit Passepartout im goldenen Modellrahmen staubdicht gerahmt. Rahmung im Preis inbegriffen. Schwach gebräunt, sauber und glatt. - Franz Freidhof: Würzburg 1874 - 1958 ebenda. Ausgebildet wurde Freidhof an der Würzburger Handwerkerschule und an der Kunstakademie in München. Hauptberuflich war er Lithograph bei Stürtz in Würzburg und schuf u.a. Notgeldscheine. Daneben war er als freiberuflicher Künstler tätig und hielt zahlreiche fränkische Motive auf Papier fest, in der Regel in einer klaren und realistischen Auffassungsweise mit Motivtreue. Sprache: de Gewicht in Gramm: 0

      [Bookseller: Buch- und Kunstantiquariat Tobias Müller]
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        Ebony and Crystal Poems in Verse and Prose

      Auburn Journal, Auburn, CA 1922 - Limited to 500 copies, this is number 106, signed on the limitation page by the author. This copy has also been signed by the author, with an inscription, on the title page. This copy is in Very Good+ condition. The book and its contents are in mostly clean, bright condition. The red cloth covers have some light spotting and there is a noticeable strip of fading to the front foredge. The text pages are clean and bright. The title page and limitation pages are noticeably toned. There is some light cracking to the front inner hinge. "As a poet, Smith is grouped with the West Coast Romantics alongside Ambrose Bierce, Joaquin Miller, Sterling, Nora May French, and remembered as "The Last of the Great Romantics" and "The Bard of Auburn". Smith was one of "the big three of Weird Tales, along with Robert E. Howard and H. P. Lovecraft", where some readers objected to his morbidness and violation of pulp traditions. It has been said of him that "nobody since Poe has so loved a well-rotted corpse." He was a member of the Lovecraft circle, and Smith's literary friendship with Lovecraft lasted from 1922 until Lovecraft's death in 1937. His work is marked chiefly by an extraordinarily wide and ornate vocabulary, a cosmic perspective and a vein of sardonic and sometimes ribald humor." "Who of us care to be present at the accouchment of the immortal? I think that we so attend wo are first to take this book in our hands. A bold assertion, truly, and one demonstrable only in years remote from these." ; Signed by Author [Attributes: First Edition; Hard Cover]

      [Bookseller: S. Howlett-West Books]
 19.   Check availability:     AbeBooks     Link/Print  

        contributes his poem 'Storm Ending' and a short vignette 'Nora' (subsequently re-titled 'Calling Jesus'), both of which were subsequently incorporated into his classic Harlem Renaissance novel 'Cane', to an issue of the periodical The Double Dealer.

      The Double Dealer. Vol. IV, No. 21, September, 1922. 4to. Card wrappers, marred only by a touch or two of tiny miscellaneous blemishing and some light creasing to the top right-hand corner, impacting all leaves. A short staple-tear to the first leaf. Loose promotional inserts laid-in. A very good copy of a most uncommon periodical, this issue marks not only Toomer's first appearance in print, but also Thornton Wilder's (writing hear as Thornton N.Wilder, and contributing his short two-part vignette 'Sentences'), plus additional contributions from Edmund Wilson, Arthur Symons, Edward Sapir &c. 'The Double Dealer' was born in response to a 1917 essay by H.L.Mencken in which the author criticized the South for its lack of fine culture. Founded by Julius Weiss Friend, Basil Thompson, Albert Goldstein and John McClure, the New Orleans-based 'Double Dealer' published some of the very first print appearances of both Faulkner and Hemingway, and is also noted for publishing uncharacteristically high numbers of African-American and female writers. It ran monthly from January 1921 through May 1923, with irregular publications between November 1923 and May 1926, with a circulation of approximately 1,500 copies.. 1st Edition. Soft cover. Very Good.

      [Bookseller: Clearwater Books]
 20.   Check availability:     IOBABooks     Link/Print  


      London: For the Egoist Press by John Rodker, 1922. The first English edition, printed in France. Bound in full blue morocco, raised bands, gilt titles and tooling to the spine, double gilt ruled to the front and rear panels, marbled endpapers, all edges gilt. One of 2000 copies. Ownership copy of playwright and poet, socialist and politician Sam DeWitt, best known for having been barred from taking his seat in the New Your State Assembly in 1920, along with four others, after having been elected as a Socialist from his Bronx district. A colorful figure in New York leftist politics and the Bohemian scene in Greenwich Village, DeWitt owned and operated a company trading in used machinery in lower Manhattan, and published a number of books or poetry and several plays. He was a long-time friend of left wing writer Upton Sinclair. In Sinclair's muckraking novel The Jungle, published in 1906, one of the main characters, Nicolas Schliemann, is said to be based on Sam DeWitt. This copy bears his ownership signature where - in apparent reference to the "pornographic" nature of the book - De Witt has written "This is my book" below which he has sketched the male genitalia with "Ex" on one side, and "Libris" on the other, and then, below the sketch, his signature and his address in Bronx, NY. According to Slocum & Cahoon, of the 2000 copies of Ulysses from the first edition plates, approximately 500 were sent to America and subsequently burned by government censorship authorities. Ulysses was published in Paris by Shakespeare & Company, 1922. It was a struggle for the author to find a publisher, a comic irony considering that Ulysses is "[u]niversally hailed as the most influential work of modern times" (Grolier Joyce 69). Ulysses was an immediate success. The first printing sold out, and "within a year Joyce had become a well-known literary figure. Ulysses was explosive in its impact on the literary world of 1922" (de Grazia, 27).

      [Bookseller: Raptis Rare Books, ABAA/ ILAB]
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      London: Published for the Egoist Press, 1922. The First UK Edition, printed in France by Maurice Darantiere in 1922. This is #1469 of 2000 copies, of which Slocum notes the disputed possiblity that a number were destroyed by the "censorship authorities" of the United States government. In blue wrappers with some loss to the backstrip and lacking one flap of the rear wrapper. Lacking the separate errata section. Slocum & Cahoon, 18. (Slocum & Cahoon, 18).

      [Bookseller: Black Swan Books, Inc.]
 22.   Check availability:     Biblio     Link/Print  


      Paris: de Brunoff, 1922. No. 30 OF 325 COPIES of the French edition, signed by the editor, Maurice de Brunoff n. Hardcover. 343 x 260 mm (13 1/2 x 10 1/4"). 194 pp., [1] leaf (colophon). Translated into French by W. Petroff. No. 30 OF 325 COPIES of the French edition, signed by the editor, Maurice de Brunoff. Pleasing contemporary red (publisher's deluxe?) pebble-grain morocco, upper cover with gilt lettering and calligraphic flourish, raised bands, spine panels with gilt sultana centerpiece, gilt titling, mustard yellow endpapers, edges untrimmed. In a modern marbled paper slipcase. With decorative engraved head- and tailpieces, 22 plates (with tissue guards), as called for, and more than 50 illustrations in the text. Two tiny nicks on back cover, one plate with light marginal foxing, otherwise only the most trivial imperfections; A VERY FINE COPY with especially clean and fresh leaves and in an unworn, lustrous binding. This is an attractively produced examination of the career of the great prima ballerina Anna Pavlova (1881-1931), who was at the height of her fame when it was published. Written by the leading St. Petersburg critic Valerian Svetloff, it begins with a background discussion of classical ballet, followed by accounts of Pavlova's classical training and performances in Imperial Russia, her breakthrough role in "Giselle" (which prompted her promotion to prima ballerina), and her work with her most important collaborator, the choreographer Michel Fokine. There is a brief autobiography by the dancer herself, and a listing of her repertoire of ballets and roles. The work is lavishly illustrated with photographs of the ballerina in various roles, among them her signature "Dying Swan," created for her by Fokine. There are also color illustrations of costumes and sets created by Leon Bakst and other noted designers. Pavlova was the first prima ballerina to form her own company and tour the world, and she became one of the first international superstars. This lavish production is testament to her fame and global appeal.

      [Bookseller: Phillip J. Pirages Fine Books and Mediev]
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        E. M. Lilien. Eine künstlerische Entwickelung um die Jahrhundertwende

      B. Harz,, Berlin-Wien 1922 - M. 1 signierten Originalradierung und 226 Abb. 4to. Schwarzer Orig.-Ganzledermaroquineinbd. m. Rücken- u. Deckelvergoldung. 260 S. Vor- u. Nachsatz minimal fleckig; schönes Exemplar der Vorzugsausgabe. Exemplar Nr. 102! von 100 nummerierten Exemplare der Vorzugsausgabe auf besseren Papier. Mit signierter Originalradierung "Beduine mit Kamel".

      [Bookseller: Magdeburger Antiquariat]
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        Sascha Morgenthaler sitzt im Sofa. Original Kohle-Zeichnung

      1922 - 1922. Bildgrösse: 54x37 cm. Unten links monogrammiert und datiert. In Glasrahmen 70x55 m. [Attributes: Signed Copy]

      [Bookseller: Biblion Antiquariat]
 25.   Check availability:     ZVAB     Link/Print  

        Porzellan von Strassburg und Frankenthal im achtzehnten Jahrhundert,

      Neustadt a. d. H., Pfälzische Verlagsanstalt Carl Liesenberg, 1922 - Mit farbigem Titelbild, 272 Abb. im Text und einer Markentafel, XV, 313 Seiten, Gutes Exemplar, lediglich vereinzelt Blätter lose. Die Nummer 11 des gesuchten Standardwerkes im Original. Innen Seidenbezug und Vorsätze Sprache: Deutsch 4°, heller OU, grünes OHldr im OSchuber [Attributes: Hard Cover]

      [Bookseller: Antiquariat Im Baldreit]
 26.   Check availability:     ZVAB     Link/Print  

        Meister der Politik. Eine weltgeschichtliche Reihe von Bildnissen / 3 Bände * G A N Z L E D E R - M e i s t e r e i n b a n d,

      Stuttgart / Berlin, Deutsche Verlags-Anstalt, 1922 - 1923. - Vollständige Ausgabe im original Verlags-Handeinband / Ganzfranzband (3 Bände, gebunden in feingenarbtes braunes Leder / Ganzleder / Ldr gr.8vo im Format 19 x 25,5 cm) mit dekoriertem Rückentitel in Goldprägung, Lederhäubchen, handgestochenem Kopfband, jeweils 5 erhabenen Bünden, Liniendekoration der Deckel in Handvergoldung und Kopfgoldschnitt. VI,(2),704; (8),657,(3); VI,(2),551, (1) Seiten, Schrift: Fraktur. - Aus dem Inhalt: Vorwort der Herausgeber - 44 Aufsätze von Willy Andreas (Richelieu), Franz Babinger (Sulejman), Erich Brandenburg (Karl V.), Arthur von Brauer (Bismarck), Erich Caspar (Gregor der Große; Bernhard von Clairvaux), Fritz Endres (Gambetta), Otto Franke (Li Hung-Tschang; Yuan Schi-kai), Matthias Gelzer (Caesar und Augustus), Walter Goetz (Papst Leo XIII.), Eberhard Gothein (Loyola), Johannes Haller (Gregor VII. und Innozenz III.), Karl Hampe (Karl der Große; Otto der Große; Friedrich Barbarossa und seine Nachfolger), Ernst Hohl (Perikles), Julius Kaerst (Alexander der Große), Georg Küntzel (Die drei großen Hohenzollern: Der Große Kurfürst; Friedrich Wilhelm I.; Friedrich der Große), Friedrich Luckwaldt (Jefferson; Lincoln), Erich Marcks (Philipp II.), Eduard Meyer (Hannibal und Scipio; König Darius I.), Oskar Meyer (Cromwell), Karl Alexander von Müller (Der ältere Pitt), Ernst Müsebeck (Freiherr vom Stein), Hermann Oncken (Lassalle), Ludwig Rieß (Fürst Ito), Hellmut Ritter (Muhammed), Felix Salomon (Gladstone), Wilhelm Schüßler (Prinz Eugen), Hans von Schubert (Calvin), Hans Schulz (Gustav Adolf), Eduard Schwartz (Constantin), Heinrich Ritter von Srbik (Metternich), Karl Stählin (Peter der Große), Richard Sternfeld (Cavour), Fritz Vigener (Karl IV.), Adalbert Wahl (Napoleon), Wilhelm Weber (Trajan und Hadrian) und Friedrich Wolters (Colbert). - "Warum handgebunden? - Die wesentlichsten Vorzüge des guten Handbandes sind: Die einzelnen Druckbögen werden mit der Hand nach dem Schriftspiegel gefalzt. Die Bogenränder werden dadurch zwar ungleich, aber das Satzbild steht gerade. Um infolge der ungleichen Ränder ein späteres zu starkes Beschneiden mit der Maschine zu vermeiden, werden die Bogen einzeln, vorne und unten, mit der Pappschere auf ein Mittelmaß rauh beschnitten. Dadurch wird der Druckrand weitestgehend geschont. Oben wird das Buch beschnitten und erhält nicht nur der Schönheit willen Goldschnitt, sondern diese feine Metallschicht schützt vielmehr die dem Lichte und Staub am meisten ausgesetzte Schnittfläche vor deren schädlichen Einflüssen. Als erste und letzte Lage wird dem Buche zum Schutze eine leere Papierlage hinzugefügt, welche mit einem feinen Leinen- oder echten Japanpapierfalz versehen ist. Geheftet wird der Handband nach sorgfältiger Auswahl des Heftzwirnes auf echten erhabenen oder aufgedrehten flachen Bünden und auf Pergamentriemchen (welche beim Pergamentbande durch den Rücken gezogen werden). Die Deckel werden in einem tiefen Falz angesetzt, mit den Bünden nach außen. Ein Herausreißen aus der Decke ist somit nur unter Zuhilfenahme von Werkzeug möglich. Als Einbandmaterial kommen sumachgares, lichtechtes Saffian, Kalbleder, vereinzelt auch Rindsleder, ferner naturelles und weißes Schweinsleder sowie Kalbspergament zur Verwendung. Ein mit der Hand hergestelltes, dazupassendes Überzugpapier sowie Handvergoldung oder Blinddruck am Rücken ergänzen das Werk nach außen. Ein solcher Einband entspricht allen Anforderungen, die an einen Gebrauchsband gestellt werden können." Aus einem alten Prospekt von Richard Hönn, ehemals Handbinderei des Verlages Albert Langen, Werkstatt für feine Buchbinder- und Lederarbeiten in München, Dienerstrasse 14.- Sammlung meisterhafter Kurzbiografien aus der Feder bedeutender deutscher Historiker; besonders hervorzuheben der Bismarck-Beitrag von Arthur von Breuer, hervorgegangen aus dessen mehrjährige persönlicher und dienstlicher Vertrautheit mit dem Fürsten. - Erstausgabe, EA, Auflage in sehr guter Erhaltung, gebunden von Meisterhand Sprache: Deutsch Gewicht in Gra [Attributes: First Edition; Soft Cover]

      [Bookseller: Galerie für gegenständliche Kunst]
 27.   Check availability:     ZVAB     Link/Print  

        The Meaning of Relativity.

      London: Methuen & Co. Ltd.,, 1922. Four Lectures Delivered at Princeton University, May, 1921. Octavo. Original orange-brown cloth, gilt lettered spine, blind lettered front cover. With four diagrams. Spine toned, a little shaken. First UK edition of this translation, first impression; originally published in the US in the same year. In 1921, five years after the appearance of his comprehensive paper on general relativity and twelve years before he left Europe permanently to join the Institute for Advanced Study, Albert Einstein visited Princeton University, where he delivered the Stafford Little Lectures for that year. These four lectures constituted an overview of his then controversial theory of relativity. The translation is by Edwin Plimpton Adams, Professor of Physics at Princeton.

      [Bookseller: Peter Harrington]
 28.   Check availability:     Biblio     Link/Print  

        Teatr i muzyka. Ezhenedel'nyi zhurnal zrelishchnykh iskusstv

      Moskva: Teatr i muzyka, 1922-23. First. Wrappers, 4to. Weekly periodical (Vishnevskii #540). An important NEP journal giving cultural events in the RSFSR (Russian Federation) at a time cultural events were not well documented. Subtitle varied. Early issues added the subtitle "Drama -Tanets-Grotesk". "Kino" was added to the subtitle after issue 9. The use of the word "Grotesk" is very unusual. The very first issue has the article "Vaktangov in the Theatre" by Gor'kii. The very last issue (no 37) has an article by Volkov on Meierkhol'd, "Path of a director". Present are 16 issues (of 30 published) and 23 numbers (of 37) published. (1922) issues 1-7, 8, 9, 10, 12, 13 (1923) issues 1-2(14-15), 3(16), 4(17), 6(19), 26, 28, 30, 32, 33, 37. The list of names on the editorial board included Natan Al'tman, the painter, Yu. Bakhrushin, N. Volkov , Maksimilian Voloshin, the poet, M. Gor'kii, the novelist, N. N. Evreinov ,the director, A. V. Lunacharskii, Osip Mandel'shtam, the poet, Vl. Nemirovich-Danchenko, the director, Boris Pil'niak, the prose writer, Iurii Slezkin, the prose writer, Ippolit Sokolov, the poet-critic, Kornei Chukovskii,the critic, Il'ia Erenburg, the prose writer and A.M. Efros ,the art historian and critic. Includes synopses of films. Very rare with no holdings in OCLC except microfilm. Good to very good. Last issue probably had a tipped photo on cover which is not present,. pp 187-88 torn in issue 10.

      [Bookseller: Alan Wofsy Fine Arts]
 29.   Check availability:     Biblio     Link/Print  

        Trembling of the Veil

      Privately Printed for Subscribers Only By T. Werner Laurie, Ltd., Great Britian 1922 - First edition limited, signed. This is copy # 501 0f 1,000. In very good condition. Handmade paper, bound tight. Pages are untrimmed and some are uncut at top edge. Boards show slight edge toning and free front and back edp pages show shadows from dust jacket flaps. Paper title label is clean and tightly attached. Dust jacket is in good+ condition. Shows some small edge chipping, spine has darkened as is title label. Now protected in a Brodart cover. Overall a very nice copy. 247 pages. Will send other pictures on request. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Wolfmueller's Books]
 30.   Check availability:     AbeBooks     Link/Print  

        Cecily Parsley's Nursery Rhymes.

      London: Frederick Warne and Co.,, [1922]. Small octavo. Recent red half morocco, titles and decoration to spine gilt, raised bands, original pictorial boards, original pictorial paper covered boards, original pictorial endpapers at front. With colour illustrations by the author. An excellent copy. First edition, first impression.

      [Bookseller: Peter Harrington]
 31.   Check availability:     Biblio     Link/Print  

        Poems of Shelley: An Anthology in Commemoration of the Poet's Death the 8th July 1822

      Thavies Inn: Richard Cobden-Sanderson, 1922. Inscribed by Cobden-Sanderson to his wife with her notes on rear endpaper.. First edition. 8vo, 252pp. Plain blue cloth covered boards with gilt lettering to spine. Very light edgewear. Moderate foxing. Pages untrimmed. A very good copy. Inscribed copy from T.J. Cobden-Sanderson to his wife, Annie: "To Annie / A First Copy / 30 June 1922 / T. J. Cobden-Sanderson / Lee Abbey Lynton." Annie Cobden-Sanderson was a founding member of the British Women's Freedom League. She was known for her advocacy of the role of working class women in the suffrage movement. Notes in what appears to be Annie's hand during her trip to the States on verso of rear endpaper: "A C-S Pasadena May 6 1926.

 32.   Check availability:     Biblio     Link/Print  

        Autograph musical quotation signed "Alexander Zemlinsky" and inscribed

      In black ink. Ca. 98 x 126 mm., laid down to white cardboard mount, overall size ca. 116 x 146 mm. Two measures from the Lyrische Symphonie, Op. 18, notated in treble clef on one hand-drawn staff. With autograph titling "Lyr. Symphonie." Slightly browned; creased at central fold and lower right corner; minor staining and smudging at upper edge, slightly affecting inscription; trimmed, with some wear to edges, not affecting text. . Zemlinsky composed the Lyrische Symphonie between 1922-1923. It was first performed in Prague on June 4, 1924 under the composer's direction and is his best-known work. An Austrian composer and conductor, "closely linked to the Second Viennese School (Schoenberg was his pupil), Zemlinsky was no outright revolutionary. While undisputedly a conductor of the first rank and an interpreter of integrity, he lacked ‘star qualityÂ’ and was overshadowed by more domineering personalities. His music is distinguished by an almost overpowering emotional intensity. It took several decades before it became known and began to be appreciated." Antony Beaumont in Grove Music Online.

      [Bookseller: J & J Lubrano Music Antiquarians LLC]
 33.   Check availability:     IOBABooks     Link/Print  

        Ganymed. Jahrbuch für die Kunst. 4. Band. Geleitet von Wilhelm Hausenstein.

      München, Piper & Co. (Verlag der Marees-Gesellschaft) 1922 - VII, 314 SS., 1 Bl. Mit einigen Textillustrationen, zahlreichen Lichtdrucktafeln und 6 Originalgraphiken. 4°. Rodenberg 318. - Jentsch 74. -Das vierte der Jahrbücher mit allen Originalgraphiken. Mit folgenden O.-Graphiken: Franz E. Hecht, Aus der legende des hl. Franz (Holzschnitt); Max Beckmann, Tanzende (Holzschnitt); Heinrich Campendonck, Die Bettler (Holzschnitt); Richard Seewald, Aus dem Campo santo (Holzschnitt); Felix Meseck, Landschaft mit Ziegen (Radierung) und Max Unold, In memoriam Rene Beeh (Holzschnitt). - Mit Textbeiträgen von Hermann Eßwein, Wilhelm Hausenstein, Rudolf Kaßner, Robert Musil u.a . - Einband etwas verstaubt und leicht berieben, Ecken bestoßen, vollständiges Exemplar. [Attributes: Hard Cover]

      [Bookseller: Antiquariat Andreas Moser]
 34.   Check availability:     AbeBooks     Link/Print  


      Ein Trauerspiel.Bln., Fr.Schneider [1922], 4°, grün.Or.-Saffianband m.VDeckel-, Rücken-u.Stehkantenverg.u.handumstoch.Kapitalen.(v.H.Sperling).87 S., Bandentw.u.8 (6 ganzs.) Or.-Radierungen v.Hugo Steiner-Prag.Rodenberg I,184; Schauer II,94.Auf Bütten in d.Fleischmann-Antiqua gedruckt in 200 num.Expl.Expl.Nr.1 der 25 Vorzugsexemplare, die ganzseitigen Graphiken mit Remarquen und wie der Druckvermerk v.Künstler signiert.Kanten u.Rücken d.empfindlichen Handeinbands leicht gebräunt bzw.berieben, Rückdeckel leicht fleckig, die den Graphiken gegenüberstehenden Seiten teils m.geringer Abklatschbräunung.

      [Bookseller: Antiquariaat DIE SCHMIEDE]
 35.   Check availability:     NVvA     Link/Print  

        Wilhelm Meisters theatralische Sendung. Berlin (1921). 4to. 352 S. Violetter Orig.-Maroquinbd. mit reicher Rückenvergoldung, Rückentiel u. Deckelfileten. (Signiert H. Fikentscher, Leipzig 1922).

      0 - Als Jahresgabe für die Mitglieder der Maximilian-Gesellschaft in 275 erschienen. Schönes Exemplar.

      [Bookseller: Antiquariat Schmidt & Günther]
 36.   Check availability:     ZVAB     Link/Print  


      London: "published for the Egoist Press, by John Rodker, Paris". 1922. "First English edition (printed in France), #1132 of 2000 copies on handmade paper (500 of which were reportedly seized and burned by U.S. Customs agents), large thick 8vo, pp. [6], 732, [1]; original front and back blue wrappers preserved, but without the 2 preliminary blanks and without the terminal blank; and bound in 20th-century quarter green niger, gilt lettered direct on spine, t.e.g., and contained in a new green cloth clamshell box. Laid in is the separately printed 8-page errata, as issued. Printed from the same plates as the original Paris edition. Slocum A18; see Connolly, Modern Movement, 42."

      [Bookseller: Rulon-Miller Books]
 37.   Check availability:     Biblio     Link/Print  


      Berlin: Verlag Der Sturm, 1922 - 4° - 16pp (125-140) - ONE color tipped-in Plate (M. Larionoff ) and 1 Woodcut by Kurt Schwitters, 2 Lino-cuts by L. Moholy-Nagy and 1 Lino-cut by Hans Mattis-Teutsch. Der Sturm 13th Year N° 9 - September 1922. Kurt Schwitters "Blumen". First edition, text in German language. Original wrappers (L. Moholy-Nagy). In Very good condition [Attributes: First Edition; Soft Cover]

      [Bookseller: °ART...on paper - 20th Century Art Books]
 38.   Check availability:     IberLibro     Link/Print  

        Ausführliches Handbuch der Photographie. Bd. 1/1, 1/2, Bd. 2/1 - 2/4, Bd. 3/1 - 3/3, Bd. 4/1, 4/3, 4/4 + Beilagen: (1) "J. M. Eder: Rezepte und Tabellen für Photographie und Reproduktionstechnik (1921), 8° " & (2) "J. M. Eder / E. Valenta: Atlas typischer Spektren (1911), Folio"

      Halle / Verlag Wilhelm Knapp 1922 - 1922 ff. 12 Bde.+ Beilagen (2 Bde.). OHLn bzw. OLn. Mit zahlr. Abbildungen. Es fehlen Bd. 3/4 & Bd. 4/2. - Einbände gebrauchsspurig, vereinzelt fleckig, Kanten teilweise minimal berieben, sonst guter bis sehr guter Zustand! - Beilage (1) "Rezepte & Tabellen": Rücken stärker berieben, Einband teilweise fleckig; Beilage (2) "Atlas typischer Spektren": ehem. Biblio.-Exemplar, Einband mit Bereibungen, Biblio.-Rückenetikett & Beschriftung, Innendeckel, Titel- u. Vorsatzblätter mit Besitzvermerk durch Biblio.-Stempel. 2200 Gramm. [Attributes: Hard Cover]

      [Bookseller: Eugen Küpper]
 39.   Check availability:     IberLibro     Link/Print  

        The Enormous Room

      New York: Boni and Liveright,, 1922. Octavo. Original tan cloth, spine and front board lettered in black. With the dust jacket. Lower outer corner of front board lightly bumped. An excellent copy in the dust jacket chipped along the top and bottom edges and tape-repaired along verso of the torn joints. First edition, first printing, first issue with the unexpurgated expletive on page 219, of the author's first published book, an account of his time as a prisoner in the First World War. Rare in this condition.

      [Bookseller: Peter Harrington]
 40.   Check availability:     Biblio     Link/Print  

        [Musique / Curiosa / Médecine] Important dossier, essentiellement manuscrit, sur les chansons françaises : chansons de salles de garde, chansons pour le bal de l'internat de 1922 et chansons populaires

      1922. Manuscrit. Bon. En Feuilles. Signé par l'auteur. In-4. A) Fort dossier concernant la préparation du bal de l'internat de 1922, dont Pichon semble s'être particulièrement chargé : musique notée et/ou texte manuscrit des chansons des différents hôpitaux parisiens (par des mains multiples), lettres autographes de certains des internes en charge de l'organisation des différents cortèges, une lettre autographe signée de Raoul Kourilsky à propos de la mise en musique de la chanson de Pichon, notes autographes pour la préparation du cortège, imprimés divers, etc. ; B) un dossier intitulé "diverses miennes chansons médicales" comportant des chansons composées par Pichon (l'une avec Coty) : les chansons sont souvent longues, parfois à l'état de brouillon (21 pp. in-4 et 9 pp. in-8 ou in-12) ; C) un dossier intitulé "service Quénu 1910/11" : une longue suite de chansons écrites à plusieurs mains sur le service du professeur Edouard Quénu (hôpital Cochin) (28 pp. in-4 dont 1 1/2 pp. de la main de Pichon, 1 dessin signé Détourbe), à la suite : 3 ff. de chansons notées par Pichon ; D) 4 dossiers de chansons notées ou écrites par Pichon dans les différents hôpitaux qu'il a fréquentés : Salpêtrière, Trousseau, Tenon, Enfans malades (une quarantaine de pages in-4 à in-12) ; E) chansons écrites par Pichon ou certains de ses amis (certaines signées Coty ou Raoul Chapelain) : une trentaine de pages in-4 à in-12 auxquelles on joint un ensemble de poèmes non paillards composés en l'honneur de Pichon par ses amis (certaines signatures illisibles, certains non signés) ; F) un ensemble de chansons populaires notées par Pichon, Jacques Damourette ou Hélène Pichon ainsi que des cahiers concernant les proverbes (environ 80 pp. grand in-4 à in-8) ; G) divers documents dont le menu des Enfans malades de 1924 illustré par Bonamy et plusieurs portraits de Pichon à la mine de plomb dont deux signés Pazzi. Personnage d'une grande richesse, d'une infinie curiosité et très complexe, Edouard Pichon est un contemporain et - par son intérêt pour le langage - un précurseur de Lacan, qui lui reprendra - entre autres - le concept de forclusion. Il est l'un des membres fondateurs du groupe de L'Evolution psychiatrique et de la Société Psychanalytique de Paris (dont il fut président de 1935 à 1937). Avec son oncle Jacques Damourette, il est l'auteur d'un monumental Essai de Grammaire française dont la publication s'étala sur près de 30 ans. Il fut également fervent maurrassien tout en étant dreyfusard, et le gendre de Pierre Janet sans être janetien. (Voir à son sujet, E. Roudinesco, Histoire de la psychanalyse en France, t. 1, pp. 297-320). Nota : ce document ne pourra être exporté en dehors de l'Union Européenne sans autorisation préalable du ministère de la Culture, formalité pouvant prendre plusieurs jours..

      [Bookseller: Des livres autour (Julien Mannoni)]
 41.   Check availability:     Biblio     Link/Print  

        contributes his poem 'Storm Ending' and a short vignette 'Nora' (subsequently re-titled 'Calling Jesus'), both of which were subsequently incorporated into his classic Harlem Renaissance novel 'Cane', to an issue of the periodical The Double Dealer

      The Double Dealer. Vol. IV, No. 21, September, 1922, Soft cover, Book Condition: Very Good, 1st Edition. 4to. Card wrappers, marred only by a touch or two of tiny miscellaneous blemishing and some light creasing to the top right-hand corner, impacting all leaves. A short staple-tear to the first leaf. Loose promotional inserts laid-in. A very good copy of a most uncommon periodical, this issue marks not only Toomer's first appearance in print, but also Thornton Wilder's (writing hear as Thornton N.Wilder, and contributing his short two-part vignette 'Sentences'), plus additional contributions from Edmund Wilson, Arthur Symons, Edward Sapir &c. 'The Double Dealer' was born in response to a 1917 essay by H.L.Mencken in which the author criticized the South for its lack of fine culture. Founded by Julius Weiss Friend, Basil Thompson, Albert Goldstein and John McClure, the New Orleans-based 'Double Dealer' published some of the very first print appearances of both Faulkner and Hemingway, and is also noted for publishing uncharacteristically high numbers of African-American and female writers. It ran monthly from January 1921 through May 1923, with irregular publications between November 1923 and May 1926, with a circulation of approximately 1,500 copies.

      [Bookseller: Clearwater Books]
 42.   Check availability:     Bookzangle     Link/Print  


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