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Displayed below are some selected recent viaLibri matches for books published in 1922

        Der Tod des Löwen. Mit 12 signierten Radierungen von Hugo Steiner-Prag.

      Leipzig - Prag, Verlag der K. Andreschen Buchhandlung, 1922,. 174(2) S., OHalb-Ledereinband auf 5 Bünden mit Goldprägung auf dem Vorderdeckel, vergoldete Rückenverzierung, Kopf-Goldschnitt, Büttendruck. Mit radierter Titelvignette und 10 ganzseitigen, handsignierten Originalradierungen ohne Remarquen von Steiner-Prag. Es gab mehrere Vorzugsausgaben. Aus dem Impressum: \"von diesem Werke erschien eine einmalige numerierte Ausgabe von 400 Exemplaren. Dreihundert Stücke druckte die Offizin von Poeschel & Trepte in Leipzig, die Radierungen die Kupferdruckerei D.Felsing in Leipzig, die Bindung besorgte die Leipziger Buchbinderei A-G vorm. Gustav Fritsche. Die Nummern der Ausgabe A (1-145) enthalten die vom Künstler handschriftlich unterzeichneten Radierungen mit Remarquen, und sind mit der Hand in Ganzleder gebunden....Die Nummern der Ausgabe B (146-200) haben handschriftlich unterzeichnete Radierungen ohne Remarquen, die Nummern der Ausgabe C (201-295) sind einmalig vom Künstler signiert. die Ausgaben B und C sind in Halbleder gebunden.\" Vorliegend das maschninell nummerierte Exemplar Nr 165 der Ausgabe B ohne die Remarquen. Der Einband an den Kanten berieben. Insgesamt ein gutes Exemplar. Selten. Rare. Fine limited copy with handsigned etchings. Das Foto zeigt den Vordeckel. Versand D: 5,00 EUR Originalgraphik, Graphik, Handpressendruck, Steiner-Prag, Prag, Berlin, limited

      [Bookseller: AS - Antiquariat Schröter]
 1.   Check availability:     buchfreund.de     Link/Print  


        Die Aktion. XII. Jahrgang. Heft 39/40. 15. Oktober 1922

      Die Aktion, Berlin-Wilmersdorf 1922 - With Frans Masereel's woodcut on title. First edition. (3 pages), 551-576 columns. Title illustration by Frans Masereel on Franz Pfemfert's revolutionary, expressionist, leftist literary and political magazine, Die Aktion. Paper yellowed due to ageing. Some light stains on title and first leave. Artistically restored at spine. Overall in fine condition. [Attributes: First Edition]

      [Bookseller: Földvári Books]
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        Mozarts Faschingsoper. (Die künstlerische Ausstattung dieses Werkes stammt von Franz von Bayros in Wien. Es wurde in einer einmaligen Auflage von 1150 numerierte Exemplaren durch die Offizin W. Drugulin hergestellt. Die photo-lithographischen Vollbilder in zehnfarbigem Offsetdruck druckte die Graphische Kunstanstalt von Meißner & Buch. Das Papier lieferte Berthold Siegismund. Den Einband fertigte die Großbuchbinderei von E. A. Enders. Sämtliche Firmen in Leipzig. 50 Exemplare (in Ganzleder) wurden auf echtem van Geldern-Bütten, 100 Exemplare (in Halbleder) auf imitiert Japanpapier, die Bilder für diese beiden Ausgaben auf echt Kaiserlich Japanpapier abgezogen und vom Autor und Künstler signiert. Dieses Exemplar trägt die Nummer 48. Signatur von Bartsch im Impressum. Alle 6 Farbtafeln sind unten rechts von Bayros mit Bleistift zart signiert.

      Leipzig, L. Staackmann, 1922 166 S., Textillustrationen und 6 farbige Tafeln, Gr.8° goldgeprägtes Orig.- Leder Rücken minimal aufgehellt, minimal angekratzt/berieben, die Deckel ganz minimal berieben und lichtrandig; innen tadellos, insgesamt gut bis sehr gut erhalten. Versand D: 3,00 EUR Bibliophilie, limitierte Auflagen; signierte Bücher.

      [Bookseller: Versandantiquariat Daras]
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        Soldat im Prager Korps.

      Leipzig und Prag, Verlag der K. Andréschen Buchhandlung, 1922.. 316 S., 1 Bl. Orig.-HLdr. Erste Ausgabe. - Nr. 9 von 100 Exemplaren der Vorzugsausgabe, im Impressum von Egon Erwin Kisch signiert. - Gering berieben. Tls. leicht braunfleckig.

      [Bookseller: Antiquariat Turszynski]
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        The autograph album of Marie Garlicks, wife of Frank Garlicks (1869-1952), treasurer of the Metropolitan Opera from 1916-41, containing over 50 signed autograph inscriptions of Metropolitan Opera singers from the period ca. 1922-29, many quite scarce

      - Small oblong quarto, 103 x 150 mm. Black textured cloth with floral motif blindstamped to upper. With inscriptions and/or signatures of:Beniamino GigliNanny Larsen-TodsenLucrezia Bory Delia ReinhardtGustav SchützendorfAngelo BadaGouache drawing of a sailing ship signed Francis W. Bancroft, April 26, 1922 (probably related to Louise Bancroft, Frank Garlick's sister)Virginia A. MacyVincenzo BellezzaGeorge MeaderOrville Harrold Roberto Moranzoni (conductor)Antonio ScottiFeodor ChaliapinGiuseppe De LuccaEdward Siedle (technical director at the Met)Marion Talley (youngest primadonna to have debuted at the Met)Giovanni MartinelliJulia ClaussenArtur Bodanzky (conductor)Tullio Serafin (conductor), with autograph musical quotation from Verdi's FalstaffJosé MardonesMaria JeritzaMichael BohnenCarl SchlegelMarion WeedLéon RothierFrancis PeraltaJeanne GordonBerta MorenaCurt TaucherLawrence TibbettRosa PonselleMaria MüllerElisabeth RethbergEzio PinzaEdward JohnsonLouis Hasselmans (conductor)Marie MattfeldMarie SundeliusMarion TelvaFlorence EastonFrancis AldaMario ChamleeFriedrich SchnorrAdamo DidurRudolf LaubenthalPaul Bender, including a self-caricatureClarence WhitehillTito RuffoWalter KirchhoffGennaro Papi (conductor)Morgan KingstonAmelita Galli-Curci[?]Marianne FlahautFlora PeriniRyamonde DelaunoisBarbara KemopRafaelo DiazKarin BrnzellGiacomo Lauri-Volpi. [Attributes: Signed Copy; Hard Cover]

      [Bookseller: J & J LUBRANO MUSIC ANTIQUARIANS LLC]
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        Die Streiche des Herrn Sassaparilla. Mit Illustrationen von Axel Leskoschek.

      Wien, Verlag der Wiener Graphischen Werkstätten, 1922 - 109(3) Seiten, Druck in rot-schwarz, 10 ganzseitige Holzschnitt-Illustrationen von Axel Leskoschek jeweils zu Beginn eines Kapitels. Leskoschek schuf auch die Initialen und die Titelzeichnung. Druck: Offizin der Waldheim-Eberle A.G. in Wien. Auflage: 300 nummerierte und vom Dichter und Künstler signierte Exemplare. Vorliegend Nummer 111. Darunter die beiden Signaturen. Gutes Exemplar. Limited copy, signed by the author and the illustrator. Good copy. Sprache: Deutsch Gewicht in Gramm: 1000 ca 35 x 25 cm (HxB), bedruckter Ganz-Leineneinband mit Pergaminumschlag in OSchuber, [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Uta-Janine Störmer]
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        Jahrbuch der jungen Kunst 1922.

      Klinkhardt & Biermann, Leipzig 1922 - Leipzig, Klinkhardt & Biermann, 1922. 4°. 4 Bl., 326 S., (16) S. Anz. Mit vielen s/w. Abb. und 7 Originalgraphiken. OHLn. mit Linoleumschnitt. Exemplar der Normalausgabe mit 3 Originallithographien von Max Beckmann "Liebespaar", Wilhelm Kohlhoff "Der Reiter", Berhard Kretzschmar "Der Schöne Sonntag", mit 3Originalholzschnitte von F.M. Jansen "Zeitgenossen", Robert Kohl (ohne Titel, [Paar mit Kind und Fuhrwerk]), Walter Teutsch "Schäferszene" und 1 Linoleumschnitt von Georg Mathéy auf dem Einband. - (Rücken und Vorsätze fachgerecht erneuert). - Sauberes Exemplar. Sprache: Deutsch [Attributes: Hard Cover]

      [Bookseller: Biblion Antiquariat]
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        Die Volkstrachten der Schweiz : 1. Innerschweiz; 2. Ostschweiz; 3. von Bern, Freiburg und Wallis; 4. von Zürich, Schaffhausen, Graubünden und Tessin; 5. der Mittel- und Westschweiz.

      Erlenbach-Zürich, Eugen Rentsch Verlag 1922?1932. - 5 Bände (cpl.). 4°. Reich illustriert mit Illustrationen u. zwischengeschalteten (Farb-) Tfn., zahlreiche fotogr. s/w-Abbn. a. Tafeln in den Anhängen. Bde. 1?4 mit sep. Schnittmusterbogen in hinterer Deckelschlaufe (so cpl.). OLn. (dunkelblau, lamin., mit transparenter Bibliotheksfolie) mit vergold. (R-) Titel u. unterschiedl. Deckelsujets. Leichtere Alters- u. Lagerungs-, wenig eigentliche Gebrauchsspuren, Bibliotheksetiketten a. Vorsätzen, Bibliotheksstempel mit hs. Vermerk ?Verkauft? a. Vortiteln. Gesamthaft bemerkenswert saubere, recht gute Serie. Standardwerk mit reichhaltigem dokumentarischem Bildmaterial. ? Total 688 Seiten (Text), 61 farbige, 71 einfarbige, 982 sonstige Abbildungen (Verlagsangaben in: 70 Jahre Rentsch Verlag 1910?1980. Erlenbach-Zürich und Konstanz 1981, p. 114). ? Band 5 von 1932 war ohne Schnittmusterbogen erschienen. ?? Julie Heierli (1859 San Francisco 1859?1938 während Ferienaufenthalt im Schwarzwald), ref., von Zürich. Als Autodidaktin begründete Heierli auf Grund von Feldforschungen die wissenschaftliche Erschliessung und Erforschung der schweizerischen Trachten. Sie gründete die Trachtensammlung des Schweiz. Landesmuseums mit und beriet verschiedene Museen zu deren Sammlungen. 1897 publizierte sie nach Aufnahmen des Trachtenfests, das der Lesezirkel Hottingen 1896 in Zürich veranstaltet hatte, ?Die Schweizer-Trachten vom 17.-19. Jahrhundert nach Originalen? Es folgten wissenschaftliche Artikel, und 1922?1932 veröffentlichte sie ihr fünfbändiges Hauptwerk ?Die Volkstrachten der Schweiz?, bis heute die umfassendste und historisch fundierteste Arbeit zum Thema. Mit ihren rein historisch begründeten Vorschlägen zur Erneuerung der Trachten wirkte Heierli dem folkloristischen Aspekt der neuen Trachtenbewegung entgegen. (U. Karbacher, in: HLS). ?? NETTOGEWICHT 5.3 kg Sprache: de [Attributes: Hard Cover]

      [Bookseller: Franz Kühne Antiquariat und Kunsthandel]
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        HAMLET PRINCE OF DENMARK

      London: Selwyn & Blount Ltd, 1922. First edition. Trifling wear to spine ends, but fine with remnant of dust jacket laid in. First edition. Quarto. 175p. Illustrated throughout by John Austen with full-page plates and vignettes. Bound in original gilt-titled parchment spine over black boards with decorations in gilt and turquoise, illustrated endpapers. In our estimation John Austen's best work.

      [Bookseller: First Folio]
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        Babbitt

      Harcourt, Brace and Company, 1922 A very good first edition, first issue (Purdy on page 49), in a good dust jacket with a 3 inch split and scratch on the spine of the jacket. Previous owner's name written on front paste-down. Housed in a custom-made collector's slipcase.. 1st Edition. Hardcover. Very Good/Good.

      [Bookseller: Bookbid Rare Books]
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        Lettera autografa inviata da Giacomo Puccini all'amico Angelo Magrini, non datata ma con timbro postale 21 dicembre 1922.

      - Lettera autografa ad inchiostro in formato cm.24,8x15,1, compilata solo al recto su 23 righe, su carta intestata "Via Verdi, 4 - Milano" in chiara grafia. ". Al verso indicazione del destinatario e indirizzo (Viale Carducci - Viareggio), con tre francobolli e relativa affrancatura. Missiva di interesse musicale, in cui il musicista parla di una prossima esecuzione della sua "Manon Lescaut" alla Scala di Milano, in programma appunto il 26 novembre 1922: "Caro Angiolino, La prima di "Manon" sarà il 26. Verrà? L'avrei caro ci fosse. Spero sarà molto bene, e difficilmente si sentirà un'esecuzione come questa alla Scala". Puccini ragguaglia poi l'amico sulle sue condizioni di salute ("Io sto meglio ma non ancora del tutto bene, qui piove e nebbia fitta, niente freddo"). A conferma dei rapporti di amicizia tra i due, il Maestro chiede a Magrini di porgere saluti e auguri a Elvira e Tonio, la moglie e il figlio, che evidentemente erano rimasti a Viareggio nell'abitazione di Via Foscolo senza seguire il musicista a Milano. Al verso, sempre di mano di Puccini, è aggiunta la notazione "saluti a Cecco". Pur dandosi ancora del "lei", Angelo Magrini fu grande amico di Puccini soprattutto negli ultimi anni di vita del compositore. Membro, con i vari Pagni, Marotti, Panichelli e Paladini" del "Club Gianni Schicchi", fondato in ricordo dei fasti di gioventù del "Club La Bohème", Magrini, di buone condizioni economiche, possedeva una casa a Cutigliano, ove Puccini ogni tanto soggiornava. Fu lui ad accompagnare il Maestro nel lungo tour europeo nell'estate del 1922, ancora in auto a Vienna nel maggio del '23, e soprattutto ad essere presente a Bruxelles al momento del decesso. 50 gr.

      [Bookseller: studio bibliografico pera s.a.s.]
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        TABLEAU DE LA BOXE

      1922 . (Segonzac, Andre Dunoyer de)illus. TABLEAU DE LA BOXE by Tristan Bernard. Editions de la Nouvelle Revue Francais, Tableaux Contemporains No. 2, Paris, 1922. 8vo. (9 1/2 x 7 1/2 in., From the regular, numbered edition of 318 copies (there were an additional 15 special copies). 212pp., with 29 etchings, 9 on full sheets, 20 in text. Attractively rebound in 1/2 leather over pictorial boards, with the original wraps bound-in. Light foxing, mostly in margins, not affecting images.

      [Bookseller: A FINE THING: Edward T. Pollack Fine Art]
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        The Fire Bird

      Garden City, NY: Doubleday Page, 1922 First edition. One of Porter's scarcest books, in fine condition. In a very good ORIGINAL DUST JACKET, with minor wear to spine ends and a 1" triangular chip from the top front hinge. A spectacular copy, very scarce in dust jacket..

      [Bookseller: March Hare Books]
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        Babbitt

      New York Harcourt, Brace 1922 First Printing (no further printings noted), Second Issue, with 'Lyte' for 'Purdy' and 'any' for 'my' p. 49 (only 9500 copies of the first issue were printed before those two corrections were made). Thick 8vo: [6],401,[7]pp. Publisher's royal blue cloth, upper cover and spine lettered in blue (negative of orange title blocks) and orange; cream-colored dust jacket printed in French blue and black. Fine (very lightly read, if at all), with neat presentation inscription dated 1922 on first front blank; in a lightly restored example of the "absurdly fragile" (Pastore) jacket that presents as just about Fine, with a hint of fading to the spine and the flap folds dust-soiled. Pastore, pp. 67-73. Johnson, High Spots, pp. 50-51. Fine

      [Bookseller: Fine Editions Ltd.]
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        Beautiful and Damned, The

      New York Charles Scribner's Sons 1922 True First Printing (without the publisher's seal on the copyright page or the concluding advertisements on pp. 451-452 of later printings) of the author's second novel. 8vo; [10], 449, [1]pp. Publisher's dark blue-green linen-like cloth, the spine lettered gilt, the upper cover blind-stamped with the title and author, the fore-edge untrimmed. A just about Fine copy (lacking the dust jacket), save for offsetting to the end papers and faintly discernible pencil erasures to the front fly leaf. Bruccoli A8.1.a Fine-

      [Bookseller: Fine Editions Ltd.]
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        The Waste Land

      New York Boni & Liveright 1922 [1923?] Number 369 (stamped in type 2-mm high, per Gallup A6b) of the second impression limited to just 1000 copies. (Though stated as the "second edition" on the colophon page, this second impression of 1000 copies was printed from the same setting of type as the first printing and is more accurately termed, as listed in Gallup, the "second impression.") With the incorrect 'mount in,' line 339, p. 41. Slim octavo; 64pp. Publisher's stiff black cloth, the spine and upper cover lettered in gilt, all edges deckled; in the original salmon-pink dust jacket printed in black. Near Fine, clean and complete, the gilt lettering still bright, with minor bumping to the spine ends; flawed by dark offsetting from paper laid in between the rear end papers and between pp. 38-39 and light chipping to the top of the half title and title pages where the uncut pages were opened carelessly; otherwise a bright, unmarred, very lightly read copy with no names, bookplates, or writing. The jacket is Near Fine or better without restoration, the front and back panel clean and complete—indeed Fine—but the spine darkened with trivial rubbing to the ends and a small sliver of loss mid-spine, not affecting any lettering. Overall, a remarkable, highly collectible copy of likely the century's most important poetic work. Near Fine

      [Bookseller: Fine Editions Ltd.]
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        Die Meistersinger von Nürnberg. Facsimile of the autograph musical manuscript full score

      Munich: Drei Masken Verlag, 1922. A limited edition, this number 3 of of 530 copies. Die Meistersinger von Nürnberg was first performed at the Königliches Hof- und Nationaltheater in Munich on June 21, 1868, to a libretto by the composer. "The only comedy among Wagner';s mature works, Die Meistersinger is a rich, perceptive music drama widely admired for its warm humanity... Its genial aspect is immensely enhanced by the technical mastery displayed by Wagner at the height of his powers." Barry Millington in Grove Music Online.. Folio. Newly bound in quarter dark green calf with matching boards, dark brown morocco title label with spine in decorative compartments gilt. 1f. (facsimile title), 462 pp. + 1f. (colophon). A near-fine copy.

      [Bookseller: J & J Lubrano Music Antiquarians LLC]
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        Babbitt

      McLeod, 1922 First edition, first printing, first state, with "Supposing Purdy and I" and "to ruin my fellow human" to page 49.Book Condition: As New. 1st Edition. The book looks like new, unread and clean. Edges are sharp and fine. No tears or creases. No stain, writing or reminder marks. The binding is straight and tight. The book itself is very nice.SHIPPING WITHIN CANADA $13 DOLLARS US FUNDSPriority and International orders will require additional postage.More Information | Ask Bookseller

      [Bookseller: peterfryersales]
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        The Innocents Abroad or The New Pilgrim's Progress (The Writings Of Mark Twain)

      New York: Gabriel Wells, 1922. Definitive Edition. These two volumes of the first two volumes of the 37 volume set of the Definitive Edition of The Writings of Mark Twain are in very near fine condition in 3/4 dark brown leather and brown cloth covered boards with four raised bands on the spines with gilt text and tool work in the compartments. The leather on the boards is outlined with gilt borders. In addition to making minor repairs to the leather and cloth edges a professional binder reinforced the joints on both volumes with Japanese tissue colored perfectly to match the color of the leather on the spines. The leather at the heads of the spines is worn down to the edge of the text blocks; and, a small section of the title to volume I has been replaced and stamped in gilt. Both volumes are contained within a handsome, cloth lined and leather covered slip case. Volume I is signed by the author using both his real name and his nom de plume. The facing page states that the page was signed by Mark Twain in 1906 in anticipation of the publication of this definitive collection. Additionally, volume I is identified as being part of set number 30 of only 1,024 sets printed. Volume I contains 311 pages of text and is illustrated with a frontispiece portrait of Twain and four engravings with titled tissue guards. Volume II contains 409 pages of text and is illustrated with a frontispiece engraving and four other engraved plates with titled tissue guards. Neither volume contains any prior ownership names, markings, book plates or marginalia. (BAL, 3691)

      [Bookseller: Town's End Books]
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        Babbitt

      Harcourt, Brace & Co, New York; (1922) - Octavo. First Issue with points on p. 49. The story of a man, his family and his one great friendship. He is a person, much like ourselves but something surprising and dramatic happens to George Babbitt?401pp., (6)pp. publisher's ads. bound in dark blue cloth lettered and blocked in orange, some soiling to covers. A good copy in clipped dust jacket with chipping to spine ends and crease of front flap, old tape mends to underside of jacket. [Attributes: First Edition]

      [Bookseller: Alcuin Books, ABAA]
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        Die Bücher der Bibel. Nach d. Übersetzung v. (Eduard Wilhelm Eugen) Reuss. 3 Bde. (1, 6, 7; alles Erschienene). Die Lehrdichtung - Die Liederdichtung - Überlieferung und Gesetz.

      Bln.-Wien, B. Harz (1922). gr.-8°, 304, 328, 552 S. mit je 1 Serien-, 1 Doppeltitel u. zahlr. Illustr. v. Ephraim Mose LILIEN. OHLdr. mit Rückengoldpräg. Bei Bd. 6 Rü. u. Kanten berieben, Ecken bestoßen. Insgesamt gutes Exemplar in der seltenen Orig.-Halblederbindung. Krieg, MNE I, 113; Hofstätter, Jugendstil-Druckkunst 144; Jüd.Lex. III,1113.- Nachdruck der Ausgabe 1908-12. Versand D: 15,00 EUR Judaica, Jugendstil, Bibel, Illustrierte Bücher

      [Bookseller: Antiquariat Löcker]
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        Canti malvagi

      1922 - Casa Ed. «La Fiaccola» (stampa: Tip. Di Stefano), pp. 63 [1], 1 c. patinata f.t. con ritratto dell'autore. Rara prima edizione. Raffinatissima plaquette poetica. «[ ] il volume di poesie 'Canti malvagi' alterna poesie futuriste di gusto sadico (nettamente ispirate a Soffici e Papini) a composizioni hai-kai di ascendenza giapponese, visibile anche nella copertina di Cottone, ricalcata da una celebre incisione del maestro Hokusai, sintetizzata nei versi de Il supplizio squisito [ ] futurismo rurale del Maciariello [ ]» (D'Ambrosio, Marinetti e il futurismo a Napoli, p. 119). Il libro occupa una parte di rilievo nel volume di Giuseppe Tardiola Il vampiro nella letteratura italiana (cfr. p. 63 e passim). Cammarota, 288.2. Minimi difetti al dorso, nel complesso bell'esemplare pregiato da invio autografo dell'autore al piatto anteriore «A Elpidio Jenco». [Attributes: First Edition; Signed Copy; Soft Cover]

      [Bookseller: Libreria Antiquaria Pontremoli]
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        OPERA OMNIA curata postuma da BENITO MUSSOLINI - 30 VOLUMI collezione completa di TUTTO IL PUBBLICATO nella tiratura speciale di lusso, Bologna 1922 - 1933, Cappelli Licinio, 1922

      15,5 x 22,5, rlegatura elegante editoriale cartonata telata marrone. titoli in oro sui dorsi (con sequenza dei volumi I - XXX) . Ognuno di pagine 200 - 300 E' da considerare che si tratta di una edizione numerata e non facile da reperire completa con le legature tutte eguali ed uniformi. Si tratta di tutta l'opera DEGLI SCRITTI E SAGGI di ALFREDO ORIANI, considerato il "precursore" del FASCISMO specialmente con la RIVOLTA IDEALE in cui, con toni Nietzeschiani, si auspica l'avvento di un leader carismatico che possa risollevare i destini italiani. A richiesta possiamo inviare elenco dei titoli. Sul sito www.ferraguti.it è disponibile una bella foto dell'insieme per evidenziare lo stato pressochè perfetto e l'eleganza. La collezione dei 30 volumi viene offerta a

      [Bookseller: Libreria e Rivisteria Ferraguti]
 23.   Check availability:     maremagnum.com     Link/Print  


        Planta Parcial da cidade do Rio de Janeiro edithdh por Soria & Boffoni.

      Artist: Sorria & Boffoni Rio de Janeiro; Issued in: Rio de Janeiro; date: d 1922 - Artist: Sorria & Boffoni, Rio de Janeiro; Issued in: Rio de Janeiro; date: d 1922; - Condition: Very good, foldet; Map depicts the city of Rio de Janeiro. This highly decorative map, designed in contemporary Art Nouveau style, depicts Rio de Janeiro a splendit time in the city«s history, when it came into its own of the world«s greatest tourist and cultural centers.The map folds into a fascinating book that details the highlights of the city entitled: Guida da Citade do Rio de Janeiro, Condentdo muitas uteis, os principaes e vias de communicacoes indidpensaveis ( 66 pages)

      [Bookseller: Antique Sommer KG]
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        One of Ours

      New York: Alfred A. Knopf, 1922 - First Edition; one of 35 numbered copies on Imperial Japan Vellum, signed by Cather on the colophon page. Minor spotting, else fine in a custom clamshell box. [Attributes: First Edition; Signed Copy]

      [Bookseller: Peter L. Stern & Co., Inc., A.B.A.A.]
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        Group of Love Letters to Flora Temple Lash, whom he married, with sketches and related ephemera

      No Binding. Very Good. 20 letters, 59 pages, several letters illustrated with sketches, letters dated 1922-1941, the bulk from 1923-1924, with 9 pencil and pen sketches, 17 printed and manuscript ephemeral items, including: exhibition lists, catalogs and price lists, Christmas cards designed and printed by the artist, the ephemera dates from 1912-1941, with nine snapshot photographs, plus accompanying negatives. Collection of love letters from Albert Sterner, an academically trained artist, painter, draughtsman and print-maker, who as an older married man, at the age of 60, seems to have fallen hard for the younger Flora Temple Lash. Sterner divorced his first wife and later married Flora. The letters discuss Sterner's artistic life and his relationship with Flora. [March 14, 1923] New York, to Flora Temple Lash, Philadelphia "Darling! If ever in my life I did what I longed not to do it was then when the door closed last night and I left you. I crossed the wet street and looked up at your windows but you were busy - undressing - going in your little bed where but a moment before you had lain beside me. It was heavenly sweet that quiet embrace - It was so close so dear so deep - The silences of it are still in my memory! I got a lower berth on the 1215 and went to bed and stayed there till 7 this morning I slept fitfully - had breakfast at the Pennsylvania Station and got here long before Norah arrived. I have been working on and off at the etching scraping out a large place - it is arduous the cutting of the copper - So I am not sending you a proof till the thing is corrected - and Jules just came with another photograph of your drawing - but it is worse than the other so tomorrow he will do it again. ." [October 1, 1923] New York, to Flora Temple Lash, Philadelphia "Dear Love! I have thought of you all through this day - Now it is night - and I long for you so I might kiss your dear eyes and just hear your lovely voice say "Albert" No one says it like you do, no one! Even over the phone when you are many miles away it bears me to your love - and I love it. I had dinner alone at the Arts Club, for the Players Kitchen is out of commission and we go next door and eat among the old ladies - they are all old ladies there men and women - This morning I printed a beautiful proof from my plate 'the mask' or 'Now Unmask' which title do you prefer. It is really a beautiful proof. I am more & more mad about etching and I find out more wonderful things about it every hour. It is much more precious than lithography and much more difficult and longer to make and so one loves it more. It is more uncertain too and has more mystery. I want you to see this proof, so if you don't come to New York at the end of the week I will bring it to show you and will try to print from your plate reading too. - A mad idea has been in my head of renting my studio and going to stay in Vermont . so I would not have to earn so much money and could go on etching - but it is only an idea and may never materialize. ." [Jan 7 1924] New York to Flora Temple Lash, Philadelphia "Dearest Love! . All this week every evening till Saturday I have to play the little Pirandello Play - and on Monday the 14 - I begin the portrait of Mr. Tyler at Elkins Park. I shall go to Philad. Sunday the other two drawings they ordered are to be done later. Tyler wrote that they loved the boy's portrait. On the 17th I lecture at the Fellowship. Did you get the photographs & get them to Mary Butler? And on the 19th I give my lecture on drawing here at the Anderson ." June 27, 1924, Binghamton, New York to Flora T. Lash, Philadelphia "My Beloved - First how are you? You dear - I hope quite better and feeling allright. I never like to see you suffering. It

      [Bookseller: Michael Brown Rare Books, LLC]
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        Mardrus, Joseph-Charles, Histoire de douce-amie. Conte des mille et une nuits. Mit 1 mont. Orig.-Tuschezeichnung, 34 pochoirkolor. Holzschnitten (1 auf dem Umschlag und 6 ganzseit.) von Ch. Picart le Doux sowie 1 Extrasuite der Holzschnitte in Schwarzweiß.

      R. Kieffer ., Paris 1922 - Handgeb. Ldr. d. Zt. (von René Kiefer) mit reicher floraler Blindprägung und goldgepr. RTitel und KGoldschnitt (OU eingeb.). 29,5 : 24 cm. 1 von 30 num. Exemplaren auf "Vélin à la cuve" mit dem Wasserzeichen "Editions René Kieffer", einer Suite der Illustrationen und einer Original-Zeichnung (GA 580) sowie dem schönen Einband von Kiefer. - Hervorragend illustriert und in leuchtendem Kolorit illuminiert. "Il a été fait, pour cet ouvrage, une reliure en veau plein, avec décor frappé à froid, composé spécialement pour l'oeuvre" (Mahé). - Die montierte Tuschezeichnung auf dünnem Papier, Papierformat ca. 13,5 : 19 cm, Bildgröße ca. 12,5 : 14 cm. - Druck des Textes in Schwarz und Blau. - Flieg. Vorsatz mit leichtem Eckknick. Rücken schwach verblichen, Kanten geringfüg. berieben. Die Zeichnung mit minim. Farbabklatsch, sonst innen schönes sauberes Exemplar.Monod 7741. - Carteret V, 132. - Mahé II, 799. 1400 g. [Attributes: Hard Cover]

      [Bookseller: Ketterer Kunst Hamburg GmbH]
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        The Early Ceramic Wares of China

      Benn Brothers, London 1922 - First edition. Quarto. Buckram. Very Good. 159 Pages, Profusely illustrated and with original tissue guards. One of the finest works of its time written only shortly after the first Tang dynasty (618 - 907) ceramics were unearthed in China for the first time. Up to then, scholars only new of the existence of this period in history though objects had up to ca. 1910 never been discovered. A must for the true collector of Chinese ceramics! [Attributes: First Edition; Hard Cover]

      [Bookseller: Meijering Art Books]
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        The Wonderful Adventures of Little Prince Toofat

      New York: The James A McCann Company, 1922. First edition. Very Good. A Good only copy, with minor dampstaining to the lower edge of the boards and several leaves. Minor wear at the spine ends, but complete and unrestored. A very scarce children's book, the first one illustrated by the wonderful Robert Lawson, best known for illustrating "Ferdinand' by Munro Leaf and for writing numerous children's books himself. Lawson won The Caldecott Medal, the Newberry Medal and the Lewis Carroll Shelf Award, for various works, the only person to win all three. No other first edition copies currently on the market and only one auction record from 2009 which brought over $2,000. (Remember 2009? That's when the bottom dropped out of the housing market and the Dow plunged below 7000). Very Good.

      [Bookseller: Whitmore Rare Books]
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        TRAVEL

      1922. [one of 20 copies signed] A Preface to INTO THE EAST: Notes on Burma and Malaya by Richard Curle. [Edinburgh:] Twenty Copies Privately Printed for Richard Curle, December 1922. Original light blue-grey wrappers. First Edition, being one of only twenty copies, signed by Conrad. This piece, along with THE "TORRENS", are two of the scarcest of all the limited-issue Conrad publications -- as the limitation was so severe. On the half-title of each copy Conrad signed his name and added the date, 1922. This was later collected in the posthumous volume LAST ESSAYS. This is a fine copy (very light ruffling along the fore-edge). Keating 217. Housed in a morocco-backed slipcase, with inner chemise which bears the small oval bookplate of the renowned collector Kenyon Starling.

      [Bookseller: Sumner & Stillman]
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        Cirque de Paris. Holzschnitt.

      1922 - Signiert "GA. Mathéy". Breitrandiger Druck auf Velin. Söhn HDO 72711-6. Eines von 125 Exemplaren. Blatt 6 aus: Die Schaffenden, III. Jahrgang, 3. Mappe, 1922. Mit dem Trockenstempel "Die Schaffenden". - Mathey ist Graphiker und Briefmarkenkünstler.1920 wird er von Walter Tiemann als Leiter der Werkstätten für Buch- und Steindruck an die Staatliche Akademie für graphische Künste und Buchgewerbe in Leipzig gerufen, wo er bis 1928 wirkt. - An den Blattaußenkanten teilweise in einem schmalen Streifen stärker gebräunt bzw. schwach angestaubt. Wenige sehr kleine Braunflecken im breiten Rand, ein etwas größerer Fleck am rechten Blattrand. Eine ganz minimale Quetschspur im oberen Blattrand. Insgesamt dennoch sehr gut erhalten. Sprache: Deutsch Gewicht in Gramm: 2100 25,4 x 22,2 cm. Papier: 41,5 x 30 cm. [Attributes: Signed Copy]

      [Bookseller: Kunstantiquariat Joachim Lührs]
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        LAS HOGUERAS DE CASTILLA. Las tumbas de León. Las piedras madres. Toledo. Cuenca. Segovia. Medina del Campo. Ávila. Valladolid. Palencia. León. Salamanca. Oviedo

      Oliva de Vilanova, Barcelona 1922 - Gran folio, 1 mapa color, portada grabados a dos tintas, 193 pags. Texto adornado con bellas cabeceras, capitulares, y viñetas a dos tintas, 10 láminas grabadas al aguafuerte por Castro-Gil. Ejemplar núm. 516 de una tiraje de 530 ejemplares, en papel de hilo y barbas. Pleno Pergamino romana, con escudo dorado de Castilla, lomo rotulado. Excelente edición de unas prosas que el autor califica de "ensayos sobre hechos, almas y paisajes", en los que "vemos el escenario de luchas gloriosas en los que los personajes vuelven a vivir" en ciertos momentos "en que la vida fue realmente española". Obra impresa con gran calidad por el famoso Oliva de Vilanova, con bellos aguafuertes que reproducen las siluetas de ciudades españolas. Buen ejemplar. Nacionalismo español. España. Literatura española. Prosa española. Spanish nationalism. Spain. Spanish literature. Spanish prose.

      [Bookseller: Libreria Anticuaria Studio]
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        L'uomo, la bestia e la virtù. Apologo in tre atti

      R. Bemporad & Figlio, Editori, Firenze 1922 - Maschere nude volume V. 151 pp. Full brown calf, four raised bands, gilt lettering and decorations on spines. Signed and inscribed by Pirandello "Ad Alessandro Varaldo, fraternamente, Luigi Pirandello." Varaldo was a fellow playwright, novelist and mystery writer: his book Il settebello is considered the first example of Italian detective novel. The tragic satire and savage humor that emerged through the story of a troubled couple disturbed early audiences accustomed to sentimental bourgeois comedy, but the play reveals Pirandello's ability to exaggerate the realms of both apology and farce. Mild foxing to edges, small laceration to the spine, short tear to front cover also along the spine. A pleasing presentation copy. In the Italian language. ; Octavo; Signed by Author. [Attributes: First Edition]

      [Bookseller: Parigi Books, ABAA/ILAB]
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        Bildnerei der Geisteskranken. Ein Beitrag zur Psychologie und Psychopathologie der Gestaltung. Mit 187 zum Teil farbigen Abbildungen im Text und auf 20 Tafeln vorwiegend aus der Bildersammlung der Psychiatr. Klinik Heidelberg.

      Verlag von Julius Springer., Berlin 1922 - Berlin, Verlag von Julius Springer. 1922. 4°. VIII, 361 S., 1 Bl. Anzeigen. Neuer Halbleinwandband mit schwarzem goldgeprägtem Lederrückenschild. Selte erste Ausgabe wichtigen Publikation. - Exemplar aus dem Besitz von Hans Steck (1891-1980), Psychiater an der Universitätsklinik Lausanne. Steck gilt als einer der Pioniere der Kunst der Geisteskranken. Eine seiner Patientinnen war Aloïse. Befreundet mit Jean Dubuffet, war er massgeblich an der Schenkung dessen Sammlung für das Musée d'art brut in Lausanne verantwortlich. Mit einigen handschriftlichen Anmerkungen und Anstreichungen von Steck. - Vorsätze erneuert. Das letzte Blatt mit den Anzeigen verbunden. Sprache: Deutsch Neuer Halbleinwandband mit schwarzem goldgeprägtem Lederrückenschild. [Attributes: First Edition; Hard Cover]

      [Bookseller: Daniel Thierstein]
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        The Golden Hind. The Golden Hind a Quarterly Magazine of Art and Literature, Volume One, Numbers 1, 2; 3; and 4 ( 1 Bound volume ).

      Chapman & Hall October 1922 - July 1923, London - Hardcover. Folio (15 x 11 inches) iv + 48 pp, iv + 40 pp, 40 pp, 40 pp. Original publisher's quarter beige buckram with tan paper-covered boards, with dark- brown title on the front cover, gilt lettering to spine. Front wrappers of each issue bound in. A complete run of the four issues (Numbers 1, 2; 3; and 4, October 1922 - July 1923) which make up the First Volume of the famous Golden Hind literary journal, bound by the publishers into a single volume. Each issue is bound-in with its original printed thick buff paper top wrapper. A sumptuous production, beautifully printed on quality paper. One of a small number of sets issued thus (in hardcover binding) by the publishers. Each issue of The Golden Hind is a mixture of prose, poetry, and artwork, with authors including W. H. Davies, Aldous Huxley, Laurence Houseman, Clifford Bax, Rabidranath Tagore, Havelock Ellis, etc. etc. It also contains around 100 illustrations, pen drawings, lithographs, woodcuts, etc, many of which are full-page, and some double page, by artists including Alastair, Frank Brangwyn, Robert Gibbings, Nora Wright, Jack B. Yeats etc. etc. Perhaps most interestingly the issues contain many illustrations by Austin Osman Spare: No. 1 reproduces pen drawings of his on pp. 5, 6, 7, 8, 10, 31 & 32, and a magnificent double page lithograph ('The New Eden') over pages 44-45; No. 2 reproduces a pen drawing on p. 25 and a lithograph on p. 32; No. 3 reproduces a pen drawing on p. 4 and a double page lithograph (untitled) over pages 36-37; and No. 4 reproduces two bookplate designs on pp. 6 -7. Spare was a one-time student of Aleister Crowley's, and without doubt one of the greatest occult artists of the twentieth century, and a friend and mentor to Kenneth Grant. From the collection of the late Robert (Taylor) Agasucci (aka Stafford Stone), artist, graphic designer, book illustrator and aficionado of the work of Austin Osman Spare. The boards are a little marked and darkened, (tea?) splash at fore-edge of upper board, corners of boards rounded and chafed, but binding still very solid, page edges a bit darkened and foxed, owner's name on front blank. The individual issues: the wrappers and their contents have been well protected and are in Near fine condition with just a few scattered spots of browning. [Attributes: Soft Cover]

      [Bookseller: Weiser Antiquarian Books, Inc.]
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        Beggars Opera, The

      London: O’Connor, 1922. Introduction by Oswald Doughty.Twenty-Eight Plates in Collotype and a facsimile title of the first edition. Limited edition.With four 18th century engravings, not called for, of the play characters. With a rare English binding from the 1920s Full brown morocco, inlaid with art-deco decorations in black gilt and red. Desiged and hand-tooled by H. Brown, forwarded by A. Warnock. Bookplates of “HB” [H. Brown?] and Jeffrey Stern.

      [Bookseller: Golden Legend, Inc. ]
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        The Worst Journey in the World

      Constable, 1922. 1st edition. Hardcover. Two volumes, each in buff linen boards, very slightly rubbed, with later red morocco-backed spines. Clean pages throughout, bar a few light spots. Colour frontispieces to each volume. All colour plates, half-tone photographs, maps and panoramas, some folding, are present and correct in both volumes. Very nice marble-patterned slipcase. A really handsome presentation of this classic account of Captain Scott's fateful Terra Nova expedition to Antarctica, by the youngest member of the team. After arriving in McMurdo Sound, Dr Edward Wilson, 'Birdie' Bowers and Cherry-Garrard set off in 1911 to Cape Crozier to retrieve Emperor penguin eggs for scientific study, enduring terrible conditions ('the worst journey'). On their return, Wilson and Bowers joined the expedition to the South Pole, where they died, along with Captain Scott, and were found by Cherry-Garrard and others. Very nice copy of this much sought-after polar memoir.

      [Bookseller: Shellhouse Books]
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        1922 Original Hardback Wisden - Signed by Pardon to Caine-

      Hi, This lot is a 1922 Original Hardback Wisden in OK Condition, 1922s do not come in very good very often and there are nicer condition 1922s out there but this one is special as it is a presentation Wisden, it is signed by the Editor Sydney H Pardon to Caine (future editor) on the title page. So condition, first off the gilt is bright to front and spine , the boards however are dark and marked and there is a lot of wear between the spine cloth and the front/back boards. Inside the hinges are strong but some yellow coming away to the front hinge. A bit grubby inside but not too bad. Great Photoplate. Sticker to first page. Please see the large pictures. More available on request. Buy-it-now. Payment: Card , Cheque or BACS or Paypal.

      [Bookseller: Wisdenshop.com]
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        Mexkemahuastan. Chief of the Gros-ventres de Prairies

      [Leipzig: Schmidt and Guenther, 1922. Hand-coloured aquatint engraving by Hürlimann after Bodmer. From the scarce Leipzig edition printed from the original copper-plates. Limited in number, the prints from the Leipzig edition are more scarce than, and compare favorably to, the first edition. (David C. Hunt, "Karl Bodmer and the American Frontier," Imprint/Spring 85, p.1 Bodmer painted this portrait of Mexkemáuastan (`Stirring Iron'), an Atsina or Gros Ventre chief and medicine man, on about 5 August 1833. The keelboat Flora stopped opposite an Atsina camp at the mouth of the Judith River and was quickly overrun by friendly but insistent Atsinas, including `Stirring Iron'. He gave particular cause for concern because he had threatened to kill David Mitchell (the superintendant of Fort McKenzie) the previous year. However, on this occasion, and later at Fort McKenzie he gave no further cause for concern. Karl Bodmer's images show great versatility and technical virtuosity and give us a uniquely accomplished and detailed picture of a previously little understood (and soon to vanish) way of life. Swiss-born Bodmer was engaged by Prince Maximilian zu Wied-Neuwied (1782-1867) specifically to provide a record of his travels in North America, principally among the Plains Indians. In the company of David Dreidoppel (Prince Maximilian's servant and hunting companion), their travels in North America were to last from 1832 to 1834. Well-armed with information and advice, the party finally left St.Louis, on the most important stage of their travels, aboard the steamer Yellow Stone on April 10 1833. They proceeded up the treacherous Missouri River along the line of forts established by the American Fur Company. At Bellevue they encountered their first Indians, then went on to make contact with the Sioux tribe, learning of and recording their little known ceremonial dances and powerful pride and dignity. Transferring from the Yellow Stone to another steamer, the Assiniboin, they continued to Fort Clark, visiting there the Mandan, Mintari and Crow tribes, then the Assiniboins at Fort Union, the main base of the American Fur Company. On a necessarily much smaller vessel they journeyed through the extraordinary geological scenery of that section of the Missouri to Fort Mackenzie in Montana, establishing a cautious friendship with the fearsome Blackfeet. From this, the westernmost point reached, it was considered too dangerous to continue and the return journey downstream began. The winter brought its own difficulties and discomforts, but Bodmer was still able to execute numerous studies of villages, dances and especially the people, who were often both intrigued and delighted by his work. The portraits are particularly notable for their capturing of individual personalities, as well as forming a primary account of what were to become virtually lost cultures. `David C. Hunt, "Karl Bodmer and the American Frontier," Imprint /Spring 1985, p.18. Cf.Graff 4648; cf. Howes M443a; cf. Pilling 2521; cf. Sabin 47014; cf. Wagner-Camp 76:1.

      [Bookseller: Donald Heald Rare Books]
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        Houdini's Paper Magic

      New York: E.P. Dutton & Co, 1922. First edition. Colored frontispiece and numerous other illustrations to text. x, 206 pp. 8vo. Publisher's red cloth. Lower edge of front board worn, ownership inscription to front free endpaper, else a near fine copy in a near fine dust-jacket. First edition. Colored frontispiece and numerous other illustrations to text. x, 206 pp. 8vo. A REAL BEAUTY. A lovely copy of the scarce first edition. Houdini's paper tricks formed an important, if under-reported, aspect of his shows.

      [Bookseller: James Cummins Bookseller]
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        ALICE'S ADVENTURES IN WONDERLAND (The A. E. Jackson Edition in Original Dust Jacket and Gift Box)

      New York: Doran, 1922. Carroll, Lewis. (Charles L[utwidge] Dodgson). ALICE'S ADVENTURES IN WONDERLAND. New York: Doran, [1922]. First American Edition, thus. Sixteen full-page hinged plates by A. E. Jackson plus dozens of other line illustrations, vignettes and devices. Pictorial endpapers. A remarkably Fine copy of this large impressive volume in a remarkably Fine Dust Jacket in a Near Fine original box (just slightly worn). Quite the survival, the temptation to call it "as new" is barely resistible. Doran did a series of these silver boxed gift books c. 1922 as made clear by the other titles listed on the flaps; in 1927 Doran merged with Doubleday and it appears their deluxe gift box concept was forever scrapped. All titles in this series appear to be exceedingly rare, even more so in DJ and this is the only boxed example we could find online. A. E. Jackson (1873-1952) is one of the two dozen or so great Golden Age Alice illustrators. He first produced his Alice in 1914 for London publisher Hodder & Stoughton with mounted plates. Truly as much a visual feast as any of the fine Lewis Carroll editions we have in stock.. Decorative Boards. VERY FINE/Very Fine. Illus. by A. E. Jackson. 8vo - over 7¾" - 9¾" tall.

      [Bookseller: Lakin & Marley Rare Books ]
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        Les Oraisons Mauvaises".

      1922 - 10 grands dessins originaux à l’encre de Chine, (1922), (19.5 x 17 cm. et 16 x 16 cm) et 7 culs de lampe tête de chapitre (3.5 x 5.5 cm), non signés, montés sous Marie-louise. L'artiste M. SAINT MARTIN, contribua au mouvement Art-déco au début du XXème siècle par son dessin épuré, élégant et sensuel. Il travailla pour des décors et costumes de théâtre et de music-hall et notamment L'Apollo et la Pie Qui Chante ainsi que pour la presse: Panurge (Dico-Solo, Aedis, 2004, p.766). Maquette originale complète et, apparemment, inédite d'une suite de dessins à l'encre de Chine sur le thème des bijoux et d'une ode à la beauté et la féminité inspirée des "Oraisons mauvaises" de Rémy de Gourmont. Les compositions, d’un effet graphique saisissant, jouent sur le contraste entre les motifs géométriques des textiles et la ligne pure des corps nus. Elles ne sont pas sans rappeler les dessins d’André Domin pour les "Fleurs du Mal" (1919) et "Les Litanies de la Rose" de Gourmont (1920) ou ceux de Llano Flores dans "Les Feuillets d'Art". Chacune se rapporte au vers de chaque strophe évoquant le symbolisme et la perversité des pierres précieuses (Et l'opale prisonnière qui se meurt à ton doigt, Et ce douloureux saphir d'amertume et d'effroi, Et l’hyacinthe., Et la Topaze.). Oeuvre originale

      [Bookseller: Librairie Chretien]
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        Cecily Parsley's Nursery Rhymes.

      New York: Frederick Warne and Co. Ltd.,, [1922]. Sextodecimo. Original green boards, titles to spine and front cover white, illustrated label to front board, pictorial endpapers. With the glassine jacket. Housed in a custom white cloth flat-backed folding case. With frontispiece and 14 illustrations by the author. A fine copy in the jacket with some nicks and shallow chips to extremities. First US edition, first printing.

      [Bookseller: Peter Harrington]
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        Report to the League of Nations/United Nations on the Administration of Nauru Annual Reports.

      Victoria.: Government Printer.. 1922-1961.. Collection of 18 Nauru annual government reports, some occasional even browning but all in very good condition in wrappers. During the Year 1922 - Colour folding map, 39pp. During the Year 1925 - 4 leaves of photographic illustrations, 53pp. During the Year 1926 - 8 pages of black and white photographic illustrations, folding colour map, 53pp. During the Year 1929 - 19pp. During the Year 1930 - 20pp. During the Year 1931 - 25pp. During the Year 1932 - 32pp. During the Year 1933 - 34pp, lower wrapper little creased. During the Year 1934 - 34pp. During the Year 1935 - 38pp, with errata slip. During the Year 1936 - 37pp. During the Year 1937 - 52pp. During the Year 1938 - 40pp, closed tear lower corner lower wrapper. During the Year 1939 - Colour folding map, 48pp. Card lower wrapper only. During the Year 1940 - 43pp. Report to the General Assembly of the United Nations on the Administration of the Territory of Nauru from 1st July, 1948, to 30th June, 1949. Report to the General Assembly of the United Nations on the Administration of the Territory of Nauru from 1st July, 1951, to 30th June, 1952. Full page black and white map, 2 full page black and white photographic plates, folding chart showing the structure of government. Report to the General Assembly of the United Nations on the Administration of the Territory of Nauru for Year 1959-60. Black and white full page map, black and white photographic plates, folding chart showing structure of government, 4.5cm tear without loss upper wrapper, cancelled library stamp lower wrapper. Presented to Both Houses of Parliament by His Excellency's Command. .

      [Bookseller: Asia Bookroom]
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        Report to the League of Nations on the Administration of Nauru Annual Reports.

      Victoria.: Government Printer.. 1922-1961.. Collection of 16 Nauru annual government reports, some occasional even browning but all in very good condition in wrappers. 34 x 21cm. During the Year 1922 - Colour folding map, 39pp. During the Year 1925 - 4 leaves of photographic illustrations, 53pp. During the Year 1926 - 8 pages of black and white photographic illustrations, folding colour map, 53pp. During the Year 1929 - 19pp. During the Year 1930 - 20pp. During the Year 1931 - 25pp. During the Year 1932 - 32pp. During the Year 1933 - 34pp, lower wrapper little creased. During the Year 1934 - 34pp. During the Year 1935 - 38pp, with errata slip. During the Year 1936 - 37pp. During the Year 1937 - 52pp. During the Year 1938 - 40pp, closed tear lower corner lower wrapper. During the Year 1939 - Colour folding map, 48pp. Blue card lower wrapper, lacks upper wrapper. During the Year 1940 - 43pp. Report to the General Assembly of the United Nations on the Administration of the Territory of Nauru from 1st July, 1951, to 30th June, 1952. Full page black and white map, 2 full page black and white photographic plates, folding chart showing the structure of government. These detailed reports offer an excellent picture of life in Nauru between the early 1920s and 1952. Far from being dull these reports which of course include many tables of statistics also offer a picture of life on the ground at the time with comments on health and hygiene habits, including details of the toilet facilities used by both the local and European populations, pictures of the football team at the time, scouts activities and exhibitions. .

      [Bookseller: Asia Bookroom]
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        Eigenhändig geschriebener Brief. Mit Unterschrift 10. Sept. 1922. 3 Seiten auf 2 Blatt.

      1922 - 27,5x21,5 cm. (gelocht, mit Büroklammer-Rostfleck). Friedrich Wilhelm Otto Modersohn (* 22. Februar 1865 in Soest, Westfalen; + 10. März 1943 in Rotenburg (Wümme)), deutscher Maler. "Sehr geehrter Herr Roeder! Ich sehe mich durch die Umstände veranlaßt, die Preise Ihrer Studien etwas zu erhöhen: (es folgt eine ausführliche Preisliste über 52 Gemälde) [.] Ich hatte auf einer Karte gefragt, wohin ich die Listen senden sollte, da ich nicht wußte, ob Sie sie nicht vielleicht nach Hamburg gesandt haben wollen, da ich aber ohne Nachricht blieb, geht die Liste Mittwoch nach Kiel ab. [.] Mit besten Grüßen Ihr ergebener O. Modersohn". Modersohn

      [Bookseller: Aegis Buch- und Kunstantiquariat]
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