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Displayed below are some selected recent viaLibri matches for books published in 1922

        Le film 1914.

      Paris, Clarté, 1922. - In-4° oblong. Broché, couverture imprimé rouge et noir, 48 pp. Petite déchirure aux 4 premiers feuillets, la page 22 avec petite perte en bas. Veulerie des hommes politiques, cynisme des profiteurs de guerre, chauvinisme braillard. c'est bien le film de la première guerre mondiale que déroule Lucien Laforge, l'un des premiers dessinateurs du Canard Enchaîné, dans cet extraordinaire pamphlet en images publié en 1922. Un film qui s'attarde sur les héros de café du commerce, les prostituées et les marraines de poilus au lieu de célébrer les braves pioupious partis au front. [Attributes: Soft Cover]

      [Bookseller: Antiquariaat Garcia]
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        Vozmezdie [Retribution].

      Peterburg Petersburg: Alkonost. Very Good-. 1922. First Edition. Paperback. Original wrappers printed and decorated in blue and black. Very attractive decorations both to covers and inside. Edges a little chipped, small tears to spine where sewn, paper inside browned but generally a good copy. Owner name lightly in pencil to upper cover. ; Blok's long narrative poem started in 1910 and first published in its entirety in the year following his death. Publisher's mark by Annenkov. Cover design and decorations inside by the Ukrainian artist and illustrator V A Zamirailo. ; 111 pages .

      [Bookseller: Marijana Dworski Books]
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        Oeuvres

      Paris, Masson et cie, 1922-39. 7 tomes de I. Portrait, VIII, (2), 480pp. - II. VIII, 664pp. - III. VII, (1bl), 519pp., 32pl. (hors texte:n°1 à 5, 8 à 21 + 20bis, 28 à 39; in texte: 6 à 7, 22 à 27, 40 à 57 + 1 à 15). - IV. Front., VIII, (2), 761pp., 17pl. - V. VII, (1bl), 361, (2)pp. broché, en partie non coupé 1922-39, 1922-39, in-8, 7 tomes de I. Portrait, VIII, (2), 480pp. - II. VIII, 664pp. - III. VII, (1bl), 519pp, 32pl. (hors texte:n°1 à 5, 8 à 21 + 20bis, 28 à 39; in texte: 6 à 7, 22 à 27, 40 à 57 + 1 à 15). - IV. Front, VIII, (2), 761pp, 17pl. - V. VII, (1bl), 361, (2)pp, broché, en partie non coupé, Portrait de l'auteur gravé par L. Bourgeois d'après A. Edelfelt. 62 planches gravées par Picart, E. Hellé d'après P. Lackerbauer, Deyrolle la plupart en couleurs. Nombreuses figures dans le texte. PREMIÈRE ÉDITION des œuvres complètes de Louis Pasteur. Contient: Dissymétrie moléculaire (t.1); Fermentations et générations dites spontanées (t.2); Études sur le vinaigre et sur le vin (t.3); Études sur la maladie des vers à soie (t.4); Études sur la bière (t.5); Maladies virulentes, virus, vaccins, prophylaxie de la rage (t.6); Mélanges scientifiques et littéraires, index analytique et synthétique de l'œuvre de Pasteur (t.7). Certaines couvertures écornées

      [Bookseller: Librairie Alain Brieux]
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        Kyrie Eleison. Mit sechs Radierungen von Käte Wilczynski.

      Eigenbrötler Verlag ,, Berlin: 1922 - 8vo, 54pp, with six erotic etchings by Kate Wilczynski, signed by the artist. One of 100 copies signed by the author & the artist. Original blue calf with elaborate scrolled & ruled borders in gold, top edge gilt, other edges deckled. Original hand painted end papers with a gray wave design punctuated by blue & pink circular designs. The cover is thought to be designed by W. Plünnecke. Expertly rebacked with the original spine. Limited edition: no. 50 of 100 copies of the special edition. [Attributes: Signed Copy; Hard Cover]

      [Bookseller: Antipodean Books, Maps & Prints, ABAA]
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        A REVISION OF THE TREATY

      Macmillan and Co., LTD, London 1922 - Octavo. A Sequel to the Economic Consequences of the Peace. 223pp., 6pp. ads at rear, bound in blue cloth, spine lettering gilt, in brown printed dust jacket. Off-setting to front free endpaper, minor rubbing to spine ends and corners; dust jacket with minor light chipping to edges, short archival tape mends to underside of dust jacket; neat owner's name to top fore-edge. A very good copy in scarce original dust jacket. [Attributes: First Edition; Hard Cover]

      [Bookseller: Charles Parkhurst Rare Books, Inc. ABAA]
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        The Heptameron

      London: Privately Published, 1922. Full leather. Five volumes. Octavo. The Heptameron of the Tales of Margaret, Queen of Navarre. Translated into English from authentic text from Le Roux De Lincy, with essay upon the Heptameron by George Saintsbury. Seventy-three full-page engravings and one hundred and fifty head and tail pieces. Privately printed for the Navarre Society Limited. Handsomely bound in full red morocco, radiant green inlaid heraldic frame with looping tendrils enclosing gilt floral centerpiece decoration to covers, triple gilt rule lines to corners, spine in six compartments with gilt decorations between raised banding, gilt titles, top edge gilt, marbled endpapers, gilt turn-ins. Fine.

      [Bookseller: Imperial Fine Books]
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        Krokodil. Poema dlya malenkikh Priklyucheniya Krokodil Krokodilovicha [Adventures of the Crocodile Krokodilovich]

      Berlin Peterburg: Epokha Epoha. Good+. 1922. Reprint. Paperback. Tall quarto, 23.5x31cm, 54pp.. Original fragile printed and decorated wrappers in red and green. Illustrated by Nikola Remizov (Re-Mi) but cover design by N.Z. (?). Wrappers chipped at spine ends, cup-ring to upper cover, internally browned with some chipping at edges, some pages a little loose, no loss. Generally a good copy. ; Kornei Chukovsky was the father of modern Russian juvenile literature. His most famous work "Krokodil", illustrated by the artist RE-MI (Nikolai Remizov), originally appeared in the periodical Niva in 1917. Becuase of its satirical nature, the poem soon ran into problems with the censors and for a time was banned. This is an early Berlin edition by the Russian publishing house Epokha. ; 54pp pages .

      [Bookseller: Marijana Dworski Books]
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        Nach Damaskus. Achtzehn Steinzeichnungen.

      München, Georg Müller, 1922. Fol. 6 Bll. Text u. (inkl. illustr. Titel) 19 lithogr. Tafeln, lose in OHPgmt.-Mappe m. goldgepr. Rückentitel. Erste Ausgabe. - Nr. 72 von 300 (ges. 350) Exemplaren. - „Das Papier ist echtes Pan-Bütten, mit dem für die Zeitschrift Pan entworfenen Wasserzeichen“. - Mappe etw. berieben u. angestaubt sowie innen stockfleckig. Rücken mit schwacher Spur eines entf. Bibl.-Schildchens. Innendeckel mit Stempel u. Spur eines entf. Aufklebers. Tafeln gleichmäßig gebräunt. - Raabe 167. Versand D: 12,00 EUR Kubin, Nach Damaskus. Achtzehn Steinzeichnungen, Mappenwerke, Künstlerbücher

      [Bookseller: Antiquariat Wolfgang Friebes]
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        § 175 - Die Schmach des Jahrhunderts!,

      Hannover, Paul Steegemann Verlag, 1922. 1. bis 3. Tausend, 132 Seiten, 13,5x19 cm, helle Original-Broschur, SCHÖNES EXEMPLAR mit einem sauberen, handschriftlichen Besitzvermerk (in Bleistift), der empfindliche Rücken sehr dezent fachmännisch gesichert, die letzten 5 Blatt mit einem leicht in die Seite reichenden kleinen Tintenfleckchen Programmatische Schrift zur Liberalisierung der Strafbestimmungen gegen Homosexualität. Darunter die Artikel \"Ethische Aufgaben der Homosexuellen\" und \"Recht und sexuelle Minderheiten\". Hiller arbeitete als Schwulenaktivist im 1919 von Magnus Hirschfeld in Berlin gegründeten Institut für Sexualwissenschaft mit und trat dem »Wissenschaftlich- humanitären Komitee« (WhK) bei. 1922 veröffentlichte Hiller die damals weithin beachtete Publikation »§ 175: die Schmach des Jahrhunderts«. Die Intention dieser Einrichtungen war in erster Linie, Homosexualität, aber auch Abtreibungen, zu entkriminalisieren. Versand D: 5,00 EUR Li 31372

      [Bookseller: Antiquariat im Baldreit]
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        [PICASSO SKETCH] Karabkaetsa akrobat. Portret avtora raboty Pablo Pikaso [i.e. Climbing Acrobat. Author's Portrait by Pablo Picasso]

      Paris: Frankorusskaya pechat', 1922. 64 pp., port., ill. 21x15 cm. In original wrappers designed by the author. Some restoration of the spine. A near fine clean copy. First edition. Very rare. One of 500 copies. Portrait was made by Pablo Picasso (1881-1973). Illustration by famous Georgian avant-garde artist Lado Gudiashvili (1896-1980) on p.53 and by the author on p.23. Valentin Parnakh (1891-1952) was a Russian poet, historian, translator, musician, dancer. After traveling in Europe and Arabia for several years he came back to Russia in 1922. In Paris he was involved in different artistic activities, he was close to I. Erenburg, I. Zdanevich, Dovid Knut, B. Poplavsky with whom they organized literary group 'Chamber of Poets'. So back in Moscow Parnakh got in the center of artists' attention and became close with poetic group 'Moscow Parnasus', started publishing innovative articles, giving lectures, put dances in Meyerhold theatre. Apparently Parnakh was the first man to introduce jazz to Russian audience. He published his first books of poetry in Paris, first three were illustrated by Goncharova and Larionov, the fourth (and the last one printed in Paris) - by Picasso. Pp. 25-26 were cut out by the publisher who was afraid of censorship after two Parnakh's poems were called pornographic in the newspaper (Obshcheye delo). The author pasted pages in his own copies. In our copies pages are pasted in.

      [Bookseller: Bookvica]
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        BABBITT

      George J. McLeod; First Edition edition (1922) - Read "Main Street" to see what life used to be like. Read "Babbitt" to see how we got to where we are today. Publisher: George J. McLeod; First Edition edition (1922) ASIN: B001KUX7EU First edition, first printing, first state, with "Supposing Purdy and I" and "to ruin my fellow human" to page 49. [Attributes: First Edition; Hard Cover]

      [Bookseller: peterfryersales]
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        The Writings

      New York: Gabriel Wells, 1922. Full leather. Thrity-five volumes. Octavo. The Writings of Samuel Langhorne Clemens (Mark Twain). This Definitive Edition consists of one thousand twenty-four sets which this is number 811. The Fly-Leaf was signed by Mark Twain in 1906 in anticipation of the present Definitive Edition of his works, and signed by Twain autobiographer Albert Bigelow Paine. Portrait and other illustration through-out to frontispiece with title tussue guard. Title include Innocents Abroad, Huckleberry Finn, The Gilded Ages, Life On The Mississippi, A Tramp Abroad, A Connecticut Yankee In King Arthur's Court, Roughing It, Joan Of Arc, Tom Sawyer, etc. Bound in full contemporary dark wine crimson morocco, covers and spine gilt decorations of elaborate fluerons each in compartments divided into quarters by delicate stippled diagonal tooling motif, raised bands, gilt titles, top edge gilt, green endpapers, gilt turn-ins. A beautiful set in fine binding. Fine.

      [Bookseller: Imperial Fine Books]
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        Raccolta Alfredo Barsanti. Bronzi Italiani (Trecento - Settecento) pubblicati da Lodovico Pollak con prefazione di Guglielmo Bode.

      (In Proprio) (Istituto Italiano d'Arti Grafiche), 1922. In - Folio (cm 49 x 39), legatura editoriale in piena pelle con tit. e filetti in oro al dorso a quattro nervi, unghiature decorate in oro a piccoli ferri, filetto in oro e a secco a incorniciare i piatti, rilievo in oro al piatto anteriore raffigurante uno dei pezzi della collezione; 2 cc. bianche, occhietto, frontespizio, pp. 154(4). Seguono 109 illustrazioni di bronzi su L tavole. Edizione non venale di soli centocinquanta esemplari numerati a mano e firmati da Alfredo Barsanti e Lodovico Pollak di questo superbo catalogo della collezione dell'antiquario romano, ancora custodita nei musei di Palazzo Venezia. Esemplare perfetto, in barbe su carta forte. Solo piccole abrasioni ai bordi della legatura. Sul sito di Palazzo Venezia si legge, riguardo alle collezioni di bronzetti del Museo: 'La prima raccolta, costituita da 110 bronzetti, è quella dell'antiquario romano Alfredo Barsanti, preziosa per i molti esemplari modellati e fusi a Padova, Venezia, Firenze e Roma da artisti come Riccio, Severo da Ravenna, Roccatagliata, Tacca, Susini, Algardi, Bernini. Nel periodo di maggior fortuna l'antiquario agiva in un nobile palazzo di Via Sistina, poco lontano da Piazza di Spagna: nel suo studio, dotato di una fornita biblioteca, transitavano opere d'arte di alto valore, solamente i piccoli bronzi si fermavano nel suo appartamento per costituire la sua raccolta privata. Collocata in cinque ampie vetrine veniva protetta da pesanti tende, che venivano sollevate solo per gli intenditori e per la buona società romana. Nel 1922 Barsanti edita il catalogo scientifico della sua collezione di bronzi, uno dei libri più lussuosi prodotti per illustrare una collezione privata: ne è autore il noto archeologo Ludwig Pollak, l'introduzione è scritta dal grande Wilhelm Bode, direttore e creatore delle nuove raccolte dei Musei di Berlino. Il catalogo è distribuito solo in omaggio, destinato agli specialisti della materia, a tutte le case regnanti d'Europa, ai capi di stato di tutto il mondo, ai principali collezionisti. Lo stesso anno l'antiquario - collezionista - editore Alfredo Barsanti è ricevuto affabilmente nella corte romana dal Re ed in quella vaticana dal Papa. Pressanti e vane sono le richieste dei maggiori collezionisti europei e americani per acquistare alcuni bronzetti, ma la vendita dell'intera collezione avviene solo nel 1934, quando il duca Visconti di Mondrone, podestà di Milano, promuove in quella città una sottoscrizione - tra privati cittadini, enti ed industrie - per acquistarla e donarla a Benito Mussolini, capo del Governo. La vera finalità è di assicurare definitivamente allo Stato italiano la Raccolta Barsanti, che contemporaneamente al suo ingresso a Palazzo Venezia, che è sede del Governo e del Museo, è donata da Mussolini al Museo.'

      [Bookseller: Daris S.R.L.]
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        The Voyages of Doctor Dolittle

      Frederick A. Stokes Co, New York 1922 - Octavo. Frontispiece with original tissue guard preserved, decorated title-page and twenty full-page illustrations, one in color. Original decorated cloth, front cover with inset pictorial panel. The second work in Lofting's beloved series, and the second book to receive the Newbery Award. Light wear at ends of spine and light rubbing to front cover, spine toned; owner's inscription in pencil on endleaves, pale marginal stain from pages 70-80 [Attributes: First Edition; Hard Cover]

      [Bookseller: Riverrun Bookshop]
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        Meidner, Ludwig. - "Porträt Tanja (Tanja X)".

      - Radierung / Strichätzung, auf feinem Büttenpapier, 1922. Von Ludwig Meidner. Auflage Exemplar Nr. 12/15. 23,8 x 18,0 cm (Darstellung / Platte) / 41 x 30 cm (Blatt). Flammann 103. Rechts unten in Bleistift signiert. Links eigenhändige Auflagenbezeichnung. - Tadellos erhalten. Sehr guter Zustand. Ludwig Meidner (1884 Bernstadt an der Weide / Schlesien - 1966 Darmstadt). Deutscher Maler und Grafiker, namhafter Vertreter des Expressionismus. 1903-1905 Studium an der Kunstakademie Breslau. Ging danach nach Berlin; Mitarbeit u.a. an der expressionistischen Zeitschrift "Die Aktion". 1906/07 Besuch der Académie Julian in Paris; Freundschaft mit Amedeo Modigliani. 1912 mit Richard Janthur und Jakob Steinhardt Gründung der Künstlergruppe "Die Pathetiker". Im Frühwerk werden Einflüsse des Kubismus und Futurismus deutlich. Hauptthema dieser Zeit war das Großstadtleben. Ab 1912 entstanden auch Katastrophenszenarien. Lernte 1913 den Dichter Ernst Wilhelm Lotz kennen, mit dem er 1914 ein Wohnatelier in Dresden bezog. Hielt als bedeutender Porträtist zahlreiche Künstler der Weimarer Republik in intensiven Bildnissen fest. Ab 1933 Mal- und Ausstellungsverbot im nationalsozialistischen Deutschland. 1935 Zeichenlehrer am jüdischen Realgymnasium Jawne in Köln an. 1939 Emigration nach London. 1953 Rückkehr nach Deutschland; ab 1963 in Darmstadt. [Attributes: Signed Copy]

      [Bookseller: GALERIE HIMMEL]
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        Die Versuchung des Heiligen Antonius. Federlithographie.

      München, 1922. . Im Stein signiert, zusätzlich HANDSIGNIERT. Eins von 100 Exemplaren aus der Vorzugsausgabe von: "Alfred Kubin. Zeichnungen und Aquarelle". München, O. C. Recht, 1922. (Gesamtauflage: 400 Ex.). Druck von C. Wolf & Sohn, München. - Raabe 174; Hoberg 30. - Papier etwas gebräunt, punktgroßer Braunfleck in oberen Rand

      [Bookseller: Antiquariat Reinhold Pabel]
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        The Tarpon

      New York: Privately Printed [by the Gilliss Press], 1922. First edition. 35 pp. Printed on deckle edge mould-made paper. 1 vols. 8vo. Original printed wrappers. Minor spotting on front cover, some toning at edges, else fine. In half blue morocco slipcase. First edition. 35 pp. Printed on deckle edge mould-made paper. 1 vols. 8vo. Rare. Bruns reported a copy in wrappers; we have seen one copy of this work bound in limp red morocco (as noted by Callahan). This copy, uncharacteristically, is not signed. RARE. Bruns G194 "probably the rarest" of Griswold's works; Callahan, A Partial Tarpon Bibliography, p. x; Heller 2:191

      [Bookseller: James Cummins Bookseller]
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        Geschäftskarte der Wiener Werkstätte. Luzern Haldenstr. 7.

      [Wien, -, um 1922.] Orig. Visitenkarte, goldgehöht [8 x 8,2 cm]. In engl. Sprache. Vgl. MAK 2003, 318.- Leichte Gbrsp. Schönes Exemplar. - Der Text auf der Rückseite lautet: \"Articles of Art. Gold and Silver. Fancy Glasses. Leatherware. Beaded bags. Cushions and laces. Ladies dresses. Morning gowns. blouses, Pyjamas. Printed Silks\". Versand D: 7,00 EUR Ansichtskarten; Grafik; Kunst, Wiener Werkstätten

      [Bookseller: Antiquariat Weinek]
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        Die Blume Anna.

      Berlin: Der Sturm,, 1922. Die neue Anna Blume eine Gedichtsammlung aus den Jahren 1918-1922. Octavo, pp. 32. Original pale green printed wrappers. Cover design by Schwitters. Light peripheral toning, small pale stain on back cover, a few smaller dark marks on front cover but an excellent copy. First complete edition of this key work of Dadaism. "'To Anna Blume' was first published in the Berlin periodical Der Sturm in August 1919, following the exhibition of Schwitters's work that had launched Merz [Schwitters's personal form of Dada], at the Der Sturm gallery that July. The poem found itself enormously popular, leading to its inclusion in Anna Blume: Poetry, which was released in two editions (each of 5,000 copies, according to the title pages) later that year and catapulted Schwitters into notoriety. In 1920 'To Anna Blume' was printed as a poster and plastered on the streets of Hannover. The poem was eventually translated into many languages and prompted a variety of responses. In 1922 Steegeman released a third compilation with a generic all-text cover, also titled Anna Blume: Poetry, including 'To Anna Blume' and other writings. Two more collections of Schwitters's poetry and prose, with the name 'Anna Blume' in their titles, were issued the same year, both with cover designs by Schwitters: Die Blume Anna. Die neue Anna Blume eine Gedichtsammlung aus den Jahren 1918-1922, with a constructivist cover, published by Der Sturm, and Memoiren Anna Blumes in Bleie, published by Walter Heinrich, Freiburg. The Anna Blume phenomena further alienated Schwitters from some of the key figures in Berlin Dada, who had recently rejected his request to join Club Dada" (Umland, Sudhalter & Gerson, Dada in the Collection of the Museum of Modern Art, MoMA 2008, p. 281). Reasonably well represented institutionally but commercially uncommon: Copac locates copies at six British and Irish institutional libraries (BL, Senate House, Glasgow, Cambridge, V&A, Leeds); well represented on OCLC.

      [Bookseller: Peter Harrington]
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        Le printemps sur la neige e d'autres contes du bon vieux temps. Illustrations de A. Rackham

      L'edition d'Art H. Piazza, 1922. 300x230mm Ns. esemplare n. 192. Piccola imperfezione alla parte superiore del dorso. Strappo al dorso di 14 cm.

      [Bookseller: Libreria Antiquaria Giulio Cesare]
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        Where the Blue Begins

      1922. A Man's Best Friend[RACKHAM, Arthur, illustrator]. MORLEY, Christopher. Where the Blue Begins. With Illustrations by Arthur Rackham. London: William Heinemann; [and] New York: Doubleday Page & Co., [1922]. First Edition de Luxe, limited to 100 numbered and signed by Arthur Rackham and Christopher Morley, this being copy No. 93. Quarto (11 x 7 7/8 inches; 279 x 202 mm.). [2], x, [2,], 227, [1, blank] pp. With four color-plates including frontispiece, and sixteen line drawings. Quarter black ribbed cloth over metallic blue and green mottled paper boards. Yellow and black pictorial label on front board, smaller similar paper label on spine, decorative endpapers printed in blue, top edge gilt. Top of spine neatly repaired. A very good copy in the original (worn & crudely strengthened) gray cardboard slipcase with yellow and black pictorial label and matching limitation number.Where the Blue Begins is a satire about a dog named Gissing (after the author George Gissing) who lives alone (except for his Japanese butler Fuji the Pug), in a little house in the country, in a woodland suburb region called the Canine Estates? In this book all of the characters are dogs? Poodles, Spaniels, Chows, Beagles, Sealyham's, Mastiffs, Dachshunds, Whippets, Borzois', Airedales, Dobermann-Pinschers, Pointers and Scotties. The story appeared two years after Morley's collection of humorous essays Pipefuls. "No one appreciates the very special genius of your conversation as the dog does."What breed of dog was Gissing? Read the story and find out?Latimore and Haskell, p. 60. Riall, p.154.

      [Bookseller: David Brass Rare Books, Inc.]
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        [COVER DESIGNED BY ALEKSEY REMIZOV] Lalazar. Kavkazskii skaz [i.e. Lalazar. Caucasian Tales]

      Berlin: Skify, 1922. 37, [3] pp. 20х14 см. In original illustrated wrappers. Some restoration of the covers, some soiling, Berlin bookshop's stamp on the title page. Otherwise a very good clean copy. First and only separate edition. Very rare. Title pages in Russian and German. Cover design by the author - Russian writer Aleksey Remizov (1877-1957). Marina Tsvetaeva called him «living treasury of the Russian soul and language» as his works were very imaginative. He became famous thanks to his fairy tales which he based on folk tales. It's not widely known that he was also a very talented artist - he used to accompany every letter and note with a drawing. His works were even praised by Pablo Picasso. From his letters we find out about the covers: «The covers came from Easter eggs: we painted them, put paints on the paper - it blurred and flowers came out». Here he also explained the title - spring color 'lalazar'. Remizov was working on series of Caucasian tales in 1914-16 - at that time it was called «Caucasian Prianik» (i.e. Russian cookie). The series was first published as 'Caucasian Folk Tales' in collection with other authors' works titled 'Sredi muria' (Moscow, 1917). This version differed from the final one not only stylistically but also in order of the tales. Later he tried to publish the tales as separate edition in 1919 by the title «Caucasian Churek» (here cookie naturally transformed into Caucasian bread) but it never happened. The similar series he developed during that period was «Siberian Prianik». (Prianik idea started in 1916 when Remizov was participating in charitable collective edition to help children which was called «Prianik for Orphans».) From one of his letters: «How much I dreamed about publishing it in Russia in 1919. Everything was ready and suddenly everything was gone». Only in 1922 after his emigration he published the book in Berlin in its final form.

      [Bookseller: Bookvica]
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        Le martyre d?un grand peuple.

      Paris., Jacques Makowsky 1922 - 288 S. (fortl. pag.]. 4°, ill. OLn. Frz. In acht Folgen zahlr. und teils farbig bebilderte chronologische Darstellung von der russischen Oktoberrevolutuion bis zu den Wirren des Bürger- und Interventionskrieges 1922. Einband Umschlag der ersten Folge lose und mit Randläsuren. Alle weiteren Umschläge gleichfalls stellenweise mit kleineren Einrissen und Randläsuren. Sehr selten! 3000 gr. [Attributes: Hard Cover]

      [Bookseller: Rotes Antiquariat]
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        Approximations

      1922. Plon, Paris 1922, 12x19cm, broché. - Plon, Paris 1922, 12x19cm, broché. - Edizione su carta courant.Exceptionnel invio autografo dell'autore Marcel Proust firmato: "Per Marcel Proust / benvenuto, caro amico, queste pagine che già conosci come espressione molto imperfetta della mia profonda ammirazione / Quale di queste approssimazioni. avete dedicato, mi sento particolarmente il frammentato e unilaterale. / Non trovi quello che Sainte-Beuve (hai solo criticato consapevolmente) avrebbe definito "un primo attacco con le forbici" (anche improprio, si dice che i suoi confronti con scalpello). / me La vostra causa è troppo prezioso e troppo costoso quindi non ho la prova, il vostro monumento completato, "avvicina" di più. / Penso spesso a te, voglio sapere che la vostra salute non fa soffrire troppo, ti amo e causare infinite per via orale. / Ma io rispetto le tue ragioni, anche quando mi sfuggono. / In nessun caso mai dubbio di la fedeltà del mio affetto. / Il tuo Charles du Bos 3 Luglio 1922 "Una piccola macchia marginale sul primo corso, due piccoli strappi bloccato indietro nel piede posteriore, con un paio di foglie non tagliate piccoli strappi e spostamenti copia marginales.Unique. [FRENCH VERSION FOLLOWS] Edition originale sur papier courant. Exceptionnel envoi autographe signé de l'auteur à Marcel Proust : "Pour Marcel Proust / accueillez, cher ami, ces pages que vous connaissez déjà comme un bien imparfait témoignage de ma profonde admiration. / Celle de ces approximations qui vous est consacrée, j'en sens tout particulièrement le caractère fragmentaire et unilatéral. / N'y voyez que ce que Sainte-Beuve (que vous seul avez critiqué en pleine connaissance de cause) aurait appelé "une première atteinte au ciseau" (aussi impropre, allez-vous dire, que ses comparaisons avec le burin). / Votre oeuvre m'est trop précieuse et trop chère pour que je n'essais pas, votre monument terminé, "d'approcher" davantage. / Je pense bien souvent à vous, je voudrais savoir que votre santé ne vous fait pas trop souffrir, j'aimerai causer interminablement avec vous et de vive voix. / Mais je respecte vos raisons même lorsqu'elles m'échappent. / En nul cas ne doutez jamais de la fidélité de mon affection. / Votre Charles du Bos 3 Juillet 1922." Une petite tache marginale sur le premier plat, deux petites déchirures recollées en pied du dos, quelques feuillets mal découpés avec légères déchirures marginales. Unique et émouvant exemplaire.

      [Bookseller: Librairie Le Feu Follet]
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        Wonder Book, A

      1922. One of Six Hundred Copies Signed by Arthur Rackham[RACKHAM, Arthur, illustrator]. HAWTHORNE, Nathaniel. A Wonder Book. Illustrated by Arthur Rackham. London: Hodder & Stoughton,1922. Deluxe Edition, limited to 600 copies (of which this is # 439), signed by the artist. Large quarto (11 3/16 x 8 7/8 inches; 284 x 227 mm.). viii, 206 pp. Twenty-four color plates, sixteen of which are mounted on cream paper (with descriptive tissue-guards), twenty drawings in black and white. Publisher's cream cloth over boards, front cover pictorially stamped and lettered in gilt, spine lettered in gilt, top edge gilt, others uncut, pictorial endpapers. Two top corners slightly bumped, otherwise a near fine copy."The moment one opens Hawthorne's Wonder Book one becomes aware of the rounding and softening of form in Rackham's work. The modern Pandora of Hawthorne opens her box for the world in 1922, and she is a very living young girl, with breasts just beginning to swell, indicating that Rackham was aware of the undertones of this story which is being retold with every lifetime." (Gettings, Arthur Rackham, p. 121).Lattimore and Haskell p. 55. Riall p. 146. Gettings p. 179.

      [Bookseller: David Brass Rare Books, Inc.]
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        Daido Sekibutsuji

      Nihon Bijutsu Gakuin 1922 - A fascinating text on the Buddhist cave art found in the Yungang Grottoes, Datong, Shangxi, China, replete with illustrations. A designated UNESCO World Heritage Site, the Yungang Grottoes (made up of 252 grottoes in total), are home to over 51,000 Buddhist sculptures and statues. First edition, first printing. Number 522 of a limited edition of 600 copies. Includes 2 colour plates with tissue guards, and numerous other b&w plates (some folding) and cuts. Wear to edges and a few scrapes, particularly to the outer lower corner of the back cover, where there is a loss of about 8mm. Spine slightly browned. Occasional marks and browning throughout, as usual. Ex-ownership inscription in Japanese to front free endpaper. Comes with rare original slipcase, a little soiled, bumped, and foxed. Otherwise in nice condition. Gilt to head, foot deckled. Quarter-cloth binding. Text in Japanese. 7, 11, 8, 351 p. [Attributes: First Edition; Hard Cover]

      [Bookseller: Kagerou Bunko (ABAJ, ILAB)]
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        In Stahlgewittern. Aus dem Tagebuch eines Stoßtruppführers. Mit dem Bilde des Verfassers.

      Berlin Mittler 1922 - VIII,248 S. neuerer Pappband mit aufgezogenem Orig.-Broschurdeckel. Zweite veränderte Ausgabe, zugleich die erste im Buchhandel.- WG. 3;- Papierbedingt gebräunt, Name auf Zwischenblatt, Orig.-Broschur berieben. [Attributes: First Edition]

      [Bookseller: Antiquariat Eckert & Kaun GbR]
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        Westwego, poème 1917 - 1922

      Editions de la librairie Six, 1922. - Editions de la librairie Six, Paris 1922, 16,5x23,5cm, broché. - Prima edizione, uno dei 300 esemplari numerati su cui, la nostra non è giustificata, con un pareggio e 15 3 Giappone Olanda. Un posto piccolo, senza capo gravità del secondo piano, altrimenti bella copia. Rare. - [FRENCH VERSION FOLLOWS] Edition originale, un des 300 ex numérotés sur vergé, le nôtre non justifié, seul tirage avec 3 Japon et 15 Hollande. Une toute petite tache sans gravité en tête du deuxième plat, sinon agréable exemplaire. Rare.

      [Bookseller: Librairie Le Feu Follet]
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        The Worst Journey in The World:

      London: Constable and Company Limited,, 1922. Antarctic 1910?1913. 2 volumes, octavo. Original natural linen-backed pale blue boards, printed paper labels to spines, blue endpapers. Colour frontispieces with tissue-guards, 4 other coloured plates in all, 43 black and white plates, 5 maps, 4 of them folding. Some wear to tips, boards a little discoloured, front hinge of vol. I cracked but holding. A very good set. First edition, in Cherry-Garrard's preferred "Polar" binding of cloth-backed boards. "Cherry-Garrard seems an unlikely hero of Antarctic exploration, but he has achieved that status largely through this book? a young but wealthy patrician, near-sighted and frail, he paid his way onto the crew as an assistant zoologist, but performed splendidly in many harrowing situations" (Books on Ice). The "worst journey" referred to in the title is not "Scott's ill-fated rendezvous with death," but the earlier Ross Island Winter Journey, from Cape Evans to the penguin colony at Cape Crozier, with Edward Wilson and Henry "Birdie" Bowers. Both of his companions on this trip were to die on the Southern Journey with Scott, Cherry-Garrard being with the last group sent back before the final assault on the South Pole, he was also sent to rendezvous with the returning party of Scott and his four companions, and was the discoverer of the tent and their frozen bodies. The set is "widely regarded as the masterpiece of polar exploration."

      [Bookseller: Peter Harrington]
 29.   Check availability:     Biblio     Link/Print  


        Jacob's Room

      Hogarth Press, 1922 A very good first edition with 1922 on the title page and no text on verso. One of 2,000 copies. Housed in a custom-made collector's slipcase.. 1st Edition. Hardcover. Very Good/No Jacket.

      [Bookseller: Bookbid Rare Books]
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        1922 Original Hardback Wisden Almanack - Signed by Pardon to Caine

      Hi, This lot is a 1922 Original Hardback Wisden Almanack in OK Condition, 1922s do not come in very good very often and there are nicer condition 1922s out there but this one is special as it is a presentation Wisden Almanack, it is signed by the Editor Sydney H Pardon to Caine (future editor) on the title page. So condition, first off the gilt is bright to front and spine , the boards however are dark and marked and there is a lot of wear between the spine cloth and the front/back boards. Inside the hinges are strong but some yellow coming away to the front hinge. A bit grubby inside but not too bad. Great Photoplate. Sticker to first page.

      [Bookseller: Wisdenshop.com]
 31.   Check availability:     IOBABooks     Link/Print  


        The Writings of Lafcadio Hearn. 16 Volume Set. 1922, Limited First Edition of 750 Copies

      Houghton Mifflin, 1922-01-01. Hardcover. Very Good. Signed. 16 volume set. Limited edition, no. 35 of 750. Bound in handsome crushed moroccan leather binding over brown linen boards. Gilt ruled. Top edges gilt. Minor shelf wear. Manuscript leaf written by Hearn at start of vol. 1. Signed by the Japanese widow of Hearn. Octavos, 23 cm. 16 color frontises. Each plate accompanied by guard sheet with descriptive letterpress. Half-title; each volume has also special title page. Many photogravures. <br> BAL 7977. Large-Paper Edition. First Appearance of "Creole Sketches."<br> Contents: I. Leaves from the diary of an impressionist. Creole sketches and Some Chinese ghosts.--II. Stray leaves from strange literature and Fantastics and other fancies.--III. Two years in the French West Indies, vol. I. Appendix: Some Creole melodies.--IV. Two years in the French West Indies, vol II. China and Youma.--V-VI. Glimpses of unfamiliar Japan.--VII. Out of the East and Kokoro.--VIII. Gleanings in Buddha-fields and The romance of the Milky Way.--IX. Exotics and retrospectives and In ghostly Japan.--X. Shadowings and A Japanese miscellany.--XI. Kotto and Kwaidan.--XII. Japan, an attempt at interpretation.--XIII-XIV. Life and letters, ed. by Elizabeth Bisland, vol. I-II.--XV. Life and letters, ed. by Elizabeth Bisland, vol. III and Japanese letters.--XVI. Japanese letters, ed. with an introduction by Elizabeth Bisland.<br> This is an oversized or heavy book, that requires additional postage for international delivery outside the US.

      [Bookseller: SequiturBooks]
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        Sodome et Gomorrhe II

      Nrf, 1922. - Nrf, Paris 1922, 14,5x19,5cm, 3 volumes brochés sous coffret. - Edizione originale sulla carta corrente. Autografo Precious firmata dall'autore Henri Massis sul primo volume: "Testimonianza Vivid di Marcel Proust simpatia" Henri Massis, attento lettore dell'opera di Proust, dedicare due prove esso. Nel dramma di Marcel Proust, pubblicato nel 1937, è particolarmente interessato a Sodoma e Gomorra, e offre un'analisi "audace e quasi freudiano" del rapporto di Proust al vizio "da solo con la sua paura del male da quando perso la madre [...] [Proust avrebbe scritto] di opporsi all'idea del lavoro, l'idea di decadenza ". In Cronache, Paul Morand fa un bellissimo omaggio allo studio: "Ci sono un paio di settimane fa, Henri Massis ha pubblicato [...] un test che può essere il lavoro quotidiano di Proust che la prefazione è Claudel quella di Rimbaud; con questa differenza, però, che Claudel esplora il peccatore con meno esigenza dell'amore. Abbiamo guardato come logica classica Henri Massis entrato questo pensiero proustiana che un labirinto; la sua spiegazione cristiana dell'anima dell'autore di Sodoma e Gomorra simile a questa Cattedrale di San Tommaso che ammonta a Madras, isolati e disorientati in mezzo alla giungla orientale. » I tre volumi sono presentati in una scatola piena marocco nera, scatole della colonna decorato piatto timbrato coda freddo - date, foderato kaki interno agnello, cabinet firmato Goy & Vilaine. Copia Precious, completo in tre volumi, il volume V alla ricerca del tempo perduto arricchito inviando un autografo firmato da Marcel Proust, in un bellissimo quadro ben definito. - [FRENCH VERSION FOLLOWS] Edition originale sur papier courant. Précieux envoi autographe signé de Marcel Proust à Henri Massis sur le premier volume : « en témoignage de très vive sympathie Marcel Proust » Henri Massis, lecteur attentif de l'œuvre de Proust, consacrera deux essais à celle - ci. Dans Le Drame de Marcel Proust, publié en 1937, il s'intéresse particulièrement à Sodome et Gomorrhe et propose une analyse « audacieuse et quasi freudienne » de la relation de Proust au vice : « seul devant sa peur du mal depuis qu'il a perdu sa mère [...] [Proust écrirait] pour opposer à l'idée de l'œuvre, l'idée de déchéance ». Dans Chroniques, Paul Morand rend un bel hommage à cette étude : « Il y a quelques semaine à peine, Henri Massis publiait [...] un essai qui sera peut - être un jour à l'œuvre de Proust ce que la préface de Claudel est à celle de Rimbaud ; avec cette différence, toutefois, que Claudel se penche sur le pécheur avec moins d'exigence que d'amour. On a pu admirer avec quelle logique classique Henri Massis a pénétré dans cette pensée proustienne qui a forme de labyrinthe ; son explication chrétienne de l'âme de l'auteur de Sodome et Gomorrhe ressemble à cette cathédrale de Saint - Thomas qui s'élève à Madras, isolée et dépaysée au milieu de la jungle orientale. » Les trois volumes sont présentés dans un coffret en plein maroquin noir, dos lisse orné de caissons estampés à froid, date en queue, intérieur doublé d'agneau kaki, coffret signé Goy & Vilaine. Précieux exemplaire, complet en trois volumes, du tome V de à la recherche du temps perdu enrichi d'un envoi autographe signé de Marcel Proust, dans un superbe coffret parfaitement établi.

      [Bookseller: Librairie Le Feu Follet]
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        The Worst Journey in The World: Antarctic 1910&#150;1913.

      London: Constable and Company Limited, 1922 - 2 volumes, octavo. Original natural linen-backed pale blue boards, printed paper labels to spines, blue endpapers. Some wear to tips, boards a little discoloured, front hinge of vol. I cracked but holding. A very good set. Colour frontispieces with tissue-guards, 4 other coloured plates in all, 43 black and white plates, 5 maps, 4 of them folding. First edition, in Cherry-Garrard's preferred "Polar" binding of cloth-backed boards. "Cherry-Garrard seems an unlikely hero of Antarctic exploration, but he has achieved that status largely through this book a young but wealthy patrician, near-sighted and frail, he paid his way onto the crew as an assistant zoologist, but performed splendidly in many harrowing situations" (Books on Ice). The "worst journey" referred to in the title is not "Scott's ill-fated rendezvous with death," but the earlier Ross Island Winter Journey, from Cape Evans to the penguin colony at Cape Crozier, with Edward Wilson and Henry "Birdie" Bowers. Both of his companions on this trip were to die on the Southern Journey with Scott, Cherry-Garrard being with the last group sent back before the final assault on the South Pole, he was also sent to rendezvous with the returning party of Scott and his four companions, and was the discoverer of the tent and their frozen bodies. The set is "widely regarded as the masterpiece of polar exploration." Books on Ice 61.12; Howgego, IV, S14; Renard, 305; Rosove 71.A2; Spence 277. [Attributes: First Edition]

      [Bookseller: Peter Harrington. ABA member]
 34.   Check availability:     AbeBooks     Link/Print  


        Sasha Morgenthaler sitzt im Sofa. Original Kohle-Zeichnung

      1922 - 1922. Bildgrösse: 54x37 cm. Unten links monogrammiert und datiert. In Glasrahmen 70x55 m. [Attributes: Signed Copy]

      [Bookseller: Biblion Antiquariat]
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        Barlach, Ernst. - "Der Henker".

      - Lithografie / Kreidelithografie, in Schwarz, auf hellgelbem J.W.-Zanders-Bütten, 1922. Von Ernst Barlach. Auflage Exemplar Nr. 35/104. 52,6 x 42,8 cm (Darstellung / Druckbild) / 93 x 63 cm (Blatt). Laur 73.03. Schult 197. Rechts unten in Bleistift signiert: "E Barlach". Links Auflagenbezeichnung. In der Blattecke links unten bezeichnet: "Der Henker". - Aus der Folge "Die Ausgestoßenen". - Unbeschnittenes originalrandiges Blatt. Partiell leichte Lagerspuren. Die Blattkante rechts mit drei kurzen restaurierten Rissen. Insgesamt noch guter Zustand. Ernst Barlach (1870 Wedel/Holstein - 1938 Rostock). Deutscher Bildhauer, Schriftsteller und Zeichner. Bedeutender Vertreter des Deutschen Expressionismus. Schuf neben den wesentlichen Holz- & Bronzeplastiken auch ein umfangreiches Oeuvre an Zeichnung, Druckgrafik und v.a. dramatischer Literatur. 1888-91 Studium an der Kunstgewerbeschule in Hamburg. 1891-95 Studium an der Kunstakademie in Dresden, danach Meisterschüler bei Robert Diez. Ab 1897 freischaffender Künstler. 1905 Lehrer an der Fachschule für Keramik in Höhr-Grenzhausen (Westerwald). 1906 Reise nach Russland, deren Eindrücke sein Werk stark beeinflussten. 1907 Ausstellung der von Richard Mutz ausgeformten farbigen Terrakotten "Russische Bettlerin mit Schale" und "Blinder russischer Bettler" im Frühjahrssalon der Berliner Secession. Ab 1909 Stipendiat der Villa Romana in Florenz. Ab 1910 regelmäßige Ausstellungen bei der Berliner Secession, des Sonderbundes und beim Kunstsammler Paul Cassirer in Berlin. Nach dem Umzug nach Güstrow in Mecklenburg entstehen seine Hauptwerke. 1915 Einberufung zum Landsturm im Ersten Weltkrieg. Danach Auseinandersetzung mit den Kriegserlebnissen. 1925 Ehrenmitglied der Akademie der Bildenden Künste München. 1927 "Der Schwebende" als Ehrenmal für die Gefallenen im Güstrower Dom. 1932/33 zunehmende Anfeindungen aus nationalsozialistischen Kreisen. 1937 Ausstellungsverbot. [Attributes: Signed Copy]

      [Bookseller: GALERIE HIMMEL]
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        Eigenh. musikalisches Albumblatt mit U.

      O. O., 1. XI. 1922. - 1 S. Qu.-4to. 35 Takte aus dem "Leichtsinn-Lied" und 5 Strophen Text. - Paul Mestrozi war Kapellmeister des Theaters in der Josefstadt und Mitglied des Hofburgtheater-Orchesters sowie der Hofkapelle. Später Eigentümer und Direktor des Fürst-Theaters im Prater und Leiter des Theaters in Wiener Neustadt, verfaßte bzw. komponierte Mestrozi neben zahlreichen Sprechstücken humoristischer Art auch Märsche, Walzer, Chöre u. a. Vgl. Eisenberg, Das geistige Wien, s. v. - Die Noten in Bleistift, der Text in Tinte.

      [Bookseller: Antiquariat INLIBRIS Gilhofer Nfg. GmbH]
 37.   Check availability:     ZVAB     Link/Print  


        Die Meistersinger von Nürnberg (Faksimile der Reinschrift der autographen Partitur) 1. Auflage

      München, Drei Masken Verlag 1922 - 462 S. HIER: Nr. 67/410 36 x 29 cm Halbleder, Marmorpapierbezug, Einband leicht berieben, Buchecken min. bestoßen, insges. gutes Ex. Eines von 410 arabisch numerierten Exemplaren (Gesamtauflage 530 Exemplare). Aus dem Druckvermerk: "Das Autograph der vollständigen Partitur von Richard Wagners "Die Meistersinger von Nürnberg" wurde im Auftrag des Drei Masken Verlags in München im Laufe des Jahres 1922 erstmalig reproduziert. Das Originalmanuskript, von Richard Wagner einst König Ludwig II. überreicht, ist 1902 durch Schenkung des Prinzregenten Luitpold aus der Schatzkammer der Münchener Residenz in den Besitz des Germanischen Museums in Nürnberg übergegangen. Der Druck dieser Faksimile-Ausgabe erfolgte durch die Kunstanstalt Obernetter in München. Die einmalige Auflage beträgt 530 Exemplare, von denen 500 in den Handel gelangen, und zwar 90 Exemplare numeriert von I bis XC und 410 Exemplare von 1-410." [Attributes: Hard Cover]

      [Bookseller: ANTIQUARIAT H. EPPLER]
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        Die Flucht aus den Bleikammern Venedigs.

      Bln., Tillgner 1922, 4°, dunkelbl.Or.-Led.m.Deckel-u.RVerg.102 S., 6 ganzs.Or.-Radierungen v.Magnus Zeller.(3.Tillgner-Druck).Lang 376.Druck in der Fridericus-Antiqua in 500 num.Expl.1 von 150 Expl.d.Vorzugsausgabe a.unbeschnittenem Zandersbütten, jede Graphik vom Künstler signiert.

      [Bookseller: Antiquariaat DIE SCHMIEDE]
 39.   Check availability:     NVvA     Link/Print  


        Marc Chagall Verzeichnis der Kupferstiche, Radierungen und Holzschnitte von Marc Chagall. Bd.1: Werke 1922-1966. Bern 1970. 4to. 250 S. Mit 123 Abb. Orig.-Leinenbd.

      - Eines von 150 numerierten Exemplaren der Vorzugsausgabe mit einer farbigen Orig.-Radierung "Liebespaar mit Pferd" (Kornfeld 118). Das Impressum von Marc Chagall signiert. Das Werkverzeichnis der Kupferstiche, Radierungen u. Holzschnitte von 1922-1966. 2 weitere Bände werden die Radierungen zur Illustration der 3 großen Bücher "Gogol, Les Ames mortes, La Fontaine, Les Fables u. Bible", sowie Radierungen u. Kupferstiche nach 1966 enthalten, sind aber noch nicht erschienen. - Freitag 1572. [Attributes: Signed Copy]

      [Bookseller: Antiquariat Schmidt & Günther]
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        Ulysses

      London: for the Egoist Press by John Rodker,, 1922. Quarto. Original blue wrappers, titles to cover in white. Backstrip of wrappers restored, wrappers lightly spotted, with extremities rubbed and nicked. An excellent copy, internally fresh. First UK edition, printed in France, and the second printing overall. Number 1463 of 2,000 numbered copies (of which 500 copies were reportedly destroyed by US Customs).

      [Bookseller: Peter Harrington]
 41.   Check availability:     Biblio     Link/Print  


        IN MEMORIAM: WINIFRED LICHTENAUER KOHLER, 1880 - 1922.

      No Place[New York]: No Publisher, 1922. 1st edition. Original string - bound paper wrappers, 8vo 10 pages. Includes portrait. 23 cm. SUBJECT (S) : Funeral sermons, English. Kohler, Winifred Lichtenauer, 1880 - 1922. Henry Street Settlement (New York, N. Y. ) National Council of Jewish Women. Winifred Lichtenauer Kohler was the daughter - in - law of Kaufmann kohler and the wife of Max J. Kohler. Real photo tipped in as frontis. OCLC lists 3 copies worldwide (JTS, HUC, Harvard) , none outside the Northeast. Light wear, Very Good Condition. Very Scarce. (KH - 3 - 5A)

      [Bookseller: Dan Wyman Books LLC]
 42.   Check availability:     maremagnum.com     Link/Print  

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