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Displayed below are some selected recent viaLibri matches for books published in 1920

        Mezhdunarodnoe polozhenie i III kommunisticheskii International (Rech', proiznesennaia na 2-m kongresse) [The international situation and the third communist International. A speech held during the Second Congress].

      Moscow, Izdanie Moskovskogo Gubernskogo Soiuza Rabochikh Poligraficheskogo Proizvodstva, 1920. - 19 pp. Original printed wrappers. 8vo. A very unusual edition of Lenin's speech, also published the same year by the State Publishing House as part of the series "Rechi i besedy agitatora." The present edition is not priced and features the words "A gift to the peasant from Moscow printers" ("Podarok krest'ianinu ot moskovskikh pechatnikov"). It appears to be abridged and the text differs somewhat from the "Rechi i besedy agitatora" edition. KVK, OCLC show a single copy at Hoover. [Attributes: Soft Cover]

      [Bookseller: Antiquariat INLIBRIS Gilhofer Nfg. GmbH]
 1.   Check availability:     AbeBooks     Link/Print  


        Michael Robartes and the Dancer.

      Dundrum: The Cuala Press,, 1920. Octavo. Original cloth-backed blue boards, printed paper label to spine, titles to front cover in black, blue endpapers. Covers lightly marked, front free endpaper slightly creased. An excellent copy. First edition, first impression. One of 400 copies printed. Michael Robartes was a mysterious character, the leader of the fictional Order of the Alchemical Rose, first created by Yeats for his short story "Rosa Alchemica" in The Secret Rose (1898). In this collection Yeats posited Robartes as his real source for the mystical wisdom of an obscure Arab sect called the Judwalis, which Yeats then claimed to be channelling in his poetry. The work is an attractive and important volume, and an early example of Yeats's mysticism entering into his verse. This collection contains the poems (notable for their mythical imagining of contemporary politics) "Easter, 1916" and perhaps Yeats's most famous poem, "The Second Coming".

      [Bookseller: Peter Harrington]
 2.   Check availability:     Biblio     Link/Print  


        [Photo Album]: Panama Canal and the Coast of Chile

      Panama Canal Zone and Chile, 1920. Near Fine. Folio. Measuring 12" x 14". Brown leather album with gilt and blind stamped decorations. Contains 274 sepia toned or black and white gelatin silver photographs measuring around 3.5" x 5", with a few scattered captions. Album has a cracked front hinge, rubbing on the leather, and waviness thus good only with near fine photographs.A photo album kept during a cruise through the Panama Canal and down the coast of South America to Chile around 1920. The album begins with a trip through the Panama Canal which had officially opened in 1914. Photos of the deforested banks of the area, a few inland scenes, and nearby towns are seen in the section which shows travel through the canal. The mechanism of the canal can also be seen in amateur snapshots taken while the ship passed through. The trip continues down the coast of South America. Penciled captions appear on a few occasions identifying the cities of Pisco, Peru; Antofagasta, Chile; and Tocopilla, Chile. The photos from the various ports and cities visited show the local people of the town, with an emphasis on children, as well as the towns themselves. Here the people of South America are seen on horseback herding animals and shopping at the town markets. One photo shows a man on a dirt road, on the back of a donkey going into town. The changing infrastructure of the area can also be seen with photos of recently added railway stations and cars juxtaposed next to villagers who continued to use the traditional methods of transportation, such as the aforementioned donkey. The South American coast is seen here both from the boat and on foot. The compiler ventured outside of town to document the natural beauty of the countryside including a hike into the Andes and fishing expeditions. Many of the photos show the onboard life of the travelers fraternizing with crew members between stops, as well as photos of them sunning on the decks, ship's rigging, and passengers they befriended along the way.An extensive collection of photographs depicting South American travel and relatively early documentation of the Panama Canal.

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
 3.   Check availability:     Biblio     Link/Print  


        Vom Bauen und Wohnen im neuen Palaestina (Building and Housing in New Palestine)

      Berlin: Welt-Verlag, 1920. First edition. Softcover. g to vg. Folio (12 1/2 x 9 3/4"). 56pp. Original printed wrappers. Lavishly illustrated throughout with 54 in-text photogravures, architectural drawings and floor plans, Alexander Levy's "Building and Housing in New Palestine" is the most comprehensive architectural study on inexpensive and rapid building construction in the early days of the Zionist movement. The author meticulously and methodologically reviews the most advanced European theories and studies relevant to the topic and concludes with concrete and realistic recommendations for implementation. The plan covers such topics as the role of the company in initiating and executing building construction, the crucial availability of materials, the presentation of different types of accommodations, and the utilization and standardization of materials and labor techniques.Laid in, 13 typed leaves bearing the heading of the "Bureau de Correspondance Juive Zurich" with the draft of an article titled "Normalisierung und Typisierung - welche Masse? (Grundsätzlicher Vorschlag an die Palästina-Baugesellschaft.)" by Norbert Weldler (1884-1961), the publisher of the "Zürcher Bücherblattes" and head of a Swiss Zionist association. Each leaf has been annotated and/or underlined by Weldler himself.Moderate creasing along spine. Tail of spine and fore-edge of front cover slightly and partly water-stained. Lower corner of pp. 31-56 water-stained (not affecting lettering). Text in German. Wrappers in overall good, interior in good to very good condition. About the author: Architect Alexander Levy (1883-1942) expressed interest in Zionism after finishing his studies in architecture and starting work for a building company in Berlin in 1907. A year later, he offered his services as an architect to Arthur Ruppin (1876-1943), then the director of the Palestine Office of the Zionist Organization in Jaffa. In the Spring of 1919, with the support of the Association of Jewish Architects and Engineers, Levy founded a new organization, the Association of the Builders of the Land of Israel. The goal of the association was to resolve the problems of building and housing in Palestine accompanying the anticipated mass immigration of Jews to the Land of Israel. In May of the same year, the association organized a conference on future building in Palestine, including an exhibition of plans and models of housing solutions. The ideas introduced in the exhibition were published with plans and photos by Alexander Levy in Davis Trietsch's magazine "Volk und Land." Levy's essay in this magazine, titled "Vom Bauen und Wohnen im neuen Palaestina" (Building and Housing in New Palestine) spread over four issues between September and November 1919. Most of the text and portion of the illustrations of the future Levy's book were already published in Trietsch's "Volk und Land." Due to financial problems, Alexander Levy moved back to Berlin in 1927. He left Germany in 1933 after Hitler's rise to power, but was arrested in occupied France in 1942, and deported to Auschwitz were he was murdered soon after his arrival.

      [Bookseller: Eric Chaim Kline - Bookseller ]
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        Erotische Studien. 9 farbig aquarellierte fotografische Abzüge von erotischen Originalzeichnungen.

      Um 1920. - Von 22 x 11,5 cm bis 28 x 23 cm. 8 unter Masken, 1 Kunstkarton montiert. Unter dem Titel Erotische Grotesken erschien um 1920 ein Mappenwerk mit 12 kolorierten Radierungen, signiert 'Pipifax'. 4 der Radierungen liegen hier vor als fotografierte Zeichnungen mit kleinen Varianten, 1 weitere Radierung weist eine grössere Variante zu der fotografischen Fassung auf. (In der Mappe betitelt mit 'Wiederbelebungsvariante' und 'Der Damenschneider'). Die anderen 4 Blätter sind eindeutig im Stil der Mappe gezeichnet, sind jedoch vollkommen eigenständige Motive. Sie scheinen Vorstudien gewesen zu sein, die dann nicht in das Mappenwerk aufgenommen wurden. Jedes Blatt in der Abbildung mit 'H. L.' signiert. Die Vermutung, dass Pipifax eigentlich ein Pseudonym von Max Liebermann ist, dürte damit widerlegt sein. Einige der Abzüge mit kleinen Randläsuren und schwachen Feuchtigkeitsspuren des Aquarells. Eine Maske beschädigt. [Attributes: Signed Copy]

      [Bookseller: Antiquariat Ars Amandi]
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        Astrophotography: Original Astronomical Photograph Of Galaxy Ngc 2029, The Horse Head Nebula, From Carnegie Institution Mt Wilson Observatory

      Pasadena Circa 1920/ 1940: Carnegie Institution, Mt Wilson Observatory, 1930. Original Astronomical Photographs . No Binding. Near Fine/No Jacket. Original Astronomical Photograph Approximately 19 1/2" X 15 7/8". Near Fine, Three Faint 1" Creases In Bottom Half Of Photograph.

      [Bookseller: Arroyo Seco Books]
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        Fairy Tales.

      New York: Charles Scriber's Sons, 1920 - Octavo. Original black cloth, spine lettered in gilt, illustrated label to front cover, illustrated endpapers. Colour frontispiece with tissue guard, title vignette, 11 colour plates, all by Abbott. First edition, first printing. This edition of the Brothers Grimm's classic tales is illustrated by the American artist Elenore Abbott, who also illustrated numerous children's books in the early twentieth century including Robert Louis Stevenson's Treasure Island, Johann David Wyss's Swiss Family Robinson, and Louisa May Alcott's Old Fashioned Girl. [Attributes: First Edition]

      [Bookseller: Peter Harrington. ABA member]
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        [Photo Album]: Oklahoma A & M College Scrapbook and Photo Album

      Oklahoma, 1920. Very Good. String-tied oblong quarto cloth album measuring 13" x 10" and decorated with the seal of Oklahoma A&M College stamped on the front board. A collection of 280 sepia toned or black and white photographs measuring between 1" x 1" and 3" x 5", some with captions, and related ephemera. A very good photo album with rubbing and edgewear containing near fine photographs. A scrapbook and photo album kept by sorority girl Kathryn Bellamy while she attended Oklahoma A&M College during the 1920s. The beginning of the album is a scrapbook complete with invitations to parties and graduation ceremonies, programs from college performances, newspaper clippings, and student membership cards to various organizations including the Business and Professional Women's Club, ballet classes, and Kappa Phi Beta. The "Rushing Rules," which are included here in a tipped in pamphlet, include "there shall be no men guests of the fraternity and no rushee shall be allowed to have a date with a man during rushing season" and a fine of at least $25 for breaking rules. Bellamy was also a part of the Business and Professional Women's Club of Okmulgee, Oklahoma, her membership cards can be seen here dated July 1923. The latter half of the album contains photos from school, of the buildings and activities, as well as photos around Oklahoma, including hiking and camping trips, and two photos show an A&M baseball player posing in a field. Bellamy captured her school and home life with candid snapshots of friends and fellow sorority sisters. An extensive look at a young woman's college life.

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
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        Das Naschkästchen

      Arcadien 1920 - Das Naschkästchen. Zwölf Kupfer von F[ranz] Christophe. - [Berlin] : Arcadien, 1920. 1 Bl., 12 Bl. : Kupferst. 24 x 14 cm. In Kassette. - Nr. 29 vom 30 Ex., nicht im Handel ersch. - Taf. in verschied. Farbtönen gedruckt, unter Passep. montiert /Kass. gebrauchsp., Rückengelenke angeplatzt/

      [Bookseller: Antiquariat Hardner]
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        LE LIVRE DES MILLE NUITS ET UNE NUIT. Traduction littérale et complète du J.C. Madrus.

      Fasquelle, 1920. In-4, voll. 8, bella legatura edit. in mz. pelle, dorso a cordoni con deliziosa decoraz. a colori e oro in stile orientale e tit. oro su doppio tassello, tagli sup. dorati, pp. (4),395; (4),347; (4),339; (4),315; (4),355; (4),371; (4),371; (20),347. Ogni pagina del testo è inquadrata in cornice con fregi colorati. Magnifica ediz. d'arte illustrata da compless. 156 tavv. a colori f.t. che riproducono in facsimile miniature tratte da antichi manoscritti indiani e persiani. "Cette édition est illustrée par le fac-similé des miniatures, encadrements et enluminures qui ornent les manuscrits originaux persans et hindus. Chromotypes gravés par Mulot, Kriéger et C.ie. . Planches en couleurs tirées par G. de Malherbe". "J.C. Mardrus' (1868-1949) translation caught the literary mood of the time.. Much the best version of the Nights in any language (T.E. Lawrence)". Cfr. Carteret,IV, p. 281: "Belle édition recherchée et très cotée". Esempl. molto ben conservato.

      [Bookseller: Libreria Antiquaria Malavasi]
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        John Wisden's Cricketers' Almanack for 1920 - 1920 Original Hardback Wisden,

      1920. Hi, This lot is a 1920 Original Hardback Wisden This Wisden, a hard one to find, is in very good condition for the year. The boards are very nice , bright gilt and no real marks to mention. Internally the pastedowns are the usual darker yellow and the hinges are very good, clean pages inside and a great photoplate page 195 has a mark.

      [Bookseller: Wisdenshop.com]
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        Der Neue Excentric Club Spannende Sport-Erzählungen No 1 (1920) through No 534 (1927) (all published)

      A complete run of 534 issues in 25 volumes of the second series of the German-language dime novels about the character Percy Stuart, an English Lord who wants to become a member of the Excentric Club in London and must complete 197 tasks (one for each member of the club) to gain admittance, each issue with a colorful illustration to the cover. 16mo. Cloth-backed boards with hand-illustrated labels mounted to covers and hand-written titles to spines, orig. pictorial wrpps. bound in. Some slight rubbing. Dresden (Mignon) 1920-1927. The first series appeared from 1913 to 1916 under the title "Lord Percy vom Excentric Club", and changed Percy to an American millionaire after the UK became an opponent to Germany during World War I. In 1916, when the United States became more allied with the UK, the German military authority banned publication of the series. The Augsburger Tag publishing house tried to revitalize the series in 1950, but it ceased publication after only one volume was printed. From 1969 to 1979, a series loosely based on the novels, called "Percy Stuart", ran on German TV for 52 episodes. As of December 2017, WorldCat does not locate any holdings of this series in North America.

      [Bookseller: F.A. Bernett Books]
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        Allons Enfants De La Patrie !

      Maison Alfred Mame et Fils, Tours 1920 - RICHEPIN Jean et JOB - Allons Enfants de la Patrie ! 33 poèmes de Jean Richepin (de l'Académie française) et Images de Job - Tours, Maison Alfred Mame et Fils, 1920 - EDITION ORIGINALE - Grand in 4° de 145 pages - 33 illustrations à pleine page en noir, 33 en couleurs hors-texte, vignettes dans le texte en noir - Reliure demi-maroquin à coins havane, dos à 3 nerfs, pièce d'auteurs peau noire, titre "or" (une tache sur le plat superieur), tête dorée, couverture illustrée en couleurs conservée, un peu déboitée - Complet - Bon état - FRAIS de PORT (DONNES à TITRE INDICATIF par le site) ETABLIS, AJUSTES en fonction du POIDS, VALEUR et DESTINATION (variable selon PAYS) DE L'OUVRAGE, envoi en RECOMMANDE dès 40€ Poids : 1 kg 750 Size: Grand in 4° [Attributes: First Edition; Hard Cover]

      [Bookseller: librairie remy]
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        Three Advantages of Having a Branch of the National Association for the Advancement of Colored People in Your Community

      NAACP c. 1920, New York - Single-fold, newsprint flyer. Chipped edges and expected aging, but overall in excellent condition for a fragile piece of ephemera. The flyer is undated, but it is probably from the 1920's. Moorfield Storey is listed as President. He served in that office from 1909 to 1929. A flyer that was no doubt distributed throughout black communities everywhere in the U.S. 'During the past 18 months 161 additional communities have discovered the advantages of linking up their local efforts with the combined efforts of the more than 225 branches and 65,000 paid up members of the NAACP.' WorldCat locates no copies in libraries. ; Large 8vo 9" - 10" tall; 4 pages [Attributes: First Edition; Soft Cover]

      [Bookseller: The Ridge Books]
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        Gespenster. Farbiges Aquarell und Bleistift auf Papier, rechts unten im Blatt mit *L (19)21 * monogrammiert und datiert, verso in Bleistift vom Künstler mit *Gespenster * bezeichnet.

      1920 - Bildmaß der Darstellung ca. 24 x 24 cm ( Höhe x Breite ), Blattmaß ca. 42,5 x 43 cm. Das Aquarell von guter Erhaltung, das Blatt im weißen Außenrand etwas fleckig, das Blatt verso zu den Außenrändern hin mit Papierstreifen verstärkt. - selten - ( Literatur: Vollmer Künstlerlexikon Band 3, Seite 169 ) ( Weitere Bilder auf Anfrage – further pics at request )( Lagerort Mappe II )

      [Bookseller: Antiquariat Friederichsen]
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        LE PERIPEZIE MONETARIE DELLA GUERRA LEZIONI TENUTE ALL'UNIVERSITA COMMERCIALE LUIGI BOCCONI, APRILE 1919

      FRATELLI TREVES, MILANO 1920 - BIBLIOTECA DI SCIENZE ECONOMICHE ITALIANO Copertina scollata dal volume. Evidenza di firma manoscritta sul margine superiore della copertina. Ingiallimento ai bordi, anche della quarta. Internamente pagine ben conservate, con ingiallimento temporale anche dei tagli.Traccie di umidità ai margini interni dell'occhiello, del frontespizio e dell'introduzione. Volume numero 4 della raccolta.

      [Bookseller: Biblioteca di Babele]
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        [Photo Album]: Panama Canal and the Coast of Chile

      Panama Canal Zone and Chile, 1920. Near Fine. Folio. Measuring 12" x 14". Brown leather album with gilt and blind stamped decorations. Contains 274 sepia toned or black and white gelatin silver photographs measuring around 3.5" x 5", with a few scattered captions. Album has a cracked front hinge, rubbing on the leather, and waviness thus good only with near fine photographs.A photo album kept during a cruise through the Panama Canal and down the coast of South America to Chile around 1920. The album begins with a trip through the Panama Canal which had officially opened in 1914. Photos of the deforested banks of the area, a few inland scenes, and nearby towns are seen in the section which shows travel through the canal. The mechanism of the canal can also be seen in amateur snapshots taken while the ship passed through. The trip continues down the coast of South America. Penciled captions appear on a few occasions identifying the cities of Pisco, Peru; Antofagasta, Chile; and Tocopilla, Chile. The photos from the various ports and cities visited show the local people of the town, with an emphasis on children, as well as the towns themselves. Here the people of South America are seen on horseback herding animals and shopping at the town markets. One photo shows a man on a dirt road, on the back of a donkey going into town. The changing infrastructure of the area can also be seen with photos of recently added railway stations and cars juxtaposed next to villagers who continued to use the traditional methods of transportation, such as the aforementioned donkey. The South American coast is seen here both from the boat and on foot. The compiler ventured outside of town to document the natural beauty of the countryside including a hike into the Andes and fishing expeditions. Many of the photos show the onboard life of the travelers fraternizing with crew members between stops, as well as photos of them sunning on the decks, ship's rigging, and passengers they befriended along the way.An extensive collection of photographs depicting South American travel and relatively early documentation of the Panama Canal.

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
 17.   Check availability:     IOBABooks     Link/Print  


        Pfirsichblüten aus China., Nachdichtungen chinesischer Lyrik. Mit 10 Steindrucken von Bernhard Hasler.

      Rowohlt Verlag,, Berlin 1920 - 97 Seiten, Kopfgoldschnitt, handgeschöpftes holländisches Bütten, Originallithographien von Hasler signiert, 35x26 cm (=Gr.-4°), nummeriertes Exemplar (Nr. 50 von 200), von Bethge signiert, Einband minimal berieben, Vorsätze leicht fleckig, Gewicht: 2500 g.

      [Bookseller: Antiquariat Klaus Medeke]
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        BRANNENBURG und Umgebung., Reliefpanorama von Brannenburg und Umgebung, die Städte als Vogelschauansichten.

      Aquarell mit Deckfarben über Bleistift, sign. "J. Ruep Mchn.", um 1920, 33 x 90 cm. Das Panorama zeigt die Bergwelt zwischen Sachrang und Leizachtal: Zahmer- und Wilder Kaiser, Petersberg, Sudelfeld, Wendelstein, Breitenstein und Rotwand, in der Ferne Hohe Tauern und Zillertaler Alpen. Fein dargestellt ist das Inntal mit Ansichten von Brannenburg, Degerndorf, Flintsbach, Nußdorf, Reisach, Nieder- und Oberaudorf, Kiefersfelden und Kufstein. - Auf Leinwand aufgezogen, minimal berieben, rechts oben kleine Fleckchen, insgesamt von frischer Gesamterhaltung. Aquarell/Zeichnung, BAYERN, Oberbayern, Panoramen

      [Bookseller: Buch- und Kunstantiquariat]
 19.   Check availability:     booklooker.de     Link/Print  


        Mezhdunarodnoe polozhenie (Rech' tov. Lenina na 1-m zasedanii II-go Kongressa Kommunisticheskogo Internationala 19-go iulia 1920 g.). S prilozheniem tezisov, priniatykh II-ym Kongressom Komm. Internationala: "Ob osnovnykh zadachakh Kommunisticheskogo Internationala." [The international situation. A speech by Comrade Lenin held on the first meeting of the Second Congress of the Communist International on July 19, 1920. Also included: "On the basic goals of the Communist International"] Rechi i besedy agitatora, no. 32.

      Moscow, Gosudarstvennoe Izdatel'stvo, 1920. - 19 pp. Original printed wrappers. 8vo. Text uncut and unopened; somewhat fragile, with light fraying to gutter of wrappers, into which gatherings are loosely inserted as issued. KVK, OCLC show the copies at Hoover, Melbourne, and the Swedish National Library. [Attributes: Soft Cover]

      [Bookseller: Antiquariat INLIBRIS Gilhofer Nfg. GmbH]
 20.   Check availability:     ZVAB     Link/Print  


        The Railway Hotel, Hangchow.

      [Hangchow] c.1920 - One leaf, 34 x 34 cm. Folded. A scarce printed broadside advertising the Railway Hotel, Hangchow, in Chinese on one side, English on the reverse.

      [Bookseller: John Randall (Books of Asia), ABA, ILAB]
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        Klingspor-Kalender fur das Jahr 1920, 1922 and 1925 - 41.

      Gebr. Klingspor 1920-1941, Offenbach am Main - 20 volumes in total. Various sizes from 12mo., to thin 8vo. Illustrated both in colour and black and white by mainly by Willi Harwerth but also by Fritz Kredel,Heinrich Holz Ernst Weiss, Printed in several types including types mainly by Rudolf Koch,with a few by Walter Tiemann, all on Zerkall paper. Mainly in the original decorated boards but 5 are in the original decorated wrappers. On the whole the condition is pretty good with some wear to a very few of the spines. Most of the numbers are exquisite examples of delicate illustration and fine typography. A really charming set. [Attributes: Soft Cover]

      [Bookseller: SOPHIE SCHNEIDEMAN RARE BOOKS, ABA, ILAB]
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        Father Tuck's RAILWAY EXPRESS PANORAMA with Moveable Pictures.

      London. Raphael Tuck & Sons Ltd.No date [circa 1920's]. Illustrated by Barnard Way. A four panel, full colour, panorama, extending to four feet [1.2 metres], showing the Flying Scotsman in a station. There are fifteen die-cut shaped figures which can be moved from panel to panel to create different scenes. Repaired tear to the flap on the final panel; pictorial bookplate of the noted railway book collector, P. H. Edwards; central joint repaired; little worn at extremities; else very good. 270 x 303 mm. Contained in a folding cloth box with leather gilt tile label to the upper cover. Scarce. An earlier version of this panorama, though not one featuring the Flying Scotsman, was issued circa 1900 by Raphael Tuck.

      [Bookseller: David Miles Books]
 23.   Check availability:     Direct From Seller     Link/Print  


        ARCTIC ORPHANS

      - PARKER,B. AND N. ARCTIC ORPHANS. London & Edinburgh.: W. & R. Chambers, no date, circa 1920. Oblong folio (12 1/4 x 9 1/2"), pictorial boards, slight tip rubbing else FINE IN DUST WRAPPER (dw chipped with a few mends). The adventures of three young polar bears that lose their parents is told in verse by B. Parker. Illustrated by N. Parker with 13 incredible full page full color illustrations plus illustrations in text, pictorial endpapers and striking color covers. One of the rarest of the Parkers' fine picture books and a beautiful copy in the rare dust wrapper. [Attributes: Hard Cover]

      [Bookseller: Aleph-Bet Books, Inc. - ABAA]
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        Benedetto Croce

      "Libreria della Diana" - Napoli, NAPOLI 1920 - ITALIANO Fascicolo degli anni '20 in stato discreto, coperta in cartoncino, piatto anteriore staccato dalla legatura, poco allentata, bordo stanco, fioritura sparsa, sporco, tagli e margini delle pagine bruniti. Antiporta, su carta patinata, con ritratto fotografico di Benedetto Croce in b. e n., fuori testo. "Questo fascicolo è destinato a totale beneficio della Biblioteca Benedetto Croce, creata in Napoli, nella scuola femminile a via F. S. Correra, da Fiorina Centi".

      [Bookseller: Biblioteca di Babele]
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        Night and Day

      New York: Doran, 1920. First Edition. Hardcover. Near fine/very good. 1st American edition of her second book, mining Shakespeare's As You Like It. Near fine (edges slightly faded), in a very good jacket, faint shadow of a number on the spine, edgetears and corner chips, but no repair, and for this jacket, more pleasing than doing good in secret and being found out by accident. In answer to Albee's question, I'm afraid of Virginia Woolf. There's not enough space here, and I'm not smart enough, nor enough of a researcher to tell you much about her you don't already know, but I'll take my shot at stepping into the shoes of a great lady, and externally considering her for a paragraph attentive to outside events that invaded her inner peace and twisted her life, all because no one ever told her that detachment is the sure, and only, road to serenity She was entitled. Her mother was a Pre-Raphaelite model so she got her babeness by gene. Her father was a Sir of letters with a gigantic personal library, and as a result her home-schooled education was an erudite exhibition of late Victorian society (the way of the mouse, symbolic of industry in quiet places). At 13 her mother died and she crumpled into a (her first) nervous breakdown. She was 18 when the 20th century arrived, so she regrouped, laced her shoes tight and, like most of her generation, met it teeming with hope. But in the background, fate was already icing the stairs, and during the 20th century's first decade the dull were full of themselves, and the bright were full of doubt, so the wealth of the empires (amassed over 5 centuries) was trashed in the woodchipper of W. W. I. Virginia reeled, but she knew that a part of every process is only discipline, so she buffed-up with the competence of stout feminist instincts, and the resolve of The Little Engine That Could, became an exalted author and publisher, surrounded herself with a circle of brilliance, and pursued ideas for their own sake. Then the depression flipped her out, and W. W. II shook the ground beneath her feet (and a German bomb flattened her house), and the pressure inside her spirit began to build (you can hide the fire but you can't hide the smoke), and like the pressure in the atmosphere, she didn't sense it, but it was still there, at 15 pounds per square inch, and mistaking feeling for thinking (the undiagnosed bipolar), she guessed that 59 was old enough, and that coping might be the mesh through which real life escapes, so she spit the bit, channeled her inner Billy Joe McAllister, donned an overcoat, filled the pockets with stones, walked into the River Ouse, and never came back.

      [Bookseller: Biblioctopus]
 26.   Check availability:     Biblio     Link/Print  


        Irish Fairy Tales : Illustrated By Arthur Rackham

      The First UK Trade Printing published by Macmillan & Co. (London) in 1920. The Book is in near Fine condition. Light pushing at the spine ends. Slight dulling of the gilt to the spine. Light offsetting to the end papers. Free from inscriptions and erasures. The fragile paper WRAPPER is complete and is in Very Good+ or better condition. Some edge wear with nicks and a little creasing in places. Closed tears to the rear lower spine fold, rear flap fold and to the rear upper edge. Some tape reinforcement to the front flap fold and upper spine to the verso supporting closed tears. A little light creasing to the front panel. The wrapper presents very well and the Celtic design looks very striking in the removable brodart archival cover. Sixteen tipped-in color plates with captioned tissue guards and text illustrations in black and white by Arthur Rackham. In this book, Rackham broke new ground in the illustration of Irish literature. He had been persuaded to tackle Stephens's stories by Walter Starkie, who had vowed to give his uncle 'no peace' until he had agreed to illustrate them. In writing the stories, Stephens had attempted to create an Irish equivalent of The Arabian Nights, his own poetic retelling of the stories which existed in the oral tradition and in Gaelic texts, but which had not appeared accessibly in print. Rackham rose to the occasion, and his nephew's haunting of him was justified. The Dublin Independent was particularly warm in welcoming the collection, remarking: 'We read English tales with appreciation because pictures have familiarised us with English imagery. A Fenian tale lacks imagery because we have no art to give it colour and shape to what are presently only names. Some of Mr. Rackham's pictures are pure poems - they set you dreaming." (Hamilton, p. 128).'Rackham's two great books of the twenties were James Stephens' Irish Fairy Tales of 1920 and Shakespeare's Tempest of 1926. Beyond the softness of style and inventiveness, the most striking thing about the colour plates for Irish Fairy Tales is the felicitous and appropriate use of celtic borders' (Gettings, p. 143).Latimore and Haskell, p. 52. Riall, p. 138. Gettings, p.179. Hamilton, p. 185. A very scarce title to find with such attributes. More images are available on request. Ashton Rare Books welcomes direct contact.

      [Bookseller: Ashtonrarebooks]
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        Flappers and Philosophers

      New York: Charles Scribner's Sons, 1920 New York: Charles Scribner's Sons, 1920. First edition, first printing. Publisher's dark green cloth (Bruccoli's "B" binding), lettered in blind to front board and lettered in gilt to spine. A very good copy with some light wear and fading to spine, a faint white mark (approx. 1-inch) to lettering on front board, spine slightly shaken at a few gatherings within text block, former owner signature in pencil to front free endpaper, otherwise clean. Overall, an attractive copy. Bruccoli A6.I.a. Flappers and Philosophers, the author's first collection of short stories, followed Fitzgerald's debut novel This Side of Paradise, which brought the twenty-four-year old author much critical and commercial fame. As per Scribner's sales tactics, each collection of short stories was scheduled to follow the publication of a novel, with the goal of the short story collection feeding off the popularity of its companion novel. Flappers and Philosophers contains 8 of the author's best early stories: "The Offshore Pirate," "The Ice Palace," "Head and Shoulders," "The Cut-Glass Bowl," "Bernice Bobs Her Hair," "Benediction," "Dalyrimple Goes Wrong," and "The Four Fists." In these pieces, Fitzgerald introduces his archetypal Jazz Age characters that would come to be collectively known as the Lost Generation: attractive, impulsive young women (flappers) and licentious, nomadic young men (philosophers). . First Edition. Hard Cover. Very Good.

      [Bookseller: B & B Rare Books, Ltd., ABAA]
 28.   Check availability:     Biblio     Link/Print  


        I Nuraghi

      Tipi Cav. G. de Martini - Benevento, 1920. ITALIANO 0,03 Fascicolo degli anni '20 in stato discreto, coperta in cartoncino, pieghe, macchie, bordo e punte consumati con due piccole lacerazioni, tagli poco bruniti, pagine, in carta patinata, in stato discreto, accenno di fioritura sparsa. Su frontespizio dedica autografa dell'Autore, con luogo e data. 6 illustrazioni in b. e n. in testo, una fuori testo. Estratto dalla Rivista Mensile del Touring Club Italiano, marzo 1917. USATO

      [Bookseller: Biblioteca di Babele]
 29.   Check availability:     maremagnum.com     Link/Print  


        The Economic Consequences of the Peace

      New York: Harcourt, Brace and Howe, 1920. First Edition. Hardcover. Very Good. First edition, First Printing. Very Good, with foxing to top edge of page block, corners a bit pushed in, toning to pages and previous owner name to front paste down, in a Good dust jacket which is edge worn with chipping, toned along the edges and spine, and a bit soiled. Scarce in the dust jacket.

      [Bookseller: Burnside Rare Books, ABAA ]
 30.   Check availability:     ABAA     Link/Print  


        Voyages

      Paris: Éditions de la Galerie Simon, 1920. [28] pagine. 32x23 cm.Brossura editoriale molto ben conservata, con lievissime bruniture. 25 xilografie originali di Maurice de Vlaminck, di cui una in copertina. Custodia cartonata. Tiratura di 107 esemplari numerati (n. 80), firmati dall'Autore e dall'Artista. [M244] Maurice de Vlaminck (Parigi, 1876 - Rueil-la-Gadelière, 1958), celebre pittore francese, dopo la breve militanza nel gruppo dei "Fauves" entrò nel circolo di artisti dell'Ecole de Paris, avvicinandosi al Cubismo e all'Espressionismo. Quest'ultima corrente caratterizzò la sua produ-zione dal primo dopoguerra in poi, periodo in cui iniziò a dedicarsi anche all'illustrazione del libro. «Voyages» costituì la sua prima esperienza come illustratore.

      [Bookseller: Libreria Scarpignato]
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        La Gazette du Bon Ton - Art - Modes & Frivolités - Lucien Vogel, Directeur. N°4 - 1920 - 3e année. (Numéro complet).

      P., Edition Lucien Vogel, 1920, 1 vol. in-8 (245 x 198) en feuilles sous couverture imprimée en noir, de (5) ff. (sommaire & publicités paginés XXV à XXXIV) - 32 pp. (paginées de 101 à 132) - 8 planches H.T. (Pl. 24 à 31) - 1 cahier titré "Robes pour l'été 1920 - Le panorama est de Raoul Dufy. Les soieries sont de Bianchini Férier et Cie composées par Raoul Dufy" contenant 1 panorama dépliant formé de 4 planches couleurs numéroté "Pl. 21 à 24. Couverture assez fortement tachée, dos insolé avec petites déchirures sans manque, très bel exemplaire par ailleurs. - 8 planches hors texte coloriées au pochoir par Siméon, Charles Martin, Maurice Leroy, Zyg-Brunner, Pierre Brissaud (2), André Marty et Mario Simon pour des créations de Doeuillet, Jeanne Lanvin, Paul Poiret, Worth et Beer + 1 dépliant en 4 planches, croquis en couleurs par Raoul Dufy. Articles illustrés en couleurs : "Dernières voitures", texte de Robert Burnand, dessins de Jacques Brissaud - "1830", Henriot, Brissaud - "Psychologie de la Parure", Georges-Armand Masson, Bénito - "La découverte de l'Ile Torquate, de son influence sur les traditions du Dandysme dans les vieux pays", Pierre Mac Orlan, Martin - "Manteaux pour la mer et l'auto", Gérard Bauër, Zyg-Brunner - "Ronflonflons", Marcel Astruc, Bénito - "Rapport de M. d'Hozier", Jean de Bonnefon, Félix Lorioux - "Children's corner", Louis-Léon Martin, Maggie Salzedo. "La Gazette du Bon Ton "Art, Goût, Beauté" est une revue de mode fondée à Paris en 1912 par Lucien Vogel. Elle a paru jusqu'en 1925, avec une interruption de 1916 à 1920, soit 69 livraisons. Elle comprend 573 planches coloriées au pochoir et 148 croquis représentant des modèles de couturiers. Chaque fascicule constitue un album de luxe, imprimé sur beau papier en Cochin, caractère totalement nouveau à l'époque. De nombreux artistes y ont collaboré : Guy Arnoux, Léon Bakst, George Barbier, Benito, Pierre Brissaud, Boutet de Monvel, Umberto Brunelleschi, Chas Laborde, Jean-Gabriel Domergue, Raoul Dufy, Édouard Halouze, Alexandre Iacovleff, Jean Emile Laboureur, Georges Lepape, Charles Loupot, Charles Martin, André-Edouard Marty Ces artistes, inconnus pour la plupart lorsque Lucien Vogel fait appel à eux, imposeront une nouvelle image de la femme. Ils garderont de leur collaboration à cette revue un socle esthétique commun et exposeront leurs œuvres sous le nom de Collaborateurs de la Gazette du bon ton. Les planches représentent les robes des créateurs de l'époque : Lanvin, Doeuillet, Paquin, Poiret, Worth, Vionnet, Doucet. Certaines planches ne figurent aucun modèle réel, mais seulement l'idée que l'illustrateur se fait de la mode du jour. [ ] La naissance de la Gazette du bon ton est un événement dans l'histoire de l'édition de mode. C'est la première revue qui allie souci esthétique, exigence de beauté et d'unité plastique." (Sources Wikipédia).

      [Bookseller: Bouquinerie Aurore (SLAM-ILAB)]
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        La Gazette du Bon Ton - Art - Modes & Frivolités - Lucien Vogel, Directeur. N°6 - 1920 - 3e année. (Numéro complet).

      P., Edition Lucien Vogel, 1920, 1 vol. in-8 (245 x 198) en feuilles sous couverture imprimée en noir, de (4) ff. (sommaire & publicités paginés XLIII à L) - 32 pp. (paginées de 165 à 196) - 8 planches H.T. (Pl. 40 à 47) - 1 cahier titré "Un studio, un coin de feu, une chambre à coucher et une chambre d'enfants de Francis Jourdain" contenant 4 planches couleurs numérotées XXIX à XXXII. Dos insolé avec petit manque en bas, très bel exemplaire par ailleurs. - 8 planches hors texte coloriées au pochoir par Pierre Brissaud (3), Maurice Leroy, Zinoview, André Marty, Georges Lepape et Drian pour des créations de Doeuillet, Jeanne Lanvin, Paul Poiret, Worth et Beer + 4 planches, croquis en couleurs par Francis Jourdain. Articles illustrés en couleurs : "L'Age du Laque", texte de Henri Duvernois, dessins de Charles Martin - "Ah, mon beau chateau", Emile Henriot, Pierre Brissaud - "Les marchandes d'espoir", Sylviac, Martin - "L'impossible hallali", P.L., Eyre de Lanux - "Héraldique d'Angleterre", Jean de Bonnefon, Félix Lorioux et Catti - "Djersador d'Ispahal", Célio, Siméon - "Le divan de Véronique", Louis-Léon Martin, Robert Polack - "Avênement des Amazones", Mayotte, Bénito. "La Gazette du Bon Ton "Art, Goût, Beauté" est une revue de mode fondée à Paris en 1912 par Lucien Vogel. Elle a paru jusqu'en 1925, avec une interruption de 1916 à 1920, soit 69 livraisons. Elle comprend 573 planches coloriées au pochoir et 148 croquis représentant des modèles de couturiers. Chaque fascicule constitue un album de luxe, imprimé sur beau papier en Cochin, caractère totalement nouveau à l'époque. De nombreux artistes y ont collaboré : Guy Arnoux, Léon Bakst, George Barbier, Benito, Pierre Brissaud, Boutet de Monvel, Umberto Brunelleschi, Chas Laborde, Jean-Gabriel Domergue, Raoul Dufy, Édouard Halouze, Alexandre Iacovleff, Jean Emile Laboureur, Georges Lepape, Charles Loupot, Charles Martin, André-Edouard Marty Ces artistes, inconnus pour la plupart lorsque Lucien Vogel fait appel à eux, imposeront une nouvelle image de la femme. Ils garderont de leur collaboration à cette revue un socle esthétique commun et exposeront leurs œuvres sous le nom de Collaborateurs de la Gazette du bon ton. Les planches représentent les robes des créateurs de l'époque : Lanvin, Doeuillet, Paquin, Poiret, Worth, Vionnet, Doucet. Certaines planches ne figurent aucun modèle réel, mais seulement l'idée que l'illustrateur se fait de la mode du jour. [ ] La naissance de la Gazette du bon ton est un événement dans l'histoire de l'édition de mode. C'est la première revue qui allie souci esthétique, exigence de beauté et d'unité plastique." (Sources Wikipédia).

      [Bookseller: Bouquinerie Aurore (SLAM-ILAB)]
 33.   Check availability:     AbeBooks     Link/Print  


        La Gazette du Bon Ton - Art - Modes & Frivolités - Lucien Vogel, Directeur. N°5 - 1920 - 3e année (NUMERO COMPLET).

      P., Aux Editions Lucien Vogel, 1920, 1 vol. in-8 (254 x 192) en feuilles sous couverture imprimée en noir, publicité illustrée en couleur au plat inférieur pour "Le Filet de Sole de Bruxelles", restaurant des Halles, de (4) ff. (sommaire, publicités, paginés XXXV à XLII) - (32) pp. (paginées de 133 à 164) - 8 planches hors-texte - cahier renfermant 4 pl. de croquis de Süe & Mare. Dos insolé avec petit accroc en coiffe supérieure renforcé par l'intérieur au Filmoplast, très bel exemplaire par ailleurs. - 8 planches hors texte (pl. 32 à 39), coloriées au pochoir, de Bénito, L'Hom, Siméon, Pierre Brissaud (2), André-Edouard Marty, Georges Lepape et Bernard Boutet de Monvel, pour des créations de Paul Poiret, Worth, Doeuillet, Beer, Jeanne Lanvin + 4 planches de croquis par Süe et Mare sous cahier titré "Aménagement d'une Loge d'Actrice par Süe & Mare exécuté par La Compagnie des Arts Français". Les pages publicitaires contiennent : Coiffures par Emile Ltd - Produits du Dr Dys Darcy - Fourrures Weil (illustration pleine page non signée mais dans l'esprit de Charles Martin) - Chez Mercier (illustration pleine page monogrammée) - Eugène de Londres (illustration à pleine page non signée) - Mappin & Webb (illustration à pleine page signée Edouard Halouze) - Mercie Mc Hardy (illustration à pleine page monogrammée M. R. (Romme)) - Técla 'illustration à pleine page très visuelle monogrammée EX).Articles illustrés en couleurs: - Rêveries sur un paysage (Texte d'Emile Henriot - dessins de Laboureur) - Les beaux bas (Eugène Marsan - Bénito) - Du sable, de la volupté, de la mer (Gérard Bauër - Robert Bonfils) - Bijouterie Fétichiste (Jean Bernier - Roger Roy) - Modes Tchéco-Slovaques (Nicolas Boonnechose - L'Hom) - Transparences (Marcel Astruc - Mario Simon) - Spectacles (Jacques Porel - Marty) - Fenêtres et crevés (Georges-Armand Masson - Jaques). "La Gazette du Bon Ton "Art, Modes & Frivolités" est une revue de mode fondée à Paris en 1912 par Lucien Vogel. Elle a paru jusqu'en 1925, avec une interruption de 1916 à 1920, soit 69 livraisons. Elle comprend 573 planches coloriées au pochoir et 148 croquis représentant des modèles de couturiers. Chaque fascicule constitue un album de luxe, imprimé sur beau papier en Cochin, caractère totalement nouveau à l'époque. De nombreux artistes y ont collaboré : Guy Arnoux, Léon Bakst, George Barbier, Benito, Pierre Brissaud, Bernard Boutet de Monvel, Umberto Brunelleschi, Chas Laborde, Jean-Gabriel Domergue, Raoul Dufy, Édouard Halouze, Alexandre Iacovleff, Jean Emile Laboureur, Georges Lepape, Charles Loupot, Charles Martin, André-Edouard Marty Ces artistes, inconnus pour la plupart lorsque Lucien Vogel fait appel à eux, imposeront une nouvelle image de la femme. Ils garderont de leur collaboration à cette revue un socle esthétique commun et exposeront leurs œuvres sous le nom de Collaborateurs de la Gazette du bon ton. Les planches représentent les robes des créateurs de l'époque : Lanvin, Doeuillet, Paquin, Poiret, Worth, Vionnet, Doucet. Certaines planches ne figurent aucun modèle réel, mais seulement l'idée que l'illustrateur se fait de la mode du jour. [.] La naissance de la Gazette du bon ton est un événement dans l'histoire de l'édition de mode. C'est la première revue qui allie souci esthétique, exigence de beauté et d'unité plastique." (Sources Wikipédia). Réf. biblio. : Colas 1202.

      [Bookseller: Bouquinerie Aurore (SLAM-ILAB)]
 34.   Check availability:     AbeBooks     Link/Print  


        LE LIVRE DES MILLE NUITS ET UNE NUIT Traduction littérale et complète du J.C. Madrus.

      Paris, Fasquelle, s.d. (1920 ca.). In-4, voll. 8, bella legatura edit. in mz. pelle, dorso a cordoni con deliziosa decoraz. a colori e oro in stile orientale e tit. oro su doppio tassello, tagli sup. dorati, pp. (4),395; (4),347; (4),339; (4),315; (4),355; (4),371; (4),371; (20),347. Ogni pagina del testo è inquadrata in cornice con fregi colorati. Magnifica ediz. d'arte illustrata da compless. 156 tavv. a colori f.t. che riproducono in facsimile miniature tratte da antichi manoscritti indiani e persiani. "Cette édition est illustrée par le fac-similé des miniatures, encadrements et enluminures qui ornent les manuscrits originaux persans et hindus. Chromotypes gravés par Mulot, Kriéger et C.ie. . Planches en couleurs tirées par G. de Malherbe". "J.C. Mardrus' (1868-1949) translation caught the literary mood of the time.. Much the best version of the Nights in any language (T.E. Lawrence)". Cfr. Carteret,IV, p. 281: "Belle édition recherchée et très cotée". Esempl. molto ben conservato.

      [Bookseller: Libreria Malavasi sas]
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        Indien. Handbuch für Reisende. Mit 22 Karten, 33 Plänen und 8 Grundrissen.

      LXXIV + 358 S. OLwd. mit OSch. Mit allen Karten und Plänen. Hinrichsen D 499: Neudruck 1920 laut Schutzumschlag. - OSch. etw. fleckig. Schönes Expl. - Weitere Titelei am Schutzumschlag: Ceylon. Vorderindien. Birma. Die malayische Halbinsel. Siam. Java.

      [Bookseller: Antiquariat Weinek]
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        The Novels, comprising Pride and Prejudice, Sense and Sensibility, Mansfield Park, Northanger Abbey, Persuasion and Emma. With Introductions by R. Brimley Johnson.

      London: Robert Riviere and Son, Limited, n.d. (c.1920). [English Literature]. 5 volumes, octavo (18 x 12cm). Attractively printed and bound by Riviere with five tissue-guarded colour plate illustrations by Charles Brock. Half bright red calf over buckram sides, tooled in gilt to spines, t.e.g., marbled endpapers. Edges of text block toned, leather in good condition, pleasingly aged to spines with no chips or cracks. A very good set indeed.

      [Bookseller: Adrian Harrington Rare Books]
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        View of Man Sitting] "At St. Paul's, N.Y.C"

      Manhattan, New York: 1920 - Original drawing. Titled in the image. Signed, titled and dated on the support sheet. 10 x 7 inches. Provenance: Part of a portfolio of original works given to the collector Natalie Williams on June 1, 1937 by Wall. Natalie Williams, was the sister-in-law of the Texas collector N.C. Matthewson of Marshall, Texas, and both were owners of the Made-Rite Company. She was a patroness of artists and an art donor to Texas A & M University.Bernhardt Wall was born in Buffalo, New York on Dec. 30, 1872. He studied at the Buffalo Art Student's League then moved on to study in New York under Henry Reuterdahl and also apprenticed under William Auerbach-Levy. Wall began a career as a lithographic illustrator in 1889 working primarily as a commercial artist in New York and Buffalo. He soon became known as the "Postcard King" and designed over 5,000 comic cards. The year 1915 marked a defining point in Wall's artistic career. Wall visited Colorado, Nevada and California making etchings of Indians, cowboys and major cities which were later published in a portfolio entitled, "Under Western Skies." These proved to be very successful and the artist shortly thereafter moved to California permanently. Wall continued to produce many fine etchings of the American West and by 1930 had also become a much respected historian of the region.Bernhardt Wall was unique in that he not only drew the etchings for his books, but he also printed and bound them. His books are in libraries and universities around the world including the British Museum, Library of Congress, the libraries of Harvard, Yale, Columbia, and Brown Universities. His works were also in the private collections of J. P. Morgan, Franklin D. Roosevelt, Henry C. Frick and Dr. N.C. Mathewson. Wall etched three sitting presidents of the United States, Theodore Roosevelt, Warren Taft, and Henry Coolidge. Other prominent individuals etched by Wall include Sam Houston, Mark Twain, Thomas A. Edison, Abraham Lincoln, and Andrew Jackson.Artist and historian, Bernhardt Wall (1872-1956) was a pioneer etcher and producer of fine press books who treated a vast array of subjects, including Texas and the Southwest. Historians of fine press printing have compared him to William Blake. This collection of Wall's scrapbooks, publications, and correspondence was built by collector Natalie Williams of Marshall, Texas.

      [Bookseller: Wittenborn Art Books]
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