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Displayed below are some selected recent viaLibri matches for books published in 1916

        Cours de linguistique générale. Publié par Charles Bally et Albert Sechehaye. Avec la collaboration de Albert Riedlinger.

      Lausanne & Paris, 1916. Lex 8vo. Uncut in the orig. printed wrappers. A bit of wear, especially to back hinge, which is a bit torn and weak. Small lack of paper to margin of front wrapper and front free end-paper. Capitals a bit worn. Internally very nice and clean. Text-illustrations. 336, (1, -errata) pp. ¶ The first edition of Saussure's seminal main work, which marks a turning point in the history of linguistics and had a monumental impact on related fields such as philosophy, logic, sociology, literary theory, etc. Because of this work, Saussure is considered the father of 20th century linguistics, and the influence of his ideas on the development of linguistic theory in the first half of the 20th century can hardly be overstated.<br><br>After having published his "Mémoire sur le système primitif des voyelles dans les langues indo-européenes" in 1878, Saussure did not publish another full-length work in his life-time, and his "Course in General Linguistics" is a summary of the three lecture-courses he gave on linguistics at the University of Geneva in 1906-07, 1908-09 and 1910-11. The work was published posthumously by two of his former students and based on lecture notes. In this monumental work, based on his lectures, Saussure sets out to examine the relationship between language (langue) and speaking (parole), both as the relation of a social phenomenon to an individual phenomenon, and as the relation of a system to the concrete use of this system. He determines that there is a structured system of common signs between the users of a language, and that language can be analyzed as a formal system of elements. These elements are signs, signs that again can be divided into expression (signifiant) and content (signifié). This theory of language has deeply influenced all later theories of language.<br><br>With this work, Ferdinand Saussure (1857-1913) thus came to occupy a seminal place in the history of language theory. In this work he is strongly focused on creating a science of language, free of its former embedment in archaeology, psychology, and also -or perhaps especially- the history of language. And he succeeds. Before his work, linguistics had had been dominated by a historical, though also partly structural, understanding of language, but now, Saussure introduced and determined the purpose and meaning of linguistics, the universal science of language. <br><br>With Sausurre, linguistics now became, not only the study of the history of languages and of the influences that determine the development of it, but also, and primarily, the study of language and the study of the manifestations of human speech, of what makes human speech possible.<br><br>Thus, there is no doubt as to the monumental impact of this groundbreaking work, and almost all language theoreticians ever since have been deeply influenced by it. In Europe, the Prague School with e.g. Roman Jakobson and the Copenhagen School with e.g. Louis Hjelmslev, and in America, Leonard Bloomfield and his followers (later Noam Chomsky), were all influenced by Saussure's theories and based their formings of structural linguistics on his basic notions.<br>Saussure's work reached much farther, though, and the principles of structuralism came to deeply influence thinkers such as Jacques Lacan, Claude Lévi-Strauss etc., etc.

      [Bookseller: Lynge & Son (www.lynge.com)]
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        A Portrait of the Artist as a Young Man

      - FIRST EDITION OF JOYCE'S CLASSIC FIRST NOVEL. "No one could overestimate the effects of [the book] on later Irish writers ? Or on the national psyche: many young Irishmen came to painful consciousness reading those corrosive pages. The Dublin of my student days was strewn with versions of Stephen Dedalus, including myself. Little failed saints. We knew eternity too early" (John Montague). "Joyce's novel remains vital, in contrast to almost all other novels published in 1916, because he forcefully strived toward an idiosyncratic form of expression, a language intrinsic to the story he wanted to tell, about the young protagonist, Stephen Dedalus, and his formative years in Dublin, in which uniqueness was the very point and the question of what constitutes the individual was the issue posed" (New York Times). Note: This New York first edition by Huebsch is the true first edition, appearing a month before the English issue (from the New York sheets). New York: B. W. Huebsch, 1916. Octavo, original cloth. Mild toning (as often) and a little wear to spine, a touch of rubbing to spine ends; minor browning to endpapers with ghost of early tape stubs. A very good copy in original cloth. [Attributes: First Edition]

      [Bookseller: Manhattan Rare Book Company, ABAA, ILAB]
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        RAZGOVORY S DIAVOLOM.; OKKULTNYE RASSKAZY

      Petro Grad: Iz. A.N. Brianchaninova (Novoe Zveno), 1916. Original Russian edition of Talks With a Devil: "Conversations With the Devil. Occult Tales"; Originally paperbound, newly rebound in black cloth with copy of the original cover set into the cloth cover; 164 pages. Text in Russian. Ilustrated with black-and-white photographs. Cloth bound in fine condition; Contents very good but with a couple pencil marks in the margins.

      [Bookseller: By The Way Books]
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        Map of Arabia. G.S. 4016.

      London, published at the Survey of Egypt for Arab Bureau, under authority from the War Office, Sept. 1916. - 794 x 628 mm. Scale 1:4,000,000. Mounted on cloth. Folded. Rare, large-scale map of western Arabia including all but the easternmost part of the Peninsula (ending about 100 miles east of Qatar). "This map has been compiled almost entirely from published sources, of which the principal are (1) Hunter's Arabia 1:2,000,000; (2) War Office quarter inch of S.W. Arabia; (3) War Office 1:250,000 of the rest of the Turkish Empire; R.G.S. materials have also been used" (editor's note). Some slight brownstaining in places, otherwise well-preserved. Not in OCLC. [Attributes: Hard Cover]

      [Bookseller: Antiquariat INLIBRIS Gilhofer Nfg. GmbH]
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        Mountain Interval [First State]

      New York: Henry Holt, 1916. First Edition. Hardcover. Fine. First Printing, First State, with uncorrected errors on pages 88 (duplicate line) and 93 ("come" instead of "gone"). 8vo: 99,[1]pp. Publisher's dark blue finely woven linen, upper cover and spine stamped in gilt, fore- and bottom edges rough-trimmed; wanting the uncommon dust jacket. Square, tight binding with gilt undiminished; clean, crisp pages (without a spot of foxing). One of only 4000 copies printed, including the corrected second state. A truly exceptional example of the poet's third regularly published collection. Crane A4. Clymer & Green, pp. 31-32. Frost's first collection to be first published in the United States (A Boy's Will and North of Boston originally appeared in England). The collection contains 32 of the poet's earliest and best poems, including Hyla Brook, The Oven Bird, Birches, and The Road Not Taken. Note: With few exceptions (always identified), we only stock books in exceptional condition, preserved in archival, removable polypropylene sleeves. All orders are packaged with care and posted promptly. Satisfaction guaranteed.

      [Bookseller: Fine Editions Ltd]
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        Schwimmer, Max. - "Waldweg".

      - Aquarell, über schwarzer Kreide, auf Karton, 1916-1918. Von Max Schwimmer. 31,6 x 23,8 cm (Darstellung / Blatt) / 64 x 50 cm (Blatt). Rechts unten in Kreide signiert. - Karton leicht gewellt. Im Passepartout montiert. Sehr gut erhalten. Max Schwimmer (1895 Leipzig - 1960 Leipzig). Deutscher Maler, Grafiker und Illustrator des expressiven Realismus. Ab 1919 Studium der Kunstgeschichte und Philosophie an der Universität Leipzig. Beginn der künstlerischen Tätigkeit u.a. für die Zeitschriften "Die Aktion" und "Der Drache". Studienreise nach Frankreich und Italien. 1926 Dozent an der Kunstgewerbeschule in Leipzig. 1933 aus dem Lehramt entlassen, neun Werke wurden als "entartete Kunst" diffamiert und konfisziert. Bis 1945 arbeitete er als Illustrator. 1944 als Soldat der Wehrmacht eingezogen und Ausbildung zu Wachmann eines Kriegsgefangenen-Lagers in Mühlberg an der Elbe. Im April 1945 Flucht der Wachmannschaft nach Altenburg in die amerikanische Besatzungszone. Nach Kriegsende Eintritt in die KPD. 1946 Berufung als Professor und Leiter der Abteilung Graphik an die Staatliche Akademie für Graphische Künste und Buchgewerbe in Leipzig. 1951 infolge einer Kampagne von seinem Dienst entbunden. Im selben Jahr Berufung an die Dresdner Hochschule für Bildende Künste (HfBK) als Leiter der Abteilung Grafik. Seit 1952 Mitglied der Akademie der Künste zu Berlin. Sprache: Deutsch [Attributes: Signed Copy; Soft Cover]

      [Bookseller: GALERIE HIMMEL]
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        The Beasts of Tarzan

      Chicago: A.C. McClurg and Co, 1916. First Edition. Hardcover. Near fine/restored. 1st edition, 1st printing. Near fine in a neatly, but extensively, restored 1st printing dustjacket. The 3rd Tarzan, among the scarcest in jacket. So, you may ask, why is it so cheap? Well, I am a creature of no convictions. At least I think I am.

      [Bookseller: Biblioctopus]
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        John Wisden's Cricketers' Almanack for 1916 - 1916 Original Hardback Wisden Very Good

      1916. Hi, Here we have a rare 1916 Original Hardback Wisden, in Very Good Condition. The 21st Wisden Hardback and the most expensive of the 20th Century. The rarest or second rarest since 1900. I have been agornising over which of two 1916s to keep as they are both in such amazing condition but to sum up this Wisden is as nice as the one I own in my master set. The lettering is always an issue (if you like shiny gold leaf) on 1916s , i guess they were rationed on the gold leaf in 1916, however the front board has very good gilt for a 1916. The spine is faded and no dot after the year which is correct. Small name to first page corner. The boards are very good , small line mark to the corner at the top of the front board but other than that , nice clean boards. Inside the hinges are very good, both are springy! Amazingly clean inside including the yellow pastedowns. Minimal foxing. No restoration. A lovely book. Rare,

      [Bookseller: Wisdenshop.com]
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        Responsibilities and Other Poems.

      London: Macmillan and Co., Limited. 1916 - Octavo. Original decoratively gilt blue cloth designed by Sturge Moore, front and spine lettered in gilt, edges uncut. Housed in a dark blue quarter morocco solander box by the Chelsea Bindery. Gilt rather dull, notably at the spine. Very good. Cover design by T. Sturge Moore First edition, first impression, a canonical presentation copy, inscribed by the author in the month of publication, "Ezra Pound from W. B. Yeats Oct 1916". Below this on the front free endpaper is Pound's ownership blindstamp, giving his address at 5 Holland Place Chambers, Kensington W. Pound and Yeats lived and worked together in close quarters in Sussex over the course of three winters (1913&#150;1916). Yeats told his father: "Ezra Pound and his wife are staying with me, we have four rooms of a cottage on the edge of a heath and our back is to the woods". They collaborated on a number of works, including Yeats's first volume of autobiography, Reveries, Pound taking dictation from the senior poet and typing the finished product for the printer. The inscription here dates from the last months of their close association: Yeats also presented him a copy of the first English edition of Reveries at the same time. Pound, as a sort of secretary, had a huge shaping influence over Yeats's prosody, pushing him to modernise his voice. Responsibilities is indeed the collection through which Yeats's poetry moved out of the mists of the Celtic twilight and into the harsher, harder light of the Modern movement. Pound's influence was central to this, and he may well be said to be the "miglior fabbro" of Yeats's verse, as he had been with Eliot's The Waste Land. A collection of Yeats's poems entitled Responsibilities was first published by the Cuala Press in 1914. This London edition, consisting of 1,000 copies, prints those 31 poems and adds "The Well and Tree", together with 19 poems from The Green Helmet (Cuala Press, 1910) and two poems from the New York edition of 1912, as well as The Hour-Glass, 1912. Pound had reviewed the shorter Cuala Press edition of Responsibilities admiringly in Poetry, March 1914, p. 223. Wade 115. [Attributes: First Edition; Signed Copy]

      [Bookseller: Peter Harrington. ABA member]
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        Goliath and David.

      London: Chiswick Press, [1916] - Octavo, pp. 20. Original plain red wrappers. Wrappers a little creased and faded to edges, a few faint spots to contents. An excellent copy. First edition, first impression, presentation copy, inscribed by Graves's father on behalf of the author to Henry Newbolt (1862&#150;1938), the English poet and writer, on the title page: "Sir Henry Newbolt, from his admirer the author, via his father Alfred Perceval Graves. March 9th, 1917. Captain, 3rd Batt., Royal Welch Fusiliers". This copy, sent at the behest of a shell-shocked Robert Graves to Henry Newbolt, best known then, and infamous now, for his patriotic "Vitaï Lampada" poem of the 1890s comparing warfare to a game of cricket, with its much-satirised refrain "Play up! Play up! and play the game!", is particularly poignant. At the time of publication, February 1917, Graves was recuperating from bronchitis, first at Somerville College, Oxford, and then at Harlech, where he wrote to Sassoon, who had helped him edit and distribute the book, on 26 March 1917: "Dear old Sassons, please forgive my not writing: it has been one of the worst symptoms of my late collapse that I haven't been able to make up my mind to start or finish the most pressing things, and the correspondence about Goliath and David has been most exacting". At the start of the First World War, Newbolt and other leading British writers were recruited into the War Propaganda Bureau (WPB), which was formed to help maintain public opinion in favour of the war effort. Two hundred copies of this early privately printed work, the author's second publication, were produced in late 1916 and distributed early in 1917. Higginson & Williams A2; Reilly p.146. [Attributes: First Edition; Signed Copy]

      [Bookseller: Peter Harrington. ABA member]
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        Per L'Ill.mo Capitolo Metropolitano di Benevento nel giudizio di graduazione ad istanza della Banca Sannitica di Benevento in danno di Cosimo Caruso

      Benevento, 1916. ITALIANO 0,04 Fascicolo dei primi del '900 in stato discreto, coperta in cartoncino, fioritura sparsa, macchie d'umidità, lieve piega, margini dei piatti, delle pagine e tagli bruniti. Bella testatina in nero su incipit. USATO

      [Bookseller: Biblioteca di Babele]
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        Litice. Povidky o vojne. (The Fury. Stories about the war.

      Prague: Frantisek Borovy 1916 - Octavo, wrappers, 154 (iv)pp. The first edition of this work, with six ink drawings by Vincenc Bene&#154;. The most widely read and appreciated of Weiner&#146;s expressionist collections, this work was written shortly after the author&#146;s convalescence from a nervous breakdown he suffered at the front. The illustrations of Vincenc Bene&#154; (1883-1979) are strong statements of the cubo-expressionist style he employed at that time. Bene&#154; was an important figure during the Czech cubist period. [Attributes: First Edition; Soft Cover]

      [Bookseller: Michael Fagan Fine Art & Rare Books]
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        Responsibilities and Other Poems.

      London: Macmillan and Co., Limited., 1916. Octavo. Original decoratively gilt blue cloth designed by Sturge Moore, front and spine lettered in gilt, edges uncut. Housed in a dark blue quarter morocco solander box by the Chelsea Bindery. Cover design by T. Sturge Moore Gilt rather dull, notably at the spine. Very good. First edition, first impression, a canonical presentation copy, inscribed by the author in the month of publication, "Ezra Pound from W. B. Yeats Oct 1916". Below this on the front free endpaper is Pound's ownership blindstamp, giving his address at 5 Holland Place Chambers, Kensington W. Pound and Yeats lived and worked together in close quarters in Sussex over the course of three winters (1913–1916). Yeats told his father: "Ezra Pound and his wife are staying with me, we have four rooms of a cottage on the edge of a heath and our back is to the woods". They collaborated on a number of works, including Yeats's first volume of autobiography, Reveries, Pound taking dictation from the senior poet and typing the finished product for the printer. The inscription here dates from the last months of their close association: Yeats also presented him a copy of the first English edition of Reveries at the same time. Pound, as a sort of secretary, had a huge shaping influence over Yeats's prosody, pushing him to modernise his voice. Responsibilities is indeed the collection through which Yeats's poetry moved out of the mists of the Celtic twilight and into the harsher, harder light of the Modern movement. Pound's influence was central to this, and he may well be said to be the "miglior fabbro" of Yeats's verse, as he had been with Eliot's The Waste Land. A collection of Yeats's poems entitled Responsibilities was first published by the Cuala Press in 1914. This London edition, consisting of 1,000 copies, prints those 31 poems and adds "The Well and Tree", together with 19 poems from The Green Helmet (Cuala Press, 1910) and two poems from the New York edition of 1912, as well as The Hour-Glass, 1912. Pound had reviewed the shorter Cuala Press edition of Responsibilities admiringly in Poetry, March 1914, p. 223.

      [Bookseller: Peter Harrington]
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        LEcho des Tranchees

      Journal du 17e Territorial. Roneographed newspaper. Folio. 4pp. Some darkening to lower portion of first page. Verdun, 1 April,

      [Bookseller: Maggs Bros. Ltd.]
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        My Diary in Serbia April 1, 1915- Nov. 1, 1915

      London: Simpkin Marshall, Hamilto, Kent, 1916. Collation, 128pp, illustrated. Bound in original publishers hardcover. Binding light rubbed, just a touch of wear loss on edges, some fading. Generally a nice clean binding. Internally, browing to endpapers, webbing showing on endpaper joints, text block holding firm. Pages in good clean condition. Dust jacket rubbed, dirt marked, some loss. Generally jacket in good condition. A rare first edition.A7. First Edition. Very Good/Good Plus. 12mo - over 6¾" - 7¾" tall.

      [Bookseller: George Jeffery Books]
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        Joe Pine

      Lamoni, IA: Herald Publishing House, 1916. Hardcover. Illustrations by Paul N. Craig. Small 8vo. Green cloth with red rules and black lettering and decorations. 352pp. Frontispiece, 7 full-page called-for plates. Very good. Binding a bit edgeworn and rubbed, though internally fine. A tight, attractive first edition of this scarce fiction by the grandson of Mormon founder Joseph Smith Jr. This superb presentation copy bears a full page inscription from the author on frontispiece verso: "Mrs Inez Kinney: / Having known the joy / and beauty of the prairie / days, now gone for-ever, / you may perhaps appreciate / my pen picture of the / prairie, even if they are / not the best. Oh, yes, / and I must thank you / for posing for the heroine / As a peace offering to / atone for the liberty taken / in drafting you for that / position, please accept / this book with my / compliments -- / Elbert A. Smith." Inez Kinney Gaylord (1882-1974) was a New York-born worker for the YWCA who in 1914 married Edward K. Gaylord (1873-1974), the noted owner/publisher of the Daily Oklahoman as well as radio and television entrepreneur and civil leader/philanthropist. How and when Smith crossed paths with Inez Kinney is not known, but she impressed him enough to become the inspiration for this book's heroine, Molly Brady. Also, laid in is an unsigned Autograph Note pencilled on a heavy stock 5" X 3" card (undated, but of relatively modern vintage) in which the unknown writer transcribes a letter written from Elbert Smith to his/her grandmother, Luda Cook Smith of Mason City, Iowa, in which the author records "I modeled two characters after your father & mother...." That father and mother were Civil War Congressional Medal of Honor winner Captain Henry I. Smith (1840-1910) and his wife Delight Bogardus Smith (1845-1924). Whether all these Smiths are related to Elbert Smith is unclear. Elbert A. Smith (1871-1959) wrote many fiction and nonfiction titles with a Mormon emphasis; he was a leader of the RLDS Church (Reorganized Church of Jesus Christ of Latter Day Saints), serving as a member of that church's First Presidency (1909-38) and as Presiding Patriarch (1939-58). A very scarce title with absolutely unique and lengthy author inscription to his heroine's model.

      [Bookseller: Main Street Fine Books & Manuscripts, AB]
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        BOLLETTINO DEL CIRCOLO NUMISMATICO NAPOLETANO, 62 FASCICOLI, 1916-1990

      Bollettino del Circolo numismatico napoletano, 62 fascicoli, Napoli, a. I-LXXII, 1916-1990, pp. 5000 circa complessive, riccamente illustrato. 1916, n. 1, pp. 62, cm 29, elegante legatura in mezza pelle, piatti in carta marmorizzata e titoli in oro al dorso, conservata la br. ed. originale (tutto il pubblicato per il 1916). 1917, n. 2, pp. 62, cm 29, br. ed. protetta da carta gigliata (tutto il pubblicato per il 1917). 1918, n.3, pp. 80, cm 29, br. ed. protetta da carta gigliata (tutto il pubblicato per il 1918). 1919, n. 4, pp. 16, cm 29, br. ed. (tutto il pubblicato per il 1919). 1920, pp. 56, cm 29, br. ed. (tutto il pubblicato per il 1920). 1921, fasc. I, pp. 50, cm 27, br. ed. protetta da carta gigliata + fasc. II, pp. 50, cm 28, br. ed. protetta da carta gigliata + fasc. III, pp. 54, cm 28, br. ed. protetta da carta gigliata (tutto il pubblicato per il 1921). 1922, fasc. I-II, pp. 54, cm 28, br. ed. protetta da carta gigliata. 1923, fasc. I-II, pp. 56, cm 27, br. ed. protetta da carta gigliata (tutto il pubblicato per il 1923). 1924, fasc. I-II, pp. 88, cm 24, br. ed. protetta da carta gigliata (tutto il pubblicato per il 1924). 1927, fasc. I, pp. 52, cm 24, br. ed. + fasc. II, pp. 100, cm 24, br. ed. protetta da carta gigliata (tutto il pubblicato per il 1927). 1928, fasc. I-II, pp. 48, cm 25, elegante legatura in mezza pelle, piatti in carta marmorizzata e titoli in oro al dorso, conservata la br. ed. originale (tutto il pubblicato per il 1928). 1929, fasc. I-II, pp. 100, cm 25, br. ed. protetta da carta gigliata (tutto il pubblicato per il 1929). 1930, n. 1, pp. 32, cm 24, br. ed. + n. 2, pp. 32, cm 24, br. ed. + n. 3, pp. 32, cm 24, br. ed. + n. 4, pp. 28, cm 24, br. ed. (tutto il pubblicato per il 1930). 1931, n. 1, pp. 24, cm 24, br. ed. + n. 2-4, pp. 34, cm 24, br. ed. (tutto il pubblicato per il 1931). 1932, n. 1, pp. 38, cm 24, br. ed. + n. 2, pp. 32, cm 24, br. ed. + n. 3, pp. 28, cm 24, br. ed. (tutto il pubblicato per il 1932). 1933, n. 1, pp. 78, cm 29, br. ed. protetta da carta gigliata + n. 2, pp. 54, cm 28, br. ed. protetta da carta gigliata (tutto il pubblicato per il 1933). 1934, n. 1, pp. 60 + n. 2, pp. 62, cm 28, entrambi i fascicoli elegantemente legati in un volume in mezza pelle, piatti in carta marmorizzata e titoli in oro al dorso, conservata le br. ed. originali (tutto il pubblicato per il 1934). 1935, n. 1, pp. 74, cm 28, br. ed. protetta da carta gigliata, splendido ex libris araldico al frontespizio + n. 2, pp. 58, cm 28, br. ed. protetta da carta gigliata (tutto il pubblicato per il 1935). 1936, pp. 74, cm 28, br. ed. (tutto il pubblicato per il 1936). 1937, pp. 106, cm 29, br. ed. (tutto il pubblicato per il 1937). 1938, pp. 58, cm 28, br. ed. (tutto il pubblicato per il 1938). 1939, n. 1, pp. 32, cm 29, br. ed. + n. 2, pp. 82, cm 29, br. ed. (tutto il pubblicato per il 1939). 1940, pp. 88, cm 29, br. ed. protetta da carta gigliata (tutto il pubblicato per il 1940). 1941, pp. 48, cm 29, br. ed. (tutto il pubblicato per il 1941). 1942-1945, pp. 56, cm 29, br. ed. (tutto il pubblicato dal 1942 al 1945). 1946, pp. 75, cm 28, br. ed., al frontespizio dedica del Circolo numismatico napoletano in elegante grafia (tutto il pubblicato per il 1946). 1947-1948, pp. 100, cm 30, elegante legatura in mezza pelle, piatti in carta marmorizzata e titoli in oro al dorso, conservata la br. ed. originale (tutto il pubblicato per il 1947 e 1948). 1951, pp. 86, cm 29, br. ed. protetta da carta gigliata (tutto il pubblicato per il 1951). 1952, pp. 108, cm 29, br. ed. protetta da carta gigliata (tutto il pubblicato per il 1952). 1953, pp. 122, cm 29, br. ed. (tutto il pubblicato per il 1953). 1954, pp. 94, cm 29, br. ed. (tutto il pubblicato per il 1954). 1955, pp. 60, cm 29, br. ed. (tutto il pubblicato per il 1955). 1957, pp. 86, cm 29, br. ed. (tutto il pubblicato per il 1957). 1958, pp. 66, cm 29, br. ed. (tutto il pubblicato per il 1958). 1960-1961, pp. 198, cm 30, br. ed. (tutto il pubblicato per il 1960 e 1961). 1962, pp. 96, cm 29, br. ed. (tutto il pubblicato per il 1962). 1963, pp. 133, cm 29, br. ed. (tutto il pubblicato per il 1963). 1964, pp. 122, cm 29, br. ed. (tutto il pubblicato per il 1964). 1965-1966, pp. 152, cm 30, br. ed. (tutto il pubblicato per il 1965 e 1966). 1967, pp. 110, cm 30, br. ed. (tutto il pubblicato per il 1967). 1968, pp. 96, cm 30, br. ed. (tutto il pubblicato per il 1968). 1969, pp. 92, cm 30, br. ed. (tutto il pubblicato per il 1969). 1970, pp. 64, cm 30, br. ed. (tutto il pubblicato per il 1970). 1971, pp. 68, cm 30, br. ed. (tutto il pubblicato per il 1971). 1974-1975, pp. 96, cm 30, br. ed. (tutto il pubblicato per il 1974 e 1975). 1976, pp. 74, cm 30, br. ed. (tutto il pubblicato per il 1976). 1981-1982, pp. 78, cm 30, br. ed. (tutto il pubblicato per il 1981 e 1982). 1983-1986, pp. 134, cm 30, br. ed. (tutto il pubblicato dal 1983 al 1986). 1987-1990, pp. 88, cm 30, br. ed. (tutto il pubblicato dal 1987 al 1990, trattasi dell'ultimo numero edito). Il lotto include quasi tutto il pubblicato per questo periodico, compresi i fascicoli più rari e ricercati. Al Bollettino del Circolo numismatico napoletano collaborarono i più preparati numismatici del XX secolo, i quali, attraverso una miriade di attenti studi relativi a tutti i settori della numismatica, editi sul periodico partenopeo, diedero un notevole apporto alla progressione delle conoscenze in questa disciplina. Minimo alone di vecchia gora non deturpante ai fascicoli 1920, 1940 e alla brossura del fascicolo 1917, sporadiche fioriture e consuete tracce d'uso su alcuni fascicoli, tuttavia nel complesso lotto in stato di conservazione più che buono. Insieme di estrema rarità. Altri libri di numismatica disponibili sul sito www.biblionumis.it

      [Bookseller: Studio Bibliografico Idrometra]
 17.   Check availability:     maremagnum.com     Link/Print  


        Fairy Tales : Illustrated By Harry Clarke ( The Full Leather Special Edition)

      The First UK printing published by George Harrap & Co. Ltd in 1916 (nd). This title was issued in three editions : The Trade edition with standard grey cloth (priced at 20 shillings), a full leather edition (priced at 30 shillings) and a signed limited edition of 125 copies bound in vellum and priced at 3 Guineas. This book is the scarce full leather edition and is in Very Good++ condition. Light pushing at the spine ends with a little loss at the upper spine end. The gilt titling remains bright to the spine and the front cover. Previous owner's name to the verso of the front end paper and a contemporary gift inscription to the second blank endpaper. A little light spotting to the prelims and light toning to the page edges. The plates remain clean. Gilt top edge remains very bright. The book has benefited from the spine having been professionally rebacked with the original spine and transparent archival reinforcement tape applied to the gutter of the title page. The binding now presents very tight. The book is lavishly illustrated with 16 full colour plates mounted on heavy stock with captioned letter guards, 24 full page B/W plates plus many decorative tail pieces. All the plates are present and are in lovely condition. One tissue guard has been replaced. Harry Clarke's first illustrated book and very scarce as the UK true first printing. Harry Clarke was an acclaimed Irish stained-glass artist and book illustrator who was born in Dublin and was a leading figure in the Irish Arts and Crafts Movement. He died tragically of TB at the early age of 42 years. A very scarce title in this full leather special edition and the first we have handled to date. More images available on request. Ashton Rare Books welcomes direct contact.

      [Bookseller: Ashton Rare Books ABA, PBFA, ILAB]
 18.   Check availability:     Biblio     Link/Print  


        Drawings of the Flags in Use At the Present Time by Various Nations

      London: Printed under the Authority of His Majesty's Stationery Office, by Eyre & Spottiswoode 1916 - Please note that at 3Kg. this book will require additional postage outside of the UK. | Black boards with Gilt titling to the Spine & Upper Board. 11" x 7". 36 [200]pp. | Illustrated by way of: Colour Plates [200]; Assumed first edition as this copy lacks the errata pages of later printings. Possibly rebound with titling of the later, 1930s, printing which this one preceded. For more photos or information, use the «Ask Bookseller» button and I'll be pleased to help. The book is in stock and ships from the rustic nirvana of Peasedown St. John, near Bath, England from a long-established bookseller - guaranteed by my reputation and the UK Distance Selling Act. Remember! BUYING THIS BOOK means my Jack Russells get their supper! Condition :: Poor. Sticker to the spine. Bruised at the head, tail and corners of the binding which is a little shaken. Both hinges tape reinforced. Text complete, clean and tight in general. Some blanks have had the correct flags added by way of pasted on coloured and shaped flags. [Attributes: First Edition; Hard Cover]

      [Bookseller: BookLovers of Bath]
 19.   Check availability:     ZVAB     Link/Print  


        DER IDISHER FARMER [COMPLETE, VOL. 8, 1-12]

      New York: The Jewish Agricultural And Industrial Aid Society(1916). First edition. Period Boards. 282 pages. 31 cm. In Yiddish and English. Title translates to "The Yiddish Farmer. " Whereas earlier agriculture societies sought to resettle groups of new immigrants in farming colonies, generally preferred to support Jewish famers on an individual basis. In its early years. The Jewish Agricultural and Industrial Aid Society, incorporated in 1900. Focused its efforts on procuring land for prospective [Jewish] farmers and on helping them manage financially. After a few years it widened its mission and began to engage in education. In 1908 the Society founded The Jewish Farmer, for many years the only agricultural magazine in the world published in Yiddish. The monthly contained articles on scientific farming and advertisements for services and good needed by farmers. In its early years an English page was added for the children of immigrant farmers" (Kinsberg, "People of Faith" JTS, 2003) . SUBJECTS: Jewish farmers -- Periodicals. Jews -- Agriculture -- Periodicals. OCLC lists 20 libraries with holdings, but most of these are partial, often only fragmentary. A different single volume of 12 issues sold at auction in 2015 for over $7000 with commission. Ex-library with markings only on boards. Binding repaired. Boards are slightly warped. Light water stains on some pages. Overall Good Condition throughout. (YID-27-31)

      [Bookseller: Dan Wyman Books]
 20.   Check availability:     Bibliophile     Link/Print  


        Sepi Jingan in Tabula

      Tabula, 1916 First appearance of one of Hemingway's earliest stories, published while he was still a student in high school. Some of Hemingway's earliest writings appeared in Tabula, the literary magazine of Hemingway's high school in Oak Park, Illinois. Near fine in original wrappers. Volume 23, number 1, of the magazine. Extraordinarily rare. Housed in a fine stiff folde

      [Bookseller: Bookbid Rare Books]
 21.   Check availability:     Biblio     Link/Print  


        GASLINI Soc. Anonima. Società esercizio Oleifici. Sede di Milano - 31 Foro Bonaparte. Grande album di cm. 31 x 35 di fotografie originali della Società Oleifici GASLINI.

      Grande album di cm. 31x35 di fotografie originali della Società Oleifici GASLINI. 1916 -1920 circa. Le bellissime foto misurano 20x25,7 cm. Complessivamente 62 FOTOGRAFIE originali. 9 grandi foto della sede della Società. 53 grandi foto degli Stabilimenti: Stabilimento di Bolzaneto, Veduta generale, Silos, Sala di spremitura, Reparto raffineria, Sala Filtri. Stabilimento di Napoli, Ingresso allo Stabilimento, Spremitura, Raffineria, Spedizione Olii. Stabilimento di Pavia, veduta generale, Piazzale, Spremitura, Sala Filtri, Magazzino Olii. Stabilimento di Rivarolo Ligure, Veduta generale, Arrivo dei semi al Silos, Sala macchine, Reparto Coprah, Reparto macinazione semi, Sala di Spremitura, Galleria, Raffineria, Sala filtri, Spedizioni, Magazzino fustame... Stabilimento Trieste S. Andrea, Veduta generale, Serbatoi olii, Caldaie, Macchine e Trasformatori, Macinazione semi, Accumulatori, Sala spremitura, Raffineria, Magazzino Barili... Stabilimento Trieste Zaule, Veduta generale, Piazzale, Caldaie, Sala Macchine, Magazzino Olii... Gerolamo Gaslini nasce a Monza il 3 luglio 1877 da Pietro, uno dei pionieri della moderna industria degli oli di semi, e da Bambina Baggioli. Gaslini si trasferisce a Genova all'inizio dell'ultimo decennio del XIX secolo. Nel 1896 fonda una ditta inserendosi nel commercio degli oli di semi. Nel gennaio del 1907, insieme al fratello Egidio costituisce la società in nome collettivo Fratelli Gaslini. Nel 1914 i due fratelli impiantano una fabbrica di spremitura e raffinazione di olio di semi a Bolzaneto, in Val Polcevera. L'impresa si trasforma in società anonima con sede a Genova, con un capitale che nel giugno 1916 è di 5 milioni, portato successivamente a 10 milioni, diviso in parti uguali fra i due fratelli. Nel dopoguerra la Gaslini avvia una strategia espansiva che si concretizza nell'acquisizione di impianti di spremitura e raffinazione a Trieste e a Fiume, accrescendo le sue quote di mercato.... Dal 1949, tuttavia, Gaslini opera una scelta precisa che lega le vicende dell'impresa a quelle dell'Istituto pediatrico. Il 28 novembre di quell'anno, infatti, egli costituisce la Fondazione Gerolamo Gaslini con lo scopo di potenziare l'Istituto, trasferendole in proprietà l'intero capitale sociale della società anonima Gaslini, per un valore totale di 1,3 miliardi di lire, rappresentante l'intero suo patrimonio. A partire dal momento in cui la Fondazione diventa persona giuridica di diritto pubblico, nel novembre 1950, le rendite della Gaslini e delle partecipazioni azionarie di Gaslini affluiscono alla Fondazione, contribuendo così al funzionamento dell'Ospedale. Axs

      [Bookseller: Libreria Bongiorno Paolo]
 22.   Check availability:     maremagnum.com     Link/Print  


        Kandinsky. Gummesons Konsthandel, Strandvägen 17, Stockholm.

      Stockholm, Druck: Elis Östergers Tryckeri, [], 1916 - 14,7 x 11,4 cm, (8) Seiten, schlichte Original-Klammerheftung, leichte Gebrauchsspuren, kleiner Fleck auf dem Rückendeckel. Insgesamt ein gutes Exemplar. Sehr seltene Begleitschrift zum Ausstellungskatalog. As an annex to the catalogue, gallery owner Gummesson had a small brochure printed. It was entiteld Kandinsky and written by Gösta Adrain-Nilsson. Literatur: Barnett, Vivian Endicott, Kandinsky and Sweden, 1989; Darin in Auszügen die englisch-sprachige Übersetzung des Textes (Seite 38ff.) - Derouet, Christian, Boissel, Jessica, Kandinsky, [vollständiger Katalog der Sammlungen], Centre Georges Pompidou, Paris, 1984 (siehe Seite 146). - Für mich ist nur ein Exemplar in der Städtischen Galerie im Lenbachhaus, München, nachweisbar. [Attributes: Soft Cover]

      [Bookseller: Stader Kunst-Buch-Kabinett]
 23.   Check availability:     ZVAB     Link/Print  


        15 Astronomische Stereos zur Unterstützung des Raumsinnes und zur Förderung der Raumvorstellung. Mit 15 nummerierten Tafeln.

       Gezeichnet von Philipp Johann Heinrich Fauth. 15 Astronomische Stereos zur Unterstützung des Raumsinnes und zur Förderung der Raumvorstellung. Kommissionsverlag von Hermann Kayser. Kaiserslautern 1916. 8 S. Text (Titelblatt / Vorbemerkung / Erläuterungen zu den 15 beiliegenden Tafeln / Titel der Tafeln), 15 nummerierte Tafeln. Der Text und die Tafeln werden zusammen in einem bedruckten Original-Umschlag bewahrt. Zustand: Von sehr guter Erhaltung. Äußerst selten (augenscheinlich noch nie im freien Handel zum Verkauf angeboten worden). Versand D: 5,00 EUR

      [Bookseller: Antiquariat Bibliakos / Dr. Ulf Kruse]
 24.   Check availability:     buchfreund.de     Link/Print  


        Official Russian Travel and Residency Documents, Issued to British Noble, Sir John Pollock, 4th Baronet, Contemporary to Russian Revolution.

      Petrograd [St. Petersburg], 1916-1918, 1916. Official Russian documents issued for travel permissions, residency and special identification, to Sir John Pollock, 4th Baronet, who was at the time serving as chief commissioner of the "Great Britain to Poland and Galicia Fund" supported by the Russian Red Cross, and travelling in Poland and Russia from 1915 to 1919 on this humanitarian mission. As a known anti-Bolshevik, in 1918 and 1919 Pollock frequently had to travel in disguise. The lot comprises 7 documents including a residency permit for Pollock, all text in Russian, each with manuscript signatures; and 1 calling card also printed in Russian. Together with a cotton armband of the Red Cross worn by the ambassador of relief aid. Documents range is size; all are typescript. The residency permit is a double-leaf document on paper watermarked with the coat of arms of the Russian Empire (abolished with the Russian Revolution in 1917 and restored in 1993), featuring colour paper stamps, multiple original signatures, and remnants of a red wax seal. All other documents are single leafs. One is from the British consulate, one from the British embassy; the others are from Russian offices. Some creasing and age-toning, otherwise in very good condition, clean and bright, a rare mini archive from Russia both predating and antedating the Bolshevik Revolution.. Manuscript.

      [Bookseller: Voyager Press Rare Books & Manuscripts, ]
 25.   Check availability:     Biblio     Link/Print  


        Die Physiologische Sehnenverpflanzung.

      Berlin, Verlag von Julius Springer Verlag, 1916, Gr.8, XIV, 330 pp., mit 270 zum grossen Teil farbigen Abbildungen, orig. Leinenband. Erste und einzige Auflage dieses großen Klassikers der operativen Orthopädie! Vorwort: Obwohl die letzten 20 Jahre festgestellt haben, daß der Sehnenplastik ein sehr bedeutender Heilwert innewohnt, sind sich doch die Orthopäden über die Einzelheiten der operativen Technik und der Nachbehandlung noch nicht einig. Die Verschiedenheit der Meinungen erstreckt sich hauptsächlich auf die Methode der Sehnenbefestigung. So stand die von Nikoladoni angegebene Methode der Befestigung von Sehne zu Sehne, deren Hauptvertreter Vulpius ist, der von Drobnick angegebenen, von Lange ausgebauten periostalen Befestigungsmethode gegenüber. Der zufällige Umstand, daß die Art der Befestigung den Namen für die verschiedenen Operationsmethoden abgab, ist der Grund dafür gewesen, daß der Art und Weise, wie man das Sehnenende vernähen müsse, eine Bedeutung beigelegt wurde, die ihr im Gesamtbilde nicht zukommt, und daß so der Blick von wichtigeren Dingen abgelenkt wurde. Erst die Methode der Sehnenscheidenauswechselung, bei welcher die verpflanzte Sehne durch die Scheide des Kraftnehmers hindurchgezogen und je nach den Umständen tendinös oder periostal befestigt wurde, hat unseres Erachtens einen wichtigen Anstoß dazu gegeben, die Befestigungsart nur als eine Teilerscheinung der gesamten Frage aufzufassen und vielmehr das gesamte Verfahren einheitlich unter einem Gesichtspunkt zu sehen, nämlich dem der Physiologie. Denn außer der Befestigungsmethode gingen auch in anderen Punkten die Ansichten nicht unbeträchtlich auseinander. Vulpius wählte einen subfaszialen Verlauf, Lange einen subkutanen. Der erstere nähte unter mittlerer Spannung, der letztere unter sehr starker, Stoffel ohne irgend eine Spannung. Lange empfahl eine sechswöchige postoperative Ruhigstellung, Putti fing mit Übungen gleich nach der Operation an und ließ die Patienten auf dem operierten Bein schon nach einigen Wochen gehen. Alle diese Meinungsverschiedenheiten zeigen, daß die Sehnenplastik sich noch in der Entwickelung befindet, und daß die für sie bisher aufgestellten Gesetzeganzüberwiegend auf Empirismusberuhen.Jedenfalls fehlt ihr der allseitig anerkannte Typ, den der Chirurg schon bei zahlreichen Operationen kennt, z. B. in der Gastroenterostomie. Bei dieser unterwirft sich jeder Operateur ganz allgemein gültigen Grundsätzen gleichgültig ob er mit dem Murphyknopf oder mit der Naht arbeitet, ob die Anastomose anterior oder posterior ist, immer führt er sie so aus, daß Serosa mit Serosa, Mukosa mit Mukosa zusammenheilt, und daß das Lumen die erforderliche Weite besitzt. So muß auch in der Sehnenplastik unter allen Umständen dahin gestrebt werden, daß für bestimmte Krankheitsbilder ganz bestimmte Indikationen aufgestellt und auf Grund deren ebenso bestimmte Operationen ausgeführt werden, d. h. wir müssen für die orthopädische Chirurgie in der Frage der Sehnenplastik auf dasselbe Ziel losgehen, das die innere Chirurgie für viele Operationen bereits erreicht hat, nämlich bestimmte Typen zu schaffen. Erst wenn das der Fall ist, können klinische Erfahrungen gegeneinander abgewogen werden und kann auch erst die Operationstechnik so weit ausgebaut werden, daß der Eingriff selber in möglichst kurzer und handwerklich einförmiger Weise sich abspielt, so daß damit die Aussichten des Dauererfolges immer höher steigen. Alle diese Forderungen können vom Standpunkt des physiologischen Gedankens aus, und nur von diesem allein, restlos erfüllt werden. Daß es der Sehnenplastik bisher an solchen als allgemein gültig anerkannten Grundsätzen fehlt, findet seine Erklärung in zwei Tatsachen. Erstens ist eine Plastik eine überaus komplizierte Operation, bei der Meinungsverschiedenheiten von vornherein gegeben sind auch vergeht eine sehr lange Zeit, bis das Dauerresultat festgestellt werden kann schließlich fehlen im Gegensatz zur inneren Chirurgie fast gänzlich Autopsien und anatomische Präparate zur Untersuchung. Zweitens aber, und das ist das bei weitem Wichtigere, wissen wir über die wesentlichen anatomischen und physiologischen Eigentümlichkeiten der Sehnen noch viel zu wenig, als daß wir allgemeine Grundsätze aufstellen könnten. Hier glaubt nun das vorliegende Buch wichtige Lücken auszufüllen es erhebt nicht den Anspruch, endgültige Lehren für die physiologische Sehnenverpflanzung zu verkündigen, sondern es möchte eine Anregung dazu geben, daß, von den gefundenen Gesetzen ausgehend, zum Leitstern allen operativen Handelns nur noch die Physiologie gemacht wird. Wie die ersten Kapitel zeigen, hat die Natur für die in Bewegung bestehende Funktion der Muskeln und Sehnen ganz bestimmte Vorrichtungen getroffen. Es erscheint deshalb als selbstverständlich, daß der Operateur diesen physiologischen Gleitmechanismus benutzt, um auch bei der willkürlichen Anordnung des Sehnenverlaufes dieselben Gesetze in Geltung zu lassen. Die operative und klinische Erfahrung wird dann mit der Zeit erweisen, daß manches von dem, was wir hier vorschlagen, einfacher, vielleicht auch anders gemacht werden muß, wenn man den vollen Erfolge rzielen will, und es ist selbstverständlich, daß nur eine große Zahl von vorurteilsfreien Forschern im Laufe der Jahre allgemein gültige Gesetze für die operative Technik aufstellen kann. Es würde uns eine große Freude sein, wenn dies Buch zu einer solchen von einem umfassenden Gedanken geregelten Zusammenarbeit anregen würde. Seine Lektüre ist nicht leicht. Wir haben uns bemüht, die Sprache so abwechslungsreich zu gestalten, wie der zuweilen erbarmungslos spröde Stoff es zuließ. Wer den vollen Inhalt des Buches in sich aufnehmen will, wird es studieren müssen, und zwar nicht bloß durch wiederholtes Lesen, sondern vor allen Dingen dadurch, daß er aufs neue zum Präpariermesser greift und an der Leiche nachprüft, was wir gefunden haben. Ebenso ist es unbedingt erforderlich, daß jemand, der die Operationen machen will, diese erst zu wiederholten Malen an der Leiche üben muß. Es darf ohne Übertreibung versichert werden, daß ihre exakte Ausführung mit zu dem technisch Subtilsten gehört, was es in der Chirurgie gibt ja, das ganze Operieren ist überhaupt mehr ein liebevolles Nachgehen in den Wegen der Natur als eine brüske Zerstörung des Bestehenden. Da das Buch fast ausschließlich nur ganz Neues und bisher Unbekanntes bringt, so haben wir uns für verpflichtet gehalten, es nicht noch durch übermäßige Literaturangaben und Zitate zu belasten. Zwar sind diejenigen Werke genannt, auf welchen die Untersuchungen zum Teil aufgebaut sind, doch muß im übrigen der Leser selbst an Hand der anatomischen und topographischen Atlanten dort sein Gedächtnis auffrischen, wo es nicht mehr ganz sicher ist. Wie aus der Kapiteleinteilung des Werkes hervorgeht, sind die einzelnen Gebiete getrennt bearbeitet worden. Doch hat zwischen uns in jedem Stadium der zu gleicher Zeit durchgeführten Arbeit das engste Einvernehmen und der regste Gedankenaustausch geherrscht, so daß einer dem andern aus seinem Arbeitskreis neue Anregungen und Förderungen gab. Deshalb kann das Buch im ganzen wohl als eine organische Einheit angesprochen werden. Die Operationslehre, wo alte klinische Erfahrung, neue anatomische und physiologische Kenntnisse und die Praxis des Operationssaales zusammenflössen, trägt die gemeinsame Namenszeichnung. Das Manuskript, das sprachlich in allen Teilen gemeinsam abgefaßt wurde, ist etwa im August 1914 abgeschlossen worden der Ausbruch des großen Krieges hat seine Drucklegung verzögert. Es ist uns ein Bedürfnis und zugleich eine Ehrenpflicht, allen zu danken, die uns bei unserer Arbeit geholfen haben. Das ist in erster Reihe Herr Prosektor Dr. Koch, der in der denkbar freundlichsten Weise uns gestattete, in der von ihm geleiteten pathologischen Abteilung des Berliner städtischen Krankenhauses am Urban zu forschen und zu arbeiten, wobei uns auch der erste Assistent des Institutes, Herr Dr. Schaff er, mit unermüdlicher Liebenswürdigkeit entgegenkam. Die Zeichnungen nach Präparaten stammen von Fräulein Lisbeth Krause, Berlin, die mikroskopischen Zeichnungen von Fräulein Bertha Neresheimer, München. Die Originale sind mit der größten Sorgfalt und Mühe hergestellt worden, und die Damen haben es sich nicht verdrießen lassen, auf unser Erfordern so lange an den Bildern zu verbessern, bis auch der letzte Rest einwandfreier Darstellung herausgeholt war. Daß diese Bilder in der Reproduktion alles wiedergeben, was die Originale enthalten, ist der Sorgfalt zu danken, mit welcher die Verlagsbuchhandlung sowohl den illustrativen Teil als auch sonst das Buch bedacht hat, und wir danken deshalb Herrn Julius Springer auf das Wärmste für das große Interess, das er dem Buch bezeigt hat.Biesalskin. Mayer.

      [Bookseller: MedicusBooks.Com]
 26.   Check availability:     booklooker.de     Link/Print  


        Der Fliegerfritz. Illustriert von Carlos Tips

      "Der Fliegerfritz" gereimt von Karl Bauer, illustriert von Carlos Tips-Karlsruhe (o.J./ca.1916) 13 Blatt, Erstausgabe, farbig illustr. OHlwd (teils fingerfleckig), Kl-Folio/35 x 27 cm Tips-Bilderbücher Band I, Verlag W.A. Gustav Müller, Leipzig. Illustriert mit 8 ganzseitigen farbigen Schattenrissen, ebenso die Vorsätze (bombenwerfender Flugzeuge) Kriegshetze von erstaunlich hoher künstlerischer Qualität. Ecken und Kapitale leicht bestossen sehr seltenes Bilderbuch!

      [Bookseller: tigerle]
 27.   Check availability:     booklooker.de     Link/Print  


        GASLINI Soc. Anonima. Società esercizio Oleifici. Sede di Milano - 31 Foro Bonaparte. Grande album di cm. 31 x 35 di fotografie originali della Società Oleifici GASLINI.

      - Grande album di cm. 31x35 di fotografie originali della Società Oleifici GASLINI. 1916 -1920 circa. Le bellissime foto misurano 20x25,7 cm. Complessivamente 62 FOTOGRAFIE originali. 9 grandi foto della sede della Società. 53 grandi foto degli Stabilimenti: Stabilimento di Bolzaneto, Veduta generale, Silos, Sala di spremitura, Reparto raffineria, Sala Filtri. Stabilimento di Napoli, Ingresso allo Stabilimento, Spremitura, Raffineria, Spedizione Olii. Stabilimento di Pavia, veduta generale, Piazzale, Spremitura, Sala Filtri, Magazzino Olii. Stabilimento di Rivarolo Ligure, Veduta generale, Arrivo dei semi al Silos, Sala macchine, Reparto Coprah, Reparto macinazione semi, Sala di Spremitura, Galleria, Raffineria, Sala filtri, Spedizioni, Magazzino fustame. Stabilimento Trieste S. Andrea, Veduta generale, Serbatoi olii, Caldaie, Macchine e Trasformatori, Macinazione semi, Accumulatori, Sala spremitura, Raffineria, Magazzino Barili. Stabilimento Trieste Zaule, Veduta generale, Piazzale, Caldaie, Sala Macchine, Magazzino Olii. Gerolamo Gaslini nasce a Monza il 3 luglio 1877 da Pietro, uno dei pionieri della moderna industria degli oli di semi, e da Bambina Baggioli. Gaslini si trasferisce a Genova all?inizio dell?ultimo decennio del XIX secolo. Nel 1896 fonda una ditta inserendosi nel commercio degli oli di semi. Nel gennaio del 1907, insieme al fratello Egidio costituisce la società in nome collettivo Fratelli Gaslini. Nel 1914 i due fratelli impiantano una fabbrica di spremitura e raffinazione di olio di semi a Bolzaneto, in Val Polcevera. L?impresa si trasforma in società anonima con sede a Genova, con un capitale che nel giugno 1916 è di 5 milioni, portato successivamente a 10 milioni, diviso in parti uguali fra i due fratelli. Nel dopoguerra la Gaslini avvia una strategia espansiva che si concretizza nell?acquisizione di impianti di spremitura e raffinazione a Trieste e a Fiume, accrescendo le sue quote di mercato. Dal 1949, tuttavia, Gaslini opera una scelta precisa che lega le vicende dell?impresa a quelle dell?Istituto pediatrico. Il 28 novembre di quell?anno, infatti, egli costituisce la Fondazione Gerolamo Gaslini con lo scopo di potenziare l?Istituto, trasferendole in proprietà l?intero capitale sociale della società anonima Gaslini, per un valore totale di 1,3 miliardi di lire, rappresentante l?intero suo patrimonio. A partire dal momento in cui la Fondazione diventa persona giuridica di diritto pubblico, nel novembre 1950, le rendite della Gaslini e delle partecipazioni azionarie di Gaslini affluiscono alla Fondazione, contribuendo così al funzionamento dell?Ospedale. Axs

      [Bookseller: LIBRERIA PAOLO BONGIORNO]
 28.   Check availability:     AbeBooks     Link/Print  


        Mr. Britling Sees it Through

      Cassell and Company, Ltd, London 1916 - Green cloth with title and author on the spine in gilt, with blindstamped borders and decorations, blindstamped lettering and decorated borders to the front board, in buff dustwrapper with black lettering and feather across the front panel in orange. 433 pages, 7.75 X 5.5 inches. The book is very good with the top corners stubbed, pages edges a little browned, an dtop edge dutsoiled. The gilt lettering is bright, and the binding sound and solid with hinges firm and the endpapers all intact. All pages clean and unmarked throughout. The dustwrapper has some wear to the corners and spine ends through rubbing, and shows age darkening or dustsoiling chiefly on the spine, but also somewhat to the margins. On the whole quite a good example, and is unpriced. [Attributes: First Edition; Hard Cover]

      [Bookseller: Jacques Gander]
 29.   Check availability:     AbeBooks     Link/Print  


        Feldgrau in Krieg und Frieden Uniformtafeln sämtlicher Truppenteile der Kgl Preußischen Armee, I-III [THREE VOLUMES]

      Berlin, Hermann, 1916.. Three volumes. Oblong octavo. Pp. 32; 32; 23. Comprising of colour lithographed plates with numerous images of uniforms, ranks and insignia, headgear, etc. to each. Original card wrappers printed in orange, blue, and purple, respectively. In about fine condition. Excellent set. ~ First volume is 6th edition; 2nd volume 2nd edition; 3rd volume 5th edition.

      [Bookseller: Librarium of The Hague]
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        [La Vita Nuova.] The New Life.

      London: printed at the Cheylesmore Presse, Coventry, by W. W. Curtis Ltd., for George G. Harrap & Co.,, [1916]. Pictured by Evelyn Paul, with music by Alfred Mercer. Quarto. Original tan cloth, spine and front cover lettered in gilt, ornate gilt, purple and blue initial to front cover, decorated endpapers, top edge gilt, others untrimmed. With the dust jacket. With 16 colour plates highlighted with gilt, vignettes in text. Corners lightly bumped. An excellent copy in the dust jacket, spine panel faded, slightly chipped and nicked at extremities with a spot of abrasion to front panel. First Evelyn Paul edition, UK issue. This beautiful production presents Rossetti's translation of his namesake Dante's immortal love sonnet sequence, with illustrations by Evelyn Paul (1883–1963), who was heavily influenced by Rossetti as an artist. 150 copies were also issued in vellum. The work is very scarce in the dust jacket.

      [Bookseller: Peter Harrington]
 31.   Check availability:     Biblio     Link/Print  


        La Vita Nuova.] The New Life. Pictured by Evelyn Paul, with music by Alfred Mercer.

      London: printed at the Cheylesmore Presse, Coventry, by W. W. Curtis Ltd., for George G. Harrap & Co., [1916] - Quarto. Original tan cloth, spine and front cover lettered in gilt, ornate gilt, purple and blue initial to front cover, decorated endpapers, top edge gilt, others untrimmed. With the dust jacket. Corners lightly bumped. An excellent copy in the dust jacket, spine panel faded, slightly chipped and nicked at extremities with a spot of abrasion to front panel. With 16 colour plates highlighted with gilt, vignettes in text. First Evelyn Paul edition, UK issue. This beautiful production presents Rossetti's translation of his namesake Dante's immortal love sonnet sequence, with illustrations by Evelyn Paul (1883&#150;1963), who was heavily influenced by Rossetti as an artist. 150 copies were also issued in vellum. The work is very scarce in the dust jacket. [Attributes: First Edition]

      [Bookseller: Peter Harrington. ABA member]
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        Poème contre le grand crime.

      Genève, éd. de la revue "Demain", 1916. - 21 x 15 cm, 51 p. Broché, couv. ill., pte rest. en tête du dos. Bel exemplaire. Edition originale sur papier vergé, après trois exemplaires sur papier de Hollande num. La couverture et la page de titre sont illustrées par une oeuvre d'Edmond Bille. En octobre 1915, Pierre Jean Jouve fuit la guerre et part en Suisse. Il est dès lors très actif dans la communauté pacifiste comme journaliste, écrivain et militant, aux côtés de Romain Rolland, Stefan Zweig, Frans Masereel, Jacques Lenoir, Claude le Maguet, Charles Beaudouin, Marcel Martinet et Henri Guilbeaux, directeur de la revue "Demain". Ce recueil contient quatre poèmes : Au soldat tué, À la Belgique, Chant de l'hôpital, Tolstoy. [Attributes: First Edition; Soft Cover]

      [Bookseller: SOLSTICES RARE BOOKS]
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        The Beasts of Tarzan

      Chicago: A.C. McClurg and Co, 1916. First Edition. Hardcover. Near fine/restored. 1st edition, 1st printing. Near fine in a neatly, but extensively, restored 1st printing dustjacket. The 3rd Tarzan, among the scarcest in jacket. So, you may ask, why is it so cheap? Well, I am a creature of no convictions. At least I think I am.

      [Bookseller: Biblioctopus]
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        City Residential Land Development: Studies in Planning: Competitive Plans for Subdividing a Typical Quarter Section of Land in the Outskirts of Chicago

      Chicago: University of Chicago Press, 1916. 1st ed. Hardcover. Fine. drawings and illustrations (a few color), [8], 138p. Original gray cloth lettered and decorated in gilt on front cover. 31cm. Bookplate inside front cover -- offsetting on front free endpaper. Outer lower corners lightly bumped. No jacket. Of particular interest is "Non-Competitive Plan of Frank Lloyd Wright" at pages 95-102.

      [Bookseller: McBlain Books]
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        These Twain.

      London: Methuen & Co. Ltd, 1916 - Octavo. Original blue cloth, spine lettered in gilt, blind-stamped title within wreath to front cover. With the dust jacket. Spine ends and corners slightly bumped, light marking to front cover, light foxing to initial leaves. A very good copy in the dust jacket, soiled and worn, spine panel heavily chipped affecting title, short closed tears to panels, foxed on the interior. Publisher's catalogue from autumn 1915 at rear. First UK edition, first impression, cancel title page. This, the third novel in Bennett's Clayhanger Family series, was first published in the US the previous year. [Attributes: First Edition]

      [Bookseller: Peter Harrington. ABA member]
 36.   Check availability:     ZVAB     Link/Print  


        [Photo Album]: Women in the San Antonio, Texas area

      San Antonio, Texas, 1916. Very Good. Oblong quarto. Measuring 11.5" x 7.5". Cord-tied black cloth over flexible card with "Photographs" in gilt. Considerable scuffing on the boards, cord has been replaced, a few leaves detached, a couple of images removed or otherwise lacking near very good, images with modest silvering, mostly near fine. Contains well over 300 gelatin-silver images, plus additional small vignettes trimmed from larger photos. A modest amount of captions. An album kept by a young woman, with most of the identifiable locations in the area surrounding San Antonio, Texas. Although many of the photos aren't geographically labeled one shows Leavenworth, Texas near San Antonio and another photo is from the Y.M.C.A. camp Idlewilde in the Dallas suburbs, which leads us to believe this was a Texas woman. Other photos show the woman and her friends working on a chicken farm, having picnics, horseback riding, and later a group of them are posed in their graduation caps and gowns. Two women are photographed playing ukulele with captions such as "are they hula maidens" and "underneath the sheltering palms." The album is full of portrait style photos and candids around the family farm as well as photos of uniformed soldiers visiting home. One section of photos shows the girls camping and posed in bathing costumes which reads "sea nymphs" underneath. A group photo of young men and women in a field has a printed caption reading "gathering the nuts."An extensive collection of photographs documenting World War I-era life in Texas.

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
 37.   Check availability:     Biblio     Link/Print  

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