Seeley, George. NY: Camera Work, 1910. First ed. 4to., 62 pp., complete with 14 hand-pulled photogravures, (12) pp. adverts. Custom binding of full tan calf, with black and gilt label on front and stamped leather label on spine. The original printed wrappers are bound in. Very slight foxing to endpapers, else fine. Ten photogravures by George H. Seeley and four by Marius De Zayas of sketches. The custom binding was created to compliment the design of Camera Work's printed wrappers.

Edinburgh, T.C. & E.C. Jack, ca, 1910. 24,5x19 cm. Titelbl. u. Vorwort, 250 Original-Stereofotografien auf montierten Kartontafeln mit beschreibendem Text. In 5 Originalkartonschachteln mit je 2 Etiketten und je einem Inhaltsverzeichnis. In 5 Bänden. Prepared under the Control of the Department of Anatomy of the University of Edinburgh. - Schachteln mit Etikett: T.J. Ford & Co Publishers, Toronto, Canada. - Section I: Abdomen. 50 Plates. - Section 2: Perineum, pelvis, and Thorax. 50 Plates. - Section 3: Thorax Upper Limb, and Head. 52 Plates (die meisten Tafeln im Rand gelocht). - Section 4: Central Nervous System, Head and Neck. 52 Plates (die letzten 20 Tafeln im Rand gelocht). - Section 5: Lower Limb. 46 Plates. - (Schachteln teils in den Gelenken geplatz, mit Klebespuren und teils fleckig, Tafeln sauber).

Chicago: Reilly & Britton, 1910. 1st Edition 1st Printing. Hardcover. Very Good +/No Jacket. 9 1/4" Tall. 16 Color Plates And Black And White Illustrations Throughout, By John R. Neill. 296 Pp. First Edition, First Printing, Binding A. Dark Blue Cloth, Vertically Ribbed, Front Cover Paper Illustration With Metallic Silver Background And Metallic Green Ink Embellishments, Spine Stamped In Black With Vignette Embellished In Metallic Silver, Reilly & Britton Spine Imprint In Upper And Lower Case, 4 Cm Tall; 16 Full Color Inserts Embellished With Bright Metallic-Green Ink, No Captions Beneath Illustrations. Light Wear, Mostly At Corners, Pinpoint Frays At Two Lower Tips. Ownership Information Filled In On Ownership Pag. This Dark Blue Binding Has No Established Priority But Bienvenue Reports It As Less Common.

London: Edward Arnold,, 1910. Octavo. Finely bound by the Chelsea Bindery in green morocco, titles and decoration to spine, raised bands, single rule to boards, twin rule to turn-ins, plain green endpapers, gilt edges. The occasional minor blemish, an excellent copy in a fine binding. First edition, first impression.

Edward Arnold 1910 - Forster (Edward Morgan) – Howards End First edition, first printing/Edition originale, premier tirage. London, Edward Arnold, 1910 ; in-8°, binding half red cloth, 343 pages + 2 ff.n.ch. (Publisher’s catalog) + 1 bl. First edition, first printing. Text in english. Small defects in the binding, small tear page 243, otherwise a good copy. London [Londres], Edward Arnold, 1910 ; in-8° (dimensions : 14 x 19,5 cm), reliure demi toile rouge, pièce de titre, plats marbrés, 343 pages + 2 ff.n.ch. (catalogue de l’éditeur) + 1 bl. Edition originale, premier tirage. Texte en anglais. Coins émoussés, petites rousseurs sur les tranches, papier légèrement jauni, une petite déchirure avec manque et infime atteinte au texte (2 caractères manquent, une voyelle et un point) à la dernière page, sinon bon exemplaire. [Attributes: First Edition; Hard Cover]

London: Edward Arnold, 1910 1st ed, 4th issue, 1910. In faded maroon cloth, titles in gilt, corners and edges bumped and worn. Spine, titles in gilt, edges bumped and worn. Internally, no inscriptions, half title, [4], 343 pp, [1], [4] adverts, [1], 2-8 adverts, printed by Billing and Sons, Ltd, Guildford, some faint edge browning and occasional spot to prelims. A nice copy. Forster, novelist and essayist, whose Howards End explores themes such as business and imperialism versus the intellect and the imagination; See ODNB. (Kirkpatrick. A bibliography of E.M. Forster, A4a) A chance acquaintance brings together the preposterous bourgeois Wilcox family and the clever, cultured and idealistic Schlegel sisters. As clear-eyed Margaret develops a friendship with Mrs Wilcox, the impetuous Helen brings into their midst a young bank clerk named Leonard Bast, who lives at the edge of poverty and ruin.

Zürich, O. H. & Co., ca 1910 - Quer-8° (19 x 27 cm), Fünffach gefalztes Leporello, Etwas berieben, Namenszug a. Deckel, min. Randfehlstellen- insgesamt schönes Exemplar. 600 gr. Schlagworte: Kinderliteratur

London, United Kingdom: George Allen & Sons, 1910. Book. Very Good +. Hardcover. Signed by Author(s). 1st Edition. First UK Edition, First Printing. Octavo. Light blue publisher's cloth with gilt titles to front cover and spine, upper edge gilt. Of several noted bindings, this is the second issue binding (GEORGE ALLEN / & SONS at base of spine in sans-serif type), fore and bottom edge untrimmed. 252 pages. Nine illustrations by Sidney H. Sime. Faint and minor bumps to spine tips with spine dulled light offsetting to endpages otherwise, fresh, a unmarked copy. . Signed and Dated by Dunsany to the front endpage [Dunsany May 27th 1911]. Uncommon first especially signed..

Müller & Co. Volkstedt, 1910. die obige Jahreszahl geschätztdie Erhaltung für das Alter exellent. Keine Macken, Fehler oder sonstige Beschädigungen festzustellen BL Versand D: 4,90 EUR

THE VOICE OF SPRINGHeliogravure vervaardigd in 1910 door Arthur Tooth & Sons naar het schilderij (Opus CCCXCVII) van Sir Lawrence (Lourens) Alma-Tadema. In de tijd met de hand gekleurd. H x B: 34,8 x 83,5 cm.Het is nog fris op deze heldere ochtend. Gezeten op een halfronde marmeren bank drukt ze haar gewaad tegen zich aan. De anemonen in de weide suggereren dat het nog vroeg in de lente is. Ze kijkt dromerig, mediterend op The Voices of Spring: lachende, spelende kinderen en de tonen van een lier op de achtergrond. Op een marmeren altaar doen de geuren en het geknister van brandende dennenappels geofferd voor Bacchus, mooie herinneringen herleven.Misschien was het het gedicht ?The Voice of Spring? uit 1890 van schrijfster Mary Howitt, dat Alma-Tadema heeft doen inspireren dit werk te maken:Turn thine eyes to Earth and Godfor there the Spring has given;clothed the Earth, and cleared skies:for thy pleasure of thy food,pour thy soul in gratitude. Prijs: ? 3.150,- (incl. lijst).

13 - London - Methuen & Co. 1910 - A wonderful set of Montague first editions in a uniform binding, with the added treasure of the original bindings bound in to the rear. Bound in cloth with gilt lettering and decoration. Works in this set are A Hind Let Loose, Dramatic Values, The Morning's War, Disenchantment, Rough Justice, and Right Off The Map. Includes the original boards for the works bound in the rear of each volume. The original dustwrapper is included to the rear of Rough Justice. There is the front panel of the dustwrapper to the rear ofRight Off the Map. With the illustrated bookplates of Melville Russell Cooke to the front free-endpapers. Charles Edward Montague, 1867 1928, was an Englishjournalist andnovelist. Condition: The bindings are generally tight and firm. Page 1 of Rough Justice with browning and chipping to the fore-edge and bottom margins are partially detached, and page one of A Hind Let Looseis detached, with remains of sticky tape, with offsetting from the tape to subsequent pages. There is only slight wear to the extremities, with just slight bumping and discolouration. Internally the pages are generally clean and bright, with slight browning the occasional foxing, usually prominent to the first and last few pages. Overall the condition is very good indeed. [Attributes: First Edition; Hard Cover]

New York: Frank Allaben Genealogical Company, 1910. First Edition. Hardcover. Very Good. Rare first edition, 8vo, 559 pages and 71 interleaved plates, including a full-color rendition of the Spelman arms. Tight, red cloth binding with gold stamping; readers crease on spine; one small tear at bottom of spine; interior, clean and bright, except for inscription of a previous owner on inside of the front cover. 8vo - over 7¾" - 9¾" tall.

- Apontamentos ligeiros. I. Saneamento da cidade. II. Gare marítima. III. Viação. Por? E. C. Livraria Nacional e Estrangeira de Eduardo Tavares Martins Editora. Porto. 1910. De 24x16 cm. Com 348 pags. Brochado. Exemplar por abrir e com trabalho de traça marginal no pé do livro sem afectar mancha gráfica. Location/localizacao: 9-8-E-23

Athen, ca. 1910. Original photograph, cabinetcard, albumen print, 16,4 x 10,6 cm. Constantine I (2 August [O.S. 21 July] 1868 - 11 January 1923) was King of Greece from 1913 to 1917 and from 1920 to 1922. He was commander-in-chief of the Hellenic Army during the unsuccessful Greco-Turkish War of 1897 and led the Greek forces during the successful Balkan Wars of 1912-1913, in which Greece expanded to include Thessaloniki, doubling in area and population. He succeeded to the throne of Greece on 18 March 1913, following his father's assassination. His disagreement with Eleftherios Venizelos over whether Greece should enter World War I led to the National Schism. Constantine forced Venizelos to resign twice, but in 1917 he left Greece, after threats of the Entente forces to bombard Athens; his second son, Alexander, became king. After Alexander's death, Venizelos' defeat in the 1920 legislative elections, and a plebiscite in favor of his return, Constantine was reinstated. He abdicated the throne for the second and last time in 1922, when Greece lost the Greco-Turkish War of 1919-1922, and was succeeded by his eldest son, George II. Constantine died in exile four months later, in Sicily. Born on 2 August 1868 in Athens, Constantine was the eldest son of King George I and Queen Olga of Greece. His birth was met with an immense wave of enthusiasm: the new heir apparent to the throne was the first Greek-born member of the family. As the ceremonial cannon on Lycabettus Hill fired the royal salute, huge crowds gathered outside the Palace shouting what they thought should rightfully … [Click Below for Full Description]

1910. 34 x 24 cm, Gerahmt. Bild tadell. Moos (1878, München - 1959, Zürich) vor allem bekannt als Plakatgestalter. Maler, Grafiker, Bühnenbildner, Illustrationen (Tageszeitungen) (SKL). Unten rechts signiert. 1100 gr. Schlagworte: Gemälde - Zeichnung [Attributes: Signed Copy]

Ullstein Berlin 1910 1080 Seiten mit sehr zahlreichen schwarz-weißen Abbildungen und Illustrationen, Gold- und blindgeprägter illustrierter roter Oln, Folio ( 37 x 28,5 cm ). Der schmale Einbandrücken mit abweichendem goldgeprägtem Jahrgangsvermerk *1909*. Einband etwas berieben, etwas fleckig, Vorderdeckel zur Innenkante hin mit kleiner Beschädigung. Innen einige Seiten angerändert, wenige Seiten gering fleckig. ( Gewicht 4400 Gramm ) ( Pic erhältlich // webimage available ) Versand D: 6,00 EUR Berlin, Berliner Illustrierte Zeitung, Berliner Illustrierte, 1910, Google, Zeitungen, Illustrierte

Paris, H. Dunod et E. Pinat, 1910. In-4, (4)-VIII-153-(3) pp. et XXVII planches, tableaux et schémas dans le texte, cartonnage éditeur, dos percaline (défauts à la reliure). Edition originale, ornée d'un portrait de Gustave Eiffel dans la chambre d'expériences du laboratoire aérodynamique, tiré en héliogravure. * Voir photographie(s) / See picture(s). * Membre du SLAM et de la LILA / ILAB Member. La librairie est ouverte du mardi au samedi de 14h à 19h. Si vous souhaitez passer à la librairie pour un livre, merci de nous prévenir au préalable, l'ensemble du stock visible en ligne n'étant pas immédiatement consultable. Langue : Français [Attributes: First Edition]

Ulrico Hoepli Editore, 1910. ITALIANO 1,78 Legatura con piegature alle estremità ed inserti in tessuto parzialmente danneggiati, controguardie rivestite di stoffa, frontespizio a due colori protetto da velina, ogni tavola protetta da velina. USATO

MILANO: Ulrico Hoepli Editore, 1910. rilegato. BUONO. 24 30. USATO

Ch. Delagrave, Paris, 1910. 246 + Table And Ad Page At End;174 Pp. Two Volumes, In Matched Dark Brown Morocco, Five Bands On Spine, Gilt Titles And Author's Name. Original Silk Bookmarks Bound In. Marbled Paper Over Boards, Same Paper Used On Endpapers. Top Edges Gilt. No Names Or Marks. Nicely Reconditioned. [Attributes: First Edition; Hard Cover]

New York: Doubleday, Page & Co., 1910. Quarto. Three quarter vellum and boards, gilt leather labels, t.e.g., others untrimmed. Color frontis and sixteen plates. Some minor hand-soiling to the boards, usual faint offset from the blank versos of the plates to the facing pages (the rectos having no effect due to the presence of the tissue guards), a few trivial foxmarks to endsheets. A very good or somewhat better copy, without the board slipcase. First illustrated US edition, deluxe issue. One of 125 numbered copies printed on untrimmed handmade paper, specially bound, and signed by Kipling. RICHARDS E1-84.

London: Macmillan and Co. Ltd., [c.1910] - Sheet size: 82 × 60 cm Some very light creasing and a touch of marginal spotting, otherwise fresh and clean. Presented in a black wooden frame with UV glass. Colour lithographed linen-backed wall-poster First and only edition. The use of John Macfarlane is the only instance of Macmillan having licensed illustrations for Alice in Wonderland by an artist other than Tenniel. In its original format, the set of six was issued joined at the head as a kind of flipchart, most likely intended for classroom display. The posters could be mounted on an easel and the illustrations displayed one at a time while the class read through the book. The complete set is now rare: OCLC locates just one set, COPAC adds another at Oxford. Many must have been split up and varnished for hanging in the schoolroom: two individual prints in that condition were offered at auction in 1997. As part of the celebrations for the first Alice's Day in 2007, the Bodleian staged an exhibition including the earliest editions of Alice's Adventures in Wonderland and amongst "Other highlights of the display [were] two posters from a set of 6 based on Tenniel's designs by J. MacFarlane." [Attributes: First Edition]

London: Macmillan and Co. Ltd., [c.1910] - Sheet size: 82 × 60 cm Some very light creasing and a touch of marginal spotting, otherwise fresh and clean. Presented in a black wooden frame with UV glass. Colour lithographed linen-backed wall-poster First and only edition. The use of John Macfarlane is the only instance of Macmillan having licensed illustrations for Alice in Wonderland by an artist other than Tenniel. In its original format, the set of six was issued joined at the head as a kind of flipchart, most likely intended for classroom display. The posters could be mounted on an easel and the illustrations displayed one at a time while the class read through the book. The complete set is now rare: OCLC locates just one set, COPAC adds another at Oxford. Many must have been split up and varnished for hanging in the schoolroom: two individual prints in that condition were offered at auction in 1997. As part of the celebrations for the first Alice's Day in 2007, the Bodleian staged an exhibition including the earliest editions of Alice's Adventures in Wonderland and amongst "Other highlights of the display [were] two posters from a set of 6 based on Tenniel's designs by J. MacFarlane." [Attributes: First Edition]

London: Macmillan and Co. Ltd., [c.1910] - Sheet size: 82 × 60 cm Some very light creasing and a touch of marginal spotting, otherwise fresh and clean. Presented in a black wooden frame with UV glass. Colour lithographed linen-backed wall-poster First and only edition. The use of John Macfarlane is the only instance of Macmillan having licensed illustrations for Alice in Wonderland by an artist other than Tenniel. In its original format, the set of six was issued joined at the head as a kind of flipchart, most likely intended for classroom display. The posters could be mounted on an easel and the illustrations displayed one at a time while the class read through the book. The complete set is now rare: OCLC locates just one set, COPAC adds another at Oxford. Many must have been split up and varnished for hanging in the schoolroom: two individual prints in that condition were offered at auction in 1997. As part of the celebrations for the first Alice's Day in 2007, the Bodleian staged an exhibition including the earliest editions of Alice's Adventures in Wonderland and amongst "Other highlights of the display [were] two posters from a set of 6 based on Tenniel's designs by J. MacFarlane." [Attributes: First Edition]

London: Macmillan and Co. Ltd., [c.1910] - Sheet size: 82 × 60 cm Some very light creasing and a touch of marginal spotting, otherwise fresh and clean. Presented in a black wooden frame with UV glass. Colour lithographed linen-backed wall-poster First and only edition. The use of John Macfarlane is the only instance of Macmillan having licensed illustrations for Alice in Wonderland by an artist other than Tenniel. In its original format, the set of six was issued joined at the head as a kind of flipchart, most likely intended for classroom display. The posters could be mounted on an easel and the illustrations displayed one at a time while the class read through the book. The complete set is now rare: OCLC locates just one set, COPAC adds another at Oxford. Many must have been split up and varnished for hanging in the schoolroom: two individual prints in that condition were offered at auction in 1997. As part of the celebrations for the first Alice's Day in 2007, the Bodleian staged an exhibition including the earliest editions of Alice's Adventures in Wonderland and amongst "Other highlights of the display [were] two posters from a set of 6 based on Tenniel's designs by J. MacFarlane." [Attributes: First Edition]

1910 - Vuibert et Nony éditeurs 1912.Un volume format in-4°(30x21cm). Cartonnage illustré de l'éditeur en percaline.La composition du 1er plat est signée Souze.Tranches dorées.486p.Très nombreuses illustrations dans le texte.Bel exemplaire. [Attributes: Signed Copy; Hard Cover]

Alfred Holder 1910-1916, Wien - Leipzig, - 250x170mm, 890 + 1130 + 2742Seiten, 309 Abbildungen, 54 Tafeln, 5 Tabellen, Gutes Exemplar.

- "The Emperors young soldiers move in the green field." original gouache (body colour) on cardboard approx.23x35cm; bottom right monogrammed; around 1910 [Framed behind glass in a contemporary wooden frame (34,5x47cm).]