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Displayed below are some selected recent viaLibri matches for books published in 1910

        Ward W. Willett's (Willitt's) ground plan and perspective of villa. Highland Park. Illinois. 1902. Plate XXV

      Berlin: Ernst Wasmuth, 1910. Original lithograph on 4-ply, wove, grayt paper. 15.94 x 25.25" (40.5 x 64 cm). Artist's embossed stamp lower corner. Provenance: The estate of Blaine and Hulda Drake, who were members of the original class of fellows at Taliesin at Spring Green, Wi. They remained close to the master and later moved with him to Taliesin West, outside of Phoenix, AZ,. The corner of the print was slightly stained and torn due to damage sustained famous fire of 1914, which destroyed the architect's home and studio and most of the edition. The damaged piece is in the lower left margin, not affecting the image. The print has been cleaned and de-acidified. Text and title in German/Deutsch. Else very good. S.054 Hitchcock, Plates 73-76

      [Bookseller: Alan Wofsy Fine Arts]
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        Laudes Creaturarum. An unbound proof, dated 1910 [not 1911]

      Hammersmith: Doves Press, 1910. 8pp. 1 vols. Small 4to. Unbound. Fine. 8pp. 1 vols. Small 4to. An Early State of Laudes Creaturarum. With the date on the colophon as MDCCCCX, instead of 1911 as in the published version.

      [Bookseller: James Cummins Bookseller]
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        War and the Arme Blanche.

      London: Edward Arnold,, 1910. With an introduction by the Right Hon. Field-Marshal Earl Roberts. Octavo. Original red cloth, spine lettered in gilt. Spine darkened, boards stained and discoloured, head of spine frayed. A good copy. First edition, first impression. Presentation copy, inscribed by the author to the politician and journalist Leo Amery on the verso of the front free endpaper: "To L. S. Amery, from Erskine Childers. April 10, 1910." Leo Amery was Childers's neighbour and editor of The Times's History of the War in South Africa, for which he persuaded Childers to prepare volume five. The two men were initially exponents of Imperial unity, though later in life they diverged ideologically. Childers became a fanatical supporter of the Irish Home Rule movement, while Amery supported the transfer of power in India and advanced national independence movements in Asia and Africa.

      [Bookseller: Peter Harrington]
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        Mafarka il futurista.

      Milan: Edizioni Futuriste di "Poesia",, 1910. Romanzo. Traduzione dal Francese di Decio Cinti. Octavo. Original orange printed wrappers. Spine lightly toned, slightly rolled and a little creased. An excellent copy of this fragile publication. First Italian edition of Marinetti's uncommon first novel, translated by his personal secretary. Presentation copy from the author, inscribed flamboyantly on the front free endpaper: "al caro e intelligentissimo amico dei futuristi, Koltonski" ("to the dear and intelligent friend of the Futurists, Koltonski"), and accompanied by a Futuristic lightning sketch of "Futuris Marinetti" pricking the sagging bubble of "Passatismo" (Traditionalism). A significant association: "Aleksander Koltonski [(1882-1964) Polish writer and translator], who was a resident in Italy and can be considered a protagonist in popularizing Futurism in Poland, issued a summary of the manifestos on Futurist music by Francesco Balilla Pratella and Luigi Russolo. Koltonski was clearly familiar with the collection I manifesti del futurismo. Prima serie (1914) and demonstrated his extensive knowledge in a groundbreaking article, entitled On Futurism as a Cultural and Artistic Movement, which also included an excerpt from Mariinetti's Zang Tumb Tumb... Koltonski emphasized the importance of Futurism for the political-cultural development of Italy, the innovatory character of its aesthetics, and the movement's fertilizing effect on life and art" (Przemyslaw Strozek, "Marinetti is foreign to us": Polish Responses to Italian Futurism in International Yearbook of Futurism Studies, 2011, volume I p. 89). Originally published in French (Paris: Sansot, 1909) as Mafarka le futuriste: roman africain. There would appear to be a number of issues of this first Italian edition: our copy (and others noted in OCLC) have "10o migliaio" (or "10th thousand") printed on the front cover; Copac notes a copy (Leeds University) with "11th thousand" and we know of a copy calling itself "6th thousand". These are all generally regarded as fictional. Mafarka, set in an imaginary African country, brought Marinetti to trial for obscenity. He was acquitted and the furore helped to put Futurism on the cultural map. Koltonski has made two neat inscriptions in Polish that appear to touch on the trial, saying that the book was "confiscated on moral grounds". .

      [Bookseller: Peter Harrington]
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        Opus divinum, cui titulus historiae naturalis, multoqua[m] antehac unqua[m] prodiit in luce[m] castigatius, una cu[m] annotationibus Hermanolai Barbari ...Paris, Jean Petit (colophon: Nicolaus Sauetier), 1526. 2 parts in 1 volume (bound in reverse order). Folio. With title-page printed in red and black to the main work (bound second) and title-page to the index (bound first), both in woodcut border in four pieces. Contemporary or near contemporary calf, with the boards richly blind-tooled in a panel design; rebacked with part of the original backstrip laid down.

      Bird 1910; USTC (2 copies); not in Adams; BMC French; Durling; Hunt; Wellcome. Very rare first Paris edition of Historiae naturalis , with the annotations by Hermolaus Barbarus. Pliny's Natural history is one of the largest single works to have survived from the Roman Empire to the modern day and purports to cover the entire field of ancient knowledge, based on the best authorities available at the time. It encompasses the fields of botany, zoology, astronomy, geology and mineralogy as well as the exploitation of those resources. It remains a standard work for the Roman period and the advances in technology and understanding of natural phenomena at the time. Pliny's accounts of some technical advances are the only sources for those inventions, such as hushing (using water to wash away soil) in mining technology or the use of water mills for crushing or grinding grain. Archaeological excavations have confirmed much of what he wrote. ''We know from Pliny that there were important pearl fisheries in the Gulf … Pliny identifies Tylos (Bahrain) as a place famous for its pearls … [He] attests that pearls were the most highly rated valuable in Roman society, and that those from the Gulf were specially praised … The pearl related finds at the site of El-Dur indicate the site was integrated into the maritime trade routes linking the Roman Empire, the Persian Empire, India and South Arabia'' (Carter). Book 6 holds a chapter that gives the first detailed account of the regions around the Gulf, including what are now Qatar, the Emirates and Oman. Hermolaus Barbarus (1454-1494) was an Italian Renaissance scholar. His discussions of Pliny's Naturalis Historia was first published as Castigationes Plinianae in 1492, in which he made over 5000 corrections to the original text. Due to this work and other classical works he translated or edited he was considered a leader authority on Latin and Greek work on antiquity.With manuscript inscriptions on title-page. The two parts bound in reverse order. Binding rebacked and restored, but with most of the central tooling on the boards still clear. Text in very good dcondition, with only a couple marginal waterstains and some minor thumbing.

      [Bookseller: Antiquariaat FORUM BV]
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        Sammlung von 2400 Ex Libris und Gelegenheitsgraphiken.

      [ca. 1910-1960].. Versch. Drucktechniken: Kupfer-, Stahlstich, (Farb-)Holzschnitt u. a. In 22 Mappen. Umfangreiche Sammlung eines Buchbinders, in sachkundiger Archivierung und geschmackvoller Aufbewahrung. Sorgfältig geordnet, aufbewahrt in Papiermasken und diese in 22 Mappen, die mit Kleisterpapier und Pergament bezogen sind. Tlw. Blindprägungen auf den Rücken. Unter den Künstlern befinden sich bekannte Namen wie Benard Jan Allers, Desire Ackers, Frank Alpresa, Jan Battermann, Franz v. Bayros, Bruno Bramanti, Gyorgy Buday, Erich Büttner, Valentin le Campion, Vojtech Cinbybulk, Alfred Cossmann, Jos. Diveky, John Dix, Ernst Dombrowski, Michel Fingesten, Willi Geiger, Eric Gill, Luc de Jaeger, W. Jakubowski, Piet Janssens, Maarten de Jong, Max Kislinger, Maria Klimbacher, Bohuslav Knobloch, Emil Kotrba, Alfred Kubin, Anneke Kuyper, Josef Liesler, Suitbert Lobisser, Jaroslav Lukavsky, Max Liebenwein, Richard Lux, Jaroslav Marik, Frans Masereel, Arpad Nagy, Bruno da Osimo, Herbert Ott, Ottmar Premstaller, Leo Primavesi, Hans Ranzoni, Ru van Rossem, Richard Rother, Roland Roveda, Wilhelm Jakob Rozendaal, Pam G. Rueter, Wilhelm Sauer, Mark F. Severin, Pavel Simon, Jiri Svengsbir, Herbert Anton Schimek, Erich Schöner, F. Staeger, Franz Taussig, Richard Teschner, Hedwig zum Tobel, Endre Vadasz, Jaroslav Vodrazka. H. Woyty-Wimmer u. v. a. - Die meisten Graphiken (darunter 271 Gelegenheits- bzw. Gebrauchsgraphikenfür Glückwünsche, Besuchskarten Familienanzeigen, etc.) sind von den Künstlern signiert. Unter den Eignernamen finden sich: Winfried Grunewald, Hans Ranzoni, Erich Schöner, Max Kislinger, Otto Anna Feil, G. Engelmann, Marco Birnholz, Friedrich Leinfellner, Richard Donin, Moritz Kuffner, M. Rabenlechner u. v. a. - Auf Wunsch können detaillierte Auflistungen gezeigt werden.

      [Bookseller: Antiquariat Burgverlag]
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        Le Secret de Wilhelm Storitz Les mondes connus et inconnus

      Collection Hetzel, PARIGI 1910 - Les voyages extraordinaires Francese Volume rilegato,la copertina telata riporta usura da scaffale, visibili i bordi stanchi, abrasioni alla cerniera, il dorso leggermente scolorito e con ammaccature alla cima e alla base, le pagine normalmente ingiallite presentano fioriture, i tagli con decorazione in oro, visibili illustrazioni a col.

      [Bookseller: Biblioteca di Babele]
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        Le secret de W Storitz Hier et demain Contes et nouvelles EDITION ORIGINALE

      Paris: Hetzel, 1910. Fine. Hetzel, Paris 1910, in-8 (18,5x28cm), relié. - illustrated collective Edition, and only edition made for this title. Illustrations by Georges Roux, with 30 inset, some in chromolithography. Cardboard Hetzel editor "in the range of an elephant" in full red calico signed Engel, various gold scientific instruments in the foreground second type of flat "i" as indicated by JAUZAC back to the lighthouse, blue endpapers origins all edges gilt.   - [FRENCH VERSION FOLLOWS] Edition originale collective illustrée, et unique édition réalisée pour ce titre. Illustrations par georges Roux, avec 30 hors-texte, certains en chromolithographie. Cartonnage éditeur Hetzel "à l'éventail à un éléphant" en pleine percaline rouge signé Engel, divers instruments scientifiques dorés au premier plan, second plat de type "i" comme indiqué par Jauzac, dos au phare, pages de garde bleues d'origines, toutes tranches dorées. Un petit accroc sur le mors du premier plat, un coin un peu frotté. Un accord au milieu du dos un peu frotté. Quelques rousseurs.  

      [Bookseller: Librairie Le Feu Follet]
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        Le Corbusier et Pierre Jeanneret: Oeuvres Complete (Vols. 1-6 {of 8}) --All in Nice Dustjackets

      Zurich: Les Editions d'Architecture (Editions Girsberger). Cloth. Near Fine/Very Good +. A handsome example of the first 6 (of 8) volumes in the ambitious "Oeuvre Complete" of Le Corbusier. All 6 volumes are early re-issues and all are very presentable and well-preserved. Tight, clean and Near Fine in crisp, VG+ to Near Fine dustjackets. Uniform oblong quartos, hundreds and hundreds of crisp black-and-white photos, designs and drawings. Text in French, English and German. The volumes are: "Le Corbusier & Pierre Jeanneret 1910-1929"; "Le Corbusier & Pierre Jeanneret 1929-1934"; "Le Corbusier & Pierre Jeanneret 1934-1938"; "Le Corbusier 1938-1946"; "Le Corbusier 1946-1952"; and "Le Corbusier 1952-1957"

      [Bookseller: Appledore Books, ABAA]
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      London-Glagow-Bombay: Blackie and Son Ltd, 1910. Limited to 350 Copies Signed and Numbered by the Artist With a Presentation Note from Christina Rossetti Full Contemporary Maroon Morocco, Gilt Extra ROSSETTI, Christina. HARRISON, [Emma] Florence (illustrator). Poems by Christina Rossetti. Introduction by Alice Meynell. London, Glasgow & Bombay: Blackie and Son Ltd., 1910. Limited to 350 copies numbered and signed by the artist, this being copy no. 93. Affixed to the limitation leaf, below Florence Harrison's signature is a small sheet (2 1/2 x 4 3/8 inches; 62 x 110 mm.) inscribed in black ink "Very sincerely yours / Christina G. Rossetti". Large quarto (11 1/4 x 8 7/8 in; 285 x 225 mm.). xxiv, 369, [1, blank], [2] pp. Thirty-six mounted color plates on heavy stock, with captioned tissue guards. Thirty-four mounted black and white plates. Black and white head and tailpieces. Bound ca. 1910 in full dark maroon morocco, covers elaborately stamped and bordered in gilt, spine with five raised bands, decoratively stamped and lettered in gilt in compartments, gilt board-edges and wide gilt turn-ins. Inlaid dark green morocco liners elaborately bordered in gilt, cream watered silk end-leaves, top edge gilt, others uncut. Spine very slightly sunned, otherwise a very fine example. Although this elaborate binding is not signed it is most certainly the work of an American bindery, possibly Stikeman & Co. of New York. Emma Florence Harrison (fl. 1887-1914) was figure painter and illustrator working in London from 1887 who specialized in illustrating poetry and children's books in a later Pre-Raphaelite style that was influenced by William Morris. Indeed, in 1914 she illustrated Morris' Early Poems. The majority of her work was executed for publishers Blackie and Son. Christina Georgina Rossetti (1830-1894) was an English poet who wrote a variety of romantic, devotional, and children's poems. She is best known for her long poem Goblin Market, her love poem Remember, and for the words of the Christmas carol In the Bleak Midwinter.

      [Bookseller: David Brass Rare Books, Inc.]
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      London: Blackie and Son Limited, 1910. First edition. Profusely illustrated with 36 color plates by Florence Harrison. 4to, publishers original white cloth, extensively decorated in gilt with an all-over elaborately designed illustration and lettering in gilt on the upper cover, the spine beautifully lettered and extensively decorated in gilt, also in an all-over design, t.e.g. xxiv, 369 pp. A very attractive copy, the plates all pristine and the text very fine, the white cloth with just a little expected evidence of handling. A BEAUTIFUL COLLECTION OF ROSSETTI'S POEMS, BEAUTIFULLY PRESENTED IN A VERY ATTRACTIVE BINDING AND REPLETE WITH WONDERFUL ILLUSTRATIONS. Florence Harrison illustrated books by several notable notable Pre-Raphaelite circle poets. Along with Christina Rossetti she also illustrated poems by William Morris and Sir Alfred Tennyson. This book in particular is an especially pleasing work in the oeuvre of illustrated books of the early 20th century.

      [Bookseller: Buddenbrooks, Inc.]
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        Christina Rossetti's Poems

      Boston: Dana Estes & Co, 1910. Hardcover. VG. Light rubbing to covers but no wear to gilt. Tight and very clean interior with no marks. Very light sunning to page edges.. Florence Harrison. Cream buckram with exquisite gilt lettering and Pre-Raphaelite cover designs; TEG. (xxiv), 369 pp. with 36 color, tipped-in plates with tissue covers, 34 bw plates and numerous additional smaller bw illustrations and decorations throughout. Decorative end papers following cover theme. With an introduction by Alice Meynell. Sumptuous illustrations by Harrison, one of the late Pre-Raphaelite illustrators who became a regular illustrator for Blackies, the famous Glasgow publisher. This volume of Rossetti's poetry required 24 color and 48 bw illustrations, but Harrison submitted the ones herein, and the book was published. Rossetti's descriptive and imaginative poetry and Harrison's illustrations are highly complementary. A spectacular book to read and behold.

      [Bookseller: Mullen Books, Inc. ABAA / ILAB]
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      London: Blackie & Sons, 1910. First with Harrison's illustrations. Hard Cover. vg. Quarto. Bound in cream cloth with elaborate gilt design and lettering to cover and spine. Pictorial endpapers. (Front endpaper has small piece out) Thirty-two color illustrations mounted to heavy paper as well as many full page and smaller black and white illustrations all by Florence Harrison. Page preceding half-title page is slightly shaken. Oveall a lovely copy with superb illustrations by this fantasy illustrator.

      [Bookseller: Midway Used and Rare Books]
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