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Displayed below are some selected recent viaLibri matches for books published in 1910

        Autograph Musical Quotation Signed

      1910 - ("Eric Wolfgang Korngold") 1 page, 8vo, London, July 18, 1910, written on the verso of a title cover of a program being the opening three bars of Der Schneemann, minor edgewear, else fine. A rare item from his early period with more legible early signature. Erich Wolfgang Korngold was a child prodigy who, before he reached 10 years, was called a "musical genius" by Gustav Mahler. His ballet Der Schneemann, which he wrote wen he was 11, was much lauded when it was played at the Vienna Court Opera in 1910. Korngold is most known for his work in Hollywood including the score for The Adventures of Robin Hood, for which he won an Academy Award for Best Original Score, and which is considered one the greatest scores of all time. Korngold (1897-1957) enjoyed great success as one of the most respected and in-demand film composers of the 1930s and 1940s. Nominated for a total of four Academy Awards, Korngold won two, for Anthony Adverse (1936) and The Adventures of Robin Hood (1938). [Attributes: Signed Copy]

      [Bookseller: Houle Rare Books/Autographs/ABAA/PADA]
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        L'Esprit De La Guerre Navale - Complete in Three Volumes

      Paris: Berger-Levrault & Cie, Editeurs. Half-Leather. Deuxieme edition de l'Etude sur la Strategie navale. Written in French. Maroon leather, blue cloth-covered boards with gilt trim. Top edges gilt. Marbled endpapers. Volume I - La Strategie is 384 pages. Volume II - La Tactique is 142 pages. Volume III - L'Organisation Des Forces is 315 pages. (please note that Volume III was printed in 1910) Former copy of the Royal Canadian Naval College Library with usual markings. Only external markings are writing at base of backstrips. Bindings all intact. Moderate to average wear externally. A sturdy copy of this influential work. . Good. 1909.

      [Bookseller: RareNonFiction.com]
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        A New Modification of the Cloud Method of Determining the Elementary Electrical Charge and the most probable value of that Charge [ Millikan's Balanced-Droplet Experiment - Foundation for Oil Drop Experiment ]

      Taylor and Francis, London 1910 - First Edition. viii, [1]-924 pages plus 13 folding plates bound in rear. 8vo. Attractively bound in 3/4 leather over marbled boards. Marbled endpapers and page edges. A few small blemishes to the leather, bright and clean internally. Pages 209-228 contain the article "A new modification of the cloud method of determining the elementary electrical charge and the most probable value of that Charge," a key work in physics and electricity. IN The London, Edinburgh, and Dublin Philosophical Magazine, Volume XIX, Sixth Series, February 1910, pp 209-228. A fine addition to any physics, Nobel Prize, or science collection. Boards. Often falsely cited as containing "Millikan's Oil Drop Experiment", this article documents Millikan's "balanced-droplet" experiment which predates his famous oil drop experiment. This paper is the first to reproducably and accurately show the unitary nature of electrical charge (which produced an accurate measurement of the charge of an electron for the first time). Experimental methods previous to his work created wildly differing measurements during repeated attempts. The balanced droplet method required the creation and use of water drops which were given an electrical charge, and then studied as they were influenced by a known magnetic field. This paper is fundamentally important. Millikan in his autobiography notes that this paper established the "first definite, sharp, unambigous proof that electricity was definitely unitary in structure and that it only appeared in exact multiples of that unit." effectively allowing the measurement of the electrical charge. Later work (including his oil drop experiment) refined the experimental measurement techniques and the value of the charge of an electron. Millikan was awarded the Nobel Prize for Physics in 1923 "for his work on the elementary charge of electricity and on the photoelectric effect". Millikan showed that the charge was "always an integral multiple of an irreproducible value." He arrived at a value for e in 1909 that he considered accurate to within 2 percent. "This result provided the most persuasive evidence yet that electrons were fundamental particles of identical charge and mass". In 1913 he published the value for the electronic charge 4.774 +/- .009 x 10 (-10) e.s.u. "which would serve the world of science for a generation" " (see DSB 9/10 pp 395-396). [Attributes: First Edition; Hard Cover]

      [Bookseller: Kuenzig Books ( ABAA / ILAB )]
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        The Story of King Arthur and His Knights

      New York: Charles Scribner's Sons,, 1910-25-26. [together with] The Story of the Companions of the Round Table; The Story of Sir Launcelot and His Companions; The Story of the Grail and the Passing of Arthur. Written and Illustrated by Howard Pyle. 4 volumes, octavo. Original yellow cloth, titles and decoration to spines and upper boards in gold, black, and red. Frontispiece, illustrated title page, and illustrations throughout. Cloth a little rubbed and dulled, gift and ownership inscriptions to front blanks, some small bumps to edges of boards. An excellent set. Mixed set. The final volume, The Story of Sir Launcelot, is a first edition, the others are early reprints. A delightful set of the King Arthur stories by one of America's foremost illustrators.

      [Bookseller: Peter Harrington]
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        French Revolution, The

      London: Chapman and Hall, 1910. - Off With Their Heads!(But Keep Scarce Dust Jackets On)One of Only 150 CopiesSigned by the Artist[SULLIVAN, Edmund J., illustrator]. CARLYLE, Thomas. The French Revolution. A History. With Illustrations by Edmund J. Sullivan. London: Chapman and Hall, 1910. Large paper copy, limited to 150 sets, signed by the artist, this being no. 83. Two quarto volumes (11 x 7 1/8 in; 282 x 181 mm). xii, [2], 418; xi, [1, blank], 484 pp. Thirty-three black and white plates and 124 black and white text illustrations. Original quarter vellum over natural linen boards. Front cover and spine decoratively stamped and lettered in gilt. Top edge gilt, others uncut. A very fine set in the original pale blue dust jackets, printed in red."Of the three great political upheavals which have altered the face of the world - the American, French and Russian Revolutions - only the French Revolution has stimulated literary masterpieces which, in turn, have made their impact, direct and indirect, upon millions of readers. They are Carlyle's book and . Michelet's. Carlyle wrote his French Revolution as a secular 'tract for the times' and as a warning for his compatriots of the frightful consequences of materialism, utilitarianism, and democracy. The book at once captured the English-speaking world, and has, outside France, moulded the popular conception of the French Revolution down to the present day" (PMM).Edmund Joseph Sullivan (1869-1933) was a British book illustrator who worked in a style which merged the British tradition of illustration from the 1860s with aspects of Art Nouveau. He was only 20 years old when he began contributing to various magazines including the Daily Chronicle, The Daily Graphic, The Pall Mall Gazette and Punch magazine.He soon graduated to the more prestigious role of book illustrator. Sullivan's style is comparable to that of Aubrey Beardsley, but is more romantic, without Beardley's acerbic attitude. Sullivan adapted his style to use the faux-Rococo techniques he had developed in order to combine them with bizarre images of strange fantastical figures, drawing on the genre of the grotesque. Sullivan also illustrated Carlyle's The French Revolution, using the same combination of Rococo and Grotesque to emphasize the violence erupting into the decorative world of Louis XVI and Marie Antoinette's court.Of Edmund J. Sullivan (1869-1933), Gordon N. Ray wrote "Sullivan’s career as an illustrator was one of the most substantial and distinguished in the annals of English art" (Ray, The Illustrator and the Book in England, p. 187).Cf. PMM 304.

      [Bookseller: David Brass Rare Books, Inc.]
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        The Police Encyclopaedia. With a Preface by Sir Robert Anderson, K.C.B., L.L.D., Late Chief of the Criminal Investigation Department, New Scotland Yard. Eight Volumes [complete]

      The Waverley Book Company, Ltd. 7-8, Old Bailey, E.C. 1910?], London - Original light-blue cloth, gilt, somewhat worn and some volumes spotted, else a good usable set A work containing "a mass of information about the origin, growth and present organization of our British Police Forces [written] with a literary freshness" and extensively illustrated, each volume with two dozen or more plates [Attributes: Hard Cover]

      [Bookseller: Meyer Boswell Books, Inc., member ABAA]
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        Masonic Document and a Safe Passage Framed (2)

      - [Document No. 23322] Official printed document. United States of America Department of State, City of Washington, document for safe passage and protection for Abraham Kaufman and his wife, dated 1910, signed by state department official (not legible). The document gives a full description of Mr. Kaufman (age, height, forehead, eyes, nose, mouth, etc.) Signed by Kaufman. Document framed under glass. (not examined out of frame) measuring approx. 15 ½" x 11 ¼", frame measures 20 ½" x 16 ½", with orange seal. Document with fold lines. [Free Masonry] Pictorially engraved Document, printed in blue for Abraham Kaufman, in the state of New Jersey, who on May 12, 1910 was entered as Master Mason. Blue seal detached but present. Framed under glass ( not examined out of frame) measuring approx. 15 ½" x 11 ¼". Frame measures 20 ¾" x 16 ½" document with fold lines.

      [Bookseller: Alcuin Books, ABAA]
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        Inscribed and signed photograph.

      - Inscribed "To Carlo Wedekind inventor gas turbine. Thomas A Edison, Orange, July 10, 1910." 3-1/2 in x 5 in. print, mounted on card. A group photo in the door of Edison's laboratory, (now the Edison Museum). Very good condition, matted and framed. Carlo Wedekind patented a gas turbine in 1906. [Attributes: Signed Copy]

      [Bookseller: Thomas A. Goldwasser Rare Books (ABAA)]
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        Schachmeister Steinitz. Ein Lebensbild des ersten Weltschachmeisters dargestellt in einer vollstandigen Sammlung seiner Partien

      Druck und Verlag von C Brugel & Sohn, Ansbach 1910 - 4 volumes: 1859-1877: xiv+418 pages with frontispiece, diagrams and tables; 1878-1883: 232+[ii ad] pages with frontispiece, diagrams and tables; 1884-1893: viii+482+[vi ad] pages with frontispiece and diagrams; 1894-1900: xviii+391+[iv ad] pages with frontispiece, diagrams and table. Small octavo (7 3/4" x 5 1/4") bound in beige cloth with original covers laid on. [Biblioteca van Der Niemeijeriana:3131] First edition. Wilhelm (later William) Steinitz (May 17, 1836 – August 12, 1900) was an Austrian-American chess player and the first undisputed world chess champion from 1886 to 1894. Some contemporaries and later writers described him as world champion since 1866, when he won a match against Adolf Anderssen. Steinitz lost his title to Emanuel Lasker in 1894 and also lost a re-match in 1897. Statistical rating systems give Steinitz a rather low ranking among world champions, mainly because he took several long breaks from competitive play. However, an analysis based on one of these rating systems shows that he was one of the most dominant players in the history of the game. Although Steinitz became "world number one" by winning in the all-out attacking style that was common in the 1860s, he unveiled in 1873 a new positional style of play and demonstrated that it was superior to the old style. His new style was controversial and some even branded it as "cowardly", but many of Steinitz's games showed that it could also provide a platform for attacks as ferocious as those of the old school. Steinitz was also a prolific writer on chess, and defended his new ideas vigorously. The debate was so bitter and sometimes abusive that it became known as the "Ink War". By the early 1890s, Steinitz' approach was widely accepted and the next generation of top players acknowledged their debt to him, most notably his successor as world champion, Emanuel Lasker. As a result of the "Ink War", traditional accounts of Steinitz' character depict him as ill-tempered and aggressive; but more recent research shows that he had long and friendly relationships with some players and chess organizations. Most notably from 1888 to 1889 he co-operated with the American Chess Congress in a project to define rules for the future conduct of contests for the world championship title that he held. Steinitz was unskilled at managing money and lived in poverty all his life. Condition: Rebound in beige cloth with new end papers and original paste-board cover laid on front cover. Volume 3, 1884-1893, with Studenterforeningens Skakklub stamped on title verso, some pencil markings to titles else a very good set of an extremely difficult first edition biography to obtain. [Attributes: First Edition; Hard Cover]

      [Bookseller: The Book Collector, Inc.]
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        Peggy and Teddy

      London: Dean & Son, c. 1910. Tall quarto. 12 ff. First edition. Illustrated throughout in color and black-and-white by Gladys Hall and Eugenie Richards. Series of poems that follow the activities of the cherubic Peggy and Teddy. The artwork by Hall and Richards are dramatically similar to that of Grace Drayton, who created the Campbell's Soup kids. Hall worked primarily for Dean, and not much is know about her or Richards. Either because of its size, or construction, this book is quite rare, with no copies known to be held at any institution. In publisher's pictorial dark blue cloth over beveled boards, which show some faint edgewear. Archival repairs to wrinkles and tears along margins, text block likely recased. Overall, a very good copy.

      [Bookseller: Bromer Booksellers]
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        LES POEMES DU SOUVENIR, Le Lac - Tristesse d'Olympio - Souvenir.

      - Paris, Pelletan, 1910, 18x24. Reliure en plein parchemin illustré en couleurs dans un emboîtage cartonné. Dos lisse portant titre et auteur en lettres dorées, illustrations colorées. Plats richement encadrés en couleurs et petit paysage au centre du premier plat. Tranche supérieure dorée. Illustré par Vibert et Colin, l'un des 350 exemplaires numérotés et signés par l'éditeur. Superbe reliure, très fine. [Attributes: Hard Cover]

      [Bookseller: Librairie de l'Univers]
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        Pard, There's Thousands of Dollars Here' said Injun Joe," from The Adventures of Tom Sawyer

      n.p., ca. 1910 - A moment of high drama, as, observed by Tom and Huck above, the mysterious Spaniard and Injun Joe unearth the box of treasure in the cellar of the haunted house. A splendid, vigorous drawing for Twain's classic Published by Harper & Brothers in their edition of 1910. Image size, 21- 1/2 x 14-3/4 in. Charcoal on artist's board, signed at upper right. Fine condition [Attributes: Signed Copy]

      [Bookseller: James Cummins Bookseller, ABAA]
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        Preface [to Three Plays by Brieux].

      [London: A. C. Fifield, 1910] - Page proofs, disbound. Some soiling and edgewear. Excellent condition. Page proofs, first state. The rare first state page proofs of Shaw's Preface to Three Plays by Brieux, which was published in 1911 by A. C. Fifield. Laurence located only 8 copies and notes "Shaw used copies of this proof state (and of the revised proof which followed) for purposes of translation and copyright deposit." It appears this copy was used by Shaw to make corrections for the first edition setting of the text. He initialled and marked the text "Confidential" and made corrections in pen throughout. Together with Preface to Three Plays by Brieux, published in New York in 1910 by Brentano's. The American copyright edition (Laurence A104c) with the front wrapper torn off. This edition incorporates some of the corrections Shaw made to the proofs. Laurence A104c.

      [Bookseller: Peter Harrington. ABA member]
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        AUTOGRAPH LETTER, SIGNED, CORRECTING A PRESS ARTICLE IN 'THE LADY'S PICTORIAL.'

      Ayot. St. Lawrence, or London. 11 December 1910 - One full page, in ink, on oblong octavo sheet of dual address letterhead, ca. 175 words. Folded for mailing, a few marginal spots or finger smudges, otherwise very good. To Arthur Goddard, Jr., of THE LADY'S PICTORIAL: "May I suggest that you should give the writer of the enclosed cutting a friendly blowing-up. It happens that the passage I have underlined is not only true, but precisely the opposite of the truth. My contribution to the subject, which is accessible in print to anyone who takes the trouble to verify statements before making them public, is a demonstration of the utter impossibility of the State Stud Farm proposal, and the necessity of trusting solely to Nature in marriage ." He further cautions, "from one journalist to another - a writer so incautious and inconsiderate of his journal and his editor may make his (or her) next mistake about one of the people who live by taking actions against newspapers. You are in no danger in my case ." He concludes by suggesting that the situation might prove an opportunity to "bring an inexperienced contributor up to the mark . I offer you the opportunity for what it is worth. Yours faithfully G. Bernard Shaw." Shaw has captioned the letter at the top: "Private."

      [Bookseller: William Reese Company - Literature, ABAA]
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        SOCIALISM AND SUPERIOR BRAINS. A REPLY TO MR. MALLOCK

      A. C. Fifield, London 1910 - Fabian Socialists Series No. 8. Original cloth-backed boards, 59 pages. Laurence A102b. Frontispiece photograph of Shaw taken by the subject. The First Edition of 1909, Fabian Tract No. 146, consisted of only 24 pages in wraps and did not have the photograph. Bookplate of Montgomery Evans II on the front pastedown. This copy in the very scarce dustwrapper which has a small chip at the base of the spine and mild edgewear. Fine in Near Fine and scarce dustwrapper [Attributes: First Edition; Hard Cover]

      [Bookseller: Charles Agvent, est. 1987, ABAA, ILAB]
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        Blumen-Märchen.

      Hermann Schaffstein,, Köln, 1910 - 4. Auflage. 21.-26. Tsd. Köln, Hermann Schaffstein, (1910). Quer-4°. (47) S., (1) S. (Anzeigen). Mit 15 chromolithogr. ganzs. Illustr. und mehreren lithogr. Vignetten von Ernst Kreidolf. Farb. illustr. Orig.-Halbleinenband. Huggler 166. - Vierte Auflage des erstmals 1898 erschienenen ersten Bilderbuches des Schweizer Künstlers Ernst Kreidolf (1863-1956) mit personifizierten Pflanzen und Tieren. Da er keinen Verleger (für die erste Ausgabe) fand, lithographierte Kreidolf ein Jahr lang die rund 150 Platten, die er für den Farbdruck der Aquarelle benötigte, selber. Seine Hinwendung zur Natur und die Vermenschlichung der Pflanzen- u. Tierwelt, wie sie für den Jugendstil typisch ist, machten seine Bücher bis heute erfolgreich. - Bindung gelockert. Innenfalz beider Vorsätze gebrochen. Nur vereinzelt stockfleckig. Einband berieben, bestossen und fleckig. Farb. illustr. Orig.-Halbleinenband. [Attributes: First Edition]

      [Bookseller: EOS Buchantiquariat Benz]
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        A Julia Ward Howe Signed Photograph

      PS. 6? x 8?. September 30, 1910. No place. A rare photograph signed ?Julia Ward Howe Sept 30th 1910?. The photograph of her portrait shows her seated on a chair. This was signed three weeks before her death. The ink is darker at the start of the autograph and the verso has some mounting remnants. The American Book Prices Current shows only two Howe signed photographs selling at auction.

      [Bookseller: Stuart Lutz Historic Documents, Inc.]
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        PAPILLONS - MACROLEPIDOTERES - Die grosschmetterlinge des palaearktischen faunengebietes. 1. band: Die palaearktischen tagfalter.

      Fritz Lehmann 1910 - 2 volumes grand in-4 ( 325 X 255 mm ) de 379 pages pour le volume de texte et un volume d'atlas en étui-boite comprenant 89 planches en couleurs représentant 3470 sujets, plein maroquin chocolat, dos à nerfs orné de filets gras et maigres, filets doré d'encadrement sur les plats, tête dorée pour le volume de texte même présentation pour l'étui-boite avec titre en long sur le dos lisse les deux volumes dans un étui bordé. 89 planches en couleurs trés finement dessinées. Trés bel exemplaire parfaitement relié de ce monumental ouvrage inégalé. papillons [Attributes: Hard Cover]

      [Bookseller: Tiré à Part]
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        ORIGINAL COPPER-BOWL BY FRITZ KÜHN WITH ORIGINAL SKETCH OF DESIGN & 3 Books with the work of the artist [SIGNED]

      NP n/d - 1) Unique original handcrafted metal artwork by German artist Fritz Kühn (1910-1967), in the form of a bowl forged from steel with a molten copper layer, accompanied by the original design with notes by Kühn. The bowl weighs 3.2 lbs, measures 6 3/4" x 6 3/4" in diameter at the widest-, and 4 1/4 x 4 1/2" at the shortest point, with a height of 1 1/2." The original design is drawn in pencil, with notes and signature (in red crayon) by Kühn on a 5 1/2" x 8" piece of scrap paper. Verso of paper with some typewritten dialogue, not related to the subject. Some chipping on top-edge of paper, otherwise very good condition. 2) Grassi-Kunsthandwerk. Herausgegeben vom Grassimuseum Leipzig. 1951. 8vo. 114pp. Wraps with original, attached pictorial dust jacket. Includes b/w reproduction on page 100 of a photograph showing the copper-bowl described above. Many additional b/w plates of vases, bowls, textiles, glass, wood, book bindings, etc., by Dore Bartcky, Willy Gursky, Marte Heister, Louis Held, Karla Ihlder, Ralf Langematz, Heinrich Ziegler, Fritz Kühn, and others. Includes one color reproduction of a photograph. Signature of previous owner in pencil on title-page. Some creasing and minor age wear on dj, otherwise in very good condition. Text in German.3) Kühn, Friz. Kompositionen in Schwarz und Weiß: Bekenntnisse in Bildern von Fritz Kühn. [INSCRIBED by artist ]. München, (1959). F. Bruckmann. 4to. 154,[4]pp. Three-line birthday inscription by Kühn to a young lady on free front endpaper, dated 28.5. 59. Profusely illustrated with b/w reproductions of photographs by the artist of his work with wood, metal and steel, architecture, as well as sections on Kühn's work as a photographer. Black cloth with red cover- and title-label. Boards slightly bowed. Minor staining and scuffing on binding. Text in German. Overall very good condition. 4) Fritz Kühn. Schmiedearbeiten. Berlin. ND. Ulrich Riemerschmidt. 1.-3. Tausend. Sm. 8vo. 24pp. Wraps with original, attached dust wrapper. Illustrated with 14 b/w photographic reproductions of decorative metalwork by the artist. Text in German. Slight age toning on dw, small chip on bottom edge of dw on front. Overall very good condition. 4" x 5 1/2" postcard by Kunsthaus Tempelhof with invitation to the Fritz Kühn exhibition "Hier spricht das Eisen," laid-in. The exhibition took place in Berlin from February 21 - March 22, 1948. Additional two page fold-out leaflet "Schmiedekunst Fritz Kühn", also by Kunsthaus Tempelhof, laid-in. Illustrated with two b/w photographic reproductions. Slight creasing to leaflet, otherwise very good condition. Unique convolute of three books and an original artpiece. Kühn was also a master sculptor and well-known photographer. [Attributes: Hard Cover]

      [Bookseller: ERIC CHAIM KLINE, BOOKSELLER (ABAA ILAB)]
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        Fischer, Otto. - Landschaft mit Badenden.

      . Mezzotinto / Schabkunstblatt, um 1910. Von Otto Fischer. 52,2 x 70,2 cm (Darstellung) / 54,8 x 72,8 cm (Platte) / 68,5 x 93 cm (Blatt). In der Platte rechts unten signiert "Otto Fischer gez. u. rad." Links Verlegeradresse Giesecke & Devrient, Leipzig. - Großartiges arkadisch anmutendes Blatt, in dem sich Jugendstil und Symbolismus stilistisch berühren. - Hauptblatt des Künstlers. - Papier gebräunt und etwas knickspurig. Blattand etwas angeschmutzt, stockfleckig und mit einigen hinterlegten Rissen. Insgesamt mäßig guter Zustand. Otto Fischer (1870 Leipzig - 1947 Dresden). Deutscher Maler, Zeichner, Graphiker, Kunstgewerbler. 1886-95 Studium an der Dresdner Akademie bei Erwin Oehme d.J., Friedrich Preller d.J., Hermann Prell und Konrad Starke. 1896 Entwürfe, für Plakate, Möbel, Schmuck, Glasmalerei und Damenkleidung sowie Entwürfe für die Zeitschriften 'Zeitschrift für bildende Kunst' und 'Die graphischen Künste'. Ab 1898 künstlerischer Mitarbeiter der Dresdner Werkstätten für Handwerkskunst. 1900 Beteiligung an Raumausstattungen bei der Weltausstellung in Paris. 1906 als Graphiker tätig. Ab 1907 Hinwendung zur Ölmalerei. 1911 in Buchwald/Riesengebirge ansässig. 1913 Übersiedlung nach Dresden. 1914 Berufung zum Professor an die Dresdner Akademie..

      [Bookseller: Galerie Himmel]
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        Vanity Fair

      Hodder & Stoughton - No date, ca 1910. Large thick 4to green decorated cloth stamped in gilt and with an oval color pictorial cover onlay. Illustrated with 20 fine full-page mounted color plates by Baumer. A perfect copy, as new in the ORIGINAL PUBLISHER'S BOX which has some scuffing and repairs at the corners. Box also with an oval pictorial onlay. A wonderful survival. [Attributes: Hard Cover]

      [Bookseller: The Literary Lion, ABAA]
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        The Wide World Magazine - Volume 24: March and April 1904 Plus November 1909 Through February 1910

      London: George Newnes. Hardcover. Features: The "White Avengers" - III; A German Venice; Hassoo the Traitor; A Record Trip in the Yoho Valley; The Raiding of Robben Island; A Lonely Trans-African Tramp - II; A Bolt from the Blue; Across America on an Automobile; How I became a Lion-Tamer; The Bird-Charmer of Paris; The Strange Story of John Evans; On Foot to Thibet (Tibet) - I; The Stronghold of the Snakes; My Spanish Servants; The Mystery of the Cross-Marked Trail; Sword-Fishing; Caught in a Death-Trap; The Haunted House by the Creek; On Foot to Thibet (Tibet) - II; At Sea with a Lioness; A Railway Race with Robbers; Through the Copland Pass; The Tale of the Tiger-People; The Voyage of the "Vaskapu"; Two Remarkable Walking Competitions; The Story of Vasili the Fisherman; "Up a Tree"; A Lonely Trans-African Tramp - III; "Dead or Alive"; In Search of a Treasure Island; The Fairy-Tale Castle; Trooper Lovelace, T.T.P. - III; In the Far North-West - II; The Medicine Wagon; A Wonderer in Asia Minor - II; The "Bandit Hunters" - The Disappearing Islands; The "Mountain Mystery"; A Californian Rabbit-Drive; Two Bachelor Girls in Madeira; A Home in a Tree-Top; The Great Feuds of Kentucky - I; With Pen and Camera in Nigeria - III; The Legend of Manaia; The "Boy Police"; Amidst Snow and Swamp in Central Africa - I; Christopher the Bear; The Monkey Gods of India; How We Settled the Tie; The Last Fire-Dance of the Sabobas; The Story of Kusanga; A Training School for Cowboys; Trooper Lovelace, T.T.P. - IV; The Hold-Up at Hugo; On the Trail in Texas and New Mexico - I; Peasants at Play; The Great Feuds of Kentucky - II; An Open-Air School in France; The Grey Scourge; Mistletoe Farming; The Bear and the Barrel; The Hut in the Jungle; The Romance of Seal-Hunting; The Haunted Ferry; A City inside a Palace; What Happened to Ferguson; Christmas in Many Lands; The Great Feuds of Kentucky - III; Amidst Snow and Swamp in Central Africa - II; The Squatter's Cup; Riding on the Sea; On the Trail in Texas and New Mexico - II; Down the Wire; The Alligator Pool; A Race with a Flood; A Maori Wedding; My Debut at Kimberley; The Wild Ponies of Exmoor; The Quest for the "Biggest Bear"; Fun on a Liner; Two Ladies and a Pony-Cart in Central Japan - I; Captured by Filipinos - I;; The Dog-Derby of the Far North; My Turkish Wife; Into Unknown Papua - I; The Strike; The "Servant Problem" in East Africa; A Battle with Ice-Floes. Average wear. Binding intact. A sound copy. . Good. 1910. First Edition.

      [Bookseller: RareNonFiction.com]
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        THE REIGN OF WILLIAM AND MARY

      Ernest Nister 1910 - Circa 1910. Very good condition in an almost very good dustwrapper. A Short and a Merry One! A tale for children about a Persian cat named Mary and a dog named William. Oblong format. Green cloth spine, green paper boards, oblong pictorial onlay to front. 8 full page colour plates plus b/w illustrations. Covers lovely and bright. First gathering a little loose and pulled at hinges. A few pale foxspots/marks else contents bright. White pictorial wrapper is edge-worn and torn with a little loss and a little grubby. A nice copy of a scarce item. [Attributes: Hard Cover]

      [Bookseller: Stella & Rose's Books, PBFA]
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        The Women Napoleon Loved

      Little, Brown and Company, Boston 1910 - Boston: Little, Brown and Company, 1910. Full leather. Two volumes. Octavo. First Edition. The Women Napoleon Loved, by Tighe Hopkins. Extra-illustrated and extended from one to two volumes by insertion of one hundred portraits and colored illustrations and ten hand written letters and documents by Joseph Napoleon Bonaparte, Talleyrand, Lucien Bonaparte, Wellington, Berthier, Charles John Crown Prince of Sweden, etc.Elaborately bound by G. Walters in full brown morocco, covers decorated in gilt of Crest and the Coat of Arms of Napoleon, spine in six compartments between raised bands and gilt decoration of eagle and bees, gilt title, top edge gilt and turn-ins, blue water silk doubloures. A splendid rare first edition with documents.A collection of Napoleon's insights into the perils of romance love and marriage, also includes his reflections on key women in history such as Catherine the Great, Georgina, Madame X, his wife Josephine and Marie Antoinette. [Attributes: Hard Cover]

      [Bookseller: Imperial Fine Books ABAA, ILAB]
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        War and the Arme Blanche

      London: Edward Arnold,, 1910. With an introduction by the Right Hon. Field-Marshal Earl Roberts. Octavo. Original red cloth, spine lettered in gilt. Spine darkened, boards stained and discoloured, head of the spine frayed. A good copy. First edition, first impression. Presentation copy, inscribed by the author on the verso of the front free endpaper to the politician and journalist, Leo Amery: "To L. S. Amery, from Erskine Childers. April 10, 1910." Leo Amery was Childers's neighbour and editor of The Times's History of the War in South Africa, for which he persuaded Childers to prepare volume five. The two men were initially exponents of Imperial unity, though later in life they diverged ideologically. Childers became a fanatical supporter of the Irish Home Rule movement, whilst Amery supported the transfer of power in India and advanced national independence movements in Asia and Africa.

      [Bookseller: Peter Harrington]
 25.   Check availability:     Biblio     Link/Print  


        NOTITIA VENATICA A Treatise on Fox Hunting embracing the general management of hounds

      Routledge 1910 - New edition, revised, corrected and enlarged by William C. A. Blew. Two volumes finely bound as one by Bayntun Riviere in half red morocco with raised bands and gilt titles and vignettes to the spine. Top edge gilt. From the sporting library of R. N. H. Moore Stevens with his bookplate on the front pastedown. A fine copy both internally and externally. Twelve hand coloured plates by Alken and others. In his dedication to the first edition, the author writes, "In these degenerate days, when so called improvements in our social system, and in the state and appearance of the country, have well-nigh put a stop to our sports and pleasures in the fields, it may seem ill timed to bring forward a work on a subject which appears to be fast declining in general estimation." The book has since become a standard work on the subject. [Attributes: First Edition; Hard Cover]

      [Bookseller: Jonkers Rare Books ABA ILAB]
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        LITERARY LAPSES. Signed.

      Montreal: Gazette Printing Company Limited,, Montreal 1910 - Leacock, Stephen. LITERARY LAPSES. Signed. Montreal: Gazette Printing Company Limited, 1910. First Edition of Stephen Leacock's first collection of humorous writings after Elements of Political Science (1906), Baldwin, Lafontaine, Hincks: Responsible Government (1907), Practical Political Economy (1910), Inscribed by him in the year of publication on the front free endpaper. "With the writer's compliments, April, 1910". Additionally, with an Inscribed 1928 postcard of the author's summer retreat, The Old Brewery Bay, in Orillia, with his notation, "The house that jokes built, S-L". 8vo. 125 pp. A better than very good copy in 1/4 green cloth over green paper covered boards, paper label to the spine. After the publication of Literary Lapses Stephen Leacock was recognized as the English-speaking world's most beloved humourist. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: TBCL The Book Collector's Library]
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        Nurserymen's Sample Book.

      Rochester, N.Y., Rochester Litho. Co., D.M. Dewey, Vredenburg &c & Co., M. Brunswick & Co., Stecher Lith Co., [ca 1900-1910]. - Oblong 8vo., (5 4/8 x 8 4/8 inches). 86 fine chromolithographed plates and 29 half-tones with additional colour, of varieties of fruit including apples, pears, peaches, plums, grapes, currants, gooseberries, raspberries, blackberries, rhubarb, asparagus, strawberries, and even dewberries, trees, shrubs and flowering plants. Contemporary black cloth. Provenance: with the ink stamp of W.T. Mitchell and Son, Nurserymen of Beverly in Ohio on the endpapers, and their ink stamps with pricing information on some plates throughout. A fine album of extraordinarily colourful plates of plants of all varieties available from the Mitchells of Ohio, printed by a variety of printers local to Rochester in New York. Each plate is accompanied by a short caption describing the plant: this of the Wragg cherry "Origin somewhat uncertain: supposed to be Russian. Tree very hardy, enduring extreme cold, and succeeding generally. Quality fine." "As Rochester's gardening flourished a local bookseller with an interest in the subject, D.M. Dewey, began to collect and publish coloured plates of fruit, flowers, shrubs, and fruit-bearing or purely ornamental trees. Selections of these plates sold by Dewey and others from the 1850s to the last decade of the century were usually bound into pocket-sized books about ten by six inches with stout leather covers, often stamped with the name of the nursery or the salesman offering the plants portrayed within. Dewey also recognised the wider appeal of the coloured plates described by Charles van Ravenswaay as 'an innovation in American popular art' ("A Nineteenth-Century Garden", 1977, page 20.). Their polychromic attractions were extended to a larger audience in small selections from a larger-sized series presented in decorative bindings, . the earliest plates were simple watercolours, but later, as the demand grew, the technique of theorem paintings coloured with the help of stencils was used to multiply the number of copies as quickly and as cheaply as possible. Later still engraved or lithographed outlines were coloured by hand, and finally chromolithographs printed in colour began to replace more laborious procedures, though some of these were finished by hand too. Most of these processes involved the labour of teams of artists and colourists, one or two of whom went on to establish themselves as rivals to Dewey, though none achieved the same success" (Oak Spring Pomona 64). For more information about this book, or a warm welcome to see it and other books in our library at 72nd Street, NYC, please contact Kate Hunter, M.A. Oxon, in the Rare Book Department [Attributes: Hard Cover]

      [Bookseller: Arader Galleries]
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        ICHABOD.

      LONDON John Milne First Edition 1910 - Futuristic Paranoid Anti Jewish novel by the author of "Amazement" "The Same Clay "etc. " Mr James Blyth has turned his attention from social problems to historical anticipation, and in his latest book ICHABOD he gives a picture of England during the next 50 years, endeavoring to show the results of the present, ever increasing alien immigration. The story is powerfully told, full of incident from cover to cover and is sure to leave the reader, whatever his views may be, full of thoughts" From the publishers blurb. A clean sound copy in orig red publishers cloth [repaired] 8vo.vi(i) 316pps + 24pp catalogue dated Autumn 1909 label of Herbert Gorfin's Blessington Bookshop & Circulating Library to fron pastedown. see Hubin.Moskowitz Spectrum etc. [Attributes: Hard Cover]

      [Bookseller: John L. Capes (Books) Established 1969]
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        LECTURES POUR TOUS, REVUE UNIVERSELLE ET POPULAIRE ILLUSTREE, 23 VOLUMES, 1898-1910

      Hachette et Cie 1910 - RO40160007: 23 volumes d'env. 500 pages chacun, illustrés de très nombreuses gravures en noir et blanc dans et hors texte. Titre, tomaison, date et fleurons dorés sur les dos. Dos et bords des plats frottés. Tome 1906-1907 n° 1 manquant. Du n° 1, 1re année, oct. 1898, à la 12e livraison de la 1ée année. N° n° 1: La conquête du Mont-Blanc. Chasses souveraines. Les merveilles du tatouage. Alise. la caricature à travers les âges. Le mode miroir des moeurs. Les grands maîtres du reportage. L'Armée de la paix. Les millions de Barnum. Un Sapeur de 10 ans. Le journée de l'empereur d'Allemagne. A travers les glaces et les sables de l'Asie centrale, Dr Sven Hedin. Léonard de Vinci. Lo Morceau de pain. Le sifflet enchanté. Les êtres géants des premiers âges. Comment naît une ville dans le nouveau monde, etc. N° 12, 1910: Lendemain d'inndations. Le Grand Frédéric, Collectionneur. La comète de Halley amènera-t-elle la fin du monde ? Le mariage de l'Impératrice Marie-Louise.Pour bien voir la comète. Pour échapper à la fièvre Typhoïde. Etranges machines à mesurer le temps. En place pour le cotillon. L'Aéroplane est un oiseau français. Les Femmes qui votent. In-8 Relié demi-cuir. Etat d'usage. Couv. légèrement passée. Dos à nerfs. Intérieur acceptable Classification Dewey : 70.49-Presse illustrée, magazines, revues [Attributes: Hard Cover]

      [Bookseller: le-livre]
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        The Letter That Launched Woodrow WilsonÕs Meteoric Political Career

      - The Letter That Launched Woodrow WilsonÕs Meteoric Political Career.Cited in his biography, this letter helped to secure him the gubernatorial nominationWilson was a lifelong academic and college president. During the first decade of the 20th century, he made the newspapers for his notable reforms at Princeton University and for trying (unsuccessfully) to break up its elite eating clubs. During his years as Princeton president, he had grown increasingly progressive and had come to believe that politics was good and that government could be a constructive and beneficial force. This was an era when reform was in the air, and independent men not beholden to party bosses or special interests were enormously popular, so WilsonÕs activities at Princeton led to his name being mentioned as a gubernatorial prospect in New Jersey in 1910. The Democratic Party could not help but note WilsonÕs popularity and grew interested in him. However, the Democrats were as afraid of WilsonÕs sidestepping the party or trying to smash its organization as they were impressed by his popularity. For his part, by mid-1910, Wilson was ready to leave Princeton. In June of that year, Jim Smith, the powerful Democratic boss of Essex County, took a trip westward and spoke with Democratic governors along the way. He was surprised to find that they knew of Wilson and shocked that they were actually mentioning him as a potential presidential candidate. The New Jersey Democratic Party organization was in a quandry; it clearly had a candidate who could get votes, but would he destroy the machine if nominated? It turned to a friend for help in finding out. When Smith reached Chicago, he met with that cityÕs boss, Roger Sullivan, and another powerful politico, John M. Harlan. Harlan, son of one U.S. Supreme Court Justice and father of another, was an old friend of Wilson from the days they were at Princeton together. According to August Heckscher in his biography Woodrow Wilson, when Smith stated his doubts about WilsonÕs intentions, Harlan offered to act as an intermediary. He wrote his friend Wilson and asked if he were elected governor, would he set about Òfighting and breaking down the existing Democratic organization and replacing it with one of his own?Ó Heckscher goes on to quote this letter, stating that WilsonÕs response reassured the party organization, leading to his nomination for governor a few months later. Typed Letter Signed on Princeton University letterhead, June 23, 1910, to John M. Harlan, accommodating the Democratic Party while at the same time staking out a completely independent position and leaving himself free to act. ÒI owe you an apology for not having replied sooner to yours of June 11th. The Commencement season began, as you know, on June 10th, and ever since it began I have been in the throes of the busiest part of the season. I need not say that I read your letter with the greatest interest. I would be perfectly willing to assure Mr. Smith that I would not, if elected Governor, set aboutÕfighting and breaking down the existing Democratic organization and replacing it with one of my own.Õ The last thing I should think of would be building up a machine of my own. So long as the existing Democratic organization was willing to work with thorough heartiness for such policies as would re-establish the reputation of the State and the credit of the Democratic party in serving the State, I should deem myself inexcusable for antagonizing it, so long as I was left absolutely free in the matter of measures and men. I have been so extremely busy and business has brought me so near the eve of my vacation, that I do not see how it would be quite possible for me to arrange to lunch with Mr. Hurley and Mr. Smith in New York, but I should be very pleased to do so if it should turn out to be possible. My address will be care of Miss Florence Griswold, Lyme, Conn. I deeply appreciate your kindness in keeping these political matters in mind. You are certai [Attributes: Signed Copy]

      [Bookseller: The Raab Collection]
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        Technical Art Series of Illustrations of Indian Architectural Decorative Works, 2 vols

      Not Specified 1910 - Technical Art Series of Illustrations of Indian Architectural Decorative Work., 2 vols., Calcutta: Survey of India,1887-1900, numerous b&w plates, modern half leather, 4to. Reproduced in heliogravure from the original drawings made by the Officers of the Archaeoligical Surveys in India at the Survey of India Offices Calcutta and published under the authority of the Government of India. lge fmt 1/4 leather bound fine con [Attributes: Hard Cover]

      [Bookseller: GREENSLEEVES BOOKS]
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        The Slant Book

      New York : Harper & Brothers 1910 - Description: [47] p. : col. Ill. ; 22 x 18 cm. [Added] Illustrated t. P. Subject: English literature - Poems and songs - Juvenile. A seminal work central to the history of binding and book-production. Very good copy in the original cloth-backed pictorial boards. Spine bands and panel edges somewhat rubbed and dust-dulled as with age. Remains an uncommonly well-preserved example overall; tight, bright, clean and strong. Scans on request. 1 Kg. 47 pp. [Attributes: First Edition; Hard Cover]

      [Bookseller: MW Books Ltd]
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        (Ornitologia) CACCIE e COSTUMI degli UCCELLI SILVANI. STRIGES (Uccelli notturni)

      S. Lapi Editore 1910 - 1912 CACCIE e COSTUMI degli UCCELLI SILVANI. STRIGES (Uccelli notturni). Alberto Bacchi Della Lega. Città di Castello, S. Lapi, 1910 - 1912. Terza edizione riveduta dall' autore, seconda edizione riveduta e corretta dall' autore. 2 volumi legati assieme in - 8°, m. pergamena con gradi angoli, copertine originali conservate. 389, 1 f. bianco; 73, 2 ff. bianchi. Bellissimo esemplare. Negozio dietro paravento.

      [Bookseller: Brighenti libri esauriti e rari]
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        AT THE VILLA ROSE.

      Hodder & Stoughton, London 1910 - First edition. Earliest & rarest binding of medium blue cloth gilt-lettered to the spine & stamped black on the upper cover. A fine copy of the first Hanaud book showing minimal use. Contemporary neat non-authorial inscription on the ffe dated December 25th, 1910. A very nice copy. Basis for three films. [ 1920, 1930 & 1939]. H-Q [Haycraft-Queen Cornerstone] Hagen, page 266; Catalogue of Crime #1561. Custom collector's black cloth case with gilt-lettered label & lined chemise. [Attributes: First Edition; Hard Cover]

      [Bookseller: TBCL The Book Collector's Library]
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