The viaLibri website requires cookies to work properly. You can find more information in our Terms of Service and Privacy Policy.

Displayed below are some selected recent viaLibri matches for books published in 1910

        The Tale of Mrs. Tittlemouse

      London: Frederick Warne and Co., 1910., 1910. First Edition. pp.85. Illustrated with 27 coloured plates. Publisher's blue paper-covered boards, illustration laid-down to upper. Binding rubbed to joints, small chip to head of spine. An attractive copy.

      [Bookseller: Adrian Harrington Rare Books]
 1.   Check availability:     IOBABooks     Link/Print  


        NEW YORK STATE RAILROAD And INTERURBAN PHOTO ALBUM

      [New York]:. 1910 - 1944.. Thick oblong format: "10-1/4" x 13-1/4" x 5". Ca. 1910 - 1944. Unpaginated, though 346 pp.. Contemporary flexible embossed black calf post binder, gilt "Photographs" lettered to front cover, along with title of "New York State" in white ink to front cover, nickel-plate posts at gutter margin.. Minor edgewear with some rubbing and chipping to both album and. leaves. Some lifting to the photos, many of the leaves have wear to. fore-edges. 1 of the nickel posts has snapped due to the weight of. the textblock, a few leaves detached. Withal, a G+/VG remarkable. album.. A massive photo album brimming with over 1100 images of street cars, trolleys, motor cars, locomotives, service trains, interurban railway lines, and railroads across New York from the 1890s up to WWII. With neatly handwritten captions, photographer's notes often on verso, and even some typed text. The compiler has traced the development of the New York transit system before WWII, including many short lines, and trolley lines that have become defunct, and most absorbed into the modern New York railway system. This tremendous photograph album supplies one of the most lavishly illustrated visual archives of New York Interurban Railways, Street Cars, Trolleys, and the development of mass transit in the Northeastern United States before WWII we have ever seen. Included within the album are images of over 60 different Interurban lines, Trolley Lines, and Short Line railways, including the Albany Southern RR, Albany & Hudson Railway, Batavia Traction Co. (operated 1914-1927), Bennington & Hoosik Valley Railway Co. (1989-1927), the Coney Island and Brooklyn Railroad which was the first railroad of any kind to reach Coney Island, and after 1923 became part of the Brooklyn-Manhattan Transit Corporation, along with the Brooklyn & Manhattan Transit, Brooklyn & Queens Traction Co., and the Brooklyn Rapid Transit. In addition, there are substantial sections devoted to the Empire State Railroad, the Fonda, Johnstown & Gloversville RR - significant for showing the ultra modern art deco Bullet interurban cars acquired in 1932 to boost ridership; the Schenectady Railway Company which connected Schenectady -Albany -Troy -Saratoga and was one of the most extensive trolley lines in the Northeastern US; as well as the New York Elevated Railroad, the New York Railways Co., which operated trolleys and streetcars from 1911 until 1925 when their lines were replaced with buses, the Rochester & eastern Rapid Railway which operated from 1901 until 1930 when the line was dismantled; the Steinway Lines Co., which began as the Steinway Railway Company and would become part of the New York & Queens County Railway until 1932 when it broke free and operated as a trolley line until 1939 when they were replaced with buses. This album is filled with trolleys, electric trolleys, electric motor cars, and electric locomotives which were built by numerous different companies including J. M. Jones & Sons Interurban Car Builders, Wason Manufacturing Co., Jackson-Sharp Manufacturing, Baldwin-Westinghouse, Sheffield Car Co., and many others. The photographers stamps on the versos of some images include Howard Humes of Balston Spa, NY, Fred Abele of Albany, NY, Charles A. Brown of Chicago, IL, and many others. The photos provide a vivid picture of New York in the first part of the 20th century depicting the advertising signage, the architecture, fashions, civic movements, the impact of Pearl Harbor with trolleys outfitted to look like Navy Recruiting posts, and much more. Of particular interest are many of the images showing abandoned trolleys and motor cars in wrecking yards, sideyards, others showing accident damage from being hit by trucks, some being sold at auction, and others being burned for scrap as much of the Interurban system was being scrapped for buses at the outbreak of World War II. . 1,111 real photographs tipped-in to thick black paper, mounted with corners. Two colored postcards, 2 maps, 1 large folding brochure for the Jamestown, Westfield & Northwestern Railway (many with photographers notes stamped in ink, many in pencil), including some copy photos from magazines, newspapers, and trade magazines, ranging in size from 2-1/4" x 3-1/4" all the way up to 9" x 11", including many panoramic photos and even some real photo postcards.

      [Bookseller: Tavistock Books, ABAA]
 2.   Check availability:     Biblio     Link/Print  


        The Collected Works of William Morris. With Introductions by his daughter May Morris

      London: Longmans, Green, and Company, 1910., 1910. Limited Edition to 1050 sets of which 1000 are for sale. This is No. 271. Complete in 24 volumes; 8vo. Contemporary De Luxe binding in full brown crushed morocco with gilt titles and extra gilt to spines, decorative gilt panelling to boards; maroon morocco paste downs with corner pieces stamped in gilt, purple moire silk end papers; top edges gilt, others rough trimmed. Illustrated with portraits, photogravures, folding map, facsimiles, and more. Marking to a couple of boards. A superb, comprehensive set in a superb binding.

      [Bookseller: Adrian Harrington Rare Books]
 3.   Check availability:     IOBABooks     Link/Print  


        Ölgemälde der *Presidente Sarmiento* - Ölgemälde auf Pappe.

      - Ölgemälde des Argentinischen Segelschulschiffs "Presidente Sarmiento", Öl auf Pappe. Rechts unten undeutlich signiert *Arig.? ) und möglicherweise undeutlich datiert. Verso beschriftet: *(F)ragata escuela "Presidente Sarmiento" del Cabo de Hornos vista del vapor Miramar*. Gezeigt wird das argentisches Segelschulschiff in stürmischer Fahrt rund um Kap Hoorn, im Hintergrund Eisberge. Öl auf Plattte, wohl um 1910. Die "Presidente Sarmiento" diente von 1897 - 1939 als Segel-Schulschiff der argentinischen Marine. Das Schiff liegt heute in Buenos Aires als Museumsschiff vor Anker. Das Bildmaß beträgt 46 x 59 cm ( Höhe x Breite ), uingerahmt. Das Bild etwas berieben, etwas fleckig, zu den Rändern hin teils stärker berieben, Ecken teils etwas angeknickt. Das Bild am Oberrand und Unterrand mit einigen wenigen kleinen Löchern - wohl aufgrund alter Montierung. ( Pic erhältlich // webimage available ) [Attributes: Signed Copy]

      [Bookseller: Antiquariat Friederichsen]
 4.   Check availability:     AbeBooks     Link/Print  


        BUFFALO RANCH REAL WILD WEST. A LESSON IN THE HISTORY OF PIONEER DAYS. GAMES OF THE REAL RED MEN CAMEL RACES.

      Milwaukee: Riverside Print Co., [circa 1910]. - Chromolithographic poster, 55 x 20 inches. Old folds and creases. Two small chips in the edges, one of them touching the edge of the border. Very good. Framed and matted. Not examined out of frame. An attractive, colorful, and action-filled poster for one of the many "Wild West" shows that were formed in the wake of Buffalo Bill Cody's success. The Buffalo Ranch Real Wild West Show was formed around 1910 and produced shows filled with spectacle, as evidenced by this poster. The bottom half of the poster is dominated by a Catlinesque image of "The Real Indian War Dance," as braves in headdresses and breastplates dance around a camp fire. A full moon illuminates the night sky, and a number of teepees are visible in the background. A large illustration in the upper half shows a number of Indians on horseback playing "equestrian foot ball," while others show fancily dressed Anglo women on horseback, as well as a camel race with riders dressed in quasi-Bedouin garb. An attractive poster for a little- remembered Wild West show and a fine example of the "West (and Near East) of the Imagination."

      [Bookseller: William Reese Company - Americana]
 5.   Check availability:     AbeBooks     Link/Print  


        COWBOYS COWGIRLS INDIANS AND MEXICANS DAILY DALLIANCE WITH DEATH WHO KNOW NO FEAR OR FAILURE IN RECKLESS FEATS. BUFFALO RANCH REAL WILD WEST

      Milwaukee: Riverside Print Co., [ca. 1910].. Chromolithographic poster, 54 1/2 x 20 1/2 inches. Creases and closed tears. 6 x 3-inch portion in right edge in facsimile (including the letter "T" in "WEST"). Quite attractive on the whole and in about very good condition. Framed and matted. Not examined out of frame. An attractive, colorful, and action-filled poster for one of the many "Wild West" shows that were formed in the wake of Buffalo Bill Cody's success. The Buffalo Ranch Real Wild West Show was formed around 1910 and produced shows filled with spectacle, as evidenced by this poster, which promises a show "unparalleled in daring and desperate deeds" and also "history blended with pleasant instruction for all the people of the land." In the upper portion of the poster is a scene of a man - armed only with a knife - battling a charging bull, advertised as "the real Mexican steer contest throwing lassoing & riding the bull." In the background is an illustration of man with one foot on a galloping horse and the other foot on a charging bull. Other illustrations show "home life of the American Indian," Indians bearing rifles riding horses, a woman brandishing a whip and riding a buffalo, the "Royal Mexican Guard" on a line of horses, and a "a Congress of American Cowgirls." An attractive poster for a little-remembered Wild West show, and a fine example of the "West of the Imagination."

      [Bookseller: William Reese Company - Americana]
 6.   Check availability:     Biblio     Link/Print  


        Mafarka il futurista

      Milan: Edizioni Futuriste di "Poesia",, 1910. Romanzo. Traduzione dal Francese di Decio Cinti. Octavo. Original orange printed wrappers. Spine lightly toned, slightly rolled and a little creased. An excellent copy of this fragile publication. First Italian edition of Marinetti's uncommon first novel, translated by his personal secretary. Presentation copy from the author, inscribed flamboyantly on the front free endpaper: "al caro e intelligentissimo amico dei futuristi, Koltonski" ("to the dear and intelligent friend of the Futurists, Koltonski"), and accompanied by a Futuristic lightning sketch of "Futuris Marinetti" pricking the sagging bubble of "Passatismo" (Traditionalism). A significant association: "Aleksander Koltonski [(1882-1964) Polish writer and translator], who was a resident in Italy and can be considered a protagonist in popularizing Futurism in Poland, issued a summary of the manifestos on Futurist music by Francesco Balilla Pratella and Luigi Russolo. Koltonski was clearly familiar with the collection I manifesti del futurismo. Prima serie (1914) and demonstrated his extensive knowledge in a groundbreaking article, entitled On Futurism as a Cultural and Artistic Movement, which also included an excerpt from Mariinetti's Zang Tumb Tumb... Koltonski emphasized the importance of Futurism for the political-cultural development of Italy, the innovatory character of its aesthetics, and the movement's fertilizing effect on life and art" (Przemyslaw Strozek, "Marinetti is foreign to us": Polish Responses to Italian Futurism in International Yearbook of Futurism Studies, 2011, volume I p. 89). Originally published in French (Paris: Sansot, 1909) as Mafarka le futuriste: roman africain. There would appear to be a number of issues of this first Italian edition: our copy (and others noted in OCLC) have "10o migliaio" (or "10th thousand") printed on the front cover; Copac notes a copy (Leeds University) with "11th thousand" and we know of a copy calling itself "6th thousand". These are all generally regarded as fictional. Mafarka, set in an imaginary African country, brought Marinetti to trial for obscenity. He was acquitted and the furore helped to put Futurism on the cultural map. Koltonski has made two neat inscriptions in Polish that appear to touch on the trial, saying that the book was "confiscated on moral grounds". .

      [Bookseller: Peter Harrington]
 7.   Check availability:     Biblio     Link/Print  


        Heine und die Folgen. EA.

      München, Albert Langen, 1910.. 45 S., 1Bl. (Verlagsanzeigen). 8°. OBroschur.. Etwas bestoßen und gebräunt; Vorderdeckel lose und mit winzigem Eckausriß. Auf dem Schmutztitel mit handschriftlicher vierzeiliger Widmung und Signatur von Karl Kraus; die Widmung "F. Schik / herzlich / Karl Kraus / Nov. 10" gilt dem Dramaturgen und Berater von Alfred con Berger am Deutschen Schauspielhaus Hamburg. Fritz Schik oder Friedrich Schick (1875? - 1912?), der sich besondern der früh verstorbenen Freundin von Karl Kraus, der Schauspielerin Annie Kalmar, angenommen hatte, nachdem diese von Wien nach Hamburg engagiert worden war, dort aber im Mai 1901 vor ihrem ersten Auftreten verstarb und auf dem Hamburg.Ohlsdorfer Friedhof begraben liegt. Es gibt unveröffentlichte Briefe von Schik an Kraus in der Wienbibliothek am Rathaus, Wien, aus den Jahren 1895-1912 mit der Anrede "Lieber F(reund)". Dank an Herrn Dr. Friedrich Pfäfflin für die freundliche Unterstützung bei der Entschlüsselung der Widmung. WG² 14.

      [Bookseller: Antiquariat am Moritzberg]
 8.   Check availability:     ZVAB     Link/Print  


        The Rime of the Ancient Mariner In Seven Parts Presented by Willy Pogany

      George G. Harrap and Co., London, 1910., 1910. First Pogany Edition, 4to. Publisher's pale green cloth with bevelled edges. Beautifully decorated in gilt to front board and spine, gilt to top edge. Finely illustrated with black and white, tinted and tipped-in colour plates. Decorated text. Some light shelf wear, minor rubbing to spine tips. A clean, near fine copy. Coleridge's longest major verse, 'The Rime of the Ancient Mariner' relates the supernatural events experienced by a mariner on a long sea voyage.

      [Bookseller: Adrian Harrington Rare Books]
 9.   Check availability:     IOBABooks     Link/Print  


        Der russisch-japanische Krieg. Amtliche Darstellung des Russischen Generalstabes. Deutsche vom russischen Kriegsministerium mit Allerhöchster Genehmigung autorisierte Ausgabe. 5 Bände (in 10=komplett). 1. Band: Vorgeschichte und Geschichte des russisch-japanischen Krieges. 2. Band: Vorkämpfe und Schlacht bei Liaoyan. 3. Band: Schaho-Sandepu. 4. Band: Mukden. 5. Band: Port Arthur.

      Berlin, Ernst Mittler und Sohn Verlag, 1910-1912.. Groß-8°. 23,5 cm. XVI, 176, VIII, 339, IX, 344, X, 311, X, 340, XIII, 358, IX, 345, XII, 377, IX, 332, IX, 336, XIV, 472 Seiten. Original-Halblederbände mit goldgeprägtem Rückentitel auf rotem und grünem Lederschildchen.. 1. Auflage. Mit 24 Textskizzen und 74 Skizzen (gefaltete farbige Karten) im Steindruck. Einbände wenig berieben. Ehemaliges Bibliotheksexemplar mit Bibliotheksaufkleber auf Innendeckel und hinterem Vorsatz, Bibliotheksstempel auf Schmutzblatt, Titel und auf den Karten, Eintrag auf Vorsatz und Schmutzblatt. Jeder Band mit Stempel "Aus dem Bestand der ZBib'Bw ausgeschieden". Gute, innen gute bis sehr gute und komplette Exemplare.

      [Bookseller: Antiquariat Lenzen GbR]
 10.   Check availability:     ZVAB     Link/Print  


        Carteggio costituito da quattordici lettere autografe firmate del Generale italiano, Intendente Generale nella Campagna italo - turca che partecipò alla guerra italo - austriaca. Comandante della Terza Brigata Alpini dislocata da oriente del Lago di Garda alla Val Lagarina e alla dorsale Carega - Zugna. Era membro della Loggia "Rienzi" di Roma. Le missive, datate tra il 1910 e il 1916 sono indirizzate all'Avvocato Giuseppe Leti e sono di notevole interesse storico. E' unita un'ampia ed interessante memoria manoscritta autografa in cui riassume la propria carriera militare a partire dalla nomina a "Intendente del Corpo di spedizione della Libia" nel 1911. Otto pagine in - 4. Di particolare importanza la lettera del l'11 luglio 1915 che contiene lo sfogo di Gazzola relativamente ad un suo ricorso militare in atto. "Come vede nell'intestazione, ora comando una divisione e aggiungo che sono tenente generale. Constata questo fatto che avvenne dopo un anno di guerra e dopo un numero veramente eccezionale di eliminazioni di generali, e dovrai convenire che ho diritto di essere dirò cosà soddisfatto. Per lo meno non ho fatto male. Ciò premesso, mi premerebbe molto che fosse discusso il mio riscorso al consiglio di Stato, perché sono quasi certo che, accolto il ricorso, io sarei ripristinato nei ruoli dell'esercito attivo. Il ricorso è stato presentato fino dal dicembre 1914, la domanda per la fissazione delle discussioni è stata fatta in giugno o luglio 1915, ma finora non se n'è fatto nulla. Ricorsi militari non se ne vogliono discutere durante la guerra per non dar noia al Ministero. Che idiotismo! Il Ministro se ne frega dei ricorsi ai quali rispondono i rappresentanti legali che pure se ne fregano...". E' accluso un estratto a stampa intitolato Il Generale Imerio Gazzola tratto dalla Nuova Antologia del 1918, autore Vincenzo Riccio di cui compare la dedica autografa firmata al margine superiore. Sei pagine in - 8.

      

      [Bookseller: La Casa del Collezionista]
 11.   Check availability:     maremagnum.com     Link/Print  


        Braunbeck's Sport-Lexikon. Automobilismus, Motorbootwesen, Luftschiffahrt. Herausgeber Gustav Braunbeck.

      Berlin, Gustav Braunbeck, 1910.. 3 Teile in 1 Band. 963. S. / 256 S. / 392 S. / 20 S. Werbeanzeigen. 4°, Leinen.. Enthält auch die Teile, die im Reprint von 1994 fehlen. - Gutes Exemplar.

      [Bookseller: Antiquariat Galerie Joy]
 12.   Check availability:     ZVAB     Link/Print  


        Die Bau- und Kunstdenkmäler im Regierungsbezirk Cassel. Band IV. 2 Bände. Kreis Cassel-Land. Mit 209 Taf. nach photographischen Aufnahmen und Zeichnungen

      Marburg: Elwert; 1910.. Inhalt: Quellen. - Geschichtliche Einleitung. - Kunstgeschichtliche Übersicht. - Die Kreisorte. (Altenbauna. - Altenritte. - Bergshausen. - Breitenbach. - Crumbach. - Dennhausen. - Dittershausen. - Dörnhagen. - Eichenberg. - Eiterhagen. - Elgershausen. - Ellenbach. - Elmshagen. - Eschenstruth. - Fasanenhof. - Freienhagen. - Frommershausen. - Großenritte. - Guntershausen. - Harleshausen. - Heckershausen. - Heiligenrode. - Helsa. - Hertingshausen. - Hoof. - Ihringshausen. - Kirchbauna. - Knickhagen. - Kragenhof. - Mönchehof. - Niederkaufungen. - Niedervellmar. - Niederzwehren. - Nieste. - Nordshausen. - Oberkaufungen. - Obervellmar. - Oberzwehren. - Ochshausen. - Rengershausen. - Rothwesten. - Sandershausen. - Simmershausen. - Vollmarshausen. - Wahnhausen. - Waldau. - Wattenbach. - Weimar. - Wellerode. - Wilhelmshausen. - Wilhelmshöhe [Kloster Weißenstein, Schloß Weißenstein, Moritzgrotte, Anlagen auf dem Karlsberge [ua. Herkules], Blumengarten, Bowlinggreen, Teichanlage und Rosengarten, Elysium, Chinesisches Dorf, Philosophental, Tal des Peneus, Antike Gräber, Wald der Circe - Pflanzung der Arethusa, Platanusplatz, Obstgarten - Quinconce der vier Jahreszeiten, Nebengebäude, Fasanerie, Anlangen unbekannten Ortes]. - Schloß Wilhelmshöhe [Schloß, Nebenanlagen, Lac, Neues Bowlinggreen, Neuer Obstgarten, Aquadukt, Neue Fasanerie, Teufelsbrücke, Steinhöferscher Wasserfall, Löwenburg, Neuer Blumengarten, Anlangen auf dem Karlsberge, Montcheri, Nebengebäude, Neuer Wasserfall]. - Windhausen. - Winterbüren. - Wolfsanger).

      [Bookseller: Antiquariat Hamecher]
 13.   Check availability:     Biblio     Link/Print  


        The Inmates Of An Asylum

      n.p: n.p, n.d. 12 silver gelatin photographs, paper size 3 and 3/8 inches by 4 and 1/4 inches, image size 3 and 1/2 inches by 4 and 1/2 inches, with slight variations in paper and border sizes throughout the group. No date, circa 1910-1920. In generally very good or better condition, with a few photographs showing slight creasing, surface imperfections, printing blemishes, but inconspicuous and nothing to detract from the imagery itself. A collection of photographs depicting what appear to be inmates at a turn of the century insane asylum, as such institutions were then called. One subject is identified, his name written (in pencil) on the back of the photograph; he is also the only subject to be twice photographed. When found, the photographs were accompanied by a pamphlet (not pictured) entitled "Mental Disturbances Observed in a General Hospital," written by the Chicago physician George Hall, M.D. (Columbus, OH; Ohio State Medical Journal; 1926), but it is impossible to know if this is an original pairing. There are some clues in determining the reason for and nature of this collection; one subject wears a jacket with intials stenciled above the breast pocket, but the initals are faint and partially obscured; other subjects are dressed in uniform clothing, suggestive of an institutional setting. Medical curtaining screens can be seen in the background of two photographs. Most revealing, however, are the facial expressions and body language of the subjects: they, like us, seem to know there's something wrong, but they, and again us, can't really know what it is. Uncommon as a collection, to state the obvious.

      [Bookseller: John Kehoe, Bookseller ABAA]
 14.   Check availability:     Biblio     Link/Print  


        Traite de mecanique celeste.

      Complete with folding plate in Volume 4, all half titles and errata; with an extra errata leaf in Volume 4, uncalled for by Horblit. Volumes I and II printed on paper watermarked ?Mecanique Celeste.? In prize half calf, gilt arms of Glasgow University, spines elaborately gilt with morocco labels. With prize bookplate awarding this copy to George Johnson in the class of physics, April 1910. Johnson (b.1889) was a navel architect who graduated in 1912. During World War I he worked on the battle - cruiser Renown and submarines for the Fairfield Shipbuilding and Engineering Co. A fine set. pp. First edition, first issue, first state of the author?s monumental work in which all the laws of planetary motion are deduced from the concept of universal gravity. It includes all supplements found lacking in many copies. Considered a sequel to Newton?s Principia, Laplace argues that the universe was really a great self - regulating machine and that the whole solar system could continue on its existing plan for an immense period of time. This was a great step forward from the Newtonian uncertainties in this area. He also offered a brilliant explanation of the secular inequalities of the mean motion of the moon about the earth, a problem which Euler and Lagrange had failed to solve. This work also contains Laplace's fundamental contribution to the subject of capillarity in which he showed for the first time that capillary phenomena could be explained by the assumption of forces between the ultimate particles of matter, varying inversely as a power higher than the square of the distance. Laplace (1749 - 1827), considered the Isaac Newton of France, was one of the most influential scientists in the fields of mathematics, celestial mechanics, and physics. He dedicated this major work to Bonaparte (Volume 3), who honored him with the title of Marquis. Dibner, 14; Horblit, 63; Norman, 1277; Printing & the Mind of Man, 252

      [Bookseller: B & L Rootenberg]
 15.   Check availability:     maremagnum.com     Link/Print  


        De Volledige Werken van Joost van den Vondel - 2 volumes

      Vennootschap Letteren en Kunst - Amsterdam, 1910, Hardcover, Book Condition: Good, Dust Jacket Condition: No Jacket, 1st EditionThis collection of van der Joost's work is in Dutch. They come, here, in two volumes. The general conditions of both, taking their age into account, are good. The covers of both volumes have much wear, foxing and marking. Volume Two has a puncture mark to the front cover. This damage, although small in diameter, has travelled through the cover. Whilst the wound has not travelled to the pages it has left and impression that very quickly fades. Both volumes have much wear about the corners and the head and feet of the spines. There are handling marks and wear to all extremities. The covers have storage foxing and spotting. The print on the front covers is faded but clear. On the spine, the printing has faded away. Inside the front and end papers are discoloured by age. Foxing marks are throughout the book. The paper of the pages however is firm, pliable and robust. The binding is secure. The contents are in good condition: complete, clear, confident. fk Quantity Available: 1. Category: Languages; Dutch Literature and Arts; Inventory No: ahqw.

      [Bookseller: Chapter 1 Books]
 16.   Check availability:     Bookzangle     Link/Print  


        The Ring of the Nibelung. A Trilogy with a Prelude

      London: William Heinemann,, 1910-11. The Rhinegold & the Valkyrie. Siegfried & the Twilight of the Gods. Translated into English by Margaret Armour. 2 volumes, small quarto. Original brown cloth, spines and front boards lettered gilt, gilt vignette to front boards, illustrated endpapers, top edges brown. Frontispieces and 62 coloured plates with captioned tissue guards. Bookplate to front pastedowns. Spines lightly faded, boards and little rubbed, internally fine. An excellent set with bright plates. First Rackham trade editions.

      [Bookseller: Peter Harrington]
 17.   Check availability:     Biblio     Link/Print  


        Manet and the Post-Impressionists: Nov. 8th to Jan. 15th, 1910-11. 10 A.M. to 6 P.M.

      Grafton Galleries, Ballantyne and Company, London 1910 - [6] pp 7-38 [39-40] A very good example of the catalogue published alongside what was 'arguably the most significant and the most controversial exhibition of paintings ever to be held in the UK'. The exhibition's organiser Roger Fry coined the phrase 'post impressionism' to describe the paintings listed within this publication which has been described as the 'Holy Grail among exhibition catalogues' and which introduced modernism to the British public. There are at least two issues of the imprint: this one has the 'Under Revision' notice (referring to the possibility of changes to the exhibited paintings) on the title page and also on the front wrapper. The printed buff paper wrappers are in much better condition than usually encountered with the backstrip present, both covers unmarked and in very good condition. There is only a light scratch to report on the upper cover and a 1x2mm chip along the top edge. Internally the text is complete as issued, unmarked and near fine. There are advertisements for the Medici Society, The Burlington Magazine and The Contemporary Art Society to the front endpapers with a monthly magazine, 'The Open Window', Pictures from the National Loan Exhibition, 1910 and the Medici Society prints advertised to the rear. Desmond MacCarthy's introductory essay is quite substantial, running from pp 7-13, and offering an early version of what has become the standard narrative of the emergence of the modern movement from late Cezanne and Gauguin via Picasso and Matisse. The paintings are listed by location from pages 17-38 with details where appropriate of owners. During its couple of months at the Grafton Galleries the exhibition polarised opinion and provoked extensive commentary. E M Forster wrote that 'Gauguin and Van Gogh were too much for me', and the exhibits by Van Gogh, Gauguin, Picasso and Matisse convinced many visitors that the whole exhibition was merely a hoax. It took Arnold Bennett to point out 'that London is infinitely too self-complacent even to suspect that it is London and not the exhibition which is making itself ridiculous.' Please contact Christian White at Modernfirsteditions if you would like more information about this book. [Attributes: First Edition; Soft Cover]

      [Bookseller: Modernfirsteditions Ltd ABA/ ILAB/ PBFA]
 18.   Check availability:     IberLibro     Link/Print  


        Die Weltwanderer [Signed / Unterzeichnet 2X by Gjellerup and 2X by Brandes; Excellent Association Copy] [Verdens vandrerne; The World Travelers; The World Wanderer]

      Wilhelm Baensch, 1910, Hardcover, Book Condition: Fine, First editionA Fine copy of the first edition, first printing of this Karl Gjellerup novel in two volumes, in the Publisher's original tan linen flexible boards, SIGNED / UNTERZEICHNET TWICE BY KARL GJELLERUP (once on the half title of Volume 1 and once on the title page of Volume 2), ALSO SIGNED / UNTERZEICHNET TWICE BY GEORG BRANDES (once on each Volume's front free endpaper); AN EXCELLENT ASSOCIATION COPY (with the front board of Volume 2 showing a few quite small light stains to its lower portion, and a few stray marks to its yapped front edge). Scholar, Novelist, and Poet Karl Gjellerup was born in Denmark in 1857 and died in his adopted land of Germany in 1919, winning the 1917 Nobel Prize in Literature "for his varied and rich poetry, which is inspired by lofty ideals", sharing the Prize half-and-half with his fellow native Dane Henrik Pontoppidan. Early in his career, Gjellerup belonged to the naturalist school and was an enthusiastic supporter of the naturist movement and of the famed Danish Critic and Scholar Georg Brandes -- one of the most important and influential men in Literature from the 1870s through the early 20th Century and the primary theorist behind the breakthrough of naturalism in Scandinavia (typically referred to as the "Modernist Movement"), to whom the volumes herein described certainly belonged. Eventually, however, Gjellerup broke with the naturalists and became instead a romanticist author employing idealism in his work. In connection with the Prize presentation to Gjellerup, noted Swedish critic Sven Söderman cited the novel as Gjellerup's "last great work", noting that "with its half-Oriental, half-western moral, ... it contains beautiful details and holds our interest through a mysticism full of imagination as much as through the development of the action." In the Biographical information, which he prepared in connection with the Prize award, Gjellerup categorized "Die Weltwanderer" as being one of his Poetic novels --- such Poetic novels being "Der Pilger Kamanita" (1906) [The Pilgrim Kamanita], "Die Weltwanderer"(1910) [The World Traveller], "Der goldene Zweig" (1917) [The Golden Bough], and "Die Gottesfreunde" (1916) [The Friends of God]--- and stated that these Poetic novels "belong chiefly to German literature" and that they "...have found their true understanding and appreciation almost exclusively in Germany".The novel was published both in Germany (as "Die Weltwanderer") and in Denmark (as "Verdens vandrerne") in 1910. However, as Gjellerup, who married a German woman, himself cited the work by its German name, noted that it belonged primarily to German literature and found its true understanding and appreciation among the German people, and as he came to see himself much more as a German than as a Dane, the German edition is by far the more important of the two. [In fact, Gjellerup's receipt of the Prize was not celebrated in his Danish homeland as he was seen there to be primarily a German writer.] Signed copies of Gjellerup's works in any edition and in any translation are quite scarce. Our most recent review of the auction records revealed no signed copies of his works having come to auction.] A Fine ASSOCIATION COPY of the first, and most important, German edition, SIGNED / UNTERZEICHNET TWICE BY KARL GJELLERUP and ALSO SIGNED / UNTERZEICHNET TWICE BY GEORG BRANDES. A RARE AND NOTABLE SET INDEED.

      [Bookseller: Allington Antiquarian Books, LLC]
 19.   Check availability:     Bookzangle     Link/Print  


        THE ENCYCLOPAEDIA BRITANNICA A DICTIONARY OF ARTS, SCIENCES, LITERATURE AND GENERAL INFORMATION Eleventh Edition

      Cambridge U.P., 1910, Hardcover, Book Condition: Very Good with no dust jacket, eleventh3/4 leather over maroon boards. Top edges gilt. Gilt spine titles. 29 volumes/16 titles. Included are three additional volumes comprising the supplemental 13th ed. All volumes have very mild shelfwear to boards, some volumes show light rubbing to corners and edges. Bindings are sound on all volumes and inner pages are clean and free of markings. 13th ed published, 1926. Extra postage required for this multi-volume set. Quantity Available: 1. Pictures of this item not already displayed here available upon request. Inventory No: 39532.

      [Bookseller: Books On The Boulevard]
 20.   Check availability:     Bookzangle     Link/Print  


        Orlog: Novellen von der Pad.

      Berlin, Concordia Deutsche Verlagsanstalt, [1910].. Farbig illustrierte Original-Leinwand, 8°, 212 Seiten, farbiger Kopschnitt, Lesebändchen. Seiten papierbedingt nachgedunkelt, Einband leicht berieben, Namenszug von alter Hand auf Titel, insgesamt gutes, sauberes Exemplar..

      [Bookseller: Afrika- und Kolonialantiquariat Welwitsc]
 21.   Check availability:     ZVAB     Link/Print  


        Alstertal bei Poppenbüttel. Signiertes Ölgemälde, alt gerahmt.

      - Bildmaß: 39 x 43 cm ( Höhe x Breite ), aufwendig alt gerahmt ( Rahmenmaß: 48 x 62 cm. Öl auf Pappe. Rechts unten mit *Jacobsen* signiert, undatiert ( um 1910 ). Verso mit Zuschreibung von späterer Hand *An der Alster - Poppenbüttel, A. Jacobsen*. Gezeigt wird offenbar der Alsterlauf mit überhängenden Buchen am Wasserlauf, dem Alsterwanderweg und reicher Bewaldung an den umgebenden Hängen. ( Literatur: Thieme-Becker, Band XVIII, Seite 253 ). Das Bild von farbfrischer Erhaltung, der Rahmen etwas bestoßen. ( Pic erhältlich // webimage available ) [Attributes: Signed Copy]

      [Bookseller: Antiquariat Friederichsen]
 22.   Check availability:     AbeBooks     Link/Print  


        The People's Rights

      London: Hodder and Stoughton, 1910. First edition, only printing. Paperback. This is the first edition, first state of this striking, scarce, and fragile early collection of Churchill's speeches. In 1904, Churchill quit the Conservative Party and joined the Liberals, beginning a dynamic chapter in his political career that saw him champion progressive causes and be branded a traitor to his class. In 1910, when The People's Rights was published, Winston Churchill was a powerful political force and a member of the Cabinet. From December 3-11, 1909 Churchill was on the campaign trail on behalf of the Liberals. The People's Rights is a distillation of these nine days of speeches, criticizing the House of Lords (which had rejected the Liberal Government's budget, thus precipitating the campaign) and championing Free Trade, a graduated income tax, luxury tax, and surtaxes on unearned income. Churchill's efforts were not wasted; as a result of the election, the Liberals would achieve a slim majority and passage of their budget. The People's Rights was published in an exceptionally perishable form, in bright yellow-orange paper wraps (with a halftone photo of Churchill on the cover) and printed on cheap, pulp paper. Consequently few copies survive, and wear, losses, and general deterioration is common to those copies that endure. There are two states of this first and only printing. The first state features and Appendix and an Index (at pages 149-152), while the second replaces the Index with a second Appendix. Here is the desirable first edition, first state. Given the inherent fragility of the edition, this copy is in very good condition. The illustrated wraps remain bright and firmly attached. The front cover is notably complete, with only fractional loss to the corners and trivial edge wear. The rear cover shows a .5 x .75 inch loss at the lower left corner but is otherwise complete. The spine shows some loss at the heel to a maximum depth of .75 inch, minor chipping at the head, and an abrasion just above and partially impacting the price. All title, author, and publisher print remains intact and clearly legible. The contents are toned, as inevitable with the cheap pulp paper, but both less toned and less brittle than we often see. First state is confirmed by a single appendix, an index, and p.71 numbered '1'. We find no previous ownership marks. Light spotting appears confined to the half title, title, and final Index pages. The final Index page shows a 2 inch closed tear. An original folded four-page leaflet advertisement and order form titled "Trade List of The Daily Mail Sixpenny Novels" is laid in. Bibliographic reference: Cohen A31.2.a, Woods/ICS A16(aa), Langworth p.97

      [Bookseller: Churchill Book Collector]
 23.   Check availability:     IOBABooks     Link/Print  


        Eingang zu einem Kloster in Morcole.

      - Aquarell, über Bleistift, auf festem Papier, rechts unten datiert und bezeichnet „1910 Morcole". 19,8:13,4 cm. Provenienz: Aus dem Nachlaß von Fr. Ph. Schmöle. Morcole liegt im Tessin am Luganer See. Die Malerin und Zeichnerin Mathilde Schmöle war seit 1876 mit dem Frankfurter Kaufmann F.P. Schmöle (1844-1924) verheiratet, der 1904 seinen Beruf aufgab, um sich ganz dem Malen und Reisen zu widmen. Nach der Vita ihres Mannes, der sich 1872 ein Landhaus in Kronberg erbauen ließ und dort in Kontakt trat mit den örtlichen Malern, könnte sie mit diesem gemeinsam bis 1905 Studienfahrten in die nähere Umgebung Frankfurts, nach Wetzlar und Braunfels sowie zwischen 1905 und 1913 nach Belgien und Holland, an die deutsche Nordseeküste, nach Sylt, Helgoland, in die Schweiz und nach Norditalien unternommen haben. Sie malte Landschaften, Porträts und Genrebilder. In engem brieflichem Kontakt stand sie mit Berta Riehl, Ehefrau des Kulturhistorikers und Novellisten W.H. Riehl, dessen Tochter Helene Riehl (geb. 1850) eine Landschaftsmalerin wurde. Laut einer überlieferten schriftlichen Anmerkung der Künstlerin war sie in Weimar eine Schülerin des Malers und Radierers F. Preller d. Ä. (1804-1878).

      [Bookseller: Galerie Joseph Fach GmbH]
 24.   Check availability:     IberLibro     Link/Print  


        The LITTLEST FAIRY

      Dodge, New York 1910 - TRULY RARE & BEAUTIFUL FIRST EDITION / FIRST PRINTING!! A COMPLETE JOY TO BEHOLD - A Wonderful Fantasy Tale By ELIZABETH & DORIS WEBB, with Incredibly Brilliant ART By RUTH SYPHERD CLEMENTS, Published by the Dodge Publishing Company, New York. Done in Original gray cloth boards fully papered with green, pink and silver coloring on the cover, and a Color Pictorial paste down on the front. Barely any perceptible wear. Front cover bright, paste-on in Very Nice shape. Cloth Spine is Excellent, with no fraying. Rear cover generally nice, with light pinkish marks -barely noticeable. Immaculate pale green Illustrated endpapers both front & rear, front hinge cracked slightly and end paper slightly tanned -- indicates FIRST STATE!! Story is Complete in 158 Tightly Bound pages, with ALL 8 full page color illustrations by Ruth Sypherd Clements (7 shown -- I like to leave a little mystery and surprise!), Frontis Tissue Guarded, plus many wonderful line drawings and decorations all through the book, text in pastel green surrounds. This example Is In Most Excellent Condition (Near Fine). It is Solid, Tight, Bright & White, with No Names, Damage or Marks!! [Attributes: First Edition; Hard Cover]

      [Bookseller: Rare Kidzbookz]
 25.   Check availability:     AbeBooks     Link/Print  


        The People's Rights

      London: Hodder and Stoughton, 1910. First edition. Paperback. This is the best copy we have offered of the first edition of this striking, scarce, and fragile early collection of Churchill's speeches - a premium copy for collectors. In 1904, Churchill quit the Conservative Party and joined the Liberals, beginning a dynamic chapter in his political career that saw him champion progressive causes and be branded a traitor to his class. In 1910, when The People's Rights was published, Winston Churchill was a powerful political force and a member of the Cabinet. From December 3-11, 1909 Churchill was on the campaign trail on behalf of the Liberals. The People's Rights is a distillation of these nine days of speeches, criticizing the House of Lords (which had rejected the Liberal Government's budget, thus precipitating the campaign) and championing Free Trade, a graduated income tax, luxury tax, and surtaxes on unearned income. Churchill's efforts were not wasted; as a result of the election, the Liberals would achieve a slim majority and passage of their budget. The People's Rights was published in an exceptionally perishable form, in bright yellow-orange paper wraps (with a halftone photo of Churchill on the cover) and printed on cheap, pulp paper. Consequently few copies survive, and wear, losses, and general deterioration is common to those copies that endure. Given the inherent fragility of the edition, this copy is in remarkably good condition - the most complete and best preserved wraps issue of the first edition that we have offered. The illustrated wraps remain complete, bright, and firmly attached, with only modest soiling. We note only fractional wear to extremities. The binding is square, with no lean and no visible signs that this copy has ever been read. The spine is likewise a stunning survivor, highly complete with only fractional loss at the spine ends. All spine print is complete and clearly legible and there is no discernible color shift between the covers and spine. The contents are toned, as inevitable with the cheap pulp paper, but both less toned and less brittle than is typical, with no dog-eared or chipped corners to the pages. We find no previous ownership marks. A touch of spotting appears confined to the half title and to the final few pages of the second Appendix at pages 149-152. The second Appendix and correct pagination at p.71 confirms that this impressive copy is the second state of the first printing. Bibliographic reference: Cohen A31.2.b, Woods/ICS A16(aa), Langworth p.97

      [Bookseller: Churchill Book Collector]
 26.   Check availability:     Biblio     Link/Print  


        The O'Flynn.

      Harper and Brothers. New York 1910 - First Edition. Photographically produced dustjacket art. A swashbuckling adventure novel of an Irishman who opposes French agents during the Napoleonic wars. Basis for the classic 1949 Douglas Fairbanks Jr. production directed by Arthur Pierson and starring Fairbanks and Helena Carter. This copy illustrated with still from the theatrical production at front dustjacket panel and frontispiece. An impossible Fairbanks' sourcebook to be found in original thin-paper fragile illustrated dustjacket. Near Fine in Very Good dustjacket, moderate chipping to spine ends and flap corners. 0.0 [Attributes: First Edition; Hard Cover]

      [Bookseller: Babylon Revisited Rare Books]
 27.   Check availability:     AbeBooks     Link/Print  


        Life Magazine 1910-1912. In six bound volumes

      New York: Life Magazine Office 1910/1911/1912. Six bound volumes. Two volumes for each year from 1910 to 1912. Pagination varies but each volume contains c. 1,200 - 1,300 pages. Red half morocco over red cloth. All edges gilt. Marbled endpapers. Sturdily bound by Bumpus of Oxford Street, London. Fading to spine of one volume. A few light marks to boards of some volumes. Handsome armorial bookplates to front pastedowns of 2 volumes. All full colour front covers present and bound in situ with each issue's contents. Lacks most rear covers, although all present in one volume. Lacks 4 issues only of the three year run, and the absence not very noticeable. Versos of all front covers have advertisements, almost all in colour, and several issues throughout the year have extra colour advertising leaves. Adverts throughout each issue. Illustrations, cartoons and vignettes throughout each issue by many of the well known illustrators of the era. Numerous superb full-page adverts for autos, including Packard, Pierce-Arrow, Franklin, Oldsmobile, Rambler, Klaxon, Firestone etc. etc. All volumes in Near Fine condition. . Near Fine. Half Morocco. 1910. 4to..

      [Bookseller: Fosters' Bookshop]
 28.   Check availability:     Biblio     Link/Print  


        "Abgeerntetes Kornfeld" originales Gemälde, Öl auf Malpappe ca.29x36,5cm; links unten signiert; um 1910

      . Das herrliche Bild von strahlender Farbigkeit und hochgemuter Lebensstimmung im aufwendig gearbeiteten und blattvergoldeten Holzrahmen (44x51,5cm) der renommierten Münchner Fachwerkstatt Petzenhammer sorgfältig eingerahmt..

      [Bookseller: Antiquariat Niederbayern]
 29.   Check availability:     ZVAB     Link/Print  


        4 page handwritten, signed Fan letter reply from Lucy Maud Montgomery in 1910 to Clara Macirone, composer

      Cavendish, PEI: Lucy Maud Montgomery, 1910. . 1910 IS A VERY EARLY L.M. MONTGOMERY FAN LETTER REPLYLetter content: Cavendish, Prince Edward Island Canada Monday 31 January, 1910. To Clara [Clara Angela Macirone] Originally folded to 3" x 5" but now flat, 6-1/2 x 10-1/8 inches. Four pages, each page being 6-1/2 x 5 inches. Condition: Paper darkened and slightly stained, 3/4 inch closed tear on centre fold pages 2&4 and 1/2 inch closed tear on centre with pin hole on fold pages 1&3, text clear and complete. There is a stamp, perhaps a W, next to L. M. Montgomery signature. Otherwise noted above, in good condition. This is a charming letter from the hand of Lucy Maud Montgomery in reply to a warmly received from an 'elderly' fan. The letter is delightful in its innocence relaying tidbits of personal information regarding Lucy Maud Montgomery's home, her life with her Grandmother and her impressions of her own writing. This short 4 page letter is of particular interest as it was written just two short years into the beginning of her celebrated fame as an author. This letter is almost childlike in its simplicity and delight in hearing of a song that may have been written in her honour. It is also of note this letter was written prior to her leaving Cavendish, PEI, in 1911, the home of 'Green Gables. "It is and ever must be hallowed ground to me" ... so said Lucy Maud Montgomery of her Cavendish home where she lived most of the time from 1876 to 1911. Montgomery is pleased and "touched" that Clara [Clara Angela Macirone] liked her story. "When I wrote it I supposed that only young girls would like it; and I am so delighted to find that so many old people have enjoyed it too.  I live in a little Canadian country place, very much like the 'Avonlea' of my book. Life here is very quiet and simple, but I like it and find all in it that I could find anywhere I think. She briefly discusses her grandmother "with whom I live" and who came from England "and I always feel a 'homey' interest in your wonderful old land which I hope some day to visit. "  Do you know, I always find it a little difficult to read English handwriting. Its characteristics seem to be different from Canadian and American writing" which meant that she couldn't quite decipher what Clara meant by a word which might be 'dedicate", relating to "a song you had written to me". "If I am not mistaken I can only say that I should be most pleased and honored by such a delicate compliment. I found your programmes very interesting. I love music although I have no gift in that way myself. I think it is the most wonderful of the arts. [.]". Another hand has added brief notes in the margins of the final page, "Montgomery Anne of [?]" and a note of her name and the date of the letter.Clara Angela Macirone was a well know English pianist and composer who published her music as C. A. Macirone. Born in London, she was the daughter of Italian musicians; her mother was also a pianist and her father was a singer. After completing her studies at the Royal Academy of Music she took a position teaching at the Academy. She died in London, July 1914.

      [Bookseller: Lord Durham Rare Books (IOBA)]
 30.   Check availability:     IOBABooks     Link/Print  


        Two Photo Albums with 94 Original Photographs of Northern India].

      1910 - Ca. 1910. Quarto, 2 vols. Albums with 12 leaves and generally with 4 photos per leaf. With 94 mostly glossy silver gelatin photographs ca. 11x17 cm (4 ¼ x 6 in). Images captioned in white ink on mount. Two green period gilt tooled half morocco alums with green cloth boards. Albums rebacked to match. About a dozen images yellowed and faded but the rest are strong unfaded images. Interesting photo-documentation of travels through northern India, the images include views of: The outward voyage with Aden; Manik Bagh in Indore; Luggage being transported at Indore station; the state stables; Udaipur; Hotel Cecil, Agra; Ambala; a station on the Simla-kalka railway; monkies on roofs, Simla; Mashobra; the Kashmir Gate in Delhi; an ancient minstrel in Kutab; Bhopal Station; Beaters in Bhopal; Sanchi; a mortar mill in Meerut; Sardhana; homeward journey with Messina & Reggio, etc. [Attributes: Hard Cover]

      [Bookseller: The Wayfarer's Bookshop, ABAC/ILAB/PBFA]
 31.   Check availability:     AbeBooks     Link/Print  


        Bildnis von zwei Männern mit Hut. Impressionistische Bildauffassung. Pastöses Ölgemälde auf Leinwand. Rechts unten signiert.

      (Wohl ca. 1910/1920).. Format: 44,5 x 42 cm. Gerahmt in passender gelackter Holzleiste.. *Arthur Kampf, deutscher Historienmaler. Geb. 1864 in Aachen, studierte an der Düsseldorfer Kunstakademie und wurde dort 1893 Professor. 1902 erhielt er auf der Berliner Kunstausstellung die große Goldmedaille, 1915-1925 war er Direktor der Hochschule für Bildende Künste in Berlin, 1939 erhielt er den Adlerschild des Deutschen Reiches mit der Inschrift "Dem deutschen Maler". - Vorliegend ein Ölgemälde mit dem Bildnis zweier ausgeprägter Männerköpfe. "Die lebendige Individualisierung der Köpfe ... sind als Düsseldorfer Schulgut zu erkennen (Thieme/Becker 19, S. 506). Sehr guter Erhaltungszustand.

      [Bookseller: Antiquariat Braun]
 32.   Check availability:     ZVAB     Link/Print  


        Wie studiert man Sozialwissenschaft

      Czernowitz: Im kommissionsverlag der K. K. universitätsbuchhandlung H. Pardini; buchdruckerei M. Ebner,, 1910. Octavo (pp. 40). Original buff printed wrappers. Neat ownership inscription and annotation at head and tail of front cover, general light signs of handling, overall in very good condition. First edition. "Schumpeter's broad interests in the social sciences and in the way these are related to each other was one of the factors that made him sympathetic to Weber's idea of a Sozialökonomik. That Schumpeter himself had a thorough knowledge of several different social sciences is clear from his studies of the tax state and imperialism as well as from his general writings on social science. Two of these more general writings deserve special attention, namely a pamphlet called Wie studiert man Sozialwissenschaft (How to Study Social Science, 1910) and a small book, entitled Vergangenheit und Zukunft der Socialwissenschaften (The History and Future of the Social Sciences, 1915). Both of these were published by the Academic Social Science Association in Czernowitz, in which Schumpeter was a very active member while he taught at the local university" (Richard Swedberg in Joseph A. Schumpeter, the Economics and Sociology of Capitalism, Princeton 1991, pp. 34-35).

      [Bookseller: Peter Harrington]
 33.   Check availability:     Biblio     Link/Print  


        Walls of Constantinople

      John Milne, 1910, Hardcover, Book Condition: Very Good, Dust Jacket Condition: No Jacket, 1st EditionThe boards and spine are rubbed and edgeworn. The boards are a bit curved. Library markings - not excessive. Some light foxing to the first and last few pages and occasionally in the text. Soundly bound. Quantity Available: 1. Inventory No: r755.

      [Bookseller: Chapter 1 Books]
 34.   Check availability:     Bookzangle     Link/Print  


        [RUSSIAN LACE]. Sobranie russkoi stariny / V.P. Sidamon-Eristovoi i N.P. Shabelskoi = Antiquites russes... / Sidamon-Eristoff et N. de Schabelskoi. Vyp. 1. Vyshivki i kruzheva (all published)

      Moscow: Tip. P.P. Riabushchinskago, 1910. FIRST EDITION. IN VERY GOOD CONDITION. 8 p., 12 plates. Folio (34 x 26 cm), bound in original printed wrappers (worn along foot of spine). Text in French and Russian Extremely scarce catalogue of Russian lace, produced in Moscow just prior to WWI. Ours is the only copy currently on the market. * "In 1931, the Brooklyn Museum acquired a portion of the collection of 18th- and 19th-century Russian art assembled by Mme N.L. de Shabelsky" (R.A. Karlowich, A guide to scholarly resources on the Russian Empire, 1990, p. 26). * According to Alison Hilton, both Sidamon-Eristova and Shabelskaia were "major collectors" (SOURCE: Russian Folk Art, p. 323). "For some one hundred years now Russian folk embroideries have attracted closest notice. Towards the close of the 19th century several magnificent collections of such embroideries were assembled. Further, researches conducted by V. Stasov, S. Shakhovskaya, V. Sidamon-Eristova and N. Shabelskaya initiated the systematization and classification of the various types of ornamental designs in Russian folk embroidery. These same authors also made the first attempts to decipher the intricate narrative compositions so characteristic of folk tradition in Northern Russia. The surging interest in the folk arts and crafts caused a series of notable studies to be devoted to analysis of the narrative and symbolical content, the specific techniques and the regional dissimilarities of Russian folk embroidery. However, most authors concentrated on the anthropomorphic and zoomorphic representations and the archaic three-element compositions incorporating stylized and transmuted representations of, more often, female and, less often, male pre-Christian deities. It is this group of motifs that has always fascinated students. A somewhat specific group consists of the geometrized motifs of North Russian embroideries, which, as a rule, accompany the basic elaborated narrative compositions -- although frequently such motifs are exclusive in the decoration of towels, sashes, skirt hems, and shirt and blouse sleeves and shoulder yokes, which explains their importance for art historians" (SOURCE: S. Zharnikova, "Archaic Motifs in North Russian Folk Embroidery and Parallels in Ancient Ornamental Designs of the Eurasian Steppe Peoples"). * Of this work OCLC lists just 5 copies worldwide, and of these only 3 are in the U.S. (NYPL, Harvard, North Carolina). PROVENANCE: ink-stamps of the Zadruha (Prague), which was founded in 1900 for the "elevation of popular industry, especially the Arts.

      [Bookseller: Michael Laird Rare Books LLC]
 35.   Check availability:     Biblio     Link/Print  


        The Tale of Mrs. Tittlemouse

      London: Frederick Warne & Co.,, 1910. Sextodecimo. Original blue boards, titles to front board and spine in white, pictorial label to front board, pictorial endpapers. Colour illustrations by the author. Pencil annotation to front free endpaper. Spine rolled and sunned, board edges slightly faded, internally fine; an excellent copy. First edition. The first two printings are identical.

      [Bookseller: Peter Harrington]
 36.   Check availability:     Biblio     Link/Print  


        Twenty Years at Hull-House; With Autobiographical Notes

      New York: The Macmillan Co, 1910. No. 26 of 210 special copies. Illustrated by Norah Hamilton. 462 pp. 1 vols. 8vo. Original brown paper over boards, parchment spine, t.e.g., others uncut, some wear to covers and tips, generally VG. Signed Blanche Ferry Hooker (later Mrs. John D. Rockefeller III) on ffep. MRS. JOHN D. ROCKEFELLER III'S COPY Jane Addams, who is bound to appear on anyone's list of Great American Women, was a pioneer of social work whose establishment of the Hull-House settlement in a dingy area of Chicago set the model for such institutions and their services for the nation, and the world. Modestly told, this is her story of that achievement--an important, classic book. Addams won the Nobel Prize in 1931.

      [Bookseller: James Cummins Bookseller]
 37.   Check availability:     Biblio     Link/Print  


        Über Konflikte der Kindlichen Seele (On Conflict in the Child's Soul).

      Franz Deuticke, Leipzig und Wien 1910 - Original front wrap [inscribed] +TP + [1]-26 + original rear wrap, Octavo. Inscribed First Edition Ofprint.1910 C.G. Jung Offprint Inscribed to Famed American Psychiatrist, Dr. Adolf Meyer. Inscribed along the top edge of the front wrap: "Dr. A. Meyer - Johns Hopkins University / with the author's / compliments." Carl Jung accompanied Sigmund Freud to the famous psychiatric convocation at Clark College, Worchester, Massachusetts in August of 1909, where he met Dr. Adolf Meyer who was regarded as the "dean of American psychiatrists." Both Freud and Jung, along with Adolf Meyer, were given honorary degrees by the College at the conclusion of their meetings. Meyer, one of America's preeminent psychiatrist, had just been appointed at Professor of Psychiatry at Johns Hopkins University - a job that he held until 1941. Meyer was skeptical of many of Freud's theories (as was another participant, William James), but felt more in tune with the ideas being put forward by Jung. In the well-known group photo taken at that conference, Meyer stands confidently in the front row on Jung's immediate left. At the conference, Jung read this paper, On Conflict in the Child's Soul (along with one on diagnostic association experiments that he was then conducting) and inscribed a copy of this offprint to his new friend, Meyer, when it became available the following year. The two men met again in 1913 when Jung returned to American and delivered his Fordham lectures - talks presenting views that were no longer in agreement with much of Freud's basic theories and much more in line with the more pragmatic approaches being espoused in the United States by Meyer and James.In this paper, Jung discussed the conflicts in the mind of a child, using his own daughter as an example. The paper was reviewed in the Journal for Psychoanalysis by the then still-editor, Alfred Adler - who also had not yet made his complete break with Freud at this time. According to Adler's review, Jung's interpretations were astute as well as intelligently moderate. However, he described Jung's views as "strictly bound to the main threads of Freud's libido teachings," and offer his own emerging Adlerian analysis, focusing on the purpose of behavior and the use of emotion: "With all sorts of subterfuges, the child tries to gain security through fear and knowledge." Adler finished by noting that "analyses such as Jung's are the delectable gift of psychoanalysis. Their value lies not only in confirming questionable results, but also in opening new perspectives." A lovely offprint with an inscription carrying some significant association with the history of interactions between European and American psychiatrists in the early decades of the 20th century while simultaneously being a paper with an historical link to the Freud/Jung/Adler controversies that rent the psychoanalytic movement apart just before the First World War. The original wraps had obviously become detached at some time the past and have been skillfully reattached using a small (and well-matched) strip of spine material. Otherwise, a gorgeous inscribed association copy of this original offprint. ADDITIONAL PHOTOS AVAILABLE UPON REQUEST. [Attributes: First Edition; Soft Cover]

      [Bookseller: Athena Rare Books ABAA]
 38.   Check availability:     AbeBooks     Link/Print  


        Aeroplanes d'Artois

      1910. AVIATION. Aeroplanes d'Artois. Monoplans, Aero-Torpilles, Aero-Marins. One large fold-out plate with 6 photographs of planes. Small 4to., 165 x 190 mm, bound in publisher's gray printed wrappers with a tipped on photograph in a new blue cloth folding box. Paris: Emile Dubonnet, 1910. |~||~||~||~|$1250.00 A promotional brochure for the d'Artois aviation company, one of the pioneer manufacturers of aeroplanes. The cover is a photograph of the aviator Emile Dubonnet above the Place de la Concorde in 1910. A rare survival from the dawn of modern aviation. In fine condition.

      [Bookseller: Ursus Rare Books]
 39.   Check availability:     Biblio     Link/Print  


        Plano de la ciudad de Santiago de León de Caracas en el año 1810 según apuntaciones del ilustrísimo Señor Don Mariano Martín y planos de F. de Pons; A.J. Jesurun y otros, historiadores e ingenieros, desde 1771 hasta 1843; con fecha 19 de abril de 1910

      Caracas. Very Good. 1910. Issued as a folding map and so now rare. Backed with a fine linen with a c. 6 mm return to recto. Inscription in pencil below title. C 3mm loss at corner folds; 520 x 775 mm .

      [Bookseller: Virginia Book Shop, Inc., ABAA, ILAB, FA]
 40.   Check availability:     Biblio     Link/Print  


        St. Goarshausen. Erker und Ecke eines Fachwerkhauses.

      . Bleistift, aquarelliert, auf gelblichem Velin, rechts unten bezeichnet und datiert "St. Goarshausen, 16.Oct.46.". 25,3:19,6 cm. Schwacher Fleck rechts unten. Provenienz: Aus dem Künstlernachlaß. Vergleichsliteratur: Fr.W. Alexander: Johann Georg Meyer von Bremen. Das Lebensbild eines deutschen Genremalers. Leipzig, E.A. Seemann, 1910, Abb. 12 und 13. Diese beiden Abbildungen zeigen vergleichbare Architekturskizzen aus Bacharach und Wellmich bei St. Goarshausen.. Georg Meyer von Bremen ging 1833 im Alter von 20 Jahren nach Düsseldorf, um an einer der geachtesten Kunstakademien des Landes zu studieren. Er wurde hier erst Schüler des Nazareners J. Wintergerst (1783-1867) und des Historienmalers K.F. Sohn (1805-1867), dann besuchte er die Meisterklasse wohl unter der Leitung des Akademiedirektors W. von Schadow (1788-1862). Seit 1841 war er in Düsseldorf als freischaffender Maler tätig. 1848 war er Gründungsmitglied des "Künstler-Verein Malkasten". Studienreisen durch Deutschland (Hessen und Bayern), nach Berchtesgaden, in das Salzkammergut und der Schweiz brachten die Hinwendung zu volkstümlichen Genrebildern, vor allem gemütvolle Familiendarstellungen und Szenen aus dem Kinderleben. Weitere Reisen führten ihn nach Brüssel und Antwerpen. 1850 erhielt er die Kleine Goldene Medaille. 1852 siedelte er nach Berlin über, wo er es nach wenigen Jahren zu großem, auch internationalem Erfolg brachte, vor allem bei den in die USA emigrierenden deutschen Auswanderern; zu seinen prominentesten Kunden zählten das russische Kaiserhaus und die preußische Königsfamilie. Zwei Jahre nach dem Umzug wurde er zum Professor an die Berliner Akademie berufen. 1855 wurde ihm der belgische Leopoldsorden überreicht, 1857 wurde er Mitglied der Academie des Arts in Amsterdam. Werke Meyer von Bremens besitzen u.a. das Stedelijk Museum Amsterdam, das Metropolitan Museum New York, die Nationalgalerie Berlin, die Kunsthalle Bremen und das Stadtmuseum Danzig.

      [Bookseller: Galerie Joseph Fach GmbH]
 41.   Check availability:     ZVAB     Link/Print  


        Etudes de Filles. 40 Eaux-fortes originales et une couverture du peintre-graveur Lobel-Riche.

      Paris, Louis Michaud, 1910,. gr. in-4to, XIV + 124 p., avec 41 eaux-fortes dont 40 hors-texte, toutes accompagnees de l'etat termine avec remarques, chaque planche signee au crayon par l'artiste, couverture et dos conserves, reliure en plein maroquin tete-de-negre, plats decores d'un double listel de maroquin pourpre et d'un double jeu de filets a froid d'encadrement, dos a 4 nerfs, caissons decores dans le meme style que les plats, doublures de reps rose fonce a cadres du meme maroquin que la reliure, ornes d'un double jeu de filets dores, ('Canape R.D.' sur le premier contre-pli; '1911' sur le deuxieme), gardes du meme reps, tranche superieure doree, dans emboitage borde, reliure de Canape, R.D.. Edition limitee a 250 exemplaires, un des 25 exemplaires numerotes sur velin d'Arches filigrane au nom de l'editeur (n° 93). Superbe reliure signee 'Canape R.D.', de la famille de relieurs de luxe parisiens (Flety p. 37). (Carteret III/207).Please notify before visiting to see a book. Prices are excl. VAT/TVA (only Switzerland) & postage.

      [Bookseller: Harteveld Rare Books Ltd.]
 42.   Check availability:     ZVAB     Link/Print  


        Presidents I Have Seen and Known, Lincoln to Taft and A Day in Washington's Country

      Cleveland: The Penton Press 1910 - First edition. Illustrated with black and white plates of portraits of the presidents and with facsimile reproductions of their signatures. Limited edition of 150 numbered copies. Inscribed by Butler on the limitation page: "Presented to my friend / Mr Fred Gerny / with kindest thoughts / Jos G. Butler Jr. / Youngstown / Sept. 8 1913". Finely bound in full red morocco by Macdonald, with five raised bands to the spine, gilt florets to the boards and spine compartments, gilt decoration of a mouse holding a candle over a book with brown morocco onlay to the front board, ruled and lettered in gilt, top edge gilt, geometric gilt turn-ins, cream moiré cloth endpapers. About near fine, with minor toning to the spine, some light rubbing to the spine ends and hinges, spine lightly cracked and secure after the free endpapers, otherwise sturdy and intact binding, bright and clean pages. A handsome copy. Housed in a red moiré slipcase. In Presidents I Have Seen and Known, Joseph G. Butler reflects on his personal friendships and acquaintances with several U. S. Presidents since 1861. As a child, Butler moved to Ohio, where he attended primary school with future president William McKinley, the first of many presidential acquaintances; as an adult, Butler was a leading figure in the American steel industry and a philanthropist best remembered for founding the first museum of American art. He had occasion to meet with the political leaders he remembers in this volume: Abraham Lincoln, Andrew Johnson, Ulysses S. Grant, James A. Garfield, Grover Cleveland, Chester A. Arthur, Benjamin Harrison, Theodore Roosevelt, and William H. Taft. In addition to Butler's memoirs, Presidents I Have Seen and Known includes "A Day in Washington's Country," which recounts the author's visits to the English locations from which George Washington's ancestors originated. Notably, this volume was published for Butler's friends after an address he delivered at the Rowfant Club of Cleveland on February 27, 1909. [Attributes: Signed Copy; Hard Cover]

      [Bookseller: B & B Rare Books, Ltd., ABAA]
 43.   Check availability:     AbeBooks     Link/Print  


        De Kleine Koning

      Holkema & Warendorf Publishers 1910 - Large squarish folio size. In original publishers full beige pebbled cloth with illustration of comical king set off against a black background, bold gilt-blocking on cover, blindstamping, beveled boards, silk endsheets. Twelve exquisite mounted color plates highlighted using bold gilt as gold in the illustrations with striking bright colors, by HANS PELLAR. Each page with borders and text opposite illustrations. Printed (and mounted) on extremely thick watercolor paper. Superlatives lacking in describing the quality of this production. One plate with crease, otherwise a strikingly clean and fresh copy of a scarce book to find in any presentable condition, owing to its size and weight. Pellar's illustrations here are among the most colorful and imaginative of any in the Jugendstil catalog. [Attributes: First Edition; Hard Cover]

      [Bookseller: Nudelman Rare Books]
 44.   Check availability:     AbeBooks     Link/Print  


        Wohnzimmer. Oel a. Leinwand.

      ca 1910 - 60 x 80 cm, gerahmt, 75 x 95 cm, Rahmen etwas lädiert. Links unten signiert, Vorname nicht lesbar möglicherweise A. Rückseitig gestempelt - k.u.k. Doppeladler mit unleserlicher Lettern. - Hübsche Bild eines Jugendstil-Wohnzimmers. 5000 gr. [Attributes: Signed Copy]

      [Bookseller: antiquariat peter petrej]
 45.   Check availability:     AbeBooks     Link/Print  

______________________________________________________________________________


      Home     Wants Manager     Library Search     562 Years   Links     Contact      Search Help      Terms of Service      Privacy     


Copyright © 2018 viaLibri™ Limited. All rights reserved.