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Displayed below are some selected recent viaLibri matches for books published in 1910


      Mchn., Hans von Weber, 1908-1910. - Eine Zweimonatsschrift. Hrsg. von Franz Blei und Carl Sternheim. 12 Hefte in 5 Bänden [alles Erschienene]. 4°. 5 goldgepr. OLwdbde. (etwas berieb.). Zus. 1196 SS. mit 7 Orig.-Graphiken von J. J. Vrieslaender, Craig u.a. sowie 106 teils handkolor. Illustr. auf 113 Tafeln. Sprache: Deutsch, Erste Ausgabe. - Eins von 1000 Exemplaren der Ausgabe auf Velin (Gesamtaufl. 1050). - Berühmter Vorläufer des Expressionismus mit Franz Kafkas ersten Veröffentlichungen sowie Texten von Rainer Maria Rilke, Robert Musil, Alexander Block, A. R. Meyer, Hugo von Hofmannsthal, Heinrich Mann, Hans Carossa u. a. - Die Illustrationen stammen von Max Liebermann, Gustav Klimt, Henri de Toulouse-Lautrec, August Manet, Th. Th. Heine, Paul Gauguin, Aubrey Beardsley, Vincent Van Gogh, August Rodin, Emil Nolde, Erich Heckel u. a. - Dietz 1 u. 4. Dietzel-H. II, 1380. Isphording II 200. Loubier, Buchkunst Abb. 65. Rodenberg 318. Schauer II, 30. Söhn I, 124. - Heft 1 und 2 lose in Orig.-Einbanddecke, drei Blätter etwas stockig, ein Reihentitel gebräunt, sonst tadellos erhalten. [Attributes: First Edition]

      [Bookseller: Antiquariat Frank Albrecht (VDA/ILAB)]
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      [Guatemala, and various locations in Central America, 1910. Various sizes, with many folios, broadsides, and octavo pamphlets. A few documents soiled or lightly dampstained, with scattered wear and chipping. Some age toning and foxing, scattered minor worming. Many items housed in individual plastic sleeves or paper folders. Overall, very good. A remarkable collection of Central American material, with over 2000 imprints from the 19th and early 20th centuries. Most of the items were printed in various locales in Guatemala, with a scattering of imprints from El Salvador, Nicaragua, Honduras, and Costa Rica. The imprints included span the breadth of the 19th century and on into the 20th. Approximately seventy-five percent of these date from the 1820s to the 1880s. This rich collection holds a tremendous amount of research potential in a number of areas. It includes a significant number of ephemeral broadsides and other political material, documenting the turbulent political scene in Guatemala from independence to the early 20th century. Guatemala and the rest of Central America - El Salvador, Nicaragua, Honduras, and Costa Rica - declared independence from Spain on September 15, 1821. This federation lasted until 1840, when civil war tore the region into separate states. From there, a series of presidencies and lengthy dictatorships dominated the political landscape, all documented in the material of the present collection. One important broadside from 1854 proclaims President Rafael Carrera (1814-65) to be the supreme and perpetual leader of Guatemala for life, a position he held from 1851 until his death in 1865. There are extensive runs of select items, such as the MENSAJE DE PRESIDENTE and the rebuttal CONTESTACIONS DE L'ASSEMBLE, which run from the 1850s through the early 1900s (about 100 items). There is also a series of DISCURSOS commemorating Central American independence dating to roughly the same time frame (about forty items). Several runs of official periodicals are also included here, among them the BOLETIN OFICIAL (about sixty issues from the 1830s); and the BOLETIN DE NOTICIAS (seventeen issues from the 1870s), which documents the last days of the government of Vicente Cerna Sandoval. In the later material there is a significant number of political broadsides and proclamas from the presidency of dictator Manuel Estrada Cabrera, many bearing a woodcut portrait of the president. Cabrera (1857-1924) was in office from 1898 to 1920, suppressing several revolts against his rule. Additionally, there are periodicals, government publications, and numerous pamphlets on a wide variety of subjects. The 1870s saw a flurry of modernization in Guatemala, and this collection mirrors that activity, with more imprints (approximately 600) from that decade than any other. A handful of items from the mid- to late- 19th century concern the lottery, the circus, bullfights, and the theatre in Guatemala. There is also a discrete cache of medical-related material, covering cholera outbreaks, whooping cough, and similar topics. Another segment covers the development of the railroad and the telegraph in Guatemala and Central America. There are also pamphlets on subjects such as religion, the military, economics, laws, and more. An impressive and extensive collection, documenting hundreds of years of Guatemalan history. This collection was built over many years by a scholar of the region, and clearly could not be equaled today.

      [Bookseller: William Reese Company - Americana]
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        Fischer, Otto. - Landschaft mit Badenden.

      - Mezzotinto / Schabkunstblatt, um 1910. Von Otto Fischer. 52,2 x 70,2 cm (Darstellung) / 54,8 x 72,8 cm (Platte) / 68,5 x 93 cm (Blatt). In der Platte rechts unten signiert "Otto Fischer gez. u. rad." Links Verlegeradresse Giesecke & Devrient, Leipzig. - Großartiges arkadisch anmutendes Blatt, in dem sich Jugendstil und Symbolismus stilistisch berühren. - Hauptblatt des Künstlers. - Papier gebräunt und etwas knickspurig. Blattand etwas angeschmutzt, stockfleckig und mit einigen hinterlegten Rissen. Insgesamt mäßig guter Zustand. Otto Fischer (1870 Leipzig - 1947 Dresden). Deutscher Maler, Zeichner, Graphiker, Kunstgewerbler. 1886-95 Studium an der Dresdner Akademie bei Erwin Oehme d.J., Friedrich Preller d.J., Hermann Prell und Konrad Starke. 1896 Entwürfe, für Plakate, Möbel, Schmuck, Glasmalerei und Damenkleidung sowie Entwürfe für die Zeitschriften 'Zeitschrift für bildende Kunst' und 'Die graphischen Künste'. Ab 1898 künstlerischer Mitarbeiter der Dresdner Werkstätten für Handwerkskunst. 1900 Beteiligung an Raumausstattungen bei der Weltausstellung in Paris. 1906 als Graphiker tätig. Ab 1907 Hinwendung zur Ölmalerei. 1911 in Buchwald/Riesengebirge ansässig. 1913 Übersiedlung nach Dresden. 1914 Berufung zum Professor an die Dresdner Akademie. [Attributes: Signed Copy; Hard Cover]

      [Bookseller: GALERIE HIMMEL]
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        The People's Rights

      London: Hodder and Stoughton, Ltd., 1910. First edition. Hardcover. This is among the rarest Churchill first editions – the first edition, only printing of The PeopleÂ’s Rights in the hardcover binding – one of only 100 bound thus. In 1904, Churchill quit the Conservative Party and joined the Liberals, beginning a dynamic chapter in his political career that saw him champion progressive causes and be branded a traitor to his class. In late 1909-early 1910, when The People's Rights was published, Winston Churchill was a powerful political force and a member of the Cabinet. From December 3-11, 1909 Churchill was on the campaign trail for the Liberals. The People's Rights is a distillation of these nine days of speeches, criticizing the House of Lords (which had rejected Liberal Government's budget, thus precipitating the campaign) and championing Free Trade, a graduated income tax, luxury tax, and surtaxes on unearned income. Churchill's efforts were not wasted; the election would give the Liberals a slim majority and passage of their budget. The first edition is not only an important work, but also the only edition published in Churchill's lifetime. A second edition would not be published until 1970, 60 years later. Nearly all first edition copies were bound in bright yellow-orange paper wraps (with a halftone photo of Churchill on the cover) and printed on cheap, pulp paper. For obvious reasons, they proved quite perishable and today these are scarce and desirable, even in halfway decent condition. However, exponentially more scarce is the publisher's original hardcover binding. As documented in Ronald Cohen's excellent Bibliography, "100 sets of sheets were bound on 20 December 1909". The hardcover issue is not only extravagantly rare, but was also bound "two weeks before the publication of the paper wrappers issue" and may have even been available in the last few days of 1909. (Cohen, Volume I, page 177) So rare are these that Churchill's first bibliographer, Frederick Woods, was able to examine only a worn and faded copy and incorrectly reported the binding color as "cherry-red cloth, flecked with pink". As the copy we offer confirms, the true color is a deep red. We have observed only a handful of copies on the market in the past decade. This copy is conservatively graded as good plus overall, sound and original but with flaws attendant to the age and inherent fragility of the contents. The original dark red cloth binding remains sound, with strong, unfaded color and sharp corners. The gilt remains strong, if a bit dulled. We note modest wear to extremities and overall scuffing with minor staining and soiling, most notably two small, whitish stains at the title on the upper front cover. The binding remains firmly attached to the contents with the mull fully intact, despite cosmetic splits to the endpaper gutters. The contents were printed on cheap pulp paper which always browns and becomes brittle. These contents are no exception, with the typical age-toning, more pronounced at the page edges. Nonetheless, being protected by the hardcover binding, the contents are better than those of most wraps-bound copies we see, which often suffer significant edge chipping in addition to age-toning. This copy does not have the p.71 mispagination affiliated with the first state, but does have a single Appendix and Index affiliated with first state wraps-bound copies, rather than the later state second Appendix replacing the Index. A single previous ownership mark in pencil on the front free endpaper reads: “To Bill | From Jack | Sept 1910”. The front free endpaper has a one inch closed tear at the lower gutter, while the half-title has a 1.25 inch closed tear at the upper gutter. There is fractional chipping at the lower gutter of the title page and Preface, a shallow chip at the p.1 fore edge, the same at p.151 of the Index, and a one inch horizontal closed tear at the fore edge of the final free endpaper, with a small loss at the lower corner of the same. Bibliographic reference: Cohen A31.1.b, Woods/ICS A16(a), Langworth p.97.

      [Bookseller: Churchill Book Collector]
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      Hammersmith: Doves Press, 1910. Near Fine binding. Printed in black and red, with the Italian text in black alternating with the English translation by Matthew Arnold in red. Monsieur Sabatier provided the italian text. Bound in brown niger at the Doves Bindery, and signed as such to the rear turn-in. A bright clean copy with little wear. Near Fine binding.

      [Bookseller: Black Swan Books, Inc.]
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      Milwaukee, 1910. Creases and closed tears. 6 x 3-inch portion in right edge in facsimile (including "T" in "WEST"). Quite attractive on the whole and in about very good condition. Framed and matted. Not examined out of frame. An attractive, colorful, and action-filled poster for one of the many "Wild West" shows that were formed in the wake of Buffalo Bill Cody's success. The Buffalo Ranch Real Wild West Show was formed around 1910 and produced shows filled with spectacle, as evidenced by this poster, which promises a show "unparalleled in daring and desperate deeds" and "history blended with pleasant instruction for all the people of the land." In the upper portion of the poster is a scene of a man armed only with a knife, battling a charging bull, advertised as "the real Mexican steer contest throwing lassoing & riding the bull." In the background is an illustration of man with one foot on a galloping horse and the other foot on a charging bull. Other illustrations show "home life of the American Indian," Indians bearing rifles riding horses, a woman brandishing a whip and riding a buffalo, the "Royal Mexican Guard" on a line of horses, and "a Congress of American Cowgirls." An attractive poster for a little-remembered Wild West show, and a fine example of the "West of the Imagination.

      [Bookseller: William Reese Company - Americana]
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      [N.p., 1910. Small photograph album bound in full black calf, photographs pasted in. Some edge wear, spine head chipped, front joint split. Some photographs unevenly trimmed, most loose. In very good condition. An outstanding collection of early Alaskan vernacular photography. Images include Indian totem poles, several shots of a family in winter dress, snow-capped mountains, scenic forests, lake or harbor scenes, glaciers, icebergs, and more. Well-composed photos, obviously by a photographer with an artist's eye, including rare views of native totems.

      [Bookseller: William Reese Company - Americana]
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        Das moderne Büffet. 50 verschiedene der Neuzeit angepasste Büffets nebst 10 Tafeln Sofa-Umbau, Credenzen, Tische etc.

      o.O., o.V., o.J. (um 1910). - 60 Tafeln (10 doppelblattgroß) Mappe beschädigt, angeschmutzt und fleckig. Die Blätter vollständig aber unterschiedlich angeschmutzt und fleckig. Jedes Möbel handschriftlich mit Bestellnummer versehen. Auf Vorderdeckel der Mappe Stempel der Möbel-Schreinerei Joh. Schrem Reinsburgstr. 158a Stuttgart. Sehr selten. Im KVK nicht nachweisbar. Sprache: Deutsch Gewicht in Gramm: 2000 34 x 26 cm, Mappe mit eingelegten Blättern

      [Bookseller: Göppinger Antiquariat]
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        Küsse, Sechs Heliogravuren mit der Hand koloriert

      München Albert Langen, 1910 - Erste Ausgabe. - Schöne Tafelfolge Rezniceks; die Gravüren entstanden in der Münchener Graph. Gesellschaft Pick & Co. Bildformat ca. 17,5 : 13 cm, Papierformat ca. 40 : 30 cm. - Mappe etw. lädiert.Tafel tadellos, sehr seltene Ausgabe Sprache: Deutsch Gewicht in Gramm: 1000 [Attributes: First Edition]

      [Bookseller: Bücher Thiede]
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        Die Heiligen Schriften des Alten und Neuen Bundes deutsch von Martin Luther. 4 Bänden - Ganzleder,

      München, Georg Müller Verlag, ca. 1910. - Schwarzer originaler Ganzledereinband mit vergoldeter Rückenschrift u. Goldverzierung auf Vorderdeckel sowie Goldkopfschnitt im beschriftetem originalem Schuber. Vorsatz mit Goldverzierung. 150 Ex wurden auf van Gelder abgezogen u. in der Presse nummeriert. Die Binderarbeiten besorgten Hübel und Denck in Leipzig nach Entwürfen v. Paul Renner. Dieses Ex. trägt die Nummer 72. Schuber an Ecken bestoßen, ansonsten tadelloses Exemplar. Sprache: Deutsch Gewicht in Gramm: 8550

      [Bookseller: Antiquariat an der Uni Muenchen]
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      Leipzig, R. Voigtländer (um 1910). - Folge von 15 farb. Tafeln. Gutes sauberes Expl. mit leichten Gebrauchspuren. Ecken angestoßen. Lediglich die Titelseite hat einen größeren Wasserfleck. - Ausgesprochen dekoratives Jugendstil-Kinderbuch mit lebendigen Hamburg-Motiven sowie Darstellungen aus dem Leben und Treiben in der Hansestadt, "einzigartiges Dokument dieser Epoche . eine wirklichkeitsgetreue Topographie des Hamburg um die Jahrhundertwende" (Dankert/R.-H.). - Die farbigen Illustrationen (die Vorzeichnungen hierzu befinden sich im Hamburger Museum für Kunst und Gewerbe) entstanden nach einem Künstlerwettbewerb im Auftrag der "Lehrervereinigung zur Pflege der Künstlerischen Bildung zu Hamburg", herausgegeben von Sophus Hansen (1871-1959), Meisterschüler von L. von Kalckreuth. - "In seiner detailgenauen, durch zahlreiche Einzelbeobachtungen belebten und demnach in flächiger vereinfachten Wiedergabe stellt dieses vorzüglich gedruckte Buch von Sophus Hansen wohl das Optimum einer Realschilderung im Bilderbuch dar." (Schug #505) Sprache: Deutsch Gewicht in Gramm: 3000 25,3 : 35,4 cm. OHLwd. mit illustr. VDeckel und illustr. Jugendstil-Vorsätzen. [Attributes: Hard Cover]

      [Bookseller: Plesse Antiquariat Minzloff]
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      (n.p.): (n.p.). [c. 1910-1921]. A printed manuscript poem by Burroughs, his most famous, first published in Knickerbocker magazine in 1863, when Burroughs was 25; anthologized in Whittier's Songs of Three Centuries in 1875. At that time the poem had seven stanzas; over the years the weakest stanza (the sixth of seven) was dropped (by an unknown editor). "Waiting" appeared as the preface to Burroughs' Light of Day in 1900 with six stanzas, but even so the fifth stanza continued to trouble him. According to the Clara Barrus biography Our Friend John Burroughs, published in 1914, "a few years ago" Burroughs occasionally substituted a new fifth stanza, beginning, "The law of love binds every heart..." (Later renditions have this line reading "The law of love threads every heart.) But that too failed to satisfy him, and future renditions would have the original six (of seven) stanzas. This broadside has the six stanzas, with the short-lived "binds every heart" fifth stanza; it is printed in Burroughs' holograph, with an original water color of tree branches, and it is inscribed by Burroughs, for Barnard C. Connelly, and dated Feb. 9, 1921, the month before Burroughs' death. 7" x 9-3/4", bevel-edged on three sides; previously framed and sunned over most of the page; staining to two margins, touching only the date. A very good copy. Although Burroughs wrote "considerable poetry as a young man" (his words, from John Burroughs Talks), "a time came when I wrote no more poetry and destroyed most of what I had done previously...I am practically a man of a single poem." We have found reference to a smaller (4-1/2" x 6") leaflet of this poem being done earlier, by Alfred Bartlett, but have found no record of the printing history of this variation. First Edition. No Binding.

      [Bookseller: Ken Lopez Bookseller, ABAA]
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        Eigenh. Postkarte mit U.

      München, 3. November 1910. - 1½ SS. kl.-8vo. An die „Redaktion der ‚Wiener freien Presse’": „[ ] Ich erhielt Ihr Telegramm von gestern und teile mit, dass ich den versprochenen Beitrag für die Weihnachtsnummer im Laufe der nächsten Woche, also bis spätestens Samstag, senden werde [ ]".

      [Bookseller: Kotte Autographs GmbH]
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        A real photo postcard of the dead members of the notorious Dalton gang after the Coffeyville Bank Robbery: "One man with a Winchester done the work "

      Freeport, Illinois, May 26, 1910. 5.5" x 3.5". "A real-photo postcard, 5.5"" x 3.5"", bearing a 3.5"" x 2.75"" photograph of the bodies Grat and Bob Dalton, Dick Broadwell, and Bill Power after they were killed following the Coffeyville bank robbery in October 1892. Silvering to dark portions of photograph, light soiling, else fine.On the verso is a brief Autograph Letter Signed, ""J A Eells,"" Freeport, Illinois, May 26, [1910], which reads in full: ""We took a trip, went to Oklahoma. Stopped at Coffeyville Kansas. The Picture shows the Dalton Bank Robbers shot by one man after robbing two banks. One man with a Winchester done the work.""Winchester firearms began experimenting with lever-action repeating rifles in the 1860s, perfecting the concept beginning with the Model 1873, which has been regarded as ""The Gun that Won the West."" "

      [Bookseller: University Archives]
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        En Suisse. Images pour petits et grands.

      Bâle - Zurich, Manissadjian & Co., Chromotypie par Froese & Co, s.d., vers 1910, - in-folio, 17 feuilles de papier épais avec 16 planches en couleurs (chromolithogr.), texte au versos, pages de garde spéciales ?enfants avec un drapeau suisse?, pts. fentes à l?int. dans les charnières, reliure en demi-toile de l?éditeur, plat devant illustré en couleurs, frotté aux bords, coiffes légèrement touchées, exemplaire néanmoins en très bon état. Portrait de la Suisse avec pompiers, cortèges et fête du villagePremière éd. française. Très rare. Publié en allemand avec un texte différent par Ernst Jenny mais avec les mêmes planches de Th. Barth. Petit portrait de la Suisse en fête au début du 20e siècle, avec les dessins du peintre et dessinateur suisse Théodore Barth. Les belles planches en couleurs sont toutes accompagnées d'un texte, souvent en vers. Ainsi nous retrouvons les maneuvres des pompiers et même de l'armée dans le petit village de Bonvillard. Suivi par la fête du canton avec tir de canon et le grand défilé à Berne: la fanfare, les gymnastes et les étudiants etc. Please notify before visiting to see a book. Prices are excl. VAT/TVA (only Switzerland) & postage. cf. Seebass Bd. 2, N° 954. (Ed. orig. en allemand). [Attributes: First Edition]

      [Bookseller: Harteveld Rare Books Ltd.]
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        Little White Bird

      Hodder & Stoughton, 1910, Hardcover, Book Condition: Good Condition, Dust Jacket Condition: No Dust Jacket, Reprint. Inscribed by Barrie: "ada agnew, with best wishes from J. M. Barrie, Dec 1917" to the front endpaper. With the book is a rough draft of the letter to J. M. Barrie from Miss Ada Agnew and also the handwritten letter in response from Barrie, complete with the original envelope and transcripts of both letters. The book is bound in the original black buckram, there are neat repairs to the spine ends and front hinge, the boards are slightly rubbed and marked and the spine is a little faded. The text block is age toned with scattered foxing throughout and a small image of Barrie has been pasted to the front endpaper just below his inscription. The book that contained the first appearance of Peter Pan, with a lovely, well provenanced inscription and in addition a fascinating letter detailing the reason for Barrie presenting the book, retained in its original envelope. Quantity Available: 1. Shipped Weight: Under 750 grams. Category: Children; Antiquarian & collectable; Pictures of this item not already displayed here available upon request. Inventory No: 71119.

      [Bookseller: Truffle Books]
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        Laudes Creaturarum. An unbound proof, dated 1910 [not 1911]

      Hammersmith: Doves Press, 1910. 8pp. 1 vols. Small 4to. Unbound. Fine. 8pp. 1 vols. Small 4to. An Early State of Laudes Creaturarum. With the date on the colophon as MDCCCCX, instead of 1911 as in the published version.

      [Bookseller: James Cummins Bookseller]
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        Autograph letter signed ("Freud").

      Vienna, 11. I. 1910. - 4to. 2 pp. To an unidentified recipient, refusing an essay and referencing Carl Jung, who was at the time editor of the "Jahrbuch für psychoanalytische und psychopathologische Forschungen": "Your various remarks make it easier for me to answer your question as to whether we can accept your patient's biography. I am not the editor, though you do assume correctly that Jung would take my request into account. As an editor I would have reservations about accepting the essay, as it consists only of autobiographical material without any analysis and we need the space more urgently for other things than collections of material. No matter how exact a self-account is, it is always something quite different from analysis, and cannot approach analysis even through an increase of details and sincerity" (transl.). - Left margin with punched holes (slightly touching letters), folds.

      [Bookseller: Antiquariat INLIBRIS Gilhofer Nfg. GmbH]
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        Nederland's Patriciaat, genealogieën van vooraanstaande Nederlandse geslachten, 1-80 (1910-1997). With: E.H. and T.M. Halbertsma, Verzamelindex 1-79. 2 vols. Den Haag, 1996.

      Fine set of this most important work of reference, in the original blue linen bindings. Nearly all volumes of the Nederland's Patriciaat are also available on request as separate volumes .B0017.

      [Bookseller: Antiquariaat A.G. VAN DER STEUR]
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        Sammlung von 60 Original-Aquarelle und 1 Farbstiftzeichnung (ca. 30 x 21 cm).

      1910 - 2 Mappen 1910-1911. Aquarelle mont. in Mappe gebunden. Umfangreiche Sammlung von Original-Aquarellen des Berner Schriftstellers und Lehrers Walter Laedrach, der ein geübter Freizeitaquarellist war. Die Blätter meist handschiftlich bezeichnet und signiert oder (und) datiert zeigen zahlreiche Häuser und Strassen von Bern und Umgebung u.a Freiburg, Murten, Laupen, Köniz, Gurten, Blumenstein, Zimmerwald Brienz und Belp sowie einige Ansichten von Lugano, Milano, Castagnola, Gandria u.a. Aquarelle mont. in Mappe gebunden. [Attributes: Signed Copy; Hard Cover]

      [Bookseller: EOS Buchantiquariat Benz AG]
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        Ausgewählte Quellen zur Geschichte der italienischen Kultur.

      - Hrsg. v. M. Herzfeld. Bd. I-V, VII-IX (v. 10) u. 2. Serie Bd. I-II (alles in der Vorzugsausgabe erschienene). Zus.10 Bände. Diederichs Jena 1910-14. Prächtige Pergamentbände mit Schließen (8) u. rote Lederbände mit reichster Rückenvergoldung (2). Je eines von 200 num., auf schweres Bütten gedruckten Exemplaren der Vorzugsausgabe. Schönes Exemplar. – I: F. Matarazzo. Chronik von Perugia 1492-1503. II: F. Petrarca. Briefe an die Nachwelt. III: E. S. Piccolomini. Briefe. IV: A. Beccadelli, Tr. Caraccio u. C. Porzio. Alfonso I.-Ferrante I. von Neapel. V: L. Landucci. Ein florentinisches Tagebuch 1450-1516. VII: P. Decembrio. Leben des Filippo Maria Visconzi und Taten des Franzesco Sforza. VIII: St. Infessura. Römisches Tagebuch. IX:L. Ariosto, Lorenzino de' Medici, N. Machiavelli. Drei italienische Lustspiele. Übers. von P. Heyse. 2. Serie: I: Dino Compagni. Chronik. II: V. da Bisticci. Lebensbeschreibungen berühmter Männer des Quatrocento.

      [Bookseller: Antiquariat Engel & Co GmbH]
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        Die Polizei. Zeitschrift für Polizeiwissenschaft, - dienst und -wesen, mit der Beilage "Der Polizeihund". Später: Zeitschrift für das gesamte Polizei- und Kriminalwesen mit Einschluss der Landjägerei. 7. Jg. 1910/11 - 14. Jg. 1917/18, 16. Jg. 1919/20; Jg. 23, 24, 27 (1926, 1927, 1930)

      Berlin Kameradschaft -1930 1910 - 12 Bde. gr.8°. HLn. - In der Innenfalz teilweise mit Lochungen von alter Aufbewahrung, eine Werbeseite ausgeschnitten, insgesamt festes Expl.! 1.100 gr.

      [Bookseller: Klaus Schöneborn]
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        Tagebuch der indischen Reise. Als Manuskript gedruckt. Berlin, Einhorn-Presse 1912. Folio. 214 S. mit reichem Buchschmuck. Orig.-Pergamentbd. mit ledernem Rückenschild, goldgeprägte Deckelbodüre mit Eckornamenten u. kleinen floralen Lederintarsien, Deckelvignette (Einhorn-Presse) in braunem Leder, Steh- u. Innenkantenvergoldung, gepunzter Goldschnitt u. 2 Messing-Schließen.

      0 - Einhorn-Presse Opus II. Eines von 15 Exemplaren der Vorzugsausgabe auf schwerem kaiserlich-japanischen Bütten. 1910 reiste Lechter mit Karl Wolfskehl nach Indien, Madras und Ceylon. Auf der fünfmonatigen Reise führte er Tagebuch. Dieses wurde nach seiner Rückkehr mit besonders opulentem Buchschmuck veröffentlicht. Der Druck erfolgte in Grün und Schwarz durch O. v. Holten. Sehr schönes Exemplar der seltenen Luxusausgabe. - Raub A 97. - Schauer, Bd. II,12.

      [Bookseller: Antiquariat Schmidt & Günther]
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        The Birds of Australia.

      London, Witherby & Co., 1910-1927. 13 volumes. 4to (350 x 255mm). With 600 hand-coloured lithographed plates after and by Keulemans, Grönvold, R. Green, H. Goodchild and G.E. Lodge, and 1 plain plate. Contemporary brown half morocco, spines in 6 compartments with gilt lines and lettering, topedges gilt. A large copy, and a very fine uniformly bound set in the best possible condition. First edition of the first major treatment of Australian birds since Gould's work, and one of the last significant works to be illustrated with handcoloured lithographs. The editon was limited to 225 copies only. Gregory Macalister Mathews (1876-1949) was born at Biamble, Castlereagh River, New South Wales. Over a period of 40 years he made an extensive study of Australian birds and was assisted by T. Iredale who was his secretary. "An enormous amount of information is contained in these volumes, in which the literature concerned and the question of nomenclature are fully treated. Under each genus synonyms, a brief diagnosis, a discription, and a key to the species are given, while under each form we find a detailed synomyny, information about distribution and as far as posssible, a description of the adult male, the adult female, the immature bird, and the nestling; the eggs and the nests are also described, and the breedings-months stated. Then follows an account of the habits and life-history of the birds, including long quotations from the literature" (Anker p. 163). "Time was also running out for J.G. Keulemans but not before he had started on Mathew's monumental work, 'The Birds of Australia', one of the most important ornithological treatises ever published... Keulemans completed 163 illustrations for the first four volumes before he died on the 29th of March 1912" (Keulemans & Coldewey, Feathers to Brush p. 27). The supplements and the 'Bibliography of the birds of Australia' are bound in the last volume. Copies in such pristine condition are rare.//Zimmer 419; Nissen IVB, 605; Anker 328.

      [Bookseller: Antiquariaat JUNK B.V. (Natural History]
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      [Kyoto n.d. ca. 1910, - Unsodo]. Stitched stiff wrs.,very goodvolumes 2 & 3 of ? number set, each volume is complete initself, 25 double leaves per volume, ie 50 pages per volume,all illustrations, no text, done in black & white. Color scans available for this book on request. Description content 2015Copyright Rare Oriental Books Co.

      [Bookseller: RARE ORIENTAL BOOK CO., ABAA, ILAB]
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        L?aéroplane fantôme.

      Paris, Boivin, Ancienne Librairie Furne, ?Collection des voyages excentriques?, s. d. (1910), - in-4to, 468 p., illustré de 82 gravures dans le texte, de 10 grandes compositions hors texte et de 8 compositions tirées en couleurs, d?après les dessins de Louis Bombled, belle reliure d?éditeur polychrome en percaline rouge, plat sup. en très bon état signé ?J. Fau. sc.? entièrement illustré et orné en or (scène avec personnages et avion), dos avec titre en or et ill. d?un personnage, légèrement usé et terni, bas du dos restauré légèrement taché, tranches dorées. Bel exemplaire. 17ème vol. de la ?Collection des voyages excentriques? Entre 1894 et 1914, Paul d?Ivoi publia les 21 volumes qui forment la série des Voyages excentriques, qui exploitent le filon des Voyages extraordinaires de Jules Verne. En 1894, le premier volume de la série, ?Les Cinq sous de Lavarède?, écrit en collaboration avec Léon Chabrillat, lui valut la célébrité.Please notify before visiting to see a book. Prices are excl. VAT/TVA (only Switzerland) & postage. [Attributes: Signed Copy; Hard Cover]

      [Bookseller: Harteveld Rare Books Ltd.]
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      London: Duckworth & Co.,, 1910. Octavo. Original blue cloth, titles to spine and front board gilt, frame to boards in blind, publisher's device to rear board in blind, top edge gilt, others untrimmed. Housed in a custom cloth-lined solander box. Publisher's device to title page. Corners bumped, slightly rubbed and marked overall and more noticeably so at upper outer corner of front board, contemporary sticker ineffectually removed from front board at foot, hinge starting between quires D and E, contents lightly toned as often. A very good copy. First edition, first impression, this copy with Belloc's extensive holograph draft of a poem recognisable as Sonnet XXIV in Sonnets and Verse (1923) to the front free endpaper, and most recently in the collection of historian and auctioneer Anthony Hobson (1921-2014), with his bookplate to the front pastedown as usual, and a laid-in note in his hand identifying the original owner as noted author, diplomat and Conservative politician Duff Cooper, a close friend of Belloc. Hobson's note also traces the differences between Belloc's draft and the published version of Sonnet XXIV: "There are difference[s] of punctuation, also line 5 'Here on my hearth' altered to 'On my poor fire', line 7 'in the Pines' altered to 'in the trees'. Probably written in 1911 (see date at the top left corner of front pastedown": an intriguing and richly associative copy.

      [Bookseller: Peter Harrington]
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        Atlas Géographique

      Paris: Logerot, Pauly, and others, 1910. A little wear to extremities of the card case, puzzles in excellent condition.. Six map puzzles, each measuring 330 x 240 mm., housed in the original colour printed card case. Geographical jigsaw puzzle set comprising six maps mounted and cut into parts corresponding to the colonial dominions of major European powers. This division of the world reflecting European territorial aspirations exemplifies the mood of the first decade of the twentieth century (a rivalry that, in good part, ultimately precipitated the outbreak of the First World War). Accordingly, this puzzle set has an interesting social history dimension as it tangibly demonstrates the overlap between colonialism and early childhood education.The map of Australasia and the Pacific is captioned Océanie dressée par M. Mrs. R. Cortambert et A. Vuillemin, and bears the imprint 'Logerot éditeur Quai des Augustins, 55'. It is a later printing of an engraved map of the same title published by Hachette in 1852. This lithographed version was prepared circa 1880, and includes a colour key dividing South-east Asia and the Pacific into the respective colonial dominions of England, France, Spain, the United States, Holland and Portugal. As depicted the Australian continent includes good detail of inland geographical features such as Mt. Stuart and Lake Eyre, and the Hammersley Ranges in Western Australia.The other five maps in the series are later publications, printed circa 1910, and are contemporaneous with the striking presentation case. They include a double hemisphere world map and the remaining four continents of Europe, Asia, Africa and the Americas. The front board of the presentation case is itself a fine example of period design, with five beauties respectively symbolising each continent amidst a cornucopia of regionally specific natural products and commodities. The borders are ornamented with fauna of each of the continents and Australian animals include the kangaroo, emu, lyrebird, wombat, possum, thylacine and a gang of cockatoos.

      [Bookseller: Hordern House Rare Books]
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        Group of 4 original silver print portrait photographs of the noted American pianist by the distinguished Jewish Hungarian-born Dutch photographer Eva Besnyo (1910-2003)

      - Kilenyi had a successful international career as a pianist, performing widely in both Europe and North America in the 1930s. He studied at the Liszt Royal Academy in Budapest under Ernst von Dohnányi, with whom he developed a close friendship. Kilenyi's father was a teacher of George Gershwin.The photographer Besnyo was born in Budapest and moved to Berlin in 1930, where the photographic avant-garde was prominent; her photographs appeared in the Berliner Illustrierten Zeitung, among other publications. Besnyo became part of a circle of socially and politically engaged intellectuals and artists such as György Kepes, Joris Ivens, John Fernhout, Lászlo Moholy-Nagy, Otto Umbehr (Umbo), Robert Capa, and others. She established her own studio in 1931 but, with the growing threat of National Socialism, moved to Amsterdam in 1932, reaching some prominence there as a photographer until she was forbidden, under the occupation, to engage in all journalistic activities. Besnyo resumed her artistic activities after the war and went on to win many awards for her work. Her photographs are held by museums in both Holland and Germany. Abstracted from an article by Marion Beckers, Jewish Women: A Comprehensive Encyclopedia Each 230 x 190 mm. (9" x 6-3/4") and with the photographer's stamp in blue ink to verso.One photograph with some spotting and slight silvering.

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        Hofmann, Ludwig von. - Junge Frau auf einer Bank sitzend.

      - Zeichnung / Kreidezeichnung, in Rötel und Schwarz, auf braunem Papier, um 1910. Von Ludwig von Hofmann. 37,5 x 22,7 cm (Darstellung / Blatt) / 63 x 48 cm (Passepartout). Links unten in schwarzer Kreide monogrammiert: "LvH". - Blattrand etwas unregelmäßig. Oberer Blattrand leicht gewellt. Im Passepartout montiert. Sehr guter Zustand. Ludwig von Hofmann (1861 Darmstadt - 1945 Pillnitz bei Dresden). Deutscher Maler und Grafiker. Seine Werke verbinden Elemente des Symbolismus mit dem Jugendstil, sind aber auch von anderen künstlerischen Bewegungen seiner Zeit vom Historismus über den Expressionismus bis zur Neuen Sachlichkeit beeinflusst. Er war Vorreiter der Bewegung Neues Weimar.

      [Bookseller: GALERIE HIMMEL]
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        ORIENTAL SILVERWORK: Malay and Chinese, With Over 250 Original Illustrations. A Handbook for Connoisseurs,

      A CLASSIC & EXCELLENT RESOURCE ON THE SUBJECT London 1910, - Truslove. Green cloth, silver stamped binding,very good, top edge gilt, 300p., 170 b.w. plates, 2 maps.SUBTITLE: cont. Collectors, Students & Silversmiths. R A R E Color scans available for this book on request. Description content 2015Copyright Rare Oriental Books Co.

      [Bookseller: RARE ORIENTAL BOOK CO., ABAA, ILAB]
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        Les imprudences de Peggy EDITION ORIGINALE ENVOI AUTOGRAPHE

      Paris: Sté d'éditions et de publications parisiennes, 1910. Fine. Sté d'éditions et de publications parisiennes, Paris s.d. (circa 1910), 12x19cm, broché. - First edition of the French translation by Willy which there is no mention of leading copies. Important and super autograph dedication of the author, who was the mistress of Willy while he was married to Colette, the Viscountess Jeanne Belluno "... for my friend Jeannot Belluno / in memories of pleasure (which hardly dare to describe as rural) shared in Monte Carlo ... "Illustrated cover a blood Garnier Salbreux. Precious copy of exceptional provenance. --- Please note that the translation in english is done automatically, we apologize if the formulas are inaccurate. Contact us for any information! - [FRENCH VERSION FOLLOWS] Edition originale de la traduction française établie par Willy dont il n'est pas fait mention de grands papiers. Important et superbe envoi de Meg Villars, qui fut la maîtresse de Willy alors que celui-ci était marié à Colette, à la vicomtesse Jeanne de Bellune "... pour mon amie Jeannot de Bellune / en souvenirs de plaisirs (qu'on ose à peine qualifier de champêtres) partagés à Monte-Carlo..." Couverture illustrée d'une sanguine de Garnier Salbreux. Précieux exemplaire d'une exceptionnelle provenance.

      [Bookseller: Librairie Le Feu Follet]
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        The American History and Encyclopedia of Music

      New York: Irving Squire, 1910. Full leather. Fine. New York: Irving Squire, 1910. Full leather. Ten volumes. Octavo. The American History and Encyclopedia of Music, The Essentials of Music, Musical Biographies, Oratorios and Masses, Foreign Music, Musical Instruments, Theory of Music, Musical Dictionary. Illustrated with photogravures plates and title tissue guard. The autograph edition limited to fifty copies and which this is number 7 and signed author W.L. Hubbard and the publisher Irving Squire. Beautifully bound in full red crushed morocco floral gilt decoration to covers and spine, green onlays of musical musical theme to front and rare coners, top edge gilt, raised bands, gilt title, white silkwater doublures, gilt turn-ins.

      [Bookseller: Imperial Fine Books]
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      The three items are: (1) "Homeseekers' Rates." [Tampa Bay Land Company: Tampa, Fla., February 16, 1910]. Small broadsheet, 4 x 9 in. Quoting rates for travel from various cities in the mid-west and on the east coast, to Tampa "[e]ffective March 1st, and sold only on the first and third Tuesdays of each month until December...bearing a limit of twenty-five days for the round trip and with stop-over privileges allowed." Original envelope, printed with the address of the land company included. (2) "South Tampa Bulletin and Keystone Park Colonist." [Tampa, Florida: June, 1910]. A four-page promotional pamphlet, 13 1/2 x 9 in. Illustration of "An Ideal Ten-Acre Grove and Farm," from the Civil Engineering firm of Ellis, Curtis, & Kooker, on page 3; and a coupon to be clipped and mailed with a "first payment on ... acres in South Tampa...." on page 2. A report on the progress and development of the community. (3) "South Tampa, Hillsborough County Florida, Fruit and Vegetable Farms, Tampa Bay Land Co." [nd, ca.1910]. Numbered plat map, 15 x 12 in., black & white on buff paper, with small annotation in red pencil marking off three adjoining parcels. Hillsborough Bay is noted at left margin, a paved road to Riverview runs north-south. Other locations noted on the map include Dishong Mineral Spring, Croft Mineral Springs, Yoman's Celery Farm, the South Tampa station, and three schools. The Tampa Bay Land Company was charted in Florida, ca. 1906 and was able to take advantage of the Florida land boom between 1910-1925. The bulletin included here promotes the company's efforts in both Keystone Park and South Tampa, selling truck farms in both locations. It states that the company opened South Tampa to "the buying public December 15, [1909]...[t]oday crops are growing on more than two score plats of ground, chicken ranches have been established, the tract is dotted with homes in cottage and bungalow style... and the proposition looks prosperous from every standpoint." It points to several public improvements being made in the South Tampa area, including paved roads and development in the vicinity of the South Tampa Station. According to the Manufacturers Record publication of 1912, "Thirty Years of Southern Upbuilding": Tampa Bay Land Company was "the owner of Keystone Park, the original colony of Hillsborough county, and of South Tampa, the only city-suburban colony in Florida. It has the endorsement of the Tampa Board of Trade, the Dade City Board of Trade, the Tampa banks, the newspapers and thousands of satisfied customers who have dealt with it and who know it makes its every promise good." The bursting of the real estate bubble in the mid-1920's and the Great Depression which followed spelled the collapse of the company. No listings found on OCLC for these three items. Not listed in Servies which list only one earlier land development piece for Tampa also by the Tampa Bay Land Company in 1909.

      [Bookseller: Bartlebys Books]
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      GOBLE, WARWICK. (GOBLE,WARWICK)illus. GREEN WILLOW AND OTHER JAPANESE FAIRY TALES by James Grace. London: Macmillan & Co. 1910. Large, thick 4to (9 1/2 x 11 1/2"), publishers full vellum binding, silk ties, top edge gilt, 281p., some soil and rubbing to vellum, internally clean and fine and overall VG+. DE LUXE LARGE PAPER EDITION (LIMITED TO 500 COPIES). Featuring 40 magnificent tipped-in color plates with printed guards by Goble. The illustrations are mounted on heavy stock brown paper and are perfectly suited to the tales. This limited edition is rare.

      [Bookseller: Aleph-Bet Books, Inc.]
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        Koehler`s Zeppelin - Almanach - Illustriertes Jahrbuch der Luftschiffahrt. Huldigung der deutschen Dichter an den Grafen Zeppelin II Jahrgang

      Verlag Gera -Untermhaus , W. Koehler ohne Jahr,ca 1910 - Format 8° 87 Seiten mit einigen kleine Textkarten und Kopfbordüren am Kapitelbeginn + 11 Seiten illustierter Werbeanhang + 30 Glanzpapiertafeln mit 60 zumeist halb- und ganzseitigen Abbildungen, größtenteils Fluggeräte, Originalbroschur mit Deckelbild und Werbebild umseitig, Deckel- und Rückentitel, kleiner Ausriss unten rechts, Umschlga angeschmutzt und leicht wellig, die ersetn 3 Seiten ebenso,ab dann ist der Buchblock gut erhalten // [Attributes: Soft Cover]

      [Bookseller: Antiquariat Alfred Tauchnitz]
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        The Merry Wives of Windsor

      WILLIAM HEINEMANN, LONDON 1910 - 40 tip in color illustrations, gilt on spine, edges rubbed, pages yellowing, hinge cracking, gilted bookplate on inside of front cover, "santa barbara bindery" bookplate on inside of rear cover, spine sun faded DATE PUBLISHED: 1910 EDITION: 170 [Attributes: Hard Cover]

      [Bookseller: Princeton Antiques Bookshop]
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        Koniglich Sachfifche Porzellanmanufaktur Meissen, 1710-1910. Festive Publication to Commemorate the 200th Jubilee of the Oldest European China Factory Meissen.

      [Leipzig: F. A. Brockhaus]: 1910 - First edition, imperial 4to (15 ¼ x 12), pp. xvi, 191, 43 plates including 11 color plates with outline printed guards with legends, 377 figures after photographs in the text, notes, index. In English. Original gilt & blue printed cloth, top edges blue. Very good with professional repair to cloth joints. Some natural wear and light soil. Sheets & plates clean, unmarked, complete. The most comprehensive & authoritative work ever published on the Royal Saxon China Manufactory Meissen. H6230 [Attributes: First Edition; Hard Cover]

      [Bookseller: J & J House Booksellers]
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        Bonze einer jungen nackten Frau mit einem Stein in der linken Hand *Steinewerferin*.

      - Höhe der Figur 48 cm, mit dem schmalen Sockel Gesamthöhe von 50 cm. Der Sockel misst 11,5 x 9 cm. Die Figur trägt in der linken Hand einen Stein, das Haar im Stil der Antike mit einem gebunden. Unter dem Sockel mit *Fritz Kallmeyer* signiert, undatiert, ca. um 1910 - 1930. Die Bronze mit sehr schöner Patina, Gewicht ca. 9500 Gramm. ( Bitte beachten: Beim Versand ins Ausland können aufgrund des Gewichts deutliche höhere Kosten anfallen ). ( Pic erhältlich // webimage available ) [Attributes: Signed Copy; Hard Cover]

      [Bookseller: Antiquariat Friederichsen]
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      1910. STRAVINSKY, Igor.[Russian title in Cyrillic.] L'Oiseau de Feu. Conte Dansé en 2 Tableaux. Composé d'après le conte national russe par M. Fokine… Piano à 2 mains.Moscow: P. Jurgenson, [1910].First edition, piano score of Stravinsky?'s first ballet.The Firebird is the work which first earned Stravinsky a reputation beyond Russia's borders. The ballet draws on Russian folk-tales, bringing together the Romantic interest in the supernatural and in nationalist feeling. "Stravinsky worked on his music for a year, usually aided by Fokine, who had prepared the scenario. 'They worked very closely together, phrase by phrase,' wrote Lincoln Kirstein in his biography of Fokine… Stravinsky completed his score in May 1910, and on June 25 L'Oiseau de Feu (The Fire-Bird) was presented at the Paris Opéra with Fokine, Madame Fokina, and Karsavina as the principal dancers… On the opening night Debussy rushed backstage to embrace Stravinsky" (Cross, II: 779). The Firebird, in its Tchaikovskian and Rimskian lushness, stands in stark contrast to the spare, restrained works of Stravinsky's later, "neo-classical" period, and he was eventually to repudiate it. Yet he reworked it into an orchestral suite in several different versions, and continued to perform it throughout his career.De Lerma, O9.Interior fine, with only light spotting to title page, text block expertly reinforced; only light wear to fragile wrappers. Near-fine condition.

      [Bookseller: Bauman Rare Books]
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        L'Amour et la Folie. Poemes satiriques d'Alexis Piron (1689-1773.) Dessins par Venu de Bonestoc [d. i. Franz von Bayros].

      Paris [d.i. Wien, C. W. Stern], 1910.. 4°. 129 einseitig bedruckte Seiten und 20 Illustrationen auf Tafeln, dazu zahlreiche Vignetten und Textumrandungen. Späteres rotes Halb-Maroquin mit RTitelschild; Deckel mit in Gold geprägter Filete und Schmuckbordüren.. Hayn-Got. bezeichnet diese Illustrationsfolge als "das Hauptwerk des Künstlers (...), die den Höhepunkt Bayros'scher Kunst bilden." Die Illustrationen sind in Strichätzung reproduzierte Tuschzeichnungen. Eines der erotisch dekadentesten Werke von Bayros. Eins von 530 numerierten Exemplaren einer Privatausgabe, die nicht für den Handel bestimmt war (Gesamtauflage 560; hier jedoch mit einer höheren Nr. versehen). Vorsätze etwas angeschmutzt mit Läsuren in der Falz. Textseiten leicht lichtrandig. Unterer Rand gelegentlich stark fingerfleckig. Einige am Rand etwas angeschmutzt, einige hinterlegte Randläsuren. Rar. Hayn-Got. IX, 43f.; Brettschneider 4,49,78. Englisch, Irrgarten, S. 82. Vgl. Bilder-Lex. II, 107f. ---------------------- 129 pp. and 20 plates with illustrations. The text with typographic frames and vignettes. 4vo. Later red hald-marocco, covers with gilt ornaments. One of 530 numbered copies (here with the number 854!). Hayn-Gotendorf holds this work for the chief work of Bayros and the climax of his art. Hayn-Got. IX, 43f.; Brettschneider 4,49,78. Englisch, Irrgarten, S. 82. Vgl. Bilder-Lex. II, 107f. ---------- In-4°. 129 pp. toutes encadrees, plusieurs vignettes et 20 tables avec illustrations. Un des 530 exemplaires numerotes de cette edition hors commerce (cet exemplaire porte le numero 854!) Hayn-Got. mentionne cette oeuvre celebre comme le chef d'oeuvre de Bayros, l'apogee de son art. Les illustrations sont des gravures aux traites apres lavis. Cet ouvrage erotique est le plus decadent de l'oeuvre de Bayros. Hayn-Got. IX, 43f.; Brettschneider 4,49,78. Englisch, Irrgarten, p. 82. Cf. Bilder-Lex. II, 107f.

      [Bookseller: Antiquariat Ars Amandi]
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        Le tour du monde en 80 jours

      Collection Hetzel, 1910. Fine. Collection Hetzel 1910, relié. - Cartonnage à un éléphant avec titre dans l'éventail. spine au phare. - [FRENCH VERSION FOLLOWS] Cartonnage d'éditeur polychrome à un éléphant avec titre dans l'éventail. Dos au phare. Second plat à frois type i. Première plaque en bel état mais quelques salissures dans l'éventail. Coiffe de queue frottés avec deux coupures, frotté en tête. 3 taches pâles sur le second plat. Des cahiers légèrement ressortis. Exemplaire légèrement déboîté. En haut de la page de titre, nom manuscrit du possesseur. Bon exemplaire cependant dans l'ensemble. L'un des titres les plus célèbres de Jules Verne, dans lequel un gentleman londonien tient le paris avec son club d'accomplir un tour du monde en 80 jours.

      [Bookseller: Librairie Le Feu Follet]
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      Paris: Cahiers de la quinzaine, 1910. Fine. Cahiers de la quinzaine, Paris 1910, 13x19cm, relié. - first edition on the current paper. Binding to the canvas bradel half cream, smooth back, chocolate morocco title piece, paper flat pattern "new century", wrappers preserved and bound in, modern binding. Precious autograph signed by Charles Peguy Madame Henri de Regnier, born Marie de Heredia who took Gerard Houville as pen name and was, among others, the famous mistress of Pierre Louys. A tiny lack margins of the cover page, fragile and brittle paper, as usual. - [FRENCH VERSION FOLLOWS] Edition originale sur papier courant. Reliure à la bradel en demi toile crème, dos lisse, pièce de titre de maroquin chocolat, plats de papier à motif "début de siècle", couvertures conservées, reliure moderne. Précieux envoi autographe signé et daté de Charles Péguy à Madame Henri de Régnier, née Marie de Heredia qui prit Gérard d'Houville comme nom de plume et fut, entre autre, la célèbre maitresse de Pierre Louys. Un minuscule manque en marge de la page de garde, papier fragile et cassant, comme habituellement.

      [Bookseller: Librairie Le Feu Follet]
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      Paris: Mercure de France, 1910. Fine. Mercure de France, Paris 1910, 11,5x18cm, relié. - First edition, one of the copies of the first issue numbered press. Binding to open bradel paper decorative Art Nouveau, smooth back, shagreen as Exhibit maroquiné black, wrappers and back preserved and bound in (slightly dated back), signed binding Boichot. Precious autograph signed by Louis Pergaud Georges Duhamel. Clear spots on edges. Pleasant beautifully drawn copy. - [FRENCH VERSION FOLLOWS] Edition originale, un des exemplaires de première émission numérotés à la presse. Reliure à la bradel en plein papier à motifs décoratifs de style Art Nouveau, dos lisse, pièce de titre de chagrin maroquiné noir, couvertures et dos conservés (dos légèrement défraîchi), reliure signée de Boichot. Précieux envoi autographe signé de Louis Pergaud à Georges Duhamel. Claires piqûres sur les tranches. Agréable exemplaire joliment établi.

      [Bookseller: Librairie Le Feu Follet]
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        Mind And Body: Or Mental States And Physical Conditions (1st) 1910

      The Progress Company 1910 - Rare First Edition from this pioneer of the 'New Thought' movement. Atkinson was one one of the most influential thinkers of the early-20th-century "New Age" philosophy of New Thought, which encouraged its adherents to learn the secrets of mind over matter. Chapters: The Subconscious Mind, The Sympathetic System, The Cell-Minds, The Metal Basis of Cure, The History of Psycho-Therapy, Faith Cures, The Power of Imagination, Belief and Suggestion, Psycho-Therapeutic Methods, The Reaction of the Physical. Good (4 of 10) Hardcover bound book. Green boards with gold gilt title on spine and cover. Some foxing edgepages. Light warp rear, some soiling covers. Text appears clean and unmarked. * * * * * {Any images shown next to the listing that have our 'aCastleofBooks' watermark on them are the exact item you will receive, all other images are for reference only. Free delivery confirmation for domestic orders. Books with Author signatures are guaranteed authentic. We understand collectors needs in terms of accurate grading and proper packaging. We stand behind our descriptions 100%. May have small easily erasable pencil markings on first page. All items will be shipped securely to insure that they arrive in exactly the same condition in which they left. Our Packing Slips do not contain any pricing information so you may order items as Gifts or for Dropship without concern. All items subject to prior sale.} [Attributes: Hard Cover]

      [Bookseller: A Castle of Books]
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        Go Fusuma Mi Hon. [Fusuma handmade samples]

      Kyoto: , c.1910. Landscape quarto (198 × 271 mm). Original bark-textured grey paper-covered boards, punch sewn with purple silk ties, calligraphic title label mounted on the front board, grey on grey, silhouette maple leaf-pattered pastedowns 22 samples, all with rubber-stamped maker's name, and discreet inked inventory notes. A little used, with minor wear along the board edges, and some chipping at the head and tail of the spine, the contents with some light foxing or browning in places, showing versos. Meiji-era salesman's sample catalogue with a selection of superb hand-stencilled paper and paper-backed silks for use on Japanese fusuma room dividing screens, some of them showing clear Arts & Crafts influence. The selection begins with two plain heavily textured papers, followed by three where designs are printed onto a bark-texured paper similar to that used in the binding, the first with a repeated geometric design in brown and charcoal on a grey wash, the others with stylised floral designs, highlighted with gold "splashes"; the next group consists of three designs on straw-textured paper, all concentrating on foliate motifs, the most striking with juxtaposed squares of golden ochre and pale green, the first, with a repeated vine leaf and tendril design, is "superimposed" over a square of red spattered with gold, the other has maple leaves in gold and autumnal orange-brown with ripples in silver; the next two designs are on fine-textured grey washi paper featuring abstract, naturalistic patterns, the first cloud-like, the second a "drip" pattern; five designs of a more designs follow, a densely repeated silver cloud design, two with repeated Paulownia flower mon patterns, one in blue and silver, the other with a larger silver crest, a pale grey paper chequer-boarded with an intricate stele-like device, the last with chrysanthemums, pale blue, gold, and silver, with leaves in dark green; the next group are of paper-backed silk, all in related colourways, employing subdued red, green and brown on a golden ochre ground with highlighting in silver or gold, showing clear influence from the Arts & Crafts movement, these range from a simple geometric design, to complex repeated mon decoration employing chrysanthemums, lotus petals and cranes, and include a very Morrisian design of small flowers on fine tendrils, petals outlined in old gold; the last two samples are half-page, and are of paper-backed, plain open-weave cloth in two shades of ecru. In all a beautiful collection of hand-finished materials showing designs from the period immediately predating the widespread commercialisation of fusuma production.

      [Bookseller: Peter Harrington]
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