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Displayed below are some selected recent viaLibri matches for books published in 1910

        Mike. A Public School Story.

      8vo. Original green cloth, lettered in gilt on the spine, spine and upper cover with an illustration of a cricket match blocked in red, white and black; pp. xii + 340; 12 full-page illustrations by T.M.R. Whitwell. Very small corner of pp.51/52 torn off, neat ink name, otherwise a very bright, fresh copy. Second edition. Originally written as two serials in The Captain, April 1907-September 1908. McIlvaine A12a.2

      [Bookseller: Henry Sotheran Ltd.]
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        Literarisches und künstlerisches Miturheberrecht. Inaugural-Dissertation zur Erlangung der Doktorwürde bei der juristischen Fakultät der Universität Leipzig. Eingereicht von Lothar Schreyer, stud. jur. aus Blasewitz bei Dresden.

      Erste Ausgabe. - Mit dieser Dissertation promovierte Lothar Schreyer 1910 in den Rechtswissenschaften. - Schreyer (1886-1966) war von 1916 bis 1928 Schriftleiter von Herwarth Waldens expressionistischer Zeitschrift ?Der Sturm? und Leiter der 1918 gegründeten Sturm-Bühne. Ab 1921 leitete er für zwei Jahre die Bühnenwerkstatt am Bauhaus in Weimar. - Titelseite mit Besitzvermerk von Alf Schreier [d.i. der Sohn von Lothar Schreyer]. - Gut erhaltenes Exemplar.

      [Bookseller: Rotes Antiquariat]
 2.   Check availability:     booklooker.de     Link/Print  


        Alonzo Scott Patterson 1910-12 Letter Collection

      No Binding. Good. a nice archive. From small paper archive of letters from Patterson's very lively and very spiritual parents to him while on the field in Nigeria. Patterson was a very influential Southern Baptist missionary and these letters with superb content ranging from 1910 - 1912. Some envelopes as well. There are approximately 40 items in this collection.

      [Bookseller: Cross and Crown Rare Books]
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        La Barbe bleue].

      Suvorin Skt. Peterburg 1910 - Quarto (26 x 26.5 cm). 19 pp., including title, with multiple chromolithographed illustrations; some light spotting to title. Publisher's pictorial boards; rubbed, corners bumped. A lovely edition of the French folk tale famously popularised by Charles Perrault and first published by Barbin in Paris in 1697. It was first published in Russian with other Perrault's tales translated by Ivan Turgenev in 1866 under the title "????????? ?????? ?????" [Magical Tales by Perrault]. This pre-Revolutionary edition is illustrated with impressive chromolithographs by the Russian artist Sergey Ploshynskiy. [Attributes: Hard Cover]

      [Bookseller: Shapero Rare Books]
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        High-Rise Engineering

      Germany, c.1910. Hardcover. Near Fine. Original black cloth; 246 x 200 mm; approx. pp. 300, handwritten in black ink throughout (and demonstrating a variety of lettering styles), with very fine drawings in pencil and ink, most touched with color (either in pencil, ink, or watercolor). Even when illustrating technical details, our author captures the grain in the wood and gleaming metal hardware -- this is an intricately detailed and exceptionally beautiful treatise on all aspects of the construction of high-rise buildings, and homes.

      [Bookseller: Sanctuary Books]
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        Celtic Myth & Legend / Indian Myth & Legend / Myths of Pre-Columbian America / Myths of China & Japan / Myths of Babylonia & Assyria / Classic Myth & Legend / Romance & Legend of Chivalry.

      Seven volumes. London, Gresham Publishing, c. 1910. 14.5 cm x 22 cm. XIV, 450 pages / XLVIII, 463 pages / XIV, 351 pages / XVI, 404 pages / XXXIX, 537 pages / XVI, 443 pages / XII, 439 pages. Original Hardcovers decorated with Celtic symbols in black and gilt on green boards. With Illustrations in Colour and Monochrome. Some foxing to the page edges and inside the books. Otherwise very good condition with only minor signs of external wear. [Myth and Legend in Literature and Art]. Mythology can refer to the collected myths of a group of people

      [Bookseller: The Time Traveller's Bookshop ]
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        Panorama of Qingdao

      

      [Bookseller: Maggs Bros. Ltd.]
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        Claremont Heights.

      No date. Ca. 1910. Black and white plat map, 24 1/2 x 16 inches on sheet size 28 x 18 inches, text and black and white photo illustrations on verso, folding as issued and tipped inside color pictorial paper wrappers, 9 1/2 x 3 3/4 inches. A few 1/2 to 1 inch splits at fold intersections; good condition. The promotional text describes this subdivision as "a portion of two hundred acres just back of the Million Dollar Claremont Hotel, and a short distance from the business centers of Berkeley and Oakland. This district is destined to be the finest residence district of Berkeley...Hundreds of acres adjacent to this property have been laid out and sold with such restrictions as to guarantee the best class of residences." The plat map titled "Claremont Heights. Subdivision No.1. Terms: One-Fourth Cash, Balance Three Annual Payments." covers the area from the "East Boundary of Town of Berkeley as per annex of Aug. 28th 1906." There is a 4 panel panoramic view of the area, looking out to the Bay. Only Worldcat record is for David Rumsey; the map pictured there differs from this with a map of Berkeley on the verso, and no promotional text.

      [Bookseller: oldimprints.com]
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        Bozstva a kulty [Divinities and cults].

      Prague: self-published (tip. Politika) 1910 - Octavo (22.5 × 19 cm). Original pictorial wrappers; [21] pp., [6] leaves of plates, of which five color woodcuts; thirteen small vignettes in the text. Wrappers professionally restored to lower corners and edges; internally fine, with the plates in bright color. First edition of this book of occult-themed verse, accompanied by five full-page color woodcuts by the visionary mystic Czech painter and graphic artist Josef Váchal (1884–1969). The poet Simánek (1883–1959) was a member of the hermeticist group Universalia and the symbolist movement Sursum, both of which were heavily influenced by occult theosophical and occult interests. Though a major Czech modernist writer, and considered by some a pioneer of Czech science fiction, Šimánek is today largely neglected. An important collaboration between poet and artist, combining attractive typography with Váchal’s evocative and exotic color woodcuts. This is copy 179 of only 260 numbered copies. The colophon notes that “no new editions of this book will ever be printed,” suggesting that Váchal’s printing blocks were to be destroyed after its production. Sánka 131. KVK, OCLC show the copies at the Austrian National Library, Penn State, and University of Illinois. [Attributes: First Edition; Soft Cover]

      [Bookseller: Penka Rare Books, ILAB]
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        Le château de la belle-au-bois-dormant

      Edition originale.binding en demi chagrin marron, spine lisse éclairci comportant de petites restaurations au niveau de la spine-end supérieure, plats de papier marbré, gardes et contreplats de papier à la cuve, couvertures conservées, tête dorée, binding de l'époque signée de Henry Joseph successeur de Pierson.Précieux envoi autographe signé de Pierre Loti à Raymond Poincaré.Infimes manques de papier en têtes des gardes et du premier plat de couverture conservé. Calmann-Lévy Paris 1910 12x18,5cm relié

      [Bookseller: Librairie Le Feu Follet]
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        [ARCHIVE OF MANUSCRIPT NOTES, TRANSLATIONS, AND WRITINGS OF L. BRADFORD PRINCE, MANY OF WHICH PERTAIN TO NEW MEXICO AND ITS HISTORY]

      [Various places, but primarily New Mexico, 1910. Approximately [290]pp. Quarto and folio sheets. Some wear and light soiling, but generally very good. An extensive archive of manuscript notes and translations of Spanish colonial documents, written by L. Bradford Prince. A native of New York State, Prince (1840-1922) served as Chief Justice of New Mexico from 1878 to 1882 and was later appointed Territorial Governor, serving from 1889 to 1893. During his term in office Prince endeavored to bring about statehood for the territory, but was unsuccessful. He also wroted several works on the history of New Mexico, and served as president of the Historical Society of New Mexico from 1883 to his death some forty years later. Nearly half the archive consists of translations of early New Mexico documents, translated from the Spanish by Prince. Much of this work may have been done for research on his books about the history of New Mexico, or as part of his tenure at the Historical Society. Additionally, there are a dozen pages of notes on the Spanish occupation of New Mexico, likely translated, and a sixteen-page narrative of the expedition into New Mexico by Antonio Espejo in the 1580s, including the account of Father Beltran. The archive also includes works on the local Indian tribes, such as a description of "The Annual Festival at Isleta," a harvest dance performed at that pueblo, and several other descriptions of native dances and ceremonies. Thirty-one pages of the archive contain a revision of a printed text on the expedition of Cabeça de Vaca. The printed text has been cut into segments and pasted to sheets, with manuscript notes and revisions surrounding each section. The remainder of the papers are primarily concerned with New Mexico history. A remarkable trove of New Mexican history documents, written and translated by an important early historian.

      [Bookseller: William Reese Company - Americana]
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        Schachmeister Steinitz. Ein Lebensbild des ersten Weltschachmeisters dargestellt in einer vollstandigen Sammlung seiner Partien

      Ansbach: Druck und Verlag von C Brugel & Sohn, 1910-1921. 4 volumes: 1859-1877: xiv+418 pages with frontispiece, diagrams and tables; 1878-1883: 232+[ii ad] pages with frontispiece, diagrams and tables; 1884-1893: viii+482+[vi ad] pages with frontispiece and diagrams; 1894-1900: xviii+391+[iv ad] pages with frontispiece, diagrams and table. Small octavo (7 3/4" x 5 1/4") bound in beige cloth with original covers laid on. [Biblioteca van Der Niemeijeriana:3131] First edition.Wilhelm (later William) Steinitz (May 17, 1836 – August 12, 1900) was an Austrian-American chess player and the first undisputed world chess champion from 1886 to 1894. Some contemporaries and later writers described him as world champion since 1866, when he won a match against Adolf Anderssen. Steinitz lost his title to Emanuel Lasker in 1894 and also lost a re-match in 1897. Statistical rating systems give Steinitz a rather low ranking among world champions, mainly because he took several long breaks from competitive play. However, an analysis based on one of these rating systems shows that he was one of the most dominant players in the history of the game. Although Steinitz became "world number one" by winning in the all-out attacking style that was common in the 1860s, he unveiled in 1873 a new positional style of play and demonstrated that it was superior to the old style. His new style was controversial and some even branded it as "cowardly", but many of Steinitz's games showed that it could also provide a platform for attacks as ferocious as those of the old school. Steinitz was also a prolific writer on chess, and defended his new ideas vigorously. The debate was so bitter and sometimes abusive that it became known as the "Ink War". By the early 1890s, Steinitz' approach was widely accepted and the next generation of top players acknowledged their debt to him, most notably his successor as world champion, Emanuel Lasker. As a result of the "Ink War", traditional accounts of Steinitz' character depict him as ill-tempered and aggressive; but more recent research shows that he had long and friendly relationships with some players and chess organizations. Most notably from 1888 to 1889 he co-operated with the American Chess Congress in a project to define rules for the future conduct of contests for the world championship title that he held. Steinitz was unskilled at managing money and lived in poverty all his life.Condition:Rebound in beige cloth with new end papers and original paste-board cover laid on front cover. Volume 3, 1884-1893, with Studenterforeningens Skakklub stamped on title verso, some pencil markings to titles else a very good set of an extremely difficult first edition biography to obtain.

      [Bookseller: The Book Collector ]
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        BLOW BOOK or Magic Picture Book. Cover title: Bilder Zauberrei.

      Text in 10 languages, including, English, German, French, Italian, Russian, Dutch. Illustrated in coloured lithography throughout. Original pictorial cloth-backed card covers. Octavo. 15.6 x 10.6 cm. A fine copy. To operate the 'magic' element of the book, the pages must be flicked from a certain position so that the viewer believes the book can magically change its contents. i.e. the book only contains birds, puzzles, postage stamps, or any one of the other elements.

      [Bookseller: David Miles]
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        On the Determination of the Tension of a recently formed Water-Surface.

      [London: Harrison and Sons], 1910. Presentation offprint, inscribed in Bohr's hand to the chemist Einar Biilmann, of the 'Second Royal Society Paper' - what Bohr "learned by working in this field may have been a help to him when, more than a quarter of a century later, he showed that some of the properties of atomic nuclei can be understood by comparing them to liquid drops [i.e., Bohr's liquid-drop model]." (J. Rud Nielsen). In February 1905 the Royal Danish Academy of Sciences and Letters announced a prize concerning Lord Rayleigh's 1879 theory that the surface tension of liquids could be determined from the surface vibrations of liquid jets. The problem proposed by the Academy was to perform quantitative experiments to implement Rayleigh's method. Bohr faced formidable difficulties, not least the fact that, since the university had no physics laboratory, Bohr had to perform the experiments at night (to avoid perturbations due to passing traffic) in his father's physiology laboratory. Bohr's paper was submitted on the deadline of 30 October 1906, and on 23 February 1907 the Academy notified Bohr that he had won its gold medal. "After receiving the gold medal, Bohr carried out additional measurements of the surface tension of water. At the same time he was occupied with the considerable task of preparing his work for publication. In the latter part of 1908 he submitted a paper entitled'Determination of the Surface-Tension of Water by the Method of Jet Vibration' to the Royal Society of London. This paper is not a simple translation of the prize essay but deviates from the latter at a number of points... "In 1910, while Bohr was working on his doctor's dissertation, a paper was published by P. Lenard, in which he claimed that a recently formed water surface has a high surface tension which rapidly decreases. Lenard stated that this was in agreement with Bohr's results. This led Bohr to re-examine the matter and, in particular, to test by new calculations the claim made by Lenard that a variation of the velocity over the different concentric parts of a jet will prolong the periods of vibration and increase the wavelengths of surface waves on the jet. He made a direct calculation of the wavelength when the velocity in the jet varies with the distance from the axis and concluded that his experiments do not support the claims made by Lenard. In August, 1910, he submitted to the Royal Society a paper entitled 'On the Determination of the Tension in a recently formed Water- Surface [i.e, the offered paper], which was published in its Proceedings. This was Bohr's last work on surface tension. The results of this paper, and the merit of the experimental method described, have apparently been appreciated by most later workers in the field. Thus, N. K. Adam writes in his book The physics and chemistry of surfaces... 'Bohr's work on oscillating jets is probably the best of any dynamic methods.' "What he learned by working in this field may have been a help to him when, more than a quarter of a century later, he showed that some of the properties of atomic nuclei can be understood by comparing them to liquid drops [i.e., Bohr's liquid-drop model]." (J. Rud Nielsen, Collected Works, pp. 8-12). Large 8vo (254 x 176 mm), offprint from the Proceedings of the Royal Society, A, Vol. 84, 1910, pp. [395] 396-403 [404:blank], original light brown printed wrappers, inscribed in Bohr's hand to the upper right corner of front wrapper: 'Hr Professor E. Biilmann / ærbødisgst fra Forf.' (i.e., Mr. Professor E. Biilmann / respectfully from the author), Prof. Einar Biilmann (1873-1946) was a Danish chemist and early friend of Bohr, number in blue pencil to upper right corner of front wrapper (probably a library numbering from Biilmann).

      [Bookseller: SOPHIA RARE BOOKS]
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        Die Adelsberger Grotte.

      Leipzig, Leipziger Schulbuchverlag von F. E. Wachsmuth ohne Jahresangabe (um 1910) - Farbig lithographiertes Blatt, Format ca. 66x,86 cm. [Ad. Lehmann's geogr. Charakterbilder]. Dekorative Ansicht der Adelsberger Grotte in Slowenien (Die Höhlen von Postojna), die zu den größten für Touristen erschlossenen Grotten der Welt zählt. Die Ränder verso mit Gewebeband verstärkt, vereinzelt etwas gebräunt, Bibliotheksstempel auf der Rückseite, sonst sehr gut erhalten. Decorative view of the Adelsberger Grotte in Slovenia (The caves of Postojna), one of the largest caves opened for tourists in the world. The edges verso reinforced with publisher's fabric tape, isolated somewhat browned, library stamp on the back, otherwise very well received.

      [Bookseller: Antiquariat Thomas Mertens]
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        Die drei Zinnen. Aus den Dolomiten. Nach einem Gemälde von H. Heubner.

      Leipzig, Leipziger Schulbuchverlag von F. E. Wachsmuth ohne Jahresangabe (um 1910) - Farbig lithographiertes Blatt, Format ca. 66x,86 cm. [Ad. Lehmann's geogr. Charakterbilder]. Ansicht des Eismeeres um die drei bekannten Gipfel in den Dolomiten. Gemalt von Hermann Ludwig Heubner (1843 - 1915). Die Ränder verso mit Gewebeband verstärkt, vereinzelt etwas gebräunt, Bibliotheksstempel auf der Rückseite, sonst sehr gut erhalten. Dramatic view of the Dolomites, after a painting of the german painter Hermann Ludwig Heubner (1843-1915). The edges reinforced with publisher's fabric tape, somewhat browned,library stamp on the back, otherwise very well preserved.

      [Bookseller: Antiquariat Thomas Mertens]
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        Numismata Graeca - Greek Coin-Types classified for Immediate Identification, 6 Bände + General Guide-Index, insg. 7 Bände / 7 Volumes (= alles),

      London, Anson, 1910-1916, 4°, insg. 838 Textseiten und 147 Tafelseiten mit sehr zahlr. s/w-Münzabbildungen, der Index mit XLI (41) Seiten, Text: englisch, (etwas spätere) Halbleinen-Einbände mit aufmontiertem Rücken der original Broschuren und mit Elefantenpapierbezügen, erstaunlich schöne, saubere Exemplare, auf allen Innendeckel das schöne Exlibris des Altphilologen Hildebrecht Hommel (L) Part I (1): INDUSTRY: Vases, Recipients, Tripods, etc. --//-- Part II (2): WAR: Arms, Weapons, Armours, Standards, etc. --//-- Part III (3): AGRICULTURE: Plants and Trees, Fruits, Flowers, etc. --//-- Part IV (4): RELIGION: Altars, Attributes of Deities, Sacrifice, etc. --//-- Part V (5): ARCHITECTURE: Buildings, Edifices, Monuments, Temples, etc. / NAVAL AND MARINE: Galley and parts of, Shells, Trident, etc. --//-- Part VI (6): SCIENCE AND THE ARTS: Astronomy, Sculpture, Music, Comedy, Games, etc / VARIOUS --//-- [Part 7]: General Guide-Index of the six Parts of Section I (Inanimate Objects, Plants , etc.)Versand D: 5,00 EUR Antike Altertum Altertumswissenschaft Altertumswissenschaften Altertumskunde; Griechenland griechischer griechische altgriechische altgriechisch Griechen; Medaille Medaillen Medaillenkunde; Münzen Münze; Münzfunde; Numismatik Münzkunde Münzsammlung Münzsammler; Portraits Porträts Portrait Porträt

      [Bookseller: Antiquariat Orban & Streu GbR]
 17.   Check availability:     buchfreund.de     Link/Print  


        The Heritage of the Desert

      Harper & Brothers Publishers, New York 1910 - First edition copy in a later Grosset & Dunlap dust jacket that is price clipped. Publisher's original binding is tight, pages clean, edges are age toned. Some page top corners have fold lines and some have slight indents. Zane grey signed autograph card mounted on FEP. Some self wear at the edges and corners. Overall a very good copy. 298 pages. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Wolfmueller's Books]
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        Dame mit Paradiesvogel-Hut farbiger Original-Linolschnitt auf Bütten,

       o.J. (ca 1910),. ca 40 x 55 cm, in schönem schlichten Holzrahmen hinter Glas (64 x 78 cm) SEHR SCHÖNES, HOCHDEKORATIVES HANDSIGNIERTES UND MONOGRAMMIERTES BLATT in schönstem Jugendstil von dem 1880 in München geborenen Künstler, der sich zwischen 1900 und 1910 in Frankreich aufhielt und sich intensiv mit dem traditionellen japanischen Holzschnitt beschäftigte Versand D: 5,00 EUR Ku 29737

      [Bookseller: Antiquariat im Baldreit]
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        Shinsen Teihan [?] Chôsen Kôtsû Zenzu. (Transportation Map of Korea).

      Osaka. Mainichi Shimbun. Meiji 43. 1910. Furoku (Supplement) 9736. Color map, 41 3/4 x 28 1/2 inches (neatline) on sheet 30 x 43 inches. Folded. 10 inset maps. Neat paper reinforcement to fold intersections on verso, very good condition. An extraordinarily detailed map of Korea at the time of the Japanese annexation. The inset maps show various cities, including Pyongyang (Heijo - top left); Seoul (Keijo - middle left); Taegu (Taikyu - middle right). The full title reads: Mainichi Shinbunsha Shinsen Teihan [?] Chôsen Kôtsû Zenzu (Osaka Mainichi Newspaper Company New Corrected Edition: Full Transportation / Travel Map of Korea).

      [Bookseller: oldimprints.com]
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        Revolution and Other Essays

      ix+309+[iv ads] pages. Small octavo (7 3/4" x 5 1/2"). bound in original publisher's burgundy cloth with gilt lettering to spine and cover with the preferred "THE MACMILLAN COMPANY" on spine. 2,130 copies printed. (BAL 11916) (Sisson & Martens 46) First edition. A collection of 13 essays written between 1900 and 1908, published in 1910. The lead essay, "Revolution", outlines how and why London renounced capitalism as a failed social system and declared himself an active participant in the "socialist revolution", the last essay is an autobiographical piece, and the essays in between are on diverse subjects. A few of the "essays" are actually humorous short fiction stories; others are serious, sometimes angry rants against capitalistic greed and political corruption. All of the pieces are thought-provoking and excellently written, though only loosely intellectual, highly opinionated, and rife with contradiction, as was London himself.Condition:Corners gently bumped, spine ends and corners moderately rubbed, previous owner's name on front end paper. A better than very good copy lacking dust jacket.[removed][removed]

      [Bookseller: The Book Collector]
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        L'hérésiarque & Cie

      First edition on ordinary paper, third edition falsely stated; only 21 large paper copies were printed on Hollande paperRare and friendly autograph inscription from Guillaume Apollinaire to "Monsieur Lehmann"This may be the actor Maurice Lehmann who found fame precisely in Apollinaire's Couleur du Temps as adapted for the stage the year the poet died by Claude Autant and Louise LaraMaurice Lehmann went on to become the director of a number of theaters, including the Théâtre du ChâteletA good copy. Stock Paris 1910 12x19cm broché

      [Bookseller: Librairie Le Feu Follet]
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        Julie philosophe ou le bon patriote

      First edition of the introduction and the bibliographical essay prepared by Guillaume Apollinaire, one of 500 numbered copies on Arches paper, ours unjustified, only draw with the 5 Japon.bindings bradel half calico mouse smooth back slightly insolated decorated with a golden floral top, double gilt in tails, parts as black sheepskin, flat marbled paper, corners lightly bumped, covers fragile parchment preserved, two small tears in the older ages, gilded heads, binders of 'époque.Précieux autograph dedication signed by Guillaume Apollinaire to his publisher PV Stock head guard the first volume.Un lack of paper on the second board of the second volume, parchment covers slightly pitted. --- Please note that the translation in english is done automatically, we apologize if the formulas are inaccurate. Contact us for any information! Bibliothèque des curieux Paris 1910 9x15cm 2 volumes reliés

      [Bookseller: Librairie Le Feu Follet]
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        Familiar Chinese Faces.

      Shanghai: McTavish [sic.] & Co. Ltd.,, c.1910. A Selection of Figure Studies of Everyday Life from Photographs. Quarto (280 × 220 mm). Wire-stitched in original textured pictorial light card wraps, punched and with cord ties. 24 well-reproduced half-tone plates tipped onto 18 grey marl card leaves, printed captions and frames. Wraps somewhat rubbed, soiled and frayed, but remaining pictorially and textually complete on the front panel, contents a little browned at the margins, but remains about very good. First and only edition, uncommon Copac lists SOAS only, OCLC locates copies at National Library of Israel, Stanford, Universities of Hawaii and Victoria, BC. Attractively produced, if fragile photobook of Shanghai life, a nicely-observed series of "types". The photographer was an employee of MacTavish and Lehmann, "chemists, druggists and aerated water manufacturers", the company had a photography and pharmacy shop at No 1 The Bund, Shanghai - and later at the Hongkew Medical Hall at the junction of Broadway and Soochow Road. Alongside their operation as dispensing chemists, perfumers, importers of surgical instruments, and sellers of cameras, film, and a complete range of photographic accessories, they also ran a dark room for the use of amateur photographers.

      [Bookseller: Peter Harrington]
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        Für Alfred Kubin. Eine Widmung österreichischer Dichter und Künstler zu seinem 50. Geburtstag.

      4. Mit 15 sign. Orig.-Lithographien. 49 S., 2 Bll., OPgmt. m. dreiseitigem Goldschnitt. Erstausgabe. - Eines von nur wenigen Exemplaren der Vorzugsausgabe in Ganzpergament und mit den von den Künstlern eigenh. signierten Lithographien. Im Druckvermerk auf der Titelrückseite handschriftlich bezeichnet Nr. I.. - Titel mit eigenh. Besitzvermerk des preußischen Regierungsrats und Kunstsammlers Heinrich Stinnes, des Bruders von Hugo Stinnes. Sein Sammlungsschwerpunkt waren nummerierte Vorzugsausgaben und Graphiken des 19. und 20. Jahrhunderts von Malern wie [...] Max Slevogt, Lovis Corinth und Emil Nolde. Die Bücher pflegte er mit seinem charakteristischen Namenszug als sein Eigentum zu kennzeichnen. Von 1910 bis 1932 trug er eine bedeutende Sammlung zusammen, die nach seinem Tod auf Betreiben der Erben stückweise durch Versteigerungen in Berlin, Leipzig und Bern veräußert wurde (Wikipedia). - Mit Textbeiträgen von Richard Billinger, Felix Braun, Franz Theodor Csokor, Anton Faistauer, Gertrud Herzog-Hauser, Alma Johanna Koenig, Josef Luitpold, Max Mell, E. A. Rheinhardt, Arthur Roessler, Richard von Schaukal, Otto Stoessl und Heinrich Suso Waldeck sowie signierten Orig.-Lithographien von Georg Ehrlich, Anton Hanak, Carry Hauser, Clemens Holzmeister, Ernst Huber, Theodor Kern, Wilhelm Klier, Oskar Laske, Franz Lerch, Alfred Loeb, Georg Mayer-Marton, Georg Merkel, Ernst Wagner, Georg Philipp Woerlen und Franz Zülow. - Einband etw. berieben u. bestoßen. Deckeln etw. geworfen, dadurch Innengelenke etw. angebrochen. Vorderes Vorsatzbl. entfernt. Hinteres Vorsatzbl. m. Knickspur u. kl. Randeinriß. Etw. gebräunt. -

      [Bookseller: Antiquariat Wolfgang Friebes]
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        The Collected Works of William Morris. With Introductions by his daughter May Morris.

      London: Longmans, Green, and Company, 1910. Limited Edition to 1050 sets of which 1000 are for sale. This is No. 271. Complete in 24 volumes; 8vo. Contemporary De Luxe binding in full brown crushed morocco with gilt titles and extra gilt to spines, decorative gilt panelling to boards; maroon morocco paste downs with corner pieces stamped in gilt, purple moire silk end papers; top edges gilt, others rough trimmed. Illustrated with portraits, photogravures, folding map, facsimiles, and more. Marking to a couple of boards. A superb, comprehensive set in a superb binding.

      [Bookseller: Adrian Harrington]
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        Book of Common Prayer.

      Royal folio, full black coarse-grain morocco, gilt-ruled turn-ins, all edges gilt over red, blue silk marker; titles printed in red and black, rubricated in red and black; a very nice copy. A handsome folio George V Book of Common Prayer, finely printed by Horace Hart, printer to Oxford University.

      [Bookseller: Henry Sotheran Ltd.]
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        Japanese 19th Century Textile Sample Book]*....

      Meiji 43 [1910]. Japanese textile sample book containing 37 swatches of fabric of varying sizes from the late Edo-early Meiji period. Each captioned in Japanese. Includes a triangular sample of Korean brocade and one of Chinese silk with handwritten Chinese characters on it. 20 pages (on 10 folded leaves). Some samples showing wear, in particular the Chinese silk sample, tail of spine of album damaged with a little loss of cloth. A particularly interesting and handsome album. (When referring to this item please quote stockid 157344)....

      [Bookseller: Asia Bookroom]
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        Gross-Stadt-Bilder-Buch.

      Leipzig, R. Voigtländer (um 1910). 3. Aufl. 9.-10. Tsd. Folge von 15 farb. Tafeln. 25,3 : 35,4 cm. OHLwd. mit illustr. VDeckel und illustr. Jugendstil-Vorsätzen. Gutes sauberes Expl. mit leichten Gebrauchspuren. Ecken angestoßen, hinterer Deckel berieben und etwas blasig. Die Titelseite wurde gereinigt und neu eingehängt. - Ausgesprochen dekoratives Jugendstil-Kinderbuch mit lebendigen Hamburg-Motiven sowie Darstellungen aus dem Leben und Treiben in der Hansestadt, \"einzigartiges Dokument dieser Epoche .. eine wirklichkeitsgetreue Topographie des Hamburg um die Jahrhundertwende\" (Dankert/R.-H.). - Die farbigen Illustrationen (die Vorzeichnungen hierzu befinden sich im Hamburger Museum für Kunst und Gewerbe) entstanden nach einem Künstlerwettbewerb im Auftrag der \"Lehrervereinigung zur Pflege der Künstlerischen Bildung zu Hamburg\", herausgegeben von Sophus Hansen (1871-1959), Meisterschüler von L. von Kalckreuth. - \"In seiner detailgenauen, durch zahlreiche Einzelbeobachtungen belebten und demnach in flächiger vereinfachten Wiedergabe stellt dieses vorzüglich gedruckte Buch von Sophus Hansen wohl das Optimum einer Realschilderung im Bilderbuch dar.\" (Schug #505) Versand D: 8,00 EUR

      [Bookseller: Plesse Antiquariat Minzloff]
 29.   Check availability:     buchfreund.de     Link/Print  


        Coupé de Berlin Rougier le Gagnant sur Biplan Voisin Moteur E.N.V.

      Artist: Mabiliau Gamy ; date: 1910 - - technic: Lithography; colorit: gouache; condition: Very good; size (in cm): 39 x 74 - description: Beautiful representation of an airplane

      [Bookseller: Antique Sommer& Sapunaru KG]
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        Mona's Weird: A Love Tale

      London: G. Bell and Sons, Ltd., [1910]. Colonial edition" (apparently a reissue of the 1910 Everett sheets). Hardcover. Very good antiquarian condition. Octavo. 319, [1] pp. + 8 + 16 pp. Advertisements. Original green publisher's cloth with onlaid colour illustration of a wistful nun on front cover. A bit of foxing around the extreme outer edges of the textblock. Early inscription on first blank leaf of John Carey, along with a bookseller's stamp "Get it at Reads." An attractive copy. A thrilling murder mystery with one of the worst covers ever: an odd colour portrait of a young nun who gives no indication of the dead body that the reader finds, appropriately enough, in Chapter One ("The Finding of the Dead Body" which naturally preceeds the Chapter on "The Blood Stains"). Judging from the cover, the novel would have disappointed lovers of tormented penance and transcendent redemption, but seekers of the Gothic will enjoy a curious plot which moves from England to Sumatra with much turmoil in Padang; not to mention the murderous tribe of dwarves; or the Dutch brothers who luckily brought airplanes to their remote mountain; or the malevolent bastard half-brother twin. While it is unlikely that fires of piety consumed multiple copies of this book, the fact remains that it is remarkably scarce: there are no copies in America of this edition or the 1933 Dublin reprint according to Worldcat, which lists a grand total of three institutional libraries, all in England. Ours is the only copy currently on the market. From a contemporary review "Hair-breadth escapes by flood and field, fair ladies, gallant gentlemen, unscrupulous villands, aeroplanes, midnight murders, Sumatra, the South of England -- the reader is whirled through all these experiences at such breakneck speed that he is almost exhausted when the happy ending arrives. The wicked are punished, and ample rewards are meted put to the good, except to the virtuous waiting maid, who, honourably beloved by a prince who met with a tragic death, is left lamenting that she could not have returned his affection. The easy style of the writing and the flashes of humour make the book good holiday reading." - SOURCE: "The Register" (Adelaide, South Africa), 17 December 1910, p. 6. Unknown to Hubin who lists other Curties' titles.

      [Bookseller: Michael Laird Rare Books LLC]
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        Le Monde a Vol d'Oiseau: Jeu de Societe Instructif.

      Berlin: A.Sala, circa, 1910. Game consisting of 4 pp. instructions, six colour printed boards of the continents, 120 colour printed pictorial playing cards; contained within the original box (330 x 390 x 25 mm.), with colour printed pictorial label on upper lid. A question and answer game of geography for up to six players. Each player must attempt to collect twenty matching playing cards relating to his part of the continent (America is divided into North and South) by answering questions on mountains, rivers and towns. The playing cards are illustrated with plants, animals, people and towns on one side and questions regarding relevant parts of the world on the other.There are twenty cards relating to Australia and the Pacific, including picture cards of Brisbane, Collins Street Melbourne, and Sydney, as well as one of an Aborigine, Captain Cook, the Murray River, Lake Eyre, gold diggers, a kangaroo, platypus, echidna, black swan and a cassowary. One card with ink stains otherwise in remarkably fine condition.

      [Bookseller: Hordern House]
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        Die Fläche.

      Vienna: Anton Schroll, c. 1903-1910. Two volumes in three small quarto portfolios. 192; 32pp. First volume loose and second volume accordionfold, as issued. Full run of Die Fläche, or The Surface, a periodical produced by members of the Wiener Werkstätte to showcase and disseminate the work created in the Workshops. The periodical is a "Musterbuch," or pattern book, and is composed entirely of reproductions of designs intended for practical application on all "surfaces," including poster art, books, wallpaper, textiles, stained glass, inlay, embroidery, monograms, business cards, and costume jewelry. The two volumes contain a total of 124 pages of designs, all printed in bright colors via algraphy, or aluminum plate lithography. The designs are by notables such as Gustav Klimt, Johanna Hollmann, Minka Podhajska, Max Benirschke, Moritz Jung, and more. Variously edited by Josef Hoffmann, Koloman Moser, Alfred Roller, Bertold Löffler, and others, the two undated volumes were published to "manifest [the Viennese style] in its most austere and purified form." The Wiener Werkstätte was founded in 1903 by Hoffmann and Moser out of the Vienna Secession, which was a reaction against the conservative aesthetics of the Association of Austrian Artists at the Vienna Künstlerhaus. Hoffmann and Moser were inspired by contemporary European design, such as the Glasgow School in Scotland and Art Nouveau in France. They also appreciated the emphasis on the applied arts found in the workshops of William Morris. They established the Wiener Werkstätte as a continuation of Morris' enterprise, and Die Fläche is a reflection of the skills taught and practiced in the Workshops. One of the most beautiful printed objects to come out of the Wiener Werkstätte, a complete series of this periodical is extremely rare to find. No complete copies have been sold at auction in twenty-five years. First portfolio bound in original cloth-backed paper-covered boards, which are rubbed at edges and waterstained on back cover; second volume portfolios rebound in modern cloth-backed boards, with original printed upper cover pasted on. Housed in two modern boxes. Bookplates. (Meggs' History of Graphic Design; Design, Vienna, 1890s-1930s plate 104).

      [Bookseller: Bromer Booksellers]
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        Japanese 19th Century Textile Sample Book]*.

      Meiji 43 [1910]. - Japanese textile sample book containing 37 swatches of fabric of varying sizes from the late Edo-early Meiji period. Each captioned in Japanese. Includes a triangular sample of Korean brocade and one of Chinese silk with handwritten Chinese characters on it. 20 pages (on 10 folded leaves). Some samples showing wear, in particular the Chinese silk sample, tail of spine of album damaged with a little loss of cloth. A particularly interesting and handsome album. [Attributes: Hard Cover]

      [Bookseller: Asia Bookroom ANZAAB/ILAB]
 34.   Check availability:     AbeBooks     Link/Print  


        Shakespeare's Tragedy of Hamlet. Illustrated by W. G. Simmonds.

      London: Hodder & Stoughton, [c.1910] - Quarto (275 x 215 mm). Later 20th-century dark green crushed morocco, gilt lettered spine decorated with theatrical motifs, gilt stamp of the mask of tragedy on front cover, top edges gilt, untrimmed, richly gilt turn-ins, marbled endpapers. Embossed library stamp of "LBJ" on front and rear endpapers. An excellent copy. Colour frontispiece and 29 mounted colour plates (with captioned tissue guards), head- and tailpieces by W. G. Simmonds; title page printed in red & black. A handsomely bound copy of this attractively illustrated edition. William G. Simmonds (1876-1968), who studied under Walter Crane at the RCA, later assisted with tank and aircraft design during the Great War. The introduction is by Arthur Quiller-Couch.

      [Bookseller: Peter Harrington. ABA member]
 35.   Check availability:     ZVAB     Link/Print  


        Lost Endeavour

      Thomas Nelson and Sons, London, Edinburgh, Dublin, Leeds,, and New York 1910 - First edition. Color frontispiece, portrait of the author. 381, [3] pp. 8vo. Presentation copy, inscribed to Nelson Doubleday by Masefield.The French Binders traces its lineage back to The Club Bindery, founded in 1895 by members of the Grolier Club to provide exceptionally fine binding for American collectors. The Club Bindery moved to Cleveland, where it was successively renamed the Rowfant Bindery (1909-1913), the Booklover's Shop (1914-1917), and finally, The French Binders (1918-1920s), as in-house bindery to Doubelday in Garden City, New York. Provenance: Nelson Doubleday (presentation from author, bookplate) Full brown crushed morocco, with onlaid man in turban and pillar on front cover, spine titled in gilt, raised bands, gilt turn-ins, t.e.g., by The French Binders, Garden City, NY. Fine, with publisher's cloth covers bound in at rear Color frontispiece, portrait of the author. 381, [3] pp. 8vo [Attributes: First Edition; Signed Copy]

      [Bookseller: James Cummins Bookseller, ABAA]
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        Theft: A Play in Four Acts

      Mac Millan & Co, New York 1910 - xii+[2]+272+[1] pages. Small Octavo (7 1/2" x 5 1/2") bound in original publisher's olive green cloth lettered in black. First printing with one blank leaf at rear. Second smallest run of all London's works, 990 copies. [BAL 11919][Sisson & Martins 49] First edition with variant binding. John Griffith "Jack" London (born John Griffith Chaney, January 12, 1876 – November 22, 1916) was an American novelist, journalist, and social activist. A pioneer in the then-burgeoning world of commercial magazine fiction, he was one of the first fiction writers to obtain worldwide celebrity and a large fortune from his fiction alone, including science fiction. Condition: Some fading and wear to covers, moderate wear to spine ends and corners, corners bumped. A very good copy lacking dust wrapper. [Attributes: First Edition; Hard Cover]

      [Bookseller: The Book Collector, Inc. ABAA,IOBA,TxBA]
 37.   Check availability:     AbeBooks     Link/Print  


        Trans-Himalaja. Scoperte ed avventure nel Tibet.

      Milano, Treves, 1910, due volumi in-8vo rilegati in mezza pelle con cinque snodi e titoli in oro ai dorsi, (conservata all'interno la copertina originale illustrata del solo volume primo) pp. XII-510-(6)pp. 474 con due tavole alle antiporte, 381 incisioni, due panorami, otto tavole a colori e tre carte a colori ripiegate fuori testo. I riferimenti alle tavole e alle carte citati nei due frontespizi sono fuorvianti: nel primo volume e' citato: "Con 403 incisioni da fotografie e da acquerelli e disegni dell'autore, e con 10 carte" mentre nel secondo volume: "Con 397 incisioni in nero, due panorami, otto tavole a colori, e 10 carte). Nella realtà sono presenti complessivamente 381 illustrazioni in nero in tavole fuori testo, la numerazione è continua per entrambi i volumi, da 1 a 194 nel primo e da 195 a 378 nel secondo (di cui una è un grande panorama ripiegato) e tre tavole non numerate relative alle due antiporte ed al ritratto di Hedin, nove tavole a colori (tre nel primo volume e sei nel secondo, di cui una è un grande panorama ripiegato), tre grandi carte a colori ripiegate fuori testo (una nel primo e due nel secondo volume). Non sono in alcun modo presenti le dieci tavole citate nel primo volume ed altre dieci citate nel secondo volume ed il numero complessivo delle illustrazioni in nero è quindi di 381 (3783) e non 403397.

      [Bookseller: Libreria Piani gia' Naturalistica]
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        Introduction au cartulaire de Saint-Flour. Histoire du monastère avant la création de l'Évêché sur documents inédits. Préface de A. Bruel.

      Monaco, Imprimerie de Monaco, 1910. - in-4, VIIIpp.-334pp. numérotées en romain jusqu'à XCVI- 1 planche montrant des sceaux. Relié demi-toile bleu roi, coins, pièce de titre, non rogné. (Reliure moderne). Édition originale soigneusement publiée, imprimée sur papier vergé. Le monastère clunisien ; le culte de Saint-Florus ; etc. Une grande partie de la prévôté de Saint-Flour appartenait aux ancêtres carladais du prince Albert de Monaco. Ainsi, le Cartulaire de Saint-Flour fût-il édité sous ses auspices et dans le même format que le Recueil des documents relatifs à la vicomté de Carlat. - Exemplaire à toutes marges. Intérieur très frais, reliure sobre. [Attributes: First Edition; Hard Cover]

      [Bookseller: Librairie Devaux]
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        [Cendrillon]. Les Mandores. Autograph musical manuscript, being part of a ballet divertissement from act 2 of the composer's opera Cendrillon. Piano reduction. With an autograph note signed in Massenet's hand on a separate leaf: "Quelques mesures manuscriptes du 2e acte de "Cendrillon" (1898) Paris 3 Nov. 1910."...

      Folio (350 x 270 mm). Modern maroon morocco with marbled boards. 4 pp., notated in ink on 20-stave music paper with blindstamp of H. Lard-Esnault Ed. Bellamy sr, Paris on one side of the leaf only. A fair copy of a piano reduction of "Les Mandores" in A major, 3/4 time. Tempo: "Assez Modéré (sans lenteur)"; metronome mark: "120 = [quarter note]." Autograph note to upper left corner of p. 1: "3ème entrée." Several erasures. Cautionary key and time signature for continuation after final double bar (D minor, 12/8 time). System breaks and pagination marked up in pencil in an unknown hand, both matching pp. 172-75 of the first edition of the piano-vocal score published in Paris by Heugel in 1899. The markup, as well as the cautionary key and time signatures at the end, allow for the conclusion that the present copy is part of the engraver's copy of the opera. All leaves guarded and with early horizontal crease; slightly browned; small stain to final blank page. In very good condition overall. "Les Mandores" is part of an extended ballet divertissement in the second act of Massenet's opera Cendrillon. It is not included in Massenet's original manuscript piano-vocal score, dated 1895 (Bibliothèque nationale de France, département Bibliothèque-musée de l'opéra, RES-563); there, the "2ème entrée" of the divertissement ("Le Fiancés") is immediately followed by "Le Rigodon du Roy," counted as "3ème entrée." In the first edition "Les Mandores" appears as the "3ème entrée" (pp. 172-75) and another new movement, "La Florentine," as the "4-ème entrée" (pp. 176-79); the "Rigodon du Roy" is renumbered as the "5-ème entrée" (starting at p. 180 ). The autograph manuscript at the Bibliothèque nationale is also notated on one side of the leaf only, is on the same paper as the present manuscript, and carries engraver's marks in the same hand. System breaks and page breaks match those of the first edition; pagination, however, does not. It appears that Heugel prepared, or at least planned, an earlier edition based solely on the manuscript in the Bibliothèque nationale, but as the premiere was delayed by several years, the publisher apparently put the project on hold. In the interim, Massenet added the new entrée (and made other changes as well), necessitating changes to the pagination of the printed score....

      [Bookseller: J & J LUBRANO MUSIC ANTIQUARIANS]
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        Zur Erinnerung an die Internationale Jagdausstellung Wien 1910 - Seinen geschätzten Kunden gewidmet von J. Heinr. Jta

       1910 Groß-Oktav (bis 25 cm) Kartoniert Als auch Kammerlieferant Sr. K. u. K. Hoheit des Herrn Erzherzogs Josef. Fabrik und Comptor: Wien XIII., Linzerstraße 140. -- Jagdbilder von Ferdinand Gauermann (und R. Germela) nach Originalen, die von der K. u. K. Direktion der K. u. K. Familein-Fideikomiss-Bibliothek gütigst zur Reproduktion überlassen wurden. Druck der Gesellschaft für Graphische Industrie, Wien VI. - Mit 10 Farbreproduktionen, jedes dieser Farbtafeln wird geschützt von einem Spinnenpapier, jedes davon mit einem anderen Motiv, gemacht aus weichem Japanpapier. 28 Seiten. Gebunden mit einer Kordel. Sehr schönes Exemplar, sehr selten. Guter Zustand, innen sehr gut, Vorderdeckel mit einem Fleck (siehe Foto). Detailfotos gerne per Mail. Format 25 x 16,5 cm. -- (Bankverbindungen in Österreich und Deutschland) --- (Aus dem Vorlaß eines ehemaligen österreichischen Botschafters) Versand D: 12,00 EUR Ita Josef Heinrich

      [Bookseller: Antiquariat Gerl]
 41.   Check availability:     buchfreund.de     Link/Print  


        ??????? [Hakureisui posut?] [Hakureisui Poster]....

      [Osaka?]. (circa1910). Colour lithograph poster 54.5 x 38cm. Two closed tears from margin, the largest running 3.5cm into the image, tiny chip and one small hole. Very good. This early 20th century Japanese advertising poster for the face lotion, Hakureisui (meaning literally white beautiful water) features the face of the most popular pin-up girl in Japan in the 1910s - the geisha later known as Teruha ?? . On the poster alongside Teruha is a cartoonesque image of an African (African American?) in a suit, his face double the size of Teruha's, each pointing to the skin of the other - a frightening example of racial stereotyping! Teruha was born as Takaoka Tatsuko ???? in Nara in 1896. Sold by her alcoholic father at the age of 12 into slavery, her fortune changed two years later when she began training as a geisha in Osaka, taking the name of Chiyoha ???. Due to her stunning and unusual looks she quickly became very well known. Over her career she had a number of liasons but probably the best known is her relationship with a playboy and high-end fashion dealer in 1911, as during their break-up she cut off her small finger to prove her love. Because of this scandal, she could not stay in Osaka and moved to Shinbashi, in Tokyo where she became a geisha named Teruha ??. In Shinbashi she was also a very popular and it was here that she became known as the "Nine-finger Geisha". Such was her fame that postcards with her image were published in large quantities and are still collected to this day.Teruha married twice but in both cases the marriage ended badly. Her first marriage to a stock broker brought her to the United States. While in New York she enrolled in a school to learn English where she had an affair with a woman. On her return to Japan the scandal of her affair in America became known and the marriage broke up. She returned to New York, later living also in London and Paris where it is thought she might have had a child. In the 1920s Teruha also appeared as a lead character in a romantic film. In 1935 she became a Buddhist nun at Gio-ji Temple in Kyoto, where it appears she lived happily until her death in 1994. Takegaki, the company which published this advertising poster for their lotion was located in Osaka. It appears the company is no longer in business. The caption on the poster at the lower right translates as: "For a face like this,[use] Hakureisui which removes pimples and makes [the face] white." The Japanese characters found in the frame on the lower left shows names of other medicines produced by this company. As Teruha appears to have her fingers in this image and the company was located in Osaka, it seems highly likely that the poster was produced before Teruha's move to Tokyo in 1911. (When referring to this item please quote stockid 157323)....

      [Bookseller: Asia Bookroom]
 42.   Check availability:     Direct From Seller     Link/Print  


        Hakureisui posut?] [Hakureisui Poster].

      (circa1910)., [Osaka?]. - Colour lithograph poster 54.5 x 38cm. Two closed tears from margin, the largest running 3.5cm into the image, tiny chip and one small hole. Very good. This early 20th century Japanese advertising poster for the face lotion, Hakureisui (meaning literally white beautiful water) features the face of the most popular pin-up girl in Japan in the 1910s - the geisha later known as Teruha ?? . On the poster alongside Teruha is a cartoonesque image of an African (African American?) in a suit, his face double the size of Teruha's, each pointing to the skin of the other - a frightening example of racial stereotyping! Teruha was born as Takaoka Tatsuko ???? in Nara in 1896. Sold by her alcoholic father at the age of 12 into slavery, her fortune changed two years later when she began training as a geisha in Osaka, taking the name of Chiyoha ??? Due to her stunning and unusual looks she quickly became very well known. Over her career she had a number of liasons but probably the best known is her relationship with a playboy and high-end fashion dealer in 1911, as during their break-up she cut off her small finger to prove her love. Because of this scandal, she could not stay in Osaka and moved to Shinbashi, in Tokyo where she became a geisha named Teruha ?? In Shinbashi she was also a very popular and it was here that she became known as the "Nine-finger Geisha". Such was her fame that postcards with her image were published in large quantities and are still collected to this day. Teruha married twice but in both cases the marriage ended badly. Her first marriage to a stock broker brought her to the United States. While in New York she enrolled in a school to learn English where she had an affair with a woman. On her return to Japan the scandal of her affair in America became known and the marriage broke up. She returned to New York, later living also in London and Paris where it is thought she might have had a child. In the 1920s Teruha also appeared as a lead character in a romantic film. In 1935 she became a Buddhist nun at Gio-ji Temple in Kyoto, where it appears she lived happily until her death in 1994. Takegaki, the company which published this advertising poster for their lotion was located in Osaka. It appears the company is no longer in business. The caption on the poster at the lower right translates as: "For a face like this,[use] Hakureisui which removes pimples and makes [the face] white." The Japanese characters found in the frame on the lower left shows names of other medicines produced by this company. As Teruha appears to have her fingers in this image and the company was located in Osaka, it seems highly likely that the poster was produced before Teruha's move to Tokyo in 1911.

      [Bookseller: Asia Bookroom ANZAAB/ILAB]
 43.   Check availability:     AbeBooks     Link/Print  


        Kryptogamen-Flora von Deutschland, Deutsch-Österreich und der Schweiz in Anschluss an Thomé's Flora von Deutschland. Band III: Pilze.

      Gera, Friedrich von Zezschwitz. - 1910 - 1.-3. Teil in 5 Bänden. Gross-8°. 2 Bl., 510 S.; 2 Bl., 400 S.; 2 Bl., S.401-814; 2 Bl., 683 S.; 2 Bl., S. 684 -1404. Mit zum Teil farbig lithographierten Tafeln. Originalhalblederbände. Nissen 1947 ne. - Volbracht 1375. Teil 1 abweichend zu Volbracht zusätzlich Tafel 12. - Teil 2/1 abweichend zu Volbracht zusätzlich Tafeln 24d und 34b. Es fehlen Tafeln 43b-d und 44. - Teil 2/2 abweichend zu Volbracht zusätzlich Tafeln 137b-e. - Teil 3 identisch mit Volbracht. - In Teil 2/1 sind die Seiten 355-371 lose. Ohne den 1914-1934 erschienenen 4. Teil.

      [Bookseller: Daniel Thierstein]
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        Forse che si forse che no

      Calman-Lévy. Edition originale de la traduction française, un des 60 exemplaires numérotés sur Holland papere, seuls grands papiers annoncés.spine légèrement décoloré comme habituellement, petite déchirures sans manque en tête en marges des plats.Agréable exemplaire à toutes marges. Calman-Lévy Paris 1910 16,5x19,5cm broché

      [Bookseller: Librairie Le Feu Follet]
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        Familiar Chinese Faces. A Selection of Figure Studies of Everyday Life from Photographs.

      Shanghai: McTavish [sic.] & Co. Ltd., c.1910 - Quarto (280 × 220 mm). Wire-stitched in original textured pictorial light card wraps, punched and with cord ties. Wraps somewhat rubbed, soiled and frayed, but remaining pictorially and textually complete on the front panel, contents a little browned at the margins, but remains about very good. 24 well-reproduced half-tone plates tipped onto 18 grey marl card leaves, printed captions and frames. First and only edition, uncommon Copac lists SOAS only, OCLC locates copies at National Library of Israel, Stanford, Universities of Hawaii and Victoria, BC. Attractively produced, if fragile photobook of Shanghai life, a nicely-observed series of "types". The photographer was an employee of MacTavish and Lehmann, "chemists, druggists and aerated water manufacturers", the company had a photography and pharmacy shop at No 1 The Bund, Shanghai - and later at the Hongkew Medical Hall at the junction of Broadway and Soochow Road. Alongside their operation as dispensing chemists, perfumers, importers of surgical instruments, and sellers of cameras, film, and a complete range of photographic accessories, they also ran a dark room for the use of amateur photographers. [Attributes: First Edition]

      [Bookseller: Peter Harrington. ABA member]
 46.   Check availability:     ZVAB     Link/Print  

______________________________________________________________________________


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