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Displayed below are some selected recent viaLibri matches for books published in 1907

        Interesting ALS About Travel Plans & His Automobile

      Paris, n.d. [c.1907]: Signac, 1907 Signac, Paul. [1863 - 1935], French neo-impressionist painter. Interesting ALS About Travel Plans & His Automobile. 8vo., 1 1/2 pages on the elaborate letterhead of Hôtel Café Restaurant G. Donizot. Auxerre,(Yonne, Bourgogne) n.d. [c. 1907].Trans. In part. "My dear Griffin / Tomorrow, we're headed to Savoie en Dauphiné where I will stay for some time before going to Tropez in September. It would be helpful for me to plan this tour if I knew when you may need Poirel for the casting of the Darzens cars. / I hope your car motors wonderfully and shows you the joys of tourism while waiting for the 24 HP's vanderbiltian pleasures! As for us, we are making a 'un petit 33 des famille' with pannes & pannettes, but I am now convinced that I have a good machine under my feet. / Please, with my respect, send Mrs. Viele my wife's fondest memory and trust in my wholehearted friendship. / P. Signac A very good example with small loss at the left margin not affecting text, neatly closed tears reinforced at the folds. Orig. "Mon cher Griffin / Nous sommes en essais et mise au point avec Poirel Sans l'Avallonnais (petite surfe trop miniature). Demain nous embrayons pour Savoie et Dauphiné, où je séjournerai quelque temps pour arriver en Septembre à Tropez. / Il me serait bien utile pour l'organisation de cette tournée de savoir le moment où vous pourriez avoir besoin de Poirel pour le moulage des voitures Darzens. Si vous vouliez bien m'écrire un mot à ce sujet chez M. Terifier, notaire, II me St Nizier, Macon (S. et L.) vous me rendriez service. / J'espère que votre voiture roule à merveille et vous fait gouter les pures joies du tourisme, en attendant les délices vanderbiltiennes de la 24 HP.! Nous, nous faisons un petit 33 des famille avec pannes et pannettes, mais je suis maintenant convaincu d'avoir de la bonne mécanique sous les pieds. / Veuillez présenter à Madame Viele avec mes hommages, le meilleur souvenir de ma femme et croire à toute mon amitié. / P. Signac". Paul Signac [1863 - 1935]. French neo-impressionist painter who, working with Georges Seurat, helped develop the pointillist style. In 1884 he met Claude Monet & Georges Seurat. He was struck by the systematic working methods of Seurat & by his theory of colors & became Seurat's faithful supporter. Under his influence he abandoned the short brushstrokes of impressionism to experiment with scientifically juxtaposed small dots of pure color, intended to combine & blend not on the canvas but in the viewer's eye, the defining feature of pointillism. Many of Signac's paintings are of the French coast. He loved to paint the water. He left the capital each summer, to stay in the south of France in the village of Collioure or at St. Tropez.. Signed by Author. Original Autographed Letters & Documents.

      [Bookseller: TBCL The Book Collector's Library]
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        IS MARS HABITABLE? a critical examination of Professor Percival Lowell's Book "Mars and Its Canals," with an alternative Explanation

      London: Macmillan & Co. Ltd, 1907. 110 pages plus adverts to the rear, b/w photo frontispiece of Lowell's map. Original cloth binding with bright gilt lettering, near fine with very little wear. Contents clean and tight, no inscriptions, no foxing, no marks. A near fine copy of this rare title.. First Edition. Hard Cover. Near Fine/No Dust Jacket. 8vo (12 X 20cm).

      [Bookseller: Loe Books]
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        The Novels and Tales of Henry James. The Works include The Wings of the Dove, What Waisy Knew, The Tragic Muse, The Portrait of a Lady, etc

      New York: Charles Scribner's Sons, 1907-09., 39. The First Edition of the New York Edition. Complete in 24 volumes; 8vo. Finely bound in recent half dark blue morocco with gilt titles and gilt raised bands to spines, blue cloth boards, top edges gilt others untrimmed. Frontispiece to each volume by Alvin Langdon Coburn. 2 unfinished novels, A Sense of the Past and The Ivory Tower, were posthumously published in 1917 to match the set. They are not included here. A superb set.

      [Bookseller: Adrian Harrington Rare Books]
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        From the Hills of Dream: Threnodies, Songs and Later Poems, by Fiona MacLeod

      London: William Heinemann, 1907. Octavo. (xvi), 203pp. First edition. A unique copy with an elaborate contemporary painted vellum binding. As befitting the works of a Scottish writer, the paintings take inspiration from Celtic calligraphy and designs. A border of gold leaves and stars against a green background frames the front cover. An intricate center lettering panel bears the title, which is decorated with delicate spirals and leaves. The spine is illuminated with the title, two floral devices, stars, and a dove. The back cover is decorated with a central device and a Celtic-style decoration in the top left corner. The paintings were done by the American-born artist Da Loria Norman, who likely decorated books for the London binder Robert Riviére, as well as others. Norman was born Belle Elkin Mitchell in Kansas in 1872 and moved to England with her family early in her life. Norman began a friendship with Fiona MacLeod (William Sharp) through correspondence after separating from her husband in 1905. She found comfort in MacLeod's poetry while in the abusive relationship and in turn felt inspired to illuminate his works. Letters reveal that he sent her at least one book, saying, "In it, though disguised, there is much of my own sorrow; and so, perchance I thought, heart would speak to heart." Her work shows the influence of Arts and Crafts, Art Nouveau, and Pre-Raphaelite styles. While decorating bindings and illuminating books were a common hobby among society women at the time, Norman elevated it into a successful business and did most of her work on commission. An autodidact who learned by studying medieval manuscripts at the British Museum, Norman was also an accomplished painter and created especially fine works of needlepoint. Although she is not widely known today, her work attracted critical attention and was praised by several artists of the time, including Walter Crane. Some light soiling to vellum, and faint rubbing to the gilding and green paint. Ownership inscription on free endleaf.

      [Bookseller: Bromer Booksellers]
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      [Bookseller: Eveleigh Books & Stamps]
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        Congressional Map of Texas and Oklahoma

      Chicago: Geographical Publishing Co, 1907. A LARGE CONGRESSIONAL MAP OF OKLAHOMA AND TEXAS Lithograph Framed size: 53 1/4" x 42 3/4" Sheet size: 37 1/2" x 28 1/2" . Book.

      [Bookseller: Arader Galleries]
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        Atlas of the Chinese Empire Containing Separate Maps of the Eighteen Provinces of China Proper on the Scale of 1 : 3,000,000 and of the Four Great Dependencies on the Scale of 1 : 7,500,000 Together with an Index to All the Names on the Maps .: Stanford, Edward / China Inland Mission

      London: Morgan & Scott, Ltd, 1907. Hard Cover. Folio. 23 Maps. Published for the Centenary of Protestant Missionary effort in China in 1907. Binding has had some repair to the spine, and a bit of toning primarily to the backside of the map but occasionally on the printed side. Three maps have some very light colored pencil markings. Very Good binding.

      [Bookseller: Black Swan Books, Inc.]
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      Stanford's Geographical Establishment, London., 1907. Steel engraving. Printed colour. Fine condition. Framed in a quality hand made maple veneer frame. Size: 67 x 100 cm. (26½ x 39½ inches) Attractive coloured folding map on paper, laid down on linen. Title in top margin. Scale in margin at bottom left. Extending from Kentish Town on the north to Clapham Common on the South, and from Bethnal Green on the east to Acton on the west, and showing main roads, omnibus and tramway routes, parks and open spaces, with the greatest accuracy and detail. Genealogists and family historians will find this map a useful street finding aid.

      [Bookseller: Peter Harrington]
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        Before Adam

      New York. The Macmillan Company 1907. Bound in pictorial decorated brown buckram 8vo. First Edition.This copy inscribed boldly in ink by Jack London to his Sister, Ida London Byrne and his Brother-In-Law Jack on the Front free endsheet In a strong,broad hand requiring the majority of the Front Free Endsheet, London writes :& "Dear Ida & Jack- With love and lots off (sic) it from your brother, Jack London. Oakland, Calif. April 17,1907 " A most ironic spelling error ( "off for "of " )by one of history's great writers !& & Accompanying this volume is a postcard loosely laid-in. The front of the postcard is a photograph of Jack and Charmian London outside their home ( Wake Robin Lodge) in Glen Ellen.& Portions of the rear of the card present old scrapbook adhesive remnants which obscure portions of the postmark and stamp as well as the address and message. Postmarked Oakland, January 1913 ( day obscured ) it is addressed to Mrs. Alice shade in San Francisco. The inked message begins "Dear Friend" with the remaining text indecipherable due to adhesive remnant. It is signed "Yours, Ida Byrne ( her married name ). Illustrated with 8 colour plates, map and additional monochrome drawings ex text by Charles Livingston Bull. Ida London ( 1870-1914) was the younger daughter of John London, Jack's step-father.From the turbulence of their early family life through Jack' meteoric rise to fame and ultimate early death, Jack and Ida enjoyed a close and loving relationship, with Jack assuming an almost paternal role in the raising of IDA's daughter,whom she had named after Jack's wife, Charmian. She and her family often lived at her Brother's ranch in Glen Ellen where her husband, Jack Byrne,was employed by London as Personal Assistant and private secretary. In the last years of her life, Ira suffered from ill-health and was often confined to an Oakland sanitarium.She eventually died on the operating table in June of 1914. IDA's husband, Jack Byrne continued in his Brother-In-Law employee until London's death in 1916. Material inscribed to Jack London's immediate family is exceedingly rare and appears for public sale very infrequently.& Very slight lean. Minimal rubbing to covers and spine. Spine titles a bit faded. Corners gently bumped. Scattered mild foxing to prelims (moderately so to inscription). One plate mis-paginated. Several page fore-edges trimmed short (not affecting text). A Very Good, well preserved, crisp copy of a deeply personal relic of the London family.

      [Bookseller: Heldfond Book Gallery, ABAA-ILAB]
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        THE ROAD

      New York: MacMillan, 1907. First Edition. Hardcover. Some soiling and wear. Still a Very Good copy. Decorated cloth. Second state of the binding. Illustrated with 48 full-page plates. Prefiguring George Orwell's DOWN & OUT IN PARIS & LONDON, the author's insightful look at the poverty and hardships of the city's homeless influenced Jack Kerouac in his writing of ON THE ROAD. Both works feature, as Gerald Nicosia succinctly puts it in his critical biography of Kerouac, MEMORY BABE, a main character who "prefers running to fighting, advises living in the present moment, and rejects society's values while rigorously upholding his own private moral code" (p. 344). Only 5,360 copies of this important work were printed. This copy is INSCRIBED and SIGNED by the author to Churchill Williams and dated Glen Ellen, Calif. 18 Feb. 1910.

      [Bookseller: Charles Agvent]
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        A Christmas Carroll

      NY & London: G. P. Putnam's Sons, (1907). Small quarto. 103pp. One of 100 copies on Japanese vellum. This is a special copy, perhaps unique, in which all of the illustrations have been hand-colored with great skill. A Christmas roundelay written by the British poet George Wither, beautifully illustrated throughout with lettering, plates, and vignettes by Frank T. Merrill. The frontispiece illustration, with a lettered tissue guard, is printed in color; the rest of the illustrations have been delicately colored by hand. The illustrated presentation is followed by a brief biography of Wither and the text of the poem printed in its more common stanzaic format. In a deluxe publisher's binding of green morocco, gilt-tooled with a design of flowers and leaves. Red moiré silk doublures, gilt dentelles, and a red morocco onlay inside the covers. Some rubbing to extremities, spine toned, and some toning to margins of the covers, else a very nice deluxe presentation. A.e.g. With the bookplate of Gustavia A. Senff.

      [Bookseller: Bromer Booksellers]
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        American Engravers upon Copper and Steel

      New York [vols I and II] and Philadelphia [vol.III]: Grolier Club [vols. I and II], 1907-1917. 3 volumes (including the "Supplement"), octavo. (9 3/8 x 6 1/4 inches). Vols. I and II: titles in brown and black, half-titles. 43 plates (2 folding), half-titles; "Supplement": half-title. 3 plates. Contemporary blue morocco gilt, covers with elaborate overall design of gilt fillets strapwork and cornerpieces with scrolling foliage and pointillé work, spines in six compartments with raised bands, lettered in the second and fourth compartments, the others with elaborate overall repeat decoration, blue morocco turn-ins and pastedowns with panelled decoration in gilt, silver/grey watered-silk doublures, neat repairs to hinges of one volume. The finely-bound Skiff set of Stauffer's standard work on the subject, including Fielding's supplement. The first two volumes are from an edition of 353 sets, this set one of 350 printed on "imported mold-made paper." The first volume is sub-titled "Biographical sketches illustrated" and includes the 43 plates; vol. II is sub-titled "Check-list of the works of the earlier engravers." Mantle Fielding's work is a supplement to both of the earlier volumes and is limited to 220 copies signed by the author, this copy numbered 131.

      [Bookseller: Donald Heald Rare Books]
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        [Reliures en plein maroquin] Flingot

      Paris : A. Romagnol, 1907. relié. 14x21,5cm. Edition originale, un des 130 exemplaires numérotés sur vélin d'Arches, tirage de tête après 20 Japon ou vélin d'Arches. Reliure en plein maroquin rouge, dos à cinq nerfs sertis de pointillés dorés orné de doubles caissons dorés richement décorés, date en queue, roulettes dorées sur les coiffes, triples encadrements de filets dorés sur les plats, encadrements d'une dentelle dorée sur les gardes, gardes et contreplats de papier à la cuve, doubles filets dorés sur les coupes, couvertures conservées, toutes tranches dorées, superbe reliure signée de Rivière & Son. Ouvrage illustré d'un portrait de l'auteur par C. Fouqueray et de 18 eaux-fortes de G. Jeanniot. Notre exemplaire, ainsi qu'il l'est stipulé à la justification du tirage, est bien complet des 3 états des eaux-fortes et de son eau-forte pure. Très bel exemplaire parfaitement établi. - A. Romagnol, Paris _1907, 14x21,5cm, relié. - Reliures en plein maroquin relié

      [Bookseller: Librairie Le Feu Follet]
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        LES MISERABLES [5 Volume Set]

      Boston: Little, Brown & Company. 1907. First Edition Thus; First Printing. Hardcover. Very Good in boards. Minor wear to all volumes. Hinge has started on Volume 4, boards are almost completely detached. ; 8vo 8" - 9" tall .

      [Bookseller: Rare Book Cellar]
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        British trees, drawn and described by Rex Vivat Cole and text revised by Dorothy Kempe. Subscribers' edition with 13 proof photogravures limited to 150 copies

      London, Hutchinson, 1907. Two parts in two. 4to. 723 pp., 430 reproductions of original drawings and paintings by the author including 13 proof photogravures. Publisher's green buckram with gilt-titled calf spine mounted. All edges gilt.* The very rare subscribers' edition with the extra photogravures on heavy paper. These extra plates show landscapes by Reginald "Rex" Vicat Cole (1870-1940). Cole was also the author of "The artistic anatomy of trees". The binding, "de luxe" as compared to the full cloth ordinary edition (which is rather rare itself) is peculiar indeed. Boards a bit soiled. Some light spotting to a few pages in the beginning, otherwise a very good set. Neither in Cat. BM(NH), nor in Nissen, BBI, nor in Stafleu & Cowan.

      [Bookseller: Dieter Schierenberg bv]
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        Ingoldsby Legends, The

      1907. The Ingoldsby Legends Illustrated by Arthur RackhamIn a Beautiful Inlaid Binding By Chris Lewis[BAYNTUN-RIVIERE, binders]. [RACKHAM, Arthur, artist]. INGOLDSBY, Thomas (pseudonym of Richard Harris Barham). The Ingoldsby Legends. Mirth & Marvels. Illustrated by Arthur Rackham. London / New York: J.M. Dent / E.P. Dutton, 1907. Second trade edition, and the best, with illustrations not found in the much smaller first trade edition of 1898. Tall octavo (9 1/4 x 7 1/8 in; 235 x 180 mm). xix, [1], 549, [1] pp. Twenty-four full color tipped-in plates with captioned tissue guards, twelve full-page tinted plates, unmounted. Sixty-six black and white drawings. Bound by Bayntun-Riviere, c. 1960 in full dark red morocco and finished by Chris Lewis with a large central pictorial onlay of multi-colored morocco reproducing the plate opposite page 140, If Anyone Lied, or If Any One Swore., within a gilt frame with large cornerpieces. Gilt decorated compartments. Gilt rolled edges. GIlt rolled turn-ins with gilt cornerpieces. All edges gilt. A very fine copy. Housed in a later custom drop-back clamshell box.The Ingoldsby Legends were first printed during 1837 as a regular series of Richard Bentley's magazine, Bentley's Miscellany, and later in New Monthly Magazine. The legends were illustrated by John Leech and George Cruikshank. They proved immensely popular and were compiled into books published during 1840, 1842 and 1847 by Richard Bentley. They remained popular during the 19th century. The illustrations for this volume proved a turning point in Rackham's life. "In 1898, which was to be a watershed year for Rackham, Dent invited him to produce one hundred black and white illustrations for R.H. Barham's quaintly medievalizing poems and stories The Ingoldsby Legends of Mirth and Marvels. The £150 fee for this important commission bought, in addition, ownership of the originals and copyright.…[The] episodic nature and superficial, rollicking humour [of the tales] were well suited to Rackham's talents, presenting him with endless opportunities to exercise his talent for the macabre and the inventive, the fantastic and the knockabout comic" (Hamilton, Arthur Rackham. A Biography, p. 49).The great Christopher Lewis began his career at the internationally renowned Bayntun-Riviere Bindery of Bath, England, during the early 1960s as a finisher. In the 1970s, he established his own bindery and further developed his masterful inlay and gilt work.Lattimore and Haskell p. 30-31.

      [Bookseller: David Brass Rare Books, Inc.]
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      London, Warne & Co., 1907.. FIRST EDITION 1907 IN MOST OF GLASSINE DUSTWRAPPER. 142 x 110 mm, 5 5/8 x 4¼ inches, tan boards, white lettering, rectangular colour plate onlaid, 85 pages, colour frontispiece and 26 colour plates, printed 1 side only. Slight rubbing to tail of lower hinge, slight fading to spine, otherwise covers very bright. Contents very nice, no inscriptions. Near Fine in tattered original printed GLASSINE WRAPPER (dw: split in 2 on spine, most of spine missing, piece missing across top of blank upper panel, 25 - 30 mm deep (1-1¼ inches), small chip at top of lower panel just affecting ruled border, all printed areas intact, i.e. lower panel and 2 inner flaps). MORE IMAGES ATTACHED TO THIS LISTING.

      [Bookseller: Roger Middleton]
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        Alice's Adventures in Wonderland

      London: William Heinemann, & New York: Doubleday, Page & Co., 1907. First trade edition. Original green gilt pictorial cloth with Gryphon and Mock-Turtle to front board. Signed by Rackham with an original pen and ink drawing of a winged Gryphon and dated 23.3.08 on the half-title page. A very good copy with some rubbing and light wear to the extremities. The deluxe limited issue of Rackham's "Alice" was not signed by Rackham because he was traveling at the time of the book's publication. Housed in a gilt-decorated custom brown half-morocco fleece-lined folding box.. First Edition. Hard Cover. Very Good.

      [Bookseller: B & B Rare Books, Ltd., ABAA]
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        Über das Relativitätprinzip und die aus demselben gezogenen Folgerungen (AND) Berichtigungen zu der Arbeit: Über das Relativitätprinzip und die aus demselben gezogenen Folgerungen. (complete)

      Leipzig, S. Hirzel, 1907-1908. In two uniform contemporary half cloth bindings with gilt title on the spines.* "On p. 443 are probably the first explicit statements both of the equivalence of inertial and gravitational mass and of the equation for mass in terms of energy now regarded as the theoretical basis for the release of atomic energy." (Weil). Published in the famous Jahrbuch der Radioaktivität und Elektronik. The main work in volume IV (1907). An addition/correction by Einstein, on the basis of criticism by Max Planck, can be found on pp. 98-99 of volume V, and a diligent librarian has added these corrections to the original formula in ink. Small cancelled stamps of a scientific library on title pages, otherwise very good. Weil, 21.

      [Bookseller: Dieter Schierenberg bv]
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        Ozma of Oz Tells More About Dorothy and the Scarecrow and the Tin Woodman. Also About the New Characters...the Hungry Tiger, the Home King, Tiktok and the Yellow Men (The Wizard of Oz Series)

      A wonderful early printing of Ozma. The Reilly & Lee Co. Copyright 1907. This printing circa 1922. Illustrations and color illustrated chapter heading integral to the text. Illustration on page 221 in black and white. Ozma Frontis with 2 colophons - crowns in red. Red cloth with "Pictured by Jno. R. Neill. Moderate wear to spine and board edges. Original pencil pon. Very nice interior with sound text block. Pages fresh less 2 spots to a single page. No foxing or markings. Loose front hinge which does not affect soundness. Scarce. 270 pp. O in Dorothy illustration on verso of Author's Note. No book list less to title page as pictured. Plain endpapers. A gem from The Golden Age

      [Bookseller: Bremerton]
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        WOMAN: in all ages and in all countries. Volume Four: ORIENTAL WOMEN

      Philadelphia, printed for subscribers only, George Barrie & Sons, copyright 1907.. FIRST EDITION (1907), Volume 4 only of 10 volume set, DE LUXE EDITION LIMITED TO 7 SPECIALLY BOUND COPIES WITH A FULL PAGE ORIGINAL WATER COLOUR, THIS BEING No. 6. Issued with a portfolio containing 10 original water-colour paintings, this is not present. 8vo, 215 x 135 mm, 8½ x 5½ inches, very attractive full page original water-colour by Jean Leon Gerome Ferris on half-title, frontispiece in 4 states, the last coloured, after a painting by A. Cabanel, coloured vignette on title page, lettering of title page in red and black, divisional titles printed red, 5 further plates in 4 states all with tissue guards, the first on the coloured plate captioned with a description, plus 2 single coloured plates. Very elegant binding by the publisher in full blue morocco, double ruled gilt border to covers with intricate corners, raised bands to spine with gilt decoration in compartments including a central gilt and red peacock in 4 of them, gilt titling in 2 of them, all edges gilt, morocco front pastedown with elaborate red, blue and gilt border of peacock feathers and a central oval gilt frame containing a coloured illustration of a woman performing a sword dance, the front endpaper lined with grey silk, the rear pastdown has the same border enclosing a vignette similar to that on the title page of a naked woman standing on a globe but here done in coloured leather inlays, endpaper silk lined. Minute internal crack to top and bottom of upper hinge and to top of lower hinge, not visible externally, spine very slightly darkened, no inscriptions, contents very clean. A near Fine example of 1 of the 7 de luxe copies with an original water-colour. Housed in the original very slightly rubbed slipcase, cloth bound and morocco edged, no lettering. Dr Edward B. Pollard (1864-1927) was a professor at George Washington University at the time of writing this work which is a study of the life and position of women in middle eastern countries, India, Japan and China. Jean Leon Gerome Ferris (1863 – 1930) was an American painter of historical American scenes plus some oriental scenes even though he had never travelled to the East. He was born in Philadelphia, son of another Philadelphian painter, Stephen James Ferris who was a devotee of the French painter Jean Leon Gerome, after whom he was named. He is best known for his series of 78 scenes from American history, entitled The Pageant of a Nation, the largest series of American historical paintings by a single artist. MORE IMAGES ATTACHED TO THIS LISTING.

      [Bookseller: Roger Middleton]
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        MEMORIAS DE UM POLICIA AMADOR - Aventuras de Sherlock-Holmes

      Lisbon: Livraria Ferreira & Oliveira, Limitada, 1907 First Edition of the First Sherlock Holmes book to be published in Portugal . Sm. 8vo., 187pp., quarter red calf over red boards, gilt lettered & decorated at the spine. A very good copy showing modest use of this rare Portuguese edition of The Adventures Of Sherlock Holmes originally published in 1st, London: 1892. Great stuff for the completist. De Waal 1486. 1st Edition.

      [Bookseller: TBCL The Book Collector's Library]
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        Un coeur virginal

      Paris: Mercure de France, 1907. relié. 12x18cm. Edition originale sur papier courant, il n'a été tiré que 18 grands papiers. Reliure en demi chagrin noir, dos à cinq nerfs, couvertures conservées. Envoi de l'auteur à l'écrivain Gaston Derys. Bel exemplaire. - Mercure de France, Paris _1907, 12x18cm, relié. - relié

      [Bookseller: Librairie Le Feu Follet]
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        The Tale of Peter Rabbit

      London and New York: Frederick Warne & Co.,, [1907]. Small octavo. Original green cloth, titles and decoration to spine and front cover gilt, colour picture of Peter Rabbit to front cover, illustrated endpapers. Illustrated throughout by Beatrix Potter. Edges lightly rubbed, early gift inscription to half title. First deluxe issue with the new illustrations. In the autumn of 1907 a new set of blocks were made, two of the illustrations on pages 68 & 81 were redrawn; the characters are enlarged with less of the background showing. These blocks were used for six or seven years, after which the old ones were again used.

      [Bookseller: Peter Harrington]
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        The Tale of Tom Kitten [Peter Rabbit First Series Number Eight]

      London: Frederick Warne and Co, 1907. First Edition, [First Printing] . Hardcover. ______ Condition Summary: (Very Good/[No dustjacket]) A generally tidy copy. ______ All notable faults: Tears at the edges of the backstrip at the head of the spine up to 15 mm long, some minor surface scuffing, one heavy mark on page 9, regular moderate finger marks and previous owner&#39;s name on the free front endpaper. Dustjacket not present. ______ Book conservation: Rebound in modern blue cloth with blank endpapers. 14660. <b> Bibliographical Details: </b> First Edition, [First Printing] [Edition identified by: 1907 on the front of the title page [Quinby 13 and Linder, page 427]] .

      [Bookseller: Kirkland Books Ltd]
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        Novels of the Sisters Bronte. The Works include: Wuthering Heights, Jane Eyre, Shirley, Villette, The Tenant of Wildfell Hall, The Professor, Agnes Grey. Edited by Temple Scott

      Edinburgh: John Grant, 1907., 1907. The Thornton Edition. Complete in 12 volumes; 8vo. Finely bound in recent green half morocco with raised bands, dark red title label as well as gilt titles and extra gilt tooling to spines; green cloth boards; top edges gilt, others untrimmed and with specks of foxing. Illustrated with numerous plates, consisting of photographic reproductions of Bronte&#39;s country. Very light browning to first and last few leaves only of each volume. A very attractive set.

      [Bookseller: Adrian Harrington Rare Books]
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      An archive of approximately 1,346 black and white mounted photographs, of varying sizes, but mostly around 8 x 10 inches, including seventy-one framed photographs, the largest of which is some 30 x 45 inches. They are nearly all identified on the verso with the vessel&#39;s name, the builder&#39;s number, and other particulars. Some vessels have multiple photographs. Many of the earlier prints seem to have been made in 1907, later ones presumably contemporaneously. About half the prints are marked "Negative Destroyed," presumably the consequence of a housekeeping exercise. The photographs cover some one hundred years, from the 1860 to the 1960s. Thornycroft, founded in 1864 in Chiswick by John Isaac Thornycroft, became one of the great British manufacturing enterprises, building a diverse range of vessels for military, commercial, and pleasure markets around the world. Thornycroft&#39;s life and work may have been informed by a wider range of impulses than most engineers: his parents and his brother Hamo were professional sculptors, and his nephew was the poet Siegfried Sassoon. This is by no means the complete archive of the production of the firm. The traumas of post-war shipbuilding in Britain saw Thornycroft merge with Vospers in the 1960s to become Vosper Thornycroft, and they went through a series of rationalisations that saw them close down their Thames-based operations, and finally their principal plant at Woolston in 2003. The present pictures appear to have been abandoned at the time of leaving Woolston 2003, and were sold at auction in 2009. The firm diversified into road vehicles at an early stage, and there is a modest representation of this side of the business in the archive. The archive includes representations of many of their most famous vessels, such as the pioneering and startlingly beautiful motor torpedo boat H.M.S. Lightning and the speedboat Miss England III, pictured both in build and at speed on Lake Como, and Sir Bernard Docker&#39;s huge yacht Shemara. There are two tremendous photographs of a Sea Hawk, their stepped "cabin hydroplane" maneuvering at high speed in the Thames before being shipped out to the Sultan of Asahan in Malaya, as well as Gyrinus, the speedboat in which Thornycroft&#39;s son Isaac won two gold medals at the 1908 Olympics. The types of boat illustrated include destroyers, frigates, motor yachts, ferries, landing craft, river launches, tugs, picket boats, torpedo boats, a mission boat, a hospital boat, despatch boats, specialist launches to land goods at St. Helena (double-ended, flat bottomed scow type boats), and a paddle steamer. The firm&#39;s export markets, which were by no means limited to the Empire, demanded many shallow draft vessels, and they became great specialists in these, as well as in high speed boats. There are a very few illustrations of vessels built by other yards, which may have been kept for intelligence purposes. Thornycroft does not appear to have built any purely sailing yachts, but did supply auxiliary engines, so we find pictures of third party boats such as the King of Denmark&#39;s Fife ten-meter Rita IV, the Mylne Solent One Design Kelpie, and Archie McPherson&#39;s famous Driac. The collection is likely to be of great interest to researchers of individual vessels and historians of naval architecture from the 1870s to the 1950s, as well as social historians. Except for one or two which are credited to Beken, the photographers are in all cases anonymous, and we presume were working directly for the firm. There are many stunning examples of objective photography, noteworthy among which are a series of photographs of the details of Gadfly (1906) and a large group of photographs of engineers at work, undated but presumably from the 1930s.

      [Bookseller: William Reese Company - Americana]
 27.   Check availability:     Biblio     Link/Print  

        Poems. Enoch Arden. In Memoriam. The Princess. Maud. Idylls of the King. Ballads. Demeter and other poems. Queen Mary and Harold. Becket and other plays.

      London: Macmillan and Co., 1907-9.. Eversley edition, nine volumes, 8vo. Some foxing, marbled endpapers. Contemporary half vellum, t.e.g., with some browning and soiling, spine with gilt flowers and maroon labels, head of one spine very slightly worn otherwise a good set.

      [Bookseller: Bow Windows Bookshop, ABA, ILAB]
 28.   Check availability:     UKBookworld     Link/Print  

        Der Weisse Fächer. Ein Zwischenspiel.

      Leipzig, Insel-Verlage, 1907. Folio. Uncut in orig. full vellum. Gilt lettering to spine. Endpapers in red-brown raw silk. A small scratch to lower left corner of frontcover. (26) pp. and 4 woodcut plates by Edward Gordon Craig. Printed in 2 colours by Friedrich Richter. Internally as well as externally fine and clean. Number 42 of 50 copies "auf echtem Japan".The entire issue 800 copies.. First edition with Gordon Craig's illustrations

      [Bookseller: Lynge & Søn A/S]
 29.   Check availability:     Antikvariat     Link/Print  

        Monna Vanna.

      Piece en 3 actes. Paris: la Société du Livre d'Art, imprimé par l'Imprimerie Nationale 1907. With 10 illustrations, 3 initials and 5 borders + 2 full-page illustrations by Paul-Albert Laurent, engraved by X. Maccard and coloured by Ch. Wittmann. (4) + 162 + (6) pp. Bound with the orig. wrapper in chestnut full morocco. Covers with an elaborate gilt and blind tooled design. Spine devided into 6 panels by raised bands, lettered in the second panel and with the place and date at the foot, the other panels with a gilt flower. Interior gilt border. With maroon silk doublure and endleaves. All edges gilt. In linned morocco edges slipcase (Gruel).. Only printed in 130 copies of which this is no. 6, printed to membre de la Société 'M. le Vicomte Guy de Montlivault'. Monod 7606. About the bookbinder family Gruel see Flety p. 85-86. The author, the poet and dramatist Maurice Maeterlinck (1862-1949), was a leading figure in the Belgian and French Symbolist movements. He began as a poet before establishing his reputation with a series of plays. He received the Nobel Prize in 1911

      [Bookseller: Peter Grosell's Antikvariat]
 30.   Check availability:     Antikvariat     Link/Print  

        CHOIX DE LIVRES ANCIENS RARES ET CURIEUX. En vente à la Librairie Ancienne Leo S. Olschki - Florence, Lung?Arno Acciaioli, 4.

      In-8, 14 voll. (di cui 1 di Indice), bella legat. in p. pelle nera coeva, ricche dentelles dorate ai risg., pp. compl. 5688, illustrati in b.n. nel t. e in tavv. f.t. Di questo celebre e importante catalogo di vendita (con 21.773 schede), diventato col tempo preziosa bibliografia, offriamo la collezione completa così composta: - Vol. I e II - ?Incunabula - Liturgie. - Vol. III - ?Livres à figures des XV et XVI siècles. - Vol. IV e V - ?Livres à figures des XV et XVI siècles: ITALIE. - Vol. VI - ?Macaronica, Machines, Malte, Mariage, Mariana (vie et culte da la S.V. Marie). - Vol. VII - ?Médecine ancienne, Militaria, Mort (Funérailles, Danse Macabre). - Vol. VIII - ?Musique, Théatre, Danse, Néolatins?. - Vol. IX - ?Nouvelles italiennes, Numismatique, Occulta, Orient?. - Vol. X - ?Arts décoratifs, Portraits, Religions et culte (Histoire et Philosophie)?. - Vol. XI - ?Roma?. - Vol. XII (1940) - ?Romans de Chevalerie, Scandinavica et slavica, Sciences Naturelles?. - Vol. XIII (1966) - ?Statuts, Constitutions, Lois d?Italie - Supplément (villes, bourgs et lieux d?italie) - Théatre italien du XVI au XIX siècle?. Il vol. di Indice dei ?XII volumi pubblicati dalla Libreria Olschki?, edito a Bologna da Garisenda negli anni ?80, di pp. 147, è rileg. in tela edit. grigia. Il ns. esemplare, molto ben conservato, fu donato da Leo Olschki al figlio Giulio Cesare. La lunga dedica autografa così recita: ?A Giulio Cesare Olschki,/ suo figlio amato,/ pel 24 Febbraio 1922 / cogli auguri più cordiali / in ricordo / e come esempio d?emulazione / quest?esemplare speciale dell?opera sua bibliografica / offre / il compilatore paterno. A fianco il belliss. ex libris di ?Caesaris Olschki?.

      [Bookseller: Libreria Antiquaria Malavasi]
 31.   Check availability:     Link/Print  

        Fru Marta Oulie.

      Kristiania, H. Aschehoug & Co, 1907. 129 s. Orig. rødt helsjirtingbd.. *Fint eks. Debut

      [Bookseller: Ruuds Antikvariat]
 32.   Check availability:     Antikvariat     Link/Print  

        Pomo Seed-Gathering Utensils [Pl. 484]

      Boston: Suffolk Engraving Company, [1907-1930]. Photogravure after Edward Curtis, printed by the Suffolk Engraving Company, wove paper (watermarked 'Van Gelder Zonen Made in Holland'). Excellent condition. 13 1/2 x 16 3/4 inches. 17 3/4 x 22 inches. A breath-taking image from "The North American Indian", the grandest illustrated work ever produced in the United States, the most important illustrated work on Native Americans, and the single greatest book in Western Americana. Only the double- elephant folio edition of Audubon's "Birds of America" surpasses Curtis in its massive ambition and beauty of execution. "...Because of the singular combination of qualities with which he has been blessed, and because of his extraordinary success in making and using his opportunities... (Curtis) has been able to do what no other man has ever done; what, as far as we can see, no other man could do. He is an artist who works out of doors and not in a closet. He is a close observer, whose qualities of mind and body fit him to make his observations out in the field, surrounded by the wild life he commemorates. He has lived on intimate terms with many different tribes of the mountains and the plains. He knows them as they hunt, as they travel, as they go about their various avocations on the march and in camp. He knows their medicine men and their sorcerers, their chiefs and warriors, their young men and maidens. He has not only seen their vigorous outward existence, but has caught glimpses, such as few white men ever catch, into that strange spiritual and mental life of theirs; from whose inner most recesses all white men are forever barred...." (Theodore Roosevelt, Foreword to Volume I) "The group includes a tight mesh burden basket for seeds, an open mesh burden basket for acorns, and other nuts, two winnowing trays, and a seed beater with which the seeds are brushed from the plant into the burden basket" (Curtis, Frontispiece to Volume XIV). Renowned for their unrivalled basketry skills, the Pomo tribe inhabited Northern California. Edward Curtis was fascinated by the story of the Native Americans from childhood. His in- depth knowledge of the various tribes increased in parallel with his skill as a photographer during his participation in a number of scientific expeditions in the 1890s. In 1896, Curtis began to take photographs of the Native American tribes (by 1930 he had taken over 40,000 negatives of eighty tribes) and evolve his hugely ambitious plan for a comprehensive work which would illustrate his romantic vision of Native American life before the disastrous impact of European contact. With the enthusiastic support of President Theodore Roosevelt (who wrote the foreword to the present work) and the financial backing of J. Pierpont Morgan (Curtis was introduced to him by Roosevelt), the publishing project finally got under way in 1906. Pierpont Morgan died in 1913 just before the completion of the ninth volume, but his son agreed to continue underwriting the project; between them, they eventually contributed about a third of the $1,500,000 cost. What had originally been projected to take five or six years eventually stretched to twenty-three, finally reaching a conclusion in 1930 but leaving Curtis a broken and bankrupt man. Nonetheless, his grand design was completed, and his work remains as his monument. Cf. Naef & Goldschmidt The Truthful Lens 40; cf. Howes C-965.

      [Bookseller: Donald Heald Rare Books ]
 33.   Check availability:     ABAA     Link/Print  

        Veröffentlichungen der Gesellschaft für Typenkunde des XV. Jahrhunderts.

      Gesellschaft für Typenkunde, Rudolf Haupt, Leipzig & Karras, Halle (Saale), 1907-14. Folio (42x30 cm). 11 kartongmappar med 640 löst liggande planscher + titelblad. Bilagor med subskribentförteckningar för år 1907:1-2, 1908:1, 1909:1, 1911, 1914. Titelsidor, boksidor, träsnittsillustrationer, boktryckarmärken, anfanger, överstycken, ornament, typprover med hela alfabet.1907:1-2, Tafel 1-60, (Med bilaga. Konrad Haebler: "Der Capotius-Drucker = Martin Landsberg"). 1908:1-3, Tafel 61-150, (Med bilaga. H. O. Lange: "Der Drucker Johann Limburg in Münster"). 1909:1-3, Tafel 151-250, 1910:1-3, (Med bilaga. Konrad Haebler: "Johann Grüninger der Drucker des Missale mit dem Kanon Peter Schöffers"). Tafel 251-325, 1911:1-2 [3], Tafel 326-380 [381-405], 1912:1-3 Tafel 406-485 (Med en 12-sidig förteckning av Ernst Voulliéme över tryckarna i Köln och med planschhänvisningar till typsnitt, initialer, titelträsnitt etc.) 1913:1-3, Tafel 486-565 (Med två löst liggande inkunabelblad; Johannes de Bromyard: "Summa praedicantium" Basel : Johann Amerbach. Inte efter 1484). 1914:1-2, Tafel 566-665. (Med bilaga, 52 s., sammanställd av Victor Madsen: "Typenregister zu Tafel 1-665).Mapp 1907:1 trasig och med kartongförluster. Somliga mapppar hörnstötta, åldersfärgade och med delvis blekt kartong. Titelbladet saknas för 1914:2. I sviten saknas 1911:3, Tafel 381-405. Två bilagor saknas; H. O. Lange: "Eine Merseburger Buchdruckerei um dass Jahr 1479", K. Haebler: "Die Merseburger Druckerei von 1479 und ihr Meister".Detta är den största trycktypsinventering med typprover över inkunabeltiden. Verket utkom i två serier mellan 1907-38 och i en tredje 1965, Tafel 1-2460. Ytterligare ett typsnittregister utkom 1926 (Tafel 1-1630 ), detta sammanställdes av Rudolf Juchhoff. Det slutliga typsnittsregistret redigerades av Rudolf Juchhoff & E. von Kathen (Osnabrück, 1966). Upplagan var inte stor och subskribentförteckningen översteg aldrig 200, 1907-14. Papper och tryckåtergivning i mycket hög klass

      [Bookseller: Antikvariat Morris Stockholm/Södertalje]
 34.   Check availability:     Antikvariat     Link/Print  

        Archaeological Researches on The Pacific Coast of Costa Rica.

      Pittsburgh, Carnegie Institute, 1907. Folio. iv,+ 186 pp.+ 46 plates with photos, partly in colour,+ folding plan. Full linen with red leather spine label, with front wrapper preserved (Solenbergs bokbinderi). (Extracted from the Memoirs of the Carnegie museum, Pittsburg, Pa, Vol. III, N:o 1.) Dedication to Robert Larsson from Hartman. Wrapper with slight repair at corner. Redogörelse för Hartmans andra stora expedition till Costa Rica. Carl Vilhelm Hartman (1862-1941) ledde en första stor forskningsresa 1896-99 till Costa Rica, Guatemala och Salvador. I Costa Rica undersökte han över 400 gravar, vilket bidrog till daterandet av Centralamerikas forntid. Han förde en stor samling till Sverige, vilken p.g.a. ett förbud mot utförsel som infördes året därpå, är en av de större utanför Centralamerika. Denna redogörelse för gravarna i Costa Rica som trycktes 1901 belönades med Loubatpriset. Hartman anställdes därpå av Carnegieinstitutets etnografiska museum i Pittsburgh och företog för dem 1903 ytterligare en resa i Centralamerika, vars resultat presenteras här. Han efterträdde 1905 Hjalmar Stolpe som intendent för Riksmuseets etnografiska avdelning, efter en hård och olustig kamp med Erland Nordenskiöld

      [Bookseller: Centralantikvariatet]
 35.   Check availability:     Antikvariat     Link/Print  

        Ingoldsby Legends, The

      1907. The Finest Rackham EditionLimited to 500 Copies Signed by the ArtistIn a Beautiful Inlaid Binding By Chris Lewis[LEWIS, Christopher, binder]. [RACKHAM, Arthur, artist]. INGOLDSBY, Thomas (pseudonym of Richard Harris Barham). The Ingoldsby Legends. Mirth & Marvels. London / New York: J.M. Dent / E.P. Dutton, 1907.Limited to 500 copies signed and numbered by the artist, this being no. 241, of the finest Rackham-illustrated edition with additional color illustrations, improved color illustrations, large-paper format, and reworked pen and ink drawings not found in the edition of 1898. Quarto (11 x 8 5/8 in; 284 x 220 mm). xix, [1], 549, [1] pp. Twenty-four full color tipped-in plates with captioned tissue guards, twelve full-page tinted plates, unmounted. Sixty-six black and white drawings. Bound c. early 1970s by Chris Lewis (stamp-signed) in full red morocco. Triple gilt-ruled borders, Central pictorial inlay of multi-colored morocco reproducing the plate, If Anyone Lied, or If Any One Swore. Gilt-ruled compartments with gilt avian ornaments. Gilt rolled edges. Heavily gilt dentelles. All edges gilt. A fresh, crisp and very fine copy. Housed in a later custom drop-back clamshell box.The Ingoldsby Legends were first printed during 1837 as a regular series of Richard Bentley's magazine, Bentley's Miscellany, and later in New Monthly Magazine. The legends were illustrated by John Leech and George Cruikshank. They proved immensely popular and were compiled into books published during 1840, 1842 and 1847 by Richard Bentley. They remained popular during the 19th century. The illustrations for this volume proved a turning point in Rackham's life. "In 1898, which was to be a watershed year for Rackham, Dent invited him to produce one hundred black and white illustrations for R.H. Barham's quaintly medievalizing poems and stories The Ingoldsby Legends of Mirth and Marvels. The £150 fee for this important commission bought, in addition, ownership of the originals and copyright.&#133;[The] episodic nature and superficial, rollicking humour [of the tales] were well suited to Rackham's talents, presenting him with endless opportunities to exercise his talent for the macabre and the inventive, the fantastic and the knockabout comic" (Hamilton, Arthur Rackham. A Biography, p. 49).The great Christopher Lewis began his career at the internationally renowned Bayntun-Riviere Bindery of Bath, England, during the early 1960s as a finisher. In the 1970s, he established his own bindery and further developed his masterful inlay and gilt work.Lattimore and Haskell p. 30-31.

      [Bookseller: David Brass Rare Books, Inc. ]
 36.   Check availability:     ABAA     Link/Print  

        Opera quaedam aut inedita aut obsoleta de rebus naturalibus. I-III.

      Stockholm 1907-11. Stor 8vo. LI + (1) + 344 + XXXV + (1) + 373 + XXXVII + 328 s. Illustrert. Pene priv. håndb. skinnbd. Orig. foromsl. medbundet. (Sture Werner).. *I. Geologica et epistolae. II. Cosmologica. III. Miscellanea de rebus naturalibus

      [Bookseller: Ruuds Antikvariat]
 37.   Check availability:     Antikvariat     Link/Print  

        Études sur l´organisation du travail dans les usines. Première partie: La Taille des Métaux. Deuxième partie: Lemploi des Courroies. Troisième partie: La direction des Atiliers.

      Paris H. Dunod et E. Pinat 1907. Frontispiece + (2) + VI + 412 pp. + 3 folding tables. Quarto. Front wrapper preserved. Illustrations in the text. Contemporary calf backed marbled boards. Printers information pasted on front wrapper and title. Small stains on front wrapper and frontispiece and first 5 leaves. A few pencil annotations. Publication de la revue de Métallurgie

      [Bookseller: Antikvariat Thomas Andersson]
 38.   Check availability:     Antikvariat     Link/Print  

        Raum und Zeit: Vortrag, gehalten auf der 80. Naturforscher-Versammlung zu Köln am 21. September 1908.Leipzig & Berlin: B.G. Teubner, 1909. First seperate printing.

      "Minkowski introduced the concept of the space-time continuum in his 1907 paper on electronmagnetic phenomena in moving bodires [<i>Die Grundgleichungen für die elektromagnetischen Vorgänge in bewegten Körpern</i>] , but this paper, because of its highly technical language, did not claim the attention of more hat a few specialists. Minkowski attracted a much wider audience for his theories with this paper on 'Space and time'. Minkowski's idea made it possible for Einstein to expand the relativisty theory from its specific to its general form, and they became a framework for all later developments in relativity physics. 'Raum und Zeit' was originally published in Vol II (1909) of the <i>Verhandlungen</i> of the Deutscher Naturforscher und Aertze; it was later reprinted in the <i>Jahresberichte der Deutschen Mathematiker Vereinung</i>. The present offprint [as offered here] from the <i>Jahresberichte</i> was commissioned as a tribute after Minkowski's sudden and tragic death." (Norman). Norman 1514 (offprint); PMM 401 (journal issue).. 8vo (261 x 178 mm), original buff printed wrappers, pp [4] [1] 2-14 [2], half-tone portrait frontispiece after photograph by Emil Loges. Minimal wear to spine strip and a very light damp stain to rear wrapper, in all a very good copy

      [Bookseller: Sophia Rare Books]
 39.   Check availability:     Antikvariat     Link/Print  


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