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Displayed below are some selected recent viaLibri matches for books published in 1903

        The Red Triangle. Being some further Chronicles of Martin Hewitt: Investigator

      London, Eveleigh Nash. 1903, 1903. FIRST EDITION .304pp. Bound in original publisher's decorated blue cloth boards. Decorated with striking red triangle (framing Mr. Hewitt and some suitably Edwardian looking gentlemen) and titled in black and white to the front board and in gilt to the spine. Slight spotting to pages, a few faint ink numbers to flyleaf, minor wear to binding. A clean, attractive copy. 'The first important English writer of detective fiction after Conan Doyle was Arthur Morrison' (Haycraft). These are the final adventures of Morrison's faux Holmesian investigator, and the only novel in which Hewitt featured (the three previous books were story collections). His detective tales proved that when Morrison wasn't chronicling the trials and tribulations of shoeless East End urchins he was turning out some very good mysteries. Eric Quayle; The Collectors Book of Detective Fiction (1972). Howard Haycraft; Murder for Pleasure (1972), Graham Greene & Dorothy Glover; Victorian Detective Fiction (1966)

      [Bookseller: Adrian Harrington Rare Books]
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        Autograph Letter, signed ("George Gissing"), to James Winkle, concerning a request for a portrait and details of his literary life

      Villa Lannes, St. Jean de Luz, France 1903 - Ink on wove paper, 24 lines, 1-1/2 pp. on a bifolium. 1 vols. 8vo. 'My work is my autobiography'. A superb late letter from Gissing, a succinct answer to a request for a portrait and information:"Messrs Russell & Co. or Messrs Elliott & Fry can supply copies of photographs taken by them."As to the details of my literary life, I find I have nothing of interest to recount. Beyond the list of my books, & the facts that I began to publish much to early - (when I was 22) - I don't think anything much concerns the public or would be of any profit to it. My work is my autobiography, which those may read who care to do so."This valedictory line was published in "Who's Who in Literature", The London Magazine vol. XI, p. 184 (1903), with a photograph of Gissing credited to Elliott & Fry on the preceding page. The brief mention of this letter in the Gissing Newsletter did not identify any publication details.Gissing died on 28 December 1903. Gissing Newsletter 12:1 (Jan. 1976). Provenance: Al Slotnick Ink on wove paper, 24 lines, 1-1/2 pp. on a bifolium. 1 vols. 8vo [Attributes: Soft Cover]

      [Bookseller: James Cummins Bookseller, ABAA]
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        On the "Polar Star" in the Arctic Sea. By His Royal Highness Luigi Amedeo of Savoy, Duke of the Abruzzi, with the Statements of Commander U. Cagni upon the Sledge Expedition to 86 degrees 34 minutes North, and of Dr. A. Cavalli Molinelli Upon His Return to the Bay of Teplitz

      London: Hutchinson and co., 1903., 1903. First Edition. 2 volumes. Quarto. Bound in publisher's green cloth, displaying the Stella Polare in gilt to front board, gilt titles to spine. Illustrated with 212 illustrations in text, 16 full-page photogravure plates, 2 panoramas and 5 maps. With bookplate. Bindings show very well, some bumping to spine ends and a little to corners. Minor cracking to rear hinge showing through to the gauze, where the heavy text blocks have strained the cases a little. Internally clean and free from spotting. A descendent of the House of Savoy, Amedeo is famous for his voyages of adventure and discovery. These volumes recount, in his own words, his expedition to the North Pole, during which he lost two fingers to frost bite. Though unable to lead the final sled expedition to the pole itself thanks to his aforementioned injuries, his team made it to the Pole, beating Nansen's record by thirty five kilometers. Pictorial bookplate, "Robert A Murray" to front pastedowns.

      [Bookseller: Adrian Harrington Rare Books]
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        Treatyse of Fysshynge with an Angle. From the Book of St. Albans ? With an Introductory Essay on the Contemplative Man's favorite recreation by William Loring Andrews

      New York: Scribners, 1903. Limited to 160 copies on hand-made paper. [xii], lxxxvi, [x1 pp. Printed at the Gilliss Press from type cast specially for this book, patterned after the traditional old character first used by Wynkyn de Worde in his original 1496 edition. 1 vols. 8vo. Bound in limp vellum, gilt stamped, t.e.g. Two of four ties missing, else fine. Limited to 160 copies on hand-made paper. [xii], lxxxvi, [x1 pp. Printed at the Gilliss Press from type cast specially for this book, patterned after the traditional old character first used by Wynkyn de Worde in his original 1496 edition. 1 vols. 8vo.

      [Bookseller: James Cummins Bookseller]
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        Histoire des Lagides. I. Les cinq premiers Ptolemees (323-181 avant J.-C.); II. Decadence et fin de la dynastie (181-30 avant J.-C.); III. Les institutions de l'Egypte Ptolemaique I; IV. Les institutions de l'Egypte Ptolemaique II. [FOUR VOLUMES].

      Paris, Ernest Leroux, 1903-07.. Four volumes. Crown quarto. Pp. xii, 404; 410; 404; iii, 419. Addenda, index. Hardcover, uniformly bound in contemporary quarter black calf and marbled boards, spines with raised bands, gilt labels, each volume dated in gilt at foot of spine and with paper shelf label, marbled endpapers, triple-colour ribbon markers; some wear at head of a spine. A very good set in fine internal condition. Excellent interiors, rather bright and crisp. ~ First edition. [Note: we offer also: Lenormant, Francois: "Essai sur le classement des monnaies d'argent des Lagides" (Blois, Lecesne, 1855)]..

      [Bookseller: Librarium of The Hague]
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        Aucassin and Nicolete

      Portland: Thomas B. Mosher, 1903. Tall 12mo. Superbly bound by "W.S.H" in Arts and Crafts style in borwn crushed morocco with rectilinear ruling and lettering on both covers, spine with five raised bands and and six compartment flor de lis emblems, all stamped in gilt. Both inside covers have large doublures with dark green morocco panels and multiple repetitions of the flor-de-lis that appear on spine. Signed in rear doublure, "19 WSH 15." Possibly the work of W. S. Hadaway who was famous for his designs for Bruce Rogers' Friar Jerome's Beautiful Book. AEG. Inscribed, "To Father, from Will [?], 1915." Fine

      [Bookseller: Nudelman Rare Books]
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        The Durbar. Text by Dorothy Menpes. Illustrated by Mortimer Menpes. [De Luxe Edition]. 1000 COPIES WERE PRINTED

      A&C Black [1903] 4to., First Edition thus, on laid paper, with coloured frontispiece (original captioned tissue guard present) and 99 fine coloured plates (all original captioned tissue guards present); original ivory buckram, upper board and backstrip framed, blocked and lettered in gilt and colours, bevelled boards, gilt top, uncut, backstrip lightly browned, small neat repair at headband else a near fine copy. EDITION LIMITED TO 1000 COPIES NUMBERED AND SIGNED BY THE ARTIST (THIS COPY NO. 964). Inman 228

      [Bookseller: Island Books]
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        History of Early Steamboat Navigation on the Missouri River. Life and Adventures of Joseph la Barge. Pioneer Navigator and Indian Trader for Fifty Years Identified with the Commerce of the Missouri Valley. In Two Volumes

      New York: Francis P. Harper 1903, 1st edition limited to 950 copies. () xiv,248;[vii],[249]-461pp. Fine. Two volumes Octavo in original blue cloth, gilt top edge, others uncut with 12 plates (including frontispiece portrait in each volume). Very minor wear along top edge of Volume One, still a fine copy in original bindings. Series: American Explorers Series--IV. Early Steamboating on Missouri River. Vol. I and II..

      [Bookseller: Aquila Books]
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        Eigenh. Brief mit U. ("Giacomo Puccini").

      Paris, 3. X. 1903.. 1 S. auf Doppelblatt. 8vo. Auf Briefpapier des Hotel d'Orient.. An einen Signor Mikolt (?), dem er zu einer geplanten Verabredung bedauerlicherweise absagen müsse: "Avevo un impegno precedente per le 7 e como dolente non potermi trovare al rende[!]-vous. Mi vor[eb]be scusare tanto [...]".

      [Bookseller: Antiquariat Inlibris, Gilhofer Nfg. GmbH]
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        The Autobiography of a Beggar. Prefaced by Some of the Humorous Adventures & Incidents related in The Beggars' Club [Signed Presentation Copy]

      Small, Maynard & Co, Boston 1903 - Friedman's fourth book, following closely on his Rideout-listed socialist novel "By Bread Alone". A highly interesting association, inscribed to one of the foremost left-wing political cartoonists of the era. An uncommon book in any incarnation; this a particularly fresh and desirable copy. HANNA 1323. Octavo (19cm); red decorated cloth boards, stamped in white and black on spine and front cover; 350pp + ads. Frontispiece + 7 inserted leaves of plates after ink sketches by Willliam Glackens. Author's presentation to front endpaper: "To John T. McCutcheon - the "funny cove" referred to on page 341," dated June 5, 1903; unsigned, but in the author's characteristic hand. Tight, straight copy, slightly darkened (but still legible) on spine; Very Good to Near Fine. [Attributes: First Edition; Signed Copy]

      [Bookseller: Lorne Bair Rare Books, ABAA]
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        Report of Arbitration between the Bookbinding Trade Section of the London Chamber of Commerce and the London Societies of Journeymen Bookbinders before C.J. Stewart, Esq., Tha Arbitrator appointed by the Board of Trade. February-March, 903

      London: The Bookbinding Trade Section, 1903. First edition. 732, [8] pp. 1 vols. 8vo. Bound in contemporary full red levant morocco gilt for Presentation to the author by Morell, gilt edges stamped in gilt on the upper cover: "Presented to Charles J. Stewart Esq. by the Bookbinding Section of the London Chamber of Commerce and the United Societies of Journeymen Bookbinders. January 1904.". Provenance: Charles Stewart. First edition. 732, [8] pp. 1 vols. 8vo. Presentation Binding to the Author. The actual verbatim report of the arbitration proceedings between employers and journeymen in the bookbinding trade, an interesting contribution towards the history of bookbinding around 1900.

      [Bookseller: James Cummins Bookseller]
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        La lampe de Psyché. Widmungsexemplar.

      Paris, Mercure de France, 1903. - Orig.-Umschl. (lädiert, Rücken mit Filmoplast überklebt). 8vo. Vorsatzblatt mit eigenh. Widmung des Verfassers in engl. Sprache für Gerald Kelly. Erste Ausgabe. - Unbeschnitten, Ränder u. das Anzeigenbl. am Ende gebräunt. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Kotte Autographs GmbH]
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        Autograph letter signed to Arthur Lambton

      15 Buckingham Place Mansions: 30 June. One page in Conan Doyle's Buckingham Place Mansions letterhead. Housed in a quarter blue morocco slipcase. Folded for mailing and with a couple of short tears at the fold. Excellent. An interesting letter addressed to the criminologist and author Arthur Lambton. Doyle congratulates Lambton on his latest book and gives a brief critique and a few suggestions for improvements. An association of the first order. Lambton and Doyle were friends and associates for more than 30 years. Principally through their affiliation with the Crimes Club (later Our Society) founded by Henry Irving in 1903 as an institution devoted to the scholarly discussion of matters criminal. Early members of this exclusive club included George Sims, A. E. W. Mason, P. G. Wodehouse and Arthur Lambton. Doyle himself joined in 1904 and became one of the prime movers. His work on behalf of Oscar Slater and the intervention in the Edalji case was founded in discussions by members of the Crimes Club. Lambton himself is a somewhat mysterious figure. He published several important and well-regarded works on true crime and presided over the Crimes Club for 32 years.

      [Bookseller: Peter Harrington]
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        The Riddle of the Sands. - A Record of Secret Service Recently Achieved. [Inscribed / Signed] Edited by Erskine Childers. With two Maps and Two Charts.

      Smith, Elder & Co.,, London, 1903 - Second Impression. London, Smith, Elder & Co., 1903. 8°. Frontispiece Map, XII, 336, (4) pages. Hardcover / Modern grey cloth with gilt lettering and ornament on spine. The modern binding in impeccable condition. New endpapers. The folded Frontispiece - map with minor tear and a coffee-cup - stain. Titlepage slightly rubbed. Inscribed and signed by Erskine Childers: "For Rachel Warren - From her affectionate Uncle Erskine - Jan. 1904". Robert Erskine Childers DSC (25 June 1870 – 24 November 1922), universally known as Erskine Childers, was the author of the influential novel The Riddle of the Sands and an Irish nationalist who smuggled guns to Ireland in his sailing yacht Asgard. He was executed by the authorities of the nascent Irish Free State during the Irish Civil War. He was the son of British Orientalist scholar Robert Caesar Childers; the cousin of Hugh Childers and Robert Barton; and the father of the fourth President of Ireland, Erskine Hamilton Childers. In January 1901 Childers started work on his novel, The Riddle of the Sands, but initially progress was slow: it was not until winter of that year that he was able to tell Williams, in one of his regular letters, of the outline of the plot. At the end of the following year, after a hard summer of writing, the manuscript went to Reginald Smith at Smith Elder, but in February 1903, just as Childers was hoping to return to The HAC in South Africa, Smith sent back the novel, with instructions for extensive changes. With the help of his sisters, who cross-checked the new manuscript pages against the existing material, Childers produced the final version in time for publication in May 1903. Based on his own sailing trips with his brother Henry along the German coast, it predicted war with Germany and called for British preparedness. There has been much speculation about which of Childers's friends was the model for "Carruthers" in the novel and it seems that he is based not on Henry Childers but on yachting enthusiast Walter Runciman; "Davies", of course, is Childers himself. Because of The Riddle, Childers was invited to join the Savile Club, then a literary centre in London. Widely popular, the book has never gone out of print and in 2003, several centenary editions were published. The Observer included the book on its list of "The 100 Greatest Novels of All Time". It has been called the first spy novel (a claim challenged by advocates of Rudyard Kipling's Kim, published two years earlier), and enjoyed immense popularity in the years before World War I. It was an extremely influential book: Winston Churchill later credited it as a major reason that the Admiralty decided to establish naval bases at Invergordon, Rosyth on the Firth of Forth and Scapa Flow in Orkney. It was also a notable influence on authors such as John Buchan and Eric Ambler. (Wikipedia) Gretchen Osgood Warren (19 March 1868 – September, 1961), the wife of Fiske Warren, was an actress, singer and poet. The daughter of Dr. Hamilton Osgood and Margaret Cushing Osgood of Beacon Hill, Boston, Massachusetts, her younger sister was Mary Alden Childers, the wife of writer and Irish nationalist Robert Erskine Childers. Her nephew Erskine Hamilton Childers served as the fourth President of Ireland from 1973 to 1974. John Singer Sargent, the famed portraitist of Boston's elite, was commissioned by Warren's husband, Fiske Warren to paint her portrait in April 1903. The sitting was done in Fenway Court, then the home of legendary Boston fine arts czar; Isabella Stewart Gardner. Warren is seen seated in a chair with her daughter Rachel Warren. The painting is often considered to be one of Sargent's prime portraits and usually appears in Sargent Estate calendars and postcards. Later she was also photographed by portrait photographer Arnold Genthe. (Wikipedia) Sprache: English The modern binding in impeccable condition. New endpapers. The folded Frontispiece - map with minor tear and a coffee-cup - stain. Titlepage sli [Attributes: Hard Cover]

      [Bookseller: The Time Traveller's Bookshop Ltd.]
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        Herausgegeben von der Gesellschaft für vervielfältigende Kunst. XXVI. Jahrg. 1903. Wien, Gesellschaft für vervielfältigende Kunst, 1903. 2 Bll., 116 S., IV, 90 S., 1 Bl. Mit 8 Orig.-Radierungen, 1 Orig.-Farbholzschnitt u zahlr. Heliogravüren, sowie Licht- u. Kombinationsdrucken. Fol. HLwd. d. Zt. (etw. berieben).

      1903. . Mit der Original-Radierung 'Mutter an der Wiege ihres sterbenden Kindes' von Käthe Kollwitz (Klipstein 38 c) von 1897 auf chamoisfrabenem Velin, im Unterrand typographisch bezeichnet. Sowie mit weiteren Original-Radierungen von Richard Ranft, Felix Hollenberg (3), Fritz Pontini, Georg Erler und Erzherzog Heinrich Ferdinand und Farbholzschnitt von Charles H. Shannon (dieser von Tafel gelöst).- Mit den Mitteilungen bzw. Beilagen.- Die Tafel 'Alte Kirche in der Eifel' von Fritz Hoch liegt lose bei.- Vereinzelt etwas stockfleckig.

      [Bookseller: Antiquariat Schramm]
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        Upper Coquetdale. Its History, Traditions, Folklores and Scenery

      Newcastle upon Tyne: Robert Redpath. VG: in very good condition. Light edgewear and bumping. Marbled eps. TEG. 1903. No. 137 of a limited "Edition de Luxe" of 200. Quarter-calf cover over green boards. 285mm x 220mm (11" x 9"). x, 498pp + index. Tissue-guarded frontispiece ('Cragside') plus 21 full-page engraved plates. .

      [Bookseller: Barter Books Ltd]
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        L'Ermitage - Revue artistique et littéraire Année complète 1903 EDITION ORIGINALE

      Paris: Bureaux de la Revue, 1903. Fine. Bureaux de la Revue, Paris 1903, 11,5x18,5cm, 2 volumes reliés. - Originale.binding Edition Editor at bradel half dark green calico, smooth back, as part of black morocco, small gilded iron and double gold mesh queue.Douze January to December 1903. Hedges numbers conservées.Chaque number is illustrated with a literary xylographie.Contributions Henry Ghéon, André Gide ("Bathsheba, dramatic poem"), Charles Guerin, Walt Whitman, Francis Jammes, Nietzsche ("European Nihilism") etc.Publication founded in 1890 by Henri Mazel, the Hermitage is a monthly magazine belonging to the first wave of small symbolist journals. In 1895, the magazine between declining and its new director, Edouard Ducoté, uses André Gide. The editorial team is reduced to twelve regular collaborators, friends Gide. After many difficulties and attempts to overhaul the editorial team (Remy de Gourmont to make a pass and will also contribute financially in 1905), Hermitage breathed his last in 1906. L'Ermitage manages to detach other important magazines of the time like the Mercure de France or La Revue blanche because it boasts eclectic and apolitical; on its cover, you can also read that it is "the only journal that deals with politics or sociology [but] that deals only with literature and art." His illustrations are small art nouveau, and, true to his symbolist spirit, employees are more interested in poetry than fiction. Tiphaine Samoyault, French literary critic, believes that the Hermitage expresses a transition straddling the end of the century aesthetics and poetry avant-garde of the 1910s. --- Please note that the translation in english is done automatically, we apologize if the formulas are inaccurate. Contact us for any information! - [FRENCH VERSION FOLLOWS] Edition originale. Reliure de l'éditeur à la bradel en demi percaline verte foncée, dos lisse, pièce de titre de maroquin noir, petit fer doré et double filet doré en queue. Douze numéros de janvier à décembre 1903. Couvertures conservées. Chaque numéro est illustré d'une xylographie. Contributions littéraires de Henri Ghéon, André Gide ("Bethsabé, poème dramatique"), Charles Guérin, Walt Whitman, Francis Jammes, Nietzsche ("Le Nihilisme européen"), etc. Publication fondée en 1890 par Henri Mazel, l'Ermitage est une revue mensuelle appartenant à la première vague des petites revues symbolistes. Dans les années 1895, la revue entre en déclin, et son nouveau directeur, Edouard Ducoté, fait appel à André Gide. L'équipe de rédaction est alors réduite à douze collaborateurs réguliers, amis de Gide. Après de multiples difficultés et tentatives de remaniement de l'équipe rédactionnelle (Remy de Gourmont y fera un passage et y contribuera également financièrement en 1905), l'Ermitage rend son dernier soupir en 1906. L'Ermitage parvient à se détacher d'autres revues importantes de l'époque comme le Mercure de France ou la Revue blanche car elle se revendique éclectique et apolitique ; sur sa couverture, on peut d'ailleurs lire que c'est "la seule Revue qui ne s'occupe ni de politique ni de sociologie [mais] qui traite uniquement de littérature et d'art." Ses petites illustrations sont de style art nouveau, et, fidèle à son état d'esprit symboliste, ses collaborateurs s'intéressent davantage à la poésie qu'au roman. Tiphaine Samoyault, critique littéraire française, estime que l'Ermitage exprime une transition à cheval sur l'esthétisme fin de siècle et la poésie d'avant-garde des années 1910.

      [Bookseller: Librairie Le Feu Follet]
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        The Romance of Tristan and Iseult

      George Allen 1903, London - 137 [5] 137, [4] pp., Illustrated with beautiful full colour plates by Robert Engels. Numbered edition of 300 copies (no.229). Lovely bottle green half morocco over green cloth boards by Riviere. AEG. Minor fading to leather, subtle fading to cloth. Wonderful itrem.

      [Bookseller: Stephen Foster - ABA ILAB & PBFA]
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        Mankind in the Making

      London: Chapman & Hall, 1903. First British edition. Octavo, original blue cloth. Inscribed by the author on the half title page, "To Miss [Elizabeth] Healy. with kind regards from H.G. Wells." In very good condition with light wear to the extremities. Mankind in the Making is Wells's sequel to Anticipations. It analyzes the "process" of "man's making," i.e. "the great complex of circumstances which mould the vague possibilities of the average child into the reality of the citizen of the modern state." Taking an aggressive tone in criticizing many aspects of contemporary institutions, Wells proposed a doctrine he called "New Republicanism," which "tests all things by their effect upon the evolution of man.

      [Bookseller: Raptis Rare Books, ABAA/ ILAB]
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        History of Egypt, Chaldea, Syria, Babylonia and Assyria, by G. Maspero. Volumes X, XI, and XII by S. Rapoport. Volume XIII by L. W. King and H. R. Hall. Edited by A.H. Sayce and Translated by L.M. McClure

      London: The Grolier Society, 1903-1906., 1903. The Edition de Luxe, Limited to 1000 copies of which this is No. 359. Complete in 13 volumes, large octavo. Bound in recent dark green half morocco with raised bands and gilt titles to spines, green cloth boards, top edges gilt others untrimmed. Containing over 1200 plates and illustrations, some plates in 2 states, including frontispieces, of which one is hand coloured. A superb set, beautifully printed on vellum paper and generously illustrated.

      [Bookseller: Adrian Harrington Rare Books]
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        The Works

      New York: The Colonial Company,, 1903. Originally in Ten Volumes. Extended to Twenty Volumes. Newly Collected and Edited, with a Memoir, Critical Introductions and Notes by Edmund Clarence Stedman and George Edward Woodberry. With Over Fifty Full-Page Illustrations. 20 volumes, octavo (212 × 139 mm). Contemporary brown half morocco, brown morocco label, marbled sides, raised bands, titles and decorations to compartments gilt, monogram to front boards gilt, top edges gilt, others untrimmed, marbled endpapers. Colour frontispiece to Volume I, engraved plates throughout. Extremities slightly rubbed, margins of text blocks very gently toned. An excellent set. The Autograph edition, one of a limited edition of 150 numbered copies signed by the editors and publisher on the limitation leaf. The set collects all of Poe's works together with a biographic memoir and six volumes of literary criticism. Editors Edmund Clarence Stedman and George Edward Woodberry were both well-known poets, literary critics, and scholars. Woodberry was also a noted authority on Edgar Allan Poe, and his 1884 biography of the author became the standard text. A very attractive set.

      [Bookseller: Peter Harrington]
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        Cinq Semaines en Ballon EDITION ORIGINALE

      Paris: Hetzel, 1903. Fine. Hetzel, Paris s.d. [1903-1904], Grd. in 8 (18,5x28cm), relié. - First Edition illustrated. Illustrations L. Benett. Cardboard editor golden globe, or said, in the world map. Plate signed Blancheland connected by Souze. Back to the lighthouse. Second board Engel Type "h" according Jauzac. Back evenly and slightly past. Caps and corners slightly rubbed. Guards and blue contreplats home a little past. Good copy. --- Please note that the translation in english is done automatically, we apologize if the formulas are inaccurate. Contact us for any information! - [FRENCH VERSION FOLLOWS] Edition originale illustrée. Illustrations de Riou et de Montaut. Cartonnage d'éditeur au globe doré, ou dit à la mappemonde. Plaque signée Blancheland, reliée par Engel. Dos au phare. Second plat de type Engel "h" selon Jauzac. Quelques traces de frottements sur le premier plat avec légère perte d'or. Dos uniformément et légèrement passé. Gardes et contreplats bleus d'origine un peu passés. Rousseurs éparses sinon bon exemplaire.

      [Bookseller: Librairie Le Feu Follet]
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        Parrakeets Handbook to the Imported Species.

      Pub. R.H.Porter. 1903 - pp. xviii, 281 with 20 colour lithographed plates and many text illus. Contents beautifully clean and in fine condition. This work was originally released in 6 parts between June 1902 and October 1903. The front covers of each of these parts have been bound in to the rear of this volume. Bound in red cloth with gilt lettering to spine. A fine copy. David Seth Smith’s work on parrots and parakeets was one of the last fine bird books illustrated with hand coloured lithographs. The artists who drew the illustrations included some of the finest bird artists, such as Gronvold, Frohawk, Goodchild and Renaut. The lithographs were printed by Mintern Brothers ( famous for printing many of John Gould’s bird prints) and Bale & Danielson, then coloured by hand. [Attributes: Hard Cover]

      [Bookseller: C. Arden Bookseller]
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        The Call of the Wild

      MacMillan Company 1903 - A near fine first edition (correct statement on copyright page) in a very good original dust jacket that is unrestored, rare thus. Laid in is a check signed by Jack London. Housed in a custom-made collector's slipcase. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Bookbid]
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        History of Egypt, Chaldea, Syria, Babylonia and Assyria, by G. Maspero. Volumes X, XI, and XII by S. Rapoport. Volume XIII by L. W. King and H. R. Hall. Edited by A.H. Sayce and Translated by L.M. McClure

      London: The Grolier Society, 1903-1906., 1903. The Edition de Luxe, Limited to 1000 copies of which this is No. 359. Complete in 13 volumes, large octavo. Bound in recent dark green half morocco with raised bands and gilt titles to spines, green cloth boards, top edges gilt others untrimmed. Containing over 1200 plates and illustrations, some plates in 2 states, including frontispieces, of which one is hand coloured. A superb set, beautifully printed on vellum paper and generously illustrated.

      [Bookseller: Adrian Harrington Rare Books]
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        Annual Report upon the Military Forces of the Commonwealth of Australia . with Appendices. Melbourne, 1st May, 1903

      Melbourne, Government Printer, 1903 - Foolscap folio, 38, 27 (the last one a large folding chart), 21, [3] (blank) pages. Stapled as issued; first and last leaves a little marked, with a few small marginal chips stabilised; mild signs of use; a very good copy with a cancelled Australian War Memorial Library stamp on the first page and two small library labels at the rear. A Commonwealth Parliamentary Paper (F4060; the appendices have their own reference numbers). Major-General Sir Edward Hutton (1848-1923) was commandant of the New South Wales Military Forces from 1893 to 1896. He returned to England a convinced Imperialist, and quickly began to propagate his ideas on Australian defence. In a widely-reported address, the concept of the Australian soon to be popularized by C.E.W. Bean was already discernible: 'The Australian is a born horseman. With his long, lean muscular thighs he is more at home on a horse than on his feet, and is never seen to a greater advantage than when mounted and riding across bush or a difficult country. Fine horsemen, hardy, self-reliant, and excellent marksmen, they are the beau ideal of Mounted Riflemen. Accustomed to shift for themselves in the Australian bush, and under the most trying conditions of heat and cold, they would thrive where soldiers unaccustomed to bush life would die. In 1901 the first Australian government appointed Hutton to command and organize its land forces' (Australian Dictionary of Biography). This is his important first report, outlining his plans for the Commonwealth forces. The AWM has perhaps erred in deleting this copy from its stock: the letters 'GOC' (General Officer Commanding) in red pencil on the cover indicate that it was none other than Major-General Sir Edward Thomas Henry Hutton's personal copy! The lengthy appendix 'Scheme of Organization of the Military New South Wales Field Force . and into Garrison Troops' has numerous pencil annotations (some relating to the presence of drill halls and rifle ranges in different areas). Loosely inserted is a mimeographed sheet (foolscap folio, folded twice), headed 'No. 24 Light Horse School. Sydney February 18th to 29th, 1904. Synopsis of Work' - how rare is that? Not in Dornbusch; Fielding and O'Neill, page 167. Use [Ask Bookseller a Question] option below to confirm availability.

      [Bookseller: Michael Treloar Antiquarian ANZAAB/ILAB]
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        The Call of the Wild

      New York: The MacMillan Company, 1903. First edition. Octavo, original pictorial green cloth, pictorial endpapers, top edge gilt. Near fine in a the original dust jacket with a few small chips to the crown of the spine and front panel. The Call of the Wild is "one of the first American novels to examine the quest of the pioneering individual who breaks away from the sheltered environment of civilization and is romantically compelled to find freedom in nature. In the early part of the century this was considered the American dream" (Parker, 16).

      [Bookseller: Raptis Rare Books, ABAA/ ILAB]
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        The Autobiography of Benjamin Franklin

      The Lakeside Press, 1903. Hardcover. Very Good. Chicago: The Lakeside Press, 1903. Green cloth hardcover. 264 pp. About very good, no jacket, as issued. Wear to the extremities, including fraying at the spine ends and bumping of the board corners. Small tear in the cloth at the head of the spine, obscuring the top line of the gilt title. Top edge gilt rubbed. Internally clean. The first issue of the Lakeside Classics.

      [Bookseller: Stick Figure Books (ABAA/ILAB)]
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        Des connus et des inconnus EDITION ORIGINALE ENVOI AUTOGRAPHE

      Paris: S.n., 1903. Fine. S.n., Paris 1903, 24x31cm, reliure de l'éditeur. - First edition of the first book of the author for which it was not drawn large papers. Binding Editor half canvas fir, almond cardboard dishes cleared first flat with two small snags restored, laces connecting the dishes are missing. Dated and signed autograph dedication from the author to actor and director Pierre Magnier. Preface by Alfred Capus. Book illustrated with 25 drawings by the author. A few small bites. Very rare copy of the first book of the author enriched sending an autograph signed by the author to a silent film pioneer. - [FRENCH VERSION FOLLOWS] Edition originale du premier ouvrage de l'auteur pour lequel il n'a pas été tiré de grands papiers. Reliure de l'éditeur en demi toile sapin, dos lisse orné d'un fleuron doré, plats de cartonnage amande, premier plat éclairci comportant deux petits accrocs restaurés, les lacets reliant les plats sont manquants. Envoi autographe daté et signé de l'auteur au comédien et réalisateur Pierre Magnier enrichi d'un dessin au crayon de papier. Préface d'Alfred Capus. Ouvrage illustré de 25 dessins de l'auteur. Quelques petites piqûres. Très rare exemplaire du premier ouvrage de l'auteur qu'il publia à 18 ans et consistant en un recueil de 25 caricatures enrichi d'un envoi autographe signé de Sacha Guitry à un pionnier du cinéma muet.

      [Bookseller: Librairie Le Feu Follet]
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      New York: Dodd, Mead and Company, 1903.. [6],307pp. Octavo. Dark brown cloth, lettered in gilt, ruled in green, with onlaid pictorial vignette. Frontis and plates by Martin Justice. Mild rubbing to edges and vignette, some occasional finger smudges and a few tiny spots at the fore-edges of a few leaves, but a very good, tight copy. First edition, first printing, BAL's binding A. n important presentation copy, inscribed by the author on the dedication page: "To my Friend, William A. Burns. Sincerely yours, Paul Laurence Dunbar," and with the recipient's ownership stamp in the upper margin of page [5], partially enhanced in manuscript, adding 'Library of'. Dr. William "Bud" Burns, a treasured friend of Dunbar as well as the physician who treated him for tuberculosis, was a member of the Montgomery County Medical Society of Ohio, the first black physician so honored. In PAUL LAURENCE DUNBAR, POET, (Los Angeles, Holloway House, 1993, p. 182) Tony Gentry writes: "Dunbar had believed for some time that his days were numbered, and in November 1905, he suffered a major blow: Bud Burns died suddenly. Dunbar's mother begged her son not to attend Burns' funeral and risk the damp wind at the cemetery, but he would not listen to her. He stood bareheaded during the funeral services while his friend's body was lowered into the ground. Devastated by Burns' death, Dunbar wrote at Christmas, 'Like the fields I am lying fallow. And it will take a long time to make anything worth coming out in blossom.' It was a bitter winter in Dayton. The new year came around blowing snow and ice. Dunbar's mother made a bed for her son by the fire in the living room, where he could rest and keep warm. But on February 9, 1906, his ravaged lungs gave out at last. Paul Laurence Dunbar died in his mother's arms at the age of thirty-three." Presentation copies of such significance of works by Dunbar are uncommon. BAL 4946. SMITH D- 597. WORK, p.463.

      [Bookseller: William Reese Company - Literature ABAA-]
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        TERRIERS and TOYS: TWENTY-FIVE PHOTOGRAVURES Including His Majesty The King's Irish Terrier "Jack" (Complete)

      London: Berlin Photographic Company, 1903. Earl, Maud (British, 1863-1943). TERRIERS & TOYS: Twenty five photogravures, including His Majesty The King's Irish Terrier 'Jack.' London: The Berlin Photographic Company, 1903. Five leaves (title, half-title, contents) on laid paper with the Abbey Mills and crown watermark, the photogravures on wove paper. Signed and numbered 190/500 in brown ink. Printed by the Chiswick Press. The photogravures loose within the original olive green portfolio, folio, 23 1/16" x 18 1/8 in. (58.5 x 45 cm.) This is a superb example of the complete folio, originally produced in tandem with Earl's one-woman show at Graves's Galleries in London in 1903. Light wear and scuffing to portfolio; skillfully repaired tears to title leaf and half-title leaves, some browning to the mounting sheets; occasional foxing to the prints themselves but despite small flaws, Very Good indeed. The original subscription price was a whopping (for the era) seventy guineas and the entire limitation of 500 was sold out by the following year according to the records of The Berlin Photographic Company. World Cat records not a single institutional library copy. There are few recorded auction records, the high mark for a complete TERRIERS & TOYS is $21,600 set in 2006, and the most current example to appear at public sale fetched $10,000 in 2014. Maud Earl is generally considered Britain's most famous and accomplished female canine artist. She was commissioned to paint dogs belonging to both Queen Victoria and King Edward VII; she further exhibited regularly at the Royal Academy, and held several one person exhibitions in London, including the one celebrated by this portfolio which represents an extraordinary record of pure bred terriers and toy dogs from the turn of that century. Gray's Sporting Journal describes Maud Earl's graceful and charming, uncluttered compositions "as being of spirited style and light touch, her dogs are carefully drawn with just enough loosely painted detail to suggest a narrative behind the subject's name, for example, linking it to its homeland. Her appreciation of negative space resulted in balanced, bright, and airy arrangements." Her portrait of Edward VII's Irish Terrier "Jack" honored with pride of place herein is one of the more reproduced British dog portraits (Maud Earl's original painting of "Jack" was originally hung at Buckingham Palace inn 1907, now hanging at Marlborough House). An uncommon opportunity for the advanced collector.. Signed by Illustrator. First Edition. Very Good. Illus. by Maud Earl. Folio - over 12" - 15" tall.

      [Bookseller: Lakin & Marley Rare Books]
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        Traité de Pathologie Mentale, I-II. [TWO VOLUMES].

      Paris, Octave Doin 1903 - Two volumes. Quarto. Paginated consecutively. Pp. xiv, 800; 801 to 1600. Plus 6 chromolithographic plates. With 215 illustrations to text. Many multicolour graphs. Hardcover, uniformly bound in plasticized contemporary quarter calf and marbled boards (part of one spine exposed of plasticization), cloth French corners, spines with raised bands between five compartments, gilt lettering-piece to each, gilt embossed volume number, small shelf label at foot; old institutional stamp, small card pocket to each volume. In a very good condition. Neat, handsome set. ~ First edition. Provenance: Formerly in the library of the Psychiatric Institution Endegeest, Leiden.

      [Bookseller: Librarium of The Hague]
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      Columbus, Ohio: The Ohio State University: , 1903. Columbus, Ohio: The Ohio State University 1903. An interesting original photo-illustrated typed manuscript presented for the degree of Bachelor of Science in Horticulture and Forestry at Ohio State University. Asserting that "the one who takes the most interest in home surrounding lays the best foundation for other undertakings," Long proposes solutions to making a country home where no previous improvements exist and discusses, to a lesser extent, conditions where old improvements are in need of change and improvement. His chapters cover: selecting the site (for convenience and beauty); laying out the grounds and arranging the buildings (outbuilding the neighbors is "an unworthy motive"); planning the country residence (convenience, beauty, economy of space and durability); grading and general improvements (re-use excavated soil and aim for luxuriant lawn and shrubbery); planting trees and shrubs (plant common trees of the forest rather than "puffed up varieties of catalogs" and plant with an eye to the vista); designing walks, drives and entrances (no right angles!) improving older homes (the lawn is of paramount importance). Following the text are nine full-page original photographs mounted on heavy stock with text opposite offering commentary. Long considers these as supplementary to his thesis. Figure 1 is a perfectly planted lawn with a woman in turn-of-the century dress holding a basket of flowers; Figure 2 displays successful street planting and a horse-drawn carriage; Figure 3 is a tree and shrub planting on small grounds; Figure 4 shows planting as background and protection; Figure 5 demonstrates planting for a "cozy corner" with two figures in period dress; Figure 6 - the placement of a large home within the grounds; Figure 7 - a well-planted lawn sweeping around to the rear of the house; Figure 8 is the scene at Figure 1 from a different viewpoint; Figure 9 reveals the open effect created by continuing planting around the house. These amateur photographs have great appeal and certainly demonstrate widely applied principles which created much of the middle class residential American landscape at the turn of the century. Bound typed manuscript, 27 x 21 cm, 28 unnumbered pp. with text typed (or mimeographed) on rectos only + 9 plates of original photographs, measuring 12 x 15.7 cm, with 9 ff. opposite providing typed commentary; a few tissue guards to photos removed , but laid in at front. Bound in blue buckram with gilt lettered and decorated leather title piece pasted down on upper cover; tissue guards removed from three of the photographs, but kept and laid into the book; a few of the photographs show some spots from development process and there is occasional light fading, mostly along edges; otherwise very well preserved.

      [Bookseller: Hinck & Wall]
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        Hombres (Hommes) EDITION ORIGINALE Tirage de tête

      Ne se vend nulle part [Paris]: Imprimé sous le manteau, 1903. Fine. Imprimé sous le manteau, Ne se vend nulle part [Paris] 1903, 11,5x19cm, relié sous étui. - First Edition "printed "under the counter", being circulated sub rosa" to 525 copies, ours, one of 25 copies on Japan scholars, leading copy; Copy of the first edition with pages 44,45 and 46 encrypted 46,47,48 error and corrected ink. Bound in full red morocco, spine with four nerves, on casters golden headdresses, highlighted by a golden thread cutting, framing a golden thread on contreplats lined morocco tree guards lined silk tree, following warnings paper the tank, all edges gilt, covers and spine preserved, bordered red case and inside morocco felt fir, elegant Noulhac signed and dated 1917. Very slight traces of minor friction on the case. Frontispiece, a portrait of Verlaine in blood by Frédéric-Auguste Cazals. Rare and very beautiful copy perfectly prepared by Noulhac. . --- Please note that the translation in english is done automatically, we apologize if the formulas are inaccurate. Contact us for any information! - [FRENCH VERSION FOLLOWS] Edition originale "imprimée sous le manteau" à 525 exemplaires, le nôtre, un des 25 exemplaires lettrés sur Japon, tirage de tête.  Exemplaire de premier tirage avec les pages 44,45 et 46 chiffrées par erreur 46,47,48 et corrigée à l' encre. Reliure en plein maroquin rouge, dos à quatre nerfs, roulettes dorées sur les coiffes, coupes soulignées d'un filet doré, encadrement d'un filet doré sur les contreplats doublés de maroquin sapin, gardes doublées de soie sapin, gardes suivantes de papier à la cuve, toutes tranches dorées, couvertures et dos conservés, étui bordé de maroquin rouge et intérieur de feutrine sapin, élégante signée de Noulhac et datée de 1917. Très légères traces de frottements sans gravité sur l'étui. En frontispice, un portrait de Verlaine en sanguine par Frédéric-Auguste Cazals. Rare et très bel exemplaire parfaitement établi par Noulhac.

      [Bookseller: Librairie Le Feu Follet]
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        Atlas der Heilpflanzen des Prälaten Kneipp. Bildlich dargestellt durch Margarethe Fürstin von Thurn und Taxis.

      Wunderling, (1903)., Regensburg, - 4°. Chromolith. Tit., chromolith. Widmungsblatt, 1 Textblatt (Vorwort), 188 (186 num., 2 außerhalb der Zählung) chromolith. Pflanzentaf., 20 chromolith. alphabet. Zwischentitel-Bll., 21 chromolith. Register-Bll mit farb. Illustr. nach Aquarellen von Margarethe Fürstin von Thurn und Taxis. Farb. illustr. Orig.-Lwd. mit goldgepr. Tit. Nissen, BBI 1008 n. - Erste Ausgabe. - Die Pfanzen alphabetische geordnet nach irer lateinischen bezeichnung. Die Texte unterhalb der Bilder mit lateinischer und deutscher Bezeichnung, Fundort und Verwendung. - Die Taf. teilweise unten hs. bezeichnet. Anfangs oben im weissen Rand gering wasserrandig. Bindung gerostet. Vord. Innengelenk verstärkt. Vord. Außengelenk geklebt. Vorderdeckel leicht, Rückdeckel stärker (wasser)fleckig und berieben. Insges. noch gutes Exemplar. [Attributes: First Edition; Hard Cover]

      [Bookseller: Antiquariat Lutz-Peter Kreussel]
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      1903. LARKIN, Edgar L[ucien]. RADIANT ENERGY AND ITS ANALYSIS: ITS RELATION TO MODERN ASTROPHYSICS. Illustrated. Los Angeles, California: Baumgardt Publishing Company, [1903]. Small 8vo., decorative blue cloth, stamped in black & white; 335 pages. First Edition. Edgar Lucien Larkin was appointed director of the Lowe Observatory in 1900 and remained in that position for 25 years. "Radiant Energy" is a compilation of works published in the "San Francisco Examiner" from February through August 1902. In 1910, a fire in a storage building destroyed the plates and extra copies of this title and Larkin had to bear the entire expense of his loss. Signed presentation from Larkin on the front endpaper: "To Charles W. Caryl, with the compliments of the Author, Edgar L. Larkin. Oct. 6- '03." Below is written in another hand (presumably Caryl's): "Presented to Mr. W. P. Carstarphen by Mr. Caryl." I have no information on Caryl but Carstarphen was a radio pioneer. Work on a wireless radio design began in 1901 in the shop co-owned in Denver. The shop eventually became the Carstarphen Electric co., which was involved in early radio design and manufacture. A scarce title, especially inscribed by Larkin, whose autograph appears to be uncommon. Good (contents clean & tight with some rubbing, especially to spine; a one-inch & three-inch narrow red stain on rear cover; hinges cracked but still tight; two signatures askew). $750.00.

      [Bookseller: Antic Hay Books]
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        [Two volumes of personal photographs taken in South Africa and England]

      1903-1904. 2 vols., squarish 8vo photo albums, containing a large number of photographs shot in the vicinity of Middelburg and Cape Town, SA. Photographs are set into page slots, with descriptions and place names written in the margins in black ink throughout. Some bumping and wear to albums, photographs slightly rubbed in places, for the most part in very good to near fine condition. An extraordinary set of photographs (roughly 100 in all, in two albums) from Colonial South Africa taken just over a century ago, with images of farmland, horses (portraits, polo, and cavalry exercises), soccer, cricket, Cape Town and the port, Table Mountain, Oulton Broad, all labeled in manuscript.

      [Bookseller: John Windle Antiquarian Bookseller]
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      Paris: Hetzel, 1903. Fine. Hetzel, Paris s.d. (1903), 12x19cm, 2 volumes reliés. - First edition for of wich no leading copies exists. Binders half shagreen fir corners, back with five bands, marbled paper plates, guards and contreplats of handmade paper, mounted on blankets kept tabs, binders modern pastiches. Very rare autograph dedication signed by the author [Achilles] Tournier, then prefect of the Somme, enriched with a card of Jules Verne mounted tab. Book featuring original illustrations by L. Benett. Jules Verne settled in Amiens, the hometown of his wife in 1871: "On the desire of my wife I set in Amiens, city wise, polite, even-tempered, the company is friendly and literate. It is close to Paris, enough to have reflected, without the unbearable noise and churning. And to be honest, my St. Michael tied up at Crotoy. ". His affection for the region will continue to grow and it never left the capital of Picardy, is actively involved in local politics. Appointed director of the Academy of Sciences, Arts and Belles Lettres in 1875 he delivered on this occasion a famous speech: "Ideal City: Amiens in 2000" In 1888 he was elected to the city council of Amiens, where he served until 1903 This is the prefect of the Somme who gave him his decoration when he was promoted to Officer of the Legion of Honor in 1892, "People often ask me why I live in Amiens, I who am so totally Parisian instinct. well, because, as I told you, I Breton blood, and I love the peace, and I could be happier than in a cloister. A quiet study and work life is my joy. "(June 1893, in McClure's magazine). Beautiful copy. --- Please note that the translation in english is done automatically, we apologize if the formulas are inaccurate. Contact us for any information! - [FRENCH VERSION FOLLOWS] Edition originale pour laquelle il n'a pas été tiré de grands papiers. Reliures à la bradel en demi veau bronze, dos lisses ornés de filets dorés, plats de papier marbré, couvertures montées sur onglets conservées, reliures pastiches modernes signées de P. Goy & C. Vilaine. Très rare envoi autographe signé de Jules Verne à [Achille] Tournier, alors préfet de la Somme, enrichi d'une carte de visite de Jules Verne montée sur onglet. Ouvrage orné d'illustrations originales de L. Benett. Jules Verne s'installe à Amiens, ville natale de sa femme, en 1871: « Sur le désir de ma femme je me fixe à Amiens, ville sage, policée, d'humeur égale, la société y est cordiale et lettrée. On est près de Paris, assez pour en avoir le reflet, sans le bruit insupportable et l'agitation stérile. Et pour tout dire, mon Saint-Michel reste amarré au Crotoy. ». Son affection pour la région ne cessera de croître et il ne quittera plus la capitale picarde, participant activement à la vie politique locale. Nommé directeur de l'Académie des Sciences, Belles-Lettres et Arts, en 1875 il prononce à cette occasion un discours resté célèbre : "Une Ville idéale : Amiens en l'an 2000." En 1888 il est élu au conseil municipal d'Amiens où il siège jusqu'en 1903. C'est le préfet de la Somme qui lui remet sa décoration lorsqu'il est promu officier de la légion d'honneur en 1892. "Les gens me demandent souvent, pourquoi je réside à Amiens, moi qui suis si complètement Parisien d'instinct. Eh bien, parce que, comme je vous ai dit, j'ai du sang breton, et que j'aime la tranquillité, et je ne pourrais être plus heureux que dans un cloître. Une vie calme d'étude et de travail fait ma joie. " ( juin 1893, in Mac Clure's magazine). Bel exemplaire.

      [Bookseller: Librairie Le Feu Follet]
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        Osteuropäische und ostasiatische Streifzüge Ethnologische und historisch-topographische Studien zur Geschichte des 9. und 10. Jahrhunderts (ca. 840-940)

      Theodor Weicher, Leipzig 1903 - Einband wasserfleckig, Ecken und Kanten etwas bestossen, Rücken berieben, innen gut, fest, sauber, keine Anstreichungen Hinweis: Wir versenden als Brief im Luftpolsterumschlag, bzw. Päckchen/Paket. Auf Wunsch verschicken wir als Büchersendung (bis 500g 1,50 Euro, bis 1000g 2,20 Euro in Deutschland), allerdings kann hier die Laufzeit bis zu 2 Wochen betragen. deutsch 557 pages. 8 [Attributes: Hard Cover]

      [Bookseller: Der Bücherhof]
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        Porta Latina ( Rom)", 1903.

      - Aquarell 14 x 20 cm, signiert u. datiert. (Switbert Lobisser, Tiffen 1878 – 1943 Klagenfurt) [Attributes: Signed Copy]

      [Bookseller: Galerie Magnet]
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        Poems of Passion

      Gay and Bird 1903 - Extremely rare binding executed by Miss M. Marshall and Edith J. Gedye (with their collaborative monogram on rear dentelle, "M & G 1905"). Superb light tan pigskin with elaborate inlaid red and green florets comprising stylized petal and flower motif, inlaid red spheres and stippling throughout, gilt ruled dentelles. Miss Marshall was a binder at 5 Bloomsbury Square where Sangorski and Sutclissfe had their first bindery in the early 1900's and worked collaboratively with Edith J. Gedye early on in their careers. They exhibited their bindings in 1903 and 1906 at A&CES Exhibitions and were active selling their work through 1907 (see Tidcombe). As well, Gedye went on to produce excellent quality bindings up to 1920. The binding here represents an early collaboration of these two fine women binders. Some corner wear, slight wear. A rare binding indeed. [Attributes: First Edition; Hard Cover]

      [Bookseller: Nudelman Rare Books]
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        Histoire des Lagides. I. Les cinq premiers Ptolémées (323-181 avant J.-C.); II. Décadence et fin de la dynastie (181-30 avant J.-C.); III. Les institutions de l'Égypte Ptolémaique I; IV. Les institutions de l'Égypte Ptolémaique II. [FOUR VOLUMES]

      Paris, Ernest Leroux, 1903-07.. Four volumes. Crown quarto. Pp. xii, 404; 410; 404; iii, 419. Addenda, index. Hardcover, uniformly bound in contemporary quarter black calf and marbled boards, spines with raised bands, gilt labels, each volume dated in gilt at foot of spine and with paper shelf label, marbled endpapers, triple-colour ribbon markers; some wear at head of a spine. A very good set in fine internal condition. Excellent interiors, rather bright and crisp. ~ First edition. [Note: we offer also: Lenormant, François: ?Essai sur le classement des monnaies d'argent des Lagides? (Blois, Lecesne, 1855)].

      [Bookseller: Librarium of The Hague]
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