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Displayed below are some selected recent viaLibri matches for books published in 1894

        Stories of Golf collected by William Knight and T.T. Oliphant with Rhymes on Golf by various hands also Shakespeare on Golf etc

      London: William Heinemann. 1894. First. Enlarged edition. Illustrated green cloth. Moderately cocked, and endpapers a little foxed, else near fine. Donovan & Murdoch 3300. .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
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        Am Quell. Radierung in Dunkelgrün.

      - 1894. Unten rechts in der Platte monogrammiert: H.V., darunter in Bleistift signiert. 20,6 : 11,9 auf Simili-Japan 24,9 : 15,1 cm. – Gerahmt. Rief 1/II/a oder b (von II d). – Die erste graphische Arbeit Vogelers. [Attributes: Signed Copy]

      [Bookseller: Gerhard Zähringer, Antiquariat & Galerie]
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        CLIMBING AND EXPLORATION IN KARAKORAM-HIMALAYAS. Including the Volume of SCIENTIFIC REPORTS. 2 Volumes

      T. Fisher Unwin, London 1894 - . N.B. Although both volumes appear to be in original publishers binding they do not match. Vol I Cover light tan cloth with black and white illustration of surveyors on a peak. Gilt title on spine and vignette illustration. Large 8vo. xxviii, 709 pgs. fold out map and 300 illustrations by McCormick, t.e.g. Second Vol is the scarce volume Containing the Scientific Reports. Large 8vo, viii, 127pgs (t.e.g. others uncut) portrait frontis , plus 2 large coloured folding maps in pockets at front and back. Original dark tan cloth with gilt bust of Conway and black lettering on front board and gilt title on spine. Some folds of maps repaired. Inner hinge of second volume strengthened, light shelf wear to both volumes, main volume a little faded and some bumping to ends of spine but no other defects of note. Quantity Available: 1. Shipped Weight: Under 1 kilogram. Category: SPORT (Including Leisure, Pastimes); Inventory No: 9062. [Attributes: First Edition; Hard Cover]

      [Bookseller: Bygone Books]
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        Climbing and Exploration in the Karakoram-Himalayas.

      London: T. Fisher Unwin 1894 - 8vo. xxviii, 709pp including index, [1], [1]pp Author’s works, frontis, numerous plates and text ills, multifolding coloured map. Original yellow pictorial cloth gilt, teg o/w uncut, Boards very lightly soiled, occasional pencil notes to margins. [Attributes: Hard Cover]

      [Bookseller: John Turton]
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        Interlvnio.

      Coimbra, Francisco França Amado, 1894. - Finely printed. 72 pp., (4 ll.). Large 4º (29.1 x 24.7 cm.), recent full navy blue period morocco by Invicta Livro, covers richly decorated in gilt and blind, spine richly gilt with raised bands in six compartments, gilt letter, marbled endleaves, original printed wrappers bound in (repaired). Uncut and unopened. In very good to fine condition. ---- FIRST EDITION of one of the author's earlier books of poems, and one of his rarest. Number 14 of 5 large paper copies numbered 11 through 15 on "papel da China". The "Tiragem Especial" consisted of 15 copies in all; numbers 1 through 5 were printed on "papel das manufacturas imperiaes do Japão"; numbers 6 through 10 were on "papel de Hollanda". A second edition appeared in 1911, and a third in 1927. The poet, diplomat and university professor Eugénio de Castro (Eugénio de Castro e Almeida, 1869-1944) introduced Symbolism to Portugal; as a young diplomat in Paris he came into contact with the great French symbolist poets, becoming a friend of Jean Moréas and Henri de Régnier. His influence can be seen even on such established Portuguese writers as Guerra Junqueiro, and he undoubtedly paved the way for Camilo Pessanha and Mário Sá Carneiro. Castro's verse ("often so perfect, always so artificial," says Bell, @Portuguese Literature p. 337) signaled the return to poetry of careful thought and planning, as opposed to the inspired improvisation of the Romanticists, and led to the cult of "art for art's sake" or "estheticism" that became prominent in Portugal ca. 1925.---- Fonseca, @Aditamentos p. 124 (incorrrectly giving the date of publication as 1891). On Eugénio de Castro, see also Saraiva & Lopes, @História da literatura portuguesa (17th ed., 2001), pp. 479, 669, 914, 975?6, 986 and 998; @Grande enciclopedia VI, 235-7; Etalvina Santos in Machado, ed., @Dicionário de literatura portuguesa, pp. 119?21; Fernando Guimarães in @Biblos, I, 1074?6; and @Dicionário cronológico de autores portugueses, III, 85?7. OCLC: 24232603 (all apparently the trade edition: Wahington University in St. Louis, University of California-Berkeley, University of California-NLRF, British Library, University of Manchester, Oxford University, National Library of Sweden. Porbase cites only two copies, at the Biblioteca João Paulo II,Universidade Católica, Lisboa, and the Faculdade de Letras, Universidade do Porto. Copac repeats British Library, University of Manchester, Oxford University. [Attributes: First Edition; Soft Cover]

      [Bookseller: Richard C. Ramer Old and Rare Books]
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        INTERLUNIO. 1894.

      1894 - Materia: Edicón original muylimitada y procedente de ilustres literatos de Portugal, Francia y España. Raro ejemplar del simbolista portugues. Publicación: Coimbra: Francisco França Amado.,1894. Descripción fisica: 8º mayor (205 x 120 mm.). 72 p. 4 h. Primera Edición. Edición limitada a 15 ejemplares. Cubierta original de editorial con título letras doradas en portada morada. Tirada sin numerar probablemente ejemplar para el autor. Conservación: Bueno. Texto limpio y cuidado. Notas: Firmada y dedicada por el autor al Conde Robert de Montesquieu autor y snow que probablemente sirvió a Proust de modelo para el Legrandin. Procedencia del ejemplar con sello en tinta, de la valiosa biblioteca del matrimonio María Beatriz del Valle-Inclán (hija del literato) y Daniel Devoto. Biografia del Autor: Eugénio de Castro e Almeida, 1869-1944, introductor del simbolismo en Portugal. [Attributes: First Edition; Hard Cover]

      [Bookseller: LIBRERIA MARGARITA DE DIOS]
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        Letters . . Edited by Mabel Loomis Todd

      Boston: Roberts Brothers, 1894 - Volume I INSCRIBED to Mabel Loomis Todd's confidant and perhaps the first independent reader of the proofs of the LETTERS, Albert Josiah Lyman: "To Dr. Lyman / from /Mabel Loomis Todd / Amherst, / 17 Decr 1894." Todd met Lyman, minister of the South Congregational Church of Brooklyn, in February of 1894 while on a lecture tour. In a letter, dated 13 February 1894, to her ailing lover Austin Dickinson, Todd mentions with delight that "I have had an independent literary judgement on the proof of the LETTERS this morning which fills me with joy." The favorable judgement was pronounced by Lyman, who Longsworth describes as "Handsome, sympathetic, liberal in his views, and a clergyman of great pastoral power ." (AUSTIN AND MABEL, p. 380n). After Austin Dickinson's death, "Dr. Lyman was the one [Todd] confided in and from whom she received remarkable and unorthodox consolation" (ibid). In January, 1894, Todd sent proofs of the LETTERS to every correspondent who allowed letters from Dickinson to be published (Meyerson, p. 34), and it is likely that Lyman was the first independent critic of the work. No one played a more crucial part in the early acceptance of Dickinson as a major American poet than Mabel Loomis Todd. She was the first posthumous steward of Dickinson's work, seeing the poems and letters into print for the first time. Meyerson notes only three copies of the LETTERS inscribed by Todd, all dated December, 1894. No significant inscribed copies of the LETTERS have appeared at auction in the last 30 years First edition. 2 vols., Small 8vo. Engraved frontispieces (portrait in vol. I; Dickinson home in vol. II), 3 facsimile letters; [iv], xii, 228; [viii], 229-454 pp. Original green buckram, covers and spines stamped in gilt with Indian pipes motif (BAL's variant 1). Spine of volume I darkened with some loss of gilt, light shelfwear. Very good. Volume II supplied from another set, near fine. In custom morocco-backed slipcase and chemise. BAL 4660; Myerson A3.1.a (notes only three copies inscribed by Todd). Provenance: A.J. Lyman (his ownership inscription to flyleaf, "A.J. Lyman / Brooklyn New York," and presentation inscription from editor on half-title) [Attributes: Soft Cover]

      [Bookseller: James Cummins Bookseller, ABAA]
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        Le Figaro illustré, année 1894.

      Boussod, Valadon et Cie, Paris 1894 - in-folio, 241 pages, reliure éditeur des 12 numéros mensuels de l'année 1894, couvertures conservées, nombreuses illustrations en couleurs et en noir, le numéro de février contient un article sur le plaisir à Paris, les bals et carnavals, illustré en couleurs par Toulouse-Lautrec, également un numéro spécial sur la chasse et un autre sur les sports nautiques, parfait état de fraicheur pour ce beau cartonnage illustré [Attributes: Hard Cover]

      [Bookseller: Librairie Philippe Moraux]
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        Figaro illustré Année 1894

      Paris 1894 - Grand in-folio, 241 pages, avec 16 planches en couleur hors texte dont une a double page et de très nombreuses illustrations noir et couleur in texte. Dans cette revue nous pouvons découvrir des illustrateurs et écrivains célèbres :Très dessins en couleur Il manque la couverture de février, Quelques pages cornées sans gravité. [Attributes: Soft Cover]

      [Bookseller: BOUQUINERIE SAINT-LAMBERT]
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        The Lives of the Chief Justices of England. From the Norman Conquest till the Death of Lord Tenterden. Five Volumes

      Edward Thomson Co. 1894-99, Northport - 3/4 brown morocco over marbled boards, the top edges gilt The most lavish and extensive edition of Lord Campbell's Chief Justices, providing us with an unbroken biographical record from the Norman Conquest through the first part of the 19th century, with 126 full page illustrations, 14 in color [Attributes: Hard Cover]

      [Bookseller: Meyer Boswell Books, Inc., member ABAA]
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        Round About Snowdon

      London: Seeley & Co, 1894 A large paper copy of an edition limited to just 75 copies. In a fawn contemporary buckram, a little grubby, corners and edges a little bumped, some blind tooling, mountain image and titles in gilt. Spine has titles in gilt, edges a little bumped. Internally, small bookdealer label to fep, title page in red and black inks, not paginated, 30 sepia drawings, executed entirely by the artist from his own paintings, text block edges uncut. 40*29cm folio. No 27 of 75. Uncommon! (2.2kg)

      [Bookseller: Madoc Books]
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        Nouvelle Géographie universelle. La terre et les hommes.

      Hachette, Paris, 1875-1894. - 195 X 285 mm. 19 volumes rel. demi-chagrin vert, dos à nerfs orné à chaud, non rogné (rel. de l'édit.). Très nombreuses planches, cartes, dont certaines en couleurs, et gravures. Dos uniformément pâli, rousseurs.

      [Bookseller: Serge Paratte, Livres anciens & modernes]
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        Tales of Mean Streets.

      London, Methuen. 1894 - First Edition, Second Issue. 8vo. 301pp + 32pp ads dated Jan. 1895. Publisher's olive green cloth titled in gilt to spine and front boards. Bumped to spine ends and with trifling wear and very slight sunning to spine. A fine bright, clean copy. Edges untrimmed, very light sporadic spotting. Published a couple of years before as 'A Child of The Jago' this book is part of Morrison's 'slums of London' cycle that ends with 'The Hole In The Wall' in 1902. With his gritty depictions of the moral and social compromises necessary for survival in such dreadful places, and his unwillingness to take a critical stance regarding his characters and their predicament, Morrison stands out as far superior to the standard crop of God-bothering 'urban reform through fiction' mongers that the late Victorian age spewed forth in their dozens. A lovely copy of a scarce and admirable book. Eric Quayle; Detective Fiction. Parrott A-3. [Attributes: First Edition; Hard Cover]

      [Bookseller: Adrian Harrington Rare Books, ABA ILAB]
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        Knickerbocker's History of New York

      G.P. Putnam's Sons, NY 1894 - 364 & 379 pages. 26 1/2 x 19 cm. Illustrations by E. W. Kemble. The Peter Stuyvesant Edition, copy 225 of 281 copies (being one for each year since the founding of Nieuw Amsterdam, 1614 to 1894, this number being 1839). Wide text margins with type within floral borders printed on linen paper, full page illustrations on Japan paper with lettered tissue guards. Cover decorations in gilt, State of New York Seal at center; windmill, crossed clay pipes, tankard and broad brimmed hat at each corner; silk moire endpapers. Extremely handsome presentation. Orig. full English tan calf, brown spine labels lettered and outlined in gilt. Teg. Near fine. 2 vols. [Attributes: Hard Cover]

      [Bookseller: Royoung Bookseller, Inc. ABAA]
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        The Book of Wisdom and Lies

      Hammersmith: The Kelmscott Press,, 1894. Octavo. Original limp vellum, titles to spine gilt, pink silk ties. Ornamental woodcut title page, first page of text, and initials. Printed in red and black in Golden type. Bookplate. Lower tie defective. Binding very lightly rubbed, faint spotting to endpapers. An excellent copy. First Kelmscott edition of this collection of traditional Georgian stories originally by Sulkhan-Saba Orbeliani (1658-1725). One of only 250 copies on paper.

      [Bookseller: Peter Harrington]
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        Certain Sand Mounds of the St. John's River, Florida, Part I [and] Part II

      Philadelphia: The Levytype Company. 1894. First. First edition,. Folios. 246pp., color frontispiece and 33 plates in each volume. Original publisher's cloth. Ex-library copies with spine letters, bookplate, pocket, and stamps on the margins of all plates; else a nice, very good set. Inscribed in each volume by the author (to different recipients). .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
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        ARCHIVES HISTORIQUES DE L'AGENAIS TOME 1. JURADES DE LA VILLE D'AGEN (1345-1355).

      IMPR. LEONCE COCHARAUX, AUCH 1894 - R260109796: 393 pages. Frontispice en noir et blanc (Eaux-forte) avec serpente. Belle reliure dos cuir vermeil à 5 nerfs, titres dorés, papier marbré multicolore. In-8 Relié demi-cuir. Etat d'usage. Coins frottés. Dos satisfaisant. Non coupé Classification Dewey : 908.447-Régionalisme : Aquitaine [Attributes: Hard Cover]

      [Bookseller: le-livre]
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        The Tragedy Of Pudd'nhead Wilson And The Comedy Of Those Extraordinary Twins - 1st Edition/1st Printing

      Hartford, CT: American Publishing Company. Fine. 1894. First Edition; First Printing. Cloth. First Edition/ First Printing/ First State as evidenced by the bulk of the text block measuring 1 1/8" and the title page not being tipped-in. Also, State A frontispiece with the facsimile signature of Twain measuring 1 7/16" wide. BAL 3442. About Fine condition in the publisher's original decorated reddish-brown cloth covered boards with black decorations, little rubbing and some minute chipping along spine and tissue guard; Told in typical Twain fashion, infants switched at birth reveal their true colors as DNA encoding takes precedence over environment. Set during the early years of the 19th century, this pre-Civil War satire tackles social commentary issues still being debated today. Twain presents the reader with a light-skinned black mother switching her infant with her white master's in order to prevent her own child being raised as a slave. Twain uses humor and irony in revealing seething levels of racism and classicism .

      [Bookseller: Books Tell You Why]
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        OMEGA: THE LAST DAYS OF THE WORLD .

      New York: The Cosmopolitan Publishing Company, [1894] - Octavo, pp. [1-6] 7-287 [288: blank] [note: first leaf is a blank], numerous illustrations by Jean Paul Laurens, Saunier, Meaulle, Vogel and others, original two-part blue cloth, front and spine panels stamped in gold. First edition in English. A translation of LA FIN DU MONDE, Flammarion's best and most imaginative novel, a panoramic view of humanity from the twenty-fifth century to the far future, Stapledonian in scope. "A work of remarkable scope and vision, one of the earliest and most ambitious cosmic histories, certainly worth reading, if only as a historical document. Of considerable historical importance, since it was probably read and absorbed by authors as diverse as W. H. Hodgson and Olaf Stapledon." - Bleiler, Science-Fiction: The Early Years 778. LA FIN DU MONDE is Flammarion's "boldest scientific romance . an epic of the future. Although it is as much essay as story, this is a notable work, akin to H. G. Wells's THE TIME MACHINE (1895) and William Hope Hodgson's THE HOUSE ON THE BORDERLAND (1908) in presenting a striking vision of the end of the world." - Clute and Nicholls (eds), The Encyclopedia of Science Fiction (1993), p. 432. Anatomy of Wonder (1981) 1- 73 and (2004) II-407. Bleiler, The Guide to Supernatural Fiction 639. Clareson, Science Fiction in America, 1870s-1930s 299. Locke, A Spectrum of Fantasy, p. 84. Locke, Voyages in Space 74. Survey of Science Fiction Literature IV, pp. 1592-95. Bleiler (1978), p. 74. Reginald 05459. Early Christmas gift inscription dated 1894 on front free endpaper. Cloth worn at head and tail of spine panel and corner tips, else a very good, sound copy. An uncommon book rarely found in nice condition. (#89834) [Attributes: First Edition; Hard Cover]

      [Bookseller: Currey, L.W. Inc. ABAA/ILAB]
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        Eigenh. Musikmanuskript mit mehrfach wiederholtem Namenszug im Titel.

      O. O. u. D.. 27¾ SS. auf 40 Bll. Leinen der Zeit. Folio.. Enthält die Lied-Kompositionen "Sehnsucht" (op. 67, Nr. 1), "Mein Mädchen" (op. 32, Nr. 1), "Ständchen" (op. 32, Nr. 2) und "Die Hexe" (op. 65); weiters "Neuer Frühling" (Nr. 1), "An meine Rose" (Nr. 2), "Frühling zog ein" (Nr. 5), "Das Lied an der Mühle" (Nr. 7), "Großes Geheimnis" (Nr. 8), "Dein" (Nr. 11), "Wie wundersam" (Nr. 12) und "Komm!" (Nr. 13) aus dem Zyklus "Lieder und Gesänge" sowie das Lied "Versunken" (op. 66, Nr. 1). - Carl Beines studierte am Konservatorium in Köln unter Franz Wüllner, wo er auch zehn Jahre als 1. Geiger im Gürzenich-Orchester wirkte und Gesangsvereine dirigierte. Von 1894 bis 1909 als Dirigent und Gesangslehrer in Baden-Baden, Karlsruhe und Freiburg im Breisgau tätig, leitete er gemeinsam mit Richard Strauss und Felix Weingartner verschiedene Musikfeste. 1909 siedelte er nach Freiburg über, wo er die Leitung des Oratorienvereins übernahm und auch als gesuchter Gesangslehrer tätig war, der u. a. Richard Tauber zu seinen Schülern zählte. Sein kompositorisches Schaffen umfaßt überwiegend Lieder für Singstimme mit Pianobegleitung sowie Männerchöre, Chorwerke mit Orchester, Orchesterstücke sowie eine Operette ("Die Gemsjagd"). - Vorsatz mit hs. Besitzvermerk von Lucie Mary Loughborough. - Beiliegend Notendrucke von "Dein", "Wie wundersam", "Wir saßen beisammen", "Versunken" und "Kennst Du dies Leid?", zusammen 9 Bll., folio.

      [Bookseller: Antiquariat Inlibris, Gilhofer Nfg. GmbH]
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        Capri. 50 Facsimiledrucke und 12 Aquarell-Gravuren (auf Tafeln). Text von E. v. Wald-Zedtwitz.,

      München, Hanfstaengel, 1894 - Titelvignette, 42 Tafeln mit 60 Abb., 6 Bll. Lipperheide Jbc 29. - Einband tls. berieben und bestossen, Gelenke mit kl. Einrissen, sonst gut. Sprache: de Gewicht in Gramm: 1550 Fol., OLeinen mit Goldprägung und Goldschnitt

      [Bookseller: Antiquariat Galerie Joy]
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        Pride and Prejudice

      George Allen, London 1894 - 1894 First Edition thus, illustrated and decorated throughout by Hugh Thompson. Edition nicknamed 'Peacock' on account of gilt decoration to front board & spine. Top edge gilt, other fore-edges untrimmed. Contents generally clean but for light foxing to first & last few leaves, a few finger-marks, frontis tissue-guard browned to edges & with small tear. Gilt decoration bright. Spine with slightly mis-aligned closed tear central across it's width and light creasing/bubbling to top half. Front outer hinge repaired. Boards with light-moderate wear to extremities, corners bumped, small bump to lower-rear board, spine slightly skewed. xxvii + 476pp. [Attributes: First Edition; Hard Cover]

      [Bookseller: Armchair Books]
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        TOM SAWYER ABROAD

      1894 - With 26 Illustrations by Dan Beard. London: Chatto & Windus, 1894. 32 pp ads dated Apr 1894. Original red cloth pictorially decorated in black. First English Edition, believed to have been published one day after the American one (though this is far from certain). In this tale Tom, Huck and Jim travel about the world in a self-propelled balloon; Twain was trying to cash in on the popularity of Jules Verne (just as this book's sequel, TOM SAWYER DETECTIVE, would try to cash in on the popularity of Sherlock Holmes).~This copy is in the primary (red pictorial) binding -- showing our heroes drifting by in their balloon while four lions jump up at them from the ground. This is an unusually bright and clean copy -- near-fine (the volume is a little askew as usual, and also there are a couple of minor string indents on the edge of one cover). In our experience the English edition is scarcer than the American. Blanck 3440 (note); McBride p. 163. Housed in a morocco-backed clamshell case. [Attributes: First Edition; Hard Cover]

      [Bookseller: Sumner & Stillman [ABAA]]
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        Tom Sawyer Abroad

      Charles L. Webster, New York 1894 - Grey cloth with pictorial decoration abd gilt lettering to the front board and the spine. Illustrated throughout with black and white plates. There is some soiling and mild staining to the cloth with a bit of browning and dustoisl to the outer page edges. A previous owner's inscription appears on the front endpage. Signatures have started, however the binding remains sound. Size: 8vo - over 7¾" - 9¾" tall [Attributes: First Edition; Hard Cover]

      [Bookseller: Contact Editions, ABAC, ILAB]
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        The Geographical Journal. Vol. IV, No. 2.

      London, The Royal Geographical Society, 1894. - 8vo. XVI, (97)-192, XVII-XX pp. With a folding map and a folding plate. Original printed wrappers. Includes the description of an early view of Hormuz Island, "A View of Ormus in 1627" (by William Foster, pp. 160-162), illustrated by a large folding plate. The sketch was drawn by David Davies, master's mate of the East India Company's ship "Discovery", but a few years after the island was captured by a combined Anglo-Persian force in 1622. - Slight foxing, otherwise fine. [Attributes: Soft Cover]

      [Bookseller: Antiquariat INLIBRIS Gilhofer Nfg. GmbH]
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        Pudd'nhead Wilson

      American Publishing Company 1894 - First Edition, First Printing SIGNED by Mark Twain on a tipped in fly-leaf page. This First Printing book has all the First Issue points. The binding is tight, and the boards are crisp with some wear to the panels. The pages are clean with minor wear to the edges. There is no writing, marks or bookplates in the book. Overall, a lovely copy SIGNED by the author. We buy Mark Twain First Editions. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Quintessential Rare Books, LLC]
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        The Tragedy Of Pudd'nhead Wilson And The Comedy Of Those Extraordinary Twins - 1st Edition/1st Printing

      American Publishing Company, Hartford, CT 1894 - First Edition/ First Printing/ First State as evidenced by the bulk of the text block measuring 1 1/8" and the title page not being tipped-in. Also, State A frontispiece with the facsimile signature of Twain measuring 1 7/16" wide. BAL 3442. About Fine condition in the publisher's original decorated reddish-brown cloth covered boards with black decorations, little rubbing and some minute chipping along spine and tissue guard; Told in typical Twain fashion, infants switched at birth reveal their true colors as DNA encoding takes precedence over environment. Set during the early years of the 19th century, this pre-Civil War satire tackles social commentary issues still being debated today. Twain presents the reader with a light-skinned black mother switching her infant with her white master's in order to prevent her own child being raised as a slave. Twain uses humor and irony in revealing seething levels of racism and classicism [Attributes: First Edition; Hard Cover]

      [Bookseller: Books Tell You Why - ABAA/ILAB]
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        Burgfräulein und Knappe.

      . Feder in Schwarz und Aquarell, mit schwarzer Tuschlinie umrandet, auf Pergament, links oben signiert "Alice Wanke". Blattgröße 26,6:20,8 cm, Darstellungsgröße 18,8:17 cm.. Über die Österreicherin Alice Wanke ist bekannt, daß sie als (Gebrauchs-)Graphikerin, Illustratorin und Kunstgewerblerin in Wien tätig war und Entwürfe für Ausstellungsplakate, Exlibris u.a. schuf. Ihre Ausbildung absolvierte sie an der Wiener Kunstgewerbeschule 1894-1900 bei dem dem Jugendstil verpflichteten Maler und Bildhauer F. von Matsch (1861-1942) und ab 1911 in der Textilklasse von Rosalia Rothansl (1870-1945), der ersten Frau, der dort nach 20jähriger Tätigkeit der Professorentitel verliehen wurde.

      [Bookseller: Galerie Joseph Fach GmbH]
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        Hieroglyphic Bibles: Their Origin and History. A Hitherto Unwritten Chapter of Bibliography with Facsimile Illustrations by W. A. Clouston's and a New Hieroglyphic Bible told in Stories by Frederick A. Laing.

      Glasgow David Bryce and Son 1894 - Quarto. xvi, 316, 24, 24pp. First edition. This reference book on hieroglyphic Bibles, where words have been replaced by symbols, is illustrated with black & white facsimile pages. Hieroglyphic Bibles were meant to visually capture the interest and curiosity of children, leading them to a greater understanding of the text. Following Clouston's text is Frederick A. Laing's modern hieroglyphic Bible printed in color, divided into "Old Testament Stories" and "New Testament Stories." Each section has a full-page color title page, and the near-miniature leaves of the Bible are mounted, with four on each page. Bound in tan buckram stamped with the title in gilt and a pictorial border in black. Some faint, scattered foxing to contents and fore-edge, edges of boards show some light soiling, corners and spine ends slightly bumped, else a fine copy with the original blue cloth printed dust wrapper. [Attributes: Hard Cover]

      [Bookseller: Bromer Booksellers, Inc., ABAA]
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        Hints on Singing, 1894

      E. ASCHERBERG & CO., LONDON 1894 - Translated from the French by Beata Garcia. Boards: quarter binding/black spine with title/design on remaining tan cover, mild book, shelf, edge wear, rubs, corner bumps, some soil marks, some discoloration. Interior: pages lightly tanned, some foxing, black line-drawn illustrations/figures. Very good condition taking the age into consideration. DATE PUBLISHED: 1894 EDITION: 77 [Attributes: Hard Cover]

      [Bookseller: Princeton Antiques Bookshop]
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        THE MEMOIRS OF SHERLOCK HOLMES

      George Newnes, Limited, 1894., 1894.. First edition, first state. Dark blue cloth, black illustration of The Strand Library on the front cover, titles stamped in gold gilt on the front cover and spine, all edges gold gilt, frontispiece (The Death of Sherlock Holmes), [6], 279 pp., illustrated. Housed in a cloth slipcase with leather label on the spine and titles stamped in gold gilt. Illustrated by Sidney Paget. Brief non-authorial inscription on front fly leaf, front and rear covers have been professionally reinforced, which makes for a nice, tight, square copy. Contains eleven stories beginning with Silver Blaze and ending with The Final Problem. A very good copy.

      [Bookseller: BUCKINGHAM BOOKS]
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        Le mouvement.

      Paris, G. Masson, 1894 - in-8, VI, 335 pp., 3 planches h.t. (dont 1 dépliante), 214 fig. dans le texte, demi-chagrin rouge de l'époque, dos à nerfs orné, plats un peu frottés, quelques rousseurs (surtout présentes sur les trois premiers feuillets), très bon exemplaire. Edition originale et seule édition du vivant de l'auteur. C'est l'ouvrage le plus célèbre de Marey, et aussi le plus rare, de nombreux exemplaires ayant été détruits dans un incendie. Fruit de plus de 30 années de travail, il comporte une étude détaillée et bien illustrée de la chronophotographie avec toutes ses applications. Avec cet ouvrage, Marey est notamment reconnu comme un précurseur du cinéma "expérimental". Etienne-Jules Marey (1830-1904), né à Beaune, étudia la médecine à Paris, où il fut l'élève de Claude Bernard. Il créa un laboratoire de physiologie puis fut nommé professeur suppléant d'histoire naturelle au Collège de France, en remplacement de Flourens. Il fut membre de l'Académie de médecine (président en 1900) et de l'Académie des sciences (président en 1895). Marey introduisit deux techniques fondamentales dans le domaine des sciences et des techniques : la méthode graphique et la cinématographie. L'oeuvre de Marey est considérable et suscita à son tour de nombreux travaux, à la fois scientifiques et artistiques. En Français dans le Texte, 318 : '"Le Mouvement' reste le plus célèbre et le plus rare des ouvrages de l'auteur. Sans qu'il y paraisse, Marey a transfiguré le réel le plus immédiat. Modernité d'une pensée où s'enracinent sciences, arts et techniques, d'où naîtra en une vision du monde particulièrement féconde toute la symbolique visuelle du siècle à venir. Sa théorie du mouvement a non seulement unifié un domaine de la pensée par ses implications visuelles, mais elle a joué le rôle de paradigme." ; Garrison & Morton, 643 : "Marey, like Muybridge, was a pioneer in the use of serial pictures as a method of studying the mechanics of locomotion." ; Gernsheim, History of photography, p. 442 : "this work ranks a classic in physiological science and has been somewhat loosely acclaimed as the first book on cinematography." ; L. Mannoni, Who's who of Victorian Cinéma :" in 1894 Marey published an important work, Le Mouvement, which covered all his researches. He exercised a considerable influence on all the pioneering inventors of the cinema in the 1890s. His works, widely reported in the international press, were a strong inspiration for Thomas Edison and Louis Lumière, among others. Marey, the real founding father of cinematographic technique, died in 1904." [Attributes: First Edition; Hard Cover]

      [Bookseller: Jean-Pierre AUBERT]
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        Cattleya Trianaei Schroederiana. Imperial Edition, No. 27 of 100 Vol. 1. Tab 46.

      H Sotheran & Co. London. 1888-1894 - Size: 468 x 328 mm. Fine condition. Chromolithograph. Beautiful orchid chromolithographs from Frederick Sander's Reichenbachia is considered by many to be the greatest illustrated work on orchids ever published. The publication, originally conceived and produced as a series of plates and descriptions was noted by Reinikka (1972) as "perhaps the greatest monument" to Henry Frederick Conrad Sander. The orchids were painted life-size.

      [Bookseller: Peter Harrington. ABA member]
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        One People, One Destiny, and Other Poems

      Alston, Maryborough, Queensland 1894 - 173 pages with monochrome photographic frontispiece of John James Knight. 275 grams. Book is in good lightly marked condition with some wear to cover and a couple of pages loosening. Gift inscription from E. Knight (presumed relative of author) dated 1918. First Edition. Knight, John James (1863-1927) by H. J. Summers John James Knight (1863-1927), editor, was born on 7 June 1863 at Shelton, Staffordshire, England, son of James Knight, potter and printer, and his wife Louisa, née Blagg. Taken to New Zealand early, he left school at 11 to learn printing on the Bruce Herald, returned to England at 17 and joined William Owen and Henry Broadhurst in starting the Staffordshire Knot, a paper supporting trade unionism. Migrating to Queensland in 1884, he found work with the Brisbane Newspaper Co. Ltd as a printer. He was soon a reporter on the Brisbane Courier and became chief parliamentary reporter in the 1890s. Knight's political and industrial enthusiasm disappeared rapidly. He had won the confidence of Andrew Fisher and Thomas Glassey and when William Lane left for Paraguay in 1893 Knight was offered but declined the editorial chair of the Queensland Worker. During the industrial turmoil of the 1890s he preferred to investigate local history. His works included In the Early Days (1895), Australian Pioneers and Reminiscences (1896), completed after the death of Nehemiah Bartley from Bartley's notes and diaries, and Brisbane: a Historical Sketch of the Capital of Queensland (1897). The historical stream dried up when he became editor in 1900 of the Courier's evening publication, the Observer. Editor-in-chief of all the company's publications in 1906-16, Knight then became managing director and later chairman. His years in command saw such abrasive events as Brisbane's tram strike of 1912, the Labor government's introduction of state enterprises in 1915 and the abolition of the Legislative Council in 1922. The Courier was Labor's fiercest critic on these and other counts, yet the recrimination evoked seemed never to touch Knight personally. Like William Morris Hughes, he replaced his youthful fervour for unionism with an ultra-patriotic Imperialist stance during World War I. He represented Queensland on the Imperial Mission to the War Fronts of pressmen in 1918 and returned to publish The True War Spirit, praising the British role. A founding member and president of the Queensland Aero Club with a belief in the future of aviation, Knight was discussing aeroplanes for medical transport with Rev. John Flynn long before the creation of the Australian Inland Mission and had a company formed to deliver copies of the Courier by air to the country. His sympathy with country people led to practical support of the Country Women's Association and the Bush Book Club. As he grew older, he became very remote from his staff who occasionally saw a white-haired, mild-mannered man wearing rimless spectacles. Regular national and international press conferences which he relished took him on visits to Europe and North America. When he died of pneumonia on 24 November 1927 in his home at Kangaroo Point, Knight left the whole of his estate, valued for probate at £2884, to his wife Kitty, née Dutton, whom he had married at Shelton on 2 August 1884; they had two daughters. Hundreds attended his Anglican funeral at Toowong cemetery. The Labor government which his papers had berated for years was represented by the minister for works at the express wish of Premier McCormack; former Labor premier William Neal Gillies was seen weeping at the graveside. Size: 12mo - over 6¾" - 7¾" tall [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Serendipitous Ink]
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        DIARY OF A JOURNEY THROUGH MONGOLIA AND TIBET IN 1891 AND 1892

      Washington DC:: Smithsonian Institution,, 1894. First Edition. Very Good+. SIGNED BY WILLIAM WOODVILLE ROCKHILL ON TITLE PAGE without personalization. A Very Good+ hardback First Edition First Printing in half red leather marbled board binding rebacked to style with gilt lettering spine, marbled endpapers and edges. Not ex-library. With 1 folding map, 27 Plates, and 13 Text Illustrations as called for all present. Owner inscription ffep, mild scuffs and edge wear covers. 8vo. xx, 413 pp.

      [Bookseller: By The Book, LC ABAA-ILAB]
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        Diary of a Journey Through Mongolia and Tibet in 1891 and 1892

      The Smithsonian Insititution. Very Good. 1894. B0000CQECP Very Good. (Binding: Hardcover, Jacket: No Jacket) Cloth, 24 cm, xx + 413 pages. + 28 plates + large folding map. . B0000CQECP .

      [Bookseller: Moe's Books]
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