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Displayed below are some selected recent viaLibri matches for books published in 1891

        Hospitals and Asylums of the World: Their Origin, History, Construction, Administration, Management, and Legislation [ Volumes 1 & 2 ]

      London: J. & A. Churchill , 1891. Books measure 10 3/4 x 7 1/2 inches. Volumes 1 & 2, of 4 volumes, and portfolio. Collation, xiv,701pp, xiv,348pp, 4pp adverts, 4 folding plates, [ Claybury Asylum, Woodford, Essex ]. Bound in original publishers buckram backed cloth boards, gilt title lettering, gilt cross on top boards, top gilt edges. Cloth lightly rubbed, some minor abrasion wear. Both bindings in good clean firm condition. Internally, lacking free endpaper, short closed tear on plan, another tear along fold, one plan dirt marked. Pages in good clean condition. A good clean part set. . Publishers Cloth. Very Good. Large 8vo.

      [Bookseller: George Jeffery Books]
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        Decorativer Holzbau. Mit 100 Tafeln

      BETHKE, Hermann: Decorativer Holzbau. Eine Sammlung von allen in der Praxis vorkommenden Arbeiten, als: Villen, Gartenhäuschen, Lauben, Veranden, Eingangspforten für Gärten und Friedhöfe, Vorhallen, Colonnaden, Portierhäuschen u.s.w. Neue Folge. Mit 100 Taf. nach Entwürfen und Zeichnungen von Hermann Bethke. Stuttgart: Konrad Wittwer (W. Müller) 1891. 2° (35:50 cm). Zweifarbiges und mit Verlegersignet bedrucktes Titelbl. und 100 lose Taf. mit Begleittext und Maßstabsangabe, in Halbledermappe der Zeit mit Schließbändern. Selten angebotenes Mappenwerk mit sauber und kontrastreich gedruckten Tafeln, die mittels detailgetreuen Ansichten und Grundrissen einen einzigartigen Überblick in die stark ornamental und dekorativ ausgerichtete Kunsttischlerei im Haus- und Wohnungsbau der Zeit vermitteln. 1875 war unter dem Titel »Details für den decorativen Holzbau« ein Vorläuferwerk erschienen, dass 72 Tafeln beinhaltete. Mappe an den Ecken und Kanten leicht berieben, die Deckel teils lichtrandig und leicht fleckig, die Tafeln mitunter und dann meist leicht stockfleckig, insgesamt kompaktes Exemplar dieser selten angebotenen, das Thema erschöpfend umfassenden und opulent bebilderten Sammlung.

      [Bookseller: Domenico Jacono - VdAÖ / ILAB]
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        Album of Eight Drawings 1885 1886 With Siberia and the Exile System

      Small folio. Eight original pencil drawings by Frost (each approximately 360 by 250 mm), individually mounted on single leaves. With an ALS (with envelope) and accompanying poem (a few verses from James Russell Lowell's The Present Crisis) by Kennan, all mounted on the first leaf of the album. Modern half black morocco with charcoal moiré cloth boards, gilt lettering to spine and black morocco label on front board. Drawings c.1885-1886; ms. material

      [Bookseller: Maggs Bros. Ltd.]
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        The occult sciences : a compendium of transcendental doctrine and experiment, embracing an account of magical practices; of secret sciences in connection with magic; of the professors of magical arts; and of modern spiritualism, mesmerism and Theosophy

      London: Kegan Paul, Trench, Trubner & Co, 1891. First edition. Book measures 7 3/4 x 5 1/4 inches. Collation, viii,296pp. Bound in original publishers black cloth, gilt lettering on spine, occult image on top board, coloured lines to edges of top board, black endpapers. Rebacked, retaining most of the original spine, cloth very lightly rubbed, minor stain mark, lines on top board faded. Binding in very good clean firm condition. Internally, neat previous owners name on first blank. Pages in very good clean condition. A very nice copy. . First Edition. Very Good. 8vo.

      [Bookseller: George Jeffery Books]
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      London. 1891. Truslove & Shirley. - Edition limited to 500 hand numbered copies (No. 44/500). Translated and edited by Henry Ling Roth. Preface by Jas. R. Boosé. (2), XXIII, 148 PP with 21 figures, plus 1 folded chart with a repaired tear (Port Marion & General Route of expedition), 1 folded plate (Flying Proa, Ladrone Islands), and 8 b/w plates. Fp: Cape Brett, New Zealand. Brown cloth cover, corners lightly worn and a little bumped, gilt title on spine, top edge gilt. Signed (initials) by editor on window with limited edition number. Front endpaper with 2 bookplates (The Balfour Library, Pitt Rivers Museum, Oxford University, and K. Rawdon von Stieglitz). Note (pencil) on recto of rear endpaper. Near fine. Scarce. 22.5 x 15. The expedition on board "Mascarin" and "Marquis de Castries" led by Marion du Fresne, then by Julien-Marie Crozet after the death of the leader in New Zealand. [Attributes: Signed Copy; Hard Cover]

      [Bookseller: Jean-Louis Boglio Maritime Books]
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        Capital: A Critical Analysis of Capitalist Production. Edited by Frederick Engels.

      New York, The Humboldt Publishing Company, January-April 1891. - Large 8vo. 4 vols. (= all published). XVIII, 126, (8) pp. 127-254, (8) pp. 255-382, (8) pp. 383-506 pp., blank leaf, (10) pp. Printed original wrappers stored in four separate brown cloth portfolios within matching slipcase. Extremely rare: this pirated edition constitutes the first American-produced independent printing of the first volume of "Das Kapital", published in four successive issues of "The Humboldt Library of Science" (based at 19 Astor Place, New York), Double Numbers 135-138 (second issue: a set of nos. 135-138 in the Karl Marx Memorial Library Luxembourg is dated from September 1 to October 15, 1890). Follows the legitimate first American edition produced in 1889 by Appleton & Co. in New York (a re-issue of the 1887 London edition), from sheets supplied by Swan Sonnenschein & Co. in London with a new title page only. - Closely printed, the work here comprises no more than 506 pages, followed by the list of the works and authors quoted. Each of the four parts has four leaves of publisher's ads at the end. - Text very slightly browned but mostly clean and well-preserved. Spines somewhat brittle and flaky; first volume reinforced at the spine; occasional edge chipping. No copy in the British Library; the only known copies are in the Library of Congress, in Moscow, and in Berlin (now likely in the Foundation Archives of Parties and Mass Organisations of the GDR in the Federal Archives [SAPMO]). - Provenance: from the collection of Chimen Abramsky (1916-2010), London. Not in Adams, Radical Literature in America, or in Marx-Engels Erstdrucke. Cf. PMM 359. [Attributes: First Edition; Soft Cover]

      [Bookseller: Antiquariat INLIBRIS Gilhofer Nfg. GmbH]
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        Zaragoza Artística, Monumental é Histórica

      C. Ariño, Zaragoza 1891 - Ilustrada con una alegoría del artista D. Marcelino de Unceta y magníficas fotografías de Judez. 2 tomos encuadernados en holandesa piel en buen estado, formato 4º. I: 213 p. 3 h. II. 213 páginas. 132 láminas. [Attributes: Hard Cover]

      [Bookseller: Librería Anticuaria García Prieto]
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        John Wisden's Cricketers' Almanack for 1891 - 1891 Wisden Paperback, Facsimile Spine, Front Cover and ads

      1891. This is an 1891 Original Paperback Wisden, with facsimile spine and front cover and facsimile front adverts. The original rear cover is good with loss to one corner, the pages are very nice and white inside, a dark mark to the very bottom of the photoplate and a couple of ink marks inside.

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        Across East African Glaciers. An Account of the First Ascent of Kilimanjaro. Translated from the German by E. H. S. Calder.

      London: George Philip & Son, 1891 - Large octavo. Original green cloth over bevelled boards, spine lettered in gilt and decorated in black, gilt title and pictorial block of Kilimanjaro in black to front board, top edge gilt, others untrimmed, green surface-paper endpapers, binder's ticket of Leighton, Son, and Hodge to the rear pastedown. Extremities lightly bumped and rubbed, rear board faintly soiled and very gently bowed, mild cockling to the mounted frontispiece, short closed tear to fore edge of pp. xiii/xiv (gathering unopened). An excellent copy, crisp and fresh, with notably bright plates retaining their rich tonal contrasts. Mounted chromolithographic frontispiece, 8 mounted photographic plates, 12 photogravure plates from watercolours by E. T. Compton after photographs by the author, 3 folding colour maps, wood-engravings to the text. First edition in English of this landmark in mountaineering literature, describing the first ascent of Kilimanjaro, originally published in German the previous year, and "a most handsome volume" (Neate), illustrated with a series of atmospheric mounted photographs and watercolours after photographs; copies also noted with multicolour blocking to the front board. Meyer had already made two unsuccessful attempts at scaling the mountain when he returned in 1889 with Austrian mountaineer Ludwig Purtscheller, painter Ernst Platz, and a well-organised support team, establishing advance camp at 4300 metres and deciding to go by the south-eastern slope. Setting off on 3 October at 1 am, they took nine hours to reach the Ratzel glacier which had blocked Meyer's progress on the first attempt, and which they now scaled in four gruelling hours to reach the rim of the crater, 150 metres below the summit, but with time and strength running out they returned to advance camp to try again three days later. "This time the route was clearly marked and the previously cut ice steps had held their shape. The rim was reached in six hours, and at exactly 10.30 am on 6 October 1889 they reached the summit at what Meyer called 'Kasier-Wilhelm-Spitze' (now known as Kibo) With Purtscheller's help, various scientific observations were carried out and the massif was mapped for the first time. Meyer and Platz then remained for several weeks more in the vicinity of the mountain and examined the relatively unknown north and west sides of the Schira plateau. Meyer returned to Germany to considerable public acclaim As an authority on East Africa, Meyer through his writings profoundly influenced German attitudes towards its colony and in 1905 he was given charge of the Landeskundlichen Kommission des Reichskolonialamtes" (Howgego). Howgego IV M58; Neate 517. [Attributes: First Edition]

      [Bookseller: Peter Harrington. ABA member]
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        Ueber einige neuere Forschungen im Gebiete der Anatomie des Centralnervensystems. SD aus Deutsche Medizinische Wochenschrift 1891, Heft 44ff.

      Leipzig, Thieme, 1891. 23 x 15cm, fragile Originalbroschur, unbeschnitten, alter Namenszug auf Titel, Fadenheftung locker, 64 S. Waldeyer (1836-1921) war Ordinarius für Anatomie bzw. Pathologische Anatomie in Breslau, Straßburg und Berlin. In dieser hier erstmals in Buchform vorliegenden Arbeit (im gleichen Jahr in Band 17 der Deutschen Medizinischen Wochenschrift erschienen) faßt er alle Ergebnisse der in den Jahren zuvor durchgeführten Untersuchungen der Neurohistologie zusammen in der programmatischen Aussage, dass \"das Nervensystem (...) aus zahlreichen untereinander anatomisch wie genetisch nicht zusammenhängenden Nerveneinheiten (Neuronen) besteht\", und dass \"die Achsenzylinder sämmtlicher Nervenfasern (...) sich als direkt von Zellen ausgehend erwiesen (haben). Ein Zusammenhang mit einem Fasernetzwerke bzw. ein Ursprung aus einem solchen findet nicht statt\". Er prägt hier den Begriff Neuron! - GARRISON/M. 1369, NORMAN 2173. Versand D: 7,00 EUR Neurologie, Neuroanatomie, Histologie, Medizingeschichte

      [Bookseller: Versandantiquariat Am Osning]
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        Cali e Canali in Venezia Monumenti Ferd Ongania Edit. MDCCCXCI / Albi e Canali in Venezia

      Artist: Ongania Ferd; issued in: Venice; date: ca 1891 - - technic: Copper print; - colorit: original colored; - condition: Very good; - size (in cm): 55,5 x 39; - description: Book shows on 100 copper plates Venice with all its Canals, 11 views are splendourful hand colored, 89 unkolored, 3 title pages 1 index.

      [Bookseller: Antique Sommer& Sapunaru KG]
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        Die fibröse oder deformierende Ostitis, die Osteomalacie und die osteoplastische Carcinose in ihren gegenseitigen Beziehungen (89 pp., 5 ganzs. Taf., davon 4 farb.).

      Festschrift Rudolf Virchow zu seinem 71. Geburtstage. - Berlin, Georg Reimer, 1891, Gr.4, c. 500 pp., jedes Bl. separat pagin., 18 Taf., davon 11 farbig, orig. Halbleinenband unaufgeschnittenes frisches Exemplar. FIRST EDITION - RECKLINGHAUSEN's DISEASE."Recklinghausen gave an important description of generalized osteitis fibrosa.." In the present "Virchow Festschrift" Recklinghausen, one of Virchow's most productive pupils, reported a series of cases of osteitis deformans including cases of Paget's disease, osteomalacia and those cases which von Recklinghausen differentiated from others. However, von Recklinghausen's diseases, or to use its proper name osteitis fibrosa cystica, has recently been shown to bear a definite relationship to hypertrophy, tumor, or dysfunction of the parathyroid glands. This luxuriously produced and well illustrated 'Festschrift' also contains following papers: Felix Hoppe-Seyler (1825-1895): Beiträge zur Kenntniss des Stoffwechsels bei Sauerstoffmangel. Edwin Klebs (1834-1913): Beitrag zur Lehre von den thrombischen Processen. Hierzu 2 Tafeln. Moritz Roth (1839-1914): Ueber Cholelithiasis. Hierzu 2 Tafeln. Emil Ponfick (1844-1913): Ueber Recreation der Leber beim Menschen. Oskar Liebreich (1839-1908): Ueber Fette. Ernst Salkoski (1844-1923): Zur Kenntniss der Fettwachsbildung. Johannes Orth (1847-1923): Ueber käsige Pneumonie. Hierzu 2 Tafeln. Rudolf Jürgens (1843-1903): Beiträge zur normalen und pathologischen Anatomie des Beckens. Hierzu 1 Tafel. Paul Grawitz (1850-1923): Ueber die hämorrhagischen Infarkte der Lungen. Hierzu 4 Tafeln. Oskar Israel (1854-1907): Epithelioma folliculare cutis. Hierzu 2 Tafeln. Robert Langerhans (1859-1904): Experimenteller Beitrag zur Fettgewebsnekrose. David Hansemann (1859-1920): Ueber Zelltheilung der menschlichen Epidermis. Hierzu 1 Tafel. All of these men made important contributions to science in their own right. See the numerous references in Garrison-Morton. ERSTE AUSGABE. In der vorliegenden "Virchow-Festschrift" findet sich die klassische Arbeit des berühmten Virchow-Schülers zur Pathologie des Knochens. Recklinghausen, Professor in Königsberg, Würzburg und Straßburg, bekannt durch seine Arbeiten über Neurofibrome, Lymphgefäße, Eiterkörper, etc. gehörte zu den namhaftesten Vertretern seines Fachs zum Ende des 19. Jahrhunderts. - Der schön gedruckte, großformatige Band enthält noch 12 weitere Beiträge bekannter Virchow Schüler.Garrison & Morton 4358 Bick, Source book of orthopaedics. pp. 131 + 137 Th. Albrecht, ..Orthopädisch relevanten Eponyme, p.205 Not in Waller, Osler or Cushing.

      [Bookseller: MedicusBooks.Com]
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      - Léon Genonceaux, Paris 1891, 11,5x18cm, relié. - Modifica gran parte originale, stampato in 550 copie e data buona 1891 sul frontespizio. Binding di cartone aperta motivi floreali decorati in rilievo freddo di nuovo liscia bruniti come pezzo dolore Brown Data coda dorata coperture conservati, vincolante contemporanea. ritagli biografiche erano collegati alla fine del volume, descrizione libreria tag incollato alla testa di una guardia La nostra copia è completato molti dei prefazione originale Rudolph Darzens che la maggior parte delle copie del sorteggio sono state amputate. esemplare piacevoli immersi in un legame contemporaneo che è raro secondo Clouzot. - [FRENCH VERSION FOLLOWS] Edition en grande partie originale, imprimée à 550 exemplaires et à la bonne date de 1891 sur la page de titre. Reliure en plein cartonnage ornementé de motifs floraux estampés à froid, dos lisse très légèrement bruni sans gravité, pièce de titre de chagrin marron, date dorée en queue, couvertures conservées, reliure de l'époque. Des coupures de presse biographiques ont été reliées en fin du volume, étiquette de description de libraire encollée en tête d'une garde et qui a laissé une ombre en son regard. Notre exemplaire est bien complet de la préface originale de Rodolphe Darzens dont la plupart des exemplaires du tirage ont été amputé. Agréable exemplaire établi dans une reliure de l'époque ce qui est rare selon Clouzot.  

      [Bookseller: Librairie Feu Follet]
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        Les cahiers d'André Walter - Oeuvre posthume

      First edition in trade, one of the 20 numbered copies on Japan, draw of head with 20 China.The first edition, published by Perrin, was judged incorrect by André Gide and he had it destroyed destroyed, only about sixty copies of the press service escaped.Binder in blue half-basane, back with four nerves adorned with golden floral motifs, marbled paper plates, guards and counterplates of paper to the vat, speckled slices, Contemporary binding.Precious autograph signed by André Gide: A Albert Mockel because he asked for it (which is a flat lie). Andre Gide. I, the undersigned acknowledge (the lie) AW "on a first page of false title.Second autographed autograph dedication of the author by André Gide, also to Albert Mockel, on another page of false title: "To Albert Mockel because he is my friend, His authentic André Gide".An astonishing "double" copy on Japan, with two pages of false title, two pages of justification of the draw (No. 39 and 25 on 20 Japan numbered 21 to 40) and two title pages.This peculiarity seems elucidated by this signed autograph letter of André Gide of three pages, addressed to Albert Mockel and mounted on tab after these duplicate pages, in which it seems that the dedicatee received from André Gide two autographed copies of this work and that he has placed the two dedications in the same copy astonishingly. Librairie de l'art indépendant Paris 1891 12x16cm relié

      [Bookseller: Librairie Le Feu Follet]
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        THE TERRITORIAL TOPIC...SEPTEMBER 24, 1891. Vol. 3, No. 8 [caption title]

      Purcell, Indian Territory: H.T. Miller, 1891. Large folio newspaper. [8]pp. Previously folded, with some small separations along old fold lines. Several small chips and closed tears around edges. Tanned, but else clean. Nearly very good. A rare account of the second Oklahoma land rush in 1891, as reported by an important Indian Territory paper printed by American Indians. This second land run occurred on Sept. 22 and 23, 1891 in an attempt to claim lands from the Iowa, Sac and Fox, Potawatomi, and Shawnee reservations, as well as the area around the town of Tecumseh in what would become Pottawatomie County, that were being opened to settlement by the federal government. The paper contains reports from various locations across the newly available territory and also states: "The fact that thousands of 'sooners' have been on the ground for days is sure to cause trouble. Everyone will claim that everyone else is a 'sooner.' It will be a much worse condition of affairs than that which followed the opening of Oklahoma." THE TERRITORIAL TOPIC was established in 1889 by Henry T. Miller, who had brought his printing plant from Kansas to Purcell in Indian Territory. It was the third newspaper printed in the Chickasaw Nation. "The TERRITORIAL TOPIC espoused and was an ardent supporter of the interests of the intermarried disenfranchised citizens of the Chickasaw nation, and for this fact, and also because it was an excellent medium of news, the paper attained a wide and influential circulation" - Foreman. A very rare example of newspaper printing from Indian Territory. Copies of the TOPIC are recorded in only four institutions by OCLC, and none outside Oklahoma and Kansas. Not in Gilcrease-Hargrett. FOREMAN, pp.125-26. OCLC 13764429.

      [Bookseller: William Reese Company - Americana]
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      London: Reeves & Turner, 1891. First edition, 20.5 x 13.5cm (8vo), in publisher's holland-backed boards w/paper title-label to spine, deckle edges, [i-vi], [1] 2-238 pp. Stated Limited Edition (250 copies) Large Paper Copy printed on handmade paper. With the 1898 decorative bookplate (designed by "CO") of Cyril & Margaret Kirby to recto of fr. ep. Binding Good- (extremities bumped & worn, spine a bit darkened w/moderate chipping & splitting, moderately cocked, & ep.s browned); contents Near-Fine (deckle edges dusty). Fredeman 43.17, Colbeck 54, LeMire A-50.02 (LP).

      [Bookseller: Leonard Roberts, Bookseller]
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        Carte autographe signée à Stuart Merrill « Cela vous sort de la vie moderne, si banale, si scélérate, si lourde et je vous remercie de m'avoir enlevé à cet affreux milieu, par votre très-curieux livre »

      - s.l. (Paris) s.d (1891), 11,5x9cm, Une carte recto-verso. - "E 'vi porta fuori della vita moderna, così banale, così malvagio, così pesante e vi ringrazio per avermi rimosso questo ambiente terribile, per il tuo libro molto curioso" lettera autografa eccezionale dal Huysmans indirizzata al poeta Stuart Merrill. Huysmans dà le sue impressioni di uno dei capolavori di Merrill, la raccolta di poesie dal titolo Lo splendore: tirsi - Bastoni - Torce, pubblicato nel 1891. accenti simbolisti del libro di Merrill sembrano avere profondamente colpito Huysmans, che ha parlato molto bene le poesie di "bellezza molto ardente" del suo collega. La Splendor unire le famose estetica decadente e raffinato Huysmans; un sorprendente parallelo può anche essere tracciata tra il "tendenza verso artifici" del personaggio di Des Esseintes in A Rebours, e "lillà artificiali e più affascinante, più scopo natura" apprezzato dalla Huysmans nella lettera. La reciproca ammirazione di Merrill e Huysmans risale alla pubblicazione nel 1887 della prima collezione di Merrill, gli intervalli. Huysmans, che dedica Merrill Nocturne poesia, scoperta, allo stesso tempo questa "Verlaine sussurro" e la sua poesia "soggiogare" (lettera a Huysmans René Ghil). Frequentano entrambi martedì Mallarmé nella sua rue Roma imperdibili scrittori simbolisti. La prova di una complicità letteraria brillante tra i due uomini, questa poesia lettera impronta evoca i migliori scritti simbolisti della fine del secolo. - [FRENCH VERSION FOLLOWS] Exceptionnelle carte autographe de Joris-Karl Huysmans adressée au poète Stuart Merrill. 17 lignes à l'encre noire, avec des indications au crayon d'un précédent bibliographe. Huysmans donne ses impressions sur un des chefs-d'

      [Bookseller: Librairie Feu Follet]
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        Les manuscrits de Leonardo de la Bibliotheque de l’ Institut de France, publié en facsimilés (procédé Arosa) avec transcription littérale par Charles Ravaisson - Mollien. (= I. Le Manuscrit A de la Bibliotheque de l’ Institut; II. Les Manuscrits B et D ; III. Manuscrits C, E et K; IV. Manuscrits F et I; V. Manuscrits G, L et M.; VI. Manuscrit H de la Bibliotheque de l’ Institut Ash. 2038 et 2037 de la Bibliotheque Nationale.

      Paris: A. Quantin, 1881 - 1891 - 6 Bände (vollständig). Komplett: 31 Seiten, 64 Faksimile Blätter (recto und verso) und Übersetzung, 14 Seiten. 6 Seiten, 90 und 10 Faksimile Blätter (recto und verso) und Übersetzung, 30 Seiten. 6 Seiten, 28 Faksimile Blätter (recto und verso) und Übersetzung, 80 Faksimile Blätter (recto und verso) und Übersetzung, [66] Bl. [zweiseitig bedr.], 27 Seiten; 2 Seiten, 96 doppels. Blätter, [73] Bl. [zweiseitig bedruckt], 21 Seiten; 2 Blätter, 3 Seiten, 193 Blätter, 20 Seiten, 1 Bl. ; 2 Seiten, [72] Bl. [zweiseitig bedruckt], 34 und 10 doppelseitige Blätter (recto und verso), [3] Bl. [zweiseitig bedr.], 52 Seiten. Schöne Halbleder Bände der Zeit 42 x 31 cm Only edition of the first facsimile of Leonardo da Vinci’s notebooks preserved in the Institut de Paris, finely done and only in a small number of copies distributed. The complete set of six volumes. These documents by Leonardo are to be found at the Institute de France in Paris, and comprise twelve pa-per manuscripts, some bound in parchment, others in leather, and others still in cardboard. They are in a variety of sizes, the smallest being Codex M (10 x 7 cm) and the largest Codex C (31 x 22 cm). They are conventionally identified by a letter of the alphabet, from A to M. Various subjects are covered: military art, optics, geometry, the flight of birds, hydraulics. The majority of the pages can be dated, presumably, to the period between 1492 and 1516. After Leonardo's death in 1519 Francesco Melzi, his favourite pupil, brought many of his manuscripts and drawings back to Italy. Fortunately, of Leonardo's vast output, over five thousand pages of drawings and no-tes have come down to us, in his characteristic "mirror-image" hand-writing, running from right to left. But this huge mass of writings, undoubtedly the largest collection of the entire Renaissance, has endured many vicis-situdes following Leonardo's death. In fact, Leonardo's manuscripts are today nothing like the way they appeared and were grouped together during his lifetime, or even when they passed into the hands of his faithful disciple, Francesco Melzi. It was Melzi's heirs who, after his death in 1579, began to scatter the material. Having no idea of their impor-tance, they initially stored Leonardo's drawings and manuscripts in a loft, later giving parts of it away or sel-ling sheets cheaply to friends and collectors. Already in 1630, the Barnabite Antonio Mazenta speaks of the dispersal of the Leonardo manuscripts, and singles out Pompeo Leoni, a sculptor at the court of the King of Spain, as one of those chiefly responsible not only for losing part of the collection, but even worse, for rear-ranging the order of ist contents. Indeed, in an effort to sort the artistic drawings from the technical ones, and to put together the scientific notes, he split up the original manuscripts, cut and pasted pages and created two separate collections. One is now called the "Codex Atlanticus", the other the Windsor collection, which contains some six hundred drawings. Using the same method, Leone went on to create at lest four more volumes. Upon Leoni's death, his heirs brought part of the manuscripts back to Italy, where they were purchased by Count Galeazzo Arco-nati who, in 1637, donated them to the Biblioteca Ambrosiana where they remained until 1796, the year of Napoleon Bonaparte's arrival in Milan. Napoleon ordered the manuscripts to be transferred to Paris, but in 1851 the Austrian government requested their return. Only the Codex Atlanticus was actually returned, while the other twelve manuscripts, marked with the letters A to M, remained in Paris, and were regarded as lost. Other manuscripts stayed in Spain and then went their different ways. Others remained undiscovered until 1966, when they were found quite by chance in the archives of the National Library of Madrid. [Attributes: Hard Cover]

      [Bookseller: Antiquariat Thomas Mertens]
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        Waratah Rhymes for Young Australia

      Gate Street, Lincoln's Inn Fields, London: Vincent Brooks, Day & Son, no date [1891]. With Photo-etched illustrations by Mrs E.M. Boyd, Mr R. Andre, and the Author. Small quarto, 64 pages, 240 mm x 180 mm, previous owner's bookplate, previous owner's gift inscription on front free endpaper, slight water damage to upper edge, a very good copy of this scarce and lovely book.

      [Bookseller: Rare Illustrated Books]
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        Hurst's Dictionary of Dates A Thesaurus of the Principal Events in Sacred and Profane History from the Creation of Man to the Present Time

      Used. Very Good Condition. NOT THE PAPERBACK REPRINT. Seemingly quite rare in the hardcover First and Revised Editions: Hurst's Dictionary of Dates. Hurst & Company Publishers, New York. Copyright 1891, Revised Edition. Complete Title is: Hurst's Dictionary of Dates; A Thesaurus of the Principal Events in Sacred and Profane History from the Creation of Man to the Present Time. Revised Edition. Dark green bible type binding, gold titling, ornamentation, and topstain. Quite the nice find.

      [Bookseller: Mary Riversong]
 20.   Check availability:     Biblio     Link/Print  

        Album of 48 Color Plates, one double paged, Paris-Toilette, Daydou Fils

      Paris: Daydou Fils. Imprimerie Lafontaine & Fils, 1891. First edition. Hardcover. Very Good. Folio, 43 by 32 cm. 48 hand-colored plates, one double paged, followed by nine double paged plates, on thin paper, of the same fashions shown in black and white. Paris-Toilette was a fashion magazine issued monthly which would appear to have been heavily oriented towards such color plates, but what we have here is not issues as such but rather a collection of the plates issued by the magazine during the Spring months, and perhaps a little earlier, of 1891. The magazine itself is hard to come by, with the only copies located at the Met, the Danish National Library and Penn State, according to OCLC First Search. (Nothing comes up at the BNF when we search "Paris Toilette Daydou", strangely enough.) The images show somewhat generic looking beautiful women of the era in elaborate, gorgeous gowns. Joints repaired. Fraying and wear to cloth, and moderate wear overall. A few small closed tears to the color plates, and substantial repair to one of the black and white double plates.

      [Bookseller: White Fox Rare Books and Antiques]
 21.   Check availability:     Biblio     Link/Print  

        ENCICLOPEDIA FARMACÉUTICA O DICCIONARIO GENERAL DE FARMACIA TEORICO-PRACTICO. Vol 1-2-3: Obra completa. PÉREZ M. MÍNGUEZ, Mariano. Jaime Seix, Editor, Barcelona, 1891-1889-1889 Establecimiento Tipográfico de B. Baseda. Vol ¡ con 990 páginas + 4h incluyendo Pauta para colocación de las láminas. Ilustrado con 7 láminas litográficas plena página color (están todas con su papel cebolla original) y figuras xilográficas y cuadros intercalados en texto. Vol. 2 con 1096 páginas + Pauta para colocación de las láminas. Ilustrado con 12 láminas litográficas plena página color (están todas con su papel cebolla original) y figuras xilográficas y cuadros intercalados en texto. Vol 3 con 704 + 71 con láminas y Apéndices biográficos

      Detallado en descripción., Detallado en descripción. - ENCICLOPEDIA FARMACÉUTICA O DICCIONARIO GENERAL DE FARMACIA TEORICO-PRACTICO. Vol 1-2-3: Obra completa. PÉREZ M. MÍNGUEZ, Mariano. Jaime Seix, Editor, Barcelona, 1891-1889-1889 Establecimiento Tipográfico de B. Baseda. Vol ¡ con 990 páginas + 4h incluyendo Pauta para colocación de las láminas. Ilustrado con 7 láminas litográficas plena página color (están todas con su papel cebolla original) y figuras xilográficas y cuadros intercalados en texto. Vol. 2 con 1096 páginas + Pauta para colocación de las láminas. Ilustrado con 12 láminas litográficas plena página color (están todas con su papel cebolla original) y figuras xilográficas y cuadros intercalados en texto. Vol 3 con 704 + 71 con láminas y Apéndices biográficos. Tamaño 318x236mm. Encuadernación original con cubiertas en tela con estampaciones gofradas en negro y dorados y lomo en piel color granate con grandes florones, nervios gofrados, ornamentos gofrados y caracteres dorados. Buen estado, con señales de buen uso y sin datos anteriores poseedores. En cubierta inferior vol. 1 cercos posiblemente de humedad. Presencia de óxido reverso láminas debido al cromo de las mismas. Puntos de óxido en guardas (ver fotos). Magníficos ejemplares, raros y escasos.

      [Bookseller: Libros Antiguos Raros]
 22.   Check availability:     IberLibro     Link/Print  

        The Portfolio: An Artistic Periodical

      Seeley & Co, 1891, Full Leather, Book Condition: Very Good. Size: 13.75" x 10", pp. vi; 260; xxvi. Numerous illustrations, including many full-page, on heavy stock with tissue guards. Full blue leather with gilt tooling worn at edges and corners; the spine with gilt titles and tooling and with five raised bands. Marbled endpapers and page edges. The book is filled not only with art commentary but it weaves, also, history and other notes. Some contents: Wiliam Hunt; Johannes Vermmer of Delft; The Present State of the Fine Arts in France; The Masters of Wood Engraving; The Lago di Garda; The Company of St. Luke, Florence; St. Ignatius Loyola and the Early Jesuits; Cleaning a Fresco.

      [Bookseller: Ultramarine Books]
 23.   Check availability:     Bookzangle     Link/Print  

        November Boughs [Presentation Copy]

      Philadelphia: David McKay, Publisher, 23 South Ninth Street, 1888 [but 1891]. Tall, thin 8vo: 140,[2]pp, with portrait in the text but no frontispiece photograph inserted (as issued). Original dark green V cloth, beveled covers, spine titled in gilt, upper cover stamped in gilt with tile and Whitman's facsimile autograph, top edge gilt, others untrimmed, wove end papers, laid front fly leaf. "These sheets are probably the 400 copies printed in May, 1891. . . . It seems probable . . . that after Whitman's death his executors had these sheets and the remainder of Good-Bye My Fancy [a copy of which we also have on offer] bound in uniform, but separate, bindings." (BAL 21430, printing 3). With occasional underlining and marginal commentary in pencil on first 18 leaves. Book plate of Virginia bibliophile Christopher Clark Geest to front paste down. Inscribed on front fly leaf to Courtney Lemon (his stamp in blue ink to title page) in 1902 by Whitman executor Horace Traubel: "To / Courtney Lemon / with heartfelt / remembrances & with / peaceful joy from Horace Traubel," with note in Traubel's hand beneath inscription, "W. W. assisted with g[reen] binding of N. Boughs for distribution among his friends. It was never printed for the market."A superb survival with fine association, square and tight, cloth clean with bright gilt, pages fresh and unmarked. Myerson A12.I.c. "One of the most remarkable things about Whitman is that as his health deteriorated, he increased his publishing activity. Part of the reason was his new circle of friends in Camden and Philadelphia . . . most importantly, Horace Traubel, trained as a typesetter and an active publisher and printer his whole life. He became Whitman's close friend and disciple when he was a teenager, and, as he grew up, he became Whitman's emissary to the Philadelphia/Camden printing and publishing community. . . . During the last four years of Whitman's life, from March 1888 to Whitman's death in March 1892, he recorded his daily conversations with Whitman (now published in nine volumes of well over 5000 pages), among which are detailed publication histories of Whitman's last books. The first book we have this record for is November Boughs, Whitman's attempt once again to merge poetry and prose in one book . . . [W]hen Traubel asked him when he was going to bring it out, Whitman's response was telling: "it will come out, and before long, God willing, and you, Horace Traubel, willing: for I shall need you to help me through with this expedition. . . ." Traubel would now be his lifeline to ongoing publishing activity, and it turned out he was more than up to the task. The book contains 64 poems and a lot of prose, including "A Backward Glance O'er Travel'd Roads" and an essay on Elias Hicks. The poems are striking reflections on old age, and everything about this book . . . suggests a kind of November of the soul, the self heading into winter and death. Whitman worried about the binding of the book, ordering Traubel to make changes in the lettering when he saw the first sample. . . . For the third printing, bound after the poet's death, his executors moved to a deep green cloth . . . " (Folsom, Whitman Making Books/Books Making Whitman) N. B. With few exceptions (always identified), we only stock books in exceptional condition, preserved in archival, removable polypropylene sleeves. All orders are packaged with care and posted promptly. Satisfaction guaranteed. Fine.

      [Bookseller: Fine Editions Ltd]
 24.   Check availability:     Direct From Seller     Link/Print  

        The Captain's Daughter]

      A. I. Mamontov and Chardon-Wittman Paris plates only for V. G. Gote Moskva 1891 - Tall 8vo (24.7 x 17 cm). pp. 156, [2], including title, pp. [2] half-title with limitation page on reverse bound at the end, portrait frontispiece after Wright and 12 full-page engraved plates after Pavel [Petrovich] Sokolov, all engraved by Alphonse Lamotte and protected by tissue guards; occasional light spotting. Later amateur maroon cloth, gilt lettering to spine. Fresh copy of this limited illustrated edition, one of 900 copies printed on vélin paper, signed by the publisher Gote (Gautier), out of a total edition of 1,000. The Captain's Daughter, originally published in 1836 in the literary journal Sovremennik, is a fictional account of the Pugachev Rebellion, which took place between 1773 and 1775. Emelian Pugachev, who had already become something of a folk hero by Pushkin's time, was a Cossack from the Don region (nowadays Ukraine) who led an explosive uprising against Catherine the Great. Pugachev was one of several Russian rebels who claimed to be Tsar Peter III. In reality, Peter had been murdered six months after ascending the throne, in a coup that brought his wife, Catherine, to power in 1762. Legend had it, however, that Peter had been rescued from this assassination attempt by loyal Christians. The revolt involved a brutal and extended assault on the fortress town of Orenburg and at one point even threatened Moscow. However, Pugachev's forces had little chance in the long run against the much larger and better-fortified imperial army; Pugachev was eventually captured, taken to Moscow in a cage, and beheaded. Pushkin's novel takes the form of a first-person family memoir written by the soldier and friend of Pugachev Petr Grinev. [Attributes: Signed Copy; Soft Cover]

      [Bookseller: Shapero Rare Books]
 25.   Check availability:     ZVAB     Link/Print  

        Queens of the Drama: A Series of Portraits Engraved in the Stipple Manner By Edwd. Stodart - Artists Signed Proofs (SIGNED LTD. ED.)

      London: F. B. Daniell, 1891 - First printing, limited edition of 50 copies. Elephant folio in original green paper-covered boards. Eight signed proofs, 4 in black ink, 4 in tinted ink, with tissue guards. Subjects are: Ann Oldfield, Mrs. Woffington, Mrs. Siddons, Miss Farren, after J. Richardson, Van Bleeck, Downman and Sir T. Lawrence. Brief bio on each actress. Plates are Nearly Fine with no foxing, but disbound in the covers. Boards are quite worn at extremities, as expected for the age, but holding well. Rare and interesting item. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Inno Dubelaar Books]
 26.   Check availability:     AbeBooks     Link/Print  

        Events in the Taeping Rebellion.

      London: W. H. Allen and Co. Ltd.,, 1891. Being Reprints of MSS. copies by General Gordon in his own Handwriting. With Monograph, Introduction, and Notes by A. Egmont Hake. Octavo (212 × 134 mm). Contemporary prize-binding of red calf by Relfe Brothers, raised bands gilt to spine, black morocco morocco label to second compartment, the rest gilt-tooled with arabesque cornerpieces and central floral lozenges, rolled foliate border gilt to boards, crest of Bancroft's School, Woodford, to front, marbled edges and endpapers, gilt roll incorporating alternate palmette, fleur-de-lys and flower motifs to turn-ins. Photogravure portrait frontispiece with tissue-guard, folding sketch-map hand-coloured in outline to rear. Prize plate dated 1902 to the front pastedown. Faint soiling to boards, tips bumped and slightly worn, short closed tear to map fold. A very good copy. First and only edition. Gordon's ingenious defeat of the Taiping rebellion earned him the nickname Chinese Gordon and made him a totem of the cult of the Christian military hero which had emerged after the Indian Mutiny. "In 1862 he was summoned to join the British, French, and imperial Chinese troops protecting the international settlement at Shanghai from the Taiping insurgents … A private force grandiloquently named the Ever Victorious Army was … mustered at the expense of Shanghai's foreign merchants. On 24 March 1863 Gordon (promoted brevet major on 30 December 1862) took command of this mutinous rabble of 4000 Chinese officered by a gallimaufry of European and American adventurers. He pitched them against the insurgents, who formidably outnumbered them and were at least as well equipped … He defeated them by the mobility of his forces, particularly the swift and flexible manoeuvring of armed steamboats along the extensive medieval canal system in the Suchow (Suzhou) region. This unorthodox warfare, combined with the ascendancy which Gordon established over his men, enabled him to crush the rebellion in eighteen months … Like T. E. Lawrence he had a genius for guerrilla warfare and for leading destitute, ill-trained forces" (ODNB). The editor, Hake (1849-1916), was a relation of Gordon's and also wrote a popular biography, The Story of Chinese Gordon (1884) and other works, which contributed to his lifetime apotheosis and remain important.

      [Bookseller: Peter Harrington]
 27.   Check availability:     Biblio     Link/Print  

        The Land of the Lamas. Notes of a Journey through China, Mongolia and Tibet.

      New York, The Century Co., 1891. 8vo. Original cloth, leather lettering piece to spine; pp. viii, 399; frontispiece, illustrations to text, 2 double-page maps; label slightly chipped, cloth a little marked, internally, apart from very occasional minor spotting, a very good copy. First edition. Rockhill was an American scholar-diplomat who won acclaim for himself with his travels in Mongolia and Tibet. The present book is his account of his first expedition of 1888-9, when he left Peking to explore Tibet. Rockhill crossed China to Koko-Nor and continued south-west hoping to reach Lhasa, but in fact diverted south east to Drechu and Tatsien-lu. His explorations resulted in the Smithsonian Institution's sponsoring of his second journey to Tibet in 1891-2. Yakushi (3rd ed.) R284.

      [Bookseller: Henry Sotheran Ltd.]
 28.   Check availability:     Direct From Seller     Link/Print  

        The Little Minister

      Book condition is above excellent. No Mars, markings, discoloration or tears. Original end-tissue still enact. The book looks as new. First Edition. Very rare!!Sir James Matthew Barrie is one of the writers whom everyone has heard of, but few know the actually sad, somewhat tragic story behind the tale. Like his most famous literary creation; Peter Pan, the biography of J.M. Barrie is filled with mysteries. It is relatively unknown, for example, that 'Peter Pan; or, the Boy Who Wouldn't Grow Up' was never a book at all, but rather a 'fairy play. The book that is now famous as the story of Peter Pan was actually written after the play, at the request of Barrie's publisher's Hodder and Stoughton in 1911, and later abridged in 1915.J M Barrie was, by all accounts, one of life's innocents. He was devoted to the study of myth, and to the power of fairy stories in particular. This coupled with a dedication to an imaginative childhood led him to create works that centred around boy's stories, fairy stories, or children's nonsense tales. Although well connected (he was made a baronet by King George the V of England), Barrie remained unhappy, or least unlucky in life.His early literary career was as a playwright, especially of comic plays which, although well received, never achieved the great success that he desire. He was also unlucky in love as his first marriage failed, and, with a broken heart he turned to wandering London's parks where he first met the Llewelyn Davies family, the inspiration for Peter Pan and Wendy.For the collector, Barrie wasn't so long ago as to make collecting original editions impossible. A First Hardcover edition of Peter and Wendy, for example (1911, Hodder and Stoughton) can still be found for as little as five hundred US dollars if you are willing to accept a little wear and possible restoration work. A fine copy would cost upwards of a thousand US dollars. If you are looking for a more select edition of some of Barrie's work, then consider his early novel Auld Licht Idylls, (1888 Hodder and Stoughton) which is considerably rarer and shows Barrie's first experiments with the novel form. These can be found at auction in good condition, for as little as six hundred US dollars.

      [Bookseller: Bell's Books]
 29.   Check availability:     Biblio     Link/Print  

        FAC-SIMILE OF THE BLACK-LETTER PRAYER-BOOK; Containing manuscript alterations and additions made in the year 1661, out of which was fairly written the Book of common prayer: subscribed, December 20, A.D. 1661, by the Convocations of Canterbury and York, and annexed to the Act of Uniformity, 13 & 14 Car. II., C. 4, A.D. 1662. (together with) FACSIMILE OF THE ORIGINAL MANUSCRIPT OF THE BOOK OF COMMON PRAYER. Signed By Convocation December 20th, 1661, and Attached to the Act of Uniformity, 1662 (13 & 14 Charles 2. Cap. 4).

      London: Longman & Co., et al / Eyre & Spottiswoode et al, 1871 / 1891. (2 volumes). First volume: [11], [544] pp., folio (16 x 10.5 inches), contemporary dark brown cloth with blindstamped ornaments to boards, gilt spine title. Second volume: [7], 544, [16] pp.; folio (15 x 10.5 inches), bound in same style as first volume. First volume with presentation inscription by Lady Georgina Home-Drummond dated June 1913 and bookplate of George Stirling Home Drummond on front pastedown. Binder's ticket of James Truscott & Son, London on rear pastedown. First volume neatly rebacked preserving all original materials, front inner hinge starting, but heavy sewing tapes holding firm, some foxing to endpapers, text mostly unopened. Second volume: Moderate edgewear, mostly to spine ends and corners, some finger smudging to to title and intro pages, text unopened. Photo-lithographic facsimiles of the original 17th-century volumes. The first book represents a true facsimile of the "Booke of Common Prayer" printed by Robert Barker in 1636 and edited, corrected, and amended by bishops of the church in 1661 and approved by Convocation as the official text of the revised Book of Common Prayer. This book, with all the marginalia, notes, redactions, etc. was preserved in the House of Lords where it is generally known as "The Convocation Book." The second volume, published in 1891 as a companion to the foregoing, is a true facsimile of the fair copy manuscript that was prepared in 1661 from the "Convocation Book" and formally attached to the Act of Uniformity in 1662. This manuscript is generally referred to as the "Annexed Book" and was the textual source for the published 1662 edition of the Book of Common Prayer, the text which remains the official prayer book of the Church of England. (See Ratcliffe, Edward C. "The Booke of Common Prayer, its making and revisions mdxlix - mdclxi" p. 109-110). Very good.

      [Bookseller: Chanticleer Books, ABAA]
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        Gil Blas illustré. Première année, N° 1 (18 juin 1891) au N° 27 (27 décembre 1891) ; Deuxième année, N° 1 (3 janvier 1892) au N° 52 (25 décembre 1892) ; Troisième année, N° 1 (1er janvier 1893) au N° 53 (30 décembre 1893).

      - Paris, Gil Blas Illustré, Henri Tellier, 1891-1893. 138 fascicules de 8 pp. chacun, reliés en un fort volume in-4, reliure légèrement postérieure demi-basane (coiffes frottées). Ex-libris du rimbaldien Claude Jeancolas. Les trois premières années complètes de Gil Blas illustré (et 6 suppléments à Gil Blas, des 10, 23 et 30 mai, 7, 14 et 21 juin 1891). Contient, entre autres et outre les très nombreuses illustrations de Steinlen, A. Guillaume, etc. : Première Soirée d'Arthur Rimbaud (édition originale de la quatrième version connue de ce poème, dans le numéro du 29 novembre 1891) ; Notre-Dame du Galetas, Chanson pour elle, Mon Rêve familier, En bateau, Colloque sentimental, Romance sans paroles, Les Coquillages, Odes en son honneur, La Gigue, Sagesse, etc. de Paul Verlaine ; Souvenirs d'amour et Lulu de Félicien Champsaur ; Petit Soldat, La Parure, Saint-Antoine, Le Pain maudit, Le Port, L'Ermite, Sauvée, Une Partie de campagne, Les 25 francs de la Supérieure, Clair de lune, Ce Cochon de Morin, Au bord de l'eau (poème), Fin d'maour (poème), A Tunis, Le Père, Les Conseils d'une Grand'Mère, Les Epingles, Le Verrou, La Maison Tellier, La Patronne et L'Inconnue de Guy de Maupassant ; Le Secret de l'ancienne musique et Akëdysséril de Villiers de l'Isle-Adam ; Les Vieilles aux yeux bleus, Villégiature, Le Capitaine Burle et L'Agence des Repoussoirs d'Emile Zola ; Le Vieux Soleil de Barbey d'Aurevilly ; Fragment d'une lettre de femme d'Alphonse Daudet ; Sonnet d'Oaristys et Trois Intérieurs de Charles Cros ; La Chambre close et Vieux Pochard d'Octave Mirbeau ; Fleur de Cinq-Pierres, Le Roi au Masque d'Or, Les Milésiennes et Fanchon-la-Poupée de Marcel Schwob ; Le Mousse de Tristan Corbière ; Le Chant d'Automne, Sed non Satiata, Moeasta et Errabunda, Causerie, Le Jour des Morts, Don Juan aux Enfers, Le Jet d'eau et Le Vampire de Baudelaire, et sa traduction de La Barrique d'Amontillado d'Edgar Poe ; Eventail, A Celle qui est tranquille et Apparition de Stéphane Mallarmé ; Le Sixième Mariage de Barbe-Bleue de Henri de Régnier ; Antoine et Cléopâtre et Le Lit de Jose-Maria de Heredia ; Les Trois Sommations, La Musique aux champs et La Moisson au bord de la mer d'Alphonse Daudet ; Bonnes filles et de nombreuses poésies de Jean Richepin ; Groseille à Maquereaux de Jean Lorrain ; etc. * Voir photographie(s) / See picture(s). *** Membre du SLAM et de la LILA / ILAB Member. La librairie est ouverte du mardi au samedi de 14h à 19h. Si vous souhaitez passer à la librairie pour un livre, merci de nous prévenir au préalable, l'ensemble du stock visible en ligne n'étant pas immédiatement consultable. *** PAUSE ESTIVALE du 27 août au 12 septembre : les commandes reçues pendant cette période seront traitées par ordre d'arrivée à notre retour. Merci de votre patience et de votre compréhension. * SUMMER BREAK from August 27 to September 12: the orders placed during that period will be processed by order of arrival upon our return. Thank you for your patience and your understanding. *** Langue : Français

      [Bookseller: Chez les libraires associés]
 31.   Check availability:     AbeBooks     Link/Print  

        Ancient Ripon and Fountains the Magnificent.

      viii, 46p. Original cloth.List of subscribers to final leaf.

      [Bookseller: Westfield Books]
 32.   Check availability:     PBFA     Link/Print  

        Nikolaus II. (Nikolaj Alexandrowitsch). Originalfotografie eines anonymen Fotografen. Original photograph showing Tasar Nicolas as a young men.

      13 x 9,5 cm. Original Silbergelatine Abzug. Original albumin photograph. Leicht ausgeblichen, slightly faded. verso Notizen in Bleistift: Niclas II, 1891". Seltenes Fotos des jungen Nikolai II (18681918) und späteren Zaren (18941918), der mit der Prinzessin Alix von Hessen-Darmstadt verheiratet war. Rare and early photograph of the young Czar, who was married with Princesse Alix von Hessen-Darmstadt.

      [Bookseller: J.J. Heckenhauer e.K.]
 33.   Check availability:     Link/Print  

        The Picture of Dorian Gray

      Ward, Lock & Company, London., 1891. First edition. Royal octavo. pp viii, 334. Original parchment-backed boards with gilt design by Charles Ricketts, bevelled edges. Top edge gilt. Number 176 of 250 copies signed by the author.From the library of Sir Winston Churchill: laid in is a slip of paper on which is written, ''de M. Winston Churchill - Château du Muguet''. The Château du Muguet, in the Val-de-Loire region of France, was the setting for the penultimate session of the Anglo-French Supreme Allied Council on 11th and 12th June, 1940. Even as the Nazis were at the gates of Paris, Churchill flew to southern France in one last attempt to try and stiffen the resolve of the French military and promise them every assistance he could muster. Although de Gaulle was receptive to Churchill's ideas for a heroic defence of Paris, Pétain was already resigned to defeat. It is poignant that Churchill chose this book to accompany him on his mission, as France had long stood as a symbol of the individual's rights to freedom. Indeed, in the Preface to this book Wilde defends the artist's right to freedom of expression.The book was among effects sold at auction sale of the Château du Muguet's contents . The slip of paper with its inscription is contemporaneous with Churchill's stay and is likely to have been written shortly after his hurried departure from the Château to indicate that the book had been inadvertently left behind .In his book The Literary Churchill, Jonathan Rose quotes Wilde's son Vyvyan Holland: 'Winston Churchill was once asked whom he would like to meet and talk with in after life and he replied, without hesitation, ''Oscar Wilde'' '. In the 1890's Wilde was very friendly with Churchill's mother Jennie and described her as ''both beautiful and brilliant''. Churchill himself was given on occasion to quoting from Wilde's plays, both in private conversation and public speeches.Inner hinges cracking but tight. Spine rubbed, chipped and splitting. Covers a bit marked and rubbed. Preserved in a recently custom-made quarter red morocco folding box by Sangorski and Sutcliffe, Churchill's choice of binders for his own books for presentation.

      [Bookseller: Peter Ellis bookseller]
 34.   Check availability:     Biblio     Link/Print  

        The Adventures of Sherlock Holmes. In The Strand Magazine Vols 1 - 6.

      The Strand Magazine. January 1891- December 1893. 8vo., 6 volumes in contemporary half red morocco, spined gilt in compartments, contrasting labels. Illustrated by Sidney Paget. Some rubbing and scuffing to bindings, a little browning, otherwie a very good set. First appearrances of the 24 Sherlock Holmes Adventures serialised in the The Strand Magazine. These stories were later issued in two volumes The Adventures of Sherlock Holmes (1892) amd The Memoirs of Sherlock Holmes (1894). Also contains 'The Adventure of the Cardboard Box' (vol.5, 1893) which was not published in book form until 'His Last Bow' (1917). Several of these Holmes stories feature far more illustrations (notably by Sidney Paget) than in book form, and in some (such as 'Cardboard Box ') the illustrations are exclusive to 'The Strand'

      [Bookseller: Henry Sotheran Ltd.]
 35.   Check availability:     Direct From Seller     Link/Print  

        Grisélidis. -

      Ernest Kolb 1891 -, Paris - 1 volume. In-8. 99 pp. Reliure plein chagrin bleu nuit. Dos à nerfs avec titre doré et les initiales C.C. en queue. Tête dorée. Couverture conservée. A grands témoins. Bel exemplaire. EDITION ORIGINALE. Un des 20 exemplaires numérotés sur Hollande, seul grand papier après 10 sur Japon impérial. Exemplaire enrichi d'un envoi autographe signé des 2 auteurs et de 3 jolies AQUARELLES ORIGINALES signées E.M. (Eugène Morand ?). Sur ce conte, Jules Massenet a écrit une musique de drame et de comédie lyrique. Précieux exemplaire du comédien Constant Coquelin (1841-1909, il créa le personnage de Cyrano). [Attributes: Hard Cover]

      [Bookseller: Librairie KOEGUI]
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        The family in the room.

      "Interior with man and a woman breastfeeding her child. Very dark room with large window on the right, casting light upon the characters. Very intimate atmosphere. On the bottom right collector's mark of Collection Museum Bern (L.236a); on the verso Legat J.R. Koch 1891 (L. 1578a); Franz Pokorny (L.2036) and unidentified mark (L.2909a) "."Etching on paper, trimmed to plate mark, total: 187 x 220 mm; only state; bottom and top left corners repaired, tiny portion of top left corner replaced with paper darkened in pen; traces of previous mountings on the verso, very fine and dark impression, rare; Hollstein 4, Bartsch 4"

      [Bookseller: Antiquariaat A.G. VAN DER STEUR]
 37.   Check availability:     NVvA     Link/Print  

        LA CELLULE recueil de cytologie et d'histologie génerale Tome VII

      Typ. de Joseph van In / AUG. PEETERS, LIERRE /LOUVAIN 1891 - Libro en aceptable estado, aunque rozado y fatigado, con manchas en algunas páginas (sobre todo en los grabados), encuadernado en pasta española, en lengua francesa. Se trata del tomo VII de la publicación de Citología e Histología La Cellule. En este tomo se encuentran concretamente los trabajos siguientes: Nouvelles recherches su la structure des organes segmentaires des hirudinées de H. Bolsius, La structures des centres nerveux: la moelle epinière et le cervelet de A. Van Gehucthten, Sur la estructure de l'ecorce cérébrale de quelques mamifères de S. Ramón y Cajal, Contribution à l'étude de la fermentation du bacille commun de l'intestin de V. Scruel; Le bulbe ofactif chez quelques mamifères de A. Van Gehuchten y I. Martin; Etude bactériologique sur les cystites de Aimé Morelle; Les organes ciliés des hirdinées de H. Bolsius; Anaérobiose du bacille commun de l'intestin et de quelques autres bactéries de Manille ide; Glandes cutanées a canaux intracellulaires chez les crustacés edriophthalmes de Manille Ide; Les téguments sémineaux des papavéracées de Alph. Meunier; Recherches sur l'appareil génital femelle de quelques batraciens indigénes. 484 páginas [Attributes: Hard Cover]

      [Bookseller: Libros Dickens]
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        The birds of Australia, comprising three hundred full-page illustrations with a descriptive account of the life and characteristic habits of over seven hundred species.

      Melbourne: Charles Stuart & Co. 1890-1891. - Folio,303 chromolithographic plates with accompanying text and tissue guards. Six volumes bound in three, contemporary half calf and gilt lettered cloth, expertly re-spined, all edges coloured and tissue guards present, a sound clean set. [Attributes: Hard Cover]

      [Bookseller: Andrew Isles Natural History Books]
 39.   Check availability:     AbeBooks     Link/Print  

        Carte autographe signée à Stuart Merrill « Cela vous sort de la vie moderne, si banale, si scélérate, si lourde et je vous remercie de m'avoir enlevé à cet affreux milieu, par votre très-curieux livre »

      "It leaves you out of the modern life, so banal, so cruel, and so heavy, and I thank you for having taken me from your frightful environment by your very curious book"Exceptional autograph letter from Joris-Karl Huysmans to the poet Stuart Merrill. Huysmans gives his impressions on one of the masterpieces of Merrill, the collection of poems entitled The Pleasures: Thyrses - Sceptres - Torches , published in 1891.The symbolic accents of Merrill's work seem to have profoundly affected Huysmans, who never ceased to praise the poems of a " very ardent beauty " of his colleague. The Fastes join the famous decadent and refined esthetics of Huysmans; A striking parallel can be drawn between the "tendency towards artifice" of the character of Des Esseintes in A Rebours , and the " artificial lilac and more charming, finer than nature " acclaimed by Huysmans in the letter.The mutual admiration of Merrill and Huysmans goes back to the publication in 1887 of the first collection of Merrill, Les Gammes . Huysmans, to whom Merrill dedicates the Nocturne poem, discovers at the same time this "whispering Verlaine" and his "subjugating" poetry (letter from Huysmans to René Ghil). They both attend the Tuesdays of Mallarmé in his apartment in the Rue de Rome, a must for symbolist writers.Evidence of a brilliant literary complicity between the two men, this letter full of poetry evokes the finest symbolist writings of the end of the century. s.l. (Paris) s.d (1891) 11,5x9cm Une carte recto-verso

      [Bookseller: Librairie Le Feu Follet]
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        Notices et Extraits des Manuscrits de la Bibliothèque Nationale et autres bibliothèques - Tome Vingt-Neuvième.

      Imprimerie Nationale, Paris., 1891. First edition. Quarto. 308 pages. Six-page Introduction ("Documents Épigraphiques recueillis dans le Nord de l'Arabie par M. Charles Doughty") by Ernest Renan. Original blue wrappers, printed label on spine.Contains "Note de. M. Doughty sur son Voyage" which despite the French title is in English (29 pages); also "Transcription et Traduction des Inscriptions Nabatéennes de Medaïn-Salih (in French and Hebrew) (18 pages), "Transcription des Notes contenues dans les Planches" (in English) (9 pages). 57 plates, these being facsimiles of notes and drawings of rubbings which Doughty made from carved rock inscriptions, maps and drawings, 9 folding photogravures of inscriptions. The reason this was published in France was that Doughty had tried without success to sell the Nabatean inscriptions he had collected to the British Museum and the Royal Geographical Society. Meanwhile the French philologist Ernest Renan was in the process of preparing a work on Semitic inscriptions for the Academie des Inscriptions and offered Doughty the opportunity of publication. Renan later deciphered these, using Doughty's transcriptions. A number of the plates in this book, which are of superb quality, were used for later editions of Arabia Deserta. The rest of the volume is devoted to E. Amélineau's "Notice sur le Papyrus Gnostique Bruce".Wrappers chipped and torn at edges. Spine a little cracked and discoloured. Apart from minor water-staining to the lower margins of four maps, internally a bright and clean copy. Very good. Very scarce.

      [Bookseller: Peter Ellis bookseller]
 41.   Check availability:     Biblio     Link/Print  

        Queen Summer or The Journey of the Lily & the Rose

      London: Cassell and Company LONDON: CASSELL, 1891 Large quarto 40 colour plates Penned and portrayed by Walter Crane in his distinctive style this is the large paper edition limited to 250 copies of which this is number 46. Original decorative boards and end papers with velum quarter binding. Name of past owner on fly leaf. Wear to corners of boards with shelf wear to paper cover at edges principally to top and bottom of boards.

      [Bookseller: Gail E. Blanchard]
 42.   Check availability:     Biblio     Link/Print  

        The Yoga Vasishtha Maharamayana of Valkimi

      Calcutta: Bonnerjee and Company, 1891. Hardcover. Very Good. xx, 484pp; xiv, 282pp.;xiv, 694pp; xix, 1167pp. Four volumes, all very good uniformly bound in modern blue buckram with silver gilt titles, new endpapers and pastedowns. Few small wormholes to a the first third of the first three volumes and a tape repair to one page, otherwise internally very good. First edition in English of this classic Hindu text.

      [Bookseller: Kenneth Mallory Bookseller. ABAA]
 43.   Check availability:     Biblio     Link/Print  

        ERIK XIV Sorgespel i fyra akter

      (uppgift saknas). Häftad bok. Tryckt som manuskript. OBS! Föreställningen gavs året innan texten trycktes.Tryck: Hasse W Tullbergs Boktryckeri, Stockholm 1891. Pjästext. Löpande repliker i en spalt. Texten inom röd ram på varje sida. Skådespelarnas efternamn med blyerts efter varje rollnamn. Trådbundet häfte i A5-format med tryckt omslag av tjockare papper.

      [Bookseller: Tomas Lindmark]
 44.   Check availability:     Bokbörsen     Link/Print  


      - [Edo 1891]. A brocade silk covered album, Oban size, all edge gilt, with a total of 65 fine color prints, including 2 title pages, and one dedication print, book size 24.5 x 35.5 cm., 4.15 cm. thick. A stunning group of his most famous prints well represented. Hiroshige II [1826-1869] and III [1843-1894] were one in the same, a pupil of the most famous & great Ando Hiroshige. Using his master's name plus his old name Ichiryusai, he was the adopted son of Hiroshige I and was a very skilled painter, who actually painted along side & with the master until his master's death in 1858. After that, Ichiryusai specialized in railroad prints depicting these new innovations recently imported from the West around Yokohama, as well as issuing many series of beautiful prints. In his later years, he executed a most beautiful and exquisite set of his own interpretation of his master's most well-known series of prints showing Mt. Fuji & the celebrat- ed places around Edo. This was not done to merely copy the master's works, but rather as a sincere Confucian tribute to his adopted father [& now father-in-law] and master. He took each of the master's views & repainted them in pastel colors with great control & precision. Some of the more delicate places such as rainbows and clouds behind a flock of birds were actually brushed on by hand, a technique rarely ever done. The wood blocks used were of the highest quality, a majority of which were center cuts & these have left a most beautiful wood-pattern in the print. This example shows 28 prints from the Fuji Sanju Rokkei and 35 from the Edo Yonju Hakkei series, with the title page from each present. There is a dedcation & memorial print to Hiroshige I from his fai- thful son and pupil. This print is most similar to one found as the frontispiece to the book by E. F. Strange: THE COLOR PRINTS OF HIROSHIGE, London [1925].Its clear that this print by Kunisada [who is Toyokuni I] was used as a model by Ichi- ryusai, as it differs in what the master is holding.Kunisada shows him holding his rosary beads, while Ichiryusai shows the master with his Fude [brush pen] and paper in hand.Ichi- ryusai and Kunisada had collaborated to issue a series of 36 prints:EDO JIMAN or THRIY-SIX PLACES OF WHICH YEDO IS PROUD. Ichiryusai has taken much care to represent the most wonder- ful views of Fuji & Edo with great skill.A majority of these prints are certainly well-known to the art world at large, as well as to Japanese print collectors.Many of these prints prints show up in the usual references. Some of the more famous Edo views are showing a falcon in winter, rain on the river bridge,storks, cat view in Asakusa,busy street scenes, Asakasa temple & lantern in snow, river scenes &c. Some Fuji views show many snow scenes, seasonal views,cherry blossoms, a majority show water and mountains, charming set of prints. Alternate title is MEISHO EDO HYAKKEI. See L. Roberts: A DICTIONARY OF JAPANESE PRINTS ARTISTS p.44-45 for background on Hiroshige I,II & III. R. Lane: IMAGES FROM THE FLOATING WORLD p.232-254, most all of the prints in this album are listed under Hiroshige I's series: MEISHO EDO HYAKKEI: ONE HUNDRED FAMOUS VIEWS OF EDO. Beautifully bound in tradition- al brocade silk-gilt brocade, with prinnts on both sides of an accordion folded album. A L W A Y S R A R E !

      [Bookseller: RARE ORIENTAL BOOK CO., ABAA, ILAB]
 45.   Check availability:     ZVAB     Link/Print  

        Die Sinnlichkeit.

      - Radierung, nach dem gleichnamigen Gemälde, signiert. 22:17,1 cm. Abdruck auf chamoisfarbenem Velin. – Im breiten Rand mit winzigen Einrissen und leichten Knickspuren, ansonsten in hervorragendem Zustand. Eine sinnliche nackte Frau mit einer Schlange als zentrales Element der Darstellung hat Franz von Stuck zwischen 1891 und 1912 mit dem Motiv der „Sünde" in zahlreichen Repliken, Varianten und Wiederholungen verarbeitet – eine Fassung von 1893 befindet sich in der National-Galerie Berlin, ein andere von vor 1906 im Museum der Villa Stuck. Die Schlange als Verführerin der Frau in der christlichen Vorstellung und diese wiederum als Verführerin des Mannes wird in Stucks symbolistischer Kunstauffassung zusammengeführt. Dadurch personifiziert die Frau zugleich das Böse und das Sündige, aber auch wie hier das Sinnliche. Um 1900 gipfelt diese Auffassung in Literatur und Kunst in dem Typus der „Femme Fatale", des sündigen, teuflischen Weibes, das vor allem bei den Symbolisten zentrales Motiv war. Franz von Stuck, Sohn eines Müllers, besuchte in München 1878-1881 die Kunstgewerbeschule und war Schüler von F. Barth (1842-1892). 1881-1885 schloß sich ein Studium an der Akademie bei W. Lindenschmit (1829-1895) und L. Löfftz (1845-1910) an. Neben dem Unterricht führte er zum Broterwerb kunstgewerbliche Entwürfe aus. Nach Beendigung seines Studiums führte er zudem zahlreiche Entwürfe für verschiedene Mappenwerke aus sowie humoristische Blätter für die „Fliegenden Blätter". 1892 gründete er gemeinsam mit W. Trübner (1851-1917) die „Münchner Sezession". In diesem Jahr unternahm er auch eine Reise nach Rom, wo er M. Klinger (1857-1920) traf, der ihn zum bildhauerischen Arbeiten anregte. 1893 erfolgte die Ernennung zum Professor, 1895 die Professur an der Münchner Akademie. Als Aufsichtratsmitglied der „Genossenschaft Pan" zeichnete er 1895 den Pan für das Titelblatt der Zeitschrift. 1897-1898 wurde nach seinem Entwurf die Villa Stuck gebaut. 1900 erhielt er wegen seiner für die Villa Stuck entworfenen Möbel auf der Pariser Weltausstellung die Goldene Medaille. 1904 unternahm er eine Reise nach Griechenland. 1906 wurde er mit dem Verdienstorden der Bayerischen Krone geehrt und in den persönlichen Adelsstand erhoben. In diesem Jahr war er auch Gründungsmitglied der Deutschen Monistenbundes. 1914-1915 ließ er neben seiner Villa ein Bildhauer- und Maleratelier erbauen.

      [Bookseller: Galerie Joseph Fach GmbH]
 46.   Check availability:     ZVAB     Link/Print  


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