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Displayed below are some selected recent viaLibri matches for books published in 1841

        De Simonia - Contemporary, original manuscript of Francisco Suarez work "De Simonia".

      8. 93 leaves ((2), 188 pages). Hardcover / Original pigskin. Very good condition with only minor split to upper hinge. Some external wear. Faint dampstain to lower margins. The manuscript seems to be either a compendium of excerpts related to Suarez' "De Simonia" or even an outline of the work. While it looks like a personal selection, a summary of chapters of the writer, the irregular corrrespondence of chapters between the manuscript and the finished work, allows us to speculate on this manuscript being a possible draft. The manuscript is quarto sized in contemporary vellum with the title penned on an upper spine compartment and the number 41 at the foot of the spine. The manuscript has a title page stating 'De Simonia' which precedes the 93 leaf treatise and is followed by two leaves of 'Index Capitum, que in hoc continentur tractatu'. The manuscript is in a regular forward sloping scribal hand with between 20 and 25 lines per page. The text is divided into 39 chapters. The Index reads: Index Capitum que in hoc continentur tractatu: I - Quid sit Simonia et uncle dicatur (identical with Chapter I of Suarez' "De Simonia" / II - Affectur divisio Simonie / III - An in peccato simoniae sit tantium malitia contra religionem an etiam contra justitiam (identical with chapter IV of "De Simonia) etc. / XVI An Beneficia Ecclesiastica sint materia Simonia Jure Divina nel Jure Ecclesiastico etc., etc. / Images of the work and the Index on request. [See full text of Francisco Suarez "De Simonia" in "Theologiae Cursus Completus" - by Jacques Paul Migne (Tomus Decimus-Septimus: De Censuris - De Irregularitatibus - De Simonia - De Oratione) Paris, 1841]. Francisco Suárez (5 January 1548 25 September 1617) was a Spanish Jesuit priest, philosopher and theologian, one of the leading figures of the School of Salamanca movement, and generally regarded among the greatest scholastics after Thomas Aquinas. His work is considered a turning point in the history of second scholasticism, marking the transition from its Renaissance to its Baroque phasis. His most important philosophical achievements were in metaphysics and the philosophy of law. Suárez may be considered the last eminent representative of mediaeval scholasticism. He adhered to a moderate form of Thomism and developed metaphysics as a systematic enquiry. For Suárez, metaphysics was the science of real essences (and existence) it was mostly concerned with real being rather than conceptual being, and with immaterial rather than with material being. He held (along with earlier scholastics) that essence and existence are the same in the case of God (see ontological argument), but disagreed with Aquinas and others that the essence and existence of finite beings are really distinct. He argued that in fact they are merely conceptually distinct: rather than being really separable, they can only logically be conceived as separate. On the vexed subject of universals, he endeavored to steer a middle course between the realism of Duns Scotus and the nominalism of William of Occam. His position is a little bit closer to nominalism than that of Thomas Aquinas. Sometimes he is classified as a moderate nominalist, but his admitting of objective precision (praecisio obiectiva) ranks him with moderate realists. The only veritable and real unity in the world of existences is the individual to assert that the universal exists separately ex parte rei would be to reduce individuals to mere accidents of one indivisible form. Suárez maintains that, though the humanity of Socrates does not differ from that of Plato, yet they do not constitute realiter one and the same humanity there are as many "formal unities" (in this case, humanities) as there are individuals, and these individuals do not constitute a factual, but only an essential or ideal unity ("In such a way, that many individuals, which are said to be of the same nature, are so: only through the operation of the intellect, not through a substance or essence of things which unites them"). The formal unity, however, is not an arbitrary creation of the mind, but exists "in the nature of the thing, prior [ontologically] to any operation of the intellect". His metaphysical work, giving a remarkable effort of systematisation, is a real history of medieval thought, combining the three schools available at that time: Thomism, Scotism and Nominalism. He is also a deep commentator of Arabic or high medieval works. He enjoyed the reputation of being the greatest metaphysician of his time. He thus founded a school of his own, Suarezianism (...). Suárez made an important classification of being in Disputationes Metaphysicae (1597), which influenced the further development of theology within Catholicism (his fellow Jesuit Pedro da Fonseca having a powerful effect on Protestant Scholastic thought in the 16th and 17th centuries). In the second part of the book, disputations 28-53, Suárez fixes the distinction between ens infinitum (God) and ens finitum (created beings). The first division of being is that between ens infinitum and ens finitum. Instead of dividing being into infinite and finite, it can also be divided into ens a se and ens ab alio, i.e., being that is from itself and being that is from another. A second distinction corresponding to this one:ens necessarium and ens contingens, i.e., necessary being and contingent being. Still another formulation of the distinction is between ens per essentiam and ens per participationem, i.e., being that exists by reason of its essence and being that exists only by participation in a being that exists on its own. A further distinction is between ens increatum and ens creatum, i.e., uncreated being and created, or creaturely, being. A final distinction is between being as actus purus and being as ens potentiale, i.e., being as pure actuality and being as potential being. Suárez decided in favor of the first classification of the being into ens infinitum and ens finitum as the most fundamental, in connection with which he accords the other classifications their due. In theology, Suárez attached himself to the doctrine of Luis Molina, the celebrated Jesuit professor of Évora. Molina tried to reconcile the doctrine of predestination with the freedom of the human will and the predestinarian teachings of the Dominicans by saying that the predestination is consequent upon God's foreknowledge of the free determination of man's will, which is therefore in no way affected by the fact of such predestination. Suárez endeavoured to reconcile this view with the more orthodox doctrines of the efficacy of grace and special election, maintaining that, though all share in an absolutely sufficient grace, there is granted to the elect a grace which is so adapted to their peculiar dispositions and circumstances that they infallibly, though at the same time quite freely, yield themselves to its influence. This mediatizing system was known by the name of "congruism." Here Suárez' main importance stems probably from his work on natural law, and from his arguments concerning positive law and the status of a monarch. In his extensive work Tractatus de legibus ac deo legislatore (reprinted, London, 1679) he is to some extent the precursor of Grotius and Samuel Pufendorf, in making an important distinction between natural law and international law, which he saw as based on custom. Though his method is throughout scholastic, he covers the same ground, and Grotius speaks of him in terms of high respect. The fundamental position of the work is that all legislative as well as all paternal power is derived from God, and that the authority of every law resolves itself into His. Suárez refutes the patriarchal theory of government and the divine right of kings founded upon it---doctrines popular at that time in England and to some extent on the Continent. He argued against the sort of social-contract theory that became dominant among early-modern political philosophers such as Thomas Hobbes and John Locke, but some of his thinking found echoes in the more liberal, Lockean contract theorists. Human beings, argued Suárez, have a social nature bestowed upon them by God, and this includes the potential to make laws. But when a political society is formed, the authority of the state is not of divine but of human origin therefore, its nature is chosen by the people involved, and their natural legislative power is given to the ruler.[6] Because they gave this power, they have the right to take it back, to revolt against a ruler but only if the ruler behaves badly towards them, and they're obliged to act moderately and justly. In particular, the people must refrain from killing the ruler, no matter how tyrannical he may have become. If a government is imposed on people, on the other hand, they not only have the right to defend themselves by revolting against it, they are entitled to kill the tyrannical ruler. In 1613, at the instigation of Pope Paul V, Suárez wrote a treatise dedicated to the Christian princes of Europe, entitled Defensio catholicae fidei contra anglicanae sectae errores ("Defense of the Universal Catholic Faith Against the Errors of the Anglican Sect").This was directed against the oath of allegiance which James I required from his subjects. James (himself a talented scholar) caused it to be burned by the common hangman, and forbade its perusal under the 'severest penalties, complaining bitterly to Philip III that he should harbour in his dominions a declared enemy of the throne and majesty of kings.De Incarnatione (1590-1592)De sacramentis (1593-1603)Disputationes metaphysicae (1597)De divina substantia eiusque attributis (1606)De divina praedestinatione et reprobatione (1606)De sanctissimo Trinitatis mysterio (1606)De religione (1608-1625)De legibus (1612)De gratia (1619)De angelis (1620)De opere sex dierum (1621)De anima (1621)De fide, spe et charitate (1622)De ultimo fine hominis (1628) In the 18th century, the Venice edition of Opera Omnia in 23 volumes in folio (17401751) appeared, followed by the Parisian Vivès edition, 26 volumes + 2 volumes of indices (18561861) in 1965 the Vivés edition of the Disputationes Metaphysicae (volls. 25-26) was reprinted by Georg Olms, Hildesheim. From 1597 to 1636 the Disputationes Metaphysicae were published in seventeen editions no modern edition of Suárez's complete works is yet available and only few of Suárez's Disputations have been translated into English. The contributions of Suarez to metaphysics and theology exerted significant influence over 17th and 18th century scholastic theology among both Roman Catholics and Protestants. Thanks in part to the strength of Suárez's Jesuit order, his Disputationes Metaphysicae was widely taught in the Catholic schools of Spain, Portugal and Italy. It also spread from these schools to many Lutheran universities in Germany, where the text was studied especially by those who favoured Melanchthon rather than Luther's attitude towards philosophy. In a number of seventeenth-century Lutheran universities the Disputationes served as a textbook in philosophy. In a similar way, Suárez had major influence in the Reformed tradition of German and Dutch schools for both metaphysics and law, including international law. His work was highly priased, for example, by Hugo Grotius (1583-1645). His influence is evident in the writings of Bartholomaeus Keckermann (15711609), Clemens Timpler (15631624), Gilbertus Jacchaeus (15781628), Johann Heinrich Alsted (15881638), Antonius Walaeus (15731639), and Johannes Maccovius (Jan Makowski 15881644), among others.[9] This influence was so pervasive that by 1643 it provoked the Dutch Reformed theologian Jacobus Revius to publish his book-length response: Suarez repurgatus. The views of Suarez upon the human origin of political order, and his defense of tyrannicide emanating from popul

      [Bookseller: The Time Traveller's Bookshop]
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        Vite dei pittori ed artefici bolognesi.

      Bologna, Tipi Governativi alla Volpe, 1841/1843, 5 parti in in due vol. In 8*, cartonato originale coevo. pp. 22-(2)-202-(2) + 200-(2) + (4)-114-(1)- 405-(3). Ritratti di C. C. Malvasia, F. Francia, F. Primaticcio, Agostino, Ludovico Carracci, Guido Reni e del "Guercino" in tav. f.t. Manca quello di Annibale. Buon esemplare. Lozzi, 421: "non facili a trovare tutte complete, specie dei ritratti".

      [Bookseller: Libreria Piani già' Naturalistica snc]
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        Monstorum Sexcentorum Descriptio Anatomica

      1841. Hardcover. Good. Folio measures 14.5 x 20.5 inches. 30 full page engraved plates. Text in LATIN. Ex-library copy. Covers loose, spine cloth missing. Title and preface signature complete but loose from book, few usual markings, else interior good. Scattered light to moderate foxing. Each plate has faint library blind-stamped seal to lower margin. Author describes six hundred defects. Many plates illustrate infant birth defects. Very scarce and early work in the field of orthapaedics. . Ex-Library. Folio 13" - 23" tall Professional bookseller for 20 years. Orders shipped daily in cardboard bookfolds.

      [Bookseller: Commonwealth Book Company, Inc.]
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        Della coltivazione delle viti specialmente nella provincia di Verona e dell' arte di fare il vino

      Tipografia Libanti, 1841. (17 x 24) EDIZIONE ORIGINALE. Cartonato coevo con titolo e fregi in oro al dorso. 243 pp. Convinto della potenzialità dei vini veronesi, Beretta fa rilevare quello che si dovrebbe fare per portare questi vini al livello dei migliori prodotti di Francia. Scritto in forma di dialogo, il trattato si divide in due parti: la prima riguarda la viticoltura, ed è nella fase della coltivazione che egli ritiene traggono origini i maggiori problemi. La seconda tratta il processo di vinificazione ritenuto del tutto insoddisfacente, sopratutto durante il processo di fermentazione. Identificati questi errori, l'autore offre consigli e astuzie per migliorare la qualità dei vini partendo dall'ubicazione del vigneto, per finire alla conservazione dei prodotti finiti, con ampie divagazioni per tutti i disastri (sia naturali che causati dall'uomo), che possono danneggiare il vino. B.I.N.G, I-189

      [Bookseller: Bibliotheca Culinaria srl]
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        Die Kunst der Stereoplastik oder dess Abformens, Giessens, Ausdrückens, Cachirens und Bildens der verschiedenartigsten Gegenstände des Unterrichts, des Luxus und der Mode; aus Gyps, Papiermasse, Harzmasse, Hausenblase, Alaun, leichtflüssigen Metallmischungen u. s. w. für Gewerbetreibende. Nach Johann Friedrich Netto, vormals Zeichnenmeister und Akademiker zu Leipzig, Verfasser vieler technischen Schriften von dessen ältestem Sohne Dr. F. A. W. Netto

      One folding lithographed plate. 48 pp. 8vo, orig. printed wrappers (see below). Quedlinburg & Leipzig: G. Basse 1841. First edition, and very rare with WorldCat locating no copy in North America. This is a detailed manual for the manufacture of wax, resin, thin metal, alum, and paper maché models for relief maps, globes and depictions of terrains; pomological collections; models of foods; models for bookbinders; and for a number of other professions and institutions including museums, schools, and military institutions. These include models of floral and botanical specimens for natural history museums. The techniques described here are based on those developed by the author's father Johnann Friedrich Netto (1756-1810), a Leipzig-based art teacher and author, who also wrote a series of rare and attractive works on embroidery and pattern books. F.A.W. Netto (1783-1845), was an instructor in pure and applied mathematics and physics in Berlin and the author of a number of books on mathematics and military surveying. In 1839, he published one of the earliest books on the production of the daguerreotype, the Vollständige Anweisung zur Verfertigung daguerrescher Bilder. The upper wrapper has a different title: "Anweisung zur Anfertigung der Wachs- und Harzfrüchte, Papiermasse-Atrapen und der Relief-Charten, Relief-Globen und Terrain-Modelle aus Papiermasse. Zu pomologischen Sammlungen für naturhistorische Museen, Tafelaufsätzen, Weihnachts-, Hochzeits-, Geburtstags-, Tauf- und anderen Geschenken und zum geographischen Unterrichte. Für Conditoren, Buchbinder, Galanteriearbeiter, Naturforscher, Geographen, Schullehrer, Officiere und alle die, welche diese Fabrikation als Gewerbe betreiben wollen…Nach den praktischen Erfahrungen seines Vaters Johann Friedrich Netto, Zeichnenmeister and Akademiker zu Leipzig, und eigenen Forschungen bearbeitet und herausgegeben." Fine copy of a fascinating book. Early stencilled private ownership stamp on verso of upper wrapper and title of H.F.C. Tann.

      [Bookseller: Jonathan A. Hill, Bookseller, Inc.]
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        EUGEN NAPOLEON NEUREUTHER (1806 - 1882). "Kaiser Maximilian verleiht A. Dürer das Künstlerwappen" (Andresen).

      - Radierung, in der Platte monogr. und dat. "E(ugen) N(eureuther) 1841", 53,5 x 41,5 cm. Im Rand unten mit Trockenstempel "Kunst Verein in Augsburg", darüber "Eugen Neureuther invenit et fecit". - Andresen, Handb. Bd. II, Neureuther 1; Bötticher, Original-Radirungen Nr. 17; Slg. Maillinger Bd. II, 2726; Slg. Proebst 2021; Lentner 12673: "Albrecht-Dürer-Kostümfest im Odeon in München 1840. Gedenkblatt darauf . umgeben von einer reichen Arabeske, die mit zahlr. Figuren, Portraits Münchn. Künstler geschmückt ist". - Rechts alt geschlossener Randeinriß bis knapp in die Darstellung.

      [Bookseller: Peter Bierl Buch- & Kunstantiquariat]
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        La Sacra Bibbia secondo la volgata tradotta in lingua italiana e con annotazioni dichiarata

      Paolo Lampato, 1841 1852. 280x200 mm 4 voll Conserva tre delle quattro copertine originali

      [Bookseller: Libreria Antiquaria Giulio Cesare]
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        London and its Environs containing the Boundaries of the Metropolitan Boroughs, the different Railroads & Stations, the new cemeteries, roads, docks, canals, and all modern improvements. .

      1841 - Steel-plate engraving, widest: 543 x 697 mm, in original outline colour, dissected and mounted on linen, folding into the original cloth covers, lacking the upper board. London : Thomas & William Boone [et al.], Unrecorded state of this detailed plan of London, extending from Edgware in the North to south to Surbiton, Beckenham and Bromley; and West to East from Harrow on the Hill and Twickenham to Ilford, Barking and Chislehurst. The map was published at an important point in the history of London, showing the early network of railway lines, the expansion of which did so much to facilitate London's population growth, and transform the city as the urban area expanded, absorbing the outlying areas depicted in this map. The rapid expansion of the network meant that publishers were compelled frequently to revise their maps to keep them current. Among the features added to the map since its first appearance in 1840 is Fenchurch Street station, although the station is not named, with the line in from Essex. Rare. This state is unrecorded in Howgego, Printed Maps of London, but cf. 372. [Attributes: Hard Cover]

      [Bookseller: Maggs Bros. Ltd ABA, ILAB, PBFA, BA]
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        Vollständiges Farben-Laboratorium oder ausführliche Anweisung zur Bereitung der in der Malerei Staffirmalerei, Illumination, Fabrication bunter Papiere und Tapeten gebräuchlichen Farben, und namentlich der Erd- und Metall- oder Oxydfarben, Lackfarben, Saftfarben, Honigfarben, Pastell- und Tuschfarben. Mit 20 Figuren auf einer Foliotafel.

      Dritte sehr vermehrte und verbesserte Auflage. 18,4 x 12 cm. Reihentitel, Titel (= S. I-IV), IX-XXXII, 678 Seiten, 5 Bl. Verlagsanzeigen und eine gefaltete lithographierte Tafel. Halbleder der Zeit mit goldenem Rückentitel und etwas Rückenvergoldung. Kanten und Außengelenke berieben. Rückenleder etwas spröde und rissig. Innen durchgehend teils mäßig, überwiegend jedoch stark gebräunt und stockfleckig. Da Reihentitel und Titel vorhanden sind und kein Text fehlt (beginnt mit Vorwort zur dritten Auflage), scheint es sich beim Fehlen der römisch numerierten Seiten V-VIII um einen Fehler in der Paginierung zu handeln, oder es fehlen mitgezählte Leerblätter oder ein Schmutztitel am Anfang. Stempel auf Reihenitel verso (Rohrer Kunstmaler München). Wenige Seiten mit alten Bleistiftanstreichungen und -anmerkungen. (Neuer Schauplatz der Künste und Handwerke Band 117). Engelmann, Bibliotheca mechanico-technologica, S. 333 (erste Auflage 1841) und Supplement Seite 101 (zweite Auflage 1847). Schießl Nr. 1202. Angebunden: Christoph Heinrich Schmidt: Die neuesten, wichtigsten Fortschritte, Erfindungen und Verbesserungen in der Farbenfabrikation, sowohl in Bezug auf Erd- und Oxydfarben, als auch Lackfarben und Farbstoffe aus Harnsäure (Murexid), wie aus Steinkohlentheer (Anilinfarben) zum Färben und Drucken der Gewebe. Weimar, Bernhard Friedrich Voigt 1864. XII, 240 Seiten, 4 Bl. Verlagsanzeigen, V Seiten "Verzeichnis des neuen Schauplatzes" und 4 gefaltete lithographierte Tafeln. Durchgehend gebräunt und stockfleckig. (Neuer Schauplatz der Künste und Handwerke Band 264). Schießl Nr. 1221. Die Tafeln beider Bände zeigen Werkzeuge, Apparaturen und Brennöfen.

      [Bookseller: Antiquariat Roland Gögler, Einzelunterne]
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        Correspondence relative to the Affairs of the Levant. Presented to both Houses of Parliament by command of Her Majesty. E.O.

      T.R. Harrison, Londres 1841 - Edition originale. 884 lettres, rapports, échangés (de février 1839 et novembre 1840) par les différents diplomates, militaires et représentants des affaires étrangères (M. Granville, Lord Ponsoby, Lord Beauvale, Colonel Hodges, M. Guizot, Mr Bulwer, Lord Russel,.) avec l'Empire Britannique, concernant les différends politiques entre l'Empire Ottoman et Mehémet Ali. Correspondance en anglais, quelques lettres françaises traduites à la suite en anglais. Reliures fortement frottées, coins émoussés. Dos insolé. Intérieur bon avec quelques mouillures claires. Très rare ouvrage. Également disponible : "Correspondence respecting the Rignts and Privileges of the latin and greek Churches in Turkey. Presented to both Houses of Parliament by command of Her Majesty. Edition originale" . État correct. Réf 19926. 2 volumes in folio, xii-703 et 340 pages, demi-basane fauve (reliure d'époque) (4280g)

      [Bookseller: Librairie Marc et Cathy Aubry]
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        The Murders In The Rue Morgue. (Graham's Lady's and Gentleman's Magazine. Volume XVIII & XIX)

      Philadelphia: George Graham, 1841, 1841. THE FIRST APPEARANCE IN PRINT OF "THE MURDERS IN THE RUE MORGUE". 2 vols., 9-3/4" x 6-1/2", illustrated, some hand colored, the usual intermittent foxing throughout mostly on and adjacent to plate leaves and endpapers, pastedowns and endpapers toned, a few marginal closed tears to several leaves, better than it may sound. Bound in uniform contemporary 1/2 red morocco, gilt decorated and lettered spines, inner and outer hinges fine, head and foot of spines fine. A NICE SET in a VERY GOOD contemporary binding. Considered the first detective story ever published. In addition to the above title, other Poe works which appear in these volumes include: Descent into the Maelstrum, Island of the Fay, Autography, Colloquy of Monos and Una, Never Bet Your Head, To Helen, and Israsel.

      [Bookseller: D&D Galleries - ABAA]
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        Austrian Album with original pencil drawings and cut-outs

      1841-1845, Salzburg, Wien, etc. 1841 - Oblong, 9 by 16 cm. 24 leaves of content, 12 of which have original artwork. Two of the specimens of artwork are delicate folk art-ish cut-outs -- one, a seraph surrounded by a wreath, the other, a brown tree. The rest are pencil drawings, a few qualifying as exquisite miniatures. Of these, one is of a bridge and castle, another, a lodge atop a hill -- this one being executed with a folk art sensibility. One of the remaining images is of a barefoot beggar in a long coat. Especially pleasing to us is a drawing of a dagger of sorts inserted diagonally through a laurel. Such albums would appear incomplete without the requisite tombstone or monument and landscape with ruins, and both are present here. The album overall is fairly typical of the more attractive sort of Biedermeier period album amicorum. In this case, the box is especially lovely, with its inlays of red leather and extensive gilt ornamentation, not to mention its gilt edging. Also some blank sheets, with a ribbon pull housed within. Moderate wear generally. [Attributes: Hard Cover]

      [Bookseller: White Fox Rare Books, ABAA/ILAB]
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        Manuale per la conservazione dei denti e modo di curarne le malattie opera del Dottore Caliga Professore di Odontologia nell'Università di Lemberg. Traduzione di Giacinto Silvestri. Con due Tavole.

      1841. Milano, per Giovanni Silvestri, 1841. In 16mo (cm. 16,29; carta colorata coeva; pp. 77, (3) + 2 tavole più volte ripiegate di figure. ... Dei dolori dei denti e modi di calmarli, Del Tartaro dei denti, Cause e cure della mobilità dei denti, Delle gengive scorbutiche, Della corona artificiale dei denti.... Axs

      [Bookseller: Libreria Bongiorno Paolo]
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        Ermordung der Hl. Ursula in Köln durch die Hunnen. I.Hgr. links Domturm mit Kran und Domchor.

      - altkolorierte u. eiweißgehöhte Lithographie v. Ghémar n. Hans Memling, 1841, 37 x 27,5

      [Bookseller: Antiquariat Norbert Haas]
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        Schriftstück mit eigenh. U. Wien, 14. XI. 1841.

      1841. ½ S. Folio. "Es wird hiermit angezeigt, daß der Geldbedarf für den Monat December d. J. bei dem k. k. Hofmusikgrafenamte in Zweyhundert Fünfzig Gulden C. Mz. bestehe [...]". Verso Exhibitennummer sowie Praesentatum-Vermerk vom 18. November. - Der aus Preßburg gebürtige Hofmusikgraf (die Oberleitung der Wiener Hofkapelle ausübender Kammerherr) Thaddäus von Amadé war ein früher Förderer von Franz Liszt.

      [Bookseller: Antiquariat Inlibris]
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        MÜNCHEN. - Michaelskirche., "Die St. Michaelskirche und die Academie". Michaelskirche mit dem Gebäude der Jesuiten-Akademie und Blick zum Karlstor.

      Lithographie mit Tonplatte von A. E. Kirchner, 1841, 38 x 30 cm. Maillinger II,204,12 Pfister II,281,11 Lentner 1176,11 nicht bei Slg. Proebst. - "Sehr seltene Folge von hervorragend schönen Blättern, die z.T. sehr hoch bezahlt werden" (Lentner). - Mit sehr hübscher Figurenstaffage. Breitrandig und gut erhalten!

      [Bookseller: Franziska Bierl Antiquariat]
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        Musikalische Freitagsgesellschaft. Programm- und Huldigungsblatt zum 5. März 1841. Konzert in München unter der Leitung von Franz Graf v. Pocci.

      1841. 27,7 x 20 cm. (Sehr guter Zustand).

      [Bookseller: Aegis Verlag Einzelfirma]
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        Fragmenta Historicorum Graecorum (4 vols./ 4 Bände)

      Editore Ambrosio Firmin Didot; 1841 - 1851. Orig.Erstausgabe; Gebundene Ausgabe Die hier angebotenen Bände stammen aus einer aufgelösten Klosterbibliothek und tragen die entsprechenden Kennzeichnungen (Rückenschild, Instituts-Stempel...). Schnitt und Einband sind staubschmutzig; Papier altersbedingt nachgedunkelt/ stellenweise leicht stockfleckig; der Zustand ist ansonsten ordentlich und dem Alter entsprechend gut; KOMPLETTPREIS für 4 Bände; bei Versand ins Ausland erfragen Sie bitte zuerst die Versandkosten; GRIECHISCHER und LATEINISCHER Text; Versandkostenfreie Lieferung mfb

      [Bookseller: Petra Gros]
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        La Sacra Bibbia secondo la volgata tradotta in lingua italiana e con annotazioni dichiarata

      Paolo Lampato 1841-1852, Milano - Conserva tre delle quattro copertine originali XX + 715; 700; 833; 791 con 4 tavv. f.t. p. 4 voll 280x200 mm

      [Bookseller: Libreria Antiquaria Giulio Cesare]
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        Canti popolari toscani, corsi, illirici, greci, raccolti ed illustrati. Con un Opuscolo originale del medesimo Autore (Scintille, Tasso, 41)

      Girolamo Tasso, 1841-1842. 8vo (cm. 21,3), 5 Voll., 399(1), 400, 471, 320, 239(1) pp. Ciascun volume, salvo l’ultimo, preceduti da un’antiporta f.t. incisa e disegnata da vari autori (quella del primo vol. acquarellata). Ottime legature coeve in mz. pelle con fregi, titolo e numerazione in oro al dorso. L’ultimo volume contiene l’edizione originale del poema ‘Scintille’ insieme a prose e poesie in diverse lingue (italiano, francese, latino e greco). Esemplare in ottimo stato di conservazione.

      [Bookseller: Libreria Antiquaria Ex Libris s.r.l.]
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        KALENDER. -

      74 Jg. in 22 Bdn. 21 x 13,5 cm. Über 8500 S. Mit vielen Textholzstichen. Pp. d. Zt. mit hs. Rsch., sowie 5 Jahrgänge in OBroschur und 2 Jahrgänge in HLwd. unter Verwendung der OBroschur. Lentner 3468: "Der vorzüglich redig. bayerisch-patriotische Kalender enthält neben dem gewöhnlichen Kalendarium eine ausserordentl. grosse Anzahl gedieg. u. wertvoller Aufsätze zur bayer. Orts- und Geschichtskunde etc., Legenden u. Abbildgn. d. Heiligen, Erzählungen aus dem Leben (bayer.) gottsel. Männer und Frauen, Beschreibgn. und Abbildgn. von Schlachten, Schlössern, Burgruinen u. Kirchen, viel. geistl. Orten, Wallfahrten, Monumenten etc. etc. u. bietet somit eine reiche Quelle zur bayer. Orts- u. Klostergeschichte". - Bei dem Kalender auf das Jahr 1841 handelt es sich um den zweiten "im Jahre 1888 vorgenommenen Abdruck ohne Kalendarium". - Beiliegt das Inhaltsverzeichnis des Kalenders für die Jahre 1841-1890 (50 Jahrgänge). - Die Einbände bestoßen und etwas fleckig (die Broschur zu Jahrgang 1912 mit Randläsuren, Bibliotheksmarken und mehrfach gestempelt). Alle Bände mehrfach gestempelt, papierbedingt teils etwas gebräunt und/oder stockfleckig. - Eine einmalige Fundgrube zur bayerischen Orts-, Kirchen- und Klostergeschichte mit hunderten von Holzstich-Ansichten von Link. Es sind nahezu sämtliche bayerischen Wallfahrtsorte beschrieben und abgebildet. Kulturgeschichte, Kalender

      [Bookseller: Buch- und Kunstantiquariat]
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        Versuch über die Schwimmblase der Fische. Im Namen der Linneischen Societät zu Leipzig entworfen von Gotthelf Fischer. VORGEBUNDEN: A.: Arvid H. Florman (pres., 1761-1840), Joh. Ol. Lagberg (um 1821): Dissertatio anatomiam sistens Murenae Anguillae L. comparatm et observationibus physiologicis dilucidatam [..]. Lund, Berling 1821. NACHGEBUNDEN: B.: Johannes Christian August Wittzack (1784-1847): De piscium cerebro et systemate nervoso [...], Berlin, Johann Friedrich Starck 1817. UND: C.: Johann Heinrich Eichholtz (1817-?): De piscium etque amphibiorum nudorum lobis opticis atque olfactoriis. Berlin, 1841.

      Oktav. Zeitgenössischer Pappband mit marmorierten Bezügen, etwas Rückenvergoldung und Titelrückenschild. 2 Bll., 80 S., mit einer ausfaltbaren Kupfertafel (nach Zeichnung des Verfassers von J. F. Schröter zu Leipzig gestochen). Kollation der Beibindungen: A.: 1 Bl., 20 S., 1 Bl., mit einer mehrfach ausfaltbaren lithographischen Tafel. B.: 30 S., C.: 36 S. - Vorderer Vorsatz mit handschriftlichem Register des Sammelbandes, A. und C. mit altem handschriftlichem Besitzvermerk. Einband etwas berieben und bestossen, Titel von B. etwas stärker gebräunt. Die Abhandlung von Fischer-Waldheim in frischem Zustand.

      [Bookseller: Antiquariat Stefan Wulf]
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      VERCI GIAMBATTISTA STORIA DEGLI ECELINI TOMMASO FONTANA 1841 3 Voll. in-8° gr., bella e sobria legatura originale in mezzo vitellino marrone chiaro con piccole punte, piatti ricoperti di carta policroma marmorizzata, tit. e fregi oro al dorso. Vol I: occh., antiporta figurato con stemma degli ECELINI, frontespizio con piccola vignetta decorativa, pp. XXVIII; pp. 233 [1], indice. Vol II: occh., antiporta figurato con bella veduta del castello degli ECELINI, frontespizio pp. 238. Vol III: occh., frontespizio, pp. 196. Ottimo esemplare nella propria originale, sobria ed elegante legatura. Mezza pelle

      [Bookseller: Antiquariato Librario Bisello]
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        Discorso letto nell' ateneo in Bergamo da Paolo Conte Vimercati Sozzi sovra alcuni monumenti esistenti in Roma alla memoria d'illustri bergamaschi annessivi i relativi disegni ed analoghe illustrazioni.

      54 S., Abb. Oppd. Einband angeschmutzt und beschabt. Innen tls. etwas stockfleckig. BEIGEBUNDEN: Ragionamento di Paolo Conte Vimercati Sozzi sovra alcuni vasi e lucerne fittili un vetro ed un bronzo tratti da vetustissime arche sepolcrali presso lovere letto nella publica seduta 22 aprile 1841 dell'ateneo di bergamo. Bergamo: Dalla Stamperia Mazzoleni 1841. 36 S., Falttafel. - Sulla moneta della citta di bergamo nel secolo decimoterzo dissertazione storico-critica di Paolo Conte Vimercati Sozzi. Bergamo: Dalla Stamperia Mazzoleni 1842. 76 S., Abb., 4 Tafeln. - Su varj argomenti relativi a Torquato Tasso illustrazione die Paolo Conte Vimercati Sozzi. Bergamo Stamperia Mazzoleni 1844. Falttafel, Titelkupfer, 42 S. - Sulle belemniti d'entratico cenni di P.C.V.S. Bergamo: Stamperia Mazzoleni 1846. 23 S., 2 Tafeln. - LOSE BEILIEGEND: Ritrovamenti numismatico-archeologici suardi e volpi esposti da Paolo Vimercati-Sozzi. 7 S., Falttafel. - Lapide romana sterrata nella provincia di Bergamo annunziata da Paolo Vimercati Sozzi. 8 S. Jeweils schmucklose Broschur. Insgesamt sieben Teile.

      [Bookseller: Antiquariat Hamecher]
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        Recherches Generales Sur L'Orgonographie La Physiologie Et L'Organogenie Des Vegetaux

      Paris, France. VG/NO DUSTJACKET. [1841]. 1/4 Leather. Memoires ... a l'Academie Royale des Sciences de l'Institute de France. Charles Gaudichaud-Beaupré (1789-1854) was a French Botanist who visited Chile, Peru and Brazil in 1830-1833 and in 1836-1837 he acted as botanist to "La Bonite" during its circumnavigation of the globe. Reference - Graesse. Not found in Bibligraphia Brasiliana, Brunet, or OCLC. . Sm 4to., 130 pp. .

      [Bookseller: Riverow Bookshop, INC ABAA]
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        FREUDENSTADT., Gesellenbrief. Gesamtansicht von einer Anhöhe aus mit verzierter Umrandung, darunter Briefkopf mit dem Wappen von Freudenstadt und lithographierter Lehrbrief für den Schmiedegesellen "Joh. Georg Heinzelmann von Reichenbach". Mit Originalunterschriften und Siegel.

      Lithographie, Freudenstadt, "den 27n Juli 1841", 11,5 x 19,5 cm (Stadtansicht) bzw. 42,5 x 33 cm (Blattgröße). Vgl. Schefold 1886 nicht bei Stopp. - Die Unterschrift des damaligen Oberamtmanns von Freundenstadt, "Fleischhauer", ist die des späteren Ministerialrats Heinrich von Fleischhauer (1809-1884), Vater des Württembergischen Innenministers Karl von Fleischhauer (1852-1921). Rechts die Unterschriften von Obmann "Watz" und von den Vorstehern der Schmiedezunft "Finkbohner" und "Haug". Das Siegel zeigt u.a. Zange, Hufeisen, Rad usw. - Mit geglätteten Längs- und Querfalten. Baden-Württemberg, Gesellenbrief, Handwerk, Lehrbrief, Schmied

      [Bookseller: Buch- und Kunstantiquariat]
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        Bauerkeller's New Embossed Plan of London 1841

      Published by Ackerman & Co., 96 Strand,, Paris & London, 1841 - George Bauerkeller's rare and strikingly modern embossed plan of London with its Index. Hand-coloured engraved embossed map, dissected and mounted on linen, inset of the Isle of Dogs, tables of the population of London and key to the maps colouring, folding into brown paper slipcase, with tree branch pattern. This extraordinary embossed plan shows each locality in a different colour and built up areas raised in white, similar to the technique of Braille. Extending from Islington in the north to Kennington in the south and from Kensington High Street in the west to the West India Docks, with an inset of Greenwich at a smaller scale. A unique style of cartography in very good condition.In an advertisement in the ?ÄòSporting Magazine Advertiser?Äô Ackermann announces its publication: ?Äò. The Buildings are raised, and, with the Railroads, Parks, Squares, &c. apper very prominent. The Parishes are also distinguished in delicate tints., and the entire arrangement is so remarkably conspicuous that, whether for the Visitor or the Office, its utility will be generally acknowledged" (Howgego)A table to the upper left of the plan records a population of just over 1.5 million in 1841, with 122,000 residing in the City of London. The number of houses is estimated to be above 197,000; there are over 80 squares and some 10,000 streets.Scale: 6 inches to 1 statute mile.COPAC records only one institutional copy of this edition held at Oxford; the copy held at the British Library is a later edition. 1160 by 680mm. (45.75 by 26.75 inches). BL Crace Port. 7.246; Howgego 377.

      [Bookseller: Daniel Crouch Rare Books LLP]
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        Zweihundert Hyperbeln auf Herrn Wahl\'s ungeheure Nase. In erbauliche hochdeutsche Reime gebracht.

      St. Gallen : Scheitlin & Zollikofer, 1841. Zweite Orginalausgabe. 31 S., 5 Stahlstiche, Ill. OPp., gebundene Ausgabe. Einband etwas berieben/angeschmutzt/altersbedingt etwas gebräunt, Rücken etwas angerissen, Seiten altersbedingt leicht gebräunt/etwas stockfleckig, Schnitt nachträglich beschnitten wodurch bei 2 Stahlstichen ca. 2mm abgetrennt worden ist, ansonsten ordentliches Ex. Versand D: 2,20 EUR Deutsche Literatur, B Belletristik

      [Bookseller: Druckwaren Antiquariat GbR]
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        Essai sur les Glaciers et sur le Terrain Erratique du Bassin du Rhone

      - One large folding hand-tinted map (tear neatly repaired without loss), 8 lithographic plates (one folding), & text illus. 2 p.l., x, 363 (i.e. 362) pp., one leaf of errata. 8vo, orig. printed upper wrapper bound in cont. half-cloth & marbled boards, spine gilt. Lausanne: M. Ducloux, 1841. First edition. This is a classic work on the phenomenon of erratic blocks and the function of glaciers in transporting them. Charpentier's theory, delivered in a paper in 1834, was met with disbelief and scorn. "Undismayed, Charpentier continued his observations and invited the incredulous to visit him and see the evidence for themselves. Among his visitors was Louis Agassiz, who was soon carried away with such enthusiasm for the theory of the Ice Age that he visited a number of glaciers and blocks and rushed into print, ahead of Charpentier, with his Études sur les Glaciers (1840)?Charpentier received Agassiz' book on 28 October 1840, three days before he finished his own Essai sur les Glaciers, which was published in February 1841. The scrupulous care with which he weighed the evidence and described the phenomenon of erratic blocks and the function of glaciers in transporting them makes this book a classic."-D.S.B., III, p. 211. While Agassiz is generally credited with the origin of the theory of the Ice Age, the theory had in fact been developed long before by Charpentier. Very nice copy with a presentation inscription from the author on the upper wrapper: "à Monsieur Schwedler hommage de l'auteur" (the final four letters of "auteur" have been cropped by the binder's knife). [Attributes: First Edition; Hard Cover]

      [Bookseller: Jonathan A. Hill, Bookseller Inc.]
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        Felsina pittrice. Vite de' pittori bolognesi. Con aggiunte, correzioni e note inedite del medesimo autore di Giampiero Zanotti e di altri scrittori viventi. Unito a: Osservazioni sopra il libro della Felsina pittrice per difesa di Raffaello da Urbino, dei Carracci e della loro scuola pubblicate e divise in sette lettere da D. Vincenzo Vittoria. Unito a: Dialogo di Gio. Pietro Cavazzoni Zanotti pittore bolognese in difesa di Guido Reni steso in una lettera al sig. dottore Girolamo Baruffaldi.

      Bologna, Tipografia Guidi all'Ancora, 1841, quattro parti rilegate in due volumi in-8vo belle legature coeve in mezza pelle marrone con titoli e fregi dorati ai dorsi, tagli marmorizzati, pp. 24-XVIII-411-(4) + X-412-CXXV-(4) con una tavola incisa in rame in antiporta (ritratto del Malvasia) e trentacinque tavole incise in rame nel primo tomo e altre sedici tavole incise in rame nel secondo. Il secondo volume include due ristampe: "Osservazioni sopra il libro della Felsina pittrice per difesa di Raffaello da Urbino, dei Carracci e della loro scuola pubblicate e divise in sette lettere da D. Vincenzo Vittoria". (Roma, Stamparia di G. Zenobj, 1703) e "Dialogo di Gio. Pietro Cavazzoni Zanotti pittore bolognese in difesa di Guido Reni steso in una lettera al sig. dottore Girolamo Baruffaldi". (Venezia, per antonio Bortoli, 1710) per complessive 66 pagine.

      [Bookseller: Libreria Piani già' Naturalistica snc]
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        Annales dOculistique. Tome VI. Octobre 1841 - Mars 1842.

      Sammelband der Zeitschrift vom Oktober 1841 - März 1842. 286 Seiten, 1 Blatt ( Inhaltsverzeichnis ) sowie eine farbig lithographierte Tafel mit 5 Darstellungen. Mit zahlreichen Beiträgen u.a. zu Cataracte / Conjunctive / Glaucome / Iris / Lumiere / Ophthalmie purulente / Strabisme. Mit zahlreichen Beiträgen u.a. von: Stoeber, Fleusseu, G. Gluge, Ruychaver, Malgaigne, Sichel, Petrequin, Guepin, Florent Cunier, M. dAmmon, Desmarres, Foeachon, Florio, Caffe, Szokalski, Baudens, Vallee, Gerdy. Ohldr mit farbigem Rückenschildchen, 8. Einband berieben, Ecken und Kanten bestoßen, Rücken angeplatzt und etwas beschädigt. Bindung gelockert. Innen Schmutztitel stärker fleckig, Bibliotheksstempel, einige Seiten gering fleckig. - sehr selten - ( Gewicht 450 Gramm ) ( Pic erhältlich / webimage available )

      [Bookseller: Antiquariat Friederichsen]
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        Lettera autografa firmata a ''Reverendo Padre e Fratello dilettissimo''.

      (Torino), 30 luglio 1841, - 1 pagina in-4, in cui Pellico descrive nel dettaglio al padre e al fratello una brutta caduta della Marchesa di Barolo. Dalla missiva si evince lo stretto legame che legò Pellico e Juliette Colbert: un'amicizia fedele e profonda rinsaldata nel tempo da una strettissima comunanza di ideali e da un proficuo rapporto di collaborazione. ''.la signora Marchesa ha rischiato ieri di ammazzarsi. fu una caduta con forte colpo dell'occipite al muro e con danno dei lombi. ''. Giulia di Barolo fu celebre filantropa e serva di Dio. [Attributes: Hard Cover]

      [Bookseller: Libreria Antiquaria Pregliasco]
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        GLI EVANGELJ DI GESU' CRISTO SECONDO S.MATTEO, S.MARCO, S.LUCA E S.GIOVANNI. Volgarizzati da Antonio Martini, Arcivescovo di Firenze, con note dello stesso e d'altri Autori. 1841-1845.

      Paolo Fumagalli, 1841. Otto tomi raccolti in nove volumi. Cm.25,2x16,6. Buone legature coeve in mz.pelle, con titoli e fregi decorativi impressi in oro ai dorsi. Testi a fronte latino-italiano. Ogni volume consta di un bel frontespizio, con ricche decorazioni policrome, acquarellate a mano. Ogni pagina in cornicetta ornamentale. 22 tavole incise fuori testo, con originale velina protettiva. Piano dell'opera: Vol.I) "Evangelo secondo Matteo" (pg.VIII, 736, una tavola fuori testo); Vol.II) "Evangelo secondo Marco" (pg.330, VI, due tavole) / "Evangelo secondo Luca" (pg.664, sette tavole); Vol.III) "Evangelo secondo Giovanni" (pg.576, una tavola) / "Apocalisse di S.Giovanni" (pg.XVI, 376); Vol.IV) "Atti degli Apostoli" (pg.684); Vol.V) "Lettera di San Paolo Apostolo ai Romani" (pg.XVI, 852); Vol.VI, parte I) "Lettera di San Paolo ai Corinti" (pg.VIII, 984); Vol.VI, parte II) "Lettera di San Paolo Apostolo a Tito" (pg.880); Vol.VII) "Relazione di Gerusalemme antica e moderna" (pg.772, 12 tavole, di cui due a colori); Vol.VIII) "Armonia dei Santi Vangeli, ovvero Storia succinta della vita di Gesù Cristo, disposta secondo l'ordine dei tempi" (pg.VIII, 226) / "Vita dei quattro Evangelisti Matteo, Marco, Luca e Giovanni" (pg.596 complessive). Codice libreria 90990.

      [Bookseller: Studio Bibliografico Pera]
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        Incidents of Travel in Central America, Chiapas, and Yucatan

      NY, Harper & Brothers, 1841. Hard Cover. Two volumes: 424, 474 p., illus., 65 plates (incl. fronts.), folding map, 3 plans; 23 cm. Sabin 91297. Stephens's text and Catherwood's pictures first brought attention to the monumental Maya ruins. Some foxing; bound in publisher's brown textured boards stamped in gold; spines remounted on sturdy cloth, endpapers replaced with acid-free paper. Stock#OB793.

      [Bookseller: The Owl at the Bridge]
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        Die beiden Grundprobleme der Ethik behandelt in zwei akademischen Preisschriften. Über die Freiheit des Willens. Über die Grundlage der Moral.

      Frankfurt, Joh. Christ. Hermannsche Buchhandlung F. E. Suchsland 1841. gr.8. XXXX, 278 S. Original-Halbleder d. Zt. (Einband berieben und bestossen, Name v. a. Hand auf Vors., stockfl. u. tlw. wasserrandig).

      [Bookseller: Aegis Verlag Einzelfirma]
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        Gospel Reflector 1st edition

      Brown, Bicking & Guilbert 1841 - Winchester, B., editor. Gospel Reflector 1st edition. Philadelphia: Brown, Bicking & Guilbert, 1841. 1st edition. 316pp. 8vo. Book condition: Good. Marbled paper covered boards do not appear to be contemporary with the publication of the book. The spine has been added in recent years by a professional binder with raised bands, black and gilt stamping and designs. Hinges have been discreetly strengthened. Scraping and rubbing to both endsheets. Moderate foxing scattered throughout the text, but still readable and otherwise good. Rare. From the library of Sam Weller, late Bookseller. [Attributes: First Edition; Hard Cover]

      [Bookseller: Weller Book Works, A.B.A.A.]
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        Goethes Werke. Vollständige Ausgabe letzter Hand. [Großoktavausgabe]. 60 Bände und Registerband in 61 Büchern Inhalts- und Namensverzeichnis verfertigt von Christian Theodor Musculus. Mit 1 gest. Porträt nach Chodowiecki, 1 Kupfertafel , 6 gefalteten Tabellen und einem Textholzschnitt.

      Standort: M12300 Gr.8 (19 cm x 11, 5 cm). 61 uniforme marmorierte Pappbände der Zeit mit goldgeprägten Rückentiteln auf montierten roten Rückenschildern und vergoldeten falschen Rückenbünden sowie einer vergoldeten Zierleiste (Rollstempel) am Buchrücken unten. Die Einbände sind teilweise leicht berieben. Ecken und Kanten etwas bestoßen, die Gelenke teils stärker abgerieben. Einige Rückenschilder mit kleinen Fehlstellen. ERST BEIM beim zweiten Hinsehen von uns entdeckt: Der Musculus-Band ist später absolut passend gebunden worden! Obwohl wenige Millimeter kleiner, anderer Rollstempel und anderes Bezugspapier verwendet worden sind, haben wir es zuerst nicht bemerkt - schauen Sie unser Foto an! Innen etwas stockfleckig. Vollständiges und trotz der hier aufgeführten Mängel - wie ich meine - durchaus gutes Exemplar der selteneren Großoktavausgabe. Hagen 24 und 24 a. - Goedeke IV/3, 14 C. -- Umfaßt die 40 Bände der von Goethe selbst noch vorbereiteten Werke sowie die anschließenden 20 Bände der nachgelassenen Werke. - Zuzüglich das Inhaltsverzeichnis und Namensverzeichnis von Chr. Th. Musculus und Riemer als Supplementband. Band 29 Schwacher Feuchtrand vordere Ecke oben von vorn nach hinten abnehmend. Band 31 Feuchtrand im oberen Rand von hinten nach vorne abnehmend, bei den letzten Blättern bis in den Text reichend. Band 40 S. 127/128 die untere Ecke ca. 8 x 4 cm ohne Verlust tadellos neu angesetzt. Band 52 im gesamten Randbereich durchgehend mit altem Feuchtrand,zumeist nicht bis in den Text reichend. Band 53,54, 55 (etwas stärker), 56 im oberen Schnitt hinten mit bis zu 1cm breiten Feuchtrand. Band 57 unschöner größerer durchgehender Feuchtrand obere vordere Ecke. Band 59 maximal 1cm breiter schwacher Feuchtrand im oberen Buchschnitt. Die doppelt gefalteten Tabellen befinden sich in Bd. 35 S. 348 / Bd. 43 S. 94 und S. 100 / Bd. 45 S. 417 / Bd. 55 S. 174 / Bd. 59 S. 22. Eine geologische Kupfertafel in Band 51 auf S. 152 mit 7 Abbildungen und ein gestochenes Portrait "Goethe in seinem sieben und zwanzigsten Jahre" nach Chodowiecki von C. A. Schwerdgeburdt 1841 in Band 55 als Frontispiz. Ebenfalls in Band 55 auf den Seiten 29, 83, 86 und 87 vier Holzschnitte u.a. zur Optik im Text.

      [Bookseller: Antiquariat Carl Wegner]
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        Correspondence relative to the Affairs of the Levant. Presented to both Houses of Parliament by command of Her Majesty. E.O.

      2 volumes in folio, xii-703 et 340 pages, demi-basane fauve (reliure d'époque) (4280g) Londres, T.R. Harrison, 1841 Edition originale. 884 lettres, rapports, échangés (de février 1839 et novembre 1840) par les différents diplomates, militaires et représentants des affaires étrangères (M. Granville, Lord Ponsoby, Lord Beauvale, Colonel Hodges, M. Guizot, Mr Bulwer, Lord Russel,...) avec l'Empire Britannique, concernant les différends politiques entre l'Empire Ottoman et Mehémet Ali. Correspondance en anglais, quelques lettres françaises traduites à la suite en anglais. Reliures fortement frottées, coins émoussés. Dos insolé. Intérieur bon avec quelques mouillures claires. Très rare ouvrage. Également disponible : "Correspondence respecting the Rignts and Privileges of the latin and greek Churches in Turkey. Presented to both Houses of Parliament by command of Her Majesty. Edition originale" . État correct. Réf 19926.

      [Bookseller: Marc et Cathy Aubry]
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      Barcelona. 1841. 22x15. Holandesa con puntas. Contiene los dos Tomos del Album.Falta 2 de texto. Mas de 500 bellas láminas grabadas al acero. Difícil en comercio. Ref 100 Biblioteca B.

      [Bookseller: Libreria Anticuaria Marc & Antiques]
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        Proceedings of the Toronto Tandem Club. 1839, 40, & 41.

      Toronto. H. & W. Rowsell, printers, Kingstreet. 1841.. Soft cover. 8vo, 24cm, 66p., in the original dark brown pebbledcloth with gilt borders on the boards, with new dark crimsonleather label, new endpapers with the original pale blue/greyendpapers bound in, (giving the impression of wraps), with aprivate library paper title label on the upper cover, a fine copy,rare. (cgc) Free fly inscribed; "1905-06. 22 Bryanston Square W.given to us by Lord Colville after his father's death. The verseswere written in by Lord Colville who was A.D.C. as Lieut Coville toSir George Arthur, in Canada". In pencil. T.P.L. 2495. Fleming,#1594, U.C. Imprints to 1841. "Verses, as recited at its meetings,celebrating the activities of this convivial club of limited andmilitary membership. (An account of the Tandem Club is givien byJohn Ross Robertson in his Landmarks of Toronto, Toronto,1894-1914. V2, p1040-1048)". TPL. .

      [Bookseller: Patrick McGahern Books, Inc. (ABAC)]
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        Excursions sur les bords du Rhin - AVEC SEIZE PAGES DE GERARD DE NEVAL

      1841Paris, Dumont, 1841. 3 volumes, 125 x 195 mm, 328, 326 et 334 pp. Reliure de l'époque, demi-chagrin rouge, dos à nerfs orné de filets et fleurons. Piqûres éparses. EDITION ORIGINALE, dont il n'a pas été imprimé de grand papier. Après la publication de De l'Allemagne de Germaine de Staël de 1810 à 1813, la France découvre la littérature allemande et la vallée du Rhin devient pour les écrivains romantiques un itinéraire phare. Chateaubriand, Hugo, Nerval et Dumas découvrent l'Allemagne et publient les récits de leur voyage. En 1838, Alexandre Dumas part pour l'Allemagne et sera rejoint à Francfort par son ami Gérard de Nerval afin de descendre ensemble le fleuve et visiter Heidelberg. Dumas inclut d'ailleurs 16 pages de prose de la main de Nerval contant son voyage pour le rejoindre : "Heureusement j'avais près de moi un jeune, bon et spirituel ami de la connaissance de mes lecteurs, qui, six semaines auparavant, était, après bien des tribulations, venu me rejoindre à Francfort. Comme ces tribulations ne sont pas sans intérêt artistique, et que d'ailleurs au milieu de ces tribulations, nos lecteurs trouveront ce qu'ils cherchaient en vain chez moi, je substituerai, pour un instant, la prose de Gérard de Nerval à la mienne : comme on le voit ce sera tout gain." Charmant exemplaire en reliure de l'époque.

      [Bookseller: Librairie Le Pas Sage]
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        Les Français peints par eux-mêmes. Encyclopédie morale du dix-neuvième siècle. - Le Prisme. - Avec: Les Anglais peints par eux-mêmes.

      Paris: L. Curmer, 1841-1842, 1840-1841 - Edition originale, 11 volumes en premier tirage, in-4; Gravures en deux états dont un finement rehaussé en couleurs pour les volumes des "Français", avec le "Prisme", qui fut donné en prime aux souscripteurs ou vendu séparément. T.I: frontispice et 47 planches (la "Femme à la mode" est dans les deux versions avec les deux bras pendants, et dans une attitude pensive). T.II: frontispice et 48 planches. T.III: frontispice, 48 planches et 1 planche supplémentaire en couleur. T.IV: frontispice et 49 planches. T.V: frontispice, 60 planches, portrait en noir de Napoléon, en planche "Charte". Les Français peints par eux-mêmes. Encyclopédie morale du dix-neuvième siècle:, Province: T.I: frontispice et 49 planches. T.II: frontispice et 50 planches. T.III: 1 carte double en couleur, frontispice et 53 planches. Ce volume contient les tables générales. Le Prisme: Nombreuses vignettes. Les Anglais peints par eux-même (T.I et II): 99 planches en noir (sur 100), dessins de Kenny Meadous. Reliure de Durvand Thivet en demi-maroquin olive à coins soulignés d'un filet doré, dos à nerfs orné en caissons avec petite fleur mosaïquées au centre, plats et gardes marbrés, tranche supérieure dorée. Quelques rousseurs éparses et quelques pages jaunies. "Les Français peints par eux-mêmes" constitue une impressionnante "encyclopédie morale du XIXème siècle",comme Curmer intitule cet ouvrage à partir du tome IV. L'ouvrage, ici avec les gravures en deux états dont un finement colorié, brosse un tableau pénétrant et spirituel de la société française à travers ses personnages les plus représentatifs, et s'intéresse particulièrement aux types populaires et aux petits métiers. Les cinq premiers volumes sont consacrés aux Parisiens, les trois derniers aux Provinciaux et aux habitants des colonies: algériens, créoles, nègres, indiens, habitants de la Guyane, du Sénégal, Saint-Pierre et Miquelon, avec en finale? le Corse! Les lettrines et vignettes en noir sont de petits bijoux. Parmi les contributeurs des textes se trouvent Balzac, Janin, Old Nick, E. Aubert, Wey, Théophile Gautier, Soulié, de la Bédollière, etc. Les dessinateurs et graveurs font l'objet de tables détaillées en fin de chaque volume: on y trouve Gavarni, Tony Johannot, Eugène Lami, Soyer, Lavieille, Guillaumont et Porret. Les deux volumes des "Anglais", en reliure uniforme mais ne comprenant q'un état des gravures en noir, sont rédigés par les "sommités littéraires de l'Angleterre" et traduits par La Bédollière. Très bel ensemble de ce monument de l'édition française du XIXème siècle. Vicaire III, 794 et I, 64; Carteret III, 245-251 et 33. [Attributes: First Edition]

      [Bookseller: LIBRAIRIE DES CARRÉS]
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        Penserosa. Poesies nouvelles.

      Einband leicht berieben, bestoßen und beschabt hinteres Rückengelenk mit winziger Fehlstelle am oberen Kapital vereinzelt gering stockfleckig. Angebunden sind 2 Titel von Sophie Niviani: 1. Les Reflets, poesies melees de morceaux de prose. (2. erweiterte Auflage). Paris, Breteau et Pischery, 1841. (96 S. - Schmutztitel braunfleckig, die anderen Blätter etwas stockfleckig und gebräunt) und 2. Les Reflets (...). EA. bzw. Edition originale. Paris, M. Sta, 1840. (32 S.). Mit kurzer handschriftlicher Widmung und Unterschrift von Louise Colet auf dem Schmutztitel - die Widmung im seitlichen Rand leicht angeschnitten (geringer Buchstabenrandverlust). Widmungexemplar des 2. Gedichtbandes der französischen Dichterin Louise Colet (1810-1876), einer der großen emanzipierten Frauengestalten des 19. Jahrhunderts. Das Bild der Louise Colet wird heute meist auf ihre Rolle als eine Art "Femme fatale" der Pariser Literaturszene Mitte des 19. Jahrhunderts reduziert - ihre Liaison mit Gustave Flaubert, ihre Affären mit Alfred de Vigny, Alfred de Musset, ihre Messerattacke auf Alphonse Karr blieben in Erinnerung, während ihr eigenes Werk nahezu vergessen ist.

      [Bookseller: Aix Libris]
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        La Civilisation des Arabes,

      Erstauflage, 705 S. + Platten. Komplett mit 10 ganzseitigen Chromolithographs (Tafel 1: Polychromie einer Flagge der Alhambra in Granada. Restitution par M. Garcia et le Dr. Gustave Le Bon Restitution von Herrn Garcia und Dr. Gustave Le Bon Tafel 2 : Table de bronze incrustée d'argent du sultan Mohammed Ben Kalouum. Tafel 2 : Tabelle aus Bronze mit Silber eingelegt Sultan Mohammed Ben Kalouum. XIIIe siècle (Musée arabe du Caire). Dreizehnten Jahrhundert (Arabisch Kairo Museum). D'après une photographie et une aquarelle du Dr. Gustave Le Bon. Von einer Fotografie und einem Aquarell von Dr. Gustave Le Bon. Tafel 3 : Mosquée d'Omar à Jérusalem d'après une photographie et une aquarelle de Dr. Gustave Le Bon. Tafel 3 : Omar-Moschee in Jerusalem nach einer Fotografie und einem Aquarell von Dr. Gustave Le Bon. Tafel 4 : Sanctuaire de la mosquée Al Acza à Jérusalem. Tafel 4 : Sanctuary von Al ACZA Moschee in Jerusalem. D'après une photographie et une aquarelle de Dr. Gustave Le Bon. Von einer Fotografie und einem Aquarell von Dr. Gustave Le Bon. Tafel 5 : Grande mosquée d'Ispahan. Tafel 5 : Die Große Moschee von Isfahan. D'après un dessin de Coste. Von einer Zeichnung von Coste. Tafel 6 : Ornementation polychrome d'un plafond de l'ancienne Mosquée de Cordoue (Style Byzantin-Arabe) (Monuments architect. de l'Espagne). Tafel 6 : Ornamentik polychrome Decke der alten Moschee von Cordoba (Style byzantinisch-arabischen) (Denkmäler Architekt von Spanien.). Tafel 7 : Plafond d'une maison moderne à Damas. Tafel 7 : Decke eines modernen Hauses in Damaskus. Dessiné d'après nature par Bourgoin. Gezeichnet von der Natur durch Bourgoin. Tafel 8 : I . Tafel 8 : I. Pavement en marbre d'une ancienne maison du Caire. II . Marmorboden eines alten Hauses in Kairo. II. Mosaïque en marbre et nacre de la Grande Mosquée de Damas. Marmor Mosaik und Mutter von der Großen Moschee von Damaskus. Tafel 9 : Vitraux du Sanctuaire de la Mosquée El Acza à Jérusalem. Tafel 9 : Stained Heiligtum von El ACZA Moschee in Jerusalem. D'après une photographie et une aquarelle du Dr. Gustave Le Bon. Von einer Fotografie und einem Aquarell von Dr. Gustave Le Bon. Tafel 10 : Anciennes lampes arabes de mosquées en verre émaillé (Musée du Caire) D'après une photographie et une aquarelle du Dr. Gustave Le Bon. Tafel 10 : Alte arabische Moschee Lampen emailliertem Glas (Kairo Museum) Von einer Fotografie und einem Aquarell von Dr. Gustave Le Bon., vier Kartenund Hunderte von Holzstichen, Platten von Details der Alhambra Leineneinband, mit aufwendigen Arabesken auf den Titelseiten und der Wirbelsäule, mit viel Gold und Silber. Goldschnitt der Seiten Erstausgabe Der Franzose Gustave Le Bon (1841 bis 1931) gilt als Begründer der Massenpsychologie. Seine Wirkung auf Sigmund Freud und Max Weber war groß. Der Band ist sehr gut erhalten, hat nur sehr wenige Stockflecken, die allerdings nicht die Holzstiche und Chromolithografien betreffen alle schützenden Original-Seidenblätter sind erhalten. Auf Anfrage kann ich auch mein Verzeichnis der Karten und allen Abbildungen liefern. Der Kenner arabischer Kunst, Geografie und Religion sowie der Buchfachmann weiß um die Exklusivität dieses Bandes, der heute nicht mehr im Handel, sondern nur in Bibliotheken zu finden ist. Der Band stammt aus dem Nachlass eines Arabienforschers.

      [Bookseller: pfau.353]
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        A Treatise upon Falconry in two parts

      Berwick-upon-Tweed: Printed for the author. G : in good condition without dust jacket as issued. Lower edge tear to frontis plate along inner margin. Occasional light foxing. Marbled endpapers. 1841. First Edition. Brown hardback half-leather cover on marbled boards. 215mm x 135mm (8" x 5"). vii, 277pp, 6pp. Engraved frontispiece. A scarce book on this fascinating subject. .

      [Bookseller: Barter Books Ltd]
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        Eliza Grimwood, a domestic legend of the Waterloo Road, with biographical notices of her fair companions; also, Sketches of dukes, lords, Hon. M.P.s, magistrates, and her murderer.

      B.D. Cousins. [1841] - FIRST EDITION. Front., illus. two signed W.M. or N. Contemp. half brown calf, gilt spine, red label; rubbed & sl. chipped at tail. Scarce: BL & Oxford only on Copac. In 40 pts, the last two without illus. The frontispiece is ?Catastrophe at Whorlton Bridge . 14th October, 1829? The plot is based on the actual murder of a prostitute on 6th May 1838. ?Lloyd?s Weekly London Newspaper? reports in August 1845 that the man named Hubbard, charged with the murder and exculpated, had died in about 1842, but that a soldier named George Hill supposedly confessed in Dublin in 1844. On September 14, 1845 the newspaper reports that a suspect who has signed a confession has appeared in Court, but there is no further information. This revival of interest in the case was perhaps prompted by the publication of this satirical novel, vividly exposing London low life, which however names a different murderer. It was first advertised in 1841 with Pt. 1 to be given away with no. 235 of The Penny Satirist, the wrapper and frontispiece to be in pt. 2, (October 17, 1841). The Author is described as ?of great eminence? but has not yet been identified. One of the interesting episodes in the novel features a poor penny-a-liner Gabriel Augustus Gregory Crowe of Scottish origin, who has been identified (by Louis James) as a portrait of George Augustus Sala, but who may equally in part represent another ?blood? author Gabriel Alexander. Crowe is ?one of the most respectable Dreadful Accident-makers in London?, what we would now call an ?ambulance chaser? This copy has a pencil note that it belonged to the celebrated collector Ronald Rouse of Norwich, and also states that in 1828, ironically, Eliza Grimwood was one of the first people to see the mutilated remains of Maria Marten. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Jarndyce, The 19th Century Booksellers]
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