The viaLibri website requires cookies to work properly. You can find more information in our Terms of Service and Privacy Policy.

Displayed below are some selected recent viaLibri matches for books published in 1839

        Veduta della Colonna Antonina detta Piazza Colonna

      L?opera viene eseguita tra il 1836 e il 1839, anno della sua pubblicazione composta da 80 tavole, illustra il viaggio da Roma a Napoli lungo la Via Appia. L?autore vuole fornire al viaggiatore una guida colta e intelligente che lo accompagni lungo l?itinerario delle stazioni di posta. Il viaggio inizia da Porta del Popolo e percorrendo l?asse di Via del Corso, Piazza Venezia, Fori Imperiali e Colosseo, arriva a Porta San Giovanni e lasciando l?Appia in direzione di Albano.Già dalla metà del diciottesimo secolo, con la pubblicazione nel 1745 a Napoli della Via Appia riscoperta e descritta da Roma a Brindisi da F. M. Pratili, la Via Appia era divenuta oggetto di interesse e di ricerca per studiosi e artisti. Rossini dimostra di aver conosciuto e forse utilizzato alcuni disegni acquerellati, eseguiti da Carlo Labruzzi nel 1789, per conto di Sir Richard Colt Hoare, che avevano lo scopo di illustrare il viaggio che questi aveva deciso di intraprendere influenzato dalla lettura delle ?Satire? di Orazio (30 a. C.), e in particolare della Quinta, in cui l?autore narra il viaggio che ha compiuto da Roma a Brindisi in compagnia di Mecenate e di altri suoi amiciNelle Spiegazione delle Tavole oltre alle notizie storiche- artistiche e archeologiche, vengono inserite informazioni sulla popolazione e sulle attività agricole delle campagne e dei paesi che vengono a trovarsi lungo il viaggio. L?autore con quest?opera vuole costituire una guida di facile consultazione per il viaggiatore durante le varie tappe del percorso, ed è per questo che ricorre alla scelta del formato ad album. Con il Viaggio Pittoresco, l?animazione delle vedute non è più solo la rappresentazione del popolano romano, di derivazione pinelliana, ma è l?introduzione per la prima volta, anche di membri di quelle classi sociali a cui erano destinate le sue opere. La scelta di questa nuova ambientazione sociale sarà una delle caratteristiche delle opere degli ultimi anni.La tecnica ormai giunta alla piena maturità, rivela una scioltezza del segno e nell?uso dei chiaroscuri fortemente accentuati, Rossini riconferma la sua vocazione per la chiara e piacevole narrazione.Di quest?opera se ne parlerà nel periodico romano L?Album, in cui una tavola della raccolta, (n. 43. Il Tempio di Giove a Terracina) sarà inserita, in dimensioni ridotte, in un numero del 6 marzo 1841, mentre nel 1846 vi comparirà un articolo dello stesso autore dal titolo Intorno ad alcune antichità di Terracina. A VOYAGE PITTORESQUE FROM ROME TO NAPLESThe work has been realized between 1836 and 1839, made of 80 plates, depicts the journey from Rome to Naples along the Via Appia. The author wants to provide the traveller with a clever and interesting guide which can accompany him through his journey. The route starts in Porta del Popolo and, through the axis of Via del Corso, Piazza Venezia, Fori Imperiali and Colosseum, brings to Porta San Giovanni to leave the Via Appia towards Albano.Already in the second half of the XVIII century, with the publication of Via Appia riscoperta e descritta da Roma a Brindisi (Naples, 1745) by F. M. Pratili, the Via Appia had become an interesting subject for artists and scholars. Rossini showed to know very well, and maybe to have also studied, the watercolour paintings Carlo Labruzzi realized in 1789, for Sir Richard Colt Hoare, which illustrated the journey Sir Hoare took after reading Horace?s ?Satires?, from Rome to Brindisi. In the Explanation to the Plates, besides some historic ? artistic ? archaeological news, there are information about the population and its activities in the country side and the villages that can be found along the route. With this work, the author wanted to realize a user-friendly guide, and this is why he chose the album-size edition. With his Picturesque Journey, the animation of his views is not just the representation of the Romans any more, but it represents the first real introduction of that part of the society he wanted to reach. The choice of this new social setting will prove to be one of the main characteristic of his last works. The technique is now mature, the sign is defined and the use of chiaroscuro extremely stressed: Rossini is affirming again his inclination for a clear and easy narration. This collection will be mentioned also in the Roman journal L?Album, in which a plate of the collection (n. 43. Il Tempio di Giove a Terracina) will be published, although in smaller size, in March the 6th, 1841, while in 1846 it published an article of the same author with the title Intorno ad alcune antichità di Terracina. Roma Rome Luigi Rossini incisore. Vedute di roma 1817 - 1850, catalogo della mostra a cura di L. Gavazzi, M. E. Tottoni, Roma Palazzo Braschi, 7 aprile - 15 luglio 1982. Roma 320 285

      [Bookseller: Libreria Antiquarius]
 1.   Check availability:     maremagnum.com     Link/Print  


        Herculanum et Pompei. Recueil général des peintures bronzes, mosaiques, etc. découvertes jusq'à ce jour?

      Firmin-Didot 1839-40 Sette volumi di cm. 26, pp. 1.000 ca. complessive. Con ca. 700 tavole fuori testo anche ripiegate o a doppia pagina (alcune delle quali a colori). Solida ed elegante legatura coeva in mezza pelle verde, dorsi a nervi con fregi e titoli in oro. Un alone chiaro e marginale alle prime carte del primo volume, qualche arrossatura sparsa, peraltro ben conservato. Come è noto un ottavo volume con il Musée Erotique apparve come appendice (qui non presente).

      [Bookseller: Studio Bibliografico Benacense]
 2.   Check availability:     maremagnum.com     Link/Print  


        S.Giovanni in Laterano

      L?opera viene eseguita tra il 1836 e il 1839, anno della sua pubblicazione composta da 80 tavole, illustra il viaggio da Roma a Napoli lungo la Via Appia. L?autore vuole fornire al viaggiatore una guida colta e intelligente che lo accompagni lungo l?itinerario delle stazioni di posta. Il viaggio inizia da Porta del Popolo e percorrendo l?asse di Via del Corso, Piazza Venezia, Fori Imperiali e Colosseo, arriva a Porta San Giovanni e lasciando l?Appia in direzione di Albano.Già dalla metà del diciottesimo secolo, con la pubblicazione nel 1745 a Napoli della Via Appia riscoperta e descritta da Roma a Brindisi da F. M. Pratili, la Via Appia era divenuta oggetto di interesse e di ricerca per studiosi e artisti. Rossini dimostra di aver conosciuto e forse utilizzato alcuni disegni acquerellati, eseguiti da Carlo Labruzzi nel 1789, per conto di Sir Richard Colt Hoare, che avevano lo scopo di illustrare il viaggio che questi aveva deciso di intraprendere influenzato dalla lettura delle ?Satire? di Orazio (30 a. C.), e in particolare della Quinta, in cui l?autore narra il viaggio che ha compiuto da Roma a Brindisi in compagnia di Mecenate e di altri suoi amiciNelle Spiegazione delle Tavole oltre alle notizie storiche- artistiche e archeologiche, vengono inserite informazioni sulla popolazione e sulle attività agricole delle campagne e dei paesi che vengono a trovarsi lungo il viaggio. L?autore con quest?opera vuole costituire una guida di facile consultazione per il viaggiatore durante le varie tappe del percorso, ed è per questo che ricorre alla scelta del formato ad album. Con il Viaggio Pittoresco, l?animazione delle vedute non è più solo la rappresentazione del popolano romano, di derivazione pinelliana, ma è l?introduzione per la prima volta, anche di membri di quelle classi sociali a cui erano destinate le sue opere. La scelta di questa nuova ambientazione sociale sarà una delle caratteristiche delle opere degli ultimi anni.La tecnica ormai giunta alla piena maturità, rivela una scioltezza del segno e nell?uso dei chiaroscuri fortemente accentuati, Rossini riconferma la sua vocazione per la chiara e piacevole narrazione.Di quest?opera se ne parlerà nel periodico romano L?Album, in cui una tavola della raccolta, (n. 43. Il Tempio di Giove a Terracina) sarà inserita, in dimensioni ridotte, in un numero del 6 marzo 1841, mentre nel 1846 vi comparirà un articolo dello stesso autore dal titolo Intorno ad alcune antichità di Terracina. A VOYAGE PITTORESQUE FROM ROME TO NAPLESThe work has been realized between 1836 and 1839, made of 80 plates, depicts the journey from Rome to Naples along the Via Appia. The author wants to provide the traveller with a clever and interesting guide which can accompany him through his journey. The route starts in Porta del Popolo and, through the axis of Via del Corso, Piazza Venezia, Fori Imperiali and Colosseum, brings to Porta San Giovanni to leave the Via Appia towards Albano.Already in the second half of the XVIII century, with the publication of Via Appia riscoperta e descritta da Roma a Brindisi (Naples, 1745) by F. M. Pratili, the Via Appia had become an interesting subject for artists and scholars. Rossini showed to know very well, and maybe to have also studied, the watercolour paintings Carlo Labruzzi realized in 1789, for Sir Richard Colt Hoare, which illustrated the journey Sir Hoare took after reading Horace?s ?Satires?, from Rome to Brindisi. In the Explanation to the Plates, besides some historic ? artistic ? archaeological news, there are information about the population and its activities in the country side and the villages that can be found along the route. With this work, the author wanted to realize a user-friendly guide, and this is why he chose the album-size edition. With his Picturesque Journey, the animation of his views is not just the representation of the Romans any more, but it represents the first real introduction of that part of the society he wanted to reach. The choice of this new social setting will prove to be one of the main characteristic of his last works. The technique is now mature, the sign is defined and the use of chiaroscuro extremely stressed: Rossini is affirming again his inclination for a clear and easy narration. This collection will be mentioned also in the Roman journal L?Album, in which a plate of the collection (n. 43. Il Tempio di Giove a Terracina) will be published, although in smaller size, in March the 6th, 1841, while in 1846 it published an article of the same author with the title Intorno ad alcune antichità di Terracina. Roma Rome Luigi Rossini incisore. Vedute di roma 1817 - 1850, catalogo della mostra a cura di L. Gavazzi, M. E. Tottoni, Roma Palazzo Braschi, 7 aprile - 15 luglio 1982. Roma 360 250

      [Bookseller: Libreria Antiquarius]
 3.   Check availability:     maremagnum.com     Link/Print  


        Extrait de l'Histoire du Diocèse de Laon, suivi d'une description de la Ville de Marle, et des faits qui s'y sont passés depuis 1640 jusqu'à nos jours [ Manuscrit original ]

      Commencé par Adolphe Desse et continué par Alexandre Bourge pour Mr Louis Pelletier, Chronique dressée par les soins de Louis-Nicolas-Marie Pelletier, 1 vol. grand in-8 reliure de l'époque pleine basane marron, 1839 (date portée en dos) - 1845 (dernière date citée), 2 ff. (tables), 235 pp. manuscrites, 2 ff. joints, l'ensemble de trois mains différentes (cf. auteurs précités). Passionnant manuscrit original relatant l'histoire de la ville de Marle (d'abord à travers la chronique du diocèse de Laon, reprise de Lelong, puis les annotations se multiplient, et les sources, ainsi que les annotations des rédacteurs se font toujours plus nombreuses). Les témoignages relatifs à la fin de l'Ancien Régime, à la Révolution, à l'Empire et à la Restauration, souvent très pittoresques, sont du plus haut intérêt ; on évoquera notamment le passage des Cosaques et de l'Empereur de Russie à Marle, les vexations d'un officier prussien menaçant de la "Schlague", ou le passage de l'empereur Napoléon Ier à Marle, allant à Waterloo. Le manuscrit s'ouvre par une notice relative à la famille du dédicataire et co-rédacteur Louis Pelletier.. Français

      [Bookseller: Librairie Du Cardinal]
 4.   Check availability:     maremagnum.com     Link/Print  


        Giostra corsa in Torino addì XXI di febbraio MDCCCXXXIX nel passaggio di Sua Altezza Imperiale e Reale Alessandro Gran Duca Principe Imperiale Ereditario di Russia.

      Torino, Tipografia Chirio e Mina, 1839. 1839 In-folio elefante (529x340mm), pp. 66 di testo, cartonatura editoriale con titolo a stampa entro filettature plurime al piatto, con fregi ornamentali e arabescati impressi in azzurro cantonalmente. Le medesime bordure, ripetute al piatto posteriore, inquadrano una vignetta xilografica centrale con un cimiero e delle armi evocativi della giostra entro un serto vegetale. 7 litografie f.t., disegnate da Francesco Gonin, incise da Gandolf ed Ayres e impressa da Doyen, con vedute della sala del Teatro Regio presa dal palcoscenico, del palcoscenico del Regio trasformato, su disegni di Pelagio Palagi ed Ernesto Melano, in una seconda sala a forma di anfiteatro ornata di colonne e con vari ordini di panche, di parte della platea del Regio trasformata in arena con evoluzioni a cavalli dei partecipanti a torneo, e con raffigurazioni delle relative quadriglie inglesi, francesi e italiane, capeggiate rispettivamente dal Marchese d'Angrogna, del capitano Wagner, del capitano Alfonso Ferrero della Marmora; comandante del torneo era invece il Marchese di Pamparato. Frontespizio con vignetta e titolo impresso a più colori entro ricchissima bordura impressa in oro e in argento a motivi ornamentali e arabescati. Testo entro bella bordura litografica ornata e arabescata impressa in tinta azzurra. Alcune macchie e aloni alla cartonatura. Lievi fioriture interne. Buon esemplare nel complesso. Edizione originale di questa rara pubblicazione descrivente la giostra corsa a Torino il 21 febbraio 1839, in occasione del passaggio, nel capoluogo piemontese, del Principe imperiale ereditario di Russia, Alessandro. Il testo, anonimo, ma scritto da Luigi Cibrario, consiste in un discorso storico sulle giostre, i tornei, i passi d'arme e i caroselli tenutisi anticamente alla corte di Savoia; il discorso storico è seguito da ampie annotazioni e da una vasta appendice di documenti. Peyrot, Torino nei secoli, II, 423 (con puntualissima descrizione e riproduzioni delle sette litografie): "Di quest'opera, che rappresenta la giostra fatta eseguire dal re Carlo Alberto nel quadro dei festeggiamenti in onore del principe ereditario di Russia, Alessandro, in visita ufficiale nella capitale sarda, esistono esemplari in nero ed impressi a colori con ritocchi a mano" [il nostro esemplare appartiene alla prima tiratura menzionata dalla Peyrot, con le tavole esclusivamente in b.n.]. Vinet, 780.

      [Bookseller: Libreria Antiquaria Galleria Gilibert]
 5.   Check availability:     maremagnum.com     Link/Print  


        Remarkable Hills on the upper Missouri [Tab. 34]

      Paris, Coblenz and London: [1839-1842]. Aquatint engraving by Salathé after Bodmer, proof on india paper mounted, blindstamp, issue with no date after English imprint. Shaved into plate area. 16 1/8 x 21 inches. A rare India proof of this composite plate made up from nine separate views, but with plain borders between each image. Numbered in the plate from 1 to 9 they were all sketched during the journey up river aboard the 60-foot keelboat Flora. Prince Maximilian and his party left Fort Union on 6 July and eventually arrived at Fort McKenzie on 9 August 1833 traveling through a number of different regions including the Mauvaises Terres and the Stone Walls (e.g. Nos. 2, 6 and others in the present composite, an area that Maximilian wrote of as `the most interesting part of the whole course of the Missouri'), also included are images of formations now known as Dike and Citadel Rock (nos. 4 and 5).Karl Bodmer's images show great versatility and technical virtuosity and give us a uniquely accomplished and detailed picture of a previously little understood (and soon to vanish) way of life. Swiss-born Bodmer was engaged by Prince Maximilian zu Wied-Neuwied (1782-1867) specifically to provide a record of his travels in North America, principally among the Plains Indians. In the company of David Dreidoppel (Prince Maximilian's servant and hunting companion), their travels in North America were to last from 1832 to 1834. Well-armed with information and advice, the party finally left St.Louis, on the most important stage of their travels, aboard the steamer Yellow Stone on April 10 1833. They proceeded up the treacherous Missouri River along the line of forts established by the American Fur Company. At Bellevue they encountered their first Indians, then went on to make contact with the Sioux tribe, learning of and recording their little known ceremonial dances and powerful pride and dignity. Transferring from the Yellow Stone to another steamer, the Assiniboin, they continued to Fort Clark, visiting there the Mandan, Mintari and Crow tribes, then the Assiniboins at Fort Union, the main base of the American Fur Company. On a necessarily much smaller vessel they journeyed through the extraordinary geological scenery of that section of the Missouri to Fort Mackenzie in Montana, establishing a cautious friendship with the fearsome Blackfeet. From this, the westernmost point reached, it was considered too dangerous to continue and the return journey downstream began. The winter brought its own difficulties and discomforts, but Bodmer was still able to execute numerous studies of villages, dances and especially the people, who were often both intrigued and delighted by his work. The portraits are particularly notable for their capturing of individual personalities, as well as forming a primary account of what were to become virtually lost cultures. Graff 4648; Howes M443a; Pilling 2521; Sabin 47014; Wagner-Camp 76:1.

      [Bookseller: Donald Heald Rare Books ]
 6.   Check availability:     ABAA     Link/Print  


        Vestlig Profil af den Cimbriske Halvøe fra Hamborg til Skagen tagen paa Reiser.

      Orig. udg. Kbhvn. 1839. (4) + 109 s. Indbundet med de orig. omslag i smukt nyere halvlæder med gulddekorationer på ryggen. Bindet signeret Juul-Lassen. De orig. omslag forstærket i det ene hjørne, med gammel signatur på det forreste.. Bertelsen 22

      [Bookseller: Peter Grosell's Antikvariat]
 7.   Check availability:     Antikvariat     Link/Print  


        TURKISH JOURNAL 1839-1840 - "Voyage in the Mediterranean, Levant and Black Seas": The extensive and very detailed manuscript journal of Sanderson Walker; he commencing his voyage on board the Brig Macleod on Tuesday 22nd October 1839.

      Not published, 1839.. The journal commences "Proceeded by railway to Shields with orders for the ship to be hove out and prepared for sailing, with which I found the crew engaged, and learned that the compliment of men was obtained so that there was no further obstacle to departure ..... after a short wait for some seamen, who are always inclined to dally at such a moment, and drink freely before going on a distant voyage - we found all right, all anchors up, boats in, pilot on board, spread our sails and down the harbour we went - Father and a few other friends kindly accompanying us over the bar, then taking warm and affectionate leaves, they saluted us with three hearty cheers, which we, perhaps more faintly returned, then bracing up the yards bounded over the sea .....".The voyage out by the 'Macleod" and thence by steamers to his varied destinations, including Constantinople, Smyrna, Alexandria, Syria, etc.A contemporary transcript by Sanderson Walker, most likely from his notes made during the six month journey. Closely and neatly written on 470-pages 4to (8¾ x 7¼ inches), circa 55,000 words. Contemporary half maroon morocco gilt, marbled boards, the spine gilt lettered, "Turkish Journal" within an elaborate scrolled gilt border, all edges gilt; excellent.Illustrated by the insertion of 9 steel engraved plates. 21st October 1839 - 29th April 1840. The following extract from the journal will give an indication of the content :6th Jan. 1842 Hotel d'Orient, Alexandria: "Mr. Waghorn [Thomas Waghorn, 1800-1850; postal pioneer] this morning on his return from the upper country, reminded me strongly both in person and manners of poor Rev. P...d of Doncaster, all life and speculation, involved in many schemes, and does much in promoting the Overland communication with India which has undoubtedly been hastened by some years through his efforts, at present he is endeavouring to establish navigation of the Nile by small steamers, a grand improvement on the present tedious medium of the filthy passage boats. Travellers to India say that it is worth coming this route - were it only to make Waghorn's acquaintance, he is all locomotion and speed - now here, now there, at Cairo, Suez .. and back. This morning induced a man by fee to guide me to the Slave Market, a spot not often visited by Christians, as I felt a strong curiosity to see the horrid mart of traffic in human beings. It is an obscure spot near the general Bazaar, but not very easily found, where round a small square area are ranged a number of wooden boxes like sheep pens for the reception of the darker races, and small rooms hung with mats for the protection of the more valuable specimens. There were a number of young negroes of both sexes, principally from the provinces of Abyssinia and Sinaar - varying in age from ten to twenty years .... the girls were placed in the pens, all were young, many had elegant figures and smooth well shaped limbs, concealed but by scanty covering of long loose cotton robes thrown over them, and in adjusting of it revealed much of the person - their skins were glossy and soft, the colour of a light chocolate to a dark black - their hair in general curiously crisped as negroes are, one in particular had hair of a singular light bluish hue and crisped in curl. Several had clear blue eyes contrasting unnaturally with their black negro faces, thick flat noses, prominent lips and projecting jaws - as did their elegant figures with ugly heads. The poor boys, many were children, were squalling on the ground in groups over the area merry as grigs, chubby little fellows still more miserably clad. My appearance in this place created much attention, my Frank dress was especially marked, and the little fellows laughed and pointed at my strange garments ....... I saw a bargain making for one fine tall girl about seventeen who was walked up and down as dealers show horses, to display their fine gait and figure, handled as we handle cattle,......". For a full description and further transcripts please enquire.

      [Bookseller: Bristow & Garland]
 8.   Check availability:     UKBookworld     Link/Print  


        The Law Relating to the Public Funds; and the Equitable and Legal Remedies with Respect to Funded Property; Including the Practice by Distringas, and under the Statute 1 & 2 Vict. c. 110, With References to the Cases on the Foreign Funds and Public Companies

      The uncommon only edition of the first legal treatise on public funds, that is, government securities, including a history of stockjobbing and speculation (time-bargains, puts and refusals, bulls and bears), and so anticipating modern hedge funds. Modern 1/4 calf over marbled boards, ex-library, else a good untrimmed copy with ample margins; five copies in OCLC in this country. Saunders & Benning, Law Booksellers . . . 43 Fleet Street, London, 1839.

      [Bookseller: Meyer Boswell Books, Inc.]
 9.   Check availability:     Direct From Bookseller     Link/Print  


        Chronicles Of England, France, Spain And The Adjoining Countries, From The Latter Part Of The Reign Of Edward Ii To The Coronation Of Henry Iv.: Two Volumes. Translated from the French editions, with variations and addit

      London, William Smith, 1839. . Bound in brown leather with rules stamped in blind on the covers and spines and with the spines stamped in gilt. Five raised bands to the spines. All edges gilt. Previous owner's bookplates on the front pastedown endpapers. Minor wear to the extremities. Image available on request. Book condition: Very good condition

      [Bookseller: James & Mary Laurie Booksellers (A.B.A.A]
 10.   Check availability:     TomFolio     Link/Print  


        Stockholms flora, eller korrt beskrifning af de vid Stockholm i vildt tillstånd förekommande växter.

      Med en inledning, innehållande en öfversigt af Stockholms-traktens natur-beskaffenhet. Förra delen. Jemnte charta öfver Stockholms omgifningar på en mils afstånd. Stockholm, P. A. Norstedt & söner, 1839-40. 8:o. VIII,+ VI,+ (2, blanka),+ 185,+(2),+ (blank),+ 423,+ (blank),+ 27,+ (2) s.+ utvikbar grav. karta. Enstaka småfläckar. Tillsammans med: (WIKSTRÖM, Johan Emanuel. Fem tryckta ark av andra delen av Stockholms flora. Stockholm, 1844?). 8:o. 80 s. Första delen i något nött samtida hfrbd, guld- och blindpräglad rygg, gröna stänksnitt. Liten skada på övre kapitäl. Andra delen häftad, i samtida pappersomslag, något lös i ryggen och främre omslaget loss. På omslaget till andra delen en längre gåvotillskrift till notarien L. H. Swahn från författarens systerson Roos. Ur Måns Rybergs bibliotek. Krok 763:13b. Akrell 1002, för första delen. Bygdén s. 23. Essén s. 50. Allt som utkom. Av den andra delen trycktes endast dessa fem ark, vilka aldrig såldes i bokhandeln. Kartan graverades av C. F. Himberg. Den långa växtgeografiska inledningen till första delen utgavs även separat under titeln "Öfversigt af Stockholms-traktens natur-beskaffenhet" och har eget impressum daterat 1839. På. s. 109-113 finns även en genomgång av Stockholmstraktens fiskar, 48 arter. "Stockholms flora" är innehavaren av bergianska professuren Johan Emanuel Wikströms (1789-1856) viktigaste arbete. Även Måns Ryberg var innehavare av den bergianska professuren! Gunnar Eriksson skriver i "Bergianska botanister" att det säkert var Wikströms "förhoppning att floran skulle komma till användning vid Stockholmsläroverken som lärobok och handledning vid botaniska exkursioner och växtinsamlingar." Denna förhoppning grusades av att K. F. Thedenius vid samma tid utgav ett särskilt florakompendium avsett för skolbruk

      [Bookseller: Centralantikvariatet]
 11.   Check availability:     Antikvariat     Link/Print  


        Scrapbook featuring well-rendered original drawings of famous figures and places

      ca. 1839. Hardcover. Fine. Original scrapbook rebound in dark green cloth. 8vo, np, approx. 100 leaves. Various paper stocks with many pre-embellished features, mostly embossing. Featuring 25 incredibly impressive drawings of prominent figures such as Napoleon, Shakespeare, Rousseau, and La Fontaine, as well as many landscapes and architectural renderings. Executed primarily in pencil, with several pastel drawings by this clearly skilled draughtsman. The drawings are accompanied by many poems and quotations in both English and French. The scrapbook is likely documenting the European travels of an American, with many pressed flowers from places such as Waterloo and Kenilworth Castle. Binding in fine condition with very good contents- occasional chipping to the brittle pages, though never loss to the text or illustrations. A wonderful scrapbook with exquisite drawings.

      [Bookseller: Caliban Books ABAA-ILAB ]
 12.   Check availability:     ABAA     Link/Print  


        Bentley's Miscellany (March, April, May, 1839) [Bound with] Edmond Dantes and Ellen Wareham

      Bentley; Noble; Peterson (London; Louisville;Philadelphia): (Bentley; Noble; Peterson). (1839;1849). First. Sammelband. Three distinct works bound in one volume. 23.5 cm. 1. Bentley's Miscellany. (Three issues: March, April, May, 1839; pp. 219-562.) With eight etched plates by George Cruikshank. 2. Edmond Dantes. A sequel to the Count of Monte-Cristo. [by Edmund Flagg] (Louisville, KY: George W. Noble, 1849. 203 pp.) With two wood-engraved frontispiece plates by F.J. Pilliner. 3. Ellen Wareham [or, Love and Duty, by Miss Ellen Pickering [i.e. Arabella Jane Sullivan]. Philadelphia: T.B. Peterson (no date); pp. [9]-116, [2]. Lacks the title page, with 2 pages of advertisements at the back. In red half morocco and marbled paper boards, morocco spine label, all edges specked. Good or better with moderate scattered foxing to the text pages. "Ellen Wareham" lacks the title page, and has one circular dampstain to the upper half of the first eight leaves, with a small tear to the first leaf; else all three works are very good and complete. Bentley's features two installments of "Oliver Twist," its first printed appearance, illustrated with two plates by Cruikshank; and the first three installments of "Jack Sheppard" by Ainsworth, with six plates by Cruikshank. Bound in after Bentley's three numbers are two scarce American imprints: the true first American edition of "Edmond Dantes," published in Kentucky, and the first American edition of "Ellen Wareham," published in Philadelphia. .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
 13.   Check availability:     ABAA     Link/Print  


        SKETCHES By BOZ. Illustrative of Every-Day Life and Every-Day People. With Twenty Illustrations

      Philadelphia:: Lea and Blanchard,. 1839.. 4to. 24 cm x 15.5 cm. 1st edition thus (Edgar & Vail, p. 16; Gimbel A13; Smith AMERICAN, 1 [pp 18 - 20]). 268 pp (double column).. Modern tan half leather, in a period style, with marbled boards & black leather spine label.. Binding - Fine. Text block - VG (usual bit of browning & foxing to. paper, nothing really obtrusive).. This the first US illustrated volume edition, and the first complete edition, i.e., containing 'The Public Life of Mr Tulrumble' and 'The Pantomime of Life'. . llustrated with 20 plates after George Cruikshank.

      [Bookseller: Tavistock Books, ABAA]
 14.   Check availability:     IOBABooks     Link/Print  


        Chronicles Of England, France, Spain And The Adjoining Countries, From The Latter Part Of The Reign Of Edward Ii To The Coronation Of Henry Iv.: Two Volumes. Translated from the French editions, with variations and addit

      . Bound in brown leather with rules stamped in blind on the covers and spines and with the spines stamped in gilt. Five raised bands to the spines. All edges gilt. Previous owner's bookplates on the front pastedown endpapers. Minor wear to the extremities. Image available on request. Book condition: Very good condition

      [Bookseller: James & Mary Laurie Booksellers (A.B.A.A]
 15.   Check availability:     TomFolio     Link/Print  


        United States Historical and Statistical Index Exhibiting a Comprehensive Arrangement of Prominent Statistical Facts, as Appertaining to each Particular State: Also of the General Government of the United States, from th

      1 sheet. 75.9 cm x 99 cm. (30 x 39 inches). Broadsheet. First edition. Amer. Imprints 55394. Goldsmiths?-Kress no. 30830.8. Sabin 29491 (1840). "Entered according to Act of Congress, in the year 1939, by William H. Hadley." An extensive compilation of facts and figures on both the states and the national government. It was reprinted a year later and extended through 1840, which is the edition usual found. Sabin lists this second edition noting it was printed both as a booklet and a broadside. American Imprints lists the 1839 version as a broadside though some copies were apparently issued in wraps. Our copy is approximately 1 cm taller and four cm wider than other physical copies located. Of the six copies listed in OCLC, at least one is heavily mutilated. Scarce complete. A very good or better copy, relined, some some expert archival repairs to margins and a few folds, a few letters, but not legibility, affected.

      [Bookseller: Kaaterskill Books, ABAA/ILAB]
 16.   Check availability:     TomFolio     Link/Print  


        Snags (sunken trees) on the Missouri [Tab. 6]

      Paris, Coblentz and London: 1839-1842. Aquatint engraving by L. Weber and Hurlimann after Bodmer, proof on india paper mounted, blindstamp. India paper lifting slightly, small marginal tears to mount not affecting image area, light marginal dampstaining. 14 3/16 x 17 1/8 inches. 18 1/2 x 24 3/4 inches. A rare Inia proof of this almost apocalyptic view of the treacherous waters of the Missouri River. The river was the longest in the country and was considered the most hazardous of all the western rivers to navigate. Edging their way between the rafts of driftwood became increasingly difficult for the travelers aboard the steamer Yellow Stone, as she made her way up river toward the mouth of the River Platte. On 26 April 1833 she passed the mouth of the Nemaha River and again encountered snags and sandbars. In his journal for that date Maximilian noted that `For a long time we could not get away from this and often ran aground… but finally with a little force of the engine we moved on'.Karl Bodmer's images show great versatility and technical virtuosity and give us a uniquely accomplished and detailed picture of a previously little understood (and soon to vanish) way of life. Swiss-born Bodmer was engaged by Prince Maximilian zu Wied-Neuwied (1782-1867) specifically to provide a record of his travels in North America, principally among the Plains Indians. In the company of David Dreidoppel (Prince Maximilian's servant and hunting companion), their travels in North America were to last from 1832 to 1834. Well-armed with information and advice, the party finally left St.Louis, on the most important stage of their travels, aboard the steamer Yellow Stone on April 10 1833. They proceeded up the treacherous Missouri River along the line of forts established by the American Fur Company. At Bellevue they encountered their first Indians, then went on to make contact with the Sioux tribe, learning of and recording their little known ceremonial dances and powerful pride and dignity. Transferring from the Yellow Stone to another steamer, the Assiniboin, they continued to Fort Clark, visiting there the Mandan, Mintari and Crow tribes, then the Assiniboins at Fort Union, the main base of the American Fur Company. On a necessarily much smaller vessel they journeyed through the extraordinary geological scenery of that section of the Missouri to Fort Mackenzie in Montana, establishing a cautious friendship with the fearsome Blackfeet. From this, the westernmost point reached, it was considered too dangerous to continue and the return journey downstream began. The winter brought its own difficulties and discomforts, but Bodmer was still able to execute numerous studies of villages, dances and especially the people, who were often both intrigued and delighted by his work. The portraits are particularly notable for their capturing of individual personalities, as well as forming a primary account of what was to become virtually lost cultures. Graff 4648; Howes M443a; Pilling 2521; Sabin 47014; Wagner-Camp 76:1.

      [Bookseller: Donald Heald Rare Books ]
 17.   Check availability:     ABAA     Link/Print  


        San Juan de Ulua, ou, Relation de l'expedition francaise au Mexique, sous les ordres de M. le contre-amiral Baudin. Suivi de notes et documents, et d'un apercu general sur l'etat actuel du Texas, par M.E. Maissin.

      xii, 591 pp. 4to. Contemporary quarter morocco over marbled boards, raised bands, compartments decorated in gilt, marbled endpapers. First edition. Illus. with 18 engraved plates on India paper and 34 woodcut vignettes. Sabin 5832. Howes B 507 (aa). Palau 30412. Graff 323. Raines p. 145. Streeter Texas 1343. Brunet I: 963 (1841). Leclerc 1075. Graesse I: 436 (1841). "The most exhaustive work on this episode [the Pastry War] with illustrations, mainly by Blanchard, who, assisting also as interpreter, had additional opportunity for gaining information. He accompanied Baudin's representative to Mexico and other places, and used his pen freely in observations on the scenery, the people, and their institutions, all of which served to add variety and interest to the narrative, the attractive style of which owes much to the revision of Dauzats, " (Bancroft, Hist. Mexico, p. 204). Raines, discussing Maissin's report, concludes that "Admiral Baudin's favorable report of Texas doubtless hastened the recognition of the Republic by France, " (Bibliography of Texas. p. 145). Printing on India paper was not common; Sabin also notes that the book was printed for 45 fr. with vignettes and 25 fr without. A very good or better copy, boards and spine rubbed, scattered foxing mainly marginal and to verso of plates.

      [Bookseller: Kaaterskill Books, ABAA/ILAB]
 18.   Check availability:     TomFolio     Link/Print  


        Ikonographische Darstellung der nicht-syphillitischen Hautkrankheiten. Mit darauf bezüglichem systematischem Texte. Unter Mitwirkung (von Friedrich Leberecht) Trüstedt.

      Folio. XV S., 96 S. und 30 farbig lithographierten Tafeln. Halblederband der Zeit mit goldgeprägtem Rückentitel und wenig Rückenvergoldung. Hirsch-H. I 432. - Nicht bei Waller. Erste Ausgabe. Mit dem Reihentitel: Ikonographische Encyklopädie der bildlichen Darstellung ... der Medicin ... Erste Abteilung. Schöner, und durch die gewählte Technik der Farblithographie leuchtender Atlas. Effektiv wurden nur die Grundfarben, meist in Sepia gedruckt. Alle anderen Farben wurden später von Hand aquarelliert. Behrend war Oberarzt der Berliner Sittenpolizei. - Alle Tafeln mit einem zusätzlichen weissen Deckblatt. Vereinzelt schwach stockfleckig. Einbandrücken fachgerecht restauriert.

      [Bookseller: Daniel Thierstein Buchantiquariat]
 19.   Check availability:     antiquariat.de     Link/Print  


        Suggestions Relative to the Philosophy of Geology

      New Haven: Printed by B.L. Hamlen. 1839. First. First edition. Stitched. 119pp. Wrappers lacking. Modest wear to the first leaf, very good. Inscribed by the author: "George Combe Esq. with affec. regards of the author. March 10, 1840." The inscription is a bit irregularly faded but readable. Combe was a Scot, and a leading writer on education and especially phrenology. His writings drew much attention to the subject on the continent and in the U.S., where Silliman was reportedly engaged by the subject. Combe visited the U.S. between 1838 and 1840, presumably when this pamphlet was presented. A nice association. .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
 20.   Check availability:     ABAA     Link/Print  


        A History of Long Island: Containing an Account of the Discovery and Settlement, with Other Important and Interesting Matters to the Present Time [with] Autograph Letter Signed from Thompson to Francis Baylies

      E. French New-York: E. French. 1839. First. First edition. Tall octavo. 24cm. 536pp., illustrated with two plates. Publisher's dark brown ribbed cloth decorated and ruled in blind, and titled in gilt. Dampstain at the bottom corners, still a reasonably bright, very good or better copy with small nicks at the spine ends. Howes T187. [With] Four-page Autograph Letter Signed dated 22 July 1841 by Thompson from Hempstead, L.I. to Hon. Francis Baylies in Taunton, Massachusetts. Quarto leaf written on all sides. Tears at the folds, small chip on p.3-4 removing a couple of letters, good. Thompson asked Baylies, author of An Historical Account of the Colony of New Plymouth (Howes B261) for help in establishing the lineage of the Millett family of Long Island, descended apparently from Thomas Millett of Plymouth Colony. A very detailed letter of approximately 1000 (mostly easily readable) words. .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
 21.   Check availability:     ABAA     Link/Print  


        THE LIFE AND ADVENTURES OF NICHOLAS NICKLEBY.

      First Edition. Chapman and Hall. 1839.. pp624. Demy 8vo. Frontispiece, with 39 plates, spine cloth has been neatly and professionally laid down, else VG in original cloth, blind tooled, uncut. Smith :Dickens in the Original Cloth., internal flaws: all text errors before page xvi have been corrected, all after page13 have not. Here is an excellent opportunity to buy a Dickens first in the original cloth, uncut. CCXD2003 US$0

      [Bookseller: John Shotton]
 22.   Check availability:     UKBookworld     Link/Print  


        Piesn Ruskikh Volkslied der Russen hymne russe

      Schlesinger PN S.2285 Berlin: Schlesinger [PN S.2285]. [1839]. Folio. [1] (title), 2-3 engraved music, [4] (blank) pp. Title with central emblem of a male head in profile on a shield draped with a cloak and adorned with spears, a sheaf of arrows and armor. Musical setting for voice and piano with an additional version for two pianos. Text in German and French. With contemporary signature to upper outer corner of title and small circular musicseller's stamp to lower margin. Small binder's holes to spine from early sewing; some very minor foxing. Agent's address to title: "Petersburg, Richter. Paris, M. Schlesinger. Moscou, Lehnhold," "Choix de Romances No. 182" to foot of page 2. . ?First German Edition of the Russian Czarist National Anthem, "God Save the Czar!," here "Gott seides Herrschers Schutz!" This edition not located in OCLC, COPAC or Karlsruhe. "In 1833 Czar Nicholas I commanded Alexei Lvov, director of the Imperial court choir, to compose a Russian national anthem [to text by Vasili Zhukovskii (1783-1852)]." Fuld 5, pp. 480-481. The possible first edition, published in St. Petersburg, dates from ca. 1835. Fuld cites an orchestral score with chorus published in July 1839 with a higher plate number (2324) and a piano-vocal score (PN 2551) published in June 1840. The present edition would appear to pre-date the German editions listed by Fuld.

      [Bookseller: J & J Lubrano Music Antiquarians LLC ]
 23.   Check availability:     ABAA     Link/Print  


        Skandinaviska foglar tecknade efter naturen, lithografierade och utgifne.

      Lund, M. Körner respektive N. P. Lundbergs boktryckeri, 1839-46. 4:o. Litograferat titelblad,(2),22,(2) s. & 62 handkolorerade litograferade plr. + KÖRNER, M. Skandinaviska däggdjur tecknade efter naturen, lithografierade, tryckte och utgifne. Lund, M. Körner respektive Berlingska boktryckeriet, 1855. 4:o. Litograferat titelblad,6 s. & 22 handkolorerade litograferade plr. Trevligt brunt hfrbd från 1800-talets andra hälft med gulddekorerad rygg samt blindpressad dekor och guldpressad titel på frampärmen: "Skandinaviska foglar och däggdjur", etikettsignerat C. Lindberg, Gävle. Det första arbetet: titelbladet och texten har fuktränder i övre marginalen och några brunfläckar i nedre marginalen. Planscherna har enstaka småfläckar. Plansch 20 med en centimeterlång reva i övre marginalen. Plansch 33 med två revor i överst, den längsta cirka tre cm. Plansch 54 med fuktränder i yttre marginalen. Det andra arbetet: genomgående lätt fuktskadad i övre marginalen. Titelbladet och texten med fuktränder. Några planscher med svaga fuktränder eller buckligheter. Båda arbetenas planscher har tjocka skyddspapper. Några av skyddspappren har små kantskador eller revor.. Friesen Öfversigt af Sveriges ornithologiska litteratur s. 11 respektive Nissen Die zoologische Buchillustration 2276. Första arbetet utkom i tio häften. Med det ovanliga dedikationsbladet som är ställt till Axel Gustaf Gyllenkrok. Björn Dal spekulerar i om titelbladets motiv kan vara hämtat från Gyllenkroks vinterbostad i Lund. Gyllenkrok hade bekostat arbetet, och redan på 1820-talet uppmuntrat den unge konstnären Körner "med en svensk ducat". För att kunna producera Nilssons "Illuminerade figurer" startade Körner tillsammans med denne ett litografiskt tryckeri 1831, där senare planscherna till båda dessa arbeten trycktes. Tanken var att nå ut även till de som inte hade råd med det dyrbara praktverket. Enligt Dal är detta första gången som den skandinaviska fågelfaunan presenteras på bild i sin helhet och även många däggdjur avbildas för första gången

      [Bookseller: Mats Rehnström]
 24.   Check availability:     Antikvariat     Link/Print  


        Autograph letter signed to Pierre Hippolyte Boutigny, accompanied by watercolor sketch of an alga

      Falaise, 1839. Br?sson, Louis Alphonse de (1798-1872). A.L.s. in French to Pierre Hippolyte Boutigny (1798-1884), accompanied by watercolor drawing of Hygrocrocis arsenici. Falaise, 29 October 1839. 3pp. plus address. 196 x 161 mm.; drawing measures 77 x 121 mm. Mounted.Br?sson was one of the first botanists to discover microscopic algae, on which he published several works. He was the author of Flore de la Normandie (1836 and later editions), and contributed to the monumental Flore g?rale de France (1828-29). Br?sson also made important contributions to the development of photography: he pioneered the art of photography in Normandy, was one of the first in France to use collodion negatives, and in 1849 built a camera adapted for use with a microscope, which he employed in his scientific researches. "His work on microscopic seaweeds and diatoms stimulated further research, and was still being cited at the end of the century" (Frizot, A New History of Photography, p. 276).Br?sson's letter, written to a professor of chemistry in Evreux, reads as follows:Monsieur,Sans une absence de quelques jours que je viens de faire, je n'aurais pas été aussi longtemps à vous accuser réception de votre lettre et de l'algue intéressante qu'elle renfermait, production qui a pour moi le plus grand intérêt comme ses congénères et dont je vous remercie beaucoup.Je veux aussi vous dire combien l'annonce de jouir quelquefois de votre instructive correspondance a de prix pour moi et veuillez croire combien je mettrai toujours d'empressement à mériter vos communications.Je ne vous ai point effacé sur la lutte de nos confrères par que la délivrance de nos mémoires n'est point une condition imposée, mais facultative. Vous devriez bien, au contraire, nous faire cadeau de quelques unes de vos fréquentes et précieuses observations et pour vous montrer que nous sommes sans rancune, je vous promets insertion dans nos bulletins et vous assure d'avance de notre reconnaissance.Votre hygrocrocis est, comme tous les autres, formé de filamens qui, dans chaque espèce, présentent des formes toujours un peu différentes selon les milieux dans lesquels ils se sont développés. Mais, par conséquent, il sera très difficile de limiter les espèces que l'on peut pour ainsi dire, faire à volonté. Je viens d'en trouver un très beau dans l'eau de laitue. Quant aux vôtre, de substances mélangés, son nom ne peut être réduit à l'expression d'un simple origine, permettez-moi donc de lui donner le nom de son inventeur et le placer dans mon herbier sous le nom d'Hygrocrocis Boutignyana.Je ne connais pas M. Gilgencrantz, mais desqu'il est votre ami et Algologue, je serais charmé d'avoir des rapports avec lui et s'il désirait de mes Algues dont un grand nombre sont nouvelles, je les lui communiquerais avec plaisir.Agréez, Monsieur, l'assurance de la parfaite considération avec laquelle j'ai l'honneur d'être votre tout dévoué serviteur,De BrébissonIn the letter Brébisson thanks Boutigny for sending him a species of algae (hygrocrocis), and expresses pleasure in their mutual correspondence. He describes Boutigny's specimen as being, "like all others, formed of filaments which, in each species, present themselves a little differently depending on the environments in which they developed." He proposes to put the specimen into his own herbarium under the name of Hygrocrocis boutignyana, after its discoverer. The letter is accompanied by a watercolor sketch of an alga, Hygrocrocis arsenici.

      [Bookseller: Jeremy Norman's Historyofscience.com ]
 25.   Check availability:     ABAA     Link/Print  


        ELEMENTS OF PHYSIOLOGY, 2 VOLUMES

      1839. MULLER, J., transl. with notes by William BALY. ELEMENTS OF PHYSIOLOGY, 2 VOLUMES. London: Taylor and Walton, 1839-1842. Second edition. xxii, 848 pp., with 2 b/w plates at front, errata and corrigenda slips/xxiii - xxxviii, pp. 849 - 1715 with 2 b/w plates at front + errata page + 22 pp. appendix. 8vo., ex-library, green cloth with paper spine labels, library labels to front covers, ink initial to front cover of volume I. Spines sunned, cloth worn, corners bumped, labels soiled and slightly chipped. Library bookplates and stamps within. Foxing to preliminaries and plates. Volume II: first signature loos, plates detached, laid in. Garrison Morton (601), citing the first German edition (1834-40), refers to this text as "The first modern, systematic textbook on physiology ... a milestone in the history of European medicine."

      [Bookseller: Boston Book Company ]
 26.   Check availability:     ABAA     Link/Print  


        Tower-Rock view on the Mississippi [Vig. 9]

      Paris, Coblentz and London: [1839-1842]. Aquatint engraving by John Outhwaite after Bodmer, on india paper mounted, blindstamp, issue with no date after English imprint, small discrete ink collector's mark on verso. Tear to upper margin not affecting plate area. 10 11/16 x 13 7/8 inches. 12 1/16 x 15 3/4 inches. A rare India proof. Bodmer and Prince Maximilian set out for St.Louis from Mount Vernon on 18 March 1833 making their way rapidly down the River Ohio and joining the Mississippi on 20 March. On the afternoon of 21 March 1833 their steamer approached a feature known as the Grand Tower (or Tower-Rock), which Maximilian described as an isolated drumlike formation between sixty and eighty feet high. He added that `Mr.Bodmer sketched the Grand Tower and found this place highly interesting and picturesque'. The scene includes the traveller's Ohio paddle-steamer and three Mississippi keel-boats, a form of freight transportation that by the 1830s was fast being replaced by the steamers. Karl Bodmer's images show great versatility and technical virtuosity and give us a uniquely accomplished and detailed picture of a previously little understood (and soon to vanish) way of life. Swiss-born Bodmer was engaged by Prince Maximilian zu Wied-Neuwied (1782-1867) specifically to provide a record of his travels in North America, principally among the Plains Indians. In the company of David Dreidoppel (Prince Maximilian's servant and hunting companion), their travels in North America were to last from 1832 to 1834. They arrived in Boston in July 1832, traveled on to Philadelphia, where they stayed with Napoleon Bonaparte's elder brother Joseph. From here they headed west across Pennsylvania across the Alleghenies to Pittsburgh and the Ohio country, visiting all the important German settlements en route. Their most important stop on their route west was at the utopian colony of New Harmony in Indiana. The Prince spent five months there in the company of some of the countries leading scientific men, and studying all the relevant literature on backcountry America. On 24 March 1833 the party reached St. Louis, Missouri, and the start of the journey into Indian country. Graff 4648; Howes M443a; Pilling 2521; Sabin 47014; Wagner-Camp 76:1

      [Bookseller: Donald Heald Rare Books ]
 27.   Check availability:     ABAA     Link/Print  


        AF DET KONGELIGE THEATERS REPERTOIRE. Til Carl Alstrup 11. April 1927.

      Shubothes Boghandel. Div. Repertoirer. Indb. halvlæder med gulddek. ryg.. Foræring til skuespiller Carl Alstrup på hans 50-års fødselsdag. Lang dedikation i verseform til Carl Alstrup.Vedlagt et visitkort fra Fenja Alstrup, der videregiver bindet til skuespiller Osvald Helmuth. Med Frits Helmuths exlibris på inderside af bindet. Indeholder bl.a.: H.C. Andersen: Den Usynlige paa Strogø, 1839. Noget slid på ryg og kanter.(Porto kr. 40,- på brevforsendelser i Danmark)

      [Bookseller: Bøger & Kuriosa]
 28.   Check availability:     Antikvariat     Link/Print  


        Woman of the Snake-Tribe. Woman of the Cree- Tribe. [Tab. 33]

      Paris, Coblenz and London: [1839-1842]. Aquatint engraving by Hürlimann after Bodmer, blind stamp. 18 x 24 13/16 inches. A fine double-portrait composed by Bodmer from individual portraits executed at Fort McKenzie and Fort Union. The figure on the left is of a Shoshone (or Shoshoni) woman who was the wife of Marcereau, a fur company employee, who was based at Fort McKenzie. Bodmer sketched her on about 6 September in June of 1833. There were a number of Shoshone women at the fort who were said to have been captured from their home territory west of the Rocky Mountains by raiding Blackfeet. The figure to the right is a Cree woman, married to Deschamps, a man employed by the fur company as a hunter. She was sketched by Bodmer in October 1833 at Fort Union as the party made its way from Fort Mckenzie back down to Fort Clarke and their winter quarters. The blue- black patterning to the chin is a quite distinctive Cree pattern.Karl Bodmer's images show great versatility and technical virtuosity and give us a uniquely accomplished and detailed picture of a previously little understood (and soon to vanish) way of life. Swiss-born Bodmer was engaged by Prince Maximilian zu Wied-Neuwied (1782-1867) specifically to provide a record of his travels in North America, principally among the Plains Indians. In the company of David Dreidoppel (Prince Maximilian's servant and hunting companion), their travels in North America were to last from 1832 to 1834. Well-armed with information and advice, the party finally left St.Louis, on the most important stage of their travels, aboard the steamer Yellow Stone on April 10 1833. They proceeded up the treacherous Missouri River along the line of forts established by the American Fur Company. At Bellevue they encountered their first Indians, then went on to make contact with the Sioux tribe, learning of and recording their little known ceremonial dances and powerful pride and dignity. Transferring from the Yellow Stone to another steamer, the Assiniboin, they continued to Fort Clark, visiting there the Mandan, Mintari and Crow tribes, then the Assiniboins at Fort Union, the main base of the American Fur Company. On a necessarily much smaller vessel they journeyed through the extraordinary geological scenery of that section of the Missouri to Fort Mackenzie in Montana, establishing a cautious friendship with the fearsome Blackfeet. From this, the westernmost point reached, it was considered too dangerous to continue and the return journey downstream began. The winter brought its own difficulties and discomforts, but Bodmer was still able to execute numerous studies of villages, dances and especially the people, who were often both intrigued and delighted by his work. The portraits are particularly notable for their capturing of individual personalities, as well as forming a primary account of what were to become virtually lost cultures. Graff 4648; Howes M443a; Pilling 2521; Sabin 47014; Wagner-Camp 76:1.

      [Bookseller: Donald Heald Rare Books ]
 29.   Check availability:     ABAA     Link/Print  


        Lives of Illustrious and Distinguished Irishmen from earliest times to the present period arranged in chronological order, and embodying a History of Ireland in the Lives of Irishmen.

      Dublin: Macgregor, Poulson, and Company 1839-1847.. 12 volumes complete, as issued, in two parts to a vol.. 496+454+472+472+476+478 pp. embellished by a series of highly finished portraits, selected from the most authentic sources, and engraved by eminent artists, all engraved plates present, hardback, in a sea-green cloth with blind stamped decoration to the front board and a decorative spine title gilt with a border of shamrocks and harp. Bearing the name and stamp of J. H. Purdon on ffep of most vols. These are all very tight bright copies, there is minor spotting to some of the engraved plates or tissue guards, and there is some minor difference to the tone of the cloth from being issued over the course of eight years. A handsome set. Individual copies turn up and we have two odds for sale but we rarely see a set as issued.

      [Bookseller: Saintfield Antiques & Fine Books]
 30.   Check availability:     UKBookworld     Link/Print  


        The Coasts of Guatimala and Mexico From Panama to Cape Mendocino; With the Principal Harbours in California

      Smith Elder London:: Smith Elder,. 1839.. An exceedingly rare map, unbound (on thin paper, without folds) with original outline color. From Forbes' 'History of Upper and Lower California'. With insets of the Port of S. Gabriel or S. Pedro; Sketch of Port Bodega; Harbour of San Francisco; Sketch of Puerto de S. Diego; Sketch of Monterrey Harbour; and Sketch of S. Barbara Harbour. Image size: 19 3/4 x 14 1/2. Paper size: 22 5/8 x 16 7/8". Very good.

      [Bookseller: Antipodean Books, Maps & Prints ]
 31.   Check availability:     ABAA     Link/Print  


        Real-Encyclopädie der classischen Alterthumswissenschaft in alphabetischer Ordnung.

      6 volumes in 7 (volume 6 is in two parts). J.B. Wetzler'schen Buchhandlung, Stuttgart 1839-1852. 8vo. Bound in contemporary full cloth bindings with titlelabels on the spines in orange leather. The first volume is light blue, the rest of the set in green cloth. The bindings are a bit rubbed and the titlelabels are a bit cracked and torn. Inside with minor foxing.. The complete first edition of the encyclopedia of the ancient Greek and Latin classics, that is of classical scholarship - the Ur-Pauly. The work was completed by Christian Waltz and Wilhelm Teuffel following the death of Pauly in 1845. To this day an updated version called Der neue Pauly is available

      [Bookseller: Vangsgaards Antikvariat]
 32.   Check availability:     Antikvariat     Link/Print  


        Missouri Indian. Oto Indian. Chief of the Puncas. [Tab. 7]

      Paris, Coblenz and London: [1839-1842]. Hand-coloured aquatint engraving by Hürlimann after Bodmer, blind stamp. 18 x 24 1/2 inches. This dignified triple portrait is made up from three sketches made by Bodmer over a period of more than a year: the unidentified Oto man was sketcehd at Pilcher's trading post on the return down river in May 1834, the Missouri man, Mahinkacha ('Maker of Knives') was drawn on 16 May 1834 at Joseph Roubidoux's trading post above Cantonment Leavenworth. The most striking image, of Schuh-De-Ga-Che ('He Who Smokes'), was made by Bodmer on the way up the river after stopping on 11 May 1833 near White Bear Bluffs to take on board three Ponca Indians. A chief of his tribe, Schuh- De-Ga-Che wears a peace medal with a depiction of President Madison. Karl Bodmer's images show great versatility and technical virtuosity and give us a uniquely accomplished and detailed picture of a previously little understood (and soon to vanish) way of life. Swiss-born Bodmer was engaged by Prince Maximilian zu Wied-Neuwied (1782-1867) specifically to provide a record of his travels in North America, principally among the Plains Indians. In the company of David Dreidoppel (Prince Maximilian's servant and hunting companion), their travels in North America were to last from 1832 to 1834. Well-armed with information and advice, the party finally left St.Louis, on the most important stage of their travels, aboard the steamer Yellow Stone on April 10 1833. They proceeded up the treacherous Missouri River along the line of forts established by the American Fur Company. At Bellevue they encountered their first Indians, then went on to make contact with the Sioux tribe, learning of and recording their little known ceremonial dances and powerful pride and dignity. Transferring from the Yellow Stone to another steamer, the Assiniboin, they continued to Fort Clark, visiting there the Mandan, Mintari and Crow tribes, then the Assiniboins at Fort Union, the main base of the American Fur Company. On a necessarily much smaller vessel they journeyed through the extraordinary geological scenery of that section of the Missouri to Fort Mackenzie in Montana, establishing a cautious friendship with the fearsome Blackfeet. From this, the westernmost point reached, it was considered too dangerous to continue and the return journey downstream began. The winter brought its own difficulties and discomforts, but Bodmer was still able to execute numerous studies of villages, dances and especially the people, who were often both intrigued and delighted by his work. The portraits are particularly notable for their capturing of individual personalities, as well as forming a primary account of what were to become virtually lost cultures. Graff 4648; Howes M443a; Pilling 2521; Sabin 47014; Wagner-Camp 76:1.

      [Bookseller: Donald Heald Rare Books ]
 33.   Check availability:     ABAA     Link/Print  


        Reise in das Innere Nord-America in den Jahren 1832 bis 1834

      Coblenz: J.Hoelscher, 1839-1841. 2 volumes, large quarto. (12 3/16 x 10 1/8 inches). 12pp. subscribers' list. 1 engraved plan (facing p.70, vol.II), 1 lithographic plate (facing p.122, vol.II), 52 wood-engraved illustrations. Expertly bound to style in half tan calf over marbled paper- covered boards, spines divided into compartments by double gilt fillets and roll tool, lettered in the second, numbered in the fourth compartment, the others with repeat decoration in gilt. A fine copy of the text volumes recording the 1832-34 travels of the German Prince Maximilian of Wied-Neuweid and Swiss artist Karl Bodmer on the Upper Missouri River. Prince Maximilian was already an experienced naturalist and explorer in 1832, having made an important scientific expedition to Brazil in 1815-17. His preparations for his trip to North America including retaining the skilled artist, Karl Bodmer, to record illustrations of the journey. Arriving in the fall of 1832, the Prince ascended the Missouri River in the spring of 1833, going as far upstream as the American Fur Company post of Ft. Mackenzie in present-day Montana, and spending the winter at Ft. Clark, near the Mandan Indian villages. During this prolonged stay, he and Bodmer had ample opportunity to observe the Indian tribes of the Upper Missouri in their full glory, carefully recorded by Bodmer in watercolors. In the spring of 1834 they returned to Europe, and devoted the next five years to preparing the text and plates for this publication. Prince Maximilian and Bodmer were able to record in both words and pictures the Plains tribes in their heyday. They were witness to hunting parties, Indian dances, ceremonies and life among the Mandans and other tribes, as well as the incredible scenery on the upper Missouri before the era of mass settlement from the west. Abbey, Travel II, 615; Graff 4648; Howes M- 443a ("dd"); Wagner-Camp 76.

      [Bookseller: Donald Heald Rare Books ]
 34.   Check availability:     ABAA     Link/Print  


        GENTLE BOY: A THRICE TOLD TALE WITH AN ORIGINAL ILLUSTRATION

      Boston: Weeks, Jordon & Co., 1839. First separate edition. Softcover. Oblong 4to. Blue morocco backed, blue cloth covered case housing original printed wrappers. Original printed wrappers. With an illustration by Sophia Peabody, later to become Hawthorne's wife. With a dedication to Sophia Peabody. This story originally appeared in THE TOKEN, and later in TWICE TOLD TALES. Professionally cleaned and restored; very good in stained and warped morocco backed box. See BAL 7587, Clark A2.2a. Very good+/.(Insurance required to ship this item).

      [Bookseller: A. Parker's Books, Inc. ]
 35.   Check availability:     ABAA     Link/Print  


        "BOZ". Lithographed Portrait of Charles Dickens. D. Lawrence, Delt. E. Brown, Jr. Lith

      Published by E. Brown Junr. Printed by N. Currier New York. New York:: Published by E. Brown Junr. Printed by N. Currier, New York.. 1839.. Image - 11-3/4" x 8-7/8". Framed: 25" x 19-1/2". Cf. Conningham 643.. Housed in an attractive gilt frame.. Lithograph paper itself shows a bit of soiling & wear with mostly. vertical stress line [repaired tear?] to right edge [does not affect. image itself]. Stiffer stock shows minor edgewear & some foxing.. Frame is Fine.. Image of a young Dickens [bust aspect, after the "Nickleby Portrait" by Maclise] lithographed on proof paper & laid down on stiffer stock, measuring 22-1/2" x 16-3/4". Quite scarce; the first time we've been able to offer this item.

      [Bookseller: Tavistock Books, ABAA ]
 36.   Check availability:     ABAA     Link/Print  


        Selected works, including: The Confessions of Harry Lorrequer, Charles O'Malley The Irish Dragoon; Our Mess (consisting of Jack Hinton [and] Tom Burke), [and] Arthur O'Leary

      Dublin: William Curry 1839 45 Dublin: William Curry, 1839-45. All are first editions except Arthur O'Leary, which is the second edition. 7 vols., 8vo. Illustrated by Phiz. Three quarters green morocco, spines gilt with alternating devices of crossed guns and clover leaves, a.e.g. Bookplates of C. L. Despard. Spines faded to brown, else fine. CBEL III:492-3 . Lever's vivid and rollicking pictures of military and hunting life were quite popular in his day, and remain a delight to read

      [Bookseller: James Cummins Bookseller ]
 37.   Check availability:     ABAA     Link/Print  


        Monuments et rues de Paris. Dessins et lithographiés.

      Paris: Rittner & Goupil and Susse Frères 1839. With tinted lithographed titlepage + 20 tinted lithographies 23-26,5x c.40 cm. Granfolio bound in contemporary halfleather with gold on spine. Name on inner frontboard and free endpaper. Titlepage browning, plates weakly browning.. Wyld was born in London. After a merchant career and travels to Algiers and Rome, he 1834 set up his studio in Paris, where he was commissioned to produce paintings of orientalist scenes and Venetian architecture. Becoming known to the public, he exhibited a 2m wide canvas "Venice at Sunrise" at the Paris Salon of 1839, winning the 1st Gold Medal in the 3rd class for it. After the 1848 Revolution he returned to the United Kingdom where he specialized in orientalist subjects, became a member of the New Society of Painters in Water Colours and had a major success with the businessmen of Manchester. In 1852 the Queen invited him to her summer residence at Balmoral Castle to draw its surroundings. He then continued to live in Paris and exhibit at various salons. He remained active until his last breath, dying in his Paris home in 1889

      [Bookseller: Peter Grosell's Antikvariat]
 38.   Check availability:     Antikvariat     Link/Print  

______________________________________________________________________________


      Home     Wants Manager     Library Search     562 Years   Links     Contact      Search Help      Terms of Service      Privacy     


Copyright © 2018 viaLibri™ Limited. All rights reserved.