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Displayed below are some selected recent viaLibri matches for books published in 1834

        The Animal Kingdom arranged in conformity with its organization. Vol. the tenth: The Class Pisces with supplementary additions by E. Griffiths & C. H. Smith:

      London, Whittaker & Co., 1834.. Hardback, in a magnificent half calf with gilt ornament and raised bands on spine and marbled boards, pp. viii, 680, pls. 44, 4to, (11" x 8.5"). Some marginal foxing and occasional offsetting of plates, otherwise an unusually fine copy. Armorial bookplate of Peter Rothwell on front end-paper. From the library of Alwyne Wheeler but without his signature.

      [Bookseller: Baldwin's Scientific Books]
 1.   Check availability:     UKBookworld     Link/Print  


        PROMESSI SPOSI; OR, THE BETROTHED LOVERS

      1834. Very Good. MANZONI, Alessandro. I PROMESSI SPOSI; OR, THE BETROTHED LOVERS. A Milanese story of the seventeenth century. As translated for The Metropolitan, from the Italian of Alessandro Manzoni, by G. W. Featherstonhaugh. Washington: Stereotyped and Published by Duff Green. 1834. The "Metropolitan Edition." Possibly the first American edition. (There were two American translations printed in 1834; the other was printed at New York by G. Dearborn.) 8vo.: 249 pp. Text printed in double columns. Contemporary binding; black morocco spine with blind-stamped decoration and gilt-stamped title and year, marbled paper boards. Pencil inscription on ffep. and a contemporary pencil ownership on first flyleaf. Text leaves are mostly clean and quite fresh, showing only some occasional light foxing, and having a faint, shallow dampstain at the top- edge and, for the final 25 ff., at the top fore-corner. The binding is worn at perimeters, especially at corners, and rubbed at surfaces. The top fore-corner of the upper board is missing a small patch of paper. Lower joint is tender and is missing a thin strip of leather (1 1/2 x 1/8") at the head. This is an early translation of Manzoni's panoramic love story set in Milan in the seventeenth century. It is his masterpiece which, upon publication (1825-27), elevated him to the front rank of literary fame. It is still regarded by many Italians as their greatest novel. This is an appealing copy whose condition is very good plus. (American Imprints 25502; Kunitz & Colby)

      [Bookseller: Boston Book Company ]
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        On a General Method in Dynamics; by which the Study of the Motions of all free Systems of attracting or repelling Points is reduced to the Search and Differentiation of one central Relation, or characteristic Function. [with:] Second Essay on a General Method in Dynamics.London: Richard Taylor, 1834-35. First edition.

      "Hamilton's first general statement of the characteristic function applied to dynamics was his famous paper 'On a General Method in Dynamics' (1834)" (D.S.B. VI, p.88). The analogy between geometrical optics and mechanics, which Hamilton established in this paper, plays a fundamental role in all of modern physics, and was the basis of Erwin Schrödinger's formulation of wave mechanics. Hamilton's characteristic (or principal) function ["the first of his two great discoveries, the second was the quaternions" (DSB)] originated from his earlier work on geometrical optics. He introduced this function in an earlier paper (Theory of Systems of Rays, 1827) as a way of characterizing systems of rays of light being reflected by mirrors. "Hamilton's initial motivation was to cast optics into a scheme having 'the power and dignity ... of the general method of Lagrange' in mechanics, ... The main tool of his approach in optics had been what he called the characteristic function V, which he had connected with the principle of least action. This tool of the characteristic function could also be applied, ..., to reformulate the fundamental laws of dynamics; thus the actual motion of mass point in a field of forces, e.g., is found to be governed by equations that are the analogues of those determining the propagation of the rays of light. The particular extension of the optical methods led the author to a new 'General Method in Dynamics,' the Hamiltonian scheme, which is based on Hamilton's variational principle of least action, the characteristic or principal function, and Hamilton's (canonical) equations of motion. Hamilton provided his new general method of dynamics in two memoires, which were published in the Philosophical Transactions" (Mehra & Rechenberg: The Historical Development of Quantum Theory, vol. 5, p.511). Hamilton's optical-mechanical analogy, not only provided a new and more powerful formulation of classical mechanics but also, came to form the foundation of the Schrödinger scheme of quantum mechanics, e.g., wave mechanics. "Hamilton introduced the methods of geometrical optics into mechanics and obtained an equation similar to the iconal equation and now known as the Hamilton-Jacobi differential equation. In it the index of refraction is replaced, essentially, by the potential energy and mass of the mechanical particle. In Hamilton's work Schrödinger thus found an analogy between mechanics and geometrical optics. And, since geometrical optics 'is only a gross approximation for light,' he conjectured that the same cause was responsible for the failure of classical mechanics 'in the case of very small orbital dimensions and very strong orbital curvature.' Both would be only approximations for small wavelengths. Therefore, he said: 'Perhaps this failure is a complete analogy to the failure of geometrical optics, that is, the optics with infinitely small wavelengths; (a failure) that occurs, as is known, as soon as the obstacles or openings are no longer large relative to the real, finite wavelength. Perhaps our classical mechanics is the complete analogue of geometrical optics and. as such, false... . Therefore, we have to seek an undulatory mechanics-and the way to it that lies closest at hand is the wave-theoretical elaboration of Hamilton's model.' Consequently, Schrödiger introduced into his development of wave mechanics conceptions that differed completely from those underlying the quantum mechanics formulated by the Göttingen school." (D.S.B. article for Schrödinger).. Extracted from the Philosophical Transactions of the Royal Society, Part II, 1834, pp. 247-308; Part I, 1835, pp. 95-144. Each part stapled into early 20th century stiff wrappers, bookseller's ticket of Henry Sotheran on upper cover. Fine and clean. 4to: 299 x 238 mm, uncut

      [Bookseller: Sophia Rare Books]
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        Mishnayot: Shishah Sidrei Mishnah im nekudot ... ve-Im Targum Ashkenazi ... ve-He'arot ... ve-ha-Kadmah be-rosh kol maseket ... u-Mevo ha-Mishnah ... ve-Nosaf al eleh Peirush Melo Kaf Nahat ... me-et Sheneor Faivesh [RARE] (Complete in 6 Volumes)

      I. Lewent Berlin I. Lewent 1832-1834g Six octavo volumes bound in three quarter leather over paper covered boards. Each volume has ties on fore edge of front and rear boards. Vol. 1: "Seder Zeraim" 196 pp. Vol. 2: "Seder Moed" 232 pp. Vol. 3: "Seder Nashim" 212 pp. Vol. 4: "Seder Nezikin" 268 pp. Vol. 5: "Seder Kodshim" 264 pp. Vol. 6: "Seder Tehorot" 212 pp. Book has the original Hebrew of the Mishnah and the translation into Judeo-German in double columns atop the commentary "Melo Kaf Nahat", which is in Hebrew, Rashi Script. The author of the commentary was a renowned talmudic scholar and author who lived in the first half of the eighteenth century. This groundbreaking commentary was considered a ìfunnel of sortsî for previous rabbinic and Medieval commentaries on the Mishnah, for it collected explanations from Rashi, Maimonides, Bertinoro, and Tosafot Yom-Tov. It also drew heavily upon Isaac ibn Gabbai's commentary. This work was originally in Amsterdam in the year of 1732. This is the later reprint from Berlin, printed between the years 1832-1834. Age wear and scuffing to leather, some Hebrew script handwriting on front endpapers, but books are in overall good condition.

      [Bookseller: Eric Chaim Kline - Bookseller ]
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        Autograph Letter Signed, one folio page, Washington, July 21, 1834 and a postscript, Baltimore, July 22, 1834

      To G.W. Williamson. ?In calling at Fuller I found you had left the City. Mr. Dyer the auctioneer...will be kind enough to send me some such order to Mr. D that he might be able to close?with the Marshall. I believe that I had mentioned to you that we had purchased it?The proceeds of which we were to lay out in white washing the room. They have been charged to me, Will you accept them. Tho? that can be arranged hereafter between us. We shall proceed immediately to make the necessary repairs and hope to occupy the house??.? Signed, ?Yours respectfully, Rob?t Mills?. In a postscript he adds, ?Mr. Edward Dyer will charge the am?t of Mr Mills? bill to sales as he has arranged it with me?.

      [Bookseller: David Schulson Autographs ]
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        Antiquit? Mexicaines Vol. I & II [Incomplete] (includes "Recherches sur les Antiquiti? de I'Am?ique du Nord et de I'Am?ique du Sud" by D. B. Warden)

      Jules Didot Paris Jules Didot 1834fair Ex-library. Elephant folio. Three-quarter morocco over marbled boards. Top edge gilt. Marbled endpapers. (INCOMPLETE, complete work was published with a total of 166 plates. These two volumes with 55 plates total, incl. frontispiece). Vol. I: Relation des trois exp?itions du colonel Dupaix, ordonn?s en 1805, 1806 et 1807, pour la recherche les antiquites du pays, notamment celles de Mitla et de Palenque : Accompagnee des Dessins de Castaneda, Membre des Trois Expeditions et Dessinateur du Musee de Mexico : suivie d'un parall?e de ces monuments avec ceux de l'?gypte et de l'Inde par m. Alexandre Lenoir, createur du Musee des Monuments Francais, membre de la Societe Royale des Antiquaires de France, de celles Londres etc. :d'une dissertation sur l'origine et sur la linguistique des populations primitives des deux am?iques, d'un historique des diverses antiquit? et des fossiles du double continent, par m. Warden, ancien Consul-General des Etats Unis, Correspondant de l'Institut de France, membre de la Societe Royale des Antiquaires de France, et de plusiers autres Societes Savantes: avec un discours par M. Charles Farcy, de la Societe Royale des Antiquaires de France, et de la Societe Libre des Beaux-Arts de Paris; Galindo, de Humboldt et de St. Priest ..." xiv(1)50,56,40,88pp. followed by 9 full-page plates (numbered I - IX) and table of contents (2 pages). Frontispiece. Contents: (1) Antiquites Mexicaines , Premiere Partie , Premier Expedition du Capitaine Dupaix ordonnee par le Roi d'Espagne en 1805 pour la Rercherche des Antiquites du Pays (50pp). (2) Antiquites Mexicaines , Premiere Partie , Deuxieme Expedition du Capitaine Dupaix (56pp) ( 3 ) Antiquites Mexicaines , Premiere Partie , Troisieme Expedition du Capitaine Dupaix en 1807 (40pp) ( 4 ) Antiquites Mexicaines , Premiere Partie. Notes et Documents Hivers. (88pp). Age wear and abrasions on binding. Two-inches of backstrip on head of spine missing, same area along front- and back board split but firmly holding. Tail of spine chipped. Library pocket on inside of front board, slight abrasion on free front endpaper. Two library inventory plates near tail of spine. Binding in fair, interior in very good condition. Vol. II: Antiquit? Mexicaines (includes "Recherches sur les Antiquiti? de I'Am?ique du Nord et de I'Am?ique du Sud" by D. B. Warden) Vol. II (Du Tome Second). Ex-library. Text volume with parts of atlas (incomplete). 70 leaves with 35 plates and text pages numbered 73 through 82, followed by a 224 page essay. Essay section illustrated with 10 plates (numbered I to X). Incomplete (text and plates) first part of Du Tome Second, starting with plate XII through XLVI. Antiquiti? Mexicaines, Deuxi?e Partie: 224 page essay "Recherches sur les Antiquiti? de I'Am?ique du Nord et de I'Am?ique du Sud" by David Bailie Warden, as issued. Printed by Engelman and Thierry Fr?es. Total plates count in this volume is 45, printed on 40 leafs (includes some plans). Title-page on essay only. Front and back cover detached but present. Heavy age wear and abrasions on binding. Three quarter of bottom spine missing, remains of spine heavily torn & loose from book block. Title on spine in gold lettering still readable. Parts of leather near spine on front and back board crudely repaired with white tape. Library card pocket pasted on inside of front board. Sporadic foxing throughout, waterstaining to bottom edge of some pages. Printed library pagination on upper margins of plates pages. Binding in poor, interior in overall very good condition. Text in French. Scarce. By order of Carlos IV., King of Spain, in 1805 Captain Guillermo Dupaix led 3 expeditions to explore the antiquities of southern Mexico. The results were captured in this publication which gave Europeans a first, detailed look at Mayan civilization. The plates (most lithographed in b/w, some tinted) are after original drawings by JosË Luciano Castaneda, who accompanied Dupaix on the expedition. All plates are full-page, except one which is double-page. The drawings were held in Mexican archives to be sent to Spain but got lost in the chaos of the Mexican revolution. After resurfacing the drawings were lithographed by artists such as H. Vanderbur[s]ch, M. Delaporte, H. Robillard, C. Will de Willbery and L. Vitasse.

      [Bookseller: Eric Chaim Kline - Bookseller ]
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        "The Century of Invention. Anno Domini 2000. Or the March of Aerostation, Steam and Perpetual Motion."

      ca. London?: ca., 1834. Extremely rare, separately-issued caricature printed on linen satirizing the early nineteenth-century British love affair with transportation. The print imagines the consequences of technological progress in the year 2000. It depicts a wild fantasy overrun with improbable vehicles from the impracticable and obsolete to the quixotic: steam-powered carriages, giant hydrogen balloons, and men sprouting wings. The handkerchief was also offered in sepia (McCormick Collection of Aeronautica, Item 284, no. 60, Princeton University). Fortunately, perhaps, the survival-rate of handkerchiefs is low, and the McCormick impression is the only other copy located. Locomotives and experimental steam engine carriages were both in use by the 1830s. The cartoonist, unaware that the internal combustion engine and the automobile would be invented later that century, lampoons the steam carriage rather than the increasingly reliable train. Only buildings on wheels traverse his “Grand Northern Railway” bridge. One of these, the “Steamo Equestrian Travelling Company,” involves no actual horses. Neither does the stag hunt by steam-carriage above the bridge. A crier below advertises a “rare Exhibition” of outmoded transportation: “A Live Horse!!! Supposed to be the very last of the RACE.” Even religion has been ameliorated by technology. As the “Zion Chappel” rolls by, a man advertises tomorrow’s sermon: “A CAST IRON PARSON WILL PREACH BY STEAM AT FUDGE CHAPEL.” The hubris of these futuristic inventors is clearest in the sky. Balloon travel was no longer considered viable when this print appeared, yet its Londoners float over to Dublin and back before breakfast. A balloon race is also taking place (between the “Out o’Sight Club” and the “United Moonites”). Like the mythical Icarus, who flew too close to the sun, the flying men hunting a flock of birds will probably bring about their own ruin by inadvertently shooting the balloons.This lithograph was sold as a printed handkerchief, a relatively common form of ephemera during the late eighteenth and nineteenth centuries, but one which rarely survives. As no publishing information appears on the print, it may well have been a pirated edition. The image is an enlarged, reversed copy of a lithograph by caricaturist C.J. Grant from the Every Body’s Album & Caricature Magazine no. 3, February 1, 1834. He contributed regularly to the magazine, which appeared in thirty-nine sheets every two weeks from 1834-35. Grant also produced numerous separately-issued lithographs in paper formats, but not of the present image. The artist’s considerable body of work has been unjustly overlooked until recently; e.g. his Thieme Becker entry notes only that he cut a single wood engraving for the popular London periodical “Punch.” The satirist’s biting wit still shines through today as he gains a proper reception: “Everybody’s album contains some of Grant's finest lithographic work, as well as displaying his imagination at its most fertile". (R.J. Pound, ed., C.J. Grant's political drama: a radical satirist rediscovered, 1998, p 10.). Lithograph printed in red on linen as a handkerchief. (image 15 x 19 1/2 in., (38.0 x 49.5 cm.); sheet 15 1/8 x 21 1/2 (38.4 x 54.8 cm). Some minor spotting. Margins show evidence of thumbtacks used for display.

      [Bookseller: Martayan Lan, Inc. ]
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