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Displayed below are some selected recent viaLibri matches for books published in 1833

        Voyage dans les prairies a l'ouest des Etats-Unis

      - Librairie de Fournier Jeune, Paris 1833, In-8 (12,5x21cm), 306pp., relié. - originale, insolito Edition. Legatura in piena pelle di pecora si lega vino d'annata. Torna liscio decorato con cassettoni decorati. Piatti colpito a freddo un piatto floreale grande. Indietro insolated. Tappi strofinato. 3 angoli urtato. lavoro fresco tutto nonostante qualche doratura debole. - [FRENCH VERSION FOLLOWS] Edition originale, rare. Reliure en pleine basane lie de vin d'époque. Dos lisse orné de caissons richement décorés. Plats frappés à froid d'une grande plaque florale. Dos insolé. Coiffes frottées. 3 coins émoussés. Ouvrage frais dans l'ensemble malgré quelques faibles brunissures. Voyage en 1832 dans ce qui deviendra en 1836 le 25e état des Etats-Unis, l'Arkansas, qui se situe à l'ouest du Tenessee, dans les grande prairies. Campements, explorations, chasses, indiens. Important témoignage du début de l'exploration du Far-west, alors que la plupart des régions des Etats-Unis sont encore des territoires inconnus, le Texas appartenant encore au Mexique. NB : Cet ouvrage est disponible à la librairie sur demande sous 48 heures.  

      [Bookseller: Librairie Feu Follet]
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        Casanova des Zweiten (genannt Graf Alphons) Liebschaften und Abenteuer in Frankreich und Italien. Hier Band 1 und 2 in 2 Büchern KOMPLETT!

      Leipzig, Wiegand'sche Verlagsexpedition, 1833 - 8°, II, 270 und 235 Seiten, betitelte Original-Leinenbände - Einbände berieben und bestoßen, stellenweise leicht braunfl. sonst guter Zustand - 1833. Äußerst selten! c86635 Sprache: Deutsch Gewicht in Gramm: 350 [Attributes: Hard Cover]

      [Bookseller: Antiquariat Ehbrecht - Preise inkl. MwSt]
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        Marie Tudor

      - Eugène Renduel, Paris 1833, In-8 (14x21,5cm), 214pp., relié. - Edizione con falsa menzione della seconda edizione. Un bel frontespizio titolo sulla carta forte da Célestin Nanteuil, protetta dai venti. La pubblicazione, che fa parte della prima edizione collettiva porta Renduel sul titolo come dovrebbe essere: opere di Victor Hugo. Drama. VI. Marie Tudor. Prefazione Hugo del 17 novembre 1833. Binding leggermente più tardi ca 1840 semilucida dolore nero. Torna con false nervi decorati con scatole e ruote. macchie sparse nei margini. Buona copia. - [FRENCH VERSION FOLLOWS] Edition originale avec fausse mention de seconde édition. Un beau titre-frontispice sur papier fort par Célestin Nanteuil, protégé par une serpente. La publication, qui s'insère dans la première édition collective de Renduel porte sur le titre comme il se doit : Oeuvres de Victor Hugo. Drames. VI. Marie Tudor. Préface de Hugo du 17 novembre 1833. Clouzot (Guide du bibliophile français XIXe siècle) précise que l'édition originale, tirée à 2000 exemplaire a été séparée en 4 tranches fictives, on trouve donc des exemplaires avec les mentions de seconde, troisième ou quatrième édition. Reliure légèrement postérieure ca 1840 en demi chagrin noir glacé. Dos à faux nerfs orné de caissons et roulettes. Rousseurs éparses dans les marges. Bon exemplaire.  

      [Bookseller: Librairie Feu Follet]
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        Fine large lithograph of the noted Romantic ballerina as the Naiade in the ballet of The Sleeping Beauty of the Wood by William Sharp (1803-1875) after a drawing by Edward P. Novello

      London: S.W. Fores, 1833. Rare. Beaumont & Sitwell 41. NYPL: b12138357.. Image size 320 x 233 mm., sheet size 388 x 269 mm. Printed by C. Hullmandel on china paper and laid down. With a facsimile of a signed autograph note to lower margin. The print depicts Duvernay en pointe in 4th position, turned left with arms crossed over her chest, wearing a layered gossamer dress decorated with leaf motifs, a garland of leaves in her hair. Frmm the famed collection of dance historian Ifan Kyrle Fletcher (1905-1969). Slightly worn and soiled; small stain to lower edge; mounting paper browned and slightly foxed and creased; remnants of mounting tape to verso of mount.

      [Bookseller: J & J Lubrano Music Antiquarians LLC]
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        24 Miles Round London.

      1833 - London, 1833. Original colour with additions to the borders. Dissected and laid on linen, total 680 x 680mm. A detailed map of London and its environs within a circle surrounded by a foliate border. It extends to Windsor in the west, clockwise to St Albans, Hertford, Brentwood, Gravesend, Sevenoaks, Reigate and Dorking. This is the first state, before the addition of any railways. HOWGEGO No. 347, state 1 of 5.

      [Bookseller: Altea Antique Maps]
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        Mittelrheinlauf in 4 Karten von St. Goar bis zur Siegmündung:.

      - kolorierte Lithographie b. Werbrunn, 1833, 125 x 24 Nicht bei Sattler, Rheinpanoramen! - Detaillierte Rheinlaufkarte mit Vogelschauansichten der anliegenden Rheinstädte u. einer Aussparung mit dem Siebengebirge. - Lithographie von 4 Platten gedruckt.

      [Bookseller: Antiquariat Norbert Haas]
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        Die Geisterbeschwörer im neunzehnten Jahrhundert oder die Folgen des Glaubens an Magie aus Untersuchungs-Acten dargestellt vom Großherzoglich Sächs. Criminalgerichts-Assessor D. Bischoff in Weida. Mit Kupfern. Erstausg.

      VIII, 264 S., mit 7 Taf. auf 4 mehrfach gefalt. Bll., Kl.-8, Pappband d. Zt. mit Rückenschild Cornell S.73 Rosenthal 1833: "Wichtige und interessante criminalistische Schrift über die Wirkungen des in ländlichen Kreises verbreiteten Glaubens an Geisterbeschwörungen. S. 250-264 belangreiches Literaturverzeichnis. Nicht bei Graesse." - U.a. über: Gerichtlich untersuchte Betrügereien durch Geisterbeschwörungen, nach Angaben der Betrogenen (an 15 versch. Orten) Ergebnisse der Criminaluntersuchung nach Angaben der Geisterbeschwörer Beschreibung einiger Instrumente u. Vorrichtungen der Betrüger (Einige Bemerkungen über Magie u. Theurgie). - Einband berieben u. bestossen Innendeckel mit Resten eines Aufklebers Titel gestempelt wenige Blatt leicht fleckig, sonst ein gutes Expl. Sehr selten.

      [Bookseller: Versandantiquariat Hans-Jürgen Lange]
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        Casanova des Zweiten (genannt Graf Alphons) Liebschaften und Abenteuer in Frankreich und Italien. Hier Band 1 und 2 in 2 Büchern KOMPLETT!

      8, II, 270 und 235 Seiten, betitelte Original-Leinenbände - Einbände berieben und bestoßen, stellenweise leicht braunfl. sonst guter Zustand - 1833. Äußerst selten! c86635

      [Bookseller: Antiquariat Ehbrecht - Preis inkl. MwSt.]
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        RECORDS OF A VOYAGE TO THE WESTERN COAST OF AFRICA, IN HIS MAJESTY'S SHIP DRYAD, AND OF THE SERVICE ON THAT STATION FOR THE SUPPRESSION OF THE SLAVE TRADE, IN THE YEARS 1830, 1831, AND 1832.

      London: Printed By Andrew Shortrede for William Tate , 1833. A very good copy in original brown boards newly rebacked to style with printed paper spine label. 267 pages with a four page list at rear of vessels engaged in the slave trade captured by His Majesty's Ship Dryad. Prior owner name in pencil on the front endpaper and some light scattered foxing. A nice copy of a very scarce book. . First Edition. Hard Cover. Very Good. 12mo - over 6¾" - 7¾" tall.

      [Bookseller: RON RAMSWICK BOOKS, IOBA ]
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        Dictionnaire pittoresque d'histoire naturelle et des phénomènes de la nature

      1833 - 12 volumes, soit 9 volumes de Paris, au Bureau de souscription, 1833-39, in-8, 12 volumes, soit 9 volumes de texte et 3 volumes de planches, demi-basane maroquinée verte de l'époque, dos lisses ornés en long, 720 belles planches coloriées, gravées par Beyer, Pfitzer, Adolph Fries, Pedretti, Aug. Duménil, Onwhyn, du Casse, Sébin d'après de Sainson, Martin de Saint-Ange, Acarie Baron, Newport, Vaillant, d'Orbigny, P. Oudart, Varin. Elles représentent des animaux, des plantes, mais aussi quelques instruments de physique (machine électrique, pompe à vide, batterie électrique, etc.) ou des éléments de physiologie humaine. Impression sur deux colonnes. Le naturaliste Guérin-Méneville (1799-1874) est également connu pour avoir réalisé l'Iconographie du Règne animal de Cuvier. Dos légèrement passés, quelques rousseurs, mais néanmoins bel exemplaire. Wood, p. 371. [Attributes: Hard Cover]

      [Bookseller: Librairie Alain Brieux]
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        Catalogue raisonné des estampes du Cabinet de feu Madame la Comtesse d\'Einsiedel de Reibersdorf. 2 Bde.

      Dresden, Meinhold & Söhne, 1833. IX, 424 S., 3 Bl.; XIII S., 1 Bl., 494 S., 1 Bl. OBrosch. (kl. Klebezettel am Rücken, geringe Läsuren). Durch den Kustos (ab 1844 Direktor) des Dresdner Kupferstichkabinetts zum Zwecke der Versteigerung zusammengestellter Katalog der Sammlung der Gräfin Eleonore Henriette von Einsiedel-Reibersdorf (1733-1806). - Mit eigenhändiger Widmung des Verfassers an Bernhard August von Lindenau, \"dem würdigen Chef der Königl. Sächs. Museen\". - Die über mehrere Jahrzehnte mit großem Eifer entstandene Kupferstichsammlung erregte seinerzeit nicht nur wegen ihres Umfangs, sondern vor allem der Vollständigkeit, Seltenheit wie Qualität der Blätter Aufsehen. - Frenzels tls. mit Kommentaren und einem Register versehener \"Catalog wird stets seinen Werth behaupten\" (Neues Lausitzisches Magazin 1832, S. 541; ausführlich). - Pollen I, 604. - Beiliegt handschriftlicher Notizzettel mit 7 Zuschlagspreisen für Bd. II. - Weitgehend fleckenfreies, auf dickerem Papier gedrucktes Exemplar. Versand D: 6,00 EUR

      [Bookseller: Antiquariat Sander]
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        Antique Print-COAST-ARGENTINA-URUGUAY-RIO PLATA-Depot de la Marine-Tardieu-1833

      1833 - Antique print, titled: 'Carte Reduite de la Riviere de la Plata [ ].' - A sea chart of the coast of Argentina and Uruguay, with main focus on the Rio de la Plata estuary. This area includes Buenos Aires and Montevideo. The map shows detailed depth soundings, islands and river inlets along the coast. Published by the Depot de la Marine, after the charts made by Capts. Barral and others. These type of charts are scarse as they were actually used at sea for navigation. Engraving on laid paper. Made by 'Ambroise Tardieu' after 'Depot de la Marine'. Depot des Cartes et Plans de la Marine (1720 - present), often called the Depot de Marine, was a French hydrographic mapping organization founded in 1720. Much like the U.S. Coast Survey, the British Admiralty, and the Spanish Deposito Hydrografico, the Depot was initiated as a storehouse and distribution center of existing nautical and marine charts. Eventually the Depot initiated its on mapping activities in an attempt to improve and expand upon existing material. Some of the well known hydrograhers / cartographers in the development of Depot were Jacques Nicholas Bellin and Rigobert Bonne. Good, given age. The left edge quite damages, with tears and creases (tears closed with acid-free archival tape). The margins soiled and a little dampstained, some small stains. A dark stain in the top right image corner, and some scattered soiling and small stains in the image area. General age-related toning and/or occasional minor defects from handling. Please study scan carefully. The overall size is ca. 99.8 x 67.6 cm. The image size is ca. 88.2 x 59.4 cm. The overall size is ca. 39.3 x 26.6 inch. The image size is ca. 34.7 x 23.4 inch. Storage location: Overasselt-408

      [Bookseller: ThePrintsCollector]
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        Das K. K. Lustschloss Schönbrunn bey Wien - Le chateau J. et R. de Schönbrunn près de Vienne".

      (Wien, vermutlich Artaria, um 1833). - Bildausschnitt ca. 26,5 x 41 cm. Blattgröße ca. 31 x 43,5 cm. Vgl. Nebehay-W. 59.- Vermutlich aus der bekannten und großen Ansichtenserie von Artaria "Mahlerische und merkwürdige Ansichten der verschiedenen Provinzen der österr. Monarchie". Wie vorliegend so jedoch bei Nebehay-W. nicht aufgelistet. Dekorative Ansicht auf das Schloss Schönbrunn von der Strassenseite aus gesehen.- Papier nur minimal gebräunt. Verso an den Ecken Montagereste. Graphik, Österreich - WIEN

      [Bookseller: Antiquariat MEINDL & SULZMANN OG]
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        Théophile Gautier. Ensemble d’éditions originales en reliure d’époque.

      - Ensemble dans une reliure demi-cuir marron d’époque, in-8 (18,5 x 12,5 cm). Plats en papier marbré. Dos doré à 5 nerfs. Couvertures d’origines non conservées sauf mention contraire. Couvertures fatiguées, dos abîmés avec griffures. Rousseurs éparses dans la plupart des volumes. 1) Albertus, ou L’âme et le péché. Légende théologique par Théophile Gautier. Paulin, libraire-éditeur, place de la Bourse, (imprimerie de de Rignoux) Paris 1833 ; in-18. – v pages (préface) -367 pages. Couverture d’origine salie. Reliure plein cuir signée Henry-Joseph Pierson. Couverture fatiguée. Sans le frontispice gravé à l’eau-forte par Célestin Nanteuil (qui manque souvent d’après Clouzot). Edition originale. RARE 2) Nouvelles. Par Théophile Gautier. Charpentier, éditeur, 15, rue des Beaux-arts, (imprimerie de E. Duverger) Paris 1845 ; in-8. Couvertures imprimées. -439 pages. Nombreuses rousseurs. Cet ouvrage contient également : La Chaine d’or ou l’Amant partagé – Omphale, histoire rococo – La petit chien de la Marquise – Le nid de Rossignols – La morte amoureuse – Une nuit de Cléopâtre. Première édition in-12, sous le titre de Nouvelles. Plus complet de deux nouvelles, dont Le roi Candaule, en édition originale. 3) Voyage en Espagne. Charpentier éditeur. Imprimerie de Crapelet. Paris 1845 ; in-8. I. 407 pages. Nombreuses rousseurs. Première édition in-12, sous le titre de : Voyage en Espagne. 4) Les Grotesques. Par Théophile Gautier Michel Lévy éditeur, Paris 1853 ; in-8. 400 pages. Première édition in-12. Quelques rousseurs. 5) Zigzags. Par Théophile Gautier. Victor Lecou éditeur, Paris 1852; in-8. 350 pages. Première édition in-12, en partie originale. Rousseurs. 6) Emaux et Camées. Par Théophile Gautier. Edition en partie originale. Poulet-Malassis et de Broise, 1858 ; in-12. (1f.)-230 pp.-(1f.). Frontispice . 29 poèmes, mais ne donne pas les deux inédits de 1853. Reliure plein cuir signée Henry-Joseph Pierson. Couverture d’origine conservée. Bel exemplaire. 7) Théâtre. Charpentier éditeur, Paris 1872 ; petit in-12. 492 pages y compris faux-titre et titre-(1p. table). Contient : – Une larme du diable – Une Fausse conversion – Pierrot posthume – Le Tricorne enchanté – Prologue de Falstaff Editions en partie originale. 8) L’Art moderne. Par Théophile Gautier. Michel Lévy frères, libraires-éditeurs, rue Vivienne, 2 bis, Lagny imprimerie Vialat. Paris 1856. In-12. 303 pages. Les faux-titre et titre sont imprimés par Bonaventure et Ducessois. Rousseurs. Edition originale. 9) Abécédaire du Salon de 1861. Par Théophile Gautier. E. Dentu, éditeur, libraire de la Société des Gens de lettres, Palais-Royal, 13 et 17, galerie d’Orléans, (imprimerie E. Panckoucke), Paris 1861 ; in-12. 417 pp. y compris le faux-titre et le titre ; et 1f. blanc. Rousseurs éparses. Edition originale. 10) Romans et contes. Avatar – Jettatura – Arria Marcella – La Mille et deuxième nuit – Le Pavillon sur l’eau – L’Enfant aux souliers de pain – Le Chevalier double – Le Pied de momie – La Pipe d’opium – Le Club des Hachichins. Charpentier, libraire-éditeur, 28, quai de l’Ecole, 28 (imprimerie Simon Raçon), Paris 1863 ; in-12. Couvertures imprimées. (2f. faux titre et titre), 458 pp. (1f. table). Rousseurs éparses. Première édition collective sous ce titre. 11) Le Capitaine Fracasse. Par Théophile Gautier. Charpentier, libraire-éditeur, 28 quai l’Ecole, (imprimerie P.A. Bourdier), Paris 1863 ; 2 in-12 (18,5 x 12,5 cm). 373 pp et 382 pp. Recherché. Dans une modeste reliure d’époque. Couverture d’origine non conservée. Quelques rousseures. 12) Quand on voyage. Par Théophile Gautier. Michel Lévy frères, libraires éditeurs, rue Vivienne, 2bis, et boulevard des Italiens, 15, à la librairie nouvelle, (Poissy, imprimerie de Auguste Boulret), Paris 1865 ; in-12. Couvertures imprimées (couverture salie). (2f. faux-titre et titre)-352 pp.- (1f. tab.). Edition originale. 13) Spirite, nouvelle fantastique. Par Théophile Gautier. Charpentier, libraire-éditeur, 28 quai de l’ [Attributes: First Edition; Hard Cover]

      [Bookseller: LIBRETIS]
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        Notes on Chinese mediaeval travellers to the west.Shanghai, American Presbyterian Mission Press; London, Trübner and Co., 1875. 8vo. With numerous Chinese characters and 3 wood-engraved illustrations in text. Contemporary blind- and gold-blocked cloth.

      - Cordier, Sinica, col. 2667; Couling, p. 64. First separately published edition of a work on Chinese travellers from the 13th century, by the Baltic physician and sinologist Emil Bretschneider (1833-1901). "His writings both on botany and geography are extremely valuable" (Couling). The book is divided into four chapters, each devoted to a different Chinese traveller or voyage to the west. Bretschneider starts each chapter with a brief introduction, followed by a translation of Chinese sources including many Chinese characters. The first chapter describes the travels the Taoist monk Qiu Chuji (1148-1227) to Persia and India in the years 1221-1224 to meet the Mongol Khan. The second chapter narrates the journey of a Mongol embassy to western Asia, and chapter three is an "account of Western countries", written by an envoy of the Chinese Jin dynasty around 1220. He describes the customs and culture of the "Mohameddans" he meets in the west, probably describing the city Herat in Afghanistan. The last chapter describes the travels of the Khitan statesman Yelü Chucai, who served Genghis Khan, to present-day Tajikistan and Uzbekistan.Presentation copy, with a note by the author to "V. Gauvain" in ink on first flyleaf. Title-page with some faint water stains, otherwise in very good condition.

      [Bookseller: ASHER Rare Books]
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        St. Quirin von Nordwesten ('Ansicht der Stiftskirche St. Qurin in Neuss.').

      - kolorierte Lithographie v. Alois Kurz n. Dominicus Quaglio, 1833, 33,5 x 25,5 Schmitt, Neuss 1477 - 1900, Nr. 78.

      [Bookseller: Antiquariat Norbert Haas]
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        Ansicht des Schlosses Hohenwerfen in Salzburg. Kolorierte Orig. Lithographie v. A. Kunike, 1833.

       Blattgröße 32 x 45 cm, Bild 25 x 34 cm. Schöne große, zart kolorierte Ansicht. Aus der \"Großen Serie\" der österr. Schlösser u. Ruinen. Neb/Wag.334.9. Selten! Auf Wunsch mit Schrägschnitt-Passepartout. Versand D: 9,00 EUR Hohenwerfen Werfen Kunike Salzburg Schloss Lithographie Pongau

      [Bookseller: Versandantiquariat Matern]
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        Kiyoko zuga [= Representation of Nagasaki harbour].[Nagasaki, ca. 1880?]. A large watercolour painting of Nagasaki harbour (image size: 49.5 x 87.5 cm), probably on mulberry bark paper, with one large Asian ship, more than a dozen small Asian boats, and a steam boat in the background, all rendered following Western conventions of perspective. In a passe-partout in a modern wooden frame painted gold (95 x 125 cm), behind glass.

      A large watercolour painting from the Meiji period showing Nagasaki harbour viewed from the city, looking across at the Papenburg (Dutch for Pope's mountain), named for the many Catholic martyrs who were thrown off the peak. A large Asian ship in the harbour (15.5 cm tall in the painting) forms a focal point in the painting, while the masts of another appear in the foreground at left. Several more Asian sailing ships appear far in the background and there are many small rowboats in the foreground and background. Of special interest is a steamboat sailing into the harbour in the background left, with two smokestacks.Ochiai Yoshiiku (1833-1904) belonged to the group of woodcut artists known as the Utagawa school, and is therefore also known as Utagawa Yoshiiku. He studied with Utagawa Kuniyoshi (1798-1861), who had studied with Tokokuni I (1769-1825), who took charge of the group when its founder, his teacher Utagawa Toyoharu (1735-1814), died. The Utagawa school is known for mixing Western traditions, especially Western perspective, into traditional Japanese styles. While most of Ochiai's work remained faithful to the traditional manner, the present painting shows a nearly pure Western perspective. This combined with the fact that his name also appears transliterated in the Latin alphabet may mean this painting was made for a European patron.With a few wrinkles in the paper slightly affecting the mountain at the right, the sky near it and the sail of the large ship, but otherwise in fine condition. A lovely and unusually large Japanese watercolour painting, showing Nagasaki harbour with many ships and boats.

      [Bookseller: Antiquariaat FORUM BV]
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        Istituzioni di architettura statica e idraulica.Firenze, a spese dell'ingegnere Vittorio Bellini (tipi V. Batelli), 1833.

      Firenze, a spese dell'ingegnere Vittorio Bellini (tipi V. Batelli) 1833 - Due volumi di cm. 23; pp. (34) 268 (14); 430 (16) + 1 c.b. Con 67 belle tavole incise in rame fuori testo, talvolta ripiegate (35+32). Elegante legatura coeva in mezza pelle; dorso a 4 nervi con titoli e filetti in oro e fregi impresso a secco. Piatti leggermente lisi, sporadiche fioriture. Esemplare ben conservato. Nicola Cavalieri (1788-1867), matematico e ingegnere idraulico nativo di Civitavecchia, insegnò nell'Archiginnasio romano, dove fu tra i fondatori della Scuola degli Ingegneri. Terza edizione (la prima è del 1826, la seconda del 1831) di questo celebre trattato di architettura. Il primo volume tratta dei lavori di terra: costruzione, difesa e riparazione degli argini; forma, struttura e pertinenze delle strade; lavori in legname con descrizione delle diverse proprietà/caratteristiche (taglio, dimensioni, denominazioni, trasporto, conservazione, incurvamento artificiale, collocamento, congiunzioni, preservazione); ponti; dighe. Il secondo tratta dei lavori murali: pietre naturali e artefatte; volte; intonachi e pavimenti; sostegni; costruzioni marittime; macchine e manovre architettoniche; stime; occupazione di terreni campestri e fabbriche. Cfr. Iccu; Graesse, II, 92; Brunet, I, 1695. [Attributes: Hard Cover]

      [Bookseller: Studio Bibliografico Apuleio]
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        Kiyoko zuga [= Representation of Nagasaki harbour].[Nagasaki, ca. 1880?]. A large watercolour painting of Nagasaki harbour (image size: 49.5 x 87.5 cm), probably on mulberry bark paper, with one large Asian ship, more than a dozen small Asian boats, and a steam boat in the background, all rendered following Western conventions of perspective. In a passe-partout in a modern wooden frame painted gold (95 x 125 cm), behind glass.

      - A large watercolour painting from the Meiji period showing Nagasaki harbour viewed from the city, looking across at the Papenburg (Dutch for Pope's mountain), named for the many Catholic martyrs who were thrown off the peak. A large Asian ship in the harbour (15.5 cm tall in the painting) forms a focal point in the painting, while the masts of another appear in the foreground at left. Several more Asian sailing ships appear far in the background and there are many small rowboats in the foreground and background. Of special interest is a steamboat sailing into the harbour in the background left, with two smokestacks.Ochiai Yoshiiku (1833-1904) belonged to the group of woodcut artists known as the Utagawa school, and is therefore also known as Utagawa Yoshiiku. He studied with Utagawa Kuniyoshi (1798-1861), who had studied with Tokokuni I (1769-1825), who took charge of the group when its founder, his teacher Utagawa Toyoharu (1735-1814), died. The Utagawa school is known for mixing Western traditions, especially Western perspective, into traditional Japanese styles. While most of Ochiai's work remained faithful to the traditional manner, the present painting shows a nearly pure Western perspective. This combined with the fact that his name also appears transliterated in the Latin alphabet may mean this painting was made for a European patron.With a few wrinkles in the paper slightly affecting the mountain at the right, the sky near it and the sail of the large ship, but otherwise in fine condition. A lovely and unusually large Japanese watercolour painting, showing Nagasaki harbour with many ships and boats.

      [Bookseller: Antiquariaat FORUM BV]
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        A collection of three plays by Victor Hugo, including "Lucrèce Borgia", enriched with additional collector's pieces, including a letter signed by Lucrezia Borgia, an autograph musical manuscript by Donizetti, and an original drawing by Victor Hugo.

      Paris, Eugène Renduel, 1832-1833. - I) Lucrèce Borgia. 1833. (2), XI, (1), 192 pp. II) Le Roi s'amuse. 1832. (8), XXIII, (1), 183 pp. III) Marie Tudor. 1833. (6), IV, 214 pp. Each with frontispiece. All three bound in a single volume in slightly later half calf with giltstamped spine and marbled covers. A matching second volume contains: 1) Borgia, Lucrezia (1480-1519). Letter signed. Rome, 20 Nov. 1501. ½ p. Folio. 2) Hugo, Victor (1802-1885). Autograph ink caricature, mounted on backing paper. 10 x 13 cm. 3) Mocquard, Jean-François (1791-1864). Autograph letter signed. Paris, 15 Jan. 1853. 1 p. 8vo. 4) Fournier, Louis Edouard (1857-1917). Autograph drawing inscribed. 12.5 x 20.5 cm. 5) Donizetti, Gaetano (1797-1848). Autograph musical manuscript (fragment). 6 pp., ca. 33 x 12 cm. 6) Hugo, Victor (1802-1885). Two autograph instructions signed. 26 Dec. 1839 and 20 Feb. (no year). Oblong 8vo. 2 pp. Both volumes stored together in a matching calf-entry marbled slipcase. A charming ensemble of three first editions of Victor Hugo's plays, each one inscribed by the author to his elder brother, the essayist and military writer Abel Hugo (1798-1855). When the set was auctioned at the sale of the library of the author's grandson Georges-Victor Hugo, it was acquired by Arthur Meyer, the director of the prestigious daily "Le Gaulois" and a passionate collector who was wont to enrich, or "truffle", his books with appropriate rare autographs and drawings. In this case, the addenda, bound in a matching half-calf volume, greatly surpass in value the works they accompany: 1) A precious letter by the Renaissance noblewoman Lucrezia Borgia, famous for her marriages and her affair with Pietro Bembo (signed "Lucretia Esteri de Borgia"), written in recommendation of Hector Beringero to the poet Antonio Tebaldeo (1463-1537), secretary to Francesco II Gonzaga, Marquess of Mantua (later Lucrezia's lover). Meyer had acquired this outstanding document from the collection of Alfred Morrison (cf. Catalogue of the Collection of Autograph Letters and Historical Documents Formed Between 1865 and 1882 by Alfred Morrison, 1883, p. 100). - 2) Almost equally striking is the original, highly expressive pen-and-ink drawing by Victor Hugo, showing the dark shape of a portly figure holding a candle (an illustration of Act III, Scene 1 of his 1843 play "Les Burgraves"), captioned by the artist in his own hand: "Mm. Mélingue criant: Caïn! de la Coulisse". In the original production, the actress Rosaline Mélingue had played the role of Guanhumara, providing the off-stage voice for the eerie scene. - 3) Also included is a letter by J.-F. Mocquard, chief-of-staff to Napoleon III, addressed to Auguste Romieu, the directeur des beaux-arts, concerning matters of theatrical censorship (including Hugo's play "Lucrèce Borgia"). 4) The associations are reinforced in an expressive charcoal drawing showing Victor Hugo reading to his brother Abel the first act of "Lucrèce Borgia", inscribed in pencil to the collector by the artist L. E. Fournier: "A M. Arthur Meyer très cordialement". 5) Finally, Meyer was able to include a fragment of Gaetano Donizetti's original manuscript of his 1833 opera "Lucrezia Borgia", which he had based on Hugo's play. 6) At the very end are two brief notes by Victor Hugo in which the author instructs his publisher Renduel to issue to the bearer copies of his works, including "Lucrèce Borgia". - Provenance: bookplates of Arthur Meyer and Jean Inglessi, as well as an additional monogrammed bookplate. Last in the collection of Pierre Bergé (1930-2017). [Attributes: Signed Copy]

      [Bookseller: Antiquariat INLIBRIS Gilhofer Nfg. GmbH]
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        Statistica della Provincia di Saluzzo

      per Domenico Lobetti - Bodoni 1833-35, Saluzzo - 2 voll. in-4°, pp. XV,260,IV,261-469,V-VII, (2); 288,VII, (2), 289-545,VIII-XI,(2); 27 di appendice al secondo volume; 16 di indice alfabetico; 30 di appendice alla statistica della provincia di Saluzzo, 2 tabelle statistiche a stampa ripiegate f.t., 2 grandi carte topografiche ripiegate (Provincia di Saluzzo e topografia di Monviso) e 10 vedute in litografia f.t. disegnate e incise da F. Muletti ed impresse dalle officine Festa, Ajello e Doyen raffiguranti Rossana, Castello di Raconigi, Revello, Castello di Verzuolo, Cava di Sarizzo, Cavallermaggiore, Racconigi, Staffarda, Savigliano e la grande veduta di Saluzzo. Due strappi marginali alle carte senza mancanza, tavola dii saluzzo staccata dal volume. Legature in mezza tela nera, titolo in oro al dorso. Usure alle cuffie e alle cerniere, abrasioni ai piatti, interno fresco. Rara edizione originale di questa vastissima opera, compilata "sul modello delle mirabili descrizioni statistiche del periodo napoleonico" (Einaudi, Saggi bibliogr. e storici, p. 208). Lo studio concerne infatti ogni aspetto della vita sociale ed economica del territorio di Saluzzo, compreso il Monviso ed alcune vallate alpine, fornendo estese informazioni sulla situazione demografica, economica, amministrativa, climatica, ecc., dei territori interessati. [Attributes: Hard Cover]

      [Bookseller: LIBRERIA XODO]
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        St. Martinskirche mit Rheinuferansicht ('Ansicht der Abteikirche St. Martin zu Koeln, von der Rhein-Seite').

      - kolorierte Lithographie v. J. Bergmann n. Dominicus Quaglio, 1833, 25 x 33,5

      [Bookseller: Antiquariat Norbert Haas]
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        A DICTIONARY OF THE ENGLISH LANGUAGE: in which the words are deduced from their originals, and illustrated in their different significantions by the examples from the best writers to which are perfixed. A History of the Languages and An English Grammar. .

      T,T. & J. Tegg,.London, 1833. - Two Volumes.4to. .Frontispiece portrait of the author.pp.xiv + 1029, pp,title page + 1084. Recently rebound in black half calf leather with raised bands and leather title labels dark blue plain cloth.both title pages had a portion removed where an owners name had been these have been expertly repaired. There is some general toning to paper and foredges,else a Very Good attractive set of this iconic work. Johnson's Dictionary, is among the most influential dictionaries in the history of the English language.Until the completion of the Oxford English Dictionary 173 years later, Johnson's was viewed as the pre-eminent English dictionary. According to Walter Jackson Bate, the Dictionary "easily ranks as one of the greatest single achievements of scholarship, and probably the greatest ever performed by one individual who laboured under anything like the disadvantages in a comparable length of time' [Attributes: Hard Cover]

      [Bookseller: A&F.McIlreavy.Buderim Rare Books]
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        Illuminated Ornaments selected from the Manuscripts and early printed books from the sixth to the seventeenth centuries.

      London: William Pickering (printed by Charles Whittingham), 1833. Imperial 4to on largest paper (38 x 27.5 cms.), lithographed titlepage heightened with hand coloring, printed titlepage, 18 pp. of text; 40 leaves of descriptions between 59 magnificent etched or lithographed plates heightened with printed and hand-coloring, 4 of the early plates with a highly burnished background of gold leaf; and many other plates illuminated with liquid gold, 1 addendum leaf. A very fresh copy, in its most desirable format, of a truly rare book in any of its three formats (uncolored, colored, hand-colored and illuminated with gold). Contemporary full brown polished calf beautifully rebacked, covers panelled in gilt, gilt edges, armorial bookplate of Nevile Rodwell Wilkinson. A superb copy with Robin de Beaumont’s original description and price retained at the front. First edition, largest paper format, of Shaw’s first book with color plates (his third book overall); regular copies measure 28 x 21 cms (approximately) and have less finished coloring and the gold areas are printed in yellow. The work was issued in 12 monthly parts each containing 5 plates; it began in June 1830 and was issued at 3s 6d plain, 7s 6d colored, “and a very limited number will be printed in Imperial Quarto, and the ornaments more highly finished in opaque colors heightened with gold, at 15s each part.” (prospectus).“In the large-paper copies, one can only say that the results are hardly less beautiful than the mediaeval originals; they are hand-illuminated with the utmost skill, and the gold used is gold leaf… this does make a considerable difference.” (McLean). Ing quotes Hardie p.259: “With their careful selection of pigments and their faithful colouring, Shaw’s reproductions attain almost to the brilliancy of an original manuscript.” In all, an extraordinary book, described by A.N.L. Munby as “the most sensible and coherent essay about miniature painting at the time” and endorsing its continuing usefulness. In the same vein, Beckwith comments: “the first of many British 19th-century studies of illuminated manuscripts… such books opened the public’s eyes to the aesthetic and historical value of manuscript arts… the format was a model for 19th-century studies of the history and methods of illumination… a landmark in the diffusion of information about manuscript arts and their history and made a significant contribution to Victorian bibliomania.” This may in fact be the very first book on illumination and its history to have color plates, and can certainly be said to have had a profound influence on early Victorian taste in and appreciation of illuminated manuscripts. Abbey, Life, 234. Keynes p. 89. McLean, Victorian Book Design, p.65-66. Warren p. 155. Ing, Charles Whittingham Printer, 9: “Magnificent large paper copy with gold leaf.” Friedman, Color Printing in England, 39 and illus. Beckwith, Victorian Bibliomania, 14. This copy purchased from Robin de Beaumont in 2003 and sold; repurchased in 2017. Nevile Rodwell Wilkinson was the Ulster King of Arms, the Principal Herald of all Ireland, and the Registrar of the Most Illustrious Order of Saint Patrick. His biography is extraordinary both as a very distinguished soldier and as an artist who created “ Titania's Palace. This chef-d'œuvre en miniature, completed over some eighteen years, was unique in being neither a luxurious dolls' house nor a model of an existing or possible future structure. It covered a space of 63 square feet, and was finished in every conceivable detail. Wilkinson developed, with the aid of an etchers' glass, a technique for decoration he called ‘mosaic painting’: minute dots of watercolour, irregular in shape like mosaic tesserae, about 1000 to the square inch. The palace was opened in 1923 by Queen Mary and was much admired by the public. It was exhibited not only in the United Kingdom but also in the Netherlands, Canada, the United States, Argentina, Australia, and New Zealand, raising thousands of pounds for children's charities: the raison d'être of the entire exercise.” (DNB)

      [Bookseller: John Windle Antiquarian Bookseller]
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        DURAND JEAN NICOLA LOUIS. RACCOLTA E PARALLELO DELLE FABBRICHE CLASSICHE. 1833

      -

      [Bookseller: Messinissa libri]
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        Raccolta e parallelo delle fabbriche classiche di tutti i tempi d'ogni popolo e di ciascun stile (Recueil et parallele des edifices de tout genre anciens et modernes remarquables par leur beaute, par leur grandeur ou par leur singularite.

      Presso Giuseppe Antonelli 1833 - 2 large folio volumes. 50 cm. Vellum-backed boards. Covers are shelf worn, with bumped corners. Head of vol. 2 chipped, with minor loss. Scattered foxing. (4), 196 p. {267 plates (numbered 260), some plates double-page}. Text in parallel columns of Italian and French. Compendium and parallel of classical structures of every land and in various styles, with the addition of another 300 and more factories and monuments of every type, both ancient and modern, and a general history of architecture by J.G. Durand. Greatly expanded edition of Durand's comprehensive architectural survey, it was originally published in 1801 with only 90 plates. From the library of the American architect, Douglas W. Orr. (Orr has signed the front end page.) Orr was notably president of the American Institute of Architects from 1947 to 1949 and a principal of the architectural firm, Orr & Booth. Orr bought these books in Rome in 1920. He designed a large number of public and commercial buildings, primarily in the New Haven, CT area. This is an oversized or heavy book, that requires additional postage for international delivery outside the US. [Attributes: Hard Cover]

      [Bookseller: Sequitur Books]
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        Raccolta e parallelo delle fabbriche classiche di tutti i tempi d'ogni popolo e di ciascun stile con l'aggiunta di altre 300 e piu' fabbriche e monumenti d'ogni genere antichi e moderni e della storia generale dell'architettura di J.G. Legrand

      Antonelli, Venezia 1833 - Vecchia annotazione cassata e piccola mancanza al frontespizio, mancanza alla base del dorso Testo bilingue italiano e francese su due colonne, doppio frontespizio. (8) + 196 + (2) con 266 tavv. numerate (di cui 36 a pagina doppia) (le seguenti sono tavole bis: 37 - 38 - 59 - 61 - 106 - 143) p. in-folio

      [Bookseller: Libreria Antiquaria Giulio Cesare]
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        A History of the Valley of Virginia

      Winchester: Samuel Davis, 1833. First Edition. Hardcover. Still one of the best histories of the early settlement of the Shenandoah Valley, though as Streeter notes the second and third sections of the book are simply reprints of earlier works, including Doddridge's Notes on the Settlement and Indian Wars (1824). However, Kercheval's original contributions are valuable; according to Streeter "...he was assiduous in interviewing the old timers and has assembled a large body of fact and tradition." Reprinted numerous times through the first half of the 20th century, the first edition has long been a sought-after rarity. This a tastefully restored copy, and as nice a copy as we have handled. STREETER 1336 (making $75). HOWES K104(aa). 12mo. 20th-century full calf, bound to style with early morocco spine label laid on; i-xlvi; 49-486pp; subscriber's list included. Margins of six text leaves have been professionally conserved (nowhere approaching text); scattered light foxing and age-toning, but overall a fresh, well-preserved copy of the uncommon first edition.

      [Bookseller: Lorne Bair Rare Books ]
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        Peter Force Declaration of Independence From the American Archives

      Washington, D.C. "W. J. STONE SC WASHn" [William Stone for Peter Force] 1833 - The Peter Force Declaration of Independence [DECLARATION OF INDEPENDENCE]. [FORCE, Peter]. [STONE, William J.]. Declaration of Independence. From the American Archives. [Washington, D.C.: "W. J. STONE SC WASHn" William Stone for Peter Force, c.a. 1833]. The Peter Force Edition of the "Declaration of Independence." Originally found in Force's America Archives. Large folio broadside (28 7/8 x 25 1/2 inches; 732 x 650 mm) Rice paper. Printed in black ink on recto only. This is often found with a very tight margin on at least one side, as it was bound into the book, but present copy has large margins on all four sides, never touching the text. Sheet with folds, consistent with having been issued in the Force American Archives Fifth Series, volume I. Some minor, nearly invisible repairs to closed tears in some of the creases, with no loss of text. Housed flat in a mylar sleeve. Overall an about fine copy. Less than 50 years after the original draft of the Declaration, the document was beginning to degrade. One theory as to why was based on the fact that press copies were being made of it. "This 'wet transfer' method may have been used by William J. Stone when in 1820 he was commissioned by Secretary of State John Quincy Adams to make a facsimile of the entire Declaration, signatures as well as text. By June 5, 1823, almost exactly 47 years after Jefferson's first draft of the Declaration, the (Washington) National Intelligencer was able to report 'that Mr. William J. Stone, a respectable and enterprising Engraver of this City, has, after a labor of three years, completed a facsimile of the original of the Declaration of Independence, now in the archives of the government; that it is executed with the greatest exactness and fidelity; and that the Department of State has become the purchaser of the plate.' As the Intelligencer went on to observe: 'We are very glad to hear this, for the original of that paper which ought to be immortal and imperishable, by being so much handled by copyists and curious visitors, might receive serious injury. The facility of multiplying copies of it now possessed by the Department of State will render further exposure of the original unnecessary.' The language of the newspaper report, like that of Rush's earlier comment, would seem to indicate some fear of the deterioration of the Declaration even prior to Stone's work. The copies made from Stone's copperplate established the clear visual image of the Declaration for generations of Americans. The 200 official parchment copies struck from the Stone plate carry the identification "Engraved by W. J. Stone for the Department of State, by order" in the upper left corner followed by "of J. Q. Adams, Sec. of State July 4th 1823." in the upper right corner. (From the National Archives) Peter Force who was a historian and printer was commissioned by congress in 1833 to compile a work which would be known as the "American Archives" and would include government documents, records and correspondence pertaining to the history of the Colonies of North America. At the time of the Archives commission, the State Department signed a contract for 1,500 copies to be made of the Declaration from the Stone copperplate, and to be inserted into the American Archives, Fifth Series Volume I. At some point after Stone's original 200 copies, his imprint at top was removed, and replaced with the shorter imprint on he bottom left, "W. J. STONE SC WASHn," as seen on our present copy. Although the original contract was for 1,500 copies of the Declaration, the subscriber list for the "Archives"did not meet its goal, so the actual number of copies printed is not known, however it is probably somewhere between 500-1,500. Howes. Streeter. Sabin. HBS 67809. $30,000 [Attributes: Signed Copy; Hard Cover]

      [Bookseller: Heritage Book Shop, ABAA]
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        COLLECTIONS OF THE VIRGINIA HISTORICAL & PHILOSOPHICAL SOCIETY, TO WHICH IS PREFIXED AN ADDRESS, SPOKEN BEFORE THE SOCIETY AT AN ADJOURNED ANNIVERSARY MEETING, HELD IN THE HALL OF THE HOUSE OF DELEGATES, ON MONDAY, FEB. 4th, 1833.

      Richmond. 1833. - 86pp. Dbd. Small embossed blindstamp and ink notations on titlepage. Very good. An early publication relating to the newly-formed Virginia Historical & Philosophical Society. Includes a lengthy address by the society president, Jonathan P. Cushing, on the importance of institutionalizing Virginia's historical artifacts, as well as a paper by Cushing entitled, "Record of Grace Sherwood's Trial for Witchcraft, in 1705, in Princess Anne County, Virginia." Also prints Charles A. Stuart's "Memoir of Indian Wars, and Other Occurrences; by the late Colonel Stuart, of Greenbrier" (pp.35-68). According to Field, this "is the only form in which Col. John Stuart's narrative of the Battle of Point Pleasant ever appeared in print." The work concludes with a list of donations and a membership roster. While a healthy number of copies can be found in institutions, the work is rare in the marketplace. FIELD 1609. SABIN 100556. SWEM 6017.

      [Bookseller: William Reese Company - Americana]
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        Champavert. Contes immoraux [ Edition originale ]

      1 vol. in-8 reliure moderne demi-box à coins gris, dos à 5 nerfs orné, reliure signée de Alix, Renduel, Paris, 1833, 2 ff. (faux-titre et titre orné d'une vignette de Jean Gigoux, représentant André Vésale, sujet de l'un des contes de Champavert), 438 pp. "Ouvrage important et recherché" d'après Carteret. Superbe exemplaire en parfait état, dans une belle reliure moderne signée Alix. Tenu en estime par Baudelaire, Petrus Borel (1809-1859) s'intitulait "Lycanthrope" et se plaisait à terroriser les bourgeois. Carteret, I, 140 ; Vicaire, I, 864 Français

      [Bookseller: Librairie Du Cardinal]
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        Le Médecin de Campagne (2 Tomes Complet) [ Edition originale ]

      L. Mame-Delaunay 1833 - 2 vol. in-8 reliure demi-maroquin vert, dos à 5 nerfs, tête dorée, reliure signée de Belz-Niedrée, L. Mame-Delaunay, Paris, Février 1833, 360 pp. ; 326 pp. et 8 pp. (annonce d'ouvrages de Balzac) Bel exemplaire en très bel état (qq. rouss., bien complet des 8 pages d'annonces en fin du second tome) de cette édition originale, l'une des plus rares et recherchées parmi les grands romans de Balzac. (Vicaire, I, 195 ; Clouzot, 13) Langue: Français [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Librairie du Cardinal]
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        Voyage dans les prairies a l'ouest des Etats-Unis

      Librairie de Fournier Jeune 1833 - - Librairie de Fournier Jeune, Paris 1833, In-8 (12,5x21cm), 306pp., relié. - Edition originale, rare. Reliure en pleine basane lie de vin d'époque. Dos lisse orné de caissons richement décorés. Plats frappés à froid d'une grande plaque florale. Dos insolé. Coiffes frottées. 3 coins émoussés. Ouvrage frais dans l'ensemble malgré quelques faibles brunissures. Voyage en 1832 dans ce qui deviendra en 1836 le 25e état des Etats-Unis, l'Arkansas, qui se situe à l'ouest du Tenessee, dans les grande prairies. Campements, explorations, chasses, indiens. Important témoignage du début de l'exploration du Far-west, alors que la plupart des régions des Etats-Unis sont encore des territoires inconnus, le Texas appartenant encore au Mexique. NB : Cet ouvrage est disponible à la librairie sur demande sous 48 heures. [AUTOMATIC ENGLISH TRANSLATION FOLLOWS] First edition, rare. Binding full sheepskin binds vintage wine. Smooth back decorated with richly decorated boxes. Cold-baked boards of a large floral plate. Insolated back. Headdresses rubbed. 3 blunt corners. Fresh work overall despite some slight burns. 306pp. [Attributes: First Edition; Hard Cover]

      [Bookseller: Librairie Le Feu Follet]
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        A view of the early Parisian Greek press; including the lives of the Stephani; notices of other contemporary Greek printers of Paris; and various particulars of the literary and ecclesiastical history of their times.

      Pr. by S. Collingwood for D.A. Talboys, 1833. First edition of this account of the Estiennes and other important printers of their milieu, including much information on, excerpts from, and commentary on classical literature (many quotations being supplied in English translation in addition to the original languages) as well as details of political, cultural, and religious history of the time. The preface is signed by the Rev. William Parr Greswell, known as a scholar of Parisian typography, and the title-page attributes the editing to his son Edward Greswell. While Brunet was not wholly convinced regarding the Greswells' exactitude, he nevertheless concluded that this work made for an interesting read. Bindings: 20th-century speckled calf framed and panelled 17th century-style in double blind fillets with blind-tooled corner fleurons, middle panels in plain calf, innermost panels framed with blind roll; spines with gilt-stamped leather title-labels, raised bands, and blind-tooled composite motifs in compartments => done by a modern master. Back pastedown of vol. I with pencilled note reading "Bound by Bernard Middleton [/] Feb. '62." Provenance: From the library of American collector Albert A. Howard, small booklabel ("AHA") at rear.

      [Bookseller: PRB&M/SessaBks (Philadelphia Rare Books ]
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        Champavert. Contes immoraux [ Edition originale ]

      Renduel 1833 - 1 vol. in-8 reliure moderne demi-box à coins gris, dos à 5 nerfs orné, reliure signée de Alix, Renduel, Paris, 1833, 2 ff. (faux-titre et titre orné d'une vignette de Jean Gigoux, représentant André Vésale, sujet de l'un des contes de Champavert), 438 pp. "Ouvrage important et recherché" d'après Carteret. Superbe exemplaire en parfait état, dans une belle reliure moderne signée Alix. Tenu en estime par Baudelaire, Petrus Borel (1809-1859) s'intitulait "Lycanthrope" et se plaisait à terroriser les bourgeois. Carteret, I, 140 ; Vicaire, I, 864 Langue: Français [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Librairie du Cardinal]
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        Massachusetts

      1833 - 1840. In accordance with a Massachusetts law passed on January 22, 1776 Section 23 claiming that each Brigadier General of the colony should provide two field forces. The men were often selected from two separate regiments. This manuscript with over 110 pp details the elections of the field officers as well as military officials tried for indiscretions. The items date from 1833 to 1840 with varying headquarters based in New Bedford, Wareham, Fall River, Boston and Pawtucket. Some of the excerpts read: <I>"October 18, 1833 "The committee on Military Affairs, to whom was referred an application for authority to raise a volunteer Company of riflemen in New Bedford, report - that said application is signed by forty five individuals representing that they are mechanics and citizens of New Bedford that there is no independent Company of Infantry or riflemen in that town and that in the present state of the military companies in that place, the service would be greatly benefited by the organization of a company of Riflemen. This representation having been accompanied with a communication from James D. Thompson who is Brigadier General of the second brigade, fifth division, which although not in the form of an official certificate my nevertheless be considered as an approval of the object of the petitioners, and his Excellency the commander in Chief having been lately advised to disband the company of Cavalry in Norton, the committee recommend that authority be granted for raising said company of riflemen by voluntary enlistment to be annex'd to the Fourth Regiment second Brigade , fifth division and to be recruited within the limits of said Regiment, provided that said company shall not be organized until forty five persons shall be enrolled for that purpose . . . "</I> <I>"August 7, 1834 reads, "The Brigadier General, very much regrets that a return should have been received by him under the sanction of the name of so able an officer as Col. Stone so very imperfect and incorrect as that received from the 4th Regiment in June last; and cannot but hope it never passed his inspection, notwithstanding his name is attached thereto - The charges are first that as much of the artillery as is returned as al, is incorporated with the infantry, which is not the place for it, a special return having been provided and sent for that purpose. Second, all the return that is made of the artillery is simply the, men composing the company and their knapsacks nothing is said of their arms and equipments, their guns . . . brag ropes - Bricoles - Harnesses and the only way the Brig Major could make his return was from yours of last year . . . Thus sir I have endeavored to lay before you the imperfections in the return rec'd from your regiment; and when you recollect the importance attached to these returns, you will undoubtedly see the necessity of having them entirely correct and that you will be vigilant, to see that such another return may never . . . from any officer under our command. By order of the Brig. Gen'l 2'd Brig. And 5th Division. J.H. Collins Brig. Major."</I> <I>"January 26, 1836 General Orders: At a general court martial held at Dedham on the 6th Inst. Of which Brig, Gen'l . . . Oldham of the first Brigade and fifth divisions is President was tried Major John P. Jones commander of a Battalion of Light Infantry in he second Brigade first Div. Of the militia on a complaint exhibited against him for Breach of Duty by Brigadier Gen'l Amos H. Boyd of the same Brigade. The court having considered the charge and the several specifications under it, is of the opinion and decides that the said Maj. John P. Jones is guilty of the first specification except the words <I>"being instigated by motives of hatred and ill will towards the several individuals so elected"</I> and also he words <I>"with malice"</I> that the said Major John P. Jones is guilty of the second specifications except that words being actuated by motives of malice and ill will against the said Mowny, Blake and Hawes also the word malicious and also the words, <I>"the said rifle company has been during the time aforesaid without any commissioned officers."</I> . . . And the court sentenced the said Maj. John P. Jones to be removed from office and do adjudge him to be disqualified for and incapable of holding any military office under this commonwealth for ten years and the court do further sentence the said Maj. John P. Jones to pay a fine of one hundred dollars." <I>"Headquarters of Boston, July 9, 1839 General Orders, A resonance against the election held in New Bedford on the 30th of March for the choice of Field officers in the 2nd Reg't and 2 Brig. And 5 division, having been received with a statement from the Major General , confirming the representation contained therein, the commander in chief after a careful examination of the circumstances, considers the election to have been so irregularly conducted as to make it necessary to set the proceedings aside, which is accordingly done, and a new election ordered . . ."</I> Some of the many names you will see inside are George A. Bourne, Lieutenant Charles White, Capt. E.G. Perkins and many more. Perfect for archival research. The front cover of the book is separated. This book is ex Guthman Americana collection.

      [Bookseller: University Archives]
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        Monatschronik der Zürcherischen Rechtspflege oder Mittheilung der wichtigern Urtheile und Beschlüsse des Obergerichtes und anderer Gerichte des Cantons Zürich [.]. [Bd. 1/1833 - 12/1838 u. Registerbd.; kompl.] [Und:] Beiträge zur Kunde und Fortbildung der Zürcherischen Rechtspflege [Bd. 1/1841 - 19/1854; komplett]. [Und:] Zeitschrift für Kunde und Fortbildung der Zürcherischen Rechtspflege [1. Bd. - 23. Bd.; komplett]. [54 Bände u. 1 Registerbd.].

      Zürich, Schulthess, - 1872 1833 - 8°, zus. ca. 25000 S., Monatschronik: Priv.-HLdr. d. Zt. m. goldgepr. Rückenschildchen, Rundum-Rotschnitt; Beiträge: Kart. d. Zt.; Zeitschrift: Kart. d. Zt. m. goldgepr. Rückenschildchen, Kanten beschabt, Kapitale meist m. Verlusten, Rücken tlw. läd., Deckel tlw. berieben, priv. (tlw. handschriftl.) Rückenchildchen, Name a. Vs., tlw. etw. stockfl. Komplette erste 40 Jahre der unter verschiedenen Titeln erschienenen Zeitschrift (fortgesetzt durch « Zürcherische Zeitschrift für Gerichtspraxis und Rechtswissenschaft»). - «Joseph Schauberg, geboren 19.3.1808 Annweiler bei Dürkheim (Bayern), gestorben 14.3.1866 Zürich, kath., 1835 von Schwamendingen (heute Gem. Zürich) und 1850 von Zürich. [.] Rechtsstud. in Heidelberg, Jena und München (Promotion). Burschenschafter und Freimaurer. 1833 wegen angeblicher polit. Umtriebe denunziert und verhaftet. Übersiedlung nach Zürich, dort 1833-52 PD für Strafrecht, Kantonsprokurator und Rechtsanwalt. Mitarbeit an der von Friedrich Ludwig Keller begründeten "Monatschronik der zürcher. Rechtspflege", die S. 1841-54 als "Beiträge zur Kunde und Fortbildung der zürcher. Rechtspflege" und 1855-66 als "Zeitschrift für Kunde und Fortbildung der zürcher. Rechtspflege" weiterführte» (HLS). 10001 gr. Schlagworte: Rechtswesen - allgemeinHelvetica - Allgemein [Attributes: Soft Cover]

      [Bookseller: antiquariat peter petrej]
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        History of Huming Birds Volumes I and II

      Lizars, Edinburgh 1833 - Bibliography: The Naturalist&#146;s Library consists of a series of 40 small octavo volumes dealing with the natural history of 4 groups of animals: Birds, Fish, Mammals and Insects. There are 14 volumes in this Ornithology series. Each of these small volumes consists of around 200 to 300 text pages and 30 or more hand coloured plates. There is a frontispiece depicting, in a black and white engraving, a famous naturalist. This is followed by a title page, with another engraving but of a scene from nature. There is then an essay on the life of the naturalist shown in the frontispiece. The centre piece of the illustrations thereafter is usually handcoloured and made more attractive by leaving the finely engraved naturalistic background uncoloured. (These backgrounds are not readily shown in the accompanying photographs). Several editions were produced during the middle of the 19th century. Different publishers were involved in these editions and the numbering of volumes is not consistent. The first volume produced was Volume I of two devoted to Humming Birds. Both were published in 1833. Volume I of the Humming Birds was the very first of Naturalist&#146;s Library to be published. Volume II followed a few months later, in November 1833, after the publication of a volume on Monkeys in the Mammalian Series. Description: The binding of these two volumes is uniform. The front and back covers are light green cloth with dark green leather corners. The spine is in the same dark green leather. The spine is divided into 6 sections with the title &#145;History of Humming Birds&#146;, author &#145; Jardine&#146; Vol I&#146; and date &#145;1833&#146; in gilt. The are gilt decorations of birds in the other sections. The size of these volumes is a uniform 10 by 15 cm. All the edges are gilt. The front and end pastedowns are in green and red marbling. The frontispiece of Volume I is an engraving of the taxonomist Linnaeus, This is separated by a tissue guard from the first of two title pages. This title page states &#145;The Naturalist&#146;s Library Ornithology Vol I &#145; and gives the publishers as Edinburgh WH Lizars; London Samuel Highley; and Dublin W Curry. It has a coloured engraving of a nest. The second title page states that this is: The Natural History of Humming Birds Illustrated by Thirty Five Plates, Coloured and Numerous Wood Cuts, with a memoir of Linnaeus. by Sir William Jardine Vol I. It gives the publishers as Edinburgh WH Lizars, and Stirling and Kenney; Longman and others London; and WCurry Dublin. There is then a table of contents. This identifies the species described by popular name in English and gives the page number. The Plate identifies the species by the taxonomic name and gives the number of the plate. Following this is an explanatory publisher&#146;s advertisment from page 17 to 22. The memoir of Linneaus is from page 25 to 61. The general nature of Humming Birds is described from page 62 to 84. The descriptions of individual species follows. Each species is allocated about 3 to 4 pages of text with a full page illustration No artist is identified. The structure of Volume II is the same as for Volume I. The naturalist is Thomas Pennant. There are 31 plates. At the end of this 2nd volume there is a synopsis of the complete family of Trochilidae arranged in 5 sub families. The plates identifying the different species in these subfamilies are given. There is also an index. Condition The condition of both of these volumes is fine. They have been rebound by Bayntun of Bath, England. There are no marks, bumping, looseness of any kind. Apart from the most discreet of marks identifying the binder there are no inscriptions of any kind. There is minor foxing in the blank front and end papers. There is a very small nick in each of the two frontispieces of famous naturalists. These volumes are slightly smaller than usual. . The Humming Birds are, along with the Parrot and Bird of Paradise families, the most ornate of birds and this is shown beautifully in this series. All plates are pre [Attributes: First Edition; Hard Cover]

      [Bookseller: jean buckie]
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        Lettres ecrites d&#146;Egypte & Nubie

      Freres F.Didot, Paris 1833 - 1 volume rilegato mz pelle recente,filetti semplici oro ai bordi, dorso 5 nervi, titoli e fregi oro, carta marmorizzata ai piatti, , 1 cb, ppXV-(1)-472,1 cb,6 tavole, perfetto 1 volume modern half-leather binding, gilt fillets to the edges, 5 ribbed back, gilt titles and ornaments, marbled paper, 1 blank, ppXV- (1) 472,1 blank, 6 tables, perfect copy. [Attributes: Hard Cover]

      [Bookseller: Redaelli Alberto]
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        Italienische Bauernfamilie am Wegkreuz.

      - Aquarell in Braun und Grau, über Bleistift, auf cremefarbenem Velin, links unten signiert, bezeichnet und datiert &#132;P. Rittig Roma 1833". 24,8:21,2 cm. &#150; Im ganzen nicht ganz frisch. Eine zweite Fassung des Motivs, allerdings mit verändertem Landschaftshintergrund und bereits 1832 entstanden, wurde in München im Auktionshaus Neumeister als Los-Nr. 478, am 27.03.2013 angeboten. Der Historien- und Genremaler Rittig studierte in Paris bei Jean Louis David (1748-1825), anschließend ging er nach Rom. Einen Namen als Zeichner von minutiös fein mit Bleistift gezeichneten Bildnissen machte sich Rittig mit Porträts von einigen seiner Malerkollegen in Rom. Er gehörte dort zum Kreis um Friedrich Overbeck (1789-1869) und Franz Horny (1798-1824).

      [Bookseller: Galerie Joseph Fach GmbH]
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        (The Novels). FIRST ONE-VOLUME EDITIONS. 5 vols.

      Richard Bentley. (Standard Novels, vols 23, 25, 27, 28 & 30.) 1833 Fronts, additional engr. titles; bound without series titles. Uniformly bound in contemp. half tan calf, spines gilt compartments, maroon & dark green morocco labels, marbled boards, edges & e.ps; spines & hinges sl. rubbed, Mansfield Park a little damp-affected. An attractive set.Gilson D1 - D5. These are the first one-volume editions, all first issues, with engraved and printed titles dated 1833. They constitute, effectively, a first collected edition; Gilson D6 is a reissue, later in 1833, of the five volumes &apos;for sale as a set&apos;. Contains: Sense and Sensibility. A novel. (Prefaced by &apos;The Memoir of Miss Austen&apos; by her brother Henry.); Emma. A novel; Mansfield Park. A novel; Northanger Abbey. A novel. With: Persuasion; Pride and Prejudice. A novel.

      [Bookseller: Jarndyce Rare Books]
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