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Displayed below are some selected recent viaLibri matches for books published in 1785

        Ausführlichere [Ausführliche] Abhandlung der Hydrotechnik oder des Wasserbaues. Erster Theil [von insg. 2].

      Wien, Johann Thomas Edlen von Trattnern 1785;. Zweyte mit Anmerkungen vermehrte Auflage; ca 20x13 cm; (16) 365 (3) Seiten mit gest. Titelvignette und 16 Kupfertafeln; Kartonbroschur d. Zt. mit handschr. Rückentitel (Einband etwas fleckig, 2 Kupfertafeln mit leichten Quetschfalten; sonst gutes, sauberes Exemplar); Zweyte mit Anmerkungen vermehrte Auflage;.

      [Bookseller: Antiquariat Hilbert Kadgien]
 1.   Check availability:     ZVAB     Link/Print  


        Le Barbier de Séville.Eugénie.Mélanie.Les Deux Amis.

      Clousier. Ruault. Duchesne. Wan-Harrewelt, Paris. Amsterdam 1785 - 4 textes reliés en 1 volume in-8 ( 200x130 mm ) demi veau havane, dos lisse orné de larges filets dorés en place des nerfs, titre doré sur pièce de maroquin vieux rouge, fleurons dorés entre les filets, guirlande dorée en queue.- Le Barbier de Séville ou la Précaution inutile. Comédie en quatre actes représentée & tombée sur le Théâtre de la Comédie Française aux Tuileries le 23 de Février 1775.Cinquième édition. A Paris de l'Imprimerie de Clousier chez Ruault et la Veuve Duchesne, 1785.Lettre modérée sur la chute et la critique du Barbier de Séville. L'Auteur vêtu modestement & courbé, présentant sa Pièce au Lecteur. 46 pages.Le Barbier de Séville. 132 pages.- Eugénie, Drame en cinq actes en prose avec un Essai sur le Drame sérieux. A Paris de l'Imprimerie de Clousier et chez la Veuve Duchesne, 1782.Essai sur le Genre dramatique sérieux. XLIV pages.Eugénie. 116 pages.- Mélanie, Drame en trois actes et en vers.A Amsterdam chez Henri-Jacob-Jonas Wan-Harrewelt, 1770.64 pages.- Les Deux Amis ou Le Négociant de Lyon, Drame en cinq actes en prose.A Paris chez La Veuve Duchesne et chez Merlin, 1770.156 pages.7 pages de musique en fin d'ouvrage. Théâtre. Anciens

      [Bookseller: Librairie FAUGUET]
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        Jérusalem délivrée, po?me du Tasse. Nouvelle traduction. 5 Bände (volumes), Ganzleder-Ausgabe (fullleather; cuir complet).

      Paris, Auteur, 1785. - Im Gesamtumfang von ca. 2.000 Seiten. Bekanntestes Werk (Gedicht-Epos) des italienischen Dichters Torquato Tassos (1544 - 1595), in dem er ein fiktives Gefecht zwischen Christen und Muslimen am Ende des Ersten Kreuzzuges während der Belagerung von Jerusalem beschreibt. Alle Titelblätter mit gestochener Vignette. französich 2000 Buchrücken leicht berieben. Sonst alle Bände in sehr gutem Zustand, Leder noch frisch wirkend. Seiten sauber und nahezu fleckenfrei. Weitere Fotos auf der Homepage des Antiquariats (bitte Art.-Nr. auf der Angebotsseite in das Suchfeld eingeben). Braune Original-Ganzlederbände (full leather; cuir complet) mit goldgeprägtem Rückentitel auf zwei roten Rückenschildern sowie ornamentalen Goldprägungen; beide Buchdeckel mit umlaufender goldener Prägeleiste; mehrfarbig illustrierte Vorsätze. 12°. [Attributes: Hard Cover]

      [Bookseller: Das Konversations-Lexikon]
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        Abriss der Allgmeinen Kirchengeschichte, von der ersten Zusammenkunft der Apostel am Pfingstfeste, bis zum Ende des siebzehnten Jahrhunderts einschliesslich: Nach dem Französischen eines ungenannten Verfassers in das Deutsche übersetzt, mit einer richtigen Zeitrechnungen versehen, mit Anmerkungen, und einer kurzen Lebensbeschreibung sowohl der Päbste als Kaiser vermehrt.

      Joseph Wolff,, Augsburg, 1785 - 10 Bde. Augsburg, Joseph Wolff, 1785-1800. 8°. Mit 3 Falttabellen und mehreren Holzschnitt-Vignetten. Kalbleder der Zeit, Rücken mit 2 Schildchen und reicher Vergoldung. Ausführliche Krichengeschichte. - Einbände etwas berieben, obere Gelenke bei Band 1 etwas eingerissen. Kalbleder der Zeit, Rücken mit 2 Schildchen und reicher Vergoldung.

      [Bookseller: EOS Buchantiquariat Benz]
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        Ruby crowned Wren, Plate CXCV (195)

      ?The Birds of America? is the seminal work of John James Audubon (1785-1851) and has been hailed as both a work of outstanding beauty and ornithological interest. Its preeminence was established by Audubon's extensive and meticulous study of every bird that he delineated, reproducing its image to life-size and within a natural setting. Audubon's masterpiece is undoubtedly the greatest work on birds ever produced.Untutored in either ornithological study or painting, John James Audubon was motivated from his boyhood by his love of rendering birds in their natural setting. Born in what is now Haiti and raised in France, Audubon arrived in America in 1803 at the age of eighteen. He soon began traveling widely east of the Mississippi, working at various jobs and all the while pursuing his passionate avocation of sketching and observing the habits of birds. His dream was to compile a volume of colored prints depicting in actual size all of the birds of North America. As his portfolio grew, Audubon traveled to Philadelphia, the publishing capital of the young nation at the time.Unable to find financial support and an engraver equal to his task, Audubon sailed to England in 1826 to realize his dream. The first exhibition of the paintings of Audubon, was met with public and critical acclaim in Liverpool, and Audubon gradually gathered financial support for his project. W. H. Lizars of Edinburgh was contracted as Audubon?s engraver, but after completing only ten of the Birds of America plates, Lizars resigned. Robert Havell and Sons of London took over for Lizars in 1827, and they continued to engrave and hand color Audubon?s Birds of America for the next eleven years.Havell completed the ?Birds of America? in the double elephant folio size in 1838. Scholars estimate that only 175 complete folios of all 435 plates were published in all. Audubon's tireless efforts and remarkable talent culminated in the publication in London of the first edition of his 435-plate book. It took eleven years for the whole work to be published and little less than two hundred complete sets were made. The work was sold by subscription in parts of five plates at a time.This fine, hand colored aquatint and engraving, "Ruby crowned Wren" Plate CXCV (195), measures 38.25" x 25.5" and is in very good condition with light foxing throughout. This finely detailed aquatint engraving playfully depicts two Ruby crowned Wrens, in dynamic positions. Their vibrant ruby crowns are highlighted against their dark bodies with yellow tail feathers. The male on the right, has his back to the viewer, showing his well detailed head and body. The female of the left calls with beak open, showing a profile view of her body. Precise lines define and detail the beautiful feathers of these birds. The branches they are perched on are also expertly colored and detailed, with rich brown bark, vibrant green leaves and delicate pink flowers.

      [Bookseller: Arader Galleries]
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        Veduta dell' Esterno della gran Basilica di S. Pietro in Vaticano.

      c. 1785, Rome - Hind 5 (4th State)John Wilton-Ely 153The watermark that is present is number 60 in John Wilton-Ely on page 1169 and is dated mid to late 1790sThis plate is from the series Vedute di Roma. "The 135 plates of the Veduta di Roma, produced individually by Piranesi from the late 1740s until his death some thrity years later, represent almost every phase in his stylistic evolution and reflect his changing intellectual concerns. Throught these particular works, which were spread all over the Continent by means of the Grand Tour, Piranesi was not only to revolutionize the conventional form of the veduta but was to transform the European vision of classical antiquity" (John Wilton-Ely)Giovanni Battista Piranesi was one of the leading figures in the development of the neoclassical style in the late 18th Century. As architect, archaeologist, artist, designer, collector, and antiquities dealer, he produced a series of etchings and engravings depicting the glories of ancient Rome. These fine prints served as source material for other architects and designers. He was born in Venice on the 4th October 1720. The son of a stone-mason, he was educated as an architect under his maternal uncle Matto Lucchesi and under Carlo Zucchi. In 1740 Piranesi left Venice for Rome, there he studied etching under Giuseppe Vasi. He appears to have had little success in these early years in Rome and as his father was unable to continue his allowance returned to Venice in 1744. He was soon, however, encouraged to return to Rome by Giuseppe Wagner, a successful engraver and publisher of Venice. This time he achieved success, and a constant series of works, illustrating architecture and antiquities, issued from his studio until his death in 1778. His output in etched plates is enormous (about 1000 numbers in all). While he achieved a work of magnitude in pictorial records of Roman monuments of antiquity and of the Renaissance, and gave immense archæological, antiquarian, and topographical value to this work, the artistic quality always predominates. He was fond of peopling his ruins with Callot-like figures, and "like Callot makes great use of the swelling line" (Hind). He had two sons and a daughter, all of whom helped him in his work and after his death carried on his publications in Rome and Paris. They were Francesco (born 1748 or 1756; died 1810), Pietro (who lived till after 1807) and Laura (born 1750). His position in Rome and in Europe after 1760 was a prominent one. He was well-known figure to the wealthy English visitors in Rome and was elected a Fellow of the Society of Antiquaries in 1757. Most of his life was passed in Rome, etching, writing, publishing, and directing a workshop in which the restoration and sale of antiques played a considerable part.He was famous for his poetic views of Rome and also his fantastic imaginary interiors. His skills, allied to his deep knowledge of archaeology, provided the substance for his Vedute (Views), a series of 135 etchings of ancient and contemporary Rome, published from 1745 onwards, which established the popular mental image of the city. Vasi.et Ornamenti Antichi was a collection of 110 etchings documenting large sculptural vases, together with other antiquities excavated (and in some cases created) in Italy in the 18th century. The prints were initially separately issued and sold by Piranesi over a period of several years and subsequently collected in two folio volumes, each with its own title page, in 1778. They illustrate a wide range of genuine antiquities, as well as Piranesi's own collections, from utilitarian objects such as cinerary urns, lamps, and sarcophagi to monumental vases. The plates in Vasi often included text by Piranesi with information about where the objects were discovered and their contemporary location, and the prints bore dedications to his patrons, colleagues, visitors and influential people. He believed absolutely in the supremacy of Roman over Greek architecture, an argument he expo

      [Bookseller: Alexandre Antique Prints, Maps & Books]
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        Giuliano Passero cittadino napoletano o sia prima pubblicazione in istampa, che delle Storie in forma di Giornali, le quali sotto nome di questo Autore finora erano andate manoscritte, ora si fa a sue proprie spese da Vincenzo Maria Altobelli.

      presso Vincenzo Orsino,, Napoli, 1785 - In-4° (248x188mm), pp. (4), 351 (erroneamente numerate), 148, legatura coeva p. pergamena rigida con titolo e fregi in oro su tassello in pelle al dorso. Frontespizio con titolo entro bordura. Testatine e capilettera arabescati. Sporadiche fioriture. Ottimo esemplare. Edizione originale, "rarissima" (Fera / Morlicchio), di questa rilevante fonte di storia locale napoletana; le vicende narrate vanno dalla dominazione sveva al 1526. Fera / Morlicchio, II, p. 127: "Queste cronache, comunemente note sotto il nome del Passero ma opera di più autori, comprendono il periodo storico che inizia con il matrimonio di Costanza d'Altavilla con l'imperatore Errico (figlio del Barbarossa) nel 1187 e termina con la descrizione delle esequie del marchese di Pescara Francesco Ferrante d'Avalos d'Aquino il 12 maggio 1526. Rarissima settecentina". Minieri Riccio, p. 260. [Attributes: First Edition]

      [Bookseller: Gilibert Libreria Antiquaria (ILAB-LILA)]
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        The Life of Samuel Johnson, LL.D., with Occasional Remarks on his Writings, an Authentic Copy of his Will and a Catalogue of his Works.To which are added, Some Papers written by Dr. Johnson,in behalf of a late unfortunate Character,Never Before Published.

      R. Moncrieffe, C. Jenkin, R. burton, L. White, et al, Dublin 1785 - vii + 240 pp + [2 ff] Includes: A Catalogue of Dr. Johnson's works, p.231-240, with half title, and place of publication "Dubin" (sic). What appears to be original leather boards with gilt and red spine label . Leather is smooth, one small gouge to front cover, front board starting to separate at bottom joint. Interior end papers quite foxed, first blank missing a large corner, back end papers have some black speckles that look like old ink spots, interior has some foxing but otherwise clean and unmarked. The author Cook was a close friend of Oliver Goldsmith and a member of S. Johnson's Essex-street Club. "The pieces written in defence of Dr. Dodd had previously been suppressed at Mrs. Dodd's request." (--Maggs 1038/246)." ESTC N10402. ; 12mo - over 6¾" - 7¾" tall [Attributes: First Edition; Hard Cover]

      [Bookseller: Greekdrama Books]
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        Relación del último viaje al Estrecho de Magallanes de la fragata de S. M. Santa María de la Cabeza en los años de 1785 y 1786

      - Relación del último viaje al Estrecho de Magallanes de la fragata de S. M. Santa María de la Cabeza en los años de 1785 y 1786. Extracto de todos los anteriores desde su descubrimiento impresos y MSS. y noticia de los habitantes, suelo, clima y producciones del Estrecho. Trabajada por orden del Rey. Madrid MDCCLXXXVIII [1788]. Por la Viuda de Ibarra, Hijos y Compañía, 3 h. + xvi + 359 p. + 6 h. de respeto; 18,5 × 24; grabado calcográfico del retrato de Magallanes "Ferdin. Selma delin. et incid. anno 1788"; 3 hojas de mapas plegados grabados calcográficos por Bartolomé Vázquez y Joaquín Pro (¿Carta esférica de la Parte Sur de América Meridional, en la qual se ha colocado el Estrecho de Magallanes¿¿, 66 × 58.- ¿Carta reducida del Estrecho de Magallanes¿¿, 71 × 49.- ¿Primer plano de varios puertos del Estrecho de Magallanes levantados el año de 1786¿, 71 × 53); 4 estados plegados (datos de temperatura en los viajes de ida y vuelta, entre las páginas 70 y 75, foliados dentro de la secuencia de paginación, 39 × 39); enc. pasta valenciana, lomo con tejuelos rojos, nervios y dorados, algo rozada; excelente papel y tipografía, amplios márgenes, corte superior pintado, buen estado. (Sempere y Guarinos en "Ensayo de una biblioteca española de los mejores escritores del Reinado de Carlos III" dice que José de Vargas fue encargado de "cuidar de la edición, y la enriqueció con muchas noticias y observaciones . Suyas son la introducción, y toda la segunda parte, que contiene la historia de las expediciones y Viages, hechas antes de este al Estrecho Magallánico .") [Attributes: Hard Cover]

      [Bookseller: Caldeandrín Ediciones]
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        A HISTORY OF THE LATE SIEGE OF GIBRALTAR, with Description and Account of that Garrison from the earliest periods.

      Johnson et Edwards, Londres 1785 - 4ºM, VIIp, 2h, 360p, 10 láms. pleg. grabs. al cobre (4 mapas y 6 vistas, 1 con peq. rasgadura reforzada en el dorso), algo de óx. Ex-libris. Plena piel algo det, tapa ant. desprendida, rueda dorada en planos. - Primera edición. 1785

      [Bookseller: Escalinata, librería]
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        Anacreontis Teii Odaria praefixo commentario quo poetae genus traditur. (testo greco e latino).

      ex Regio Typographeio,, Parma, 1785 - In 4° (310x220), cc. 3, pp. XCIV, 100; vignetta inc. in rame da Cagnoni al frontespizio ed al foglio di dedica. Legatura amatoriale moderna in mezza pelle con fregi neoclassici a secco al dorso a nervi. Edizione impressa tutta in caratteri maiuscoli di grande bellezza e nitore.Ottimo esemplare in barbe. Brooks 287: " Magnificamente stampata in caratteri maiuscoli". De Lama pag. 35.

      [Bookseller: libreria antiquaria perini Sas di Perini]
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        The Book of Common Prayer

      Oxford - Printed by W. Jackson & A. Hamilton 1785 - Three books bound in one. Bound in morocco leather with gilt decoration. With 50 plates in The Book of Common Prayer. The Book of Common Prayer is the common title of a number of prayer books of the Church of England and of other Anglican churches, used throughout the Anglican Communion. The first book, published in 1549, in the reign of Edward VI, was a product of the English Reformation following the break with Rome. Nahum Tate (1652 1715) was an Irish poet, hymnist, and lyricist, who became England's poet laureate in 1692. Nicholas Brady (1659 1726) was an Anglican divine and poet. Brady's best-known work, written with his collaborator Nahum Tate, is New Version of the Psalms of David, a metrical version of the Psalms. It was licensed in 1696, and largely ousted the old version by T. Sternhold and J. Hopkins. Condition: The text block is split with leaf Q8 and R1 detached but present and withtwo closed tears measuringno more than2. 5cm. There is significant wear to the extremities, including significant bumping and rubbing with loss. The front board has been re-attached with stitching. Internally the pages are bright with some handling marks. There is offsetting from the plates and theoccasional spot. There is a small water stain on the frontis that does not encroach in the engraving. Overall the condition is fair due to the split in the binding. [Attributes: Hard Cover]

      [Bookseller: Rooke Books PBFA]
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        American Robin, Plate CXXXI (131)

      ?The Birds of America? is the seminal work of John James Audubon (1785-1851) and has been hailed as both a work of outstanding beauty and ornithological interest. Its preeminence was established by Audubon's extensive and meticulous study of every bird that he delineated, reproducing its image to life-size and within a natural setting. Audubon's masterpiece is undoubtedly the greatest work on birds ever produced.Untutored in either ornithological study or painting, John James Audubon was motivated from his boyhood by his love of rendering birds in their natural setting. Born in what is now Haiti and raised in France, Audubon arrived in America in 1803 at the age of eighteen. He soon began traveling widely east of the Mississippi, working at various jobs and all the while pursuing his passionate avocation of sketching and observing the habits of birds. His dream was to compile a volume of colored prints depicting in actual size all of the birds of North America. As his portfolio grew, Audubon traveled to Philadelphia, the publishing capital of the young nation at the time.Unable to find financial support and an engraver equal to his task, Audubon sailed to England in 1826 to realize his dream. The first exhibition of the paintings of Audubon, was met with public and critical acclaim in Liverpool, and Audubon gradually gathered financial support for his project. W. H. Lizars of Edinburgh was contracted as Audubon?s engraver, but after completing only ten of the Birds of America plates, Lizars resigned. Robert Havell and Sons of London took over for Lizars in 1827, and they continued to engrave and hand color Audubon?s Birds of America for the next eleven years.Havell completed the ?Birds of America? in the double elephant folio size in 1838. Scholars estimate that only 175 complete folios of all 435 plates were published in all. Audubon's tireless efforts and remarkable talent culminated in the publication in London of the first edition of his 435-plate book. It took eleven years for the whole work to be published and little less than two hundred complete sets were made. The work was sold by subscription in parts of five plates at a time.AUDUBON, AQUATINT, ENGRAVING, HAVELL EDITION, BIRDS OF AMERICA, AMERICAN ROBIN, PLATE CXXXI (131)This fine, hand colored aquatint and engraving, "American Robin," Plate CXXXI (131), measures 38" x 25.5" and is in very good condition with slightly cropped edges and faded coloring. This dynamic and full page aquatint and engraving shows adult American Robin's, illustrated to scale, feeding their young whom excitedly dance around their nest. The birds are show in numerous positions showing the different portions of their wingspans and the coloring of their bodies. A frontal view of the birds is illustrated by the intuitive Robin to the left of the nest, whom stares directly at the viewer. Robins are migratory songbirds from the thrush family, the adults with vibrant red breasts, black heads and tail feathers. This engraving gives an intimate look into the nesting and feeding of these popular birds.

      [Bookseller: Arader Galleries]
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        A Voyage to the Pacific Ocean . for Making Discoveries in the Northern Hemisphere. Performed under the Direction of Captains Cook, Clerke, and Gore, in His Majesty's Ships the Resolution and Discovery; in the Years 1776, 1777, 1778, 1779, and 1780

      H. Hughs for G. Nicol, and T. Cadell, London 1785 - Text: contemporary blue/gray paper-covered boards rebacked to style in 18th-century diced russia, spines gilt in seven compartments, red morocco lettering-pieces in the second and dark green/blue morocco in the third compartments, repeat pattern in gilt in the other compartments, edges uncut; Atlas: bound to match using blue/gray paper-covered boards backed with 18th-century diced russia, spine gilt in eight compartments with raised bands, lettering-pieces and repeat decoration in gilt using the same tools as used on the text volumes, top edge gilt A very fine original set of the second and best edition of the text, with the plates in their most desirable form: all the plates usually found in the text volumes are here bound, unfolded in the atlas volume. "The famous accounts of Captain Cook's three voyages form the basis for any collection of Pacific books. In three great voyages Cook did more to clarify the geographical knowledge of the southern hemisphere than all his predecessors had done together. He was really the first scientific navigator and his voyages made great contributions to many fields of knowledge" (Hill). "Cook's third voyage was organized to seek the Northwest Passage and to return [the islander] Omai to Tahiti. Officers of the crew included William Bligh, James Burney, James Colnett, and George Vancouver. John Webber was appointed artist to the expedition. After calling at Kerguelen Island, Tasmania, New Zealand, and the Cook, Tonga, and Society Islands, the expedition sailed north and discovered Christmas Island and the Hawaiian Islands, which Cook named the Sandwich Islands. Cook charted the American west coast from Northern California through the Bering Strait as far north as latitude 70 degrees 44 minutes before he was stopped by pack ice. He returned to Hawaii for the winter and was killed in an unhappy skirmish with the natives over a boat. Charles Clarke took command and after he died six months later, the ships returned to England under John Gore. Despite hostilities with the United States and France, the scientific nature of this expedition caused the various governments to exempt these vessels from capture. The voyage resulted in what Cook judged his most valuable discovery - the Hawaiian Islands" (Hill). The typography of the second edition of the text of the third voyage is generally considered superior to the first. For the second and subsequent editions, Hughes took over the printing from Strahan and re-set the text. Contemporary support for this view is reported by Forbes who quotes an inscription in a set presented by Mrs. Cook to her doctor, Dr. Elliotson, which notes "the letter press of the second edition being much superior to the first both in paper & letter press." Of great rarity and significance are the presence of the plates usually found in the text volume, here unfolded and bound into the atlas. Such sets are more desirable, as the plates may be enjoyed more fully without the usual folds and losses from irregular trimming by the binder. Beddie 1552; Forbes Hawaiian National Bibliography 85; cf. Sabin 16250. [22 5/8 x 16 3/4 inches]). Text: final blank 4H4 in vol.I. 1 folding letterpress table, uncut. Atlas: 87 engraved plates, plans and maps (1 folding, 1 double-page, plate LXXXII a proof before the addition of the plate number which is added in ink in a contemporary manuscript hand), the larger plates uncut at outer and lower margins, the smaller plates completely uncut and unfolded. 4 volumes (Text: 3 vols., quarto [12 7/16 x 9 3/4 inches]; Atlas [Attributes: Soft Cover]

      [Bookseller: Donald A. Heald Rare Books (ABAA)]
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        White-fronted Goose, Plate CCLXXXVI (286)

      ?The Birds of America? is the seminal work of John James Audubon (1785-1851) and has been hailed as both a work of outstanding beauty and ornithological interest. Its preeminence was established by Audubon's extensive and meticulous study of every bird that he delineated, reproducing its image to life-size and within a natural setting. Audubon's masterpiece is undoubtedly the greatest work on birds ever produced.Untutored in either ornithological study or painting, John James Audubon was motivated from his boyhood by his love of rendering birds in their natural setting. Born in what is now Haiti and raised in France, Audubon arrived in America in 1803 at the age of eighteen. He soon began traveling widely east of the Mississippi, working at various jobs and all the while pursuing his passionate avocation of sketching and observing the habits of birds. His dream was to compile a volume of colored prints depicting in actual size all of the birds of North America. As his portfolio grew, Audubon traveled to Philadelphia, the publishing capital of the young nation at the time.Unable to find financial support and an engraver equal to his task, Audubon sailed to England in 1826 to realize his dream. The first exhibition of the paintings of Audubon, was met with public and critical acclaim in Liverpool, and Audubon gradually gathered financial support for his project. W. H. Lizars of Edinburgh was contracted as Audubon?s engraver, but after completing only ten of the Birds of America plates, Lizars resigned. Robert Havell and Sons of London took over for Lizars in 1827, and they continued to engrave and hand color Audubon?s Birds of America for the next eleven years.Havell completed the ?Birds of America? in the double elephant folio size in 1838. Scholars estimate that only 175 complete folios of all 435 plates were published in all. Audubon's tireless efforts and remarkable talent culminated in the publication in London of the first edition of his 435-plate book. It took eleven years for the whole work to be published and little less than two hundred complete sets were made. The work was sold by subscription in parts of five plates at a time.This fine, hand colored aquatint and engraving, "White-fronted Goose" Plate CCLXXXVI (286), measures 25.25" x 38" and is in good condition with discolored and cropped edges. This dynamically composed engraving shows two White Fronted Geese, also known as Greater White Fronted Geese, a male on the left and a female on the right. Depicted to-scale, these lively geese have fine lines precisely detailing their feathers and are expertly colored with brown and black feathers accented with white. The heads of the geese are darker shades of brown, contrasting with their vibrant crimson beaks and feet. The angles the geese are positioned at allows for their entire bodies and detailed feathers to be appreciated.

      [Bookseller: Arader Galleries]
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        A Voyage to the Pacific Ocean, for making Discoveries in the Northern Hemisphere. Performed under the Direction of Captains Cook, Clerke, and Gore, in His Majesty's Ships the Resolution and Discovery; in the Years 1776, 1777, 1778, 1779, and 1780

      H. Hughs for G. Nicol and T. Cadell, London 1785 - Text: contemporary calf, expertly rebacked at an early date, incorporating the original labels; atlas: expertly bound to style in half speckled calf over contemporary marbled paper-covered boards, spine in eight compartments with raised bands, each band flanked by triple gilt fillets, red morocco lettering-piece in the second compartment, green morocco in the fourth, the others with simple repeat decoration in gilt A fine copy of the second and best edition of the official account of Cook's third and last voyage, including images of and text on the exploration of Hawaii and the west coast of America, Canada and Alaska. "The famous accounts of Captain Cook's three voyages form the basis for any collection of Pacific books. In three great voyages Cook did more to clarify the geographical knowledge of the southern hemisphere than all his predecessors had done together. He was really the first scientific navigator and his voyages made great contributions to many fields of knowledge" (Hill). The typography of the second edition text of the third voyage is generally considered superior to the first (Hughs took over the printing from Strahan and re-set all the text). Contemporary support for this view is reported by Forbes who quotes an inscription in a set presented by Mrs. Cook to her doctor, Dr. Elliotson, which notes ".the second edition being much superior to the first both in paper & letterpress." "Cook's third voyage was organized to seek the Northwest Passage and to return [the islander] Omai to Tahiti. Officers of the crew included William Bligh, James Burney, James Colnett, and George Vancouver. John Webber was appointed artist to the expedition. After calling at Kerguelen Island, Tasmania, New Zealand, and the Cook, Tonga, and Society Islands, the expedition sailed north and discovered Christmas Island and the Hawaiian Islands, which Cook named the Sandwich Islands. Cook charted the American west coast from Northern California through the Bering Strait as far north as latitude 70 degrees 44 minutes before he was stopped by pack ice. He returned to Hawaii for the winter and was killed in an unhappy skirmish with the natives over a boat. Charles Clarke took command and after he died six months later, the ships returned to England under John Gore. Despite hostilities with the United States and France, the scientific nature of this expedition caused the various governments to exempt these vessels from capture. The voyage resulted in what Cook judged his most valuable discovery - the Hawaiian Islands" (Hill pp.61-62). Cf. Beddie 1543; cf. Forbes Hawaiian National Bibliography 62; cf. Lada-Mocarski 37; cf. Printing and the Mind of Man 223; cf. Sabin 16250. 4 volumes (Text: 3 vols., quarto [11 3/8 x 9 1/4 inches]; Atlas vol. of plates: 1 vol., large folio [22 x 16 inches]). Text: Engraved medallion vignette on each title, 1 folding letterpress table, 24 engraved maps, coastal profiles and charts (13 folding). Atlas vol.: 63 engraved plates, plans and maps (one double-page, one folding). [Attributes: Hard Cover]

      [Bookseller: Donald A. Heald Rare Books (ABAA)]
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        A Voyage to the Pacific Ocean. Undertaken By The Command Of His Majesty, for Making Discoveries in the Northern Hemisphere. Performed under the Direction of Captains Cook, Clerke, and Gore, In His Majesty's Ships the "Resolution" and "Discovery"; in the Years 1776, 1777, 1778, 1779, and 1780.

      London: For G. Nicol & T. Cadell, 1785 - 3 quarto volumes (300 × 234 mm) and folio atlas (567 × 405 mm). Uniformly bound to style: the text volumes in full lightly sprinkled calf, red morocco lettering-pieces and green numbering-pieces, flat spines, compartments gilt with floral and foliate tools, gilt rolled panel to the boards, milled edge-roll, marbled endpapers; atlas in half calf on marbled boards to match. Text volumes with some scattered foxing and light browning of, and offsetting from, the plates as usual, one of the coastal elevations in volume II more heavily so, the title page of volume I with unobtrusive narrow repair at the inner margin, stain in the upper margin of the last 10 leaves of volume II; the atlas with discreet embossed library stamp to the lower margin of all plates, some foxing and browning, one or two plates more heavily, overall a very good set. Text volumes with medallic engravings to the title pages and 24 maps, charts and coastal elevations, of which 14 of which are folding, folding letter-press table; folio atlas with 2 maps, one folding the other double-page, and 61 copper engraved plates. Second edition of Cook's fatal third voyage, an attempt to find a north-west passage, during which he "discovered" Oahu and Kauai at the western end of the Hawaiian Islands, and, more importantly, "depicted accurately for the first time the north-west coast of America, leaving no major discoveries for his successors. In addition the scientific discoveries in the fields of natural history and ethnology were considerable and the drawings made by the artists were of great significance. There are numerous statues and monuments to Cook in many parts of the world but the best memorial to him is the present-day map of the Pacific, which he did so much to shape" (ODNB). The brilliance of the illustrations based on work of the official artist on this voyage John Webber, cannot be over-emphasized. His sensitive portraits, spectacular landscapes, and detailed studies of the material culture of the peoples encountered captured the European imagination more than any other record of of the expedition, and shaped European perceptions of the Pacific world for many years to come: "no voyage undertaken in the days before photography ever returned so well documented with pictorial illustrations" (Bernard Smith, European Vision and the South Pacific, p109). The voyage culminated in tragedy with Cook's death in a meaningless skirmish on a Hawaiian beach, but the Hawaiian survey was completed in spite of this. Clerke then sailed once more for the Arctic in an unsuccessful attempt to complete Cook's instructions, in spite of the fact that he was dying of tuberculosis. Clerke died in sight of Kamchatka and it was left to John Gore to bring the expedition safely back to England. Interest in the story of Cook's astounding discoveries and his tragic death meant that the first edition sold out within three days, despite being priced at £4 14s 6d, perhaps equivalent to around £6,000 today. On the secondary market they had soon reached 10 guineas. The second edition has long been considered the best; the title pages are enhanced by the addition of the medallic "vignettes" of Cook's Royal Society medal, and a portrait medal of Captain King; and the text was entirely reset, Forbes pointing out that it was always considered "typographically superior." Thirty-five years after publication, Cook's widow sent a copy to her doctor with an inscription noting that "the letter press of the second edition [is] much superior to the first both in paper & letter press," the King's copy, held at the BL was also a second edition. Beddie 1552; Forbes 85; Hill 361; Holmes 48; Howgego, I, C175; NMM, I, 586; PMM 223; Sabin 16250.

      [Bookseller: Peter Harrington. ABA member]
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        Cock of the Plains, Plate CCCLXXI (371)

      ?The Birds of America? is the seminal work of John James Audubon (1785-1851) and has been hailed as both a work of outstanding beauty and ornithological interest. Its preeminence was established by Audubon's extensive and meticulous study of every bird that he delineated, reproducing its image to life-size and within a natural setting. Audubon's masterpiece is undoubtedly the greatest work on birds ever produced.Untutored in either ornithological study or painting, John James Audubon was motivated from his boyhood by his love of rendering birds in their natural setting. Born in what is now Haiti and raised in France, Audubon arrived in America in 1803 at the age of eighteen. He soon began traveling widely east of the Mississippi, working at various jobs and all the while pursuing his passionate avocation of sketching and observing the habits of birds. His dream was to compile a volume of colored prints depicting in actual size all of the birds of North America. As his portfolio grew, Audubon traveled to Philadelphia, the publishing capital of the young nation at the time.Unable to find financial support and an engraver equal to his task, Audubon sailed to England in 1826 to realize his dream. The first exhibition of the paintings of Audubon, was met with public and critical acclaim in Liverpool, and Audubon gradually gathered financial support for his project. W. H. Lizars of Edinburgh was contracted as Audubon?s engraver, but after completing only ten of the Birds of America plates, Lizars resigned. Robert Havell and Sons of London took over for Lizars in 1827, and they continued to engrave and hand color Audubon?s Birds of America for the next eleven years.Havell completed the ?Birds of America? in the double elephant folio size in 1838. Scholars estimate that only 175 complete folios of all 435 plates were published in all. Audubon's tireless efforts and remarkable talent culminated in the publication in London of the first edition of his 435-plate book. It took eleven years for the whole work to be published and little less than two hundred complete sets were made. The work was sold by subscription in parts of five plates at a time.This fine, hand colored aquatint and engraving, "Cock of the Plains" Plate CCCLXXI (371), measures 49.5" x 37" (framed) and is in very good condition with light staining and wrinkling around the edges. This dynamic aquatint engraving illustrates a female and male Cock of the Plains, also known as Sage Grous. These grous are expertly colored with precise lines defining and detailing every feather. The intricate patterning of their plumage, especially the male's as he calls to the female, shows the great care and accuracy the artist took render these animals naturalistically. Both of the grous have red eyebrows and the male had a white underside and puffed yellow chest and his tail feathers are raised as he calls. This intimate image of the two Sage Grous, set among a vegetative green valley, is spectacularly precise and beautiful.

      [Bookseller: Arader Galleries]
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        JOURNAL OF CAPTAIN COOKS LAST VOYAGE TO THE PACIFIC OCEAN ON DISCOVERY performed in the years 1776-1780

      E.Newbery 1785 - Leather covers with more recent leather spine cover with original title plate laid down.New paste downs and blank prelims,block sound and tight.Illustrated with cuts and charts.Half title page has old inscription,fold out frontis intact.All illustrations present. First edition was 1781 of the third and last voyage of Cook published in English clandestinely 3 years before the official edition of the Admiralty English (second edition of the, original published the same year). This book was written by RICKMAN officer on the ship with Cook witnessed his death in Hawaii: The frontispiece engraving is the first representative for Hawaii in a printed book and the description of the island is the first in English. This copy is very rare, highly prized, it is in excellent condition and its binding is strictly of time. [Attributes: Hard Cover]

      [Bookseller: THE BOOK SHOP]
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        The Holy Bible Containing the Books of the Old and New Testaments, and the Apocrypha. Carefully printed from the First Edition (compared with others) of the Present Translation. With Notes, by the Right Reverend Father in God Thomas Wilson, D.D

      Bath: R Cruttwell, 1785. The Holy Bible, Containing the Books of the Old and New Testaments, and the Apocrypha. Carefully printed from the First Edition (compared with others) of the Present Translation. With Notes, by the Right Reverend Father in God Thomas Wilson, D.D. Lord Bishop of Sodor and Man. And Various Renderings, Collected from other Translations by the Reverend Clement Cruttwell, the Editor. Three volumes, bound in contemporary tan leather with gilt titling to spine (worn) and gilt edging. Marbled endpapers. Spines a little worn, but not dried/cracked. The Apocrypha contains three books of Maccabees. Heavy book, 13kg packed weight. First Edition. Full-Leather. Very Good/No Jacket.

      [Bookseller: M D Bloxsome Books]
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        Journal De Normandie, Ou Mémoires Périodiques, Pour Servir à L'histoire Ecclesiastique, Civile, Naturelle & Littéraire, & à Celle Des Sciences, Des Beaux Arts & Du Commerce De Normandie. Suivi De Annonces, Affiches et Avis divers. Année 1785

      Imprimerie De La Veuve Machuel, Rouen 1785 - reliure d'époque, dos à nerfs caissons ornés, pièce de titre et tomaisons rouge et verte, tranches rouges, plats légèrement frottés, coiffes usées, deux mors légèrement fendus, intérieur bon état. Première partie: Journal de Normandie pour l'année 1785, A Rouen au Bureau du Journal chez Le Boucher le jeune, avec Privilège du Roi, de l'imprimerie de Veuve Machuel. Page de titre avec vignette gravée, 426p, table Xp, texte sur 2 colonnes. Du Mercredi 5 janvier au Samedi 31 décembre 1785 (du N°1 au N°104). Suivi de Annonces, Affiches et Avis Divers, du Mercredi 5 janvier au Samedi 31 décembre 1785, non paginé, environ 150 pages. [Attributes: Hard Cover]

      [Bookseller: Rossignol]
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        An Inquiry into the Nature and Causes of the Wealth of Nations

      for W. Colles, R. Moncieffe, G. Burnet 1785 - Dublin: for W. Colles, R. Moncieffe, G. Burnet [&7 others in Dublin], 1785. 2 volumes, octavo (207x123mm). Contemporary calf, covers and spine ornately decorated in gilt, label missing from volume 2. An excellent set, internally clean and fresh. Second Dublin edition, reprinting the text of the third London edition of 1784, the last edition to which Smith made any significant revisions, with longer treatment of the deficiencies of the chartered companies and an extra summary chapter. Smith is often cited as the "father of modern economics" and is still among the most influential thinkers in the field of economics today. One of the most important works in the history of economics. "The Wealth of Nations" is considered Smith's magnum opus and the first modern work of economics. Housed in a custom-made collector's slipcase. [Attributes: Hard Cover]

      [Bookseller: Bookbid]
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        New and Complete Collection of Voyages and Travels

      London 1785 - 2 volumes. Later 1/4 leather with plain boards, somewhat worn. Internally fair to good only, with waterstains, some fairly heavy. Some insect damage to gutters, not affecting text block at all. 100 uncolored maps and plates. Contains reprintings of voyages to all corners of the world, including Charlevoix's travels in North America, Cook's Voyages, and Bougainville's to the East Indies. At the bottom of the last page is an announcement of a new edition which also mentions the death of Captain Cook. [Attributes: Hard Cover]

      [Bookseller: High Ridge Books, Inc. - ABAA]
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        Travels Into Poland, Russia, Sweden and Denmark.

      - Interspersed with historical relations and political inquiries. Illustrated with charts and engravings. In two volumes. The second edition. London: Printed for T. Cadell 1785. x,532 pp. + 2 folding maps + 2 folding plans + 6 plates; vi,576 pp. + 2 engravings in the text + 4 plates + 1 folding map (lacking Map of the Southern Provinces of Sweden. Supplied in facsimile) + 6 plans of which 5 are folding. Rebound in half morocco. Signature John Wynch on title and with his book-plate on front paste-downs. Volume I with watersoiling lower outer corner from the beginning to page 170 getting smaller, at it largest barely touching text. 27,5 x 22,5 cm.[#\84209]

      [Bookseller: Antiquaria Bok & Bildantikvariat AB]
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        LETTERS FROM MONS. RACINE, THE ELDER, TO HIS SON M. RACINE, THE YOUNGER, WHEN A YOUTH: CONTAINING RULES AND INSTRUCTIONS FOR HIS CONDUCT THROUGH LIFE: ANECDOTES OF SEVERAL PERSONS, AND SKETCHES OF HISTORICAL EVENTS IN THE COURT OF FRANCE, IN THE REIGN OF Lewis XIV. to Which is Added, a Short Account of the Abbey of Fort Royal

      London: Printed and Sold By T. Wilkins, J. Bew and J. Stockdale. Good+. 1785. First English Edition. Hardcover. Very rare First English Edition. Full calf leather cover has heavy wear with chip in lower rear corner. Boards and spine are straight. Binding is tight. Chipping to lower edge of title page. Pages faintly foxed but overall very good condition. ; xiv + 162 pages .

      [Bookseller: New Boston Fine and Rare Books]
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        Exercice de Mathématiques dédié à Monseigneur Charles-Juste de Beauvau, Maréchal de France Gouverneur et Lieutenant Général du Pays et Comté de Provence, Marseille, Arles et Terres Adjacentes. Représenté par M. le Commandant Jean-Baptiste de Glandevés, Chef d'Escadre des Armées Navales, Commandant la Marine, à Marseille.

      Marseille, Veuve Sibié, 1785. - in-4. 2ff. 69pp. Demi veau moderne genre ancien. Edition Originale de ce recueil de recherches mathématiques appliquées à la marine. Elles traitent de l'équilibre et mouvement dans les machines, des cordes, des leviers des mouvemens de rotation, des poulies, du tour, de la vis, de l'Hydrodynamique, du Frottement, de l'Hydrostatique, des Pompes, de l'Equilibre des fluides, du Mouvement des eaux, des expériences sur le mouvement des fluides, etc. L'auteur de ce rare ouvrage de marine était "Constructeur de Navire" et présenta son travail à Marseille "dans la chapelle intérieure du Collège des Prêtres de l'Oratoire, le samedi 13 Août 1785, à quatre heures du soir". Titre dans un encadrement typographique, armoiries gravées au centre. [Attributes: First Edition; Hard Cover]

      [Bookseller: Librería Comellas]
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        A New & Accurate Map of North America including Nootka Sound with the new discovered Islands on the North East Coast of Asia.

      C. Cooke. London. No date. Ca. 1785. - Copperplate engraved map, 10 3/8 x 16 3/4 inches on sheet 15 1/2 x 19 inches, multiple fold as issued. Light dampstaining in lower border well outside image, one soft fold at upper left corner well outside image. Scattered light foxing, otherwise clean and bright. Virginia, North and South Carolina, Georgia and West and East Florida extend to the Mississippi River. Indian tribes beyond the Mississippi include: Kansez, Black Padoucas and Panis. A vast and "empty" West beckons, with N(ew) Albion marked in the area of present-day California. There is a detailed naming of islands and inlets in the area of Alaska and Kamtschatka, the fruits of Captain James Cook's Third Voyage with its charting of the Northwest coast.

      [Bookseller: old imprints ABAA/ILAB]
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        Paulmier" [Extracted from: Encyclopedie, ou Dictionnaire Raisonné des Sciences, des Arts et des Métiers. Recueil de Planches, sur les Sciences, les Arts Libéraux, et les Arts]

      [Paris; Liege: Panckoucke; Plomteux, 1785] - The complete set of these Beautiful plates relating to Court Tennis ("le Jeu des Paumes") from the Récueil de Planches, that extraordinary illustrated supplement to the magnificent Encyclopédie of Diderot and d'Alembert. The plates depict the creation of implements and play of tennis and billiards in the late 18th century, and have never been surpassed for their beauty and historical accuracy. Pl. 1- Paulmier, Jeu de Paulme et Construction de la Racquette Pl. 2 - Paulmier, Instrumens de Paulme Pl. 3 - Paulmier, Instrumens de Paulme Pl. 4 - Paulmier, Instrumens de Paulme et de Billiard Pl. 5 - Paulmier, Salle de billiard et Instrumens de Billiard Pl. 6 - Paulmier, 1er Plan d'un Jeu de Paulme quarré et Salle de Billiard Pl. 7 - Paulmier, Plan audessus des murs du Jeu de Paulme Pl. 8 - Paulmier, Coupes du Jeu de Paulme quarré Pl. 9 - Paulmier, Plans au Rez de Chaussée et audessus des murs d'un Jeu de Paulme a dedans (COURT TENNIS) 9-1/2 x 7 inches (image size). 9 engraved plates by Benard after Lucotte. Matted, framed, and glazed (9). Fine

      [Bookseller: James Cummins Bookseller, ABAA]
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        Encyclopédie. 1. Marine. Kupferstich-Tafeln Nrn. 8-25 (teils doppelseitig, und mehrf. gefalt.), ohne den Text (31 S.). 2. Evolutions Navales, Kupferstich-Tafeln Nrn. 1-7. 14 S. (Text), 1 Bl. (Inhaltsverz.). Kleine Ausgabe. 2 Tle. in 1 Bd. Paris, um 1785. 58 Bll. Die Kupferstich-Tafeln, gestochen von Benard Direx. Ohne Einband.,

      1785 - Ansichten von Segelschiffen, Wappen, Schiffskonstruktionen und -zubehör sowie Flottenformationen. Gewicht in Gramm: 500

      [Bookseller: Antiquariat Daniel Schramm e.K.]
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        American Ptarmigan, White Tailed Grous, Plate CCCCXVIII (418)

      ?The Birds of America? is the seminal work of John James Audubon (1785-1851) and has been hailed as both a work of outstanding beauty and ornithological interest. Its preeminence was established by Audubon's extensive and meticulous study of every bird that he delineated, reproducing its image to life-size and within a natural setting. Audubon's masterpiece is undoubtedly the greatest work on birds ever produced.Untutored in either ornithological study or painting, John James Audubon was motivated from his boyhood by his love of rendering birds in their natural setting. Born in what is now Haiti and raised in France, Audubon arrived in America in 1803 at the age of eighteen. He soon began traveling widely east of the Mississippi, working at various jobs and all the while pursuing his passionate avocation of sketching and observing the habits of birds. His dream was to compile a volume of colored prints depicting in actual size all of the birds of North America. As his portfolio grew, Audubon traveled to Philadelphia, the publishing capital of the young nation at the time.Unable to find financial support and an engraver equal to his task, Audubon sailed to England in 1826 to realize his dream. The first exhibition of the paintings of Audubon, was met with public and critical acclaim in Liverpool, and Audubon gradually gathered financial support for his project. W. H. Lizars of Edinburgh was contracted as Audubon?s engraver, but after completing only ten of the Birds of America plates, Lizars resigned. Robert Havell and Sons of London took over for Lizars in 1827, and they continued to engrave and hand color Audubon?s Birds of America for the next eleven years.Havell completed the ?Birds of America? in the double elephant folio size in 1838. Scholars estimate that only 175 complete folios of all 435 plates were published in all. Audubon's tireless efforts and remarkable talent culminated in the publication in London of the first edition of his 435-plate book. It took eleven years for the whole work to be published and little less than two hundred complete sets were made. The work was sold by subscription in parts of five plates at a time.This fine, hand colored aquatint and engraving, "American Ptarmigan, White-tailed Grous," Plate CCCCXVIII (418), measures 25.75" x 28" and is in excellent condition with evidence of previous binding on the top edge. Ptarmigan's are medium sized game birds in the Grous family. The American Ptarmigan illustrated is finely detailed with a red eye-circle and detailed coloring of the feathers and tail as the plumage is changing. The White-tailed Grouse is also well colored in pure white, with accenting lines and shadows bringing dimension and a physical quality to the piece. These birds are set against an abstract background and made to scale, allowing them to be the main focus of the overall image.

      [Bookseller: Arader Galleries]
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        Autograph letter signed to an unidentified correspondent

      London - Hooker, William Jackson (1785-1865). Autograph letter signed to an unidentified correspondent. [London,] Royal Gardens, Kew, April 3, n.d. (probably 1857 or after). 3pp. 179 x 112 mm. Fine apart from a little faint spotting.Hooker, the first full-time director of the Royal Botanic Gardens at Kew, devoted himself to the study of botany from an early age, specializing in mosses, liverworts and other cryptogamia. He served as regius professor of botany at the University of Glasgow from 1820 to 1841, when he was appointed to head Kew Gardens. Under Hooker's leadership Kew grew from eleven acres to its present size of nearly 300 acres, and its collections vastly increased, largely due to a network of Hooker's former students who brought in specimens from around the world. Hooker's own herbarium, which contained some 4000 volumes and one million dried plant specimens, was purchased by the British government for the nation after Hooker's death. Hooker was the author of over two dozen works on botany, including British Jungermanniae (1816), which established hepaticology (the study of liverworts) as a separate field; he also edited several botanical journals. The first part of Hooker's letter deals with the preparation of a forthcoming botanical publication, most likely The Museum of Economic Botany, or a Popular Guide to the Useful and Remarkable Vegetable Products in the Two Museum Buildings of the Royal Gardens of Kew (1858): "I have received & read & made 2 or 3 verbal corrections & transmitted as you desired to Mr. Wyatt (I presume at the Palace of Westminster) our Cat[alogue]. Having been unavoidably absent of late I know not what has been done by our Committee. If the present Catalogue is circulated by itself I think it requires a heading or title for not one word appears of the use & object of it: so that no one could comprehend the object of it. The asterisks before any name I understood were to indicate that specimens of the plant itself are required as well as the product. . . . I find asterisks against Chinese Tea, & Coffee & Theobroma Cacao:--but they must surely have a different meaning there, for one cannot desire them so against Salvadora Persica [the "toothbrush tree"] &c. &c. . . ."The next part of Hooker's letter touches on the work of Brian Houghton Hodgson (1800-1894), a naturalist and one of the pioneers of scientific ethnology. Hodgson spent much of his life in India, where he discovered 39 species of mammals and 124 species of birds that had hitherto been undescribed. He was the author of numerous books and papers, including Papers Relative to the Colonization, Commerce, Physical Geography, &c., &c. of the Himalaya Mountains and Nepal, published in Calcutta in 1857. He was a close friend of Hooker's son, the naturalist Joseph Dalton Hooker (1817-1911)."What an interesting acct. of the Physical Geography of the Himalayas Hodgson has published. You know Hodgson is preparing a capital Physico-geographical work on India written by Bagham[?]. He wishes a publisher. Do you think [ ] Allen & Co. would be the men if I were to put the mst. into their hands?"Allen & Co." most likely refers to the publisher W. H. Allen & Co., which issued a large number of books relating to India in the 1850s. [Attributes: Signed Copy]

      [Bookseller: Jeremy Norman's historyofscience]
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        The new week's preparation for a worthy receiving of the Lord's Supper, as recommended and appointed by the Church of England; consisting of meditations and prayers. with forms of examination and confession of sins and a companion at the altar. Also, meditations to enable us to live well after receiving the Holy Sacrament. To which are added a morning and evening prayer for the closet, or family, etc.

      Printed by assignment from the executors of E. Wicksteed for W. Bent, London 1785 - 12mo, pp. [6], ix, [1], 156; the first leaf consisting of an approbation on the recto and an engraved frontispiece on the verso; contemporary and probably original black goatskin with decorative gilt border and similar border outlining central panels on the covers, smooth gilt spine with winged cherub heads, a.e.g., green ribbon page maker; minor rubbing; very good and sound VERY ATTRACTIVE ENGLISH BINDING, possibly made in Brighton (see below). * This edition is not listed ESTC or OCLC. Two similar (but not identical) editions are listed by ESTC; these are recorded in just one or two libraries each. Both editions are reproduced in "Eighteenth Century Collections Online" and ours represents an entirely different setting of type. * THE BINDING: The most extraordinary tools on the present binding are surely the "bat-wing" cherubs that adorn the entire length of the spine, quite distinctive, and yet apparently remain unrecorded. It is very possible that the workshop was provincial (perhaps Brighton?) which accounts for a paltry amount of literature published on the subject. PROVENANCE: Early inscriptions of two women collectors appear on the verso of the first flyleaf: "Sarah Lumsdale, 9 Bloomsbury Place, Brighton" (N.B. this house still exists) -- "Mary Cobb, April 11, 1800." [Attributes: Hard Cover]

      [Bookseller: Michael Laird Rare Books LLC]
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        The History of France, under the Kings of the race of Valois, from the accession of Charles the Fifth, in 1364, to the death of Charles the Ninth, in 1574.

      London : printed for C. Dilly 1785 - Second edition. 2 volumes, 8vo (21.5 x 13.5 cm), occasional light spotting; contemporary tree calf, spines in six compartments, red morocco lettering piece to second, black numbering piece to fifth, elaborate gilt bands and centre tools, gilt outer edges, minor rubbing. A charming set. Sir Nathaniel William Wraxall, 1st Baronet (1751 - 1831), English author, entered Parliament in 1780 and sat till 1794 for Hindon in Wiltshire, Ludgershall and Wallingford, in succession. He published in 1795 the beginning of a History of France from the Accession of Henry III to the Death of Louis XIV, which was never completed. [Attributes: Hard Cover]

      [Bookseller: Shapero Rare Books]
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        Historische, Topographische und Oekonomische Merkwürdigkeiten der Kantons Luzern. [With:] Nachrichten von der Stadt Luzern und ihrer Regierungsverfassung, oder historische und moralische Erklärungen der acht ersten Gemälde, auf der Kapellbrücke der Stadt Luzern. Neue verbesserte Ausgabe, nebst einem Anhange

      Luzern: Joseph Alons Salzmann, 1785-1789; 1784. (LUCERNE) First edition of first title; second title in second, expanded edition. 4 vols., 12mo. Pp. 268, [2]; 290; 271; 202. Contemporary quarter mottled calf and boards. Book labels of Xaver Goeldlin von Tieffenau. Inoffensive stain at fore edge of vol. II, occasional faint foxing throughout. A Fine set. Barth 19129. Feller/Bonjour 585. Wäber, 259. Vgl. Wyss, 288; Holzmann/Bohatta III, 4620; Haller I, 834 . The Merkwürdigkeiten is the most important work of Luzern historian Joseph Anton Felix von Balthasar (1737-1810). "Es zeigt Balthasars Fähigkeit zu antiquarisch genauer Forschung, aber auch seine Neigung, die Geschichte als eine Schublade von Regeln und Weisheitslehren aufzufassen, die man unmittelbar aufs Leben anwenden soll [...] eine Kantonsbeschreibung mit zeitgemässen Betrachtungen, eine Naturgeschichte des Luzernervolkes, eine Heimatkunde" (Feller/Bonjour). His protégé Johannes von Müller judged this work to be trustworthy as the archives ("wie auf Urkunden zu trauen"). The first two volumes were published in 1785-1786; the third volume, which appeared in 1789, is often lacking. With a uniformly bound volume of Balthasar's earlier historical study, with explanation of the first eight paintings of the Kapellbrücke

      [Bookseller: James Cummins Bookseller]
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        Mémoires historiques concernant l'Ordre royal et militaire de Saint-Louis, et l'institution du mérite militaire.

      Paris, Imprimerie Royale 1785 - in-4, VIII-323 pp., cartonnage d'attente de papier rose (reliure de l'époque). Dos manquant, plats défraîchis. Unique édition de ce recueil assez peu commun, rassemblant l'histoire générale de l'Ordre, les listes chronologiques des Grand-Croix, commandeurs et officiers, ainsi que la suite des édits concernant l'Ordre. Saffroy I, 6111. [Attributes: Hard Cover]

      [Bookseller: Librairie Historique F. Teissèdre]
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