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Displayed below are some selected recent viaLibri matches for books published in 1770

        The History of the Reign of Charles the Fifth, Emperor of Germany, and all the Kingdoms and States in Europe, during his Age To which is Prefixed, a View of the Progress of Society in Europe,...

      America (Philadelphia): Printed for the Subscribers (Robert Bell), 1770; i.e., 1770-1771. First American edition. Hardcover. Near fine. First edition printed in America. Three volumes. 8vo. viii,(ii),360;(xvi),374;(xlii),351,(lvii)pp., but with several errors in pagination as noted by Evans. Contemporary full sheep; spines with simple gilt rules and volume number sin gilt; red leather lettering labels, gilt. A few notes by a former owner, including the beginning of his name on the title page of Volume 2 (Isaac Lew...) possibly a relative of Nathaniel Lewis and Mordecai Lewis who are listed on the List of Subscribers. This publication marks the substantial beginning of the introduction of European literature into America. Bell has published with it an address upon international copyright, the first on the subject. The long list of subscribers is a veritable who's who of early American history: John Adams, Jacob Giles, John Hancock (2 sets), Cecil Rodney, and so on: ''whose names posterity may respect because by these seasonable encouragements this American edition hath been accomplished at a price so moderate that the man of the woods as well as the man of the court may now solace himself with substantial delight." A two volume set was also printed that year. Evans, 11837; Sabin, 72003. Bell also brought out an edition of Blackstone in 1771. An exceedingly rare book.; if the list of subscribers is a guide, only a few hundred sets were issued. The owner's name was clipped in binding, and so will likely remain just out of reach.

      [Bookseller: Thorn Books]
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        1770 HISTOIRE NATURELLE DES OISEAUX DE BUFFON CHEZ IMPRIMERIE ROYALE PARIS

      IMPRIMERIE ROYALE PARIS 1770 - LES 12 PREMIERS TOMES SUR 18 PARUS DE 1770 A 1780 RELIURE PLEIN CUIR DOS A 5 NERFS EN BON ETAT AVEC DECORS DORES LES RELIURES SONT GLOBALEMENT EN BON ETAT AVEC SUR CERTAINES DES TRACES DE VERS LES COIFFES SONT LEGEREMENT USEES ET LES COINS LEGEREMENT EMOUSSES TOUTES LES PLANCHES SONT HORS TEXTE ET NB TOME 1 352 PAGES 14 PLANCHES TOME 2 351 PAGES 15 PLANCHES TOME 3 417 PAGES 9 PLANCHES TOME 4 405 PAGES 18 PLANCHES TOME 5 456 PAGES 19 PLANCHES TOME 6 420 PAGES 12 PLANCHES ET TABLE DES 6 PREMIERS TOMES TOME 7 430 PAGES 13 PLANCHES TOME 8 450 PAGES 14 PLANCHES ET TABLES DES TOMES 7 ET 8 TOME 9 472 PAGES 15 PLANCHES TOME 10 381 PAGES 7 PLANCHES ET TABLES DES TOMES 9 ET 10 TOME 11 495 PAGES 15 PLANCHES TOME 12 482 PAGES 10 PLANCHES 3 TRANCHES MARBREES POUR CHAQUE TOME FORMAT 170/102 MM INTERIEUR FRAIS RARES ROUSSEURS EPARSES BEL EXEMPLAIRE COMPLET AUTRES PHOTOS SUR DEMANDE DONT TABLE DES MATIERES [Attributes: Hard Cover]

      [Bookseller: Bouquinerie LE RAMPINANCINAN]
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        A Six Month Tour Through the North of England . Containing an Account of the Present State of Agriculture, Manufactures and Population, in Several Counties of the Kingdom

      Dublin: P. Wilson, J. Exshaw, H. Saunders , 1770. First Dublin edition?. Complete in 3 volumes. Collation, xvi+395[1]pp, 5 folding & 2 single page plates, vi+390pp, 7 folding & 6 single page plates, vii+403pp, 1 folding plate. Bound in full period calf, raised bands, gilt lines. Calf rubbed, hinge joints split or starting to, but all boards still firmly attached, some minor wear loss on head tail of spines, more substantial loss on head of one spine. Internally, two plate detached, very minor worming to inner margine of a few pages in one volume. Pages and illustrations in good clean condition throughout. A very nice edition in attractive period bindings.Volume one bears the signature of Thom Baskerville, his bookplate in volume 2 & 3. A59. First Dublin Edition. Period Calf. Good Plus. 8vo.

      [Bookseller: George Jeffery Books]
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        Vue perspective du Marché au Pain vers la Maison de Ville a Augsbourg." Blick durch die Maximilianstraße auf Rathaus und Perlachturm mit dem Brotmarkt im Vordergrund. Guckkastenblatt

      Altkolorierter Kupferstich von Basset, Paris um 1770. 28.5x42.5 cm. - Schefold, Schwaben 41782 vgl. - Dekoratives Blatt nach einer Vorlage von Karl Remshart. Seitenverkehrte Darstellung, im Vordergrund reiche Personenstaffage: die Händler mit ihren Brotkarren und Kunden, vierspännige Kutsche, Reiter und Passanten.Der Brotmarkt wurde bereits 1283 gegründet und von den Bäckern aus der nahe gelegenen Bäckergasse beliefert. Schwacher Lichtrand durch alte Rahmung.

      [Bookseller: Wenner Antiquariat]
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        Avis aux meres sur la petite vérole et la rougeole; ou lettres a Madame de *** sur la maniere de traiter & de gouverner ses enfants dans ces maladies

      Lyon: Frères Perisse, 1770 Book. Very Good. Hardcover. 1st Edition. 12mo - over 6¾ - 7¾" tall. viii, 363, [1] pp. Contemp. marbled calf, gilt sides, gilt ornamental spine on 5 raised bands (minor defect at head), red leather title label, marbled edges, somewhat browning and spotting, small tear to p. 9. Nice copy. ---- <br><br> Hirsch/H. IV, 167; Wellcome IV, 414; Blake 301. - Rare first edition of this work by Menuret de Chambaud (1733-1815), physician with broad clinical experience. He was in favour of inoculation in his "Question proposee a Messieurs de la Societe Royale des Sciences: lequel des trois partis, ou d&#39;attendre la petite verole, ou de se soumettre a l&#39;inoculation ou de tacher de l&#39;eviter par l&#39;extirpation, est plus fertile en avantages, & sujet a moins d&#39;inconvenients" (pp. 305-359)..

      [Bookseller: Milestones of Science Books]
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        Historiarum Cathedralis Ecclesiae Zagrabiensis Partis Primae Tomus I. Praemissis praeliminaribus, continens seriem episcoporum ab anno M.X.C.L. ad annum MDCIII. et tam Episcoporum quam et alias notitias. (Alles Erschienene!)

      Zagreb, Typis primo Rainerianis, dein Zerauschegianis, ac demum Antonii Jandera typographi,, (1770).. 8 Bll., 340 S. Lederband d. Zt. mit Rückenverg. Folio. 32 x 24 cm. Wurzbach XI, 171: "... von diesem Werke ist nur obiges Fragment erschienen. Das vollendete Werk hätte die Geschichte des Capitels, der Kathedrale und der anderen älteren kirchlichen Genossenschaften, ferner aller zur Agramer Diöcese gehörigen Kirchen enthalten." - Der kroatische Adelige, Historiker, Theologe und Jurist, Baltazar Adam Krcelic (deutsch: Balthasar Adam Kercselich; 1715-1778) war Dekan in Agram und Rektor des kroatischen Kollegiums in Wien. - Wichtiges und seltenes Werk zur kroatischen Kirchengeschichte von 1091 bis 1603. - Etwas berieben und bestoßen, unteres Rückenende mit kleiner Fehlstelle im Bezug. Fehlen die fliegenden Vorsätze. Insgesamt sehr sauberes und frisches Exemplar!

      [Bookseller: Antiquariat Turszynski]
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        Prospectus arcis regiae versus locum ad stationes mutandas destinatum Berolini. ... Prospect des Königl. Schlosses gegen dem Parade Plaz zu Berlin." Schloss mit dem Schlossplatz im Vordergrund. Guckkastenblatt

      Altkolorierter Kupferstich von Georg Balthasar Probst, Augsburg um 1770. 32x43 cm. - Kiewitz 981 - Kapff / Steinmetz 155 - Dekorative Ansicht, auf dem Schlossplatz lebhafte Szene mit Kutschen, Soldaten, Reitern, Hundeführer und vornehm gekleideten Passanten. Unter der Darstellung der Titel in Latein, Französisch, Italienisch und Deutsch. Kleiner Papierabriss im Rand oben mit wenig Abbildungsverlust im Himmel unauffällig ergänzt, kurze Quetschfalte unten. Sonst breitrandiges Blatt in schönem Altkolorit und gutem Zustand.

      [Bookseller: Wenner Antiquariat]
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        Prospectus Ecclesiae cathedralis et loci ad stationes mutandas desinati Berolini. ... Prospect der Königl. Schloss u. Dom-Kirche samt dem Parade Plaz zu Berlin." Alter Dom mit rechts dem Apothekenflügel des Schlosses und Paradeplatz des späteren Lustgartens. Guckkastenblatt

      Altkolorierter Kupferstich von Georg Balthasar Probst, Augsburg um 1770. 32x42.5 cm. - Kiewitz 980 - Kapff / Steinmetz 156 - Dekorative Darstellung mit reicher Staffage: im Vordergrund auf dem Platz ist zu Ehren des Königs, der mit Gefolge in einer achtspännigen Kutsche vorfährt, ein Regiment zur Parade angetreten. Unter der Darstellung der Titel in Latein, Französisch, Italienisch und Deutsch. Breitrandiges Blatt in gutem Erhalt. Nur 1 kurzer Einriss im Himmel und 2 kl. Fehlstellen links hinterlegt.

      [Bookseller: Wenner Antiquariat]
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        Prospectus Hamburgensis ad Albim aedificii, cui vulgo ab arboribus nomen est. ... Prospect bey dem Baumhaus an der Elbe zu Hamburg." Teilansicht an der Elbe mit dem 1857 abgebrochenen Baumhaus. Guckkastenblatt

      Altkolorierter Kupferstich von Georg Balthasar Probst, Augsburg um 1770. 32x42 cm. - Kapff / Steinmetz 241 - Dekorative Ansicht mit hübscher Bootsstaffage, im Vordergrund am Ufer Zollbeamte und Händler an einem Schiff, das gerade entladen wird. Unter der Darstellung der Titel in lateinischer, französischer, spanischer und deutscher Sprache. Breitrandiges Blatt in schönem Altkolorit und gutem Erhalt, lediglich schwache Knitterfalten in der Mitte.

      [Bookseller: Wenner Antiquariat]
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        Prospectus Portae Arenariae Hamburgi. ... Prospect bey dem Sand Thor zu Hamburg." Partie am Sandtor-Hafen mit Sandtorkai, Kaiserkai und Blick auf die Nikolai- und Katharinen-Kirche. Guckkastenblatt

      Altkolorierter Kupferstich von Georg Balthasar Probst, Augsburg um 1770. 32x43.5 cm. - Kapff / Steinmetz 240 - Reizvolle Ansicht mit Personen- und Bootsstaffage. Unter der Darstellung der Titel in lateinischer, französischer, spanischer und deutscher Sprache. Breitrandiges Blatt in schönem Altkolorit und gutem Erhalt.

      [Bookseller: Wenner Antiquariat]
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        January

      London: Robert Sayer and John King, circa 1770. Engraving, coloured by hand, by R. S.[heppard]. (Cut close to plate mark). 13 1/2 x 9 3/8 inches. 14 x 9 7/8 inches. A very rare image that is both a highly decorative botanical print and an important document in the history of gardening. The plate comes from a very rare later issue of a series called &#39;Twelve Months of Flowers&#39;, originally issued by Robert Furber in 1730. Furber was a nurseryman with gardens near Hyde Park Gate in Kensington, London. The series was issued as a luxurious catalogue for his stock: over 400 flowers are illustrated, and each is identified in the key below the picture so that customers could easily order their requirements. These plates thus form an illustrated check-list of the varieties and forms of flowers that were popular with gardeners in the early 18th century. Furber later issued a small quarto book which contained reduced versions of the original plates. The present plate, published by Sayer, is from a very rare later version, re-engraved yet again, but to a size that is mid-way between the original and the quarto issue.

      [Bookseller: Donald Heald Rare Books]
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        An INTRODUCTION To ELECTRICITY. In Six Sections. I. Of Electricity in General. II. A Description of the Electrical Machine. III. A Description of the Apparatus (belonging to the Machine) for Making Electrical Experiments. IV. How to know if the Machine be in good Order for performing the Experiment, and How to put it in Order if it be not. V. How to Make the Electrical Experiments, and to Preserve Buildings from Damage by Lightning. VI. Medical Electricity. Illustrated with Copper- plates.

      Printed for W. Strahan, and T. Cadell,, London: 1770 - Illustrated with 3 fold-out plates at rear. Uncommon on the commercial market, with ABPC showing the last copy of the first edition to come to auction over 30 years ago (1977). Even then it garned $250. Binding - Fine. Text block - VG (chip from A1 fore-edge [no text affected]/bit of yellowing to plates, with the odd vertical mis-fold line). Modern brown quarter leather binding with marbled paper boards. Eps renewed. 8vo: [A]^2 B - I^8 K^6. 8-1/2" x 5-1/4". 1st edition (Ronalds, p. 171). [4], 140 pp. [Attributes: First Edition; Hard Cover]

      [Bookseller: Tavistock Books, ABAA]
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        Romeo and Juliet

      London: various publishers,, 1770&#150;86. A Tragedy. Altered By David Garrick, Esq. Marked with the Variations in the Manager&#39;s Book, at the Theatre-Royal in Drury-Lane. London: for T. and W. Lowndes, W. Nicoll, and S. Bladon, 1784; &#151; King Lear, a Tragedy. Altered By David Garrick, Esq. Marked with the Variations in the Manager&#39;s Book, at the Theatre-Royal in Drury-Lane. London: for C. Bathurst, J. F. & C. Rivington [& 28 others], 1786; &#151; The Comedy of Errors. And now Acted At the Theatre-Royal in Covent-Garden. London: for J. Rivington, W. Strahan, J. Hinton [& 23 others], 1770; &#151; Timon of Athens. As it is acted at the Theatres-Royal in Drury-Lane and Covent-Garden. London: for J. Rivington, W. Strahan, J. Hinton, C. Bathurst [& 24 others, n.d., c.1770]; THOMSON, James. Tancred and Sigismunda. A Tragedy. Marked with the Variations in the Manager&#39;s Book, at the Theatre-Royal in Drury-Lane. London: for J. F. and C. Rivington, W. and A. Strahan [& 9 others], 1784. Together 5 plays bound in one volume, duodecimo (169 × 100 mm). Contemporary half calf, green morocco label lately added, spine decorated in blind in compartments with small central gilt roundels, marbled sides. R&J: engraved frontispiece (slightly shaved at fore edge, old paper repair to blank recto); KL: engraved frontis.(very slightly shaved at fore edge), 5pp. adverts at end; CE: no frontis. called for, 1p. adverts at end; TA: engraved frontis., 3pp. adverts at end; T&S: engraved frontis., 6pp. adverts at end. Joints tender but holding, a good copy. Four Shakespeare plays and one by James Thomson bound in one volume. Romeo and Juliet and King Lear are both in Garrick&#39;s version; Timon of Athens is in the original version, rather than Thomas Shadwell&#39;s popular adaptation. Thomson&#39;s Tancred and Sigismunda was his most popular play; it was first performed at Drury Lane in March and April 1745, with Garrick in the lead. Thomson also wrote the words of "Rule, Britannia!" with music by Thomas Arne, who was the chief composer for Garrick&#39;s Stratford Jubilee in 1769, the founding event in the creation of Shakespeare as the national poet and icon.

      [Bookseller: Peter Harrington]
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        PARADISE LOST. A poem

      Printed by Robert and Andrew Foulis, Printers to the University. Glasgow. 1770. FIRST FOULIS PRESS EDITION. Folio. Large paper copy. (15 x 10 inches). xii (including subscriber list), 466, 10pp index. Portrait of Milton on title page. A few gatherings with some foxing but mostly a very good clean copy. Fine early nineteenth century binding of half tan calf. Spine with raised bands, compartments triple ruled and decorated with floral centre pieces in gilt. Tan morocco label, triple ruled and lettered in gilt. Marbled paper on boards. All edges marbled. Bound by J. Carss & Co. of Glasgow, described by T. F. Dibdin as "the favourite bookbinder among the cognoscenti at Glasgow" and with their printed label to the top of the front paste-down endpaper. Neat early inscription on a front blank endpaper. An attractive large paper copy of this beautifully printed edition.

      [Bookseller: Paul Foster Books]
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        De aeris gravitate eiusque elaterio specimen physicum cui adiecta est in fine analysis machinae simplicis pneumaticae in planiorem formam redactae

      Pistorii: A. Bracalium. [Figurato Fisica] (cm.21,5) bel cartoncino originale policromo, titolo al dorso. -- cc. 2 nn., pp. 49, 1 c. bianca + 3 tavv. f.t. ripiegate in rame. Con vari tipi di barometri e la macchina pneumatica del Cari, prima in Italia. Vedi Boffito " Gli Strumenti della Scienza " p.133: " Una macchina pneumatica venne pure costruita in Toscana, verso il 1770 da Gaetano Cari ". Edizione originale ed unica veramente rara di questa serie di esperimenti sul vuoto, capillarità, barometri ecc. Con riferimenti a Guadagni, Hooke, Hauksbee, Torricelli nonchè a Boyle e Gravesande. Nessuna copia in Poggendorff, Britisch M. Cat., BNC, Sotheran e Riccardi. Esemplare molto bello e nitido.[f56] . ottimo. Rilegato. prima edizione. 1779.

      [Bookseller: Libri antichi e rari Francesco e Claudia]
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        Histoire Naturelle De L'Air et Des Meteores. (10 Volume Set)

      Chez Sailland & Nyon 1770 - 10 volume set. 16mo. Contemporary leather spine, green boards. Marbled end pages. Spines have some wear, a few corners bumped. Bindings generally solid. Clean, white pages. French. [Attributes: Hard Cover]

      [Bookseller: Sequitur Books]
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        Mappa Totius Mundi

      Augsberg, c. 1770. Copper engraving, 43.5 x 63.5 cms, original colour, left and right hand margins cut close (but still 0.5 cms), blank verso.

      [Bookseller: Tim Bryars Ltd]
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        (English Channel) La plus grande partie de la Manche

      Augsburg, c. 1770. Copper engraving, 50 x 58 cms, strong original colour, blank verso.

      [Bookseller: Tim Bryars Ltd]
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        An INTRODUCTION To ELECTRICITY. In Six Sections. I. Of Electricity in General. II. A Description of the Electrical Machine. III. A Description of the Apparatus (belonging to the Machine) for Making Electrical Experiments. IV. How to know if the Machine be in good Order for performing the Experiment, and How to put it in Order if it be not. V. How to Make the Electrical Experiments, and to Preserve Buildings from Damage by Lightning. VI. Medical Electricity. Illustrated with Copper-plates

      London:: Printed for W. Strahan, and T. Cadell,. 1770.. 8vo: [A]^2 B - I^8 K^6. 8-1/2" x 5-1/4". 1st edition (Ronalds, p. 171). [4], 140 pp.. Modern brown quarter leather binding with marbled paper boards. Eps renewed.. Binding - Fine. Text block - VG (chip from A1 fore-edge [no text. affected]/bit of yellowing to plates, with the odd vertical mis-fold. line).. Uncommon on the commercial market, with ABPC showing the last copy of the first edition to come to auction over 30 years ago (1977). Even then it garned $250. . Illustrated with 3 fold-out plates at rear.

      [Bookseller: Tavistock Books, ABAA]
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        Instituts de Droit, Ou Sommaire de Jurisprudence Canonique, Civile

      1770. Sohet, (Dominique Francois) [1728-1811]. Instituts de Droit, Ou Sommaire de Jurisprudence Canonique, Civile, Feodale et Criminelle, Pour les Pays de Liege, de Luxembourg, Namur & Autres. Bouillon: A. Foissy, 1770, 1772, 1781. Five parts bound as one. Complete as issued. Main text in parallel columns. Quarto (10" x 8-1/2"). Nineteenth-century three-quarter calf over marbled boards, rebacked retaining original backstrip with raised bands, gilt ornaments and lettering piece, hinges mended, marbled endpapers. Moderate rubbing with some wear to extremities. Attractive woodcut head and tail-pieces. Toning, light foxing and browning in a few places, interior otherwise fresh. * Only edition. This is a remarkable work comparable to the Institutes of Justinian. Etienne adds, "it is a principal work on the legal history of the Principality of Liege, the Comte of Namur and the Duchy of Luxembourg." OCLC locates 5 complete copies, none in North America. A complete copy located at the Library of Congress, incomplete copies located at UC-Berkeley and Yale law libraries. Not in Harvard Law School&#39;s online catalogue. Etienne, Impressions Bouillonnaises 42.

      [Bookseller: The Lawbook Exchange, Ltd.]
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        Templum et Monasterium SS. Udalrici et Affrae, Rev. PP. Benedic. Augustae. Die Kirchen, und Convent des Kay. Reichs Gottshauß St. Ulrich und Afra der Herrn P.P. Benedictinern in Augspurg." Ehem. Benediktinerstift mit der Kirche St. Ulrich und Afra. Guckkastenblatt

      Altkolorierter Kupferstich der Academie Imperiale, Augsburg um 1770. 24.8x40 cm. - Blick über die Gartenanlage auf den Gebäudekomplex, vor der Klostermauer hübsche Staffage mit zahlreichen Personen, Reitern, Kutsche und Prozession. Dekorative Ansicht in schönem Altkolorit. Schmale Rändchen bis an die Plattenkante, kleiner Eckabriss oben links ergänzt.

      [Bookseller: Wenner Antiquariat]
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        Resumen de los Ramos que han producido el Cargo de la Quenta de la Thesoreria General [del Reyno] que estubo a cargo del Señor Marques de Zambrano en todo el año de 1769. Cuyo por menor es a saver

      {Manuscrito fechado a 31 de Julio de 1770. Un pliego en folio, de 39 folios numerados, más dos hojas, en clara caligrafía, que muestran un completo desglose de ingresos y gastos de la Real Hacienda. Los folios están unidos por una cinta de seda de la época}. Un documento de excepcional interés histórico y económico firmado por el Tesorero General de la Real Hacienda en el momento álgido de las grandes reformas económicas y fiscales planeadas por los círculos ilustrados del Conde de Campomanes hasta la muerte de Carlos III en 1789.

      [Bookseller: Hesperia Libros]
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        View in Switzerland]

      - circa 1770. Hand-coloured engraving. Title is inscribed in a contemporary hand on verso of sheet. In excellent condition. Trimmed as usual and mounted on washline background. Mounting sheet is watermarked laid paper. Image size: 13 1/2 x 19 inches. 16 3/8 x 22 inches. A wonderful continental view in the grand tradition of the romantic landscape. Towards the middle of the eighteenth century a trend developed amongst artists and printmakers, which sought to visually record the natural beauties of their surroundings. English printmakers began to publish topographical prints of the important sights in the British Isles and on the Continent. Theses image not only inspired a sense of national pride but also served as cherished mementos for eager collectors on the "Grand Tour". Prints and paintings of Ruins and antiquities were aimed at English and foreign tourists who desired a reminder of their travels, or at those vicarious tourists who collected topographical prints instead of traveling. This is a wonderful example of a picturesque eighteenth century landscape print. By trimming the image within the platemark and mounting it on a decorative washline background the print has the effect of a landscape painting. The likeness is heightened by the addition of added body colour in the image and the use of a heavy painterly technique of engraving. This practice was common amongst engravers and printsellers who wished to capitalize on this trend for picturesque landscapes. This print is from the famed Oettingen-Wallerstein collection, which was compiled over two centuries by various members of the royal household. The collection is known for its stunning impressions and the immaculate condition of its prints. Clayton, The English Print 1688-1802 p. 155; Lugt, Les Marques de Collections, (Supplement) 2715a

      [Bookseller: Donald A. Heald Rare Books (ABAA)]
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        Kabinet van Nederlandsche en Kleefsche Oudheden, geöpend, opgeheldert en wydlopig beschreven...en in 300 verscheide printtafereelen vertoont door Abraham Rademaker... Eerste-Zesde Deel

      Dordrecht., Abraham Blussé en Zoon., 1770. 6 delen, deel 1-6, 22 x 17 cms, xvi, 363, + 340, + 334, + 334, + 343, + 336 bladen. Met 300 gravures in de tekst, genummerd; 1-300. Uniforme banden uit de tijd, met cartonnen platten en perkamentern ruggen. Komplete serie in nette staat. titelbladen; 1770-71. KEYWORDS: Nederland.

      [Bookseller: antiquariaat de rijzende zon]
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        [View in Switzerland]

      circa 1770. Hand-coloured engraving. Title is inscribed in a contemporary hand on verso of sheet. In excellent condition. Trimmed as usual and mounted on washline background. Mounting sheet is watermarked laid paper. Image size: 13 1/2 x 19 inches. 16 3/8 x 22 inches. A wonderful continental view in the grand tradition of the romantic landscape. Towards the middle of the eighteenth century a trend developed amongst artists and printmakers, which sought to visually record the natural beauties of their surroundings. English printmakers began to publish topographical prints of the important sights in the British Isles and on the Continent. Theses image not only inspired a sense of national pride but also served as cherished mementos for eager collectors on the "Grand Tour". Prints and paintings of Ruins and antiquities were aimed at English and foreign tourists who desired a reminder of their travels, or at those vicarious tourists who collected topographical prints instead of traveling. This is a wonderful example of a picturesque eighteenth century landscape print. By trimming the image within the platemark and mounting it on a decorative washline background the print has the effect of a landscape painting. The likeness is heightened by the addition of added body colour in the image and the use of a heavy painterly technique of engraving. This practice was common amongst engravers and printsellers who wished to capitalize on this trend for picturesque landscapes. This print is from the famed Oettingen-Wallerstein collection, which was compiled over two centuries by various members of the royal household. The collection is known for its stunning impressions and the immaculate condition of its prints. Clayton, The English Print 1688-1802 p. 155; Lugt, Les Marques de Collections, (Supplement) 2715a

      [Bookseller: Donald Heald Rare Books]
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        The Lion and Stag. From an Original Picture of Mr. Stubbs

      London: Published by Benjamin Green, 1 October, 1770. Hand-coloured mezzotint. State ii/iii, with publication line &#39;Published as the Act Directs Octbr. 1. 1770. by Benj. Green, Drawing Master to Christs Hospital, & at the Print Shops&#39;. 16 7/8 x 21 7/8 inches. 18 1/4 x 22 7/8 inches. This dramatic print is a wonderful example of Stubbs&#39;s celebrated work, it combines intense drama with naturalistic observation to create a truly sublime image. From the early 1760s to the 1790s, Stubbs returned again and again to the theme of horses and stags stalked and attacked by lions. In his hands the encounter takes on the high, elemental drama of a scene from myth, suggesting the struggle of good against evil, beauty against ugliness, civilization against savagery. The simple, relief-like design of the composition in &#39;The Lion and Stag&#39; brings a sense of quiet power to this emotive image which is incredibly dramatic. Stubbs made many studies of caged lions at the Tower of London and at Lord Shelbourne&#39;s menagerie on Hounslow Heath, which helped him truthfully depict the attitude and movement of these great animals. This print completed Benjamin Green&#39;s series of six mezzotints after Stubbs&#39;s paintings, but there is some dispute as to which painting Green&#39;s mezzotint reproduced. It was most likely after Stubbs&#39;s work, &#39;A Lion Devouring a Stag&#39; which was exhibited at the Society of Arts in 1769. Alternatively, it might have been derived from Stubbs painting &#39;Lion Devouring a Deer&#39; which had been shown in 1770. In this dramatic work Stubbs exhibits his artistic genius and infuses this dramatic work with a sublime beauty. Lennox-Boyd, George Stubbs 9 ii/iii; Siltzer The Story of British Sporting Prints p. 270; Snelgrove, British Sporting and Animal Prints 1658-1874 no.23; Sparrow, British Sporting Artists from Barlow to Herring p.134

      [Bookseller: Donald Heald Rare Books]
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        NATUUR DER DIEREN. Des Wyd-Vermaerde Natuurkundige vyf boeken. Handelende van de Nature, I. Van de Menschen. II. Van de viervoetige en kruypende Dieren. III. Van de Vogelen. IV. Van de kleine Beestjes of Ongedierten. V. Van de Visschen, Oesters, Kreeften, &c. Hier

      Amstredam, Jan Morterre, 1770.** . Gebonden in leder, band licht beschadigt, 16,5x10,5cm, 642pp + 5pp. De wijd vermaarden natuurkundigen vijf boeken: handelende van natuur. Hier zijn bijgevoegd de schriften van verscheidene oude schrijvers. En nu deze laatste druk wel een vierde vermeerderd, uit verscheidene nieuwe schrijvers en eigen ondervinding. Versierd met vele fraaie koperen platen.

      [Bookseller: ERIK TONEN BOOKSELLER]
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        Prospect von St. Petersburg. Vue de St. Petersbourg." Uferkai der Newa mit Blick über den Fluss auf die Stadt mit Palästen und Brücke. Guckkastenblatt

      Altkolorierter Kupferstich von Christoph Nabholz für die Academie Imperiale, Augsburg um 1770. 29x41.3 cm. - Dekorative Ansicht, im Vordergrund Hafenkai mit reicher Personenstaffage, Kutsche und Booten. Auf grauen Karton montiert, Ränder etwas angeschmutzt, Knitterfalten geglättet, schmale Rändchen.

      [Bookseller: Wenner Antiquariat]
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        THE DESERTED VILLAGE

      " London: Printed for W. Griffin ... 1770" [sic].. vi,[7]-24pp. 12mo. Full red-brown morocco, a.e.g. Modest foxing, joints rubbed, and lower joint cracked at top, otherwise a very good copy, and a good association copy, with the bookplates of Ralph Isham and George Clinton Ward. One of three pirated printings (conforming to Scott&#39;s printing &#39;c&#39;), considered by some in earlier generations, without sound basis, to be "trial" printings, ostensibly preceding the legitimate quarto first edition. William Todd investigated these piracies, as well as their progeny, and published his findings in STUDIES IN BIBLIOGRAPHY VI (1953), where this particular printing conforms to his printing &#39;A&#39;, which he suggests was printed in Edinburgh before 19 July 1770, probably by Walter Ruddiman, printer and publisher of the WEEKLY MAGAZINE, OR EDINBURGH AMUSEMENT. The printing in hand is described in the Rothschild catalogue, quoting from Todd&#39;s then unpublished notes, as "the first of a series of pirated editions possibly originating in Edinburgh, beyond the reach of the law on copyright, and thereafter reprinted in one shop after another across the country." It&#39;s likely that those pirates would have rolled over in their graves had they lived to see the prices realized by copies prior to the conclusive exposure of their true nature: Kern copy $3900 (1929) and the Bishop copy of another printing (Scott A) $2100 (later the Rothschild copy, exhibited at the Hayward exhibition). HAYWARD 184 (Scott&#39;s variant A). Todd,"The &#39;Private Issues&#39; of THE DSERTED VILLAGE," STUDIES IN BIBLIOGRAPHY, vi, 1954, pp.25 - 44. ROTHSCHILD 1033. SCOTT, pp. 242ff.

      [Bookseller: William Reese Company - Literature ABAA-]
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        AN ESSAY ON THE WEATHER, with Remarks on The Shepherd of Banbury&#146;s Rules for Judging of its Changes; and Directions for preserving lives and buildings from the fatal effects of lightening. Intended chiefly for the use of husbandmen

      London, Printed for S. Hooper, 1770.. FIRST EDITION, 1770. 8vo, approximately 105 x 130 mm, 8 x 5 inches, pages: xxx, 108 including index, plus 4 pages of adverts, bound in modern quarter blue morocco, gilt lettering to spine, marbled boards, new cream endpapers. A few small indentations to lower spine, slight rubbing to gilt title, pale staining to title page, pale staining to upper margins of prelims and last twelve pages, pale stain to 1 page affecting text, all text legible, a few pointing hands in old ink in the margins, small pale stains to top and bottom of inner margins of endpapers, otherwise a very good copy. See: Mary S. Aslin, Catalogue of the Printed Books on Agriculture, Published Between 1471 and 1840, page 93; Agricultural Writers from Sir Walter of Henley to Arther Young, 1200-1800 by Donald McDonald page 211. MORE IMAGES ATTACHED TO THIS LISTING. POSTAGE AT COST.

      [Bookseller: Roger Middleton]
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        Spatium Novanum Romae. ... Der Navona Platz zu Rom." Piazza Navona mit Fontana dei Fiumi (Vier-Ströme-Brunnen), Fontana del Nettuno und Kirche Sant&#39; Agnese. Guckkastenblatt

      Altkolorierter Kupferstich von Johann Jakob Stelzer bei Georg Balthasar Probst, Augsburg um 1770. 30x42.3 cm. - Kapff / Steinmetz 46 - Dekorative Ansicht in schönem, kräftigem Altkolorit mit hübscher Personenstaffage. Unter der Darstellung der Titel in Latein, Französisch, Italienisch und Deutsch. Kurze Randeinrisse in den schmalen Rändchen hinterlegt. Oben rechts Eckabriss mit wenig Abbildungsverlust im Himmel ergänzt.

      [Bookseller: Wenner Antiquariat]
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        Vue de la Place capitale dans la Ville basse a Quebec. Prospect des Haupt Plazes der untern Stadt zu Quebec. "optical prints" (vue d&#39;optique) "perspective views"

      Augsburg: HABERMANN, F.X., [1770]. 1st Edition. No binding. Very Good. UNCOMMON c. 31 x 39 cm. (n.d., after 1770). Cont. handcold. engr. optical print by F.X. Havermann.& A lovely view of a street in the main plaza of the lower part of Quebec. The wide boulevard is filled with marching soldiers and people going about their daily business. & Prospect des Haupt Plazes der untern Stadt zu Quebec. Vuë de la Place capitale dans la Ville basse a Quebec. Augsburg, &#39;Akademische Kunsthandlung&#39;, & With captions in French and German below the image., The "optical prints" (vue d&#39;optique) " perspective views" were a form of entertainment meant to be seen through devices were made to be viewed in a special apparatus called a Zograscope (not included) Drawn with an exaggerated one-point perspective, each print took on a nearly three-dimensional appearance when viewed in the mirror through the optique lens. The name of the print at the top was reversed in the mirror and thus right-reading when viewed by this device. Strong hand color distinguishes perspective views. These were often drawn in course crude colours inside the images, which worked better when viewed in the zograscope under low light., Stunning vue d&#39;optique prints "Collection des Prospects," in this case, was of 5 various fictitious views of Quebec that Habermann published in collaboration with his partner Balthazar Frederic Leizelt.& These prints offered middle- and upper-class viewers in Europe a glimpse of far-off places as North America (Quebec, New York and Boston). As well, traveling vendors, went to fairs offering views of the images through the Optical Machine for a few pennies to the very curious general public.& "In considering the fictitous views of Canada, made up wholly from the imagination of engravers assisted by what they had heard from travellers, the names of François Xavier Habermann and Balthazar Freric Leeizelt... easily come first. Their Collection of Prospects was completely the product of a fertile imagination... quite unassisted by fact. The astonished collector comes across these well-drawn.... coloured etchings, having the strange peculiarity of the title et the top of the print reading backwards [as with the present image]... These prints were probably published about 1775. Habermann&#39;s views of New York, done about the same time are equally fictitious&#39;." (Spendlove The Face of Early Canada p.83)

      [Bookseller: Lord Durham Rare Books Inc. (IOBA)]
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        Invalidorum militum hospitium Regium Berolini. ... Das Königl. Hospital der lahmen Kriegs-Leute, zu Berlin." Invalidenheim in der Oranienburger Vorstadt, Scharnhorststr. 34 - 35. Guckkastenblatt

      Altkolorierter Kupferstich von Georg Balthasar Probst, Augsburg um 1770. 31x42 cm. - Kiewitz 979 - Kapff / Steinmetz 160 - Dekorative Ansicht des 1745 - 1748 im Auftrag Friedrichs des Großen nach Plänen des Ingenieur-Hauptmanns Isaak Jacob Petri (1701 - 1776) errichteten Gebäudes für invalide preußische Soldaten. Anlage mit schlichten langgestreckten Putzbauten und drei Höfen. Im Vordergrund reiche Personenstaffage mit Soldaten, Kutschen und Reitern. Unter der Darstellung der Titel in lateinischer französischer, spanischer und deutscher Sprache. Breitrandiges Blatt in schönem Altkolorit. Kurzer Einriss unauffällig restauriert.

      [Bookseller: Wenner Antiquariat]
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        THE NEW BOOK OF MARTYRS: OR, COMPLETE CHRISTIAN MARTYROLOGY

      1770. SOUTHWELL, Henry. THE NEW BOOK OF MARTYRS: OR, COMPLETE CHRISTIAN MARTYROLOGY. INCLUDING THE LIVES AND TRANSACTIONS OF ALL THOSE CONTAINED IN FOX&#39;S BOOK OF MARTYRS ... CONTAINING A FULL, AMPLE, CORRECT, AUTHENTIC AND GENUINE HISTORICAL ACCOUNT OF THE MANY DREADFUL PERSECUTIONS AGAINST THE CHURCH OF CHRIST, IN ALL PARTS OF THE WORLD, BY PAGANS, JEWS, TURKS, PAPISTS, AND OTHERS. FROM THE EARLIEST AGES OF THE CHURCH, TO THE PRESENT PERIOD. London: Printed for J. Cooke [n.d. ca. 1770]. 466 pp. + 6 pp. Index, plus 40 b/w engraved plates. Frontispiece and 2 plates have closed tears, frontispiece tears repaired with paper on reverse, the other 2 plates&#39; tears not affecting the images. Lacks list of subscribers. Folio, black calf with gilt borders, raised bands, two gilt red morocco spine labels, marbled endpapers. Boards worn, a few dents and scrapes. Some light soil to title page and in margins of text. Complete. Engravings depict scenes of torture, including the burning of a bookseller at Avignon (for selling French language Bibles).

      [Bookseller: Boston Book Company]
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        A view of his Grace the Duke of Kingston&#39;s house at Thoresby, with his Grace & attendants going a setting

      [London?]: [circa 1770?]. Line engraving, by Pritchard (expert small repairs to left and right margins). 10 3/4 x 16 7/8 inches. 13 3/8 x 20 inches. A fine example of this excellent portrait (of both the Duke and his pointers) after Tillemans. This is a reduced version of a view (on two plates) published (according to Siltzer) by Sayer with an image area of 28 1/2 x 16 inches. Peter Tillemans "came to England from Antwerp in 1708. His first commissions were to paint topographical views... Each required figures to give life to the well-painted landscapes and what was more natural than to show some of the people mounted... his large and busily populated pictures of Newmarket Heath have considerable charm. The influence of his friend John Wotton is most pronounced in his horse portraiture while his compositions owe something to Francis Barlow. Tillemans&#39; patrons included all the principal race-horse owners of the period... He must have known Newmarket well, already established as the home of the turf... Tillemans&#39; influence on later sporting artists is considerable... The engravings after his Newmarket paintings provide a fascinating record of training and horse management when the turf was developing quickly in the hands of the aristocracy of the period." (Charles Lane British Racing Prints p.173) Mellon British Sporting and Animal Prints p. 187; Schwerdt III, p124; cf. Siltzer p.274 (large version only).

      [Bookseller: Donald Heald Rare Books]
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        Archaeologia or Miscellaneous Tracts Relating to Antiquity, Volumes I through XI (1-15) of the first series, 1770-1806

      Society of Antiquaries of London; J. Nichols, 1770. Leather Bound. Good. Quarto. 15 volume set in contemporary full marbled calf leather binding. First series. Published by J. Nichols for the Society of Antiquaries of London from 1770 to 1806. Clean, white, unmarked pages. Text block is in excellent condition with only very limited foxing to a few pages. Heavy set. Some edge wear to boards. Heavily illustrated with extraordinary fold out maps, plates, and drawings. All books have original boards and solid bindings, except volume 15 is missing its rear board and two other volumes have lose boards. Intermittent loss of spine label lettering. Please see our pictures or contact us for additional information about this set. Very scarce.

      [Bookseller: SequiturBooks]
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        Carte de L&#39;Islande

      Kupferstich-Karte nach Niels Horrebow aus Continuation de l&#39;Histoire générale des Voyages um 1770. 31.5x39 cm. - Hinrichsen, Island Nr. 85 vgl. - Dreyer-Eimbcke, Isl. S. 113 vgl. - "Horrebow, ein dänischer Jurist, wurde von der Dänischen Akademie der Wissenschaften nach Island geschickt, mit dem Auftrag, Johann Andersons haarsträubenden Ungenauigkeiten ... entgegenzutreten." Hübsche Island-Karte mit Windrose, Gradnetz und Legende. Unten kleines Loch in alter Faltung restauriert.

      [Bookseller: Wenner Antiquariat]
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        Das Schloss zu Münster." Schloss

      Kolorierter Kupferstich von Christian Ludolph Reinhold um 1770. 25x35 cm. - Diese Ansicht des Schlosses von Südwesten ist nicht bei Geisberg aufgeführt, dort ist unter Nr. 130 lediglich das nach dieser Vorlage geschaffene Guckkastenblatt von B. F. Leizel verzeichnet, auch das Werk Westfalia Picta führt in Band VIII Nr. 450 nur das Guckkastenblatt auf.

      [Bookseller: Wenner Antiquariat]
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        Prospect von der Stadt Zürch, von der See Seite aufgenommen. Vue de la Ville de Zürch, prise sur le Lac." Ansicht vom Zürichsee aus. Guckkastenblatt

      Altkolorierter Kupferstich von Balthasar Friedrich Leizel nach Nicolas Pérignon für die Academie Imperiale, Augsburg um 1770. 29.5x41 cm. - Dekorative Ansicht in schönem Altkolorit mit hübscher Bootsstaffage im Vordergrund. Kurze Randeinrisse im schmalen Papierrand unten restauriert.

      [Bookseller: Wenner Antiquariat]
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        Der unglückliche Zufall der beeden Französischen Kriegs Schiffe, genant Quebeck und Surveillante ... Etat malheureux du Quebeck et de la Surveillante Vaiseau de Guerre Francois ..." Darstellung der Explosion des britischen Kriegsschiffes Quebec unter Kommando des Capitain Farmer und des französischen Schiffes Surveillante am 6. Oktober 1779. Guckkastenblatt

      Altkolorierter Kupferstich von Balthasar Friedrich Leizel nach Richard Paton für die Academie Imperiale, Augsburg um 1770. 29.5x41 cm. - Am 6. Oktober 1779 trafen die gegnerischen Schiffe im Atlantik vor der Isle d&#39;Ouessant (Ushant) aufeinander. Nach heftigem Gefecht waren die Masten beider Schiffe zerstört. Auf der Quebec brach ein Feuer aus, das zur Explosion führte und das Schiff sank mit einem Großteil seiner Besatzung. Seestück mit der in Flammen stehenden Quebec, der Surveillante mit gebrochenem Mast, Booten und Schiffbrüchigen. Auf grauen Karton montiert, die schmalen Ränder etwas angeschmutzt, kurze Randeinrisse restauriert.

      [Bookseller: Wenner Antiquariat]
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        Die bewaffnete Neutralitaets Flotte der Nordischen Mächte, im Mittelländischen Meer ohnweit Neapel. La Flotte armée neutre des Puissances du Nord dans la Mer Mediterranée proche Neaple." Ansicht vom Hafen aus mit reicher Schiffsstaffage im Vordergrund. Guckkastenblatt

      Altkolorierter Kupferstich von Balthasar Friedrich Leizel für die Academie Imperiale, Augsburg um 1770. 29.5x41 cm. -

      [Bookseller: Wenner Antiquariat]
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        Prospect von der Stadt Basel wie solche oben auf der Hünninger Schanze anzusehen. Vue de la Ville de Bale prise au dessus de la Redoute d&#39;Huningue." Ansicht vom Rhein aus. Guckkastenblatt

      Altkolorierter Kupferstich von Balthasar Friedrich Leizel nach Nicolas Pérignon für die Academie Imperiale, Augsburg um 1770. 29.5x41 cm. - Dekorative Ansicht in schönem Altkolorit mit Fischerboot auf dem Fluss und Personenstaffage am Ufer. Auf grauen Karton montiert, 2 Quetschfalten im Himmel.

      [Bookseller: Wenner Antiquariat]
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        Vue prés de la Porte du Château à Leipzig. Prospect bey dem Schloß-Thor zu Leipzig." Teilansicht der Stadt, im Vordergrund Promenade vor dem Schloss-Tor. Guckkastenblatt

      Altkolorierter Kupferstich von Balthasar Friedrich Leizel bei Georg Balthasar Probst, Augsburg um 1770. 31.5x41.5 cm. - Kapff / Steinmetz PR 332 - Das ehem. Schlosstor im Südwesten war der Zugang von der Burgstraße zur Pleißenburg. Dekoratives Blatt in schönem Altkolorit und gutem Erhalt, nur eine kurze Quetschfalte im Himmel. Im Vordergrund reizvolle Staffage mit Reiter und Spaziergängern auf der baumbestandenen Promenade.

      [Bookseller: Wenner Antiquariat]
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        Les vrais Quakers, ou Les exhortations, harangues, & prédictions des vrais serviteurs du Seigneur Dieu: A un mechant frere, specialement au sujet de ses maximes sur le luxe, & de ses persécutions contre un frere dans le malheur.

      London [d. i. Paris?] (und Brüssel), (Antoine D&#146;Ours), 1770. - (4), XII, 183, (1) SS. Marmorierter Halblederband der Zeit mit goldgepr. Rückenschildchen und -vergoldung. Dreiseitiger Rotschnitt. 8vo. Erste Ausgabe. - "A satirical work with several references to Voltaire and J. J. Rousseau" (OCLC). Mit fortlaufend paginierten separaten Zwischentiteln: "Extrait d'un discours prononcé a Pekin cent ans après la mort d'un poete historiographe et celle d'un orateur-philosophe, ou, Le parallele. Màne - Thékel - Pharès. A Londres, MDCCLXX" (S. 75) und "Correspondance entre un oncle & son neveu, ou Pieces critiques, morales & philosophiques [.] A Londres, (et se vend) a Bruxelles, chez Antoine D'ours, imprimeur-libraire. MDCCLXX" (S. 105). Das Exemplar der NYPL trägt am Vortitel eine hs. Widmung, die offenbar vom Verfasser stammt: "To the Right Hnble. the Earl of Marchmont from his humble servant T: Needham editor". Der anonyme Autor wäre demnach wohl zu identifizieren mit dem englischen Naturforscher und katholischen Priester John Turberville Needham (1713-81), der die Theorie der Urzeugung vertrat. Needham schrieb auf französisch und war ab 1768 Direktor der Brüsseler literarischen Gesellschaft. Er korrespondierte mit Voltaire; ihr Briefwechsel wurde im Jahre 1769 publiziert (vgl. DNB XIV, 157ff.). - Mit einigen hs. Verbesserungen und Einfügungen der Zeit, möglicherweise vom Verfasser oder von einem Verlagslektor, offenbar Korrekturen für eine spätere Ausgabe. Durchgehend gleichmäßig schwach gebräunt. Auf S. 53f. kl. Einriß im oberen w. Rand; 2 Bll. (S. 67-69) mit kl. Ausriß im inneren w. Rand. Ecken bestoßen, oberes Kapital lädiert; Vordergelenk angeplatzt. - Eine 1771 erschienene 2. Ausgabe (die uns nicht zum Vergleich vorlag) ist mikroverfilmt (The 18th c., 3961, 11. Woodbridge, Research Publ., 1986). Selten; international seit 1970 nicht auf Auktionen; in Bibliotheken nur nachgewiesen in BNF, Leeds und NYPL. OCLC 44758707. Nicht bei Weller (Druckorte) oder Barbier. Nicht bei Brunet oder Graesse. [Attributes: First Edition; Hard Cover]

      [Bookseller: Antiquariat INLIBRIS Gilhofer Nfg. GmbH]
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        Le Génie de M. Hume, ou analyse de ses ouvrages, dans laquelle on pourra prendre une idée exacte des m?urs, des usages, des loix, et du gouvernement du peuple Anglois.

      "Londres & se trouve ? Paris, Chez Vincent" [printed at Paris], 1770 - First and only edition, apparently the last of numerous French translations of Hume's works to be published in his lifetime. It contains excerpts from his Essays (arranged thematically) and History of England (arranged chronologically). It was evidently aimed at a wider audience than the philosophical and appears as much a guide to the peculiarities of the British as to Hume's philosophy. 12mo (164 × 91 mm), pp. viii, 472. Woodcut and typographical ornaments. Contemporary mottled calf, spine with 5 raised bands, gilt in compartments, red morocco label, red edges. An excellent copy, crisp and fresh. [Chuo III, 102, Goldsmiths, Higgs 5361, Jessop 10.] [Attributes: Hard Cover]

      [Bookseller: Justin Croft Antiquarian Books Ltd ABA]
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        THE WORKS

      C.Bathurst,W.Strahan,J and F.Rivington......London.,1770. NINE VOLUMES.8vo.Illustrated with 24 copper engravings.Very good bright set bound in contemporary full tan calf,spines ruled in gilt.Each volume with red morocco title lebel,decorated and lettered in gilt.Some rubbing to most volumes and a few hinges cracked but all still holding firm.Overall an attractive set of eighteenth century bindings.Previous owners bookplate on front paste downs.:

      [Bookseller: Paul Foster Books]
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        Garrick, ou les acteurs anglois; ouvrage contenant des observations sur l'art dramatique, sur l'art de la représentation, & le jeu des acteurs: avec des notes historiques & critiques, & des anecdotes sur les différens théâtres de Londres & de Paris: traduit de l'anglois.

      Seconde edition, augmentée. Paris, chez J. P. Costard, 1770. 8:o. XII,199,(5) s. Häftad och oskuren i samtida gråpappomslag med handskriven titel. Ryggen ngt solbränd. En stor ljusbrun fläck i texten på s. 32-43 och en rostfläck i yttermarginalen på s. 121-22.. Originalet, "The actor, or, a treatise on the art of playing" (1755), översattes till franska av Antoine-Fabio Sticotti. Första franska upplagan utkom 1769. Det engelska originalet bygger dock delvis på ett franskt arbete av Rémond de Sainte-Albine. Boken blev kritiskt recenserad av Diderot 1770. Den översattes även till tyska 1771

      [Bookseller: Mats Rehnström]
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