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Displayed below are some selected recent viaLibri matches for books published in 1730

        A New and Correct Map of the World, Laid Down According to the Newest Discoveries, and From the Most Exact Observations

      London: H. Moll, D. Midwinter, T. Bowles, P. Overton, 1730. Copper-engraved map, on four joined sheets, with original outline colour. Marginal foxing, re-margined left and right margins, reinforced center fold, repaired tear bottom margin, toning at center fold. A magnificent and monumental World map, showing the globe in the early days of the Age of Enlightenment and European ImperialismThis fascinating global perspective, featured in double-hemispheres, depicts the latest state of knowledge of the world in the first quarter of the eighteenth-century. The delineation of Europe, South America, and southern Asia is quite sophisticated, while the depiction of regions further beyond suggests only fleeting exploration or outright speculation. Most of the Arctic is labelled "Parts Unknown," and the American West is largely conjectural, featuring California as an island, the most beloved of cartographic misconceptions. Lands depicted to the east of the Spice Islands are scarcely contemplated, "Iesso," or Hokkaido, is shown to be part of Siberia, and eastern Australia is left as a complete enigma, decades before the voyages of James Cook. This map was intended to satiate the intense English interest in maritime exploration and commerce. The oceans within the Tropics of Cancer and Capricorn feature highly detailed hydrological information, most notably the direction of the ocean currents, that Moll gleaned from his esteemed contemporary Sir Edmond Halley. Evincing the scientific curiosity of the Enlightenment, each corner of the map features very detailed and elegant astronomical diagrams, including; the planetary systems according to both Ptolemy (geo-centric) and Copernicus (helio-centric) (with the addition of the path of a comet), the appearance of the Sun according to the Jesuit intellectual Athanasius Kircher; and the Appearance of the Moon according to Jean-Dominique Cassini. The five known planets are depicted as well, Saturn with its ring and Jupiter with four moons. The magnificent title cartouche, dedicated to George I, features classical sea gods, prefiguring the power of the Royal Navy that would allow the British to build a global empire later in the century.The present map was part of Herman Moll's magnificent folio work, a New and Compleat Atlas. Moll was the most important cartographer working in London during his era, a career that spanned over fifty years. His origins have been a source of great scholarly debate; however, the prevailing opinion suggests that he hailed from the Hanseatic port city of Bremen, Germany. Joining a number of his countrymen, he fled the turmoil of the Scanian Wars for London, and in 1678 is first recorded as working there as an engraver for Moses Pitt on the production of the English Atlas. It was not long before Moll found himself as a charter member of London's most interesting social circle, which congregated at Jonathan's Coffee House at Number 20 Exchange Alley, Cornhill. It was at this establishment that speculators met to trade equities (most notoriously South Sea Company shares). Moll's coffeehouse circle included the scientist Robert Hooke, the archaeologist William Stuckley, the authors Jonathan Swift and Daniel Defoe, and the intellectually-gifted pirates William Dampier, Woodes Rogers and William Hacke. From these friends, Moll gained a great deal of privileged information that was later conveyed in his cartographic works, some appearing in the works of these same figures. Moll was highly astute, both politically and commercially, and he was consistently able to craft maps and atlases that appealed to the particular fancy of wealthy individual patrons, as well as the popular trends of the day. In many cases, his works are amongst the very finest maps of their subjects ever created with toponymy in the English language.Shirley, Maps in the Atlases of the British Library I , T.Moll-4b, 2; Cf. Reinhartz, The Cartographer and the Literati: Herman Moll and his Intellectual Circle.

      [Bookseller: Donald Heald Rare Books ]
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        Memoirs of the Life, Writings, and Amours of William Congreve, Esq; Interspersed with Miscellaneous Essays, Letters and Characters, Written by Him. Also, Some very Curious Memoirs of Dr. Dryden and his Family, with a Character of Him and his Writings, by Mr. Congreve. Compiled from their Respective Originals by Charles Wilson Esq. [pseud]

      London: Printed [for Edmund Curll] in the Year 1730, 1730. First edition. Lowe, English Theatrical Literature, 2642; NCBEL II, 751; MacDonald, Dryden, 332. Edges rubbed; two abrasions on the front free endpaper; very good copy. Rare.. 8vo, contemporary paneled calf rebacked, maroon leather label, gilt decorated and lettered spine. Frontis portrait. 16-page publisher's catalogue for H. Curll. The first attempt at a biography of playwright and author William Congreve (1670-1729), attributed by Ralph Straus in The Unspeakable Curll, to historian and dramatist John Oldmixon, a regular contributor to Curll's publications. The Memoirs are part factual, part spurious and part scandalous. Included is a copy of Congreve's will, numerous inaccurate facts about his affairs, a reprinting of his novel Incognita, accounts of Dryden's family and funeral by a Mrs. Elizabeth Thomas ("Corinna") and a lewd affidavit about four ladies which has no connection to Congreve or Dryden. There are also unrelated attacks on Pope and John Dennis. When news got out about Curll's intention to publish the first memoir of the great Congreve, efforts were made, to no avail, to suppress its publication. The "H. Curll" name in the advertisements is for Henry Curll, Edmund's son, who took over the business when his father was serving time in prison for libel. Contemporary bookplate on the front paste-down of Robert Lord Clive.

      [Bookseller: The Brick Row Book Shop]
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        Carte du Piemont et du Monferrat Dressé sur plusiers cartes manuscrites ou imprimées rectifiées par quelques observations pau Guilaume Del'isle de l'Academie royale des sciences a Paris chez l'auteur sur le quai de l'horlege. avec privilege Avril 1707

      Paris. c. 1730 - Fine condition. Copper engraving. Original outline colour with later additions. Size: 490 x 620 mm Detailed map of the Piedmont and Monferrato region of Italy. Engraved by Henri Liebaux. From Atlas de Geographie.

      [Bookseller: Peter Harrington Gallery]
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        Partie Meridionale du Piemont et du Montferrat

      c 1730 - Copper engraving. Hand coloured. Size: 64 x 49 cm. Fine condition, good margins, edges a little browned This detailed and beautifully engraved map of the French/Italian Mediterranean coast from Nice to Montferrat, has no cartouche- the title is written in the top border, 3 scales, inset map at lower right of Nice.The plates were originally made by De l'Isle around 1700. Covens and Mortimer reissued them in the Atlas Novissimo (1730-40). Phillipe Buache, de l'Isle's successor, and son in law continued to reissue de l'Isle's maps in the later eighteenth century.

      [Bookseller: Peter Harrington Gallery]
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        Imperii Moscovitici pars Australis.

      Augsburg: c1730 - Size: 550 × 620 mm. Copperplate engraving in original colour. Small, close nicks and tears to upper margin, but in good overall condition. A pleasing map of the region around Moscovia; from Moscow south to The Crimea, (including the Ukraine and Cosack regions) to the west is Russian Poland and Lithuania, to the east Russian Tartary and Siberia. Includes major towns, villages, roads, and physical features such as; rivers, lakes, mountains, castles, forests and other delightful details.

      [Bookseller: Peter Harrington Gallery]
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        Accurata delineatio celeberrimae Regionis Ludovicianae vel Gallice Louisiane ol. Canadae et Floridae appellatione in septemtrionali America descripta qua hodie nomine fluminis Mississippi vel St. Louis

      Augsburg 1730 - Incisione in rame, coloritura originale d'epoca, mm 500x580; arricchita da spendido cartiglio in basso a destra e carta della costa della Louisiana entro riquadro in alto. Tratta da Atlas Maior. Seutter, dopo un apprendistato presso Homann a Norimberga, trasferitosi ad Augsburg verso il 1720, aprÏ la propria attivit? superando il maestro sotto il profilo della bellezza: le sue carte hanno sempre colori brillanti e cartigli elaborati. Buon esemplare con lievi tracce di umido e restauro all'angolo sup. sin.Copperplate, original colour, mm 500x580. Enriched by a large cartouche in bottom right corner. Good condition with a restored marginal area in upper left corner, some surface dirt and light water stains. From Seutter's Atlas Maior printed in about 1730. Seutter, one of the most celebrated eighteenth century German mapmakers, after having worked with Homann in Nuremberg, started his own business in Augsburg around 1710. His maps always have elaborate cartouches and are very decorative and printed on good paper. cartografia.

      [Bookseller: libreria antiquaria perini Sas di Perini]
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        Italia et Hispania Orientalis sive Italorum et Hispanorum qui linguam hebraeam vel alias orientales excoluerunt vitae (.) editae et notis instructae a Jo. Christophoro Wolfio.

      - Hamburgi, sumptibus Viduae Felgineriae, 1730, in-8, piena perg. coeva, pp. (16), 256. Frontespizio stampato in rosso e nero, una grande iniziale e una testata incise in legno. Qualche leggera brunitura, ma bell'esemplare con il margine esterno in barbe. Verosimilmente si tratta della prima edizione di queste vite degli Italiani e Spagnoli che coltivarono le lingue orientali. [Attributes: First Edition]

      [Bookseller: Libreria Oreste Gozzini snc]
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        Elementa matheseos universae . Editio nova priori multo auctior et correctior.

      prostat in Officina Rengeriana -41 1730 - 5 vols., with a fine engraved portrait frontispiece in vol. i, title-page in vol. i printed in red and black, numerous engraved plates scattered throughout, some browning to text block worst in the last vol., 2 brief outbreaks of worming in vol. ii with the loss of one word on the verso of one leaf, tear half way across one leaf in vol. iv without loss, 4to, uncut in contemporary half vellum over marbled boards on 2 vols., the others matching but without vellum corners, faded ink lettering on spines, loss of various patches of the marbled paper covering of the boards, corners bumped, bookplate in each vol. of the Turner Collection, Keele University. Scarce complete set of Wolff's scientific writings, pure and applied. Vol. i has a number of pieces of paper (varying sizes) loosely inserted, with notes in Latin in a small neat hand. Some of these make reference to both earlier and later works and journal articles on the topic in question, the latest date we find being 1804.

      [Bookseller: Blackwell's Rare Books ABA ILAB BA]
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        Memoirs of the Life, Writings, and Amours of William Congreve, Esq; Interspersed with Miscellaneous Essays, Letters and Characters, Written by Him. Also, Some very Curious Memoirs of Dr. Dryden and his Family, with a Character of Him and his Writings, by Mr. Congreve. Compiled from their Respective Originals by Charles Wilson Esq. [pseud]

      London: Printed [for Edmund Curll] in the Year 1730 - 8vo, contemporary paneled calf rebacked, maroon leather label, gilt decorated and lettered spine. Frontis portrait. 16-page publisher's catalogue for H. Curll. ? The first attempt at a biography of playwright and author William Congreve (1670-1729), attributed by Ralph Straus in The Unspeakable Curll, to historian and dramatist John Oldmixon, a regular contributor to Curll's publications. The Memoirs are part factual, part spurious and part scandalous. Included is a copy of Congreve's will, numerous inaccurate facts about his affairs, a reprinting of his novel Incognita, accounts of Dryden's family and funeral by a Mrs. Elizabeth Thomas ("Corinna") and a lewd affidavit about four ladies which has no connection to Congreve or Dryden. There are also unrelated attacks on Pope and John Dennis. When news got out about Curll's intention to publish the first memoir of the great Congreve, efforts were made, to no avail, to suppress its publication. The "H. Curll" name in the advertisements is for Henry Curll, Edmund's son, who took over the business when his father was serving time in prison for libel. Contemporary bookplate on the front paste-down of Robert Lord Clive. Edges rubbed; two abrasions on the front free endpaper; very good copy. Rare. Lowe, English Theatrical Literature, 2642; NCBEL II, 751; MacDonald, Dryden, 332 [Attributes: First Edition; Hard Cover]

      [Bookseller: Brick Row Book Shop, ABAA]
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        WIEN., "Vienne. Capitale de l'Autriche". Gesamtansicht über die Donau mit reicher Staffage im Vordergrund.

      Kupferstich bei P. van der Aa, Leiden, um 1730, 21,5 x 27 cm. Nicht bei Fauser. - Kleiner Rostfleck im Himmel, sonst wohl erhalten. Europa, Österreich

      [Bookseller: Buch- und Kunstantiquariat]
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        Carte de l'Egypte de la Nubie de l'Abissinie &c.

      Amsterdam, Jean Covens & Corneille Mortier, (1730). - Hand-coloured engraved map (645 x 540 mm). Guillaume de l'Isle used the three classic divisions in this map, but it also contains other divisions and subdivisions based on geographical and political considerations. - Well preserved. Tibbetts 199. Cf. Al-Qasimi 268 (Paris ed. 1707).

      [Bookseller: Antiquariat INLIBRIS Gilhofer Nfg. GmbH]
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        Kupferstich- Karte, v. J. Condet n. G. de l'Isle b. Covens u. Mortier, "Partie Meridionale du Piemont et du Monferrat".

      - mit altem Grenzkolorit, um 1730, 48 x 62,5 Über der Karte Kopftitel, rechts unten kleine Nebenkarte der Umgebung v. Nizza. Zeigt das Gebiet südl. v. Turin bis zum Mittelmeer ( von Nizza bis Varaze ).

      [Bookseller: Antiquariat Nikolaus Struck]
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        Novus Orbis sive America Meridionalis et Septentrionalis

      Augsburg Seutter Mathias 1730 - America. "Novus Orbis sive America Meridionalis et Septentrionalis". Orig. copper-engraving, M. Seutter, Augsburg, ca. 1730. Orig. old colouring. With great figure (Indians) title-cartouche and another figure cartouche with explanatory notes. 50:58 cm (19 3/4 x 23 inch.). A decorative map of America. - Nice, strong impression. Margins cutted closely (2-8 mm) to the desk. A miniature rusty stain rigt of the title-cartouche under the tropic of Capricorn.

      [Bookseller: Antikvariat Krenek]
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        La Découverte de l'Empire de Cantahar

      4 p.l., 373, [3] pp. Small 8vo, cont. red morocco, triple gilt fillet round sides, fleur de lis in corners, spine gilt, a.e.g. Paris, P. Prault, 1730. First edition of this rare imaginary voyage to the utopia of the empire of Cantahar, an unknown land near the Cape of Good Hope. It is a country of justice and goodness governed by the much-loved prince, Kincadior, with free marriages, no required dowries, an army of women, etc. Of course, this utopia presents a veiled plan for the reform of French society. Fine copy in contemporary red morocco. 19th-century book plate of "Faivre, D.M." From the library of Édouard Martellière with his engraved bookplate.

      [Bookseller: Jonathan A. Hill, Bookseller, Inc.]
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        Opticks: Or, A Treatise Of The Reflections, Refractions, Inflections And Colours Of Light The Fourth Edition, Corrected

      London: William Innys, 1730. 4th Edition. Hardcover. Near Fine. 1st Printing New Calf Spine And Tips Over Marbled Paper Covered Boards, New Endpapers. Two Preliminary Blanks, Title, Advertisements To First, Second And Fourth Editions382 Pp + 12 Folding Plates And Two Pages Of Publisher's Ads At Rear. Page Block 19.5 Cm Tall. Top Edge Of Page Block Is Dark (Grey Or Black), Foredge And Bottom Edge Red, All Polished. The Last And Best Edition Prepared By Newton, Corrected From The Third Edition By Newton; In This Fourth Edition Of 1730, There Are 31 Queries, And It Is The Famous "31St Query" That, Over The Next Two Hundred Years, Stimulated A Great Deal Of Speculation And Development On Theories Of Chemical Affinity. The Publishers Have Added To This Edition Several Citations From The Lectiones Opticae (1769-1771) To Show Ehre Demonstrations, Omitted From The Opticks, May Be Found. Binding Fine Contents Clean, Some Tiny Foxing Spots Mainly In Margins And Mainly Towards Beginning Of Book; Very Slight Wear To Edges Of Page Block. .

      [Bookseller: Arroyo Seco Books]
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        MAPPE - MONDE Dreßé sur les Observations de Mrs de L Academie Royale des Sciences ./Weltkarte

      G. DE ISLE 1675 - 1726 um 1730, Amsterdam - Kupferstich, altkoloriert; sehr schöne dekorative, interessante Weltkarte in zwei Hemisphären,in den Ecken sind vier kleine Karten im Rund in unterschiedlichen Projektionen. Oben und unten zwei große prachtvoll kolorierte Kartuschen. Die obere Kartusche zeigt allegorische Darstellungen der Kontinente. Am Schriftband steht: "Nova Orbis tabula", diese Karte ist prachtvoll koloriert. Dies ist wohl die früheste Ausgabe der Weltkarte de L Isles von 1700/1720 bei Covens & Mortier; very decorative, splendid, originally coloured world map from Covens & Mortier after De L Isle about 1730. This is one of the earliest edition from the whole world of De L Isle. die Karte ist in einem sehr guten Zustand, breiter Rand, Mittelfalte, center fold, very good condition, wunderschönes Zeitkolorit

      [Bookseller: Kunsthandlung Boschi]
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        A New & Exact Map of the Electonate of Brunswick-Lunenburg and ye rest of ye Kings Dominion in Germany

      H. Moll, T. & J. Bowles, P. Overton & J. King, London 1730 - Copper-engraved map, with original outline colour, in excellent condition. A magnificent map celebrating the ascension of the House of Hanover to the British throne, depicting the new King's German possessions Herman Moll first printed this map immediately after George I came to the throne of Great Britain. Queen Anne (Stuart) died without issue, and after the legislated exclusion of her close, but Catholic, relatives, her distant Protestant cousin, the Elector of Hanover, was deemed to be her legitimate heir. It is amusing to note that even though George I ruled from 1714 to 1728, it is said that he never learned to speak more than a few words of the "King's English." This map principally focuses on the large region of northern Germany that was ruled by George, one of the princes of the Holy Roman Empire. As depicted on the map, this realm included the great port of Hamburg, as well as the important cities of Lünenberg and Hanover, and the university town of Göttingen. As noted in the lines and table in the lower-right of the map, this domain contained vast natural wealth, including numerous forests and 110 mines which yielded vast quantities of silver. A cartographic inset in the upper left details the Elector's newest possession, the Duchy of Saxon Lauwenberg. The inset to the upper left depicts the King's triumphal route though the North Sea from Hamburg to London. This grand composition is finished by a spectacular title cartouche featuring all manner of armaments, surmounted by the Royal coat of arms. The King was so delighted by Moll's finished manuscript, that he awarded the fellow German "a Gold Medal" as a "mark of his Royal Favour." The present map was part of Herman Moll's magnificent folio work, a New and Compleat Atlas . Moll was the most important cartographer working in London during his era, a career that spanned over fifty years. His origins have been a source of great scholarly debate; however, the prevailing opinion suggests that he hailed from the Hanseatic port city of Bremen, Germany. Joining a number of his countrymen, he fled the turmoil of the Scanian Wars for London, and in 1678 is first recorded as working there as an engraver for Moses Pitt on the production of the English Atlas . It was not long before Moll became a charter member of London's most interesting social circle, which congregated at Jonathan's Coffee House at Number 20 Exchange Alley, Cornhill. It was at this establishment that speculators met to trade equities (most notoriously South Sea Company shares). Moll's coffeehouse circle included the scientist Robert Hooke, the archaeologist William Stuckley, the authors Jonathan Swift and Daniel Defoe, and the intellectually-gifted pirates William Dampier, Woodes Rogers and William Hacke. From these friends, Moll gained a great deal of privileged information that was later conveyed in his cartographic works, some appearing in the works of these same figures. Moll was highly astute, both politically and commercially, and he was consistently able to craft maps and atlases that appealed to the particular fancy of wealthy individual patrons, as well as the popular trends of the day. In many cases, his works are amongst the very finest maps of their subjects ever created with toponymy in the English language. Shirley, Maps in the Atlases of the British Library I, T.Moll-4b, 20; Cf. Reinhartz, The Cartographer and the Literati: Herman Moll and his Intellectual Circle.

      [Bookseller: Donald A. Heald Rare Books (ABAA)]
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        Vindiciae arboris genealogicae augustae gentis Carolino-Boicae, contra sistema authoris geneographi, qui in arbore genealogica ante paucos annos cupro incisa serenissimorum Bojorum principum fundatorem ponit Luitpoldum, et abrupta penitus arbore, negat Carolum Magnum . . .

      Monachii [Munich]: Typis Mariæ Magdalenæ Riedlin, 1730. First Edition. Full Leather. First Edition of an important genealogical work dedicated to Prince-Elector Charles Albert (later Holy Roman Emperor Charles VII), tracing the descent of the Wittelsbach dynasty of Bavaria to Charlemagne. Two volumes in one. Folio; [20], 82; 192; [12], 326, [28]pp, with a double-page engraved map of the Danube basin (signed by Georg Baptista Steinberger), allegorical frontispiece (signed by Hieronymus Sperling); engraved genealogical table (signed Joh. Christoph Steinberger), full-page coat-of-arms, the Wittelsbach genealogical tree, and two engravings (the second double-page) after medieval panels depicting Duke Arnulf the Bad. Firmly bound in contemporary sheep (boards with light wear only), the spine divided by five raised bands into six compartment richly gilt (now faded), with a vellum lettering piece titled in gilt. Magnificently printed on bright, spotless paper of very high rag content, in a handsome Roman typeface, with occasional passages in old Gothic black letter. OCLC Number: 7382795 A history and genealogy of the great Wittlesbach dynasty, which ruled much of Europe during the Middle Ages. They comprised numerous aristocrats of Medieval Europe, including two Holy Roman emperors, as well as margraves, counts, dukes and kings, making this work, in effect, an excursion through much of medieval Europe.

      [Bookseller: Fine Editions Ltd]
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        Novum Teatamentum Graecum Germanice Illustratum Oder Das Griechische Neue testament mit Teutschen Noten.

      Halle, 1730. 1118 pages pp. With Grec and german text, with note inside boards. Bound in a contemporary full calf with raised bands and rich golddecoration on spine, With wear to binding , small piece missing at the lower edge of spine, ca. 1Cm2. 17051201

      [Bookseller: Andersens Antikvariat]
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        PROSPECT und GRUND-RISS der KAYSERL. RESIDENZ-STADT WIEN".

      - Kupferstich-Plan und Ansicht von von J. B. Homann, Nürnberg um 1730, altkoloriert. Ca. 49 x 57 cm. Großartiger Plan von Wien mit einigen Vororten und sämtlichen Festungswerken, darunter eine große Ansicht (ca.10 x 32 cm), flankiert von allegor. Figuren. Sehr dekoratives Blatt.

      [Bookseller: Antiquariat Peter Fritzen]
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        Memoirs of the Life, Writings, and Amours of William Congreve, Esq; Interspersed with Miscellaneous Essays, Letters and Characters, Written by Him. Also, Some very Curious Memoirs of Dr. Dryden and his Family, with a Character of Him and his Writings, by Mr. Congreve. Compiled from their Respective Originals by Charles Wilson Esq. [pseud].

      London: Printed [for Edmund Curll] in the Year 1730. 8vo, contemporary paneled calf rebacked, maroon leather label, gilt decorated and lettered spine. Frontis portrait. 16-page publisher's catalogue for H. Curll. ¶ The first attempt at a biography of playwright and author William Congreve (1670-1729), attributed by Ralph Straus in The Unspeakable Curll, to historian and dramatist John Oldmixon, a regular contributor to Curll's publications. The Memoirs are part factual, part spurious and part scandalous. Included is a copy of Congreve's will, numerous inaccurate facts about his affairs, a reprinting of his novel Incognita, accounts of Dryden's family and funeral by a Mrs. Elizabeth Thomas ("Corinna") and a lewd affidavit about four ladies which has no connection to Congreve or Dryden. There are also unrelated attacks on Pope and John Dennis. When news got out about Curll's intention to publish the first memoir of the great Congreve, efforts were made, to no avail, to suppress its publication. The "H. Curll" name in the advertisements is for Henry Curll, Edmund's son, who took over the business when his father was serving time in prison for libel. Contemporary bookplate on the front paste-down of Robert Lord Clive. Edges rubbed; two abrasions on the front free endpaper; very good copy. Rare.

      [Bookseller: Brick Row Book Shop]
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        AUGSBURG. - Frauentor., "Prospect von der Mitternächtigen Seite der Dom=Kirche gegen unser Frauen Thor". Blick die belebte Straße entlang mit umliegenden Gebäuden.

      Kupferstich von und nach Carl Remshart bei Johann Friedrich Probst Erben und Jeremias Wolff, um 1730, 21,5 x 38,5 cm. Nicht bei Schefold. - Vorallem in den Rändern leicht angestaubt und minimal fleckig. BAYERN, Schwaben

      [Bookseller: Buch- und Kunstantiquariat]
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        AUGSBURG. - Gögginger Tor., "Gögginger Thor und Herrn von Schnurbeins Garten bey Augspurg". Blick über den Garten, links das Gögginger Tor, im Vordergrund Spaziergänger.

      Kupferstich nach Christian Schumann bei Jeremias Wolff Erben, um 1730, 18 x 29 cm. Schefold 43975 und Schefold, Augsburg Zyklen, S. 186. - Sauber und frisch erhalten. Sehr selten. BAYERN, Militaria, Schwaben

      [Bookseller: Buch- und Kunstantiquariat]
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        AUGSBURG. - Frauentor. "Prospect von der Mitternächtigen Seite der Dom=Kirche gegen unser Frauen Thor". Blick die belebte Straße entlang mit umliegenden Gebäuden.

      - Kupferstich von und nach Carl Remshart bei Johann Friedrich Probst Erben und Jeremias Wolff, um 1730, 21,5 x 38,5 cm. Nicht bei Schefold. - Vorallem in den Rändern leicht angestaubt und minimal fleckig.

      [Bookseller: Peter Bierl Buch- & Kunstantiquariat]
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        AUGSBURG. - Gögginger Tor. "Gögginger Thor und Herrn von Schnurbeins Garten bey Augspurg". Blick über den Garten, links das Gögginger Tor, im Vordergrund Spaziergänger.

      - Kupferstich nach Christian Schumann bei Jeremias Wolff Erben, um 1730, 18 x 29 cm. Schefold 43975 und Schefold, Augsburg Zyklen, S. 186. - Sauber und frisch erhalten. Sehr selten.

      [Bookseller: Peter Bierl Buch- & Kunstantiquariat]
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        Tabula Frisiae Orientalis.

      - Altcolorierter Kupferstich v. Johann Christoph Homann, dat. 1730, 48,5 x 58 cm Zeigt das nordöstliche Niedersachsen mit den Ostfriesischen Inseln. Oben links Grundrissplan von Emden, oben rechts von Aurich. Unten rechts kleine Deteilkarte von Emden und unten links Titelkartousche. ** Photos auf Wunsch im JPG-Format erhältlich.**

      [Bookseller: Kunsthandlung Goyert]
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        An album of 21 sheets of cut-outs with about 450 counted pieces and 10 full engraved sheets (of which two are double), signed by Mart. Engelbrecht ex. and Cum Pr.S.C. Maj.

      [Nürnberg, the author, 1730-1740]. 4to (size 33.0 x 22.0 cm). 19th century pictorial boards in recent green cloth clamshell box.= Martin Engelbrecht (1684-1756) and his brother Christian were successful German illustrators and engravers from the Augsburg School at the beginning of the 18th century. Martin Engelbrecht was probably the first to create cards specially designed for miniature theaters, portable dioramas that became highly successful in the second half of the 18th and early part of the 19th centuries, before being replaced by the magic lantern, home film and video, the dvd, etc. Engelbrecht devoted entire series of these illustrations to the Italian theater. They were, however, also used in scrapbooks, as is done here. It is rare to see so many of his engravings combined. Some show people (some as caricatures, with larger heads), others are very accurate images of wild and domestic animals, garden objects, scenery, etc. Many are simply placed thematically together, but others are used to create whole page scenes. A few are not cut out, but occupy a whole frame (about 24 x 16 cm). The majority are hand-colouring, others are sepia-tinted. The album is signed on the title page: Sermensan Lainée 1797. Leaves uncut. 11 blank leaves present in the rear. Paper strong and clean. Printing and colouring bright and contemporary. A unique item.

      [Bookseller: Antiquariaat Schierenberg]
 27.   Check availability:     Biblio     Link/Print  


        Tractatus de organo auditus. + Cassebohm, J.: Tractatus quatuor anatomici, + Tractatus quintus & sextus.

      - Leiden, Joh. Arnold Langerak, 1730, 4°, (16), 72, (4) pp., 16 gefalt. Taf.; Halle u. Magdeburg, Waisenhaus, 1734-1745, 4°, (12), 84, (6); 64 (6) pp., 6 gerfalt. Taf., Pergamenteinband d.Zt.; mit Stempeln, minmal fleckiges Exemplar. Sammelband mit zwei sehr wichtigen Veröffentlichungen aus dem Gebiete Ohrenheilkunde ! - - Tractatus De Organo Auditus, Continens Structuram, Usum Et Morbos Omnium Auris Partium / Authore Dn. Du Verney. E Gallico Latine redditus. Versio Nova Et Accuratior. Lugduni Batavorum, Apud Joh. Arnold Langerak, 1730 - - & - - Tractatus Quatuor Anatomici De Aure Humana, Tribus Figurarum Tabulis Illustrati / Autore Joanne Friderico Cassebohm Med. D. Et Prof. Publ. Halæ Magdeburgicæ : Orphanotropheum, 1734 & Tractatus Qvintus Anatomicus De Aure Humana : Cui Accedit Tractatus Sextus Anatomicus De Aure Monstri Humani ; Cum Tribus Figuram Tabulis . / Autore Io. Friderico Cassebohm . Halæ Magdeburgicæ Sumtibus Orphanotrophei, 1735. - - Guichard Joseph Duverney (1648-1730) "writings stand out because of their compactness, their wealth of content, their exemplary accuracy, and their precision of judgement. Investigation of the organ of hearing was one of his favorite fields of research. On his scientific journeys he thoroughly researched the hearing organ of fish. He summarized all his otological knowledge in the Traité de l'organe de Tome (Treatise on the Organ of Hearing) published in 1683. He wanted to publish a new enlarged edition, in particular adding new "curious observations" presented at the Royal Academy of Sciences in 1705." - "Unfortunately, he was not able to finish this work. A second edition was published a few months after his death, but without any new details, and corresponding exactly to the 1683 edition. Reprinted many times and translated in particular into Latin, German and English, this treatise surpassed all expectations and became the reference for studying otology for many decades. "It is in publishing the work on the structure of the ear that Mr Duvemey laid down the foundations of the high reputation which he has enjoyed and always will enjoy amongst anatomists; very different from those who are wont to find glory in proposing new explanations on parts which they do not know, Mr Duverney made it a rule to study the internal structure of organs and to describe them with the greatest precision before dealing with their uses and indicating their diseases. One must know the healthy state in order to make fruitful study of the diseased state. Guided by the spirit of method and illuminated by the most brilliant and solid genius Duverney collected into a small volume the most interesting truths." Duverney's treatise was a comparatively short work, but full of relevant data divided into three parts: anatomy, physiology, pathology and therapy." - "The otological investigations of the following centuries attest to the impact Duverney's treatise had on the development of otology. Itard wrote in 1821 that "the works of J. G. Duverney occupy in the history of medicine a place no less honorable than that of Fallopio's research." In his history of otology published in 1833, Dann situated Duverney's treatise as a landmark between the second and third period in the history of otology." Albert Mudry, History of Otology (2015), pp.157-167 - - Johann Friedrich Cassebohm (1699-1743) "Born in Halle, Cassebohm studied medicine in his native town, in Frankfurt and Paris, in particular under the supervision of Winslow. He occupied the chair of anatomy first at the University of Halle, then Frankfurt, and finally Berlin. Although he deserved credit for advancing the study of anatomy in general, it was his anatomical work on the organ of hearing that made him famous. The results of his research on the embryonic organ of hearing far surpassed those of his predecessors, including Valsalva and Morgagni. Until the time of Huschke and von Baer, Cassebohm's description of the development of the ear was . [Attributes: Hard Cover]

      [Bookseller: Antiq. F.-D. Söhn - Medicusbooks.Com]
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        An album of 21 sheets of cut-outs with about 450 counted pieces and 10 full engraved sheets (of which two are double), signed by Mart. Engelbrecht ex. and Cum Pr.S.C. Maj.

      - [Nürnberg, the author, 1730-1740]. 4to (size 33.0 x 22.0 cm). 19th century pictorial boards in recent green cloth clamshell box.= Martin Engelbrecht (1684-1756) and his brother Christian were successful German illustrators and engravers from the Augsburg School at the beginning of the 18th century. Martin Engelbrecht was probably the first to create cards specially designed for miniature theaters, portable dioramas that became highly successful in the second half of the 18th and early part of the 19th centuries, before being replaced by the magic lantern, home film and video, the dvd, etc. Engelbrecht devoted entire series of these illustrations to the Italian theater. They were, however, also used in scrapbooks, as is done here. It is rare to see so many of his engravings combined. Some show people (some as caricatures, with larger heads), others are very accurate images of wild and domestic animals, garden objects, scenery, etc. Many are simply placed thematically together, but others are used to create whole page scenes. A few are not cut out, but occupy a whole frame (about 24 x 16 cm). The majority are hand-colouring, others are sepia-tinted. The album is signed on the title page: Sermensan Lainée 1797. Leaves uncut. 11 blank leaves present in the rear. Paper strong and clean. Printing and colouring bright and contemporary. A unique item. [Attributes: Hard Cover]

      [Bookseller: Antiquariaat Schierenberg]
 29.   Check availability:     ZVAB     Link/Print  


        pl. LVII "untitled

      - An extremely detailed hand-colored engraved print by Moses Harris (1730-1788) from his sweeping series "The Aurelian: A Natural History of English Moths and Butterflies", published in London by Henry G. Bohn in 1840. This print measures 14” x 10 1/2”. Harris, a English entomologist, artist, and engraver, was one of the leading entomologists of the 18th century, and The Aurelian is undoubtedly the greatest work on British butterflies and moths of the period. The highly artistic and decorative engravings accurately portray figures of butterflies and moths, along with many of their larvae and pupae. Moses Harris began his study of entomology at the age of twelve, under the guidance of his uncle who was a distinguished entomologist and member of the Aurelian Society. The Aurelian Society was founded in 1742 and dedicated to the study of insects. Harris eventually became secretary of the society. He amassed a private collection of specimens for two decades before producing The Aurelian: A Natural History of English Moths and Butterflies, first published in 1766. This magnificent work contains 41 beautiful color plates which include the ecology, descriptions, life cycles, and hostplants of the moths and butterflies he had found in England. Overall in very good condition with some foxing and staining.

      [Bookseller: Arader Galleries San Francisco]
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        Amsterdam.[Amsterdam], Reinier and Josua Ottens, [ca. 1730]. Large engraved panorama on 4 sheets (ca. 42 x 218 cm as assembled). With title in banner at top centre, arms of the city at top right, city seal at top left and the primary locations with captions. Mounted and framed.

      D'Ailly, Profielen 186; De Vries, Atlas van Amsterdam 14; cf. D'Ailly, Profielen 55 & 74. Rare large engraved view of Amsterdam as seen from the inlet known as the IJ published by Reinier and Josua Ottens ca. 1730, with numerous ships on the IJ. It's the last state of the view by Jacob Savry published in 1647 and partly updated, including the changes made by Visscher in his issue from 1653. Most obvious are the changes on the east part of the city, with several new buildings including ''s Lands Zeemagazijn', now known as the Netherlands Maritime Museum.Washed and with one minor professional restoration near the title. Very good copy of a beautifully executed an detailed view of Amsterdam.

      [Bookseller: Antiquariaat FORUM BV]
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        MANNHEIM., Schöne Panorama-Gesamtansicht von der Rheinseite (11,5 x 57 cm), darüber Befestigungsplan mit Umgebung von Mannheim.

      Altkol. Kupferstich von J.B. Homann, um 1730, 48 x 57 cm. Schefold 30075. - Schöner, kräftiger Druck. Baden-Württemberg

      [Bookseller: Buch- und Kunstantiquariat]
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        XII Sonate a Violoncello Solo e Basso Continuo. Opera Prima. (PN/Cotage: 446).

      Chez Michel Charles le Cene, Amsterdam ca. 1730. - (2)/57 pp., stamp on pastedown, paper partially stained and a bit foxed, some pages creased at one corner, else good, rare print, ( Musique de chambre, 18e siècle, Kammermusik, 18. Jahrhundert), Sprache: Italienisch Gewicht in Gramm: 500 ca. 20 x 28 cm, contemporary marbeled wrappers, bound in new cloth, [Attributes: Soft Cover]

      [Bookseller: Antiquariat An der Vikarie]
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        Voyages Du P Labat de L'ordre Des FF Precheurs, en Espagne et en Italie

      Paris: Jean-Baptiste Delespine and Charles J. B. Delespine, 1730. Leatherbound. Ex library - good +. 8 vols. 17 cm. vol. 1: xxij [28], 459, [31p]; vol. 2: [4], 398, [33p]; vol. 3: [4], 403, [29p]; vol. 4: [8], 415, [24p]; vol. 5: [5], 401, [11p]; vol. 6 [4], 388, [10p]; vol. 7: [4], 399, [12p]; vol. 8: [8], 409 [406], [14p]. Light-brown leather bindings with gold impressing on spines and edges of boards. Wear to corners of most volumes. Front board detached on vol. 8. Missing 2 folding maps and 2 folding plates. Spine cracked in vol. 1. Leather gouged on back board of volume 2. Chips in spine tail of vol. 5. Tear in p. 249 of vol. 2. Pages clean. Text clear and unmarked. Reference label on each front pastedown. Jean Baptiste Labat (1663-1738) was a member of the Order of Preachers and wrote this 8-volume work after extensive missionary work. According to the Catholic Encyclopedia, "Labat had a wide reputation as a mathematician and won recognition both as a naturalist and as a scientist. He embodied in the history his scientific observations and treated comprehensively and accurately of the soil, trees, plants, fruits, and herbs of the islands. He also explained the manufactures then in existence and pointed out means for the development of commercial relations. He published similar works on other countries, drawing information from the notes of other missionaries." (Source: Smith, Ignatius. "Jean-Baptiste Labat." The Catholic Encyclopedia. Vol. 8. New York: Robert Appleton Company, 1910. 3 Jun. 2015)

      [Bookseller: Attic Books]
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        L'Idee D'Une Republique Heureuse Ou L'Utopie

      L'Idee D'Une Republique Heureuse Ou L'Utopie, translated from English into French by M. Gueudeville. This book has been superbly rebound in calf, with five raised bands to the spine, a gilt tooled design between the bands and the title gilt on red. There is a circular stamp (frontispiece recto) for: Insulenis Cathol Arch Gymnas. CONTENTs- prior to More''s text there are a number of articles, as follows: Preface du Traducteur: i - xvii pp; Preface de L¿Auteur: xviii ¿ xxvii; Abregé de la Vie de Thomas Morus [incorporating Thomas More Epitaphium]: xxviii - lxxv; Lettre D¿Erasme a Jean Froben, Lettre de Guill. Budée, Lettre de Jerome Buslidius a Thomas Morus, Lettre de Pierre Gilles a Jerome Buslidius, Lettre de Paludan a Pierre Gilles: lxxvi ¿ c; Vers du même Jean Paludan: c ¿ ci; Gerard Nivernois sur l¿Utopie: cii ¿ ciii; Vers de C Graphée: ciii; Table de la Division de cet Ouvrage; Idee D'Une Republique Heureuse Ou L'Utopie: 1 ¿ 348; Table des Matieres: 349 ¿ 364. Illustrations: frontispiece, 16 full page engravings and several small vignettes and motifs at the beginnings and ends of chapters. This book has been superbly rebound in calf, with five raised bands to the spine, a gilt tooled design between the bands and the title gilt on red. There is a circular stamp (frontispiece recto) for: Insulenis Cathol Arch Gymnas. SHIPPING: this is a valuable book and insurance is required in addition to our standard charges - please contact us for a quote.

      [Bookseller: RMJ Books]
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        Museum sinicum in quo Sinicae linguae et litteraturae ratio explicatur

      St. Petersburg: Typographia Academiae Imperatoriae, 1730. The First Book on the Chinese Language Published in EuropeBayer, Theophilus [Gottlieb] Siegfried (1694-1738). Museum sinicum in quo sinicae linguae et litteraturae ratio explicatur. 2 vols. in 1, 8vo. [22], 145, [1], 190; [2], 372, [2, including errata]pp. 23 numbered plates plus 52 full-page text engravings. St. Petersburg: Ex typographia Academiae Imperatoriae, 1730. 198 x 123 mm. Old vellum, title stamped on spine. Minor offsetting from plates, but fine otherwise. Embossed stamp of the British and Foreign Bible Society on front endpaper. First Edition of the first book on the Chinese language published in Europe. Bayer, a classical scholar, was professor of Greek and Roman antiquities at St. Petersburg?s Academy of Sciences between 1726 and 1737. At the age of nineteen he was ?overwhelmed with a desire to learn Chinese? and spent the next seventeen years studying and collecting everything he could find relating to the language with the intent of ?[making] up some kind of dictionary and some introduction to the rules of the Chinese language and to Chinese literature? (quoted in Spence, Chinese Roundabout: Essays in History and Culture, p. 3). This was an extremely difficult task, as the Jesuits, who were the first Europeans to gain a foothold in China, had a quasi-monopoly on Sino-European relations and thus had a proprietary interest in keeping information about the Chinese language to themselves. ?In the course of time, however, a few Jesuits visiting Europe came to give away some bits of the secret, and two or three copies of handwritten missionaries? dictionaries had found their way into great libraries? (Lundbaek, p. 2). Bayer made use of what information he could find to compile his Museum sinicum, which included not only his attempt at a Chinese dictionary and grammar, but a 145-page introduction containing a history of Western Chinese studies up to the time of writing. "There are two things that need to be said [about the Museum sinicum]: It was not possible to learn to speak or read Chinese from Bayer?s book; secondly, Bayer was perfectly and painfully aware of that fact and states it many times in his book. "Why then publish it? Bayer felt, and he was supported in this feeling by his old friend the great Lacroze in Berlin, as well as by his new friend Theophanes, the learned archbishop of Novgorod, that it was his duty to do so. There were no books about the Chinese language on the market. He had had access to information about that language because he had happened to study in the Royal Library in Berlin, where some handwritten material about the Chinese language was kept. It was not very much and in spite of all his endeavors, Bayer certainly did not come to ?know Chinese.? But he felt that he simply had to arrange the information he had gathered together, to collect his thoughts and sit down and write a text that could be printed and published, thus making it possible for others to go on with his work" (Lundbaek, p. 5). Lundbaek, T. S. Bayer (1694-1738): Pioneer Sinologist, pp. 1-7.

      [Bookseller: Jeremy Norman's Historyofscience.com]
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        Journal d'un voyage sur les costes d'Afrique et aux Indes d'Espagne; avec une description particuliere de la riviere de la Plata, de Buenosayres, & autres lieux; commencé en 1702 & fini en 1706.Amsterdam, "Aux dépens de la Compagnie", 1730. 12mo. With an extra-added engraved plate serving as a frontispiece. Without the map that appears in a few copies of the 1723 issue and very rarely in the present issue. 18th-century sprinkled calf, gold-tooled spine.

      Borba de Moraes I, p. 430 ("excellent book on the subject'"); JCB 453; Sabin 36685 note; cf. STCN (1 copy of the other Amsterdam 1730 issue). Reissue with a new title-page of the 1723 "Amsterdam" edition (perhaps also the same as the first edition printed in Rouen in 1723) of an interesting anonymous report of a slaving voyage, written by a Frenchman who sailed from France to Africa and Buenos Aires aboard a slave ship belonging to the ''Asiento" Company, which was entitled to transport slaves to South America by treaty with Spain. It is sometimes attributed to the French theologian and physician Pierre Le Lorrain de Vallemont (1649-1721). It gives a detailed account of the slaves, describing the way they looked and dressed, and gives an elaborate report on the slave trade in Africa, Brazil (the author visited Rio de Janeiro and Bahia) and Buenos Aires. The whole voyage is described very minutely, the author reporting his observations every day.The ship left on 14 July 1702, and arrived on 5 September in Africa, where they stayed for 5 days, before sailing further to Loango, where the slaves were traded. On 20 August, they arrived at Buenos Aires. On 30 October 1705, the author started his voyage back to France, where he arrived in March 1706. With contemporary manuscript inscription. In good condition. The chemicals used by the binding finisher have slightly damaged the surface of the leather, but the binding remains structurally good. A fascinating account of the voyage of a slave ship and the slaves in it.

      [Bookseller: ASHER Rare Books (Since 1830)]
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        De animalium proprietate, ex prima editione Arsenii et libro Oxoniensis restitutus a Joanne Cornelio de Pauw, cum ejusdem animadversionibus et versone Latina. Gregorii Bersmanni. Accedunt ex eodem libro Oxoniensi non pauca hactenus inedita.

      Trajecti ad Rhenum [Utrecht], Guilielmus Stouw, 1730. 4to (19.7 x 15.2 cm). Title in black and red. [xiv], 347, [iii] pp. Text in ancient Greek and Latin. Contemporary vellum. Script title on the spine.l A work by the Byzantine poet Manuel Philes (circa 1275-1345), translated into Latin by the German philologist Gregor Bersman(n) (1538-1611) and annotated by the Dutch philologist Johannes Cornelius de Pauw (ca. 1680-1749). It deals with all sorts of animals and animal products (e.g. De Cervo, De Cynocephalis, De Draconis aethiopicis, et aliis diversi generis bestiis, De Purpura, De Nautilio, etc., etc.). On the title page the small stamp of the great French naturalist George Cuvier, and of the Muséum d'Histoire naturelle (cancelled), and on the front pastedown the bookplate of Waldemar Schwalbe. A very good, complete copy. Kidd, Radcliffe Library, p. 56; Van der Aa 15, p. 141.

      [Bookseller: Antiquariaat Schierenberg]
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        Himmlisches Freuden-Mahl der Kinder Gottes auff Erden. Oder Geistreiche Gebete, so vor, bey und nach der Beicht und heiligem Abendmahl, kräfftig zu gebrauchen

      Lüneburg: Cornelius Johann Stern, 1730. Long 12mo (150 x 67 mm). [24], 621, [3] pp. Engraved frontispiece, additional engraved title, letterpress title in red and black, 10 engraved emblematic plates, the engravings by Johann-Benjamin Brühl. Bericht an die Buchbinder, listing the plates, at end. Contemporary German "sharkskin" (rayfish) binding, covers with mounted silver frames with repoussé decoration of leafy and geometrical strapwork, shells, and eight small heads, two fore-edge clasps with repoussé decor including a putto playing a flute, inner clasps with mark SMR and date 1734, gilt edges, Dutch-gilt floral pastedown endpapers.*** A luxury copy of a popular devotional manual and hymnal. First printed in 1685, Rittmeyer's "Heavenly Repast of Joy" enjoyed lasting success. The author (identified in this edition at the end of the foreword) was a preacher from Helmstadt. All editions were illustrated, using the heart motif whose origins lie in the 16th-century religious emblems of Antoine Wierix's Cor Iesu Amanti Sacrum. This edition appears to be the first illustrated by the Leipzig engraver Johann-Benjamin Brühl (1691-1763) (the previous edition from this press, published in 1628, had engravings by A. Reinhard). The engraved title shows Jesus dining with the apostles, surrounded by humble onlookers. The frontispiece is a Crucifixion, with mourners below including Old Testament personnages (Adam and David), each identified by an engraved caption. The engravings show the heart as a symbol of the soul, and its progress under the influence of the infant Jesus, whose exact actions are succinctly described in their titles: Jesus knocks on the heart (containing a closed door); holding a lantern illuminating rats and scorpions, Jesus examines the heart; Jesus, sweeping, cleans the heart, etc. Engraved above each heart vignette is a Biblical quote, and below a German verse caption. The work was a staple of the Stern press in Lüneburg from 1728 to the late 1760s. Known as galuchat in French, "sharkskin" was often in fact rayfish skin. It is far more durable than the shagreen used in 19th-century imitations, and was used for luxury bindings in Germany, often in combination with silver onlays. This edition not found in OCLC; KVK refers to an entry in the Union Catalog Southwest Germany, location not given.

      [Bookseller: Musinsky Rare Books, Inc.]
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        Les Oeuvres de Monsieur de Molière

      à Paris: Par la compagnie des libraires, 1730. Fine. Par la compagnie des libraires, à Paris 1730, in-12 (9,5x16,5cm), (32) 352pp. et (4) 372pp. et (4) 384pp. et (4) 324pp. et (4) 330pp. et (4) 285pp. et (4) 336pp. et (4) 296pp., 8 volumes reliés. - New edition, illustrated with a portrait of the author and 31 figures. - [FRENCH VERSION FOLLOWS] Nouvelle édition revue et corrigée sur celle de 1682. Elle est illustrée d'un portrait de l'auteur par Mignard et Audran et de 31 figures non signées. Reliures de l'époque en plein veau brun, dos à cinq nerfs richement ornés, pièces de titre et de tomaisons de maroquin havane, celles de tomaisons bordées de petites fleurs de lys dorées, roulette dorée en soulignement des coupes et des coiffes, toutes tranches rouges. Ex-libris de l'époque encollé sur les contreplats des tomes 1, 4, 5, 6, 7 et 8. Un mors du tome V légèrement fendu. Quelques très pâles mouillures marginales éparses. Les huit volumes se décomposent comme suite :  Tome 1 : L'Etourdi ou les Contre-tems, Le Dépit amoureux Tome 2 : Les Précieuses ridicules, Sganarelle ou le Cocu imaginaire, L'Ecole des maris, Les Fascheux, L'Ecole des Femmes, La Critique de l'Ecole des Femmes Tome 3 : La Princesse d'Elide, Le Mariage forcé, L'Amour médecin, Le Misantrope, Le Médecin malgré lui Tome 4 : Le Sicilien ou l'Amour peintre, Amphitryon, L'Avare, George Dandin ou le Mari confondu, La Gloire du dôme du Val-de-Grace Tome 5 : Le Tartuffe ou l'Imposteur, Mr. de Pourceaugnac, Le Bourgeois gentilhomme Tome 6 : Les Fourberies de Scapin, Psyché, Les Femmes savantes Tome 7 : Dom Garcie de Navarre, L'Impromptu de Versailles, Dom Juan ou le Festin de pierre, Mélicerte, Les Amans magnifiques Tome 8 : La Comtesse d'Escarbagnas, Le Malade imaginaire, L'Ombre de Molière Bel exemplaire.  

      [Bookseller: Librairie Le Feu Follet]
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        ALBUM 1730 CAYLUS TETES ET CARACTERES 62 GRAVURES

      - ALBUM 1730 CAYLUS TETES ET CARACTERES 62 GRAVURES

      [Bookseller: GEOFFRIAULT]
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        Gesamtansicht, "Erfordia - Erfurth".

      - Kupferstich v. J. Chr. Leopold n. ( F.B. Werner ), um 1730, 19 x 28,5 Marsch, F.B. Werner, p. 159. Nr. 45 - Im Himmel Titel auf Spruchband und 2 Putten ( ohne Erklärungen ), unter der Ansicht Legende in latein. und deutscher Sprache und das Stadtwappen.

      [Bookseller: Antiquariat Nikolaus Struck]
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        Theatrum Daniæ veteris et modernæ. Oder: Schau-Bühne Des alten und jetzigen Dännemarcks.

      2 vols. Bremen: Hermann Jäger 1730. Med et stort udfoldeligt kort over Danmark og hertugdømmerne samt 34 kobbertavler (nogle udfoldelige) visende danske byer og slotte. [32] + 454 + 200 + [16] s. Rent og meget velholdt eksemplar med rødt snit indbundet i ét samtidigt helpergamentbind med håndskreven titel på ryggen.With a large folding map of Denmark and the duchies and with 34 engravings (some folding) showing Danish towns and castles. Clean and well-preserved copy with red edges bound in one contemporary full vellumbinding. Forløberen for den berømteste topografiske beskrivelse af Danmark, Pontoppidans store Atlas i 7 bd. "Med uhyre flid havde P. i disse år tillige kastet sig over læsning af topografiske og historiske skrifter; gennem kaldsfæller søgte han at samle alle slags historiske oplysninger og på grundlag af sine husbesøg gjorde han optegnelser om almuens overtro, skikke og talemåder.. 1730 fulgte en udførligere gennemgang af kongeriget og Slesvig, Theatrum, etc.". [Michael Neiiendam].Peter Jensens Bogsamling 834. Bibl. Danica II, 600.Precursor of "Den Danske Atlas".

      [Bookseller: Peter Grosells Antikvariat]
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        De Droeve Ellendigheden van den Oorlooch seer aerdigh en konstigh afgebeeldt door Jaques Callot Loreijns Edelman

      [Amsterdam]: Gerret van Schagen, 1730. Engraved title, 17 plates after Callot by Leon Schenk, numbered 2-18, each plate with 6 lines of verse by l'abbé Michel de Marolles. Plates 3-3/4 x 7-3/4 inches, mounted on larger leaves, titled in English in manuscript. 1 vols. Oblong 12mo. Contemporary marbled wrappers. Owner signature 'sam. B. Yates Phila" on title page. Plates clean and fresh, some marginal chipping of mounting leaves. In chemise and half red morocco slipcase. Engraved title, 17 plates after Callot by Leon Schenk, numbered 2-18, each plate with 6 lines of verse by l'abbé Michel de Marolles. Plates 3-3/4 x 7-3/4 inches, mounted on larger leaves, titled in English in manuscript. 1 vols. Oblong 12mo. Callot's most famous suite, Les Misères et malheurs de la guerre (the miseries and misfortunes of war, 1633), produced following Richelieu's invasion of Lorraine during the Thirty Years War. Callot's art is remarkable for its economy and precision; these are some of the most striking images of battle and executions ever produced and have influenced successive generations of illustrators and artists. Brunet I, 1489 (for 1633 ed.)

      [Bookseller: James Cummins Bookseller]
 44.   Check availability:     IOBABooks     Link/Print  


        Amsterdam.[Amsterdam], Reinier and Josua Ottens, [ca. 1730]. Large engraved panorama on 4 sheets (ca. 42 x 218 cm as assembled). With title in banner at top centre, arms of the city at top right, city seal at top left and the primary locations with captions. Mounted and framed.

      - D'Ailly, Profielen 186; De Vries, Atlas van Amsterdam 14; cf. D'Ailly, Profielen 55 & 74. Rare large engraved view of Amsterdam as seen from the inlet known as the IJ published by Reinier and Josua Ottens ca. 1730, with numerous ships on the IJ. It's the last state of the view by Jacob Savry published in 1647 and partly updated, including the changes made by Visscher in his issue from 1653. Most obvious are the changes on the east part of the city, with several new buildings including ''s Lands Zeemagazijn', now known as the Netherlands Maritime Museum.Washed and with one minor professional restoration near the title. Very good copy of a beautifully executed an detailed view of Amsterdam.

      [Bookseller: Antiquariaat FORUM BV]
 45.   Check availability:     ZVAB     Link/Print  

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