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Displayed below are some selected recent viaLibri matches for books published in 1710

        Gesamtansicht mit Belagerung der Stadt Bethune im Jahre 1710 ('L' Occupatione di Bethune. Doppo l'acquisto della Fortezza principale di Douay, fequito li 25 Giugno 1710. .').

      - Kupferstich v. Martin Engelbrecht n. Paul Decker aus Repraesentaio Belli, ob successionem in Regno Hispanico . b. Jeremias Wolff in Augsburg, um 1720, 47 x 36 Die verbündeten Anglo-Holländer und Kaiserlichen unter General Leutnant Graf von Schulenburg (31.000 Soldaten) zwingen 4.000 Franzosen unter General Leutnant Vauban zur Übergabe der Festung. - Dekorative Ansicht mit allegorischer Bordüre. - Im Bordürenhimmel Befestigungsplan von Bethune. - Seltene italienische Ausgabe! (hochauflösende Bilder auf meiner Homepage, oder bei Anfrage - high resolution pictures on my homepage or after request)

      [Bookseller: Antiquariat Norbert Haas]
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        NANSEN BUSHUU BANKOKU SHOHKA NO ZU: BUDDHIST MAP OF THE UNIVERSE According to Zu

      [Kyoto 1710, Nagata Chohbei]. Blue original paper covers,. title slip, covers rubbed: some blue loss, woodblock printed. 1 m. 44.5 x 1 m. 20 cm. accordion folded, very good impres-. sion, excellent registry, white hand-made paper,clean solid.. An excellent fine early example of a woodblock printed map, with Chinese text. This is the first Japanese world map drawn according to Buddhist cosmology & the prototype for all other later Buddhist world maps done in Japan until the end of the 19th century. * THE ARTIST AND AUTHOR: Hotan [aka Zuda Rokashi 1654-1728], was the author, artist, editor, scholar and Buddhist priest, he was also the famous founder of Kegonji Buddhist Temple in Kyoto. He was an eminent Buddhist priest and scholar who reconciled new information from the West with Chinese sources. The work is signed "Rokashi," which means "mapmaker and editor." * This map gave the hitherto isolated Japanese "a way to see a wider view of the world, but one that they could easily understand...his map was widely acclaimed for the numerous place names he furnished for Indian & Asian areas.. very rare in Western maps..." Quoted from Namba, see below. * The map is centered on Jambudvipa the mythological heart of Buddhist cosmography in India. This very vital spot is noted by a horned animal who's breath is a long spiral of flame emanating from the most sacred & holy Buddhist place on the earth. Europe appears as a string of islands. A land bridge connects China with an unnamed continent to its East, which "must undoubtedly be a reflection of America" in the opinion of the celebrated Japanese * Per Rudolph [see below], on p.92, she states: "This map is descended from a line of Japanese manuscript maps based on the journey of the Chinese priest Xuangzang's pilgrimage to India in search of scriptures. Scholars believe that the maps were originally copied out as a from of devotion--a pilgrimage of the spirit if not the body--and that later versions like this, which includes South America, demonstrate an attempt to reconcile sacred geography with the examples of European cartography that were reaching Japan through Dutch traders and, via China, Jesuit missionaries." * WHAT ONE MODERN CARTOGRAPHIC SCHOLAR SAYS: Cartographic scholars Prof. Oda discuss the Northern most Japanese island of Ezo where the Ainu lived is located on this map just slightly South of the mystery continent which is actually American. Africa is a diminutive land mass. To the far West is a small island empire identified as "Country of Western Women" along with other mountainous island kingdoms, likely England, Scotland and Ireland. The map text includes a list of Buddhist Sutras, Chinese histories, literary classics &c. All drawn by Hotan, which "Illustrates the fusion of Buddhist dogma and Western geographical knowledge." See Oda below. * PROTYPE MAP: The basic outlines of the map are copied from a Buddhist prototype, the Gotenjiku Zu [MAP OF THE FIVE INDIES], whose characteristic features was the shield-shaped continent of Jambu-dvipa. Jambu-dvipa was the habitable world according to the Buddhist cosmographical view. In this example the sacred lake of Anavatapta can be seen in the centre, from which flow four rivers in a whirlpool pattern. Jambu-dvipa can be equated topographically with the Indian peninsula, Lake Anavatapta symbolizes Lake Manasarovar in the Himalayas and the four rivers represent the Ganges, Oxus, Indus and Tarim. In order to preserve the traditional Buddhist outlines and at the same time incorporate the new knowledge of Western geography, the European and American countries are shown as small islands on the periphery of Jambu-dvipa. Although an amalgam of discordant ideas, the map became one of the most popular and widely circulated works of the day and served as a model for all later Buddhist maps." Quoted from Jones, see below. * RARITY: This is the first Japanese map to show Europe, Africa and America. . This is an important early Buddhist relic and classic, considered a land-mark of early Buddhist cartography. Maps of this subject and Deluxe size are RARE and were seldom printed, they are not commonly found on the open market. Early Buddhist maps of this Deluxe grandeur and caliber are always quite R A R E ! * CONDITION: By and large, very good condition, a few old tiny worm holes, most neatly mended, two very small and faint stains, otherwise a very clean solid copy. Entirely hand-printed by woodblocks on very white hand-made Kozo fiber Washi paper. In the original covers, scuffed and edges worn, but the subtle original blind-stamped traditional Buddhist swastika design still there. Printed on several sheets of Japanese Washi, hand-made paper, then joined to make a Deluxe and grand size work. Folded by the publisher. *** BIBLIOGRAPHY: Being a famous work there are many scholarly studies and cartographic references on this marvelous Deluxe size map. * Shintaro Ayusawa: WORLD MAPS MADE IN JAPAN'S AGE OF NATIONAL ISOLATION, in Imago Mundi 10, [1953], pp.123-8. On page 124 he cites the map and says " World maps representing Buddhist cosmology. The earliest map of this type is the NANSENBUSHU BANKOKU SHOKA NO ZU" and is also illustrated as his figure 2, which is this exact map we now offer. * BEANS, George H. A LIST OF JAPANESE MAPS OF THE TOKUGAWA ERA. LIST item 1710.1, and the illustration facing p.21 matches this exact item. * H. Cortazzi: ISLES OF GOLD, p.38 and plate 48 again matches ours, but that one he cites found in Kobe City Museum is with [later] hand-coloring and is a poor and stained copy with loss. Ours is a much better copy. * Muroga and Unno: IMAGO MUNDI, vol. 16, 1962, pp.49-69, illustrated as figure 9, Hotan p.62-63.. * K. Unno, Cartography in Japan, 1994, pp. 346-477 and illustration 11.59. * M. Namba et al.: OLD MAPS IN JAPAN, p.13, plate 8. * Yolande Jones et al: CHINESE AND JAPANESE MAPS: In a British Library Exhibition 1974, see 2nd page of Japanese listings, and J3. * T. Oda et al.: THE WORLD IN JAPANESE MAPS UNTIL THE MID-19TH CENTURY, plate 6, page pp. 20-21. * THE COMPASS FOR MAP COLLECTORS, an antiquarian map dealer's catalogue, February 1988 as item number 1. * J.B. Harley & David Woodward: CARTOGRAPHY IN THE TRADITIONAL EAST AND SOUTHEAST ASIAN SOCIETIES, volume 2, book 2: pp.427-429, fig. 11.59 & color plate #29. Ahead of title: The History of Cartography. * K. Yamashita, JAPANESE MAPS OF THE EDO PERIOD, pp.32-33, + illustration. * H. Kerlen: CATALOGUE OF PRE-MEIJI JAPANESE BOOKS & MAPS IN PUBLIC COLLECTIONS IN THE NETHERLANDS, p.19, no. 44. * M. Ramming: Imago Mundi, v.10, pp.123-127, [1954], "Remarks to reproduced Japanese maps", Imago Mundi, v.10, p. 128. The map reproduced as fig. 2, facing p. 124. Map is described as " ... prototype of Buddhist world maps." on p.124 "... whose main distinctive feature is their completely unscientific character." see p.128. * Ayusawa Shintaro: THE TYPES OF WORLD MAPS MADEIN JAPAN'S AGE OF NATIONAL ISOLATION. [Imago Mundi GAI I31, v.10: p.123-128]; the last page has an article by M. Ramming: note 2 discusses this map, He notes the map was reprinted by the "book dealer Bundaiken Uhei...another almost analogous edition of the same map, also dated 1710, but published by Chobei Nagata in Kyoto is reproduced in Beans List, 1951..." XVIIC. * KSM: Chizu. * Deborah Rudolph: IMPRESSIONS OF THE EAST: p.92., illustrated as NANZENBUSHU BANKOKU SHOKA NO ZU, 1710. * KOBE CITY MUSEUM. [KOBE SHI RITSU HAKUBUTSU KAN.]: AKIOKA KO CHIZU KOLEKUSHYON MEI HIN TEN: EXHIBITION OF THE AKIOKA: COLLECTION OF FAMOUS OLD MAPS: plate number 2, page 45. * BRITISH MUSEUM; maps 5.d.11 for another example. * [JONES, Yolande]. et al. CHINESE & JAPANESE MAPS: An Exhibition Organised by the British Library at the British Museum 1 February-31 December 1974, item J3, * Not in L. Roberts: A DICTIONARY OF JAPANESE ARTISTS. *** Color scans can be sent by email. Images displayed may not be the actual copy in stock for sale at any given time; if you want to see the exact image of the book or edition in stock, please request this by email and an image will be returned to you by attachment. * * * * BUY WITH .

      [Bookseller: Rare Oriental Book Company, ABAA, ILAB]
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        AMANJAKU DEN: A PERVERSE EROTIC LEGEND. [Japanese Title] [A Bizzare and Unusual

      [Japan c.1710-50, n.p.]. Brown & silver covered boards,very. good, 7 b .w. erotic double-page woodblock illustrations,. mounted on mica flecked paper, 18 x 25 cm., no title slip as. issued, accordion folded, each illustration is 31 x 12 cm.. A unique and hitherto unfound odd and most unusual erotic book probably of the early to mid-18th century. The work portrays men and women with genitals on their foreheads, engaged in heterosexual and homosexual intercourse. Perhaps one of the most bizarre erotic books ever done in Japan. * CHINESE TITLE: Pinyin TIAN XIE GUI YUN. ***** THE LEGEND OF AMANJAKU or AMAN NO JAKU: Japanese Buddhist literature is abundant with variations on the theme of "Aman-No-Jaku," aka "Amanjaku," "Manojaku," commonly understood to be a "Heavenly Evil Spirit." This spirit or demon-like creature in Japanese folklore is usually depicted as being a male during the day and female at night. The demon is usually depicted as a kind of small Oni [devil], and is thought to be able to provoke a person's darkest desires and thus instigate him into perpetrating wicked deeds. * Amanjaku is also depicted in Chinese and Japanese mythology, the AMANOJAKU is a changeling, a water spirit that infiltrates the human world to play cruel tricks on people, by reading their minds and twisting their requests or desires to be used against them. * The "Amanojaku" is also known the Lord of the River and serves Bishamonten, one of the four deva kings of Buddhism as a minor demon. [See Wikipedia for more details below]. * MEANING OF THE WORD AMANOJAKU: In Japanese, the term "Amanojaku" also refers to a person who is deliberately contradictory, someone who argues for the sake of arguing, or can be used in common Japanese conversation to refer to someone who is a "Perverted Demon." ***** *** THE ILLUSTRATIONS: THE BUDDHIST THEME: Illustration number 1: This work begins showing the Buddha flanked by two of his disciple monks. The title written in four Chinese/Japanese characters reveal title. The Buddha and his two disciples listen to two elderly believers: one is a male, he has and erect penis on his forehead. The other is a woman, she has a vagina on her forehead. Neither the Buddha, nor his two disciples monks show genitals on their foreheads. The couple have come to consult with the Buddha about their grievances. *** Illustration number 2: Shows a man and a woman in a Tatami matted room, both wear lovely 18th century decorated Kimono. They hug each other, and are engaged in making love from their foreheads, which show an erect male penis and testicals, inserted into the woman's forehead where her vagina is located. Adjacent to the young couple is an older woman, who has become aroused by the adjacent couple making love. The old woman uses a dildoe tied to the post which she hugs while making love to the vagina on her forehead. *** Illustration number 3 shows a couple laying on a blanket, their Kimono pulled down and opened and used as a top cover. They make love and kiss. The man has an erect penis on his forehead, the woman a vagina on hers. There is some Chirishi [toilet paper] just above her head on the floor, some paper was already used, with a folded package of yet unused Chirishi. Chishiri shown in Japanese prints is a symbol of a lot of flowing love juices which means a very erotic setting, and the great need for paper to clean up the results of hot love-making in Japanese woodcut and erotic paintings. *** Illustration number 4 shows an older man with an erect penis on his forehead, penetrating the anus of a younger man, who's smaller but erect penis is seen on his forehead. The younger man has no pubic hair indicating a very young boy. Adjacent to these two is a woman, with vagina on her forehead voyeuring at the two other men. All wear 18th century period Kimono, a Shogi board and two bowls for stones is located in the front left of the illustration. Gay activities in Japanese were accepted as a norm, and were not especially unusual. However to find graphic examples in Japanese erotic books are exceptionally rare and seldom found. *** Illustration number 5 shows a fully clothed man bending over a sleeping woman. He has a very large erect penis and begins to penetrate the vagina on the woman's forehead. She is fully clothed and sleeping on a wooden "pillow" which supports her elaborate hair coiffeur. *** Illustration number 6 shows a lively scene of two men and one woman. The men both have very large and erect penises on their foreheads. The woman has a vagina on her forehead. The scene is likely that of a rape of the young girl. The man on the far right is ejaculating as he either watches the other man as he attempts to force himself on the girl, who is actively pushing the second man's face away from her. She looks away in an effort not to allow him to penetrate or enter her vagina. He actively pulls her arm to him but his face is forced away from the girl by her resistance. *** Illustration number 7 shows an old man in bed, he holds a kind of pot with a large opening. As he faces down, he inserts his penis into the pot for some satisfaction. His erect penis protrudes from his forehead. ****** * Each double-page illustration has Japanese text, which outlines the dialogue or describes the action. Often these words are the sounds of people in orgasm, or making comments about making love or the pleasure and good feelings. The size and hardness of the penis or the flavor and the juices of the vagina, and its supple feelings of euphoria when engaged in love-making. *** R A R I T Y OF SUBJECT: The placement of the genitals on the forehead gives one a lot of room to theorize on the meaning of such artistic expression. In our 50 years of experience in dealing Japanese woodblock printed books and painted original art, this is the first and only example with such imaginative and symbolist expression. With the beginning of the work showing the Buddha and his two disciples lacking any genitals on their foreheads, one can simply assume, that in a Buddhist way, they have given up carnal desire, as represented by common people who's foreheads display genitals, perhaps meaning that sex is on their minds or they simply view others as sexual objects, eager to make love and engage in carnal thoughts and activities. Obviously seeing an erect penis on some man whiles others see what he thinks and feels is an insight to his innermost thoughts and desires. In all cases in this book the men all show an erect penis. The women are a bit more difficult to fathom. Their vaginas are simply visible on their foreheads, and no fluids are visible or other evidence of their carnal desire or sexually excited stated. All of the men have public hair adjacent to their sex organs, while all women are lacking any pubic hair completely. ***** BINDING AND MOUNTING: * BINDING: The book has probably been rebound sometime after the 1750's with a more recent thin brown paper, decorated with a silver chrysanthemum, and a Mon [family crest] with gold and black on both front and rear covers, each cover has a distinctly different kind of illustration but of the same theme. The corners and edges are somewhat worn, some loss to the paper, nevertheless the whole book is very solid and nicely preserved. * * MOUNTING: Each page has at an earlier date been nicely mounted on a stiff Washi [hand-made Japanese paper], accordion folded. Each woodcut illustration was laid down on the Washi backing paper, then each illustration is bordered with a rare and stunning crushed oyster-shell type gesso Washi. The effect is of shimmering pearl-like color and hue with a stunning effect. This was no ordinary mounting, and appropriate for an exceptionally and most unusual RARE book ! ***** CONDITION OF THE WOOODBLOCK PRINTS: These are very early black and white woodcut prints. Each print has an excellent and vivid impression, key blocks are black and superbly printed with strong images. There is a small worm hole which left a very small hole on each matching side of all pages but this does not detract very much from the overall work. By page four the hole is very tiny, from page five it returns the about the same size and shape as the first three pages. Page 6 has a small trace of the same hole, page seven does not have any traces of that worm hole, but has some center margin some minor worm loss and a few other very tiny old worm holes. The paper is old and has the patina of paper from that age, the usual surface rubbing or thumbing in the lower corners, which is quite normal. Again, we are overly critical of any flaws found on our books, and feel it is better to overly emphasize and describe the defects rather than avoid such discussion. Suffice to say, by and large this is an excellent item in very nice condition, something that any collector or museum would be proud to own. *** RARITY: This book is not listed in any of the usual bibliographies including Shibui. This is the first and only example we have ever seen or known of with these kinds of utterly unusual illustrations. As most of our readers know, Japanese prints were mostly limited to about 200 copies. Due to the nature of cherry wood block, they checked, warped, shrank after use and were rendered useless after about 200 or less inking and printings. * "BANNED" or "PROHIBITED" BOOKS: Shun Pon, Haru Bon: In the case of this item, it is very likely that it was printed in a much smaller discreet quantity than the 200 copies possible off the blocks. Due to the "banned" nature of such books, there is no date, publisher nor place cited. One is simply left to determine the date and artist by stylistic analysis. It is well-known that during the Tokugawa period [1603-1868], erotic prints and books were "BANNED" or "PROHIBITED" by decree of the Shogun. One of the influencing factors was that during this period some Shoguns were changing their views and being influenced by Christians who entered Japan during this period. The Shogun did not want foreigners, and Jesuit missionaries to think that Japan was a crass and base nation. Naturally foreigners soon learned that prostitution was rampant and so this strange logic from the Shogun never had much affect on the Christians and surely not on the Japanese. * The Shogun enforced severe punishments for persons involved in drawing, printing, carving blocks and publishing erotic books and prints. With out the "Kiwame" or censor's approval seal, all such items were "Banned" outright by the Shogun decree. * While these "Prohibited" books and prints were widely circulated in an "underground" society, there are ample examples of famous artists taking on commissions to produce erotic books and prints fun or profit. The record and bibliography is loaded with these examples. "Banning" such erotic works simply meant that the number printed were limited to smaller numbers and distribution was done under the table, discretely circulating such books privately among collectors. During these times it was not necessary to sign such artistic works, by-and-large the population had a very good idea who the artist was by being familiar with their style and other works, it was simply a "public secret" who the artist was. Often the artist poked fun at the Shogun with political jokes and assumed names to confound any chance of being discovered. * Over the centuries, this knowledge decreased and is now the domain of the art historian or scholar to identify and determine just who the artist is. Stylistic analysis remains the standard method. *** THE ARTIST/SCHOOLS: While there are no signatures or seals indicating the artist's name or even his alternate Go [studio name], we believe this work is part of the "Primitives and First Century of Ukiyo-e School 1660-1765" period. [See Lane below]. The women's coiffeur is very similar to those found in this period, as well as the drawing style, technique and genre. It is this cataloger's opinion that this work was likely the creation of one of the Moronobu School masters. Perhaps done by Sukenobu, Yoshikiyo, Morishige, Sugimura, Moronobu, Kiyonobu, Masanobu, or others from this period. We believe this work was likely done from around 1710-1750. It was also likely that it was done by one of the artists listed below. *** MORONOBU SUKENOBU SCHOOL: Nishikawa Sukenobu [1671 -August 20, 1750] often called simply "Sukenobu", was a Japanese printmaker from Kyoto. He was unusual for a Ukiyo-e in being based in the imperial capital of Kyoto. He did prints of actors, but gained note for his works concerning women. His Hyakunin Joro Shinasadame: Appreciating 100 Women, in two volumes published in 1723, depicted women of all classes, from the empress to prostitutes, and received favorable results His Hyakunin Joro Shinasadame: Appreciating 100 women, in two volumes published in 1723, depicted women of all classes, from the empress to prostitutes, and received favorable results Leading members of this school were: Nishikawa Sukenobu the founder; Nishikawa Suketada; Kawashima Nobukiyo; Nishikawa Terunobu; and Takagi Sadatake. * HISHIKAWA MORONOBU SCHOOL: Hishikawa Moronobu [1618-July 25, 1694] was a Japanese painter and printmaker known for his advancement of the Ukiyo-e woodcut style starting in the 1670s. Leading members of the MORONOBU school were: Hishikawa Moronobu the founder; Hishikawa Morofusa; Hishikawa Moroyoshi; Hishikawa Moronaga; Hishikawa Moroshige; Hishikawa Morohira; and Tamazaki Ryujo. *** EXEPTIONALLY RARE ITEM: This work is not recorded in any bibliography we researched and is not found in the KSM in Japan. Truly rare and obscure item ! ** BIBLIOGRAPHY: Not listed in any of the usual SHIBUI, Kiyoshi. UKIYO-E NAISHI. BIBLIOGRAPHY OF JAPANESE EROTIC ILLUSTRATED WOODBLOCK PRINTED BOOKS. * H. KERLEN. CATALOGUE OF PRE-MEIJI JAPANESE BOOKS & MAPS IN PUBLIC COLLECTIONS IN THE NETHERLANDS. * Richard Lane: IMAGES FROM THE FLOATING WORLD THE JAPANESE PRINT; pages 28, 40-60 show examples of the Ukiyo-e primitives [1660-1765], especially the Moronobu school, pp.60-88 et al. * KSM: no entry found. * Nor any other usual bibliographies on Japanese Ehon [woodblock printed books] or erotica. * See: WIKIPEDIA: http://en.wikipedia.org/wiki/Amanjaku *** Color scans can be sent by email. Images displayed may not be the actual copy in stock for sale at any given time; if you want to see the exact image of the book or edition in stock, please request this by email and an image will be returned to you by attachment. * * * * BUY WITH .

      [Bookseller: Rare Oriental Book Company, ABAA, ILAB]
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        Autograph letter signed.

      Paris, August 4, n. y. - 4to. 1 p. on bifolium. To the playwright Charles Simon Favart (1710-92), literally begging him to include him in a project to do 'Laurette' as an opera: "Monsieur Favart se rappelle-t'il qu'il y a plusieurs années qu'il me flatte du plaisir de faire un ouvrage avec lui, ou plutôt qu'il m'en prive, puis qu'il m'en avait donné sa parole. Je ne me tiens pas encore pour battu, et comme je viens d'apprendre qu'il faisait en opéra comique le sujet de Laurette, je le supplie de ne point choisir d'autre musicien. Il n'en trouvera pas de plus soumis que moi, ce qui ne change plus volontiers tout ce dont on ne sera pas content. J'espère qu'il me refusera pas, et qu'il voudra me dédommager de tout le tems ou j'ai été privé du plaisir de travailler avec lui. [.]".

      [Bookseller: Antiquariat INLIBRIS Gilhofer Nfg. GmbH]
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        Tabula Mexicae et Floridae, Terrarum Anglicarum, et Anteriorum Americae Insularum; Ite, Cursuum et Circuituum Fluminis Mississippi Dicti

      Amsterdam, 1710. Copper-engraved map, full period hand-colouring. Highly decorative Dutch derivative of De l'Isle's monumental 1703 mapping: this copy a dark impression with beautiful full period colour. Despite the title, this map covers a large portion of North America, from the Great Lakes in the north, through Texas and Mexico to Panama in the south, with Delisle's excellent depiction of the Mississippi River Valley. The Southwest shows missions and native villages, including Acoma, as well as Taos, Santa Fe, and Casas Grandes. The region that became Texas was then under French rule and part of "Florida" (later changed to "Louisiana"). Its southern border is the Rio Norte (Rio Grande) which winds back towards Taos. In East Texas, the Indian villages are designated where the Spanish constructed missions and presidios. Much of what became northTexas was then ruled and occupied by the Comanches, farther south and west in Nova Mexico, as the map notes, was "Apacheria or Terra Apachorum", region of the Apaches. Schenk has added a vignette off the Pacific coast of Central America, reflecting the wealth of the region with an elaborate sea battle between Spanish and French forces and a scene of buccaneers unloading a treasure chest. The route of the annual Spanish treasure fleet wind through the Gulf. Martin & Martin, Maps of Texas and the Southwest p. 93 and plate 16; Wheat Mapping the Transmississippi West 107; Lowery 198.

      [Bookseller: Donald Heald Rare Books]
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        [Oliver Cromwell] Olivarius Cromwell

      Published by Henr. Neuhusius Fris. Pensionarius Worcumensis, 1710. Engraving. Printed on laid watermarked paper. In good condition with the exception of two skillfully mended tears across Cromwell's face. Very light crease along middle of image. Sheet has been re-margined with laid paper. Image size: 21 ¾ x 17 inches. This remarkable engraving is an early portrait of Oliver Cromwell, one of England's most famous leaders. This is a commanding equestrian portrait of Oliver Cromwell with a panoramic view of London stretching out behind him. Published by the celebrated German poet Henricus Neuhusius this image provides a fascinating insight into the dissemination of Cromwell's image across Europe. Cromwell is memorialized in countless portraits by both English and Continental artists, and his image continued to be reproduced in print until the late nineteenth century. This rare engraving is an early example of the pictorial legacy, which Cromwell inspired. Published for a continental market, this striking portrait depicts Cromwell as larger than life; both his horse and his body are massive in proportion to his surroundings, creating a statuesque effect, which is visually compelling. Cromwell's body controls the compositional space of the image making him appear all-powerful, and he hold's the viewer's attention with his resolute gaze. Early portraits of Cromwell, such as this, are seldom seen on the market, making this a true rarity and a fine collector's piece.

      [Bookseller: Donald Heald Rare Books]
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        Biblia, Das ist: Die gantze Heilige Schrifft, deß Alten und Neuen Testaments Wie solche von Herrn Doctor Martin Luther Seel. Im Jahr Christi 1522. in unsere Teutsche Mutter-Sprach zu übersetzen angefangen, Anno 1534. zu End gebracht, und Vor einigen Jahren bereits Mit den Summarien Herrn Johann Sauberti Seel. auch mit dem Vielfältigen und Lehrreichen Nutzen über alle Capitel des Herrn D. Salomon Glassens Seel. ausgefertiget ... Anjetzt mit gantz neuen und schönen Kupfer-Bildnissen nebst denenselben beygedruckten Lebens-Läuffen ... ausgezieret, dann von denen vorhin eingeschlichenen Druck-Fehlern auf das fleissigste gereiniget ... Samt einer Vorrede Herrn Johann Michael Dilherrns

      Nürnberg, Endter, 1710. [35] Bl., 1181 S., [10] Bl., Titelkupfer, Titelvignette; zahlreiche, teils ganzseitige Kupferstiche und Vignetten, 39 cm x 27 cm x 11 cm, blindgeprägte hölzerne Buchdeckel, neuer Lederrücken (farblich angepasst), Eckbeschläge vorne vorhanden, neue Schliessen, Buchdeckel hinten wurmstichig, neue Vorsätze, Titelkupfer/Titelseite neu aufgezogen, Seiten insgesamt sauber und in gutem Zustand, stellenweise nur leicht fleckig, an zwei Stellen außen etwas wurmstichig, Riss in zwei Seiten ausgebessert, sehr kleiner Wasserfleck auf ca. 50 Seiten, die Ränder der letzten zehn Seiten wurden mit Japanpapier ausgebessert. Eine schöne Bibelausgabe, die von unserem Buchbinder professionell restauriert wurde. Ausgebesserte Mängel quasi nur auf den ersten und letzten Seiten. BR1F1 Versand D: 5,00 EUR Luther, Martin ; Saubert, Johannes ; Glaß, Salomon ; Dilherr, Johann Michael

      [Bookseller: Versandantiquariat Schmitz]
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        Ducatus Wurtenbergici cum Locis limitaneis, utpote maxima parte CIRCULI SUEVICI praesertim Utroq Marchionatu Badnsi et Sylva vulgo Nigra Nova et post omnes exactißima Delme per M. Iohanem Majer Pastorem Walddorffensem opera Ioh. Baptiste Homanni Noribergae. Gänzlich handkolorierte Kupferstichkarte.

      (Nürnberg. Johann Baptist Homann. Ohne Jahr. Um 1710). Zwei Teile zusammengesetzt im Format 59,5x94,5 cm. In repräsentativem, fachmännsich verglastem sowie vergoldetem Holzrahmen unter Passepartout mit vergoldeten Innenkanten in schöner Erhaltung (Rahmen an den Kanten mit minimalen Absplitterungen). Rahmenformat ca. 82x118 cm!* Bild und Versandkosten auf Anfrage. Rechts und links mit zusammen 76 handkolorierten Stadtwappen, mit zwei dekortiven u. kolorierten, figürlichem Kartuschen oben rechts u. links mit eingearbeiteten Stadtansichten von Tübingen u. Stuttgart sowie rechts unten mit Nebenkarte des südl. Schwarzwaldes zwischen Basel u. Bodense. Versand D: 3,00 EUR Landeskunde Kupferstiche Grafik Graphik Landkarten Kartographie Karte alte Stiche württembergische local history german Germany Baden-Württemberg Baden-Württemberg (Orts- & Landeskunde)

      [Bookseller: Antiquariat Heinzelmännchen]
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        Die Stadt und Vestung Mantua in der Lombardie

      1710 ca., Mantova 1710 - Interessante raffigurazione della città di Mantova basata sull'impostazione prospettica inaugurata a suo tempo da Braun-Hogenberg, che presenta importanti aggiornamenti militari. Infatti nell'area a sud della città sono riportate le più recenti fortificazioni. Sullo sfondo si scorge la leggendaria cinta muraria del Serraglio. Il titolo è iscritto in un festone in alto al centro, mentre in basso sempre al centro vi è la legenda con rimandi (dalla A alla R). Il primo piano è animato da scene di vita militare. Di questa stampa si conosce un solo esemplare presso la British Library. Rif: Ferrari, "Mantova nelle antiche stampe", pag. 70, n° 61 mm 282x382

      [Bookseller: Sergio Trippini]
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        Nova Isthmi Americani, qui et Panamiensis item Dariensis, Tabvla in qua Vrbes Porto Bello, Panama et Carthagena . a Reinero et Josva Ottens Amstelodami.':.

      - Altkolorierter Kupferstich b. Reinier & Josua Ottens in Amsterdam, 1710, 41 x 54 Tooley's Dic. of Mapm. Rev. Ed. K - P, S. 362. - Seltene separat erschiene Karte die auch Teil einer sechsteiligen Karte von Mittelamerika ist, welche die Golfküste und die Karibik zeigt. - Oben links Titelkartusche. - Die Karte zeigt Honduras, Nicaragua, Costa Rica, Panama und Kolumbien sowie Jamaika und die Küste von Haiti. - Tadelloser Zustand! (hochauflösende Bilder auf meiner Homepage, oder bei Anfrage - high resolution pictures on my homepage or after request)

      [Bookseller: Antiquariat Norbert Haas]
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        Regnum Neapolis in quo sunt Aprutium Ulterius et Citerius, Comitatus Molisius, Terra Laboris, Capitaniata Principatus Ulterior et Citerior Terra Bariensis et Hidruntina, Basilicata, Calabria Citerior et Ulterior

      Amsterdam: Pierre Mortier, 1710. Engraving with full, period colour. There is a crease parallel to the centerfold, otherwise, excellent condition. A beautiful Dutch map of the Kingdom of Naples This map is from an edition of Frederick De Wit's maps made by Pierre Mortier about 1710. De Wit had brought to Dutch cartography a decorative flare and an appreciation for the Baroque that most of his contemporaries lacked. Here in his map of the Kingdom of Naples, putti hold up a banner of the handsome armorial shields of the various provinces and in the cartouche in the lower right display the arms of Naples. As one expects in a map by De Wit, the engraving is extremely fine (one can see a little eruption over Mount Vesuvius) and the calligraphy is distinct and readable. The Kingdom of Naples was rarely autonomous. At the time this map was issued, it was ruled by Hapsburg Austria, who occupied it during the War of the Spanish Succession in 1703. The Spanish re-conquered the kingdom during the War of the Polish Succession (1733-35). Koeman, Mor 12.

      [Bookseller: Donald Heald Rare Books]
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        Dienst-Reglement für die kaiserlich-königliche Cavallerie. 2 Bände

      - Gute Exemplare. Mit einem Vorwort von Generalissimus Erzherzog Carl: Armee-Befehl. "Das gegenwärtige Dienst-Reglement für die kaiserlich-königliche Cavallerie enthält die Obliegenheiten aller Chargen. Kriegsgesetze, Disciplinar-Vorschriften, ökomomische Normen, Verwaltungs-Gegenstände, Verhaltungen im Kriege und Frieden, im Felde und in den Garnisonen bilden das Gesetzbuch des Soldaten, und bezeichnen für jeden Grad den Umfang seiner Dienstpflicht und seines Wirkungskreises''. Sprache: Deutsch Gewicht in Gramm: 1710 Kaiserlich-königliche Hof- u. Staatsdruckerei, Wien, 1807/1808. 147/253 S. mit XVI gefalt. Plänen, zahlr. Tabellen u. Notenbeilagen., original Halbleder. (etwas berieben u. fl./NaV.) [Attributes: Hard Cover]

      [Bookseller: Celler Versandantiquariat]
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        Die von St. Excellence dem Herrn Grafen von Schönborn etc. bey Publication Des von Ihro Römischen Kayserlichen Majestät Allergnädigst-Conformirten Neuen Reglements der Hamburgischen Aempter & Brüderschaften gethane Anzeige..4. Decemb. Anno 1710.

      Neumann Hamburg 1710 60 Seiten, 1 Schmuckvignette, 1 Vignette ( wohl mit der Silhouette Hamburgs ), 1 gestochene Siegelwiedergabe des Kaisers Joseph. OPappband mit Buntpapierbezug, Groß4°. Papier durchgehend gebräunt, eine lange handschriftliche Notiz auf fliegendem Blatt vorn (1783 Hinrich Schröder), 1 Besitzvermerk. Stellenweise leicht fleckig. Einband berieben, Bibliotheksschildchen auf Rücken ( möglicherweise ablösbar ). Mit dem Reglement der Ämter und Brüderschaften: Von den Ämtern überhaupt - Von den Brüderschaften - Von denen Ambtsrollen, Artikeln und Statuten - Von den Gewohnheiten der Ämter und Brüderschaften - Von denen Patronen oder MorgensprachsHerren - Von den Alten der Ämter oder so genannten Werkmeistern - Von den Meistern - Von den Gesellen - Von LehrJungen - Von denen unzünftigen Meistern, Pfuschern oder Böhnhasen(??) - Von der Ämter und Brüderschaften Erforsch-und Untersuchung, Privilegien, Jagen und Cofiscierung - Von den Morgensprachen - Von dem Ambtsgericht. ( Pic per Email erhältlich / Webimage available ) ( Gewicht 350 Gramm ) ( Pic erhältlich / webimage available ) Versandkostenfreie Lieferung Hamburg, Ämter, Brüderschaften, Reglement, Schönborn, Graf von Schönborn, Google

      [Bookseller: Antiquariat Friederichsen]
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        Wetteravia die Wetteraw. - Amstelaedami Apud G. Valk, et P. Schenk.':.

      - Altkolorierter Kupferstich b. Valk & Schenk in Amsterdam, um 1710, 39 x 47,5 Tooley's Dic. of Mapm. S. 509. - Zeigt die Wetterau mit dem Taunus in dem Gebiet Seligenstadt, Hofheim, Weilburg und Grünberg. - Oben rechts Titelkartusche. - Unten rechts Maßstab. - Perfekt erhaltene und altkolorierte Karte! (hochauflösende Bilder auf meiner Homepage, oder bei Anfrage - high resolution pictures on my homepage or after request)

      [Bookseller: Antiquariat Norbert Haas]
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        Dania Regnum, Ducatus Holsatia et Slesvicum Insulæ Danicæ et Provinciæ Iutia Scania, etc.

      Amsterdam, 1710. Engraved with period outline colour. Bottom margin trimmed close to neat line. All edges browned. A handsome early 18th century Dutch map of Denmark The de la Feuille family came to Amsterdam from France in 1683. The father, Daniel, was a goldsmith and engraver. Talent in engraving in Amsterdam at that time naturally led to publishing and mapmaking. This map was made by Jacob (originally Jacques) on the basis of several contemporary maps. It is very attractive, very much in the style of late Dutch cartography: emphasizing clarity and readability, handsomely coloured and bearing an interesting and appropriate Baroque style cartouche - here demonstrating the rich agricultural and pastoral aspects of the country. Koeman, La F 16, #83.

      [Bookseller: Donald Heald Rare Books]
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        Mapmonde ou description generale du globe terrestre.

      Amsterdam 1710 - Incisione in rame, mm 338x443, colorata. Tratta da "Atlas Historique".Esemplare in ottimo stato di conservazione.

      [Bookseller: libreria antiquaria perini Sas di Perini]
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        1710 World Map celestial star chart Atlas engraving Homann Etna Mappemonde carte

      Buch, 1710. Original! - No Copy! - No Reprint! Prepayment. - The Buyer pays for shipping. Insured and registered shipping worldwide. We combine shipping - if possible Versand D: 5,00 EUR

      [Bookseller: Antiquariat Völkel]
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        HISTORIA DE LOS MUY NOBLES, y Esforzados Cavalleros Tablante de Ricamonte, y Jofre, Hijo del Conde Donasson. Compuesta por el Varon Felipe Camus.

      En Valladolid, en la imprenta de la Viuda de Joseph de Rueda, 1710. - in-12. 152pp. Plein vélin souple du temps, titre manuscrit au dos, traces de liens. Célèbre roman de chevalerie initialement paru en 1513 et dont les éditions anciennes sont toutes introuvables et précieuses. Cette adaptation espagnole du roman provençal de Jaufré, elle-même inspirée d'une version française donnée par Philippe Camus, connut un grand succès en Espagne tout au long du 16e siècle. La rareté des éditions anciennes est telle que même la riche bibliothèque de Salvá ne possédait pas d'édition antérieure à celle-ci, également très rare. Cette édition de colportage porte sur le titre une vignette gravée sur bois représentant un chevalier en armure brandissant une lance, identique à celle qui figure notamment sur les premières éditions valenciennes de Don Quichotte de 1606 et 1616. Petite tache d'encre ancienne sur le titre. Quelques rousseurs. Très bon exemplaire dans son vélin souple d'origine. Palau, 326183 (qui ne cite que l'exemplaire de la Biblioteca Nacional de Madrid et celui vendu 100 pesetas par Vindel en 1929).

      [Bookseller: Librería Comellas]
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        L'Amerique Septentrionale. - 10 - E. Baeck á H. sculps. et exc. A.V. - C.P.P.S.V.':.

      - Kupferstich v. Elias Baeck aus Atlas geographicus oder Accurate Vorstellung der gantzen Welt . b. Elias Baeck in Augsburg, 1710, 16 x 21,5 Tooley's Dic. of Mapm. Rev. Ed. A - D, S. 67 (Elias Baeck , 1681-1748. Publisher and engraver of Augsburg to the Prince of Saxe-Weimer. .). - Zeigt Nordamerika mit California as an Island. - Oben links Titelkartusche. - Über der Karte Banderole in deutscher und französischer Sprache. - Rechts und links je 6 leere Wappenschilder. (hochauflösende Bilder auf meiner Homepage, oder bei Anfrage - high resolution pictures on my homepage or after request)

      [Bookseller: Antiquariat Norbert Haas]
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        Dictionnaire de Musique contenant une explication des termes Grecs, Latin, Italiens & François, les plus usités dans la musique. A l'occasion desquels on rapporte ce qu'il y a de plus curieux & de plus nécessaire à sçavoir; tant pour l'histoire & la théorie, que pour la composition, & la pratique ancienne & moderne de la musique vocale, instrumentale, plaine, simple, figurée &c. Ensemble, une table alphabétique des termes françois ( ) pour servir de supplément. Un traité de la manière de bien prononcer, surtout en chantant ( ). Et un catalogue de plus de 900 auteurs, qui ont écrit sur la musique, en toutes sortes de temps, de pays & de langues.

      - Amsterdam, Pierre Mortier, s.d. [ca 1710]. In-8, plein veau marbré de l'époque, dos à 5 nerfs orné de caissons fleuronnés et cloisonnés, roulette dorée sur les coupes, pièce de titre de maroquin bordeaux, 388 p., 2 planches dépliantes dont une "table générale des quatre systèmes de la musique", nombreux exemples de musique notée dans le texte. Sixième édition, l’édition définitive, illustrée de 2 planches dépliantes, de bandeaux et de nombreux exemples de musique notée. Le premier dictionnaire de musique publié en France, "source inépuisable de renseignements". Prêtre, collectionneur de musique passionné, pédagogue et compositeur très talentueux, Sébastien de Brossard (1655-1730) a été nommé maître de chapelle à la Cathédrale de Strasbourg jusqu’en 1698, puis à la cathédrale de Meaux. Il est considéré comme le père de la musicologie. Sa légendaire collection qu’il donna de son vivant à la Bibliothèque nationale de France, lui vaut qu'une des salles du site Richelieu porte son nom. Reliure très frottée avec accrocs aux coiffes et aux coins et mors. Quelques rousseurs et brunissures, auréoles marginales aux deux derniers feuillets. [Attributes: Hard Cover]

      [Bookseller: Librairie HATCHUEL]
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        A True Collection of the Writings of the Author of the True Born English-man corrected by himself

      London 1703 and (1710) (third edition, corrected and enlarg'd by the Author) - portrait frontispiece, minor spotting; with ‘A True Collection of the Writings of the Author of the True Born English-man’ (part II), contemporary half-leather over marbled boards, expertly re-spined, raised bands, decorated in gilt, corners badly rubbed, some browning of text, pencil ownership signature front free endpapers, a handsome set; together two volumes; 465 and 479 pages [Attributes: Hard Cover]

      [Bookseller: Tiger books]
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        A treatise concerning the principles of human knowlege Part I [all published] Wherein the chief causes of error and difficulty in the sciences, with the grounds of scepticism, atheism, and irreligion, are inquir'd into

      Dublin: Printed by Aaron Rhames, for Jeremy Pepyat, bookseller in Skinner-Row, 1710. 1st Edition. Hard Cover. Good/Storage Box. FIRST EDITION OF TREATISE, A VERY SCARCE PHILOSOPHY BOOKFirst Edition. 5 x 8 inches. iii, (3), 214pp. Bound in dark brown contemporary full leather with blind embossed design on front and back boards. Original endpapers and preliminary leaves have been repaired. Some worm holes various sizes (2mm wide by 4mm to 20mm long) with one up to three letters in a word per page affected from pages 43 to 143, minor foxing and staining. Overall thus, in good condition. Stored in a deluxe clamshell box with brown cloth, quarter dark brown leather, gilt tooling, rounded spine with raised bands.Collation: 8vo: A-2E4 [$2 signed; missigning 2E2 as 2E3]; 112 leaves, pp. [2 unn.] [i] ii-iii [iv-vi], 1-39 [40 (blank)] 41-214 [215-216 (blank)] [misprinting 159 as 156; variant: misprinting 71 as 17; recto and verso headlines reversed, p. 82-83, 86-87 (inner M)]. Errata (including addendum to p. 12): p. [vi] (A4v). Keynes, Bibliography of Berkeley, 5; Jessop, T.E. Berkeley, 35a; ESTC T77986; PMM 176.Provenance: Philip Dwyer; John Morrison; Thomas Looby, names neatly written in various pages within the book. George Berkeley was one of the three most famous British Empiricists. (The other two are John Locke and David Hume.)"This book largely seeks to refute the claims made by Berkeley's contemporary John Locke about the nature of human perception. Whilst, like all the Empiricist philosophers, both Locke and Berkeley agreed that we are having experiences, regardless of whether material objects exist, Berkeley sought to prove that the outside world (the world which causes the ideas one has within one's mind) is also composed solely of ideas. Berkeley did this by suggesting that "Ideas can only resemble Ideas" - the mental ideas that we possess can only resemble other ideas (not material objects) and thus the external world consists not of physical form, but rather of ideas. This world is (or, at least, was) given logic and regularity by some other force, which Berkeley concludes is God." Wikipedia"His most important work, it appeared only three years after his appointment as a junior fellow of Trinity College" Dublin. Keynes 5 This book is on consignment with LDRB.PMM 176; Norman 196.

      [Bookseller: Lord Durham Rare Books (IOBA)]
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        Gesamtansicht der Schlacht im Jahre 1710 ('Dovay. Doppo la Vittorisa occupatione delle Linie Nemiche, fu assdiata la Citta e Fortezza di Douay . 1710 .').

      - Kupferstich v. Joseph Montalegre in Nürnberg n. Paul Decker d.Ä. & Paul Decker d.J. aus Repraesentaio Belli, ob successionem in Regno Hispanico . b. Jeremias Wolff in Augsburg, 1720, 45,5 x 37,5 Zeigt die Schlacht bei Douai im Jahre 1710 mit der Einnahme durch Herzog Marlborough und Prinz Eugen von Savoyen. - Im Vordergrund allegorische Darstellungen u.a. mit Königin einen Befestigungsplan von Douai in der rechten Hand haltend. - Seltene italienische Ausgabe! (hochauflösende Bilder auf meiner Homepage, oder bei Anfrage - high resolution pictures on my homepage or after request) [Attributes: Hard Cover]

      [Bookseller: Antiquariat Norbert Haas]
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        Regni Prussici Accuratissima Delineatio.

      - Handcoloured engraved map of Prussia. Amsterdam c. 1710. 58x49,5 cm. Edge reinforced. Margins trimmed. Otherweise in fine condition. * A very decorative map of Prussia including the Danzig area.

      [Bookseller: Andersens Antikvariat]
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        Eine Accurate Charte Von Der Elbe-Strohm Sampt Der Keyserlichen Reichs Freystadt Hamburg Und Dessen Zugehörigen Landern. Invent. von den Wohlgeb.ne H. Obristen I. Himmerich gestochen von P. Schenk Junior, in Amsterd. mit Königl. Pol. und Churfürstl. Sächss. Priv.':.

      - Altkolorierter Kupferstich v. Johann Himmerich b. Petrus Schenk in Amsterdam, um 1710, 46,5 x 56,5 Nicht bei Zögner, Flüsse im Herzen Europas. - Seltene Elbkarte! - Zeigt die Unterweser in zwei Teilen übereinander. - In der oberen Hälfte unten links Titelkartusche. - In der unteren Hälfte unten rechts allegorische Kartusche zum Handel. (Bilder zum Artikel auf meiner Homepage, oder bei Anfrage - pictures on my homepage or after request)

      [Bookseller: Antiquariat Norbert Haas]
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        Historia Insectorum. Opus posthumum. Cui subjungitur Appendix de Scarabaeis Britannicis, Autore M. Lister.

      - Londini, A. & J. Churchill, 1710. 4to (228 x 175mm). pp. xv, 400. Contemporary vellum, spine in 6 compartments. First edition. "The culmination of Ray's zoological work was the study of invertebrates which resulted in his posthumous 'Historia Insectorum (1710)'. On this topic Ray was dealing with virtually virgin territory. The only previous substantial work on the subject was produced a century before by the English naturalist Thomas Moffet" (DSB XI, p. 317). 'On Ray's death in 1705, the 'Historia Insectorum' was an incomplete manuscript. It was published 'opus posthumum' by the Royal Society five years later, after some editing, together with an appendix on beetles by Martin Lister (1638-1712). It presented a great advance in knowledge, both in terms of the insects themselves, and in the way they were classified - there was to be nothing comparable for it for nearly a century' (M.A. Salmon. The Aurelian legacy p. 100). An attractively bound copy. Some serious browing at the beginning and the end of the book. A rare item which is always prone to foxing due to the quality of the paper.Horn-Schenkling 17729 [Attributes: First Edition]

      [Bookseller: Antiquariaat Junk]
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        Gesamtansicht aus der Distanz mit der Schlacht bei Saragossa im Jahre 1710 ('Vittoria contra gli Spagnoli Francesi appo Saragossa in Spagnia li 20. Agosto L'A°. 1710 .').

      - Kupferstich v. Johann Jacob Kleinschmidt n. Paulus Decker aus Repraesentaio Belli, ob successionem in Regno Hispanico . b. Jeremias Wolff in Augsburg, um 1720, 45 x 37,5 Erichsen/Heinemann - Die Schlacht von Höchstädt - The battle of Blenheim, S. 341. - Mit dem Sieg der Alliierten auf dem spanischen Kriegsschauplatz steht Karl III. der Weg nach Madrid wieder offen. - Zeigt die Schlacht und Übergabe der Stadtschlüssel an Karl III im Vgr. - Am linken Rand Titelbanderole mit Erklärungen. - Seltene italienische Ausgabe (mit ital. Text) von 2 Platten gedruckt! (Bilder zum Artikel auf meiner Homepage, oder bei Anfrage - pictures on my homepage or after request)

      [Bookseller: Antiquariat Norbert Haas]
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        Das Neue Testament. Oder: Der Neue Bund welchen Gott durch Jesum Christum mit uns Menschen gemachet/und durch dessen Apostel und Lehr-Jünger erstlich in griechischer Sprache schriftlich aufzeichnen lassen. Jetzo nach den gebräuchlichen 4 hochdeutschen Übersetzungen nebst der holländischen / da immer die eine die andere erklähret / dem christlich-deutschen Leser zu Dienst zum Druck befordert. Wobey noch mit angehänget sind einige zur Erläuterung des Neuen Testaments dienliche apocryphische Bücher. Beigebunden: Novi Testamenti Apocrypha; oder: Etlicher Lehr-Jünger des Herrn und apostolischen Männer Send-Briefe die vor Alters bey der ersten Kirchen in vielen Gemeinden mit Nutzen gelesen und denen canonischen Schrifften mit angehänget worden. Nun zum gemeinen Nutz genauer nach dem Grunde übergesehen in Capitel und Verse abgetheilet und diesem Neuen Testament mit Beygefüget. Prüfet alles / und was gut ist behaltet. Auffgelegt durch Herman Heinrich Holle Buchdrucker in Wandesbeck bey Hamburg Anno 1710. Herrn Matthaei Hillers S.S.Theol. wie auch der Hebrae- und andern orientalischen Sprachen Prof. Publ. auff der Universit. Tübingen / Neulichst mit sonderem Fleiß revidirt- und viel vermehrtes Erklärungs-Register aller Nahmen in der Heil. Bibel / Worinn dieselben nach der Aehnlichkeit ihrer Sprache verdeutscht und zugleich die Persohnen / Länder / Städte / Berge und Ströhme / wie auch die Müntzen / Maas und Gewichte / zur Genüge beschrieben werden. Samt einer gantz neu accuraten Tabelle des Landes Palestinae, nebst des ermeldten Authoris dazu nöthigen Erklärung und Genealogien der Söhne Noä. Wie auch einem aus dem Englischen ins deutsche treulich übersetzten Zeit-Register aller vornehmsten Geschichten der H. Schrift Alten und Neuen Testaments. In Verlegung Adam Hübeners in Hamburg. Gedruckt durch Herman Heinrich Holle, Hoch.Fürstl.Hollstein Gottorff. privilegirten Buchdrucker Anno 1712.

      Heinrich Holle, Wandesbeck bey Hamburg, 1710. 9 Bl., 859, 48 S., 2 Bl., 198 S., 2 B. 1 Titelkupfer. 23 x 19 cm, geprägter Schweinslederband der Zeit mit 4 Bünden und 2 Schließen sowie umlazfendem roten Sprengschnitt. Einband berieben und fleckig. Rücken im unteren Bereich geöffnet (von Restaurator angkleistert und abgebunden). Ein Schließblech erneuert. Gelegentlich etwas fleckig. Auf den ersten und letzten Seiten rostfleckig von den Schließennägeln.Handschriftlicher Besitzereintrag auf Vorsatz \"Eusebius Lebrecht Bremer 1710\".Synopse folgender Übersetzungen: 1. Catholische Übersetzung von Caspar Ulenberg von 1630, 1666 und später überarbeitet. 2. Lutherische Übersetzung 3.Reformirte Übersetzung von Johannes Piscator aus Straßburg die 1602 und 1603 in Herborn veröffentlicht wurde. 4. Neue Übersetzung von Joh. Henrich Reitz aus Bremen, die 1703 erstmals in Offenbach gedruckt wurde. 5. Holländische Übersetzung welche auf Gutachten des Dordrechtischen Synodi Anno 1618 und 1619 und auf Befehl der HHrn General Staten, durch 6 Sprach-kundige Theologos, Reformirter Parthey / ausgefertiget / und Anno 1636 zu Leyden zum ersten mal durch den Druck herausgekommen ist / wie selbige durch gantz Holland noch im Gebrauch ist.Extrem seltene Synopse von Übersetzungen des Neuen Testaments. Es ist im KVK nur ein Exemplar in der Staatsbibliothek Berlin nachweisbar. Versand D: 20,00 EUR

      [Bookseller: Göppinger Antiquariat]
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        Storia di S. Cresci e de' ss. compagni martiri e della chiesa del medesimo santo posta in Valcava del Mugello.

      - Firenze, Stamperia di S.A.R. per Antonio Maria Albizzini, 1710. Folio (36 cm.). M.pelle '900. (14),XXVII,(3),180,(2) pp., 8 tavv. inc. fuori testo fra cui l'antiporta, il ritratto di Cosimo III e la grandissima veduta della chiesa di Valcava più volte ripiegata, emblema inc. dell'Accademia della Crusca sul front. testate e finalini inc. - Gamba 2358. Bordo bianco dell'antiporta macchiato, un leggerissimo alone ad alcune carte in alto, due strappi nelle pieghe della grande veduta riparati, margine int. all'inizio rinforzati.

      [Bookseller: belvederebooks]
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        Weiblicher Akt, sitzend nach rechts in arkadischer Landschaft, in der erhobenen Linken einen Korb mit Blumen.

       Rötelzeichnung nach (von?) J.D. Preissler, um 1710, 16,5 x 21 cm. Oben rechts die Nr. \"5\"; nach einer (für eine?) Zeichenvorlage Preisslers, vgl. Thieme-Becker Bd. XXVII, S. 374. - Fotokopie einer Nachzeichnung C.D. Friedrichs nach ähnlicher Vorlage Preisslers liegt bei. Schönes WZ. Gekonnt ausgeführte Arbeit. Versand D: 6,00 EUR Aquarell/Zeichnung, Akt, Barock, Zeichenschule

      [Bookseller: Antiquariat Bierl]
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        Peraccurata S. Romani Imperii Tabula, comprehendens Regiones vulgo Sub Nomine Germaniae Nuncupantes Amstelaedami nuperrimé edita per Nicoalum Visscher Amst. Bat. - G. v. Gouwen Sc. - Nunc apud Petrum Schenk Iunior':.

      - Altkolorierter Kupferstich v. Gilliam van der Gouwen n. Nicolaes Visscher in Amsterdam b. Petrus Schenk in Amsterdam, um 1710, 58 x 72,5 Koeman, Atlantes Neerlandici, Vol. III, S. 183, 225 (Visscher). - Zeigt Deutschland mit Böhmen, Schlesien, Hinterpommern, Österreich, Schweiz, Beneluxstaaten und Elsass-Lothringen. - Unten links Wappenkartusche mit Putten, Wappen und Meilenzeiger. - Oben links von Putten gehaltene Banderole mit Erklärungen in deutscher u. lateinischer Sprache. - Tadelloses Exemplar! (Bilder zum Artikel auf meiner Homepage, oder bei Anfrage - pictures on my homepage or after request)

      [Bookseller: Antiquariat Norbert Haas]
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        1710 World Map celestial star chart Atlas engraving Homann Etna Mappemonde carte

      1710 - Original! - No Copy! - No Reprint! Prepayment. - The Buyer pays for shipping. Insured and registered shipping worldwide. We combine shipping - if possible Viele weitere antiquarische Bücher und alte Grafiken in unserem shop! Sprache: Deutsch

      [Bookseller: Antiquariat Steffen Völkel]
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        De Volstrekte Borgtogt, van de Soone Gods, Jesus Christus, Tot syn Lof en Eere, En tot wegneeming der Verschillen, Vereeniging der Gemoederen, en Vreede der Kerke. Aan den Eerw. Hooggeleerden Heer Melchior Leidekker, Opgedraagen.

      Amsterdam, Jacobus Borstius 1710 - (8) 294 (2) p. Origineel Perkament, 8° (opnieuw in de band gezet, SGT-P49/NNBW 5, 467)

      [Bookseller: Antiquariaat de Roo]
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        Schlesische Kern-Chronicke, oder kurtze jedoch gründliche Geographisch-Historisch

      Johann Leonhard Buggeln 1710 - Nurnberg,Johann Leonhard Buggeln . 1710.12+624 pages.Duble page decorative titel page. Including one big folded map and 10 decorative etching(city view,map,other). Period full leather binding. Very good condition. [Attributes: First Edition; Hard Cover]

      [Bookseller: Bookstore]
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        Kst.- Karte, n. Sanson / Jaillot bei Mortier, "Le Duche de Pomeranie.".

      - mit altem Flächenkolorit, um 1710, 54,5 x 87 Die Karte von Sanson jetzt bei Mortier verlegt, mit dem bekannten schönen Flächenkolorit. Mit zwei großen dek., altkol. Kartuschen ( eine davon mit Jagd- und Fischfangszenen ). Wegen der Übergröße von zwei Platten gedruckt und zusammengesetzt.

      [Bookseller: Antiquariat Nikolaus Struck]
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        Nova Delineatio universalis 56 Provinciarvm FF. Min.: Capucinorum per universam Europam, et Missionum diversarum per diversas Orbis Terraquei Plagas super novissimas Orbium celestium observationes, nec non et secundum presens Eiusdem Religionis systema prodita. Anno 1710':.

      - Kupferstich mit Bordüre v. Giovanni Battista de Cassini aus Chorographia Descriptio Provinciarvm, Et Conventvvm Fratrum Minorvm S. Francisi Capucinorum, . b. Jean de Montecalerio (Johannes à Montecalerio), 1712, 51,5 x 67 Cremonini, L' Italia nelle vedute e carte geografiche dal 1493 al 1894 libri di viaggi e atlanti, Nr. 1. - Zeigt Europa mit den 56 Kapuzinerordensprovinzen zwischen Spitzbergen, Nordküste von Afrika, Atlantik, Persischem Golf und Sibirien. - Oben links Titelkartusche. - Unten links Meilenzeigerkartusche. - Unten rechts Kartusche mit Globus. - Die Karte mit Einzeichnungen von Segelschiffen im Atlantik und Mittelmeer sowie eine Kompaßrose am Nordpol. - Links oben die Küste von Amerika. - Seltene und äußerst dekorative Ordensprovinzkarte! Rare and very decorative map from the 56 Capuchin provinces in Europe. (Bilder zum Artikel auf meiner Homepage, oder bei Anfrage - pictures on my homepage or after request)

      [Bookseller: Antiquariat Norbert Haas]
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        Belgii pars septentrionalis . vulgo Hollandia .

      Schenk P 1710 - "Belgii pars septentrionalis . vulgo Hollandia .". Altkol. Kupf.-Kte. von P. Schenk, (um 1710). Mit Kopftitel, gr. herald. Kart. (mit 7 Wappen), 2 kl. Nebenkarten von Indonesien (12:13 cm) u. der Ostküste Nordamerikas (7,5:16 cm) mit je unkol. Ansicht von Djakarta bzw. New York sowie unten rechts kl. Umgebungskte. von Maastricht (6,5:4 cm). 49:59 cm. [Attributes: Soft Cover]

      [Bookseller: Antikvariat Krenek]
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        Le Duché De Berg, Le Comté De Homberg, Les Seigneuries De Hardenberg, Et De Wildenborg. Dressé sur les Memoires les plus recents. Par le Sr. Sanson, Geographe ordinaire du Roy. - A Amsterdam Chez Pierre Mortier et Compagnie Avec Privil.':.

      - Kupferstich v. Nicolas Sanson d'Abbeville b. Pierre Mortier in Amsterdam, n. 1710, 42,5 x 56,5 Vgl. Pastoureau, Jaillot 1C, 79. - Detaillierte Karte des Herzogtums Berg, dem Landgericht Homberg und der Herrschaft Hardenberg mit dem rechtsrheinischem Gebiet zwischen Duisburg (Düsseldorf / Ratingen / Mettmann) und Bad Honnef, dem Sieglauf und dem Ruhrlauf. - Mittig Bergisch Gladbach und Bensberg. - Oben rechts Titelkartusche. - Unten links Meilenzeigerkartusche. (Bilder zum Artikel auf meiner Homepage, oder bei Anfrage - pictures on my homepage or after request)

      [Bookseller: Antiquariat Norbert Haas]
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        Selecta diaetetica, seu de recta ac conveniente ad sanitatem vivendi ratione tractatus. Quo non solum. Quicquid circa äerem, alimenta, motiones, somnum, aliaque ad sanitatem conservandam .

      Ludolphum Schröder,, Frankfurt und Leipzig, 1710 - Frankfurt und Leipzig, Ludolphum Schröder, 1710. Kl.-4°. 7 n.n. Bl., 548 S., 29 n.n. Bl. Index. Lederband der Zeit mit erneuertem Rückenschild und Einbandrücken. Mueller (Bibliothek des Kaffees) S. 16. - ADB II, 289. - Blake 548. - Behrens (1660-1736) war Leibarzt des Herzogs zu Braunschweig. Interessante Darstellung zur Ernährung über Nahrungs- und Genussmittel, Gewürze, Getränke und ihren Einfluss auf die Gesundheit. Über den Konsum von Tee, Kaffee, Schokolade, Tabak etc. - Durchschossenes Exemplar, stellenweise mit handschriftlichen Anmerkungen und Ergänzungen. Titel und die ersten fünf Blätter mit Wurmspur, dadurch minimaler Textverlust. Vorsätze erneuert. Rücken fachgerecht ersetzt. - Selten. Sprache: Lateinisch / Latin Lederband der Zeit mit erneuertem Rückenschild und Einbandrücken. [Attributes: Hard Cover]

      [Bookseller: EOS Buchantiquariat Benz AG]
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        Berge Ducatus Marck Comitatus. Apud G. Valk et P. Schenk, Amstelaeda':.

      - Altkolorierter Kupferstich b. Valk & Schenk in Amsterdam, um 1710, 43,5 x 56 Hostert, Historische Landkarten, Karte 35. - Zeigt das Herzogtum Berg und die Grafschaft Mark. - Oben links Insetkarte des Gebietes Hamm, Werl und Soest. - Am unteren Kartenrand Titelkartusche, Wappen und Maßstab mit Verlegeradresse. (Bilder zum Artikel auf meiner Homepage, oder bei Anfrage - pictures on my homepage or after request)

      [Bookseller: Antiquariat Norbert Haas]
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        Befestigungsgrundriß, Plande Ville et Chateaux de Fribourg. - Grundriß der Statt u. Vestungen Freiburg".

      - kol. Kupferstich v. J. Fr. Leopold, um 1710, 45,5 x 58,5 Seltener Plan von Freiburg. Fauser 4206. Schefold, 23116. - Oben rechts der Titel, unten links, wie bei Schefeld und Fauser beschrieben, eine kleine, aufgeklebte Umgebungskarte von Freiburg, gestochen von Gaspar Bailleu. Der Plan ist südorientiert, wie auch die Karte.

      [Bookseller: Antiquariat Nikolaus Struck]
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        Befestigungsgrundriß, mit Umgebung, "Plan de la Ville et Citadelle de Turin. Assiegées par l'Armée de France, le 3e Juin 1706 .".

      - altkol. Kupferstich b. Pierre Husson, um 1710, 46,5 x 59 Koemann, Hus 1 / Nr. 16; nicht bei Fauser. - Unten rechts die Titelkartusche mit großem Wappen, oben links Erklärungen. Zeigt die belagerte Stadt. - Der linke und rechte Rand bis auf die äußere Einfassungslinie beschnitten. Das Blatt altmontiert.

      [Bookseller: Antiquariat Nikolaus Struck]
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        Principatus Nassaviae, divisus in speciales Comitatus. Nassaviam, Hadamariam, Beilstenium, Veilburgum, Dietziam, Usingam, Idsteinium, Dilemburgum et Sigenam, ostenduntur per Ger: et Leon: Valk.':.

      - Altkolorierter Kupferstich b. Gerard & Leonard Valk in Amsterdam, um 1710, 59,5 x 49 Tooley's Dic. of Mapm. Rev. Ed. Q - Z, S. 307. - Zeigt die Nassauischen Fürstentümer mit den Grafschaften Diez, Grafschaft Nassau-Beilstein, Haus Nassau-Hadamar, Nassau-Weilburg, Nassau-Usingen, Nassau-Idstein, Nassau-Dillenburg und Nassau-Siegen in dem Gebiet Koblenz, Mainz, Giessen und Olpe. - Mittig Runkel. - Die Karte mit Titelkopfleiste. - Perfekt erhaltene altkolorierte seltene Karte! (Bilder zum Artikel auf meiner Homepage, oder bei Anfrage - pictures on my homepage or after request)

      [Bookseller: Antiquariat Norbert Haas]
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        Broadside. Begins: "Queries. Whether any Parliament ever did better than this has done....

      [Edinburgh?]: J.M. Folio (30.8 cm, 12.1"). [2] pp.. 1710 Scarce broadside: Bitterly sarcastic commentary on the brusque and ungrateful ouster of a "heroick" parliamentary ministry, on the new ministry's idiotic and wicked conduct of the current conflict between England and France, and other contemporary political events, phrased in the form of rhetorical questions and here reprinted from a London broadside dated by various sources to either 1696 or 1710. (It's an interesting exercise to parse the text closely for clues that point to the one date or the other — while observing how well, indeed, the rant would suit either!) Searches of ESTC, WorldCat, and NUC Pre-1956 locate only => two copies — one in Scotland, one in England. Now in a Mylar folder; edges slightly ragged, repair at lower inner margin just touching letters on one side, small holes in lower center with loss of a few letters. Some letters in header cut off at top due to printer's error. Tipped onto a blank leaf bearing a watermark of 1826.

      [Bookseller: SessaBks, A Division of the Philadelphia]
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        Flußlandschaft mit einer Wassermühle.

      - Pinsel in Schwarzbraun, braun laviert, über Bleistift, mit schwarzer Tuschlinie umrandet, auf cremefarbenem Bütten, rechts unten monogrammiert „W.", verso von älterer Hand bezeichnet. 13,4:18 cm. Provenienz: Frankfurter Privatsammlung. Als Sohn des Malerehepaares Johann Jacob W. (um 1710-1797) und Maria Dorothea W. (1728-1792) erhielt Johann Georg zunächst Unterricht bei seinen Eltern. Dann besuchte er in Dresden den Unterricht des Bruders seiner Mutter, des berühmten Malers und Radierers C.W.E. Dietirch (1712-1774). Seine Ausbildung konnte er 1764 trotz seines Wunsches nicht bei J. Roos (1726-1805) beenden, da jener ihn lieber in seinem Atelier beschäftigte – denn nach dessen Meinung konnte er Wagner auf künstlerischem Gebiet nichts mehr beibringen. 1765 wurde Wagner bereits Pensionär und Unterlehrer an der Dresdener Akademie. Eine Studienreise auf Vermittlung des Direktors der Galerie und mit Unterstützung Prinz Xavers, sollte der Künstler durch seinen jähen Tod infolge einer Erkältung nicht mehr antreten können. Der bereits im Alter von 22 Jahren verstorbene Künstler erfreute sich schon früh der Anerkennung des Publikums und seiner Künstlerkollegen – viele seiner Zeichnungen und Bilder wurden von seinen Zeitgenossen in Stichen und Wiederholungen wiedergegeben. So ahmten nach Goethe etwa die Brüder J.Ph. (1737-1807) und J.G. Hackert (1744-1773) seine Bilder nach. J.Chr. Klengel (1751-1824) bezeichnete ihn später gar als „Raphael der Landschaftsmalerei".

      [Bookseller: Galerie Joseph Fach GmbH]
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        Geberi, des Königes der Araber, scharffsinnigen Philosophi und wahren Adepti, Curieuse vollständige Chymische Schriffte:

      - Worinnen In den vier Büchern das Quecksilber, Schweffel, Arsenicum, Gold, Silber, Bley, Zinn, Kupffer, Eißen, [et]c. Oefen, Instrument, Sublimationen, Descension, Distillationen, Calcination [.] abgehandelt werden, Wie auch Das Testament, Güldene Buch der dreyen Wörter Kallid Rachaidibi, und andere Chymische Tractätgen, Summa, die gantze Kunst die unvollkommenen Metalle, als Kupffer, Zinn, Bley, Eissen, [et]c. in Vollkommene, als Silber und Gold zuverwandeln, das ist, Wie man Silber und Gold machen soll, enthalten; Alles aus einen Uhralten Mss. genommen, [.] / an Tag gegeben von Philaletha. Erste dtsch. Gesamtausg. Franckfurth u. Leipzig, Verlegts Hieron Philipp. Ritschel Buchh., 1710. 7 Bll. (Titel in Rot u. Schwarz, blattgroßer Holzschnitt als Frontispiz u. Register), 288 S. mit 15 weiteren Holzschnitten im Text, Kl.-8°, Neues Halbleinen, Deckel mit Kleisterpapier bezogen Duveen S.240; Caillet 4421; Schmieder S.92; Kopp II, S.335; Vgl. Ferguson I,300 (2.Ausg. 1751). - Enthält: Gerbers Summa in vier Bücher (S.1-207); Das Buch der Dreyen Wörter Kallid Rachaidibi (S.208-226); Sendschreiben Alexandri des Königes der Macedonier, Von der geheimen Composition des Steines der Weissen (S.227-235); Eines unbekannten Autoris Geheimnus vom Stein der Weisen (S.235-244); Das Buch der Untersuchung (S.244-266); Gerbi [.] Testament oder letzter Wille (S.267-280); AVICENNAE [.] Tractat Von der Congelation und Conglutination der Steine (S.281-287); Faustus Sabaeus an den Leser (S.287-288). - Titel mit kl. Papierläsur; tlw. etwas fleckig u. mit angeknickten Ecken; wenige Anstreichungen von alter Hand, sonst ein gutes Expl.

      [Bookseller: Versandantiquariat Hans-Jürgen Lange]
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        Controversiæ Dogmaticæ Adversus Hæreses Utriusque Orbis Occidentalis, Et Orientalis In Tres Tomos Distributæ: De Ecclesia Militante Et De Praetenso Primatu Anglicano, Volume 1.

      Romæ: Ex typographia Bernabò. 1710 - Tall folio. In contemporary boarded vellum with manuscript titling to spine. All original blanks and half-title present. Fine allegorical title-page by A. Clouwet sculp. [36], 584, [56] (index rerum et verborum and errata) pp. Printed in double columns with attractive foliated initials and head and tail pieces. Title page with library stamps for St. Hugh's Parkminster and two unidentified earlier ones at foot. Liberius was a Discalced or Barefoot Carmelite, a Catholic mendicant order with roots in the eremitic tradition of the Desert Fathers and Mothers. The order was established in 1593, pursuant to the reform of the Carmelite Order of the Ancient Observance by two Spanish saints, Saint Teresa of Avila and Saint John of the Cross. The Discalced Carmelites were established as a separate province of the Carmelite Order by the decree "Pia Consideratione" of Pope Gregory XIII on 22 June 1580. By this decree the Discalced Carmelites were still subject to the Prior General of the Carmelite Order in Rome, but were otherwise distinct from the Carmelites in that they could elect their own superiors and author their own constitutions for their common life. The following Discalced Carmelite Chapter at Alcala de Henares, Spain in March 1581 established the constitutions of the Discalced Carmelites and elected the first provincial of the Discalced Carmelites, Fr. Jerome Gratian OCD. This office was later translated into that of Superior General of the Discalced Carmelites. [Attributes: First Edition; Hard Cover]

      [Bookseller: West Grove Books]
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        \"Insulae Corsicae Nova & accurata Descriptio\".

       Altkol. Kupferstich von Valk & P. Schenk d.Ä., um 1710, 38,5 x 49,5 cm. Gesamtkarte mit drei figürlichen Kartuschen, zwei Windrosen, Schiffen und Meeresgetier im Kartenbild. - Breitrandig und sehr frisch erhalten. Versand D: 6,00 EUR Europa, Frankreich, Landkarten

      [Bookseller: Antiquariat Bierl]
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        Kst.- Karte, b. Schenk und Valk, "Novissima Islandiae tabula".

      - mit altem Flächenkolorit, um 1710, 37,5 x 48 Mit 2 ausgemalten fig. Kartuschen, 2 Windrosen und Gradnetz.

      [Bookseller: Antiquariat Nikolaus Struck]
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