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Displayed below are some selected recent viaLibri matches for books published in 1700

        BISCAIA, ALAVA, ET GUIPUSCOA CANTABRIAE VETERIS PARS

      - Materia:Cartografía antigua del siglo XVIII. Pais Vasco. Publicación: Ámsterdam; cerca del año 1700. Descripción: Muestra el País Vasco con las provincias de Gipuscoa (Guipúzcoa), Biscaia (Vizcaya) y Álava ) y la costa atlántica desde la frontera franco-española hasta Santander ('S. Andero'). - Cartela con título en el margen derecho; en el Golfo de Vizcaya veleros, rosa de los vientos, un escudo vacío en la parte superior derecha y un blasón en la parte superior izquierda; Cartucho inferior izquierdo con escala. - Perfecto estado con color de época Técnica: Grabado calcográfico. / Reverso: sin texto Conservación: Perfecto estado de conservación. Impreso en papel grueso y fuerte de gran calidad, muy limpio. Medidas: 375 x 480 mm. Dimensión total: 515 x 610 mm. RBS1

      [Bookseller: LIBRERIA MARGARITA DE DIOS]
 1.   Check availability:     IberLibro     Link/Print  


        Les Royaumes d' Irlande.

      Artist: Jaillot Hubert ca ; issued in: Paris; date: ca1700 - - technic: Copper print; - colorit: original colored; - condition: Left margin replaced; - size (in cm): 90 x 63; - description: Decorative map of Ireland with a title cartouche.

      [Bookseller: Antique Sommer& Sapunaru KG]
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        Fine large half-length engraving of this important choreographer and dancing master by François Chereau (1680-1729) after Robert Tournières (1667-1752)

      Paris: [ca. 1700]. Pécour is depicted seated at a table with an open book of dances in Feuillet notation. 419 x 294 mm. to platemark. Slightly browned, most noticeably to mount; minor remnants of tape to verso. In very good condition overall. Credited with 120 original choreographies, most for the theatre but many for social dancing, "[Pécour] was one of the finest dancers working under the celebrated royal choreographer Pierre Beauchamp. He is said in one source to have made his début as a dancer in a repeat performance of Lully's Cadmus et Hermione in 1674. When, on Lully's death in 1687, Beauchamp left the Opéra, Pécour was appointed in his place. He gave up dancing in about 1703 but he held the post of ballet-master and choreographer at the Opéra until his death. His tutelage produced such outstanding dancers as La Fontaine, Subligny, Guiot, Prevost and Menese among the women and Blondy, Ballon, Dumoulin and Marcel among the men. He is credited with changing the 'S' figure of the Minuet to a 'Z', an innovation that helped keep the dancers in a proper relationship to each other and to the figure." Meredith Ellis Little in Grove Music Online.

      [Bookseller: J & J LUBRANO MUSIC ANTIQUARIANS]
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        Le Cercle De Westphalie divisé en tous ses Estats Et Souverainetés dresse sur les memoires les plus nouveaux. Par le Sr. Sanson Geographe Ordinaire du Roy. A Amsterdam chez Pierre Mortier et Compagnie. Avec Privilege.

      Amsterdam: Pierre Mortier, o. J. (um 1700). 87,5 x 58 cm (Bildgröße), 103 x 63 cm (Blattgröße); Loeb 8.E (in: Speculum Orbis 1985/1, S. 16ff; „Raubdruck“); vgl. Hostert 19 (die Orig.-Karte) u. S. 119ff. Zeigt den westfälischen Kreis in dem Gebiet Niederländische Grenze, Weserlauf, Nordsee, Braunschweig, Hessen, Luxemburg, Trier. Oben rechts Titelkartusche, unten rechts Meilenzeiger. Über der Karte ausführliche Schriftleiste \"Le Cercle de Westphalie ou sont Les Eveschés de Munster Osnabruck Paderborne Lyege, les Abbayes d\'Essen, Werden, St. Cornelis-Munster, Stablo, Corve et Herworden, Les Duché de Iuliers, Cleve, Berg et Ferden, La Principauté de Minden, les Comtés d\'Embden, Oldenbourg, Diepholt, Hoye, Schawenburg, Spiegelberg, Ravensberg, Lippe, Ritberg, Benthem, Stenford, Tecklenburg, La Marck, Nassaw-Dillenberg, Seyn, Wied, Meurs, Gronsfeld, Manderscheid, Virnenberg, Arenberg, &c. les Villes Imperiales de Cologne, Aix la Chapelle et Dortmund. Dressé sur les Memoires les plus Nouveaux Par le S. Sanson Geographe Ordinaire du Roy \".Von zwei Platten gedruckt und zusammengesetzt. // Zustand: Kräftiger Plattendruck, schönes Grenz- und Flächenkolorit. Mittelfalz durch das montieren der beiden Blätter. Ränder leicht gebräunt. /hinten Versand D: 5,90 EUR Nordrhein-Westfalen, Westfälischer Reichskreis;

      [Bookseller: Altstadt-Antiquariat Nowicki-Hecht UG]
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        Disertaciones Históricas del Beato Raymundo Lullio. doctor iluminado y martir con un apendice de su vida.

      1700. . 1700 - Imprenta de Miguel Capó. Mallorca. . 1 Vol. . 80h+738 pp. pp. Cuarto Menor. Plena Piel de época. . Primera edición de esta biografía sobre Raimundo Llul, teólogo, filosófo, científico y escritor medieval pionero en el uso de la escritura en catalán. Fue escrita por el catedrático jesuíta Jaime Custurer y por encargo del claustro de la Universidad de Mallorca. Obra bien documentada con numerosas notas a pie de página, tuvo una enorme divulgación en Europa y en concreto en Alemania donde conoció varias reimpresiones. Ejemplar completo ya que conserva la anteportada con el grabado del beato mallorquín. Huella exterior en el ángulo superior izquierdo de dos pequeños taladros de polilla que no afectan al texto. Espléndida y bella encuadernación barróca de época en plena piel con doraduras de florones y ruedas en ambos planos y lomera. Cortes gofrados. Leves desperfectos en puntas exteriores. Conserva todo el sabor genuino de época.

      [Bookseller: Librería Anticuaria Astarloa]
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        Achaia que et Hellas Hodie Ivandia

      Artist: Anonymus ca ; date: ca1700 - - technic: Copper print; - colorit: original colored; - condition: Very good; - size (in cm): 20 x 25,5; - description: Map shows Böotien, Attica and the island Euboa. On two insets the city of Theben and the surrounding of Athen

      [Bookseller: Antique Sommer& Sapunaru KG]
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        Basse Partie De L`Evesché De Munster, Et Le Comté De Benthem. Tiré des Memoires les plus recents. Par le Sr. Sanson, Geographe Ordinaire du Roy. A Amsterdam chez Pierre Mortier et Compagnie. Avec Privilege.

      Amsterdam: Pierre Mortier, o. J (um 1700). - Zeigt das Gebiet zwischen Dollart, Bremen, Bad Bentheim und Tecklenburg. Mittig die Grafschaft Lingen und Meppen rechts davon Cloppenburg, Vechta und Diepholz. Unten rechts Titelkartusche und Meilenzeiger. Typisch für die Sanson-Karten ist die Hervorhebung der Moorgebiete. Nicht von Hubert Jaillot, sondern später von Pieter Mortier in Amsterdam in der ersten Ausgabe seines "Jaillot"-Atlanten herausgegeben. // Zustand: Kräftiger Plattendruck, die Blattränder etwas gebräunt. /hinten Sprache: Deutsch Gewicht in Gramm: 5100 43,5 x 57 cm (Plattengröße), 54 x 63 cm (Blattgröße)

      [Bookseller: Altstadt-Antiquariat Nowicki-Hecht UG]
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        Kst.- Karte, gestochen v. 2 Platten v. Sanson b. Jaillot, "Le Marquisat et Eslectorat de Brandebourg, qui fait partie du Cercle de la Haute Saxe, divisé en ses principales Marches, scavoir Vieille, Moyenne, et Nouvelle. Les Quartiers de Sternberg, Vckermarck, Pregnitz, et Comté de Rappin .".

      - mit altem Flächenkolorit, um 1700, 56 x 88 Über der Karte Kopftitel. Rechts unten große dekorative Titelkartusche. Zeigt die Alt-, Mittel- und Neumark. - Flächenkolorierte Karten von Jaillot sind selten. - Restauriert. Sprache: Deutsch

      [Bookseller: Antiquariat Clemens Paulusch GmbH]
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        Kst.- Karte, v. Cordier n. Sanson b. Jaillot, "Le Marquisat et Eslectorat de Brandebourg; qui sait partiedu Cercle de la Haute Saxe divise'en ses principales Marches scavoir Vielle, Moyenne et Nouvelle, les Quartiers de Sternberg, Vckermarck et le Comte' de Rappin".

      - mit altem Grenzkolorit, dat. 1700, 46 x 65,5 Pastoureau Jai IIE. Mit großer fig. und heraldischer Kartusche. Gebiet Warren/Müritzsee, Driessen, Torgau, Salzwedel. Sprache: Deutsch

      [Bookseller: Antiquariat Clemens Paulusch GmbH]
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        Benevolo Lectori catalogo librorum Francofurtensi . Heraldici

      Verlag ohne Angabe, Jahr um 1700 - Autor Reichelt Julius, In Academia Argentoratensi (Straßburg) Matheseos Professor Ordinarius, 16 x 20,5 cm, unpaginiert, 5 Seiten Text in Latein, 33 Blatt mit je 1 oder 2 Wappenbildern bei und 4 Blatt mit je 8 Wappenbildern, jeweils mit einseitigem Druck, neuerer Mamor-Papp-Einband mit Rückentitel in Gold auf Leder, erste Seite etwas unfrisch, vorletzte Seite am Mittelrand hinterlegt ca. 4 x 1 cm mit fehlender unterer Ecke ca. 1 x o,5 cm, letzte Seite untere Ecke auf ca. 6 x 3 cm fachmännisch ergänzt mit ca. 1 x 1 cm Wappenbildverlust (s.Bild) vereinzelt schwach braunfleckig, Wappenbilder selbst nahezu fleckenfrei [Attributes: Hard Cover]

      [Bookseller: mneme]
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        S. Franciscus Salesius Episcopus Genevencis. Charitas ... Christi urget nos. ad Cor.5.

      Antwerpen, -, o. J. [um 1700?]. Altkolorierte Orig. Radierung. ca. 13,7 x 8,8 cm [Blatt]. In latein. Sprache. Farbschabloniert und goldgehöht bzw. bronziertes Andachtsbildchen des frühen 18. Jhr. - Etw. fleckig u. wellig, hds. Notiz a. Rückseite (Gebet), alte Klebereste a. Rückseite, leicht berieben. Versand D: 7,00 EUR Andachtsbilder; Heiligenbildchen; Religiöse Graphik

      [Bookseller: Antiquariat Weinek]
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        Ducatus Geldriae nova tabula in Tetrarchias noviomagi, Arnhemii.Zutphaniae.

      Artist: Ottens Josua und Renier ca ; issued in: Amsterdam; date: ca1700 - - technic: Copper print; - colorit: original colored; - condition: Very good; - size (in cm): 59 x 49,5; - description: Map shows total Gelderland with Utrecht, Nijmegen, Gelder and Amsterdam; - vita of the artist: Joachim Ottens (1663 ? 1719)Family of Publishers in Amsterdam and his sons Josua and Renier. Joachim Ottens .Joachim Ottens was the founder of the firm and worked before for Frederick de Wit . Joachim died only a few years later, his sons Renier and Joshua took over the firm and presided over its most prolific period.

      [Bookseller: Antique Sommer& Sapunaru KG]
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        Venet. Reip. Dominium.

      Artist: Schenk Peter ca ; issued in: Amsterdam; date: ca1700 - - technic: Copper print; - colorit: original colored; - condition: Very good; - size (in cm): 56 x 47; - description: Map of Venice and its surroundings with a decorative title cartouche.; - vita of the artist: Petrus Schenck, (1660 ? 1711) was a German engraver and cartographer active in Amsterdam and Leipzig.Valck was married to Maria Bloteling, the sister of the Amsterdam engraver Abraham Bloteling. In 1687 Schenk married Gerard's sister Agatha Valck. In 1694, together with Valck, he bought some of the copperplates of the artdealer and cartographer Johannes Janssonius. Along with Valck and Bloteling, he produced prints for the London market, though it is not known if he ever went there with them.

      [Bookseller: Antique Sommer& Sapunaru KG]
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        Brussels a large and beautiful City in the Dutchy of Brabant, Subject to the Queen of Hungary,.

      Artist: Rapin de Thoyras Paul ca ; date: ca1700 - - technic: Copper print; - colorit: colored; - condition: Perfect condition; - size (in cm): 39,5 x 48; - description: City map of Brussel with desriptin of all important streets and buildings. The City of Brussels is the largest municipality of the Brussels-Capital Region, and the de jure capital of Belgium. The City of Brussels covers most of the Region's centre, as well as northern outskirts where it borders municipalities in Flanders. The City of Brussels was simply defined, being the area within the second walls of Brussels, the modern-day small ring. As the city grew, the surrounding villages grew as well, eventually growing into a contiguous city, though the local governments retained control of their respective areas.; - vita of the artist: Paul de Rapin de Thoyras ( 1661 ? 1725), sieur of Thoyras (and therefore styled Thoyras de Rapin), was a French historian writing under English patronage.The son of Jacques de Rapin, an avocat at Castres (Tarn), he was educated at the Protestant Academy of Saumur, and in 1679 became an advocate, but soon afterwards joined the army. The revocation of the Edict of Nantes in 1685, and the death of his father led him to move to England; but, unable to find work there, he went on to the Netherlands where he enlisted in a company of French volunteers at Utrecht, commanded by his cousin, Daniel de Rapin.He accompanied William III to England in 1688, and during the Williamite war in Ireland he took part in the Siege of Carrickfergus and the Battle of the Boyne, and was wounded at the Siege of Limerick (1690). Soon afterwards he was promoted to captain; but in 1693 he resigned in order to become tutor to the Earl of Portland's son. After travelling with the boy, he settled with his family (he married Marie-Anne Testart in 1699) in Holland, first at the Hague, then, to save money, at Wesel, in 1707.

      [Bookseller: Antique Sommer& Sapunaru KG]
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        Fine large half-length engraving of this important choreographer and dancing master by François Chereau (1680-1729) after Robert Tournières (1667-1752)

      Paris, 1700. Credited with 120 original choreographies, most for the theatre but many for social dancing, "[Pécour] was one of the finest dancers working under the celebrated royal choreographer Pierre Beauchamp. He is said in one source to have made his début as a dancer in a repeat performance of Lully's Cadmus et Hermione in 1674. When, on Lully's death in 1687, Beauchamp left the Opéra, Pécour was appointed in his place. He gave up dancing in about 1703 but he held the post of ballet-master and choreographer at the Opéra until his death. His tutelage produced such outstanding dancers as La Fontaine, Subligny, Guiot, Prevost and Menese among the women and Blondy, Ballon, Dumoulin and Marcel among the men. He is credited with changing the 'S' figure of the Minuet to a 'Z', an innovation that helped keep the dancers in a proper relationship to each other and to the figure." Meredith Ellis Little in Grove Music Online.. Pécour is depicted seated at a table with an open book of dances in Feuillet notation. 419 x 294 mm. to platemark. Slightly browned, most noticeably to mount; minor remnants of tape to verso. In very good condition overall.

      [Bookseller: J & J Lubrano Music Antiquarians LLC]
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        Essai sur les intérets du commerce maritime.The Hague, 1754. 12mo. With a small woodcut illustrations on title-page, numerous fine woodcut head- and tailpieces, and a letterpress folding table. Contemporary mottled calf, gold-tooled spine with the monogram ("BB") of the Bibliotheque Bignon, gold-tooled board edges.

      Barbier II, col. 259; Einaudi 4196; Kress 5376; Sabin 31236; for the monogram: Olivier 870, no. 8. First edition of a study on the profits of maritime trade and commerce by Pierre André O'Heguerty (1700-1763), a Breton economist and maritime expert. The work is largely based on his own experiences, as he, since his marriage, owned a large coffee plantation on the island of Bourbon. During his stay there, O'Heguerty started to collect documents on maritime commerce. When his wife died in 1745, he returned to France, and published several books on this topic. The essay can be seen as a plea to the French Government, to promote maritime trade and commerce with the French colonies, instead of allowing foreigners to take away the profits.The binding contains the monogram "BB". Olivier shows this tool as the monogram of the prolific author Jean Paul Bignon, Abbé de St. Quentin, royal librarian and assiduous book collector. Bignon, however, died in 1743, eleven years before the publication of the present book. So it must be one of his descendants, who are also known book collectors.Internally in very good condition. Some minor damage to the hinges and the mottling has resulted in some damage to the boards, but the bindings is still firm and the tooling on the spine still clear.

      [Bookseller: Antiquariaat FORUM BV]
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        5 Antique Prints-LANDSCAPE-COAST-RIVER-LIGHTHOUSE-MARINE-Leopold-ca. 1700

      - 5 Antique prints, untitled. Set of 5 landscapes with moralistic captions. All 5 are coastal or river landscapes. One shows a lighthouse, the other incorporate fortifications and towns in the background. Ships and figures and transportation of goods. Etching on hand laid paper. Watermark: Snake (=German paper ca. 1720). Description: Source unknown, to be determined.Artists and Engravers: Made by 'Josef Friedrich Leopold' after own design. Josef Friedrich Leopold (1668-1720) was a German engraver and publisher from Augsburg. Condition: Very good, given age. Large margins, some foxing and faint soiling in the margins. Remains of pencil annotation in the lower margin of the first image. General age-related toning and/or occasional minor defects from handling. Please study scan carefully. Storage location: C301-29 The overall size is ca. 10.6 x 7.1 inch. The image size is ca. 7.9 x 4.1 inch. The overall size is ca. 27 x 18 cm. The image size is ca. 20 x 10.4 cm.

      [Bookseller: ThePrintsCollector]
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        Disputationum Iuris libri quatuor in libr. Institution. Imperatoriar, quibus legum studiosis ad ciuilis Philosophiae cognitionem facilis patet aditus. Cum indice locuplentissimo. 2 Teile in 1 Band.

      16 nn. Bll., fol. 114. Kl. 8. Späterer Franzband (um 1700) auf 4 Bünden, mit Rückenschild, Rücken- und Stehkantenvergoldung. Beigebunden: Ders.: Topicon Iuris Libri quatuor, quibus ad Ciuilis Philosophiae studium facilis patet aditum, in hisque Lector plerosque locus corruptos in Topicis Ciceronianis sua integritati restitutos inueniet. Cum indice locuplentissimo. Ebd, 1581. 4 nn. Bll., fol. 115 (recte 105), 7 nn. Bll.. Jeweils zweite Ausgaben nach denen im Vorjahr bei Morel erschienenen. Etwas berieben und bestoßen 2 kleine Wurmfraß-Stellen am Hinterdeckel Rücken etwas rissig Vergoldungen oxydiert durchgehend gering gebräunt mit Stempeln der Prämonstratenser-Bibliothek in Prag (auch deren Exlibris auf vorderem Spiegel) und hs. Besitzvermerk eines Helmstädter Jurastudenten Daniel Oppenrieder (datiert 1595) auf Titelei hs. Bibl.-Schildchen auf Rückendeckel. Trotz der Mängel insgesamt ein hübsches Bändchen. Kein Auktionsergebnis in Deutschland seit 40 Jahren 4 Exemplare in deutschen öffentlichen Bibliotheken nachweisbar. La Reberterie (1517 - ca. 1590) aus Loches bei Tours war als Jurist Pariser Parlamentsadvokat. Ad 1: VD16, L 539 ad 2: VD16, L 540.

      [Bookseller: Antiquariat am Moritzberg]
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        Fine large half-length engraving of this important choreographer and dancing master by François Chereau (1680-1729) after Robert Tournières (1667-1752)

      Paris 1700 - Pécour is depicted seated at a table with an open book of dances in Feuillet notation. 419 x 294 mm. to platemark.Slightly browned, most noticeably to mount; minor remnants of tape to verso. In very good condition overall. Credited with 120 original choreographies, most for the theatre but many for social dancing, "[Pécour] was one of the finest dancers working under the celebrated royal choreographer Pierre Beauchamp. He is said in one source to have made his début as a dancer in a repeat performance of Lully's Cadmus et Hermione in 1674. When, on Lully's death in 1687, Beauchamp left the Opéra, Pécour was appointed in his place. He gave up dancing in about 1703 but he held the post of ballet-master and choreographer at the Opéra until his death. His tutelage produced such outstanding dancers as La Fontaine, Subligny, Guiot, Prevost and Menese among the women and Blondy, Ballon, Dumoulin and Marcel among the men. He is credited with changing the 'S' figure of the Minuet to a 'Z', an innovation that helped keep the dancers in a proper relationship to each other and to the figure." Meredith Ellis Little in Grove Music Online.

      [Bookseller: J & J LUBRANO MUSIC ANTIQUARIANS LLC]
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        Essai sur les intérets du commerce maritime.The Hague, 1754. 12mo. With a small woodcut illustrations on title-page, numerous fine woodcut head- and tailpieces, and a letterpress folding table. Contemporary mottled calf, gold-tooled spine with the monogram ("BB") of the Bibliotheque Bignon, gold-tooled board edges.

      Barbier II, col. 259; Einaudi 4196; Kress 5376; Sabin 31236; for the monogram: Olivier 870, no. 8. First edition of a study on the profits of maritime trade and commerce by Pierre André O'Heguerty (1700-1763), a Breton economist and maritime expert. The work is largely based on his own experiences, as he, since his marriage, owned a large coffee plantation on the island of Bourbon. During his stay there, O'Heguerty started to collect documents on maritime commerce. When his wife died in 1745, he returned to France, and published several books on this topic. The essay can be seen as a plea to the French Government, to promote maritime trade and commerce with the French colonies, instead of allowing foreigners to take away the profits.The binding contains the monogram "BB". Olivier shows this tool as the monogram of the prolific author Jean Paul Bignon, Abbé de St. Quentin, royal librarian and assiduous book collector. Bignon, however, died in 1743, eleven years before the publication of the present book. So it must be one of his descendants, who are also known book collectors.Internally in very good condition. Some minor damage to the hinges and the mottling has resulted in some damage to the boards, but the bindings is still firm and the tooling on the spine still clear.

      [Bookseller: Antiquariaat FORUM BV]
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        Johannis Braunii Selecta Sacra. Libri quinque. Cum Indicibus lucopletissimis, & Tabulis Aeneis elegantissimis.

      Amsterdam, Henricum Wetstenium [Heinrich Wetstein], 1700. - 53, [11], 805, [111] S., mit Titelkupfer u. 13 weiteren Taf., davon 3 eingefalt., 8°, Leder d. Zt. mit blindgepr. Rücken u. mit 5 Bünden Der aus Kaiserslautern stammende Johannes Braun (Braunius; 1628-1708) lehrte ab 1680 Theologie u. Hebräisch in Groningen. Er war ein Schüler des Föderaltheologen Johannes Coccejus. Die von beiden vertretene theologische Richtung in der Reformation geht auf Ulrich Zwingli u. wahrscheinlich auf die Wiedertäufer zurück. Ihr Grundgedanke ist, dass der Bund des Alten Testamentes, den Gott mit Adam u. Noah schloss, erneuert mit Abraham u. Mose, im Neuen Testament seine Fortsetzung fände. - Vorliegendes Werk ist ein frühe Arbeit über jüdische u. ägyptische Kulte mit interessanten Illustrationen. Das Bild des Moloch (S.476) ist die neugestochene Kopie einer Abb. die schon bei Athanasius Kirchner (Oedipus Aegyptiacus, Rom 1652) erschien. Das schöne allegorische Titelkupfer wurde nach Ph. Tiedeman graviert. Nach Einleitung u. Index werden beteiligten Schüler genannt. Es folgen die "5 Bücher": De Apostolorum epistolis ad quos scriptae sint; De septimo sigillo; De sanctitate summi Pontificis; De Thammuz Ezech. VIII, XIV; Exercitationes variae. Die letzten 111 S. bilden einen umfangreichen Index. - Einband leicht berieben; Vorsatz mit kl. überzeichneten Besitzervermerk; das Papier etwas gebräunt; das Titelkupfer geknickt u. angerändert; eine Taf. im Rand hinterlegt; eine Taf. lose. Dem Alter entsprechend ein gutes bis sehr gutes Expl. [Concerning the age a good copy. Complete].

      [Bookseller: Versandantiquariat Hans-Jürgen Lange]
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        Pharmacia Antverpiensis Galeno-chymica.Antwerp, Joris Willemsens I, 1660 [engraved title-page 1661]. With engraved title-page by Petrus van Caukercken after Abraham van Diepenbeeck With: [JOCQUET, Joannes, and others]. [engraved title-page:] Pharmacopoeia Bruxellensis: .Brussels, Jan Mommaert II, 1641. With engraved title-page by Cornelius Galle the elder after Anthonis Sallaert. 2 editions in 1 volume. 4to. Brown calf (ca. 1700?).

      - Daems & Vandewiele, Noord- en Zuidned. stedelijke pharmacopeeën, pp. 62-63 (5 copies) & 70-71 (7 copies); STCV 12879911 (5 copies incl. 1 defective) & 12879890 (4 copies, incl. 1 lacking title-page). First (and in the case of Antwerp only) editions, in Latin, of the first and only official pharmacopoeias for Brussels and Antwerp, containing hundreds of medicinal recipes and throwing a great deal of light on 17th-century medical practice in the Low Countries. The Antwerp work's separate part with the title "Selectiora chymica" shows the rising importance of chemistry in the production of medicines. In 1624 the magistrates of Antwerp set up a Collegium Medicum, which did declare that medicines were to be prepared following Cordus until further notice. Brussels had begun to discuss plans to establish a Collegium Medicum already ca. 1605, but failed to do so. A 1636 plague gave city magistrates the impetus to compile a pharmacopoeia, however, and they commissioned four leading city physicians to compile the present Brussels pharmacopoeia, which appeared in 1641. In 1659 the Antwerp Collegium Medicum decided to produce their own official pharmacopoeia.With a 5-line presentation inscription on the flyleaf from the principal compiler of the Antwerp pharmacopoeia, Michiel Boudewijns to St Bernard's Abbey in Hemiksem, south of Antwerp, undated, but clearly between 1661 and Boudewijn's death in 1681. With an occasional correction in an early hand, an inscription at the end of the Brussels work by Godefridus Bouvaert (1685-1770), and the bookplate of Oscar van Schoor (1873-1936) on pastedown. Second work browned with occasional small marginal tears or spots, but otherwise in very good condition. The binding is rubbed, with some mostly superficial cracks in the spine and hinges, but remains structurally sound. Two important pharmacopoeias with a remarkable provenance.

      [Bookseller: ASHER Rare Books]
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        Letters Written by Sir W. Temple, Bart and Other Ministers of State, Both at Home and Abroad. Containing an Account of the Most Important Transactions that Pass'd in Christendom from 1665 to 1672 ? Review'd by Sir W. Temple Sometime Before His Death: and Published by Jonathan Swift Domestick Chaplain to His Excellency the Earl of Berkeley, One of the Lords Justice of Ireland

      J. Tonson, A and J. Churchill & R. Simpson, London 1700 - First edition. Engraved frontispiece portrait. 4 vols. 8vo. Montagu family copy of a uniformly bound 4-volume set of the letters of Sir William Temple, comprising the 1700 two-volume first edition of the letters (vols. I & II of the set), the first authorized edition of Temple's Letters to Charles II (vol. III), and the first unauthorized edition (vol. IV). The Letters were edited and brought to the press by Temple's protégé Jonathan Swift, who as a young man was secretary to Temple. Swift contributed the dedication letter to William III and the "Publisher's Epistle to the Reader" in the 1700 volumes and a Preface to the 1703 third volume. "Temple's subsequent literary standing owed much to Swift, who published many of his letters, memoirs, and miscellanea in 1700-09 and immortalized Temple as the hero of The Battle of the Books" (ODNB).The "Lucy and Mary Montagu" of the ownership inscription does not, alas, refer to Lady Mary Montagu, who often signed her books with a distinctive "M."Volumes III & IV as follows:TEMPLE, W[illiam], Sir. Letters to the King, the Prince of Orange, the Chief Ministers of State, and Other Persons ? Being the Third and Last Volume. Published by Jonathan Swift, D.D. [viii], 550 pp. London: Tim. Goodwin, 1703. First edition. Teerink 472.TEMPLE, William, Sir. Select Letters to the Prince of Orange (Now the King of England,) King Charles the IId. And the Earl of Arlington, Upon Important Subjects. Vol. III. To Which is Added an Essay Upon the State and Settlement of Ireland ? Published from the Originals of Sir William Temple's Own Hand-Writing. And Never Before Published. [viii], 216 pp. London: Tho. Bennet, 1701. First edition, unauthorized. Rothschild 2406. Rothschild 2401; Teerink 469. Provenance: Lucy and Mary Montagu (signed on verso of portrait); Ditton Park, Montagu estate (bookplate) Contemporary speckled paneled calf, brown morocco spine labels. Rebacked, preserving original spines, extremities worn, joints cracked or starting, toned Engraved frontispiece portrait. 4 vols. 8vo [Attributes: First Edition; Signed Copy]

      [Bookseller: James Cummins Bookseller, ABAA]
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        In Notitiam Ecclesiasticam Africae Tabula Geographica

      Artist: L Isle de /Covens & Mortier Guillaume (d) ; issued in: Paris; date: (d)1700 - - technic: Copper print; - colorit: original colored; - condition: Very good; - size (in cm): 48 x 64; - description: Map shows Marocco, Algeria and Tunesia with Spain, Balear Islands, Corsica, Sardinia and Sicily; - vita of the artist: Guillaume De L isle (1626- 1757) Paris, was a French cartographer known for his popular and accurate maps of Europe and the newly explored Americas and Africa. De L isle was admitted into the French Académie Royale des Sciences, an institution financed by the French state. After that date, he signed his maps with the title of ?Géographe de l?Académie? Five years later, he moved to the Quai de l?Horloge in Paris, a true publishing hub where his business prospered. De L isle?s ascension through the ranks culminated in 1718 when he received the title of Premier Géographe du Roi. His new office consisted in teaching geography to the Dauphin, King Louis XIV?s son, a task for which he received a salary. De L sle?s reputation as a man of science probably helped .This supports the claim of the historian Mary Sponberg Pedley, who says ?once authority was established, a geographer?s name might retain enough value to support two or three generations of mapmakers? In De L isle?s case, it could be said that his accomplishments surpassed his father?s. Up to that point, he had drawn maps not only of European countries, such as Italy, Spain, Germany, Great Britain, Poland, and regions such as the Duchy of Burgundy, but he had also contributed to the empire?s claims to recently explored continents of Africa and the Americas.Like many cartographers of these days, De L isle did not travel with the explorers and elaborated the maps mostly in his office. The quality of his maps depended on a solid network that would provide him first-hand information. Given the family?s reputation and his own, De L isle had access to fairly recent accounts of travellers who were coming back from the New World, which gave him an advantage over his competitors. Being a member of the Académie, he was also aware of recent discoveries, especially in astronomy and measurement. When he could not confirm the accuracy of his source, he would indicate it clearly on his maps. For instance, his Carte de la Louisiane shows a river that the baron of Lahontan claimed he discovered, but no one else could validate it, so Delisle warned the viewer that its actual existence was in doubt. De L isle 's search for exactitude and intellectual honesty entangled him in a legal dispute in 1700 with Jean-Baptiste Nolin, a fellow cartographer. Noticing Nolin had used details that were considered original from his Map of the World, De L isle dragged Nolin in court to prove his plagiarism. In the end, Delisle managed to convince the jury of scientists that Nolin only knew the old methods of cartography and therefore that he had stolen the information from his manuscript. Nolin's maps were confiscated and he was forced to pay the court costs.The scientificity of the work produced by the De L isle family contrasted with the workshop of Sanson. While Sanson knowingly published outdated facts and mistakes, De L isle strived to present up-to-date knowledge. [Attributes: Signed Copy]

      [Bookseller: Antique Sommer& Sapunaru KG]
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        Antique Map-ISRAEL-PALESTINE-MIDDLE EAST-APOSTLE PAUL-Covens & Mortier-c. 1700

      - Antique map, titled: 'Byzondere Kaart van de Landen Daar de Apostelen Het Evangelium Gepredikt Hebben ( ).' - Highly decorative map of the eastern Mediterranean and the Middle East features the tract of St. Paul from Jerusalem to Rome. The map is filled with mountains, forests, and oases, and is decorated with a compass rose. Engraving / etching with hand colouring on hand laid (verge) paper. Description: Source unknown, to be determined.Artists and Engravers: Made by 'Pierre Mortier' after an anonymous artist. Pieter and David Mortier were booksellers in Paris and have published a wide range of geographical works. After Pieter's death, his widow continued the business until their son Cornelius took over. Cornelius started a partnership with his brother-in-law Johannes Covens and established the famous publishing house "Covens and Mortier" in Amsterdam. They have re-issued Atlases of Sanson, de l'Isle, Visscher and de Wit. Condition: Good, given age. Several small creases bottom left and right corner. Some minor spots. Original middle fold as issued. General age-related toning and/or occasional minor defects from handling. Please study scan carefully. Storage location: BG-B15-07 Iscra The overall size is ca. 19.9 x 16.7 inch. The image size is ca. 18.7 x 15.8 inch. The overall size is ca. 50.5 x 42.5 cm. The image size is ca. 47.5 x 40.2 cm.

      [Bookseller: ThePrintsCollector]
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        [I] Tatiani Oratio Ad Graecos. Hermiae Irrisio Gentilium Philosophorum Ex vetustis Exemplaribus Recensuit (...) Wilhelmus Worth. (Angebunden:) [II] Sibylla Capitolina, Publii Virgilii Maronis Poemation; interpretatione et notis illustratum a S.L. [von Petro Daudé].

      [I]: Oxoniae, e Theatro Sheldoniano (Oxford: Sheldon); [II]: (item = Amsterdam) 1700; 1726. [I]: (14), 212, XXVII, 213-252 Seiten. Mit großem gestochenen Kopfstück und großer figürlicher Initiale auf Seite 1. - [II]: (4), 92 Seiten. Schöne gestochene Titelvignette von B. Picart mit Darstellung eines Phönix und dem Motto \'Vitam post funera reddit\' (Das Leben kehrt nach dem Tode zurück) auf dem zweiten Titel. 8° (20,5 x 14 cm). Schöner Halbpergamentband der Zeit mit mehrfarbig geädertem Kleisterpapier-Bezug und rotgefärbten Schnitten. [Hardcover / fest gebunden]. [I]: Graesse VI, 41. Zweisprachiger Druck (Altgriechisch-Latein) der seltenen Tatian-Ausgabe in zwei Kolumnen auf starkem Papier und hervorragender Typographie. Eingeschoben die 27seitige \"Dissertatio in Tatianum\". - [II]: Barbier IV, 1378. Graesse VI, 351. Bibl. Hulthem III, 16466. - An Tatians berühmte Streitschrift gegen die Griechen angebunden findet sich der klandestine Druck \"Sibylla Capitolina\". Diese Gegenschrift (\"Satyre assez ingenieuse\", Bibl. Hulthem) des reformierten französischen Theologen und Philosophen Petrus Daudé (1654-1733) war pseudonym erschienen und richtete sich gegen die umstrittene Bulle \"Unigenitus dei filius\" von 1713, mit der Papst Clemens XI. auf Drängen König Ludwigs XIV. den bereits im 17. Jahrhundert zur Häresie erklärten Jansenismus erneut verurteilt hatte. Innerhalb der ersten sechs Jahre nach Abfassung der Bulle hatten die meisten kirchlichen Sympathisanten des Jansenismus Frankreich verlassen und sich in Belgien oder den Niederlanden niedergelassen. Die vorliegende Schrift mit fingiertem Oxford-Sheldon Impressum wurde vermutlich in Amsterdam gedruckt (die Titelvignette von B. Picart spricht ebenfalls dafür) und setzt sich aus Vergil-Fragmenten zusammen, die zusammen mit der umfangreichen Interpretation am Fuß der Seite den satirischen Gehalt des Werks ausmachen. Der Verfasser Daudé war in jungen Jahren nach England ausgewandert und hatte möglicherweise intimere Kenntnisse der dortigen Buchdruckereien. - Zum Drucker von [I]: Das Sheldonian Theatre wurde vom Erzbischof Canterburys, Gilbert Sheldon, der gleichsam Kanzler der Universität war, aus eigenen Mitteln erbaut und 1669 eröffnet. Es diente unter anderem der Vergabe von Diplomen und beherbergte eine Druckpresse, die unter anderem für die Oxford University Press genutzt wurde. (LGB² VII, 74). Der akademisch hochrangige Druckort und die Streitschrift Tatian boten sich wohl als fingiertes Impressum für die antipäpstliche Satire an, deren typographische Gestaltung deutlich hinter der des vorgebundenen Werks zurücksteht. - Lateinische Notiz alter Hand, den angebundenen Text betreffend, mit Tinte auf dem Vorsatz (\"Satyra satis ingeniosa\"). - Der schöne Halbpergamentband nur leicht angeschmutzt und in überaus erfreulichem Zustand. Kopfschnitt leicht angestaubt und vorderes Innengelenk minimal gelöst, sonst innen tadellos. Insgesamt sehr gutes und sauberes Exemplar. - In dieser Kombination besonders interessanter und reizvoller Sammelband. Versand D: 5,50 EUR Tatianus (= Tatian),Wilhelm Worth (Hrsg. u. Beab.) und Petro Daudé: [I] Tatiani Oratio Ad Graecos. Hermiae Irrisio Gentilium Philosophorum Ex vetustis Exemplaribus Recensuit (...) Wilhelmus Worth. (Angebunden:) [II] Sibylla Capitolina, Publii Virgilii Maronis Poemation; interpretatione et notis illustratum a S.L. [Petro Daudé]. [I]: Oxoniae, e Theatro Sheldoniano (Oxford: Sheldon); [II]: (item = Amsterdam) 1700; 1726.

      [Bookseller: Antiquariat Kretzer]
 26.   Check availability:     buchfreund.de     Link/Print  


        Rare Antique Proof-ALLEGORY-EMPEROR AUGUSTUS-ARTS-Lairesse-Anonymous-c. 1700

      - Antique print, untitled. Allegorical print of the Roman emperor Augustus (63-14 BC) helping up a female figure (representing the Arts). Coins spill from his money bag, while on the ground beside the female figure are sheet music, brushes, a palette and a wind instrument. Etching/engraving on hand laid paper. Description: Proof print, before lettering. We have not been able to determine the engraver. Any input appreciated.Artists and Engravers: Made by 'Anonymous' after 'Gerard de Lairesse'. Gerard de Lairesse (Liege; 1640-1711) was a Belgian Golden Age engraver, painter and art theorist. Painter and etcher. Born at Liege, 1660 to Berlin, 1665 to Amsterdam; moved to The Hague around 1684. Condition: Excellent, given age. A flattened horizontal crease in the middle of the sheet. A small tear in the left and lower margins, reinforced using contemporary paper backed with acid free archival tape. Creases in the margins. General age-related toning and/or occasional minor defects from handling. Please study scan carefully. Storage location: TPCLA-P2-12 TPC The overall size is ca. 13.8 x 16.7 inch. The image size is ca. 11.5 x 14.5 inch. The overall size is ca. 35 x 42.5 cm. The image size is ca. 29.2 x 36.9 cm. [Attributes: Soft Cover]

      [Bookseller: ThePrintsCollector]
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        Les États de la Couronne de Boheme ou sont le Royaume de Boheme, le duché de Silesie.

      Artist: Schenk/ Sanson Nicolas Peter ca ; issued in: Amsterdam; date: ca1700 - - technic: Copper print; - colorit: original colored; - condition: Very good; - size (in cm): 49 x 58; - description: map of Bohemia, Moravia and Silesia; - vita of the artist: Petrus Schenck, (1660 ? 1711) was a German engraver and cartographer active in Amsterdam and Leipzig.Valck was married to Maria Bloteling, the sister of the Amsterdam engraver Abraham Bloteling. In 1687 Schenk married Gerard's sister Agatha Valck. In 1694, together with Valck, he bought some of the copperplates of the artdealer and cartographer Johannes Janssonius. Along with Valck and Bloteling, he produced prints for the London market, though it is not known if he ever went there with them.

      [Bookseller: Antique Sommer& Sapunaru KG]
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        I] Tatiani Oratio Ad Graecos. Hermiae Irrisio Gentilium Philosophorum Ex vetustis Exemplaribus Recensuit (.) Wilhelmus Worth. (Angebunden:) [II] Sibylla Capitolina, Publii Virgilii Maronis Poemation; interpretatione et notis illustratum a S.L. [von Petro Daudé].

      [I]: Oxoniae, e Theatro Sheldoniano (Oxford: Sheldon); [II]: (item = Amsterdam) 1700; 1726. - [I]: (14), 212, XXVII, 213-252 Seiten. Mit großem gestochenen Kopfstück und großer figürlicher Initiale auf Seite 1. - [II]: (4), 92 Seiten. Schöne gestochene Titelvignette von B. Picart mit Darstellung eines Phönix und dem Motto 'Vitam post funera reddit' (Das Leben kehrt nach dem Tode zurück) auf dem zweiten Titel. [I]: Graesse VI, 41. Zweisprachiger Druck (Altgriechisch-Latein) der seltenen Tatian-Ausgabe in zwei Kolumnen auf starkem Papier und hervorragender Typographie. Eingeschoben die 27seitige "Dissertatio in Tatianum". - [II]: Barbier IV, 1378. Graesse VI, 351. Bibl. Hulthem III, 16466. - An Tatians berühmte Streitschrift gegen die Griechen angebunden findet sich der klandestine Druck "Sibylla Capitolina". Diese Gegenschrift ("Satyre assez ingenieuse", Bibl. Hulthem) des reformierten französischen Theologen und Philosophen Petrus Daudé (1654-1733) war pseudonym erschienen und richtete sich gegen die umstrittene Bulle "Unigenitus dei filius" von 1713, mit der Papst Clemens XI. auf Drängen König Ludwigs XIV. den bereits im 17. Jahrhundert zur Häresie erklärten Jansenismus erneut verurteilt hatte. Innerhalb der ersten sechs Jahre nach Abfassung der Bulle hatten die meisten kirchlichen Sympathisanten des Jansenismus Frankreich verlassen und sich in Belgien oder den Niederlanden niedergelassen. Die vorliegende Schrift mit fingiertem Oxford-Sheldon Impressum wurde vermutlich in Amsterdam gedruckt (die Titelvignette von B. Picart spricht ebenfalls dafür) und setzt sich aus Vergil-Fragmenten zusammen, die zusammen mit der umfangreichen Interpretation am Fuß der Seite den satirischen Gehalt des Werks ausmachen. Der Verfasser Daudé war in jungen Jahren nach England ausgewandert und hatte möglicherweise intimere Kenntnisse der dortigen Buchdruckereien. - Zum Drucker von [I]: Das Sheldonian Theatre wurde vom Erzbischof Canterburys, Gilbert Sheldon, der gleichsam Kanzler der Universität war, aus eigenen Mitteln erbaut und 1669 eröffnet. Es diente unter anderem der Vergabe von Diplomen und beherbergte eine Druckpresse, die unter anderem für die Oxford University Press genutzt wurde. (LGB VII, 74). Der akademisch hochrangige Druckort und die Streitschrift Tatian boten sich wohl als fingiertes Impressum für die antipäpstliche Satire an, deren typographische Gestaltung deutlich hinter der des vorgebundenen Werks zurücksteht. - Lateinische Notiz alter Hand, den angebundenen Text betreffend, mit Tinte auf dem Vorsatz ("Satyra satis ingeniosa"). - Der schöne Halbpergamentband nur leicht angeschmutzt und in überaus erfreulichem Zustand. Kopfschnitt leicht angestaubt und vorderes Innengelenk minimal gelöst, sonst innen tadellos. Insgesamt sehr gutes und sauberes Exemplar. - In dieser Kombination besonders interessanter und reizvoller Sammelband. la Gewicht in Gramm: 1001 8° (20,5 x 14 cm). Schöner Halbpergamentband der Zeit mit mehrfarbig geädertem Kleisterpapier-Bezug und rotgefärbten Schnitten. [Hardcover / fest gebunden]. [Attributes: Hard Cover]

      [Bookseller: Antiquariat Kretzer]
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        MANOSCRITTO TITOLATO "LIBRO DI EDITTI DECRETI E NOTIFICAZIONI VESCOVILI" D. DONATO POPOLI RACCOLSE E ORDIN

      1700. LATINO 0,7 Bel manoscritto con legatura a cartelliina chiusa da laccio di cuoio in tutta pergamena, con titoli manoscritti alla coperta ant e al dorso, quest' ultimo con applicazioni decorative in cuoio.All' interno raccolta di editti, notificazioni ecc. in forma sciolta o rilegata, in bella grafia sono riportate le spiegazioni di questi.Pagine numerate, le ultime bianche, alcune con richiami a fine pagina. Raccolta vasta e particolareggiata, indice all' inizio USATO

      [Bookseller: Biblioteca di Babele]
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        Antique Print-SEA CHART-NORWAY-SOGNEFJORD-Van Keulen-ca. 1700

      1700 - Antique print, titled: 'Paskaart van de Kust van Noorwegen Beginnende van de Wtweer Klippen tot aan Swartenos ' - Sea chart of the Norwegian west coast. The map covers the area from the Sognefjord north to Swartenes. With a large decorative cartouche with lumber theme (top right), and a mythological figure fighting a sea monster around the scale bars (lower right). Description: From "De Nieuwe Groote Ligtende Zee-Fakkel, 't Eerste Deel" edited by Claas Jansz. Voogt and Gerard van Keulen, originally published 1687-1706, but reprinted a few times until the end of the 18th century. We are not sure from which exact edition this map is.Artists and Engravers: Made by an anonymous engraver after 'Johannes van Keulen'. Johannes van Keulen (1654-1711). The Dutch produced a remarkable number of enterprising and prolific map and chart makers but not even the Blaeu and Jansson establishments could rival the vigour of the van Keulen family whose business was founded in 1680 and continued under their name until 1823. The firm was founded by Johannes van Keulen who was registered as a bookseller in Amsterdam in 1678. Engraving, with contemporary handcolouring on hand laid paper. Anonymous. Fair, given age. Original middle fold, as issued. Top and lower margins cropped to the image edge. A tear in the top edge of the middle fold. Lower middle fold and top right margin corner browned. Two small dampstains in the lower left of the image. Paper edges with some paper loss and remargining, particularly at the bottom. General age-related toning and/or occasional minor defects from handling. Please study scan carefully. The overall size is ca. 59.7 x 51.9 cm. The image size is ca. 56 x 44.4 cm. The overall size is ca. 23.5 x 20.4 inch. The image size is ca. 22 x 17.5 inch. Storage location: Overasselt-327

      [Bookseller: ThePrintsCollector]
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        Antique Map-COAST-EUROPE-ENGLAND-FRANCE-PORTUGAL-SPAIN-Mount and Page-ca. 1700

      - Antique Map, titled: 'A Chart of the Sea-Coast from England to the Streights.' - A map showing the European coastline from the South of England (and North of France) to the Strait of Gibraltar and the northern coast of Africa. Soundings are indicated in the Channel, Strait and along the Spanish and Portuguese coasts. Rocks, islands, etc. are also indicated. Etching/engraving on hand laid paper. Description: Published by Mount & Page, London.Artists and Engravers: Publisher: Mount and Page. Condition: Good, given age. Original middle fold, as issued. Left and right margins cropped close to the image area (right with very slight loss of image). Both margins extended with contemporary paper (backed with acid-free archival tape on the rear) for framing purposes. A crease beside the middle fold, from the top into the image. A few small tears in the margin edges. A small closed tear in the right edge of the image, just above the punched library stamp (Brooklyn Public Library; backed with contemporary paper). General age-related toning and/or occasional minor defects from handling. Please study scan carefully. Storage location: BG-B3-12 The overall size is ca. 23.5 x 18.5 inch. The image size is ca. 22.5 x 17.8 inch. The overall size is ca. 59.8 x 46.9 cm. The image size is ca. 57.1 x 45.2 cm.

      [Bookseller: ThePrintsCollector]
 32.   Check availability:     IberLibro     Link/Print  


        Ohne Titel (biblische Szene, möglicherweise Skizze für ein Gemälde oder Altarbild). Auf dünnem Büttenpapier.

      (um 1700). - Bildausschnitt ca. 25 x 19 cm. Blattgröße ca. 28 x 20 cm. Vgl. Thieme-B. VIII, 346.- Rechts unten monogrammiert "P. D.". Auf der Rückseite weitere Rötelstift-Skizzen mit 3 Personen und 2 männlichen Köpfen.- Pietro (Pier) Dandini (Florenz 1646 - 1712) entstammte einer der großen Florentiner Malerfamilien des 17. Jahrhunderts, der auch seine beiden Onkeln Cesare Dandini (1596 - 1657) und Vincenzo Dandini (1607 - 1674) angehörten. Bei Letzterem ausgebildet und von den Medici stark protegiert, erhielt er zahlreiche Aufträge zu Kirchenausstattungen in Florenz, Rom und Pisa, bei welchen er auch oft in Freskotechnik arbeitete.- Aus der Sammlung des Malers und Grafikers Fritz (Friedrich Rudolf) Cernajsek (Wien 1910 - 1996 Perchtoldsdorf). Graphik - Varia

      [Bookseller: Antiquariat MEINDL & SULZMANN OG]
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        An Account of the Islands of Orkney. To Which is Added, An Essay Concerning the Thule of the Ancients

      Jacob Tonson within Gray's-Inn-Gate, next Gray's Inn-Lane, London 1700 - x, 182pp. Fold out map and plate. G : in Good condition. Spine rubbed. Sm Top corner of fep missing. Book-plate on paste-down. Plated bright [Attributes: First Edition]

      [Bookseller: Barter Books Ltd]
 34.   Check availability:     AbeBooks     Link/Print  


        England 1817 - 1894 West Hoboken, USA). Dreimaster vor Gibraltar. Öl auf Leinwand, um 1880. Unten rechts schwach signiert. 29,5 x 40 cm. Gerahmt.

      Seestück unter dunklen Wolken mit mehreren Segelschiffen und Segelbooten unter britischer Flagge, darunter ein imposanter Dreimaster unter vollen Segeln. Als Kulisse der Felsen von Gibraltar, den Buttersworth selbst wohl nie zu Gesicht bekam, hier frei ergänzt um eine Burganlage auf dem Gipfel (die in ähnlicher Form auch auf einem Kupferstich von Aveline nach Crepy (um 1700) dargestellt ist).- James Edward Buttersworth ergriff als Sohn eines Marinemalers den Beruf seines Vaters und schuf zahlreiche Seestücke und detailgetreue Schiffsporträts. Von historischem Interesse ist neben derDokumentation zahlreicher Regatten auch die Entwicklung der Seefahrt im 19. Jahrhundert, die sich anhand seiner Bilder nachvollziehen lässt.- Mit wenigen kleinen Restaurierungen.- Siehe Farbtafel.

      [Bookseller: Antiquariat Daniel Schramm e.K.]
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        Réflexions sur la nature des remèdes, leurs effets, et leur manière d?agir, leurs indications et contre-indications, et le bon et mauvais usage qu?on peut en faire. Appuyées d?exemples, d?histoires et d?observations considérables.

      A Rouen, chez François Vaultier, MDCC., 1700, - in-8vo, (16 x 9.5 cm), 8 ff. (titre, faux-titre, épître, préface, approbation, privilège du roi) + 378 p. + 17 ff. (table des matières), nom écrit à l?encre d?époque au début de l?ouvrage ?PONCET?, reliure pleine basane marbrée, dos à cinq nerfs, entrenerfs ornés, manque de cuir en bas du dos, dorure effacée, coins et dos usés. Première édition. François de Saint André (1677-1725), médecin de Louis XIV, il s?appelait ?Monsieur de Saint-André? d?après sa nomination comme médecin royale. Hirsch le mentionne avec un autre titre ?Réflexions sur les causes des maladies et de leurs symptomes? (1687). Deux feuilles tâchées d?encre et une feuille un peu déchirée. Sinon pages en bon état.Please notify before visiting to see a book. Prices are excl. VAT/TVA (only Switzerland) & postage. Krivatsy, Catalogue of 17th century printed books, p. 1026; Hirsch, 1,134.

      [Bookseller: Harteveld Rare Books Ltd.]
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        Contes et nouvelles de la Fontaine (2 Bde.). Aquarelles de Maurice Leroy.

      8, 211 u. 185 S., mit 40 lithographierten, handkolorierte Abb. Und einer compl. beiliegenden s/w-Folge der Lithographien., Broschur m. Transp.-OU., Transp.-OU. m. kleiner Fehlstelle sonst sehr schönes Exemplar N 18 de 50 exemplaires numerote sur pur fil du Marais. Tirage limite de total 1700 exemplaires numerotes. Aquarelles de Maurice Leroy coloriées a la main dans les Ateliers de Maurice Beaufumé. Aussserdem ein Originalaquarell von Maurice Leroy aus dem Buch.

      [Bookseller: antiquariat peter petrej]
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        Solomon's Idolatry (Salomos Götzendienst).

      ca. 1700.(). Pen, brush and India ink over sanguine on handmade paper, mounted on paper. 333 x 457 mm. Signed "K. H. S." and stamped l.r. Minor vertical crease, else NF.

      [Bookseller: Wittenborn Art Books]
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        An Account of the Islands of Orkney. To Which is Added, An Essay Concerning the Thule of the Ancients

      London: Jacob Tonson within Gray's-Inn-Gate, next Gray's Inn-Lane. G : in Good condition. Spine rubbed. Sm Top corner of fep missing. Book-plate on paste-down. Plated bright. 1700. First Edition. Contemporary panelled calf. 200mm x 120mm (8" x 5"). x, 182pp. Fold out map and plate. .

      [Bookseller: Barter Books Ltd]
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        Ratisbona Politica. Staatisches Regenspurg. Das ist: Erster Theil des erneuerten Mausoloei oder herrlich-gezierten Grabs Deß Bayrischen Apostels und Blut-Zeugens Christi S. Emmerami, welches Coelestinus deß Kayserl. und Gefürsten Reichs-Stifft zu St. Emmeram in Regenspurg Prälat vor Jahren kurtz-beschribner mit ungemeinen Nutzen zum drittenmal in Druck hervor gegeben Anjetzo aber auf inständiges Verlangen mit Einmischung der Bayrischen Denckwürdigkeiten vermehrt / mit schönen Kupfferen geziert Und in das Staatisch-, Clösterlich-, Kirchisch- und Heilige Regenspurg Abgetheilt durch Anselmum Abbten daselbst.

      822 S:Dedicatio (13) S. 1 Frontispiz 4 gefalteten Kupfertafeln Register Halbleder, Lederecken, roter Dreiseitenschnitt, Rücken mit 4 Bünden, Frakturschrift Buch in altersgemäß sehr guter Erhaltung, Einband gut, Seiten hell und sauber, vereinzelt Verfärbungen durch Kupfer Frontispiz mit Ansicht v. Regensburg fehlt von den 14 orig. Kupfern sind nur vier am Ende des Buches vorhanden. Johann Baptist Kraus OSB (geboren als Joseph Emmeram Wolfgang Kraus, auch Johann Baptist Krauß * 12. Januar 1700 in Regensburg 14. Juni 1762 im Kloster Sankt Emmeram) war Benediktiner und von 1742 bis 1762 Fürstabt des Klosters Sankt Emmeram.

      [Bookseller: Franklin61]
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        Portraits of Illustrious Personages

      np 1700 - With 23 monochrome watercolor portraits attributed to Adrian van der Werff; each followed by an engraved portrait of the subject by Peter van Gunst, et al. Watercolor portraits approx. 12 1/4 x 7 7/8 inches (310 x 200 mm) on sheets measuring 15 1/2 x 9 7/8 inches (393 x 250mm). Portraits: Henry VII [England]; Henry VIII [England]; Catherine d'Arragon; Anne Boleyn; Jane Seymour; Catharine Parre, Edward VI [England]; Mary Stuart; Jane Grey; Queen Mary [Bloody Mary]; Thomas Crammer; William Laud; Charles V [Don Carlos I]; Charles I [Great Britain]; Henrietta Marie de France; James I [Great Britain]; Anne Hyde [Wife of James II]; George Villiers, Duke of Buckingham; Maurice Prince of Orange; James IV [King of Scotland]; Marguerite [Queen of James IV of Scotland]; Guillaume Premier Prince d'Orange; Hamilton Count of Aran. Watercolors & engravings clean & attractive. Folio. WITH 23 WATERCOLOR PORTRAITS. The engravers represented are : Peter van Gunst (8); Cornelius Vermeulen (5); B. Audran (2); Charles Simonneau (3); Gerard Valck (5).With a fascinating note "This book was brought to this country by J.W. Bouton of New York some thirty years ago was purchased from him by William H. Piper & Co. of Boston (Publishers) for $250; was sold to Mrs Sutton the founder of the Eben Dale Sutton Library (of the Peabody Institute) salem Mass; was purchased from the estate by Charles Lauriat Co. of Boston whom I have acquired it from.The various person through whos(sic) hands this book has passed are all of the opinion that the drawings areby Adrian van der Werff (1659 & 1722)."Signed in a different hand "John L. Dudley, Jr. June, 1911." 19th-Century full gilt-paneled scarlet morocco, richly gilt floral spine compartments, a.e.g. by Bedford; joints rubbed, other occasional edge wear. Small crimson leather bookplate of John L. Dudley, Jr With 23 monochrome watercolor portraits attributed to Adrian van der Werff; each followed by an engraved portrait of the subject by Peter van Gunst, et al. Watercolor portraits approx. 12 1/4 x 7 7/8 inches (310 x 200 mm) on sheets measuring 15 1/2 x 9 7/8 inches (393 x 250mm). Portraits: Henry VII [England]; Henry VIII [England]; Catherine d'Arragon; Anne Boleyn; Jane Seymour; Catharine Parre, Edward VI [England]; Mary Stuart; Jane Grey; Queen Mary [Bloody Mary]; Thomas Crammer; William Laud; Charles V [Don Carlos I]; Charles I [Great Britain]; Henrietta Marie de France; James I [Great Britain]; Anne Hyde [Wife of James II]; George Villiers, Duke of Buckingham; Maurice Prince of Orange; James IV [King of Scotland]; Marguerite [Queen of James IV of Scotland]; Guillaume Premier Prince d'Orange; Hamilton Count of Aran. Watercolors & engravings clean & attractive. Folio [Attributes: Signed Copy]

      [Bookseller: James Cummins Bookseller, ABAA]
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        Antique Print-PALEMBANG-SUMATRA-INDONESIA-VOC-SHIPS-Van der Aa-c. 1700

      - Antique print, titled: 'La Ville de Palimbang dans L’Ile de Sumatra.' - A very decorative, impressive engraving of Palembang in Sumatra. Two views on one sheet. In the upper part the overall view with a sea battle in the foreground. Below the burning city, finely engraved ships and a compass rose. The VOC decided to gain a foothold in Palembang because of the rich gold deposits and pewter mining possibilities. On the engraving, we see the small fortress of 1. Cambare, 2. Fort Matapurl. 3 Fort Bamagangian & 4. The Royal Palace. All under siege by a large number of Dutch ships, the fortifications going up in flames. Copperplate engraving / etching with hand colouring on hand laid paper. Description: Source unknown, to be determined.Artists and Engravers: Made by 'Pierre van der Aa' after an anonymous artist. Pieter van der Aa was born 1659 in Leyden, Holland. He started his own book publishing business when he was twenty-three. Within fifty years in his business, he published a huge amount of highly decorative maps and atlases. His Nouvel Atlas was reissued by Covens & Mortier. He died 1733 in Leyden. Condition: Good, given age. Soft small crease top right. Original middle fold as issued. General age-related toning and/or occasional minor defects from handling. Please study scan carefully. Storage location: BG-E1-16 The overall size is ca. 14.1 x 12.3 inch. The image size is ca. 13.6 x 11.2 inch. The overall size is ca. 35.7 x 31.3 cm. The image size is ca. 34.5 x 28.5 cm.

      [Bookseller: ThePrintsCollector]
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        Planisphaerium terrestre, cum utroque coelesti hemesphaerio, sive diversa orbis terraquei". Altkolorierte Kupferstichkarte von Adam Friedrich Zürner.

      Amsterdam, Schenck und Valck, nach 1700. - Shirley 639. - Zürner`s work is relatively unknown, appearing usually in other publishers` atlases, such as Schenk`s Atlas Contractus. The present issue shows the routes of Magellan, Dampier, Tasman, Gaetani and Chaumont. California is tentatively depicted as an island with dotted lines, but coloured as a peninsula. - Restaurierter Einriss bis ins Bild (ohne Verlust), kleinere angerandete Randausrisse (ohne Bildberührung). *** /// *** Copyright: Matthaeus Truppe - Stubenberggasse 7 - A-8010 Graz - +43 316 829552 *** /// *** Sprache: Deutsch Gewicht in Gramm: 0 Aus: Pieter Schenck und Gerard Valck, Atlas contractus sive Mapparum Geographicarum Sansoniarum auctarum er correctarum.

      [Bookseller: Matthaeus Truppe Antiquariat]
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        Bolivia

      , 1700s - 1800s. 1700s - 1800s. The letters span from the 1700s to the 1800s and most are addressed to Francisco Ruiz De Sorzano, a very important man during the colonial period in the La Paz area of today Bolivia. He had important business relations with Peru, and was the owner of lands in what today is the border between Peru and Bolivia. He was also possibly a descendant of the King of Spain. The letters deal with commerce and various historical accounts. This collection is rife with untapped material and will be a true treasure to historians specializing in Bolivian culture. While many letters still have wax seal remnants, most do not have postal markings meaning they were undoubtedly hand carried in the 1700s. Sorzano's great great grandson, Jose Luis Tejada Sorzano, became President of Bolivia during the Chaco War. Sorzano was the Vice President at the time but was elected President after Daniel Salamanca Urey was forced to resign. The Chaco War was a costly conflict between Bolivia and Paraguay. Hostile incidents began as early as 1928 over the Chaco Boreal, a wilderness region of about 100,000 square miles (259,000 square km) north of the Pilcomayo River and west of the Paraguay River that forms part of the Gran Chaco. The conflict stemmed from the outcome of the War of the Pacific (1879-84), in which Chile defeated Bolivia and annexed that nation's entire coastal region. Thereafter, Bolivia attempted to break out of its landlocked situation through the Río de La Plata system to the Atlantic coast; athwart that route lay the Gran Chaco, which the Bolivians thought had large oil reserves. Paraguay formally declared war on May 10, 1933 launching a series of attacks along an extended front late in October and made such impressive gains that the Bolivian president Daniel Salamanca replaced Kundt with General Enrique Peñaranda. After Bolivian counterattacks put Paraguayan forces on the defensive, a truce was arranged on June 12, 1935. About 100,000 men lost their lives in the war. A peace treaty was arranged by the Chaco Peace Conference, which included Argentina, Brazil, Chile, Peru, Uruguay, and the United States. It was signed in Buenos Aires on July 21, 1938. Paraguay gained clear title to most of the disputed region, but Bolivia was given a corridor to the Paraguay River and a port (Puerto Casado). The war had caused disruption of the Bolivian economy, provoking demands for reform among the deprived Bolivian masses. Argentina was given the main credit for the settlement, and Argentine investors profited greatly from Paraguay's territorial gain. Sorzano as president had a responsibility to bring an end to the disastrous Chaco War. By June 1935, a ceasefire was reached with Paraguay, however, the terms granted most of the Chaco Boreal region to Paraguay, reducing Bolivia's territory considerably. This earned Tejada the disdain of the military and he was removed from office in a coup d'etat led by generals José David Toro and Germán Busch a year later.

      [Bookseller: University Archives ]
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        Amerique septentrionale divisee en ses principales parties,.Par le s. Sanson .

      Mortier 1700 - Pieter Mortier; Amsterdam, c1700 copper engraved map with original outline colouring; overall 63 x 98,5 cm; plate 57 x 88 cm. fold as issued; additional folds; some cracks in the green outline colouring; paper evenly toned; some browning, foxing, rust spots; off-set; on verso: hand written annotation; remnants of old paper guard; o/w vg cond. two sheets joined. A very beautiful map of Northern and Central America with a very large insular California by Jaillot, first published in 1674 for his ‘Atlas Nouveau’, based on a similar maps by Sanson of 1656 and 1669. Jaillot republished this map on a much larger scale and reissued it between 1685 and 1695. It was separately published on two sheets. Large decorative cartouche embellished with the coat-of-arms of the French King, indigenous people and fauna, and a large vignette with mile scales, again decorated with natives. This map was republished by Mortier and does not bear a date in the title banner nor anywhere else on the map, though there areraces of the date having been erased; however, Mortier started publishing this map from 1692 onwards though Tooley is dating it at 1700. - Mortier (1661-1711) was a Dutch publisher, map and book seller in Amsterdam who was is in strong competition with Valck & Schenk et al in publishing and distributing maps by Sanson and Jaillot. see Burden 438/619; Tooley (America) 37 [ref: 3258] £2,600

      [Bookseller: Angelika C. J. Friebe Ltd. - MapWoman]
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        Antique Print-VENUS-BIRTH-MERMAN-CHERUB-Boucher-Duflos-Ca. 1700

      - Antique print, titled: 'La Naissance de Venus.' - ('The Birth of Venus'). Venus surrounded by mermen, sea nymphs and cherubs. Etching / engraving on hand laid paper. Description: Source unknown, to be determined.Artists and Engravers: Made by 'Claude Duflos' after 'Francois Boucher'. Claude Duflos (Paris 1665-1727) was a French engraver. It is not known by whom he was instructed, but his style resembles that of Francois de Poilly. Francois Boucher (1703-1770) was a prominent French painter in the rococo style. He is known for idyllic, pastoral scenes and voluptuous treatment of classical themes. Condition: Excellent, given age. Margin edges a little soiled, caption below image soiled and with some small foxing stains. Some faint small stains in the image. Restored damages in the top and left margins (backed with paper, not affecting image). General age-related toning and/or occasional minor defects from handling. Please study scan carefully. Storage location: GV-B1-08 The overall size is ca. 16.1 x 20.6 inch. The image size is ca. 14.4 x 19.3 inch. The overall size is ca. 40.9 x 52.2 cm. The image size is ca. 36.5 x 49 cm.

      [Bookseller: ThePrintsCollector]
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        Mare Mediterraneum exhibens oras Hispaniae, Galliae, Italiae...

      1700. Incisione in rame, colorata d'epoca, 495x1165. Gerard e Leonard Valck o Valk, padre e figlio, furono tra i più noti stampatori della fine del periodo d'oro della cartografia fiamminga, autori di numerose carte, lavorando spesso in società con Schenk. Decorativa carta in bella coloritura. Ottimo esemplare, seppur con una piccola mancanza reintegrata in basso destra, rifilata alla lastra a sin. e lievi aloni in basso.

      [Bookseller: Libreria Antiquaria Perini s.a.s.]
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