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Displayed below are some selected recent viaLibri matches for books published in 1680

        Belgium Foederatum emendate auctum et novissime editum.

      F. De Witt. Belgium Foederatum emendate auctum et novissime editum. Original engraving with colour by F De Witt, published in Amsterdam, c.1680. 477 x 560 mm. £650

      [Bookseller: Henry Sotheran Ltd.]
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        De motu animalium.

      First edition Rome: Angeli Bernabo, 1680-81. A fine copy of the foundation work of biomechanics. "Pupil of Galileo and teacher of Malpighi, Borelli's lasting fame is his dominating influence in the establishment of the Iatrophysical School of thought, which sought to interpret all physiological phenomena by the laws of mathematics and physics." (Heirs of Hippocrates). ?Dibner 190; Horblit 13; Norman 270; Garrison-Morton 762; Heirs of Hippocrates 496; Lilly Notable Medical Books 91. "Inspired by Harvey's mathematical demonstration of the circulation of the blood, Borelli, a trained mathematician and physicist, conceived of the body as a machine whose phenomena could be explained entirely by the laws of physics. Borelli was the first to recognise that bones were levers powered by the action of muscle, and devoted the first volume of his work to the external motions produced by this interaction, with extensive calculations on the motor forces of muscles. The second volume treats of internal motions, such as the movements of muscles themselves, circulation, respiration, secretion, and nervous activity" (Norman). "Borelli originated the neurogenic theory of the heart's action and first suggested that the circulation resembled a simple hydraulic system. He was the first to insist that the heart beat was a simple muscular contraction" (Garrison-Morton). "It is highly creditable to his insight and candour that, although he set out with the idea of explaining the movements of living organisms mechanically, he yet realised that the contraction and swelling of the muscles, on which all such movements depend, cannot be purely mechanical, but involves also complex chemical processes. He held, namely, that neural stimulation had something to do with the contraction and swelling of muscles" (Wolf, History of science, technology and philosophy). Born in Naples, Giovanni Borelli (1608-79) studied mathematics at Rome under Benedetto Castelli. Sometime before 1640 he was appointed professor of mathematics at Messina. In the early 1640s, he met Galileo in Florence. In 1656 Borelli was appointed to the chair of mathematics at the University of Pisa, a post previously held by Galileo. It was in Pisa that Borelli met the Italian anatomist Marcello Malpighi; the two men became founder members of the short-lived Accademia del Cimento. Motivated by Malpighi's own studies, Borelli began his first investigations into the science of animal movement. This began an interest that would continue for the rest of his life, eventually earning him the title of the Father of Biomechanics. After returning to Messina in 1668, Borelli was forced into exile in Rome for suspected involvement in political conspiracies. Here he first became acquainted with ex-Queen Christina of Sweden, who had also been exiled to Rome for converting to Catholicism. Borelli lived the rest of his years in poverty, teaching basic mathematics at the school of the convent where he had been allowed to live. His masterwork, De motu animalium, on which he had worked for many years, might never have been published but in late 1679 Queen Christina agreed to bear the printing costs and Borelli dedicated the De motu animalium to her. He died in December, however, and his benefactor at the convent, P. Giovanni di Gesù, accepted the responsibility of seeing this last and most important work through the press. Volume I, treating of external motions, or the motions produced by the muscles, appeared in 1680. Volume II, dealing with internal motions, such as the movements of the muscles themselves, circulation, respiration, the secretion of fluids, and nervous activity, appeared in late 1681. Two vols, 4to (216 x 160 mm), pp. [xii] 376 [11]; [iv] 520, with 18 folding engraved plates. Contemporary limp vellum, titled in ink in manuscript on spines. Some modreate wear but an unrestored and genuine set.

      [Bookseller: SOPHIA RARE BOOKS]
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         Récréations mathématiques composées de plusieurs problèmes plaisans & facétieux d'arithmétique, géométrie, astrologie, optique, perspective, mechanique, & autres rares & curieux secrets; et d'un recueil de plusieurs gentilles & récréatives inventions de feux d'artifices ... avec... toutes sortes de fusées...

      Lyon, chez J. Bapt. de Ville, 1680, pet. in 8°, de 216 & 100pp. 7ff. de table, ill. de très nbr. figures sur bois in.t. ou à mi-page de tours de physique, pl. basane époque, dos orné, qq. ff. lèg. brunis sinon bon exemplaire. Edition revue et commentée du célèbre ouvrage du Père Leurechon consacré aux mathématiques et physique amusantes, et dont la vogue au XVII° siècle fut considérable, avec des additions par Claude Mydorge et Denis Henrion. Son succès s'est prolongé jusqu'à la parution de l'ouvrage d'Ozanam. Les sujets traités sont des plus variés et souvent fort curieux. Signalons plus particulièrement la 3e partie consacrée aux feux d'artifices et illustrée de figures curieuses et naïves. Ouvrage rare et très recherché. ¶ Fechner prestidigitation p.467 .

      [Bookseller: L'intersigne Livres anciens]
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        Origines Juridiciales, or Historical Memorials of the English Laws, Courts of Justice, Forms of Tryal, Punishment in Cases Criminal, Law-Writers, Law-Books . . . Inns of Court and Chancery [etc.]. Third edition. Wing D2490

      Printed for Christop. Wilkinson [and two others] [etc.]. The foremost early treatise devoted to the history of the legal profession (particularly to the Inns of Court), still of value, termed "a pioneering work . . . and influential" by Dr. Baker and "the chief authority" by Holdsworth; with the 7 plates. Contemporary calf, ex-library, the front board detached and the title and first leaf loose; with the armorial bookplate of Charles, Viscount Bruce. Printed for Christop. Wilkinson [and two others] [etc.], London, 1680.

      [Bookseller: Meyer Boswell Books, Inc.]
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        Lehrbuch des Vernunftrechts und der Staatswissenschaften. 4 Bände.

      8. Zus. ca. 1680 S., Ppbde. d. Zt. m. handschriftl. Rückenschildern. Erstausgabe. - Bd. 1: Allgemeine Einführung in das Vernunftrecht. Natürliches Privatrecht Bd. 2: Allgemeine Staatslehre. 1. Einleitung, insbesondere Encyklopdie der Staatswissenschaften. 2. Metapolitik, insbesondere Staatsrecht. 3. Formaler Theil der praktischen Politik, insbesondere Constitutionslehre Bd. 3: Der besondern Staatslehre erster Band. Materielle Politik. 1) Auswärtige Angelegenheiten (Politik im engsten Sinne insbesondere das Völker- und Staats-Recht). 2) Justitz-Wissenschaft. 3) Polizei-Wissenschaft Bd. 4: Der besondern Staatslehre zweiter Band. Oekonomische Politik. 1) Der Nationalökonomie theoretischer Theil. 2) Der Nationalökonomie praktischer Theil. (Staatswirthschaft im engern Sinn.) 3) Finanzwissenschaft (und Militärwesen). - Einbände etw. berieben u. bestoßen. Vorderdeckeln m. Bibl.-Schildchen. Titelbll. gestempelt. Etw. gebräunt bzw. stockfleckig. - ADB XXIX, 386f.

      [Bookseller: Antiquariat Wolfgang Friebes]
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        L'Adone, poema del Cavalier Marino: con gli argomenti del Conte Fortuniano Sanvitale, e l'allegorie di Don Lorenzo Scoto.

      Giambattista Marino (Giovan Battista Marino, 1569-1625) was => Italy's greatest Baroque poet. His extravagant style became known as Marinism, or Seicentismo, inspiring a century of lyricists known as Marinisti. However the poet's reputation suffered in the 18th and 19th centuries when critics dismissed many fruits of the Baroque period as "all form no substance" (Guardiani, 74). It was not until the mid-20th century that Baroque literature was reevaluated and Marino's work was newly admired by scholars. First published at Paris in 1623 and => placed on the Index in 1627, L'Adone is a complicated narrative based on the myth of Venus and Adonis from Ovid's Metamorphoses, combined with other myths and passages imitating Dante, Ariosto, Tasso, and French writers. These elements are intertwined with novelties, including a lyrical autobiography modeled on Ovid's (canto IX, 59-91), and a eulogy for Marino's contemporary => Galileo and his telescope (canto X, 42-47). Composed of over 5,000 octaves in 20 canti -- almost 41,000 verses, Marino's complicated, ornate poem is => one of the longest epics ever written in Italian. The edition in hand is printed in roman and italic, with factotum initials and a handful of woodcut tailpieces. The title-page in the first volume is printed in red and black, and black only in the second, with both volumes featuring the printer's device of an armillary sphere: mark of the Elzevirs, who printed the 1678 edition in Amsterdam?

      [Bookseller: PRB&M/SessaBks (Philadelphia Rare Books ]
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        Cérémonies nuptiales de toutes les Nations.

      A Paris, chez Estienne Michallet 1680 - Par le Sr. De Gaya. ÉDITION ORIGINALE. A Paris, chez Estienne Michallet - 1680 - Préface, permission, 200 pages et Table alphabétique des Peuples dont il est parlé dans cet ouvrage. Reliure plein veau de l'époque. Dos à nerfs orné de fleurons dorés caissonnés. Tranches jaspées rouges. Quelques frottements. Pas de rousseur. Très bon état. Format in-12°(16x9). RARE. Un des premiers livres qui traite des cérémonies nuptiales des peuples divers : Abissins, Arabes, Barbares, Calvinistes, Catholiques, Chinois, Coptes, Druses de Syrie, Indiens, Juifs, Lapons, Luthériens, Mahométans, Mores d'Egypte, Moscovites, Persans, Polonnois, Tartares, Tartares Précopites, Tunisiens, Turcs, Venitiens, etc. 1ère Edition [Attributes: First Edition; Hard Cover]

      [Bookseller: Livres et Collections]
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        P. VIRGILII MARONIS OPERA. In tres tomos divisa cum integris notis Servii, Philargyrii nec non J. Pierii variis lectionibus et selectissimis plerisque commentariis Donati, Probi, Nannii, Sabini, Germani, Cerdae, Taubmanni et aliorum. Quibus accedunt observationes Jacobi Emmenessii, cum Indice Erythraei.

      - Lugd. Batavorum [Leyde/Leiden], apud J. Hackium, Amstelodami, Apud A. Wolfgang, 1680. Complet en 3 épais vol. in-8 reliés: 12 x 19 cm, [1]pl-[9]-[18]-[400]-704 p. + [3]-1024 p. + 982 p. Avec 16 gravures en hors-texte, par Geroge Appelmans. A savoir : un frontispice allégorique présentant Virgile et 15 estampes illustrant le texte. Contient: Tome I: [Dédicace, avis au lecteur, Vie de Virgile, Index Erythraei, Bucolicon [les Bucoliques], Georgicon [les Géorgiques]]. Tome II: [Aeneidos [L'Enéide], I-VI]. Tome III: [Aeneidos [L'Enéide], VII-XIII]. Reliures postérieures (autour de 1800) en plein veau marbré; dos à 4 nerfs marqués de filets dorés avec pièces de titre en basane rouge-orangée et pièces de tomaison ovales, en chagrin vert, encerclées de feuilles de laurier dorées; fleurons historiés dorés aux entrenerfs (une gerbe, un carquois et une vasque) et une guirlande aux coiffes de tête. Traces d'usures sur les reliures, nerfs et mors frottés, manques aux coiffes, sinon reliures solides et intérieurs en parfait état. Edition de Jacob Van Emenes qui reprend l'édition de Nicolas Heinsius de 1676 chez les Elzevier. Avec les notes de Maurus Honoratus Servius et Pierre Nanninck et les commentaires de Juan Luis de La Cerda, Junius Philargyrius et Germanus. La présente édition a été terminée par Pancratius Maaswyck qui le mentionne dans la préface de son édition de 1717. [Attributes: Signed Copy; Hard Cover]

      [Bookseller: Librairie de l'Univers]
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        Livre de chiffres à simples traits où l'on trouve les noms et surnoms. Utile à tous les peintres, sculpteurs, graveurs et autres. Dessiné et gravé par Mavelot, valet de chambre et graveur de feue Madame la Dauphine.

      Paris, L'auteur, 1680). ____ Première édition (?). Tous les recueils de Mavelot sont d'une qualité exceptionnelle tant pour le trait que pour la composition, et peuvent être regardés comme le chef-d'oeuvre du genre. La bibliographie de ces recueils est extrêmement complexe. Les titres différent peu et la plupart sont sans date. Celui-ci se compose d'un titre gravé, un feuillet de dédicace à "Mademoiselle Altesse royale", 2 feuillets montrant chacun un grand chiffre gravé, et 37 feuillets gravés numérotés et non signées à plusieurs sujets. Saffroy 2679 : "Livre fort rare." Brunet III, 1548. Relié à la suite du même : - Livre de différents cartouches fort recherchés utile à toutes sortes de personnes, qui se mêlent du dessin, inventé et gravé par Mavelot graveur de son altesse royale Mademoiselle. In-8 carré de (2), 30 ff. Ce livre se compose d'un titre gravé, une dédicace à "Monseigneur le Prince" et 30 planches numérotées et signées montrant de cartouches. Saffroy 2677 : "Livre fort rare que Brunet ne semble pas avoir vu et qu'il confond avec un autre." D'après ce bibliographe il doit y avoir un feuillet de privilège à la fin, qui manquerait ici, à moins qu'il s'agisse d'un tirage différent. Vélin du dos décollé sur une moitié avec un manque au niveau de la coiffe supérieure. Bon exemplaire par ailleurs. ***** First edition (?). All books published and engraved by Charles Mavelot are rare. In-8 carré. [128 x 123 mm] Collation : (4), 37 ff. Vélin, plats estampés d'un grand fer au centre et de filets. (Reliure de l'époque.).

      [Bookseller: Hugues de Latude]
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        Ambassades mémorables de la Compagnie des Indes Orientales des Provinces Unies vers les Empereurs du Japon. [Memorable Embassies of East India Company of the United Provinces to the Emperor of Japan].

      Amsterdam: Jacob de Meurs, 1680. Folio; title in black and red with engraved vignette, additional engraved title, 26 engraved maps and plates (one of the maps folding, 4 plates folding and 21 double-page), and about 70 engraved illustrations in the text, along with occasional engraved initials and head-pieces; contemporary mottled calf, spine gilt. First French Edition. A beautifully illustrated work, prepared by Montanus to mirror and complement his great work on China, this is one of the most significant of early publications on Japan. Its remarkable series of engraved illustrations 'represent a high-water mark in book illustrations of the 17th century' (Lach).The monumental work was compiled by the Dutch minister Arnold Montanus, based chiefly on reports from emissaries of the Dutch East India Company; it describes their meetings with the Japanese and with traders of other nations, especially Portugal, and gives a remarkably detailed picture of Japan and its people. The illustrations include superb town views including those of Edo (Tokyo), Osaka and the Dutch trading settlement at Deshima.Montanus' chief source was the journals from the Dutch East India Company Embassy of 1649 which had pretended to be 'an official embassy from the Dutch government rather than from the VOC', and 'the description of Henry Indyk's Embassy to Edo in March 1661, [which] is unusually rich in details' ((Lach, Asia in the Making of Europe).'During this period of isolation (Sakoku) that began in 1635... the shogunate placed foreigners under progressively tighter restrictions. It monopolized foreign policy and expelled traders, missionaries, and foreigners with the exception of the Dutch and Chinese merchants who were restricted to the man-made island of Dejima in Nagasaki Bay and several small trading outposts outside the country... ' (Wikipedia). A few plates with repairs; skilfully rebacked to style. A very good copy.

      [Bookseller: Hordern House]
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        Physiologia Experimentalis, qua Summa Argumentorum Multitudine & Varietate Naturalium rerum scientia per experimenta Physica, Mathematica, Medica, Chymica, Musica, Magnetica, Mechanica comprobatur atque stabilitur. Extraxit, &... redegit... Joannes Stephanus Kestlerus.

      Amsterdam: Jansson-Waesberge, 1680. 1st Edition. Hardcover. Folio - over 12 - 15" tall. Folio (373x247 mm). [8], 248, [8] pp., including additional engraved allegorical title, seven copper engravings and numerous woodcuts within text. 19th-c three-quarter vellum, spine with printed title (extremities and boards somewhat rubbed). Minor spotting and even light browning throughout. Provenance: Marcel Bekus (ex-libris to front paste-down and small ink stamp to title verso). A fine, unstained copy with ample margins. ----Garrison-Morton 580, Caillet 5796; Honeyman 1834; Dunnhaupt III, 2348, 34; Krivatsy 6404; Waller 10869; Wellcome III, p.396. FIRST EDITION of this selection from Kircher's voluminous works "which includes the first recorded experiment in hypnotism in animals" (Garrison-M 580). The range of subjects covered encompasses the entire spectrum of his researches, such as astronomy, optics (laterna magica), magnetism, air pressure, harmonics, sundials or waterpipes. Johann Stephan Kestler, the editor, was Kircher's pupil and as Kircher died the year this book was published, it is uncertain to what degree he was involved in its production. Very Good.

      [Bookseller: Milestones of Science Books]
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        Tabula Indiæ Orientalis Emendata a F. de Wit.

      Amsterdam: c. 1680. Engraved map, 460 x 560 mm., superb handcolouring; mounted. Fine early map of the East Indies showing the discoveries of Tasman by Frederick de Wit, at a time when he was one of the foremost map-makers in Holland. His firm's 'maps were distinguished by their excellent craftsmanship, exactness and beauty... ' (Schilder). This map stretches from Persia in the west to China and Taiwan in the east, and shows northern "Hollandia Nova", bearing three significant place names: "Van Diemens Landt"; "Baya van Diemen" and "Vuyle hoeck" (the last a disparaging term meaning something like "rotten corner" and evidently relating to the inhospitable coastline). All of these relate to Abel Tasman's second voyage of 1644.'Frederick de Wit, an apprentice of William Blaeu... became one of the most prominent and successful map engravers and publishers in Amsterdam following the decline of the Blaeu and Jansson establishments. His work, notable for the beauty of the engraving and colouring, was very popular and editions were issued many years after his death... ' (Parry, The Cartography of the East Indian Oceans, p. 118).The map is handcoloured in outline and decorated by a beautiful cartouche showing four dramatically-posed costumed figures of the East. Fine condition.

      [Bookseller: Hordern House]
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        Acta Medica & Philosophica Hafniensia.

      First edition Copenhagen: Peter Haubold, 1673-1680. Rare complete run of one of the first medical journals. While Garrison lists 3 previous journals, 2 of these were published for 1 issue only ('Medical and scientific periodicals of the 17th and 18th centuries,' in Bull. Inst. Hist. Med., Johns Hopkins II, 285-243). Only the Giornale dei letterati (Parma, 1668-88) predates this. Among the many significant contributions, including more than 100 by Bartholin himself, are the last published scientific works of Niels Stensen. Stensen returned from Italy to Denmark in 1672 to accept an appointment at the University of Copenhagen under Bartholin. During his stay he carried out a number of experiments, two of which are published in vol. I: Embryo monstro as finis Parisiis dissectus (pp.200-3) and Uterus Leporis Proprius, foetum resolventis (pp.203-7). During his stay in Italy, however, Stensen converted to Catholicism and found himself the target of attack from orthodox Protestants. He beame more interested in theological debates that scientific research and in 1674 he returned to Florence and in 1685 took Holy Orders. "The Copenhagen biologists, under the quickening influence of Thomas Bartholin, produced five volumes of transactions known as the Acta Medica et Philosophica Hafniensia, which is now very rare and almost entirely forgotten." (Cole). The leading authors besides Thomas Bartholin and Niels Steensen (Steno) were Holger Jacobsen (Jacabaeus), Caspar Bartholin, Ole Borch (Borrichius), Ole Worm, Simon Paulli, JohanRodhe, Caspar Kolichen and several others.--"In the case of many of their observations the interest is rather in the odd and curious, the astounding and marvelous, the unnatural and the abnormal Monsters and freaks of nature receive perhaps the most attention." (Thorndike). "Steno stimulated by his important researches on the female genital ducts and ova of the terrestrial vivipera turned his attention to fishes. He gives an account in shark Mustelus of a functional placenta. He gives also, in Mustelus and Acanthias, one of the earliest descriptions and figures of the elasmobranch spiral intestine, which he names 'intestinum cochleatum'. In Torpedo he describes the electric organ, its characteristic vertical prismatic columns, and the nerve supply. Steno's dissections of the muscles of the eagle, Aquila (1673)is one of the most remarkable essays in zootomy published up to his time, and it is perhaps more detailed and reliable than almost any other. Steno also published a series of nine drawings of the thoracic duct and associated lymphatics of the dog"(Cole). Thomas Bartholin describes the male mandrill illustrated by three anatomical plates(Male genitalia) and a figure of the entire animal, which had died of disease in the Royal Menagerie. Holger Jacobsen describes the scorpion, the salamander, snakes, several birds, the heron and the parrot (based on dissections and figures by Steno). He also investigated the fascinating and unique anatomical puzzle of the tongue of the black woodpecker (with plate). He gives an exceptionally ionteresting account of the mole cricket, Gryllotalpa, which is important as being one of the first in which the elongated segmental heart of insects is described and figured. This memoir is a commendable piece of zootomical research, and it all the more outstanding because the subject of it was an invertebrate. (Cole) Fully complete: vol. I: pp (16), 1-23, 34-148, 159-316, with 16 plates(numerous mispaginations); vol. IIpp (20), 376, with 24 plates; vol. III/IV: pp (16), 1-99, 98-174(vol.IV): pp 1-216 with 15 plates [no title page for vol IV was issued]; vol. V with 8 plates. These five volumes contain together 63 engraved plates (two folding) and numerous woodcuts in the text. Bound in four contemporary and uniform half calf, hinges and boards with some wear, some superficial leather restoration to surface, not re-backed or with other major repairs. Some gathering with moderate browning.

      [Bookseller: SOPHIA RARE BOOKS]
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        De motu animalium. Opus posthumum

      Rome: Ex Typographia Angeli Bernabò, 1680. 1st Edition. Hardcover. 4to - over 9¾ - 12" tall. De motu animalium. Opus posthumum. 2 volumes. Romae, Ex Typographia Angeli Bernabò, 1680-81. 4to (22.2x15.4cm). Vol. I, 1680: (xii), 376, (12) pp., 14 folding plates; Vol. II, 1681: (iv), 520 pp., 4 folding plates. Woodcut device on titles. The 4 plates in vol. 2 reinforced at outer edge, some foxing and light browning, later vellum with gilt spines. Text block of vol. 1 about 5 mm larger than vol. 2. ----Horblit 13; Garrison-Morton 762; Dibner 190; Norman 270; Parkinson, Breakthroughs, 1680; Lefanu, Notable medical books, pp. 90-91; Roberts & Trent, Bibliotheca mechanica, pp. 42-43; Fulton, History of physiology, pp. 220-222. - First edition. The foundation work on animal motion. Published in the year of his death, Borelli's treatise presented the application of mechanics to the motion of the limbs of animals based largely on Galileo's mechanics. He began with the center of motion, the muscle, and then applied its forces to the linkage of bones with the same exactness as forces applied to levers. This analysis evolved into a system describing an animal's entire mobility covering the motions of walking, running, jumping, weight-lifting, bird flight, fish motion and insect creeping. He held that nerve stimulation was related to the contraction and swelling of a muscle and that some chemical process was associated with it. He also believed that heartbeat was a simple muscular contraction and that the circulatory system was hydraulic in principle (Dibner, Heralds of Science). Near Fine.

      [Bookseller: Milestones of Science Books]
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        Ducatuum Livoniæ et Curlandiæ, Nova Tabula.

      1680 - Amsterdam, c.1680. Original colour. 420 x 505mm. A detailed map of Estonia and Latvia in fine colour. KOEMAN: Wit 16.

      [Bookseller: Altea Antique Maps]
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        ALTA LOMBARDIA, E STATI AD ESSA CIRCONVICINI, NELLA QUALE SONO COMPRESI LI DOMINIJ, CHE VI POSSIEDONO IL RE' DI SPAGNA, IL DUCA DI SAVOIA, LA REPUBLICA DI GENOVA, LI SVIZZERI, LI GRISONI, IL DUCA DI MANTOVA, IL DUCA DI PARMA, ET ALTRI SIGNORI...

      1680. La tavola è contenuta nell'atlante "Mercurio Geografico overo Guida Geografica in tutte le parti del mondo conforme le tavola geografiche del Sansone, Baudrand e Cantelli, data in luce con direttione e cura di Gio. Giacomo De Rossi nella sua stamperia in Roma alla Pace". Coloritura coeva. Bibliografia: Colombo-Rondanini-GRSD, pp. 42-43 e tav. alle pp. 46-47; Arrigoni, Bertarelli 1930, n 579, Tooley 1979, p. 102. Aliprandi, vol. II, p. 221.

      [Bookseller: Libreria Trippini Sergio]
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        Gesamtansicht, darunter Erklärungen v. 1 - 14, "Ulm".

      - Kupferstich ( anonym ), um 1680, 17,5 x 31,5 Schefold., Nr. 9717 ?

      [Bookseller: Antiquariat Nikolaus Struck]
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        Petrus II Imperator totius Russiae

      Artist: Wortmann/Tannauer C A/Johann Gottfried ( - 1760 ) ; issued in : St Petersburg; date: 1729 1680 - - technic: Copper print; colorit: colored; condition: Stains outer margins; size (in cm): 50,5 x 36 - description: Peter II Alexeyevich, Pyotr II Alekseyevic (23 October 1715 ? 30 January 1730) was the Emperor of Russia from 1727 until his death. He was the only son of Tsarevich Alexei Petrovich, son of Peter I of Russia by his first consort Eudoxia Lopukhina, and Princess Charlotte of Brunswick-Wolfenbüttel.An important event in the life of Peter II was his coronation. The event took place in Moscow on January 9, 1728, with the Emperor and a huge entourage. Still, he was disengaged from the affairs of state. Foreign witnesses proclaimed that ?All of Russia is in terrible disorder . money is not paid to anyone. God knows what will happen with finances. Everyone steals, as much as he can.? Moving the court and several other institutions from St. Petersburg back to Moscow was painful for the new capital, as well as the nobility forced to move with it, as Peter the Great had put much effort into developing St. Petersburg into a large and lively city at the time.Peter II returned to St. Petersburg from time to time, but continued an aimless life full of entertainment and distraction. He gradually fell under the ultimate influence of the Dolgorukovs ? Peter II became smitten with the 18-year-old beauty Ekaterina Alekseyevna Dolgorukova. The family schemed to tie themselves to the imperial bloodline, and persuaded Peter to marry their relative, Ekaterina Dolgorukova. However, it soon became clear that the young monarch had no interest in his bride, perhaps influenced by his aunt Elizabeth Petrovna, who did not like Ekaterina. The wedding went forward regardless, set to take place on January 19, 1730.In late December of 1729, Peter II had fallen dangerously ill. His condition deteriorated sharply after the frosty Epiphany Day in January 1730, when he participated in a feast. He was then rushed into the palace, standing at the back of his sleigh. The next day, doctors diagnosed him with smallpox. The Dolgorukovs attempted to get the emperor to sign testament naming Ekaterina as his heir, but they were not allowed into the dying emperor?s quarters: Peter II was already unconscious. In his delirium, he ordered horses so that he could go see his recently deceased sister Natalie. A few minutes later, he died.Emperor Peter II died as dawn broke on January 30, 1730 ? the day he planned to marry Ekaterina Dolgorukova.He is buried in the Kremlin and was the only post-Petrine Russian monarch given that honor. In fact, with Ivan VI (who was murdered and buried in the fortress of Shlisselburg), he is the only post-Petrine monarch not buried in the Peter and Paul Cathedral in Saint Petersburg.With Peter's death, the direct male line of the Romanov Dynasty ended. He was succeeded by Anna Ivanovna, daughter of Peter the Great's half-brother and co-ruler, Ivan V.

      [Bookseller: Antique Sommer& Sapunaru KG]
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        De Rerum Natura

      1680 - Lucretius, De Rerum Natura, 1680, Paris, “in usum serenissimi Delphinus” (=Louis, the Dauphin, son of Louis XIV). Large (19 x 31 cm) 4to, full calf with gilt and spine bands in very good condition, some weakening at bottom of front hinge. Collation: a,e,I; A-XXXX. [24] + 586 + [122]pp. (Introductory material, text, index and privilege.) Heavily annotated scholarly edition by Michael du Fay. Each page of the text is 1/3 text, 2/3 interpretation and annotation. In Latin. Contact me for more details. [Attributes: First Edition; Hard Cover]

      [Bookseller: South Willington Book Cartel]
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        Nuova e curiosa raccolta di pi-- vaghi fiori immitati dal naturale in Parigi da I. Belii al presente.

      Roma, da Matteo Greg. Rossi, L'Anno 1680. Tre serie di incisioni in un vol. in - folio; sui primi 12 fogli del volume sono incise in rame 12 tavole di composizioni floreali (20,8 x 30,7 cm); seguono 13 fogli su ciascuno dei quali Š applicata una incisione con motivo ornamentale (29,2 x 10.9 cm); su ciascuno degli ultimi 3 fogli sono applicate 2 incisioni con motivi ornamentali (17,2 x 12,2 cm). Legatura coeva in tutta pergamena. Esemplare proveniente dalla vendita Martini: ottobre 1931 (ritaglio del catalogo applicato al contropiatto posteriore). Il volume contiene tre rarissime serie complete di incisioni uscite dalle stampe romane di Matteo Gregorio Rossi. Interessante notare come la carta su cui sono incise le prime 12 figure sia la stessa su cui sono applicate le altre due serie, stampate a pochi anni di distanza dalla prima: Š verosimile dunque che il volume sia stato composto all'epoca e che le ultime due serie siano state applicate poco dopo o contestualmente alla loro pubblicazione. Le dodici composizioni floreali incise a piena pagina sono riprese dall'opera del pittore ed incisore francese Jacques Bailly: "Divers Fleurs Mises en Bouquets, dessines et graves" (Parigi 1670). Rispetto all'edizione originale sulle lastre sono stati aggiunti i nomi in italiano dei singoli fiori che compongono i bouquets ed Š stato cambiato il frontespizio. Seguono due serie di stampe con motivi ornamentali, composte da dodici incisioni ciascuna. La prima incisione di ogni serie racchiude una dedica: nel primo caso a Monsignore Camillo Piazza e nel secondo a Sig. Samuelle Iacomini. In quest'ultimo caso Š presente anche il nome dell'artista, Pietro Cerini, che potrebbe essere autore anche della serie precedente. (Bailly): Berlin Katalog 4434. Nissen 67 (per errore indica 13 tavv.). Dunthorne 21 (edizione francese). An Oak Spring Flora 46, n. VI (edizione francese). (Cerini): Berlin Katalog 879. (CERINI PIETRO?). (Dieci incisioni di fregi floreali montati in formato in - folio con alla prima incisione "dedicato all'Ill. e Rev. Sig. Mons. Camillo Piazza"). - Roma, Matteo Gregorio Rossi in Piazza Navona, 1682. (Unito:) CERINI PIETRO. (Sei incisioni montate su tre carte in - folio con decorazioni floreali "dedicate all'Ill. Sig. Samuelle Jacomini"). - Roma, Matteo Gregorio De Rossi in Piazza Navona, 1696.

      [Bookseller: Libreria Antiquaria Mediolanum]
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        Mahomet IV. sonst Achmet genannt. Türckischer Käyser. Diß ist das Stoltze Haupt, der Türcken Schutz und Kayser. Der wütend rasst und tobt auff alle?

      Artist: ; issued in: Augsburg; date: 1680 - - technic: Copper print; colorit: colored; condition: Restoration at centerfold, tear right corner; size in cm : - description: Very decorative view of Achmed, Mahomet IV sitting on his horse, in the back ground the city of Constantinople.The Ottoman dynasty, made up of the members of the House of Osman (Turkish: Osmanl? Hanedan?), ruled the Ottoman Empire from 1299 to 1922, beginning with Osman I (not counting his father, Ertu_rul), though the dynasty was not proclaimed until Orhan Beydeclared himself sultan. Before that the tribe/dynasty was known as Sö_üt Beylik or Beys but was renamed Osmanl? (Ottoman in English) in honour of Osman.The conquest of the city of Constantinople and the end of the Byzantine Empire was a key event in the Late Middle Ages which also marks, for some historians, the end of the Middle Ages.

      [Bookseller: Antique Sommer& Sapunaru KG]
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        Ducatus Lutzenburgici tabula nuperrime in lucem edita per Fredericum de Wit.

      - Kupferstich-Karte bei F. de Wit, ca. 1680, altkoloriert. 46,1 x 55,5 cm. Papier gebräunt, Heftlöcher in den Ecken des unbedruckten Randes, Bugeinrisse oben und unten hinterlegt, Grüntöne des Altkolorits oxydiert. Rückseitig alter Sammlerstempel. Van der Vekene, Les Cartes Géographiques Du Duché de Luxembourg, 2.31.B. Zeigt das Gebiet zwischen Charleville, Liège und Trier. Rechts unten altkoloriertes Wappen von Luxemburg mit einer Stadtgottheit und zwei Löwen. Oben rechts Meilenzeigerkartusche mit zwei Putti, darunter Vermerk "t'Amsterdam by Frederick de Wit inde Calverstraet by den dam inde Witte Pasciert". Zweiter von fünf bisher bekannten Zuständen, ca. 1680-1690 im Gebrauch, die Windrose oben links ist noch vorhanden und rechts oben wurde der Buchstabe V hinzugefügt. Gutes Altkolorit.

      [Bookseller: Antiquariat Peter Fritzen]
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        Prosp. du Chasteau de Verneuil gegen den Garten. Altkolorierter Kupferstich um 1680.

      Bildgröße: 17,5 x 28 cm ( Höhe x Breite ), Blattgröße: 25,5 x 35,5 cm, unter schlichtem Passepartout montiert. Ohne nähere Angabe zum Stecher, Drucker oder Erscheinungsjahr.. Das Blatt mittig gefalzt, im weißen Außenrand etwas fleckig und stockfleck, der linke weiße Außenrand gering wasserrandig. ( Pic erhältlich // webimage available )

      [Bookseller: Antiquariat Friederichsen]
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        STATUTA INCLYTAE CIVITATIS AVENIONIS item, ex antiquis statutis eiusdem, Civitatis aliquot capita, quibus per dicta moderna Statuta derogatum non est.

      1680 - Rare édition avignonnaise des Statuts de la ville d'Avignon. Bel exemplaire, conservé dans sa reliure en maroquin rouge de l'époque. Avignon, Laurent Lemolt, 1680.In-4 de (8) ff., 334 pp., (31) ff. d'Index. Pt. trou sans manque p.1, pte. restauration sans atteinte au texte à 1 f. de l'index. Relié en plein maroquin rouge de l'époque, double encadrement de double filet doré sur les plats avec fleurons d'angle à la Duseuil, dos à nerfs orné de fleurons dorés, roulette dorée sur les coupes, tranches dorées sur marbrures. Reliure de l'époque. 224 x 156 mm. / Rare edition printed in Avignon of the Statutes of the town of Avignon. Beautiful copy, preserved in its contemporary red morocco binding. Avignon, Laurent Lemolt, 1680. 4to [224 x 156 mm] of (8) ll., 334 pp., (31) ll. of Index. Small hole not affecting the text on p.1, small restoration not affecting the text on 1 l. of the index. Bound in full contemporary red morocco, double frame of double gilt fillet on the covers with corner fleurons in the style of Duseuil, spine ribbed and decorated with gilt fleurons, gilt over marbled edges. Contemporary binding. [Attributes: Hard Cover]

      [Bookseller: Librairie Camille Sourget]
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        PAVIA - "Ichnographia Ducalis ac Regalis Chartusiae Ticinensis". Caesar de Floribus Pict. - Mekliol del. - Joseph Mulder fecit. acquaforti. - Spendida carta. 

      1680 ca.. acquaforte, f. 51x61,5. Minime tracce d'uso, piega centrale. FIORI, Cesare - MULDER, Joseph

      [Bookseller: Galleria Garisenda]
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        Gesamtansicht aus der Vogelschau ('Schenckenschans.').

      - Kupferstich aus Theatrum Praecipuarum Totius Europae . b. Frederick de Wit in Amsterdam, n. 1680, 42 x 52 Bachmann kennt kein kpl. Exemplar vom Städtebuch von de Wit! - Die Ansicht von F. de Wit ohne den Rückentext! - Sehr selten!

      [Bookseller: Antiquariat Norbert Haas]
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        Gesamtansicht aus der Vogelschau, mit Erklärungen v. 1 - 28 oben, "Moguntia. Maintz".

      - kol. Kupferstich b. De Wit, 1680, 39,3 x 50,5 Fauser II, 8331 ( 2. Zustand, Ausgabe De Wit ).

      [Bookseller: Antiquariat Nikolaus Struck]
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        Tabula Ducatuum Livoniae et Curlandiae recentior: incisa editaque per Gerardum Valck. Kupferstichkarte von Gerard Valk [Valck] (1650/51-1720) in altem Kolorit.

      Amsterdam, [ca. 1680]. . Die Herzogtümer Kurland u. Livland samt der Insel Ösel [im Maßstab von ca. 1:910 000] mit zartem Grenzkolorit u. Kolorit der Waldungen. - Die schmalen Ränder gebräunt u. mit rückwärtigen Montagestreifen; mit Mittelfalz u. stumpfen Bugfalten. Die Darstellung nahezu fleckenlos.

      [Bookseller: Antiquariat Reinhold Pabel]
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        Altaria et Sacella Varia Templorum Romae; A Celeberrimis Quondam Architectis Structa, Quibus Sistuntur Singulorum Orthographia Exterior Schenographia, Ichnographia Cum Additis Ubique Mensuris

      Volume of 39 fine engraved plates printed recto only, including frontispiece, depicting assorted altars and chapels of throughout Rome, sites include Santa Maria Maggiore, Santa Maria del Popolo, Sant'Andrea della Valle, San Pietro in Montorio, Santi Luca e Martina, Santa Maria della Vittoria, and San Nicola da Tolentino, with engraved table of plates. Some very minor scattered age-darkening and foxing, impressions very bright and crisp. Folio. Modern vellum-backed boards. Nuremburg (Apud Ioh. Iacobum de Sandrart) n.d. (circa 1680-1690). Rossetti 9141. Joachim van Sandrart was a German Baroque art historian and painter, active in Germany and Amsterdam in the 17th century. He was well-known as a painter of genre pieces and portraits and as an artist biographer. He traveled to Italy in 1629 with his cousin and mentor, Michel le Blon, and spent three years living in the Palazzo Giustiniani in Rome as the curator of its collection of paintings and as organizer of a set of copper engravings copied from antiquities. In the final decades of his life, living back in Northern Europe, Sandrart dedicated himself more to his work as an art historian and theorist, and published a number of important source works including the Teutsche Academie, the first encyclopaedic art history in German. A fine and scarce work; as of September 2016, WorldCat locates three holdings in North American institutions.

      [Bookseller: F.A. Bernett Books]
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        Roma

      1680. Rara veduta prospettiva della città vista da Monte Mario. L'incisione è tratta dalla veduta incisa da Dominique Barriere nel 1649, rispetto alla quale risulta in controparte. Incisione su rame, in buono stato di conservazione. Non censita dai principali repertori. Rare perspective view of the city seen from Monte Mario. The engraving is, in reverse, after the view engraved by Dominique Barriers in 1649. Copper engraving, in good condition. Not listed in the major repertories. ? ? C. Marigliani, Le Piante di Roma..., p. 211, n. 117 365 232

      [Bookseller: Libreria Antiquarius]
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        Cl.

      Claudiani emendatissima poemata, nunc recens accuratissimé expurgata. Venedig, Antonii Tiuanni, 1680. 12mo. 312 pp. Cut close in upper margin 67-68, with partial loss of pagina. Contemporary full calf, richly decorated in blind and black, gilt and gauffered edges. tear at upper rear hinge. Armorial superexlibris of Imperial Austria. Old hand written owner's notations "Ex lib. Antonij(?) com: Blaggaÿ" in the lower margin of the title leaf, and of Sigismund Anton(?) Joseph Ursini count of Blagaj on the inside front board. With the bookplate of Nils Fries, and his discrete purchase notation in pencil on the rear fly leaf. Not in Schweiger. Contains a short "vita" of Claudianus by Petro Crinito, and among other works "De raptu Proserpinae".

      [Bookseller: Centralantikvariatet]
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        Cabalae verior descriptio das ist Gründliche Beschreibung und Erweisung aller natürlichen und übernatürlichen Dingen, wie durch das Verbum Fiat alles erschaffen, und darnach durch das Centrum Coeli & Terrae, so sein himlisch Liecht und unbegreifflich Fewer ist, generirt, nutrirt, regiert und corrumpirt wird.

      Hamburg, Wolff 1680. 64 S. Späterer Pappband. Erste Ausgabe. - Sudhoff, Paracelsica 277; Brüning 2439; Duveen 111; Rosenthal 2886; Kopp II, 230. - Vgl. Caillet 1853 (Ausg. 1761). - Alchemistisch-kabbalistische Anweisung für Studenten mit umfangreichen Vorkenntnissen. - Zur Kollation: Der Holzschnitt \"Figura cabalae\", rückseitig mit der \"Explicatio\", hier zwischen S. 16 und 17 eingebunden, aber ursprünglich wohl als Frontispiz konzipiert (die Paginierung setzt auf Blatt A2 verso mit 6 ein); das Buch ist, wie vorliegend, komplett. - Gering fleckig, leicht gebräunt. Versand D: 5,00 EUR

      [Bookseller: Antiquariat Uwe Turszynski]
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        Traitté des plus belles bibliotheques de l'Europe. Des premiers Livres qui ont êté faits. De l'invention de l'Imprimerie. Des Imprimeurs. De plusieurs Livres qui ont été perdus & recouvrez par les soins des Sçavans. Avec une Methode ...

      Paris, Estienne Michallet 1680. Braunes Ganzleder, [8], 210, [28] Seiten. 3-facher Farbschnitt. 5 Bünde und goldgeprägtes Wappen auf Vorder- und Rückdeckel. Eintragungen auf fliegendem Vorsatz. Einband mit leichten Lagerspuren, gutes Exemplar.

      [Bookseller: Antiquariat Ralf Bader]
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        Merian. Original-Kupferstich. Belagerung von Ofen & Pest.

      Ca., 1680. Versandkosten bei Bildern und Graphiken werden individuell je nach Größe, Gewicht und den Vorschriften des jeweiligen Ziellandes berechnet. Versand D: 5,00 EUR

      [Bookseller: René Burkert]
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        Dresden. - Gesamtansicht. - Weck. - "Prospect umb Dresden".

      Nürnberg Johann Hoffmann 1680 - Historische Ortsansicht. Radierung / Kupferstich, von drei Platten, 1680. Von Johann Jacob Schollenberger. 19,4 x 78,3 cm (Darstellung / Platte) / 24,5 x 81,0 cm (Blatt). Aus: Anton Weck, Der Chur-Fürstlichen Sächsischen weitberuffenen Residentz und Haupt-Vestung Dresden Beschreib- und Vorstellung (Nürnberg: Johann Hoffmann 1680). - Innerhalb des linken Schriftbandes signiert "J. J. Schollenberger scul." In der Darstellung oben mittig Schriftband mit Titel. Zwei weiter Bänder links und rechts mit den Bezeichnungen "New Dresden, Wie sich daselbe Ost-Nordwest praesentiret." und "Alt Dresden, Wie solches auf der gegen Ost-Süden gelegenen Seite zusehen." Weiterhin mit Legenden A-Z und 1-17. - Blatt Nr. 4 der Folge. - Zwei originale vertikale Bindefalten. Insgesamt sehr guter Erhaltungszustand. Johann Jacob Schollenberger (1672 Nürnberg - nach 1699). Auch Johann Jacob Schollenberger. Deutscher Kupferstecher in Nürnberg. Stach zahlreiche Veduten. Monogrammierte JJS. [Attributes: Signed Copy]

      [Bookseller: GALERIE HIMMEL]
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        The Elevation or Prospect of the West End of the Steeple of St Bridget at Brides in Fleetstreet London Shewing the Inside and outside Thereof, being 235 feet high Sir Chr. Wren Kt. Architect Mr. Saml. Foulks. Mason.

      [1680]., London, 1680 - "A madrigal in stone" Engraving. A print showing St Bride's Church. St Bride's has long been associated with the media, since the burgeoning print trade congregated around St Paul's and along Fleet Street. The early printer Wynkyn de Worde lived and died there, and John Milton lived in the churchyard in his early life. The church was rebuilt by Sir Christopher Wren in 1672 after the Fire of London, the latest incarnation of a place of worship that had stood on that site since the sixth century. The print shows a view from the outside on the left, and a cross-section on the right, with a ground plan of the steeple in between the two. The spire, the tallest of all Wren's churches apart from St Paul's, was not finished until 1703 and was deemed a success: the poet W.E. Henley called it "a madrigal in stone". The steeple of St Bride's is popularly supposed to have inspired the traditional wedding cake, after a baker saw the spire and recreated it for his fiancée.Michael Burghers (?1647-1727) was a Dutch artist and engraver, who spent the majority of his career in London. Image: 615 by 428mm (24.25 by 16.75 inches). Sheet: 635 by 445mm (25 by 17.5 inches). BM 1880,1113.3232.

      [Bookseller: Daniel Crouch Rare Books LLP]
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        Neues hoch-nützliches Tractätlein Von der Derivatione & Compositione, Das ist: Herleit- und Doppel-Kunst der Italiänischen Primitivorum Oder Stamm-Wörteren. Woraus ein jeglicher leichtlich, ja mit Lust ersehen kan, was diese Sprach [...] vermöge [...].

      Kl.-8. 261 S. - Vorgeb. - Ders. Toscanische Rudimenta, Oder Haupt-Pforte Zu Matthiae Krämers Grösseren Italiänischen Grammatica und Dictionario. Das ist: Ausführlichere Vorstellung aller Declination- und Conjugationen, beynebenst einem kurtzen Auszug der nothwendigsten Grund-Reguln dieser Sprache. Denen Anfänglingen zum Besten, auf ihr Begehren zum erstenmal eröffnet und herausgegeben Vom gedachten Autore M. K. Sprachmeistern. [Paralleltitel: Rudimenti Toscani overo Porta-Maestra alla Gran Grammatica e Dizzionario di Mattia Cremero...]. Ebda., 1680. 11 (statt 12) Bll., 295 (1) S., 2 Bll., Ldr. d. Zt. m. dreiseitig gespränkeltem Farbschnitt. Erstausgaben. - Einband etw. berieben u. bestoßen. Unteres Kapital m. Fehlstelle. Innendeckel m. alt gestrichenem Eintrag. Vorsätze m. Bleistiftnotizen. Dem vorgebundenen Werk fehlt das letzte Blatt der Vorrede. Durchg. etw. gebräunt bzw. stockfleckig. - Ad 1) Nicht im VD 17. - Ad 2) VD17, 3:308835Z beide Werke nicht bei Vater, Litteratur der Grammatiken.

      [Bookseller: Antiquariat Wolfgang Friebes]
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        Paradise Regain'd. A Poem. In IV Books. To which is added Samson Agonistes.

      London: Printed for John Starkey at the Mitre in Fleet- Street, near Temple-Bar. 1680 - Second Edition. Small 8vo, pp. 5-132. 4pp. undated advertisements (A Catalogue of Books printed for John Starkey). First published in 1671. Late ninteenth-century full brown morocco, raised bands, gilt ruled inside dentelles, spine letter in gilt, all edges gilt. A little rubbing to head and foot of spine. The first leaf bears a license to print on verso. "Samson Agonistes" has separate dated title-page on E4r; pagination and register are continuous.

      [Bookseller: Voewood Rare Books]
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        Italienische Flußlandschaft mit einem am Ufer sitzenden Paar, das den Raub der Europa betrachtet. Radierung nach einer Zeichnung Tizians.

      In der Platte signiert und bezeichnet "To(ligiert)an. in.". Ausgezeichneter, lebendiger Druck mit Einfassungslinie und breitem Rand. Auf festem Bütten. 21,6 x 30,7 cm (Plattengröße). Aus der 2. Auflage der 53 Blatt umfassenden Folge "Opera Selectiora, quae Titianus Vecellivs Cadvbriensis, et Pavlvs Calliari Veronensis inventarvnt, ac pinxervnt.", erschienen bei Jan van Campen, Venedig. Die Figurengruppe im Vordergrund erscheint überlebensgroß vor der Flußlandschaft. Von links überquert ein Pferdefuhrwerk eine Holzbrücke, während rechts im Bild ein reißender Fluß unter einer steinernen Brücke hindurchfließt und die Wolken sich bedrohlich aufgetürmt haben. Hier ist die mythologische Szene mit dem Raub der Europa, fast wie ein Nebenschauplatz am rechten Bildrand eingefügt. - Die berühmte Folge von Lefebre nach Werken Titians und Veroneses erschien erstmals 1680 und wurde in den Jahren 1682, 1684 und 1749 erneut aufgelegt. - Guter Gesamteindruck. Geglätteter vertikaler Knick in der Blattmitte, winziger Einriss in den Wolken oben rechts. Breiter Rand mit leichten Läsuren.

      [Bookseller: Kunstantiquariat Joachim Lührs]
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        Panacée ou discours sur les effets singuliers d'un remède expérimenté, & commode pour la guérison de la plupart des longues maladies; même celles qui semblent incurables.

      Grenoble, chez l'auteur, 1679. (& Grenoble, Fremon et Nicolas, 1680. - LIVRES . Avec un traité d'Hypocrate de la cause des maladies, & de l'ancienne médecine , traduit en français par l'auteur.Relié avec : Seconde partie du traité des panacées ou des remèdes universels avec un traité des abus de la médecine ordinaire. Et la vie de Vanhelmont sur la composition des remèdes . 2 gravures hors-texte par Gilibert. 1 volume in-12. (7ff., 1 planche, 200pp., 6ff., 1 planche, 116pp.) Plein parchemin, titre manuscrit au dos, lacets. [Attributes: Hard Cover]

      [Bookseller: Librairie Seigneur]
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        Per gratia del Sommo Dio, per sedare, estinguere, e terminare le questioni, liti, e controversie, & differenze fino ad hora, & da tanti anni in quà agitate, & discusse nelli Tribunali, tanto di Bologna, quanto di Roma, & verse & vertenti ...

      Typis Iosephi Longhi, 1680. In 4° cartonato rustico moderno. Pp. 43 (bianca la volta) + 2 n.n. (Errori ritrovati nel collationare il presente instromento con l'originale autentico). La "Magna lite" ebbe inizio nel 1636 e, con alterne vicende giudiziarie, continuò nei tribunali romani e bolognesi fino al 1679, chiudendosi definitivamente nel 1680 con questo "Instromento". Una piccola comunità bolognese, quella di Sant'Agata, si vide minacciata in una delle più antiche istituzioni agrarie, quella della Partecipanza, dai nobili locali, i Conti Caprara che intendevano vendere i loro possedimenti in quelle terre, compreso quelli appartenenti all'antica Partecipanza. La reazione all'ingiustizia subita fu improvvisa, forte e sicuramente inaspettata: per anni i Santagatesi difesero le loro terre e, nel 1675, una commissione di Partecipanti guidati dal sacerdote Don Giuseppe Maria Feliciani si incammina (nel vero senso della parola) verso Roma. Dovettero però passare altri quattro anni prima che il Papa decidesse di mettere fine alla controversia decidendo in favore della piccola comunità: solo nel 1679 si potranno riprendere le normali assegnazioni novennali terriere dei beni comunali. Fascicolo in buono stato di conservazione con capilettera e finalino ornati

      [Bookseller: Libreria Seab]
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        Monnoyer, Jean-Baptiste. - Blumenbukett im Weidenkorb.

      - Botanische Darstellung. Kupferstich & Radierung, alt koloriert, um 1680. Von Jean Baptiste Monnoyer. 40 x 30,5 cm (Darstellung / Blatt). In der Darstellung unten links signiert: "pint et Grave par I. BATISTE de la Cademide Roiale (Sic!)". - Verlegeradresse von Nicolas de Poilly mit privileg: "N. de Poilly excud. C.P.R." - Dekorative Zusammenstellung verschiedenster Blüten in einem Weidenkorb. - Blatt bis auf die Einfassungslinien der Darstellung beschnitten. Im Randbereich rechts oben fachmännisch restauriert. Insgesamt mäßig guter Zustand. Jean Baptiste Monnoyer (1636 Lille - 1699 London). Flämischer Blumenmaler und Radierer. Studium in Antwerpen. ab 1665 Mitglied der Pariser Akademie. Kam 1685 mit dem Herzog von Montagu nach England. Mitarbeiter in den Ateliers von Charles Le Brun, René Antoine Houasse, Hyacinthe Rigaud und Gottfried Kneller. [Attributes: Signed Copy]

      [Bookseller: GALERIE HIMMEL]
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        \"Erphordia. Erfurt\". Gesamtansicht aus der Vogelschau, links unten Kartusche mit gestochenen Erklärungen 1 - 54.

       Kupferstich von F. de Wit, um 1680, 39,5 x 51 cm. Fauser 3692. - Die seltene große Gesamtansicht ohne rückseitigen Text. - Bugfalte gering gebräunt. Kräftiger Druck mit breitem Rand und guter Gesamterhaltung. Versand D: 6,00 EUR Thüringen

      [Bookseller: Antiquariat Bierl]
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        Le Cercle de Westphalie divisé en tous ses Estats et Souverainetés.

      - Kupferstich- Landkarte v. S. Sanson b. Jaillot, H., Paris, um 1680, 88 x 58 cm. Sehr dekoratives altkoloriertes Grenzkolorit mit den eingezeichneten ostfriesichen Ineln. Im rechten oberen Bildrand kunstvolle Kartusche mit Darstellungen aus der Jagd. Rechts unten sehr hübsche Legende der eingezeichneten Grenzen. In der Mitte Faltbogen. Im rechten Blattrand einzelne kleine Einrisse. JPEG-Bilder auf Anfrage möglich.

      [Bookseller: Gertraud Bracker]
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        Der recht und warhafftige (sic) Feldscher / Oder: Die rechte und warhafftige Feldschers-Kunst [...] wie man alle Verletzungen des gantzen menschlichen Leibes [...] glücklich curiren können.

      16,5 x 9,5 cm. Gest. Frontispiz, 15 Blatt, 480 Seiten, 12 Blatt. Datierter Pergamentband der Zeit. *Hauptwerk des berühmten deutschen Wundarztes. 1680 erstmals in Halberstadt mit 298 Seiten erschienen, wurde das Werk noch vielfach bis 1738 verlegt. - Purmann (1648-1711 oder 1721) war ein deutscher Wundarzt aus Schlesien. Als Feldarzt im brandenburgischen Militärdienst sammelte er reichlich Erfahrungen auf den Schlachtfeldern der Feldzüge des Holländischen Kriegs bei der Versorgung unterschiedlichster Arten von Schußwunden. Seine Erfahrungen dieser 10 Jahre versammelte er in dem vorliegenden Hauptwerk. - Garrison/Morton 2146 (diese Ausgabe) "Purmann was a skilful army surgeon one of the most famous of the period. Despite this he believed in the efficacy of the weapon-salve and the sympathetic powder". - Purmann hatte nicht studiert, aber er gilt aufgrund seiner vielfältigen Erfahrungen und seines chirurgischen Geschicks als bedeutende Figur der deutschen Chirurgie auf dem Weg zu einer eigenständigen medizinischen Disziplin. - Insgesamt gut erhaltenes Exemplar inkl. des oft fehlenden Frontispizes sowie des Erratablattes am Schluß.

      [Bookseller: Antiquariat Bernd Braun]
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        Cabalae verior descriptio das ist Gründliche Beschreibung und Erweisung aller natürlichen und übernatürlichen Dingen, wie durch das Verbum Fiat alles erschaffen, und darnach durch das Centrum Coeli & Terrae, so sein himlisch Liecht und unbegreifflich Fewer ist, generirt, nutrirt, regiert und corrumpirt wird.

      Hamburg, Wolff 1680.. 64 S. Späterer Pappband. Erste Ausgabe. - Sudhoff, Paracelsica 277; Brüning 2439; Duveen 111; Rosenthal 2886; Kopp II, 230. - Vgl. Caillet 1853 (Ausg. 1761). - Alchemistisch-kabbalistische Anweisung für Studenten mit umfangreichen Vorkenntnissen. - Zur Kollation: Der Holzschnitt "Figura cabalae", rückseitig mit der "Explicatio", hier zwischen S. 16 und 17 eingebunden, aber ursprünglich wohl als Frontispiz konzipiert (die Paginierung setzt auf Blatt A2 verso mit 6 ein); das Buch ist, wie vorliegend, komplett. - Gering fleckig, leicht gebräunt.

      [Bookseller: Antiquariat Turszynski]
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        Insula Candia ejusque fortificatio.

      1680 c.. Incisione in rame, mm 470x555, firmata in basso nella cornice "Gedruckt tot Amsterdam by Frederick de Wit inde Kalverstraat inde Witte Paskaert ". Elegante cartiglio figurato al centro. Due riquadri in alto e quattro in basso raffiguranti fortezze e città dell'isola: Canea, Candia, Spina Longa, Retimno, Thine e Suda. La carta si basa su quella di Sebastien de Pontault de Beaulieu, che qualche anno prima eseguì numerosei disegni di fortezze del mediterraneo. Tratta da "Atlas sive Descriptio Terrarum Orbis". De Wit fu uno dei più noti cartografi della seconda metà del '600; acquistò molte lastre da Blaeu e Jansonius, producendo molti atlanti. Splendido esemplare in ottimo stato di conservazione eccettuata una traccia di tarlo nei margini laterali. Map of Crete with six insets showing the fortifications of Canea, Candia Spina Longa, Retimo, Thine and Suda. Based on the cartography of Sebastien de Pontault de Beaulieu, who mapped a lot of Mediterranean fortifications approx. anno 1674. On the map a lot of informations of roads, towns and topography.Copper engraving, mm 470x555. Six insets with plans of Canea/ Chania, Candia/Iralkion, Spina Longa, Retimo, Thine and Suda. decorative banner title held by two cherubs at top and nice bordure. It is based on the cartography of Sebastien de Pontault de Beaulieu, who mapped a lot of Mediterranean fortifications approx. anno 1674. Dark Impression, very good conditio except some minor worming in outer margins. From "Atlas sive Descriptio Terrarum Orbis".De Wit was one of the most prominent and successful map engravers and publishers in Amsterdam in the period following the decline of the Blaeu and Jansson establishments, from which he acquired many copper plates when they were dispersed at auction.His output covered most aspects of map making: sea charts, world atlases, an atlas of the Netherlands, 'town books' covering plans of towns and cities in the Netherlands and Europe, and wall maps.Frederick de Wit was born in Gouda near Amsterdam in 1648 and by 1654 he had opened a printing office and shop under the name "De Drie Crabben" (the Three Crabs) which was also the name of his house on the Kalverstraat. In 1655, De Wit changed the name of his shop to the "Witte Pascaert" (the White Chart). Under this name De Wit and his firm became internationally known.Dating De Wit's atlases and maps is considered difficult because usually no dates were recorded on the maps and their dates of publication extended over many yearsZacharakis:3714/2392.

      [Bookseller: Libreria Antiquaria Perini s.a.s.]
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        Insula Americana in Oceano Septentrionali ac regiones adjacentes.

      Amsterdam 1680 - Double page engraved map.61x 53 cms. Black and white . repaired split at central fold affecting to margins.cartouche with allegorical figures,scales. The map extends from C may at new jersey to the Equator and embraces the whole of the gulf of Mexico, West Indies and northern part of South America. Visscher was a family of dealers and map publishers in Amsterdam. The Visschers issued an important number of atlases that were revised and brought up to date. The content varied in number from 30 up to 180 maps so that they are considered composite atlases. Ref : Bannister 1993 pg 112.

      [Bookseller: Libreria Pontes]
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        Ulm 1698 - 1767 Augsburg). Der Rehebock und Geiss sind im andern Iahr zur Brunfft tüchtig ... Radierung und Kupferstich von und nach J. E. Ridinger. 1736. Bezeichnet: 19. Cum Priv. Sac. Caes. Majest. 34 x 42,5 cm.

      Thienemann & Schwarz 214.- Blatt 19 der 'Betrachtung der wilden Thiere' mit dem deutschen Untertext des Hamburger Dichterpapstes, Juristen und Senators, vor allem Ridinger-Freundes, B. H. Brockes (1680 - 1747).

      [Bookseller: Antiquariat Daniel Schramm e.K.]
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