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Displayed below are some selected recent viaLibri matches for books published in 1650

        THE WORKS OF PUBLIUS VIRGILIUS MARO

      Thomas Maxey for Andrew Crook, at the green-Dragon in S. Paul's Church-yard, London 1650 - 12mo; vg/none; tan cloth spine with black text; quarter-bound style with green boards; minor shelf wear and bumping; text block, clean; edges, tinted red; 420 pp.; gathered in eights, A1 through Dd 4; age-toning; neat modern binding; original text block; else very good; --[Published a year after its first English issue in 1649 printed by T.R. and E.M. for John Crook]. Shelved in Case #4. Dupont. [Attributes: Hard Cover]

      [Bookseller: Second Story Books, ABAA]
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        Rare Upclutch-Antique Master Print-DEATH-SAINT JEROME-Zampieri-Testa-ca. 1650

      - Antique Master Print, untitled. The print shows death / viaticum (last communion) of Saint Jerome. Upclutch after a mural in the 'Santa Maria del Popolo' in Rome. Upclutch / counterproof of original engraving, extremely rare. Engraving on hand laid paper. Watermark: Late 17th. C. Watermark: circle with lamb and herdsman, letter N below circle. Description: Published by Arnold van Westerhout.Artists and Engravers: Made by 'Giovanni Cesare Testa' after 'Domenichino / Domenico Zampieri'. Giovanni Cesare Testa (Italian, ca. 1630-1655). Domenichino / Domenico Zampieri (Italian, Bologna; 1581-1641). Condition: Good, given age. Paper separation and some loss of surface paper at horizontal fold in middle, backed. Small hole in middle, backed. Some light staining. General age-related toning and/or occasional minor defects from handling. Please study scan carefully. Storage location: (TPCRC) TPC-Expo-P7-04 The overall size is ca. 10.4 x 22.2 inch. The image size is ca. 10.4 x 22.2 inch. The overall size is ca. 26.5 x 56.5 cm. The image size is ca. 26.5 x 56.5 cm.

      [Bookseller: ThePrintsCollector]
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        A Vindication Of The Presbyteriall-government And Ministry

      C. Meredith, 1650. First Edition. Hardcover. Fair. 1650 ORIGINAL (RARE) leather boards (cover) are seperated from binding, leather dry and chipping off, spine leather missing. Old Ex-library copy. Two bookplates on front pastedown, card pocket at rear, no other markings. Front cover, endpaper and title pages are together but loose from book, first leaf loose, otherwise interior clean and secure. Scarce early defense of Church government in commonwealth England. Important in English Puritan and Presbyterian history. Ex-Library. 8vo. 152 pages Professional bookseller for 20 years. Orders shipped daily in cardboard bookfolds.

      [Bookseller: Commonwealth Book Company, Inc.]
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        Sethi CalvisI Opus chronologicum Ubi Tempus Astronomicum per motus & Eclipses Luminarium Coelestium, tanquam characteres infallibiles Epocharum, ex fundamentis Chronologicis demonstratur & applicatur. Editio quarta Emendatior, & in annum labentem producta. Adjectus est Index Personarum & Rerum, uberrimus.

      Francofurti ad Moenum & Embdae: Impensis Christiani Gerlachii & Simonis Beckensteinii : Typis verò Exscripsit Anthonius Hummius, Anno Christi MDCL 1650 - [Para pedidos desde fuera de España, por favor, consulte las condiciones de venta y envío, tipo A. / For orders to be delivered outside Spain, please, let you see our sale and shipping terms, type A. / Pour les commandes à livrer hors d'Espagne, s'il vous plait, voyez les conditions de vente et de livraison, type A].- // Folio, (345x200mm); [8], 1030 [i.e. 1032], [100] p. (numeración de páginas 191-192, repetida); sign.: A4, A-5A6 5B8; portadilla; viñeta calcográfica del impresor en portada, lema 'Sustinemur concordia' ('La armonía nos une'); portada a dos tintas roja y negra; iniciales y frisos xilografiados.- // Encuadernación de época en pergamino a la romana; lomo con seis nervios; planos gofrados en seco con gran adorno central enmarcado; cortes tintados en rojo. Cofia levemente abierta; cajo delantero levemente rajado por fuera; sin cierres. Estupendo ejemplar, muy limpio, sin manchas, anotaciones ni subrayados.- // Proc.: Exlibris armorial encolado en contraplano delantero de la biblioteca 'Plummer of Middlestead', lema 'Consulto et audacter' y etiqueta de Sunderland Hall.- // Refs.: Houzeau, 12831; La Lande, p. 230; Poggendorff, I, c. 364 (para la 1ª ed.); VD17, 3:606852N.- // Amante de las matemáticas, musicólogo y astrónomo, la obra de Kallwitz que más ha perdurado en el tiempo ha sido la de su faceta de musicólogo y sus trabajos sobre ritmos y compases. Pero en su momento, su 'Cronología' llamó tanto la atención que se consideró una obra que merecía ser actualizada y mantenida al día. Eso fue así porque la obra de Kallwitz podría adscribirse a la corriente hoy denominada 'cronología sistemática', formada por quienes se centraron en el cómputo del tiempo y en la recopilación de fenómenos de los meteoros como mojones fehacientes de fechas concretas. Para esos autores, la sucesión de eclipses o el paso de cometas ya no tenían un carácter de augurio, sino que eran un necesario objeto de estudio en sí mismos porque, tras la obra de Copérnico, se sabía que en su movimiento existía una cadencia precisa que permitía emplearlos para medir tiempos. La visión de la cronología de estos autores partía de la que Scaliger había propuesto en 1583 en su De Emendatione Temporum, donde acudió a los movimientos celestes para datar acontecimientos históricos consiguiendo 'revolver' el concepto de Historia vigente en la mentalidad europea para hacer de ella un lecho común para todas las civilizaciones. Hasta entonces, la Historia era solo la de griegos y latinos; la del pueblo judío pertenecía a la Religión; y la de los pueblos de Oriente eran poco menos que leyendas. Compartiendo los criterios, Kallwitz no dudó en afirmar que, como "con mucha frecuencia los historiadores registraron los eclipses, dando cuenta de ellos en las historias de reyes y emperadores, estos se nos presentan como el mejor testimonio tanto para establecer la duración de un determinado reinado, como para certificar el verdadero desarrollo de los acontecimientos. Los eclipses proporcionan una certeza infalible, puesto que pueden calcularse astronómicamente y datarse para cualquier época"(1). A ese objetivo dedicó su Opus chronologicum, donde, tras un extenso capítulo inicial destinado a enseñar cómo calcular los eclipses solares y lunares y a mostrar exhaustivamente los tipos de calendario empleados en las culturas antiguas y del cercano oriente, de sus correspondencias y de cómo pasar de uno a otro, fue estableciendo, a partir de la datación de unos 300 eclipses, las fechas de multitud de los acontecimientos descritos por los historiadores que tuvieron lugar desde el día que en el calendario juliano era el 26 de octubre del 3949 a.c., la fecha en que se habría iniciado el mundo, el primer día del Génesis. Calvisius utilizó ese calendario porque el 'gregoriano' propugnado por Gregorio XIII en 1582 solo había comenzado a aplicarse en territorios católicos, mientras en el resto seguía empleándose el 'juliano'. Más aún, discrepante con la base científica utilizada para [Attributes: Hard Cover]

      [Bookseller: Andarto B.]
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        Zürich. - Portraits. Sammlung von 61 Portrait-Kupferstichen von Zürichs Notablen, Geistlichen und Bürgermeistern, gestochen von Konrad Meyer (1618-1698) und Johann Meyer (1655-1712) .

      um 1650, - 29x22 cm (Blattgr.) 22x15 (Kupferplatte), vereinzelt fleckig und randrissig, Sammlung loser Blätter. Eine interessante Sammlung von Portraittafeln aus der 2. Hälfte des 17 Jhd. Die detailreichen Abbildungen zeigen ein Vielfalt an Kopfbedeckungen, zum Stand gehörige Kleider und Attribute (wie Bücher, Ringe und Halsketten) sowie die oft ernsthaften - aber auch freundlichen Gesichtsausdrücke.Please notify before visiting to see a book. Prices are excl. VAT/TVA (only Switzerland) & postage.

      [Bookseller: Harteveld Rare Books Ltd.]
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        The Marrow of Ecclesiastical Historie, Conteined in the Lives of the Fathers, and Other Learned Men, and Famous Divines, Which Have Flourished in the Church since Christ's time, to This Present Age. Faithfully Collected Out of Several Autors [sic], and Orderly Disposed, According to the Centuries Wherein They Lived. Together With t

      London: William Du-gard. Good with no dust jacket. 1650. First Edition. Hardcover. This book is in good antiquarian condition. It has been handsomely rebound in 3/4 leather, marbled boards, endpapers renewed It is a small octavo and measures 5.25” x 7”. It is packed with numerous engraved portrait plates, the portrait area on page 320 blank as issued. Pagination is as follows [32], 352, 363-378, 389-500, [8] pages, the gaps represent numbering errors when the book was printed, as per bibliographic references, but the book is complete. The paper shows minor age-toning and foxing, the last two pages with ink inscriptions and notes in a very early hand (see photo), small corner tears on two pages repaired, printing sharp, engraved portraits sharp and beautifully printed.This is a very pleasing and handsome copy of what appears to be the scarce first edition . Although Worldcat (OCLC) erroneously lists a 1649 edition, it is actually the 1650 first edition; the preface is dated December 1649, but the title page reads MDCL [1650], see also Lowndes, p473, as well The Spirituality of the Later English Puritans: An Anthology, introduction. There was a second portion printed also in 1650, an expanded edition in 1654 and further expanded edition in 1675, these are not included here. But there is something quite unusual about this book, in that the edition from the Thomas Fisher Rare Book Library which we checked this copy against does not include the full page portrait, which this edition does, but it does include a preliminary commendatory leaf, which this copy does not. But Lowndes, the principal British bibiliography, lists a 1650 edition with a 1649 portrait, which thus perhaps makes this technically a true 1649 first edition, a variant, that conforms otherwise, but perhaps with the portrait instead of a commendatory leaf, it was printed a bit earlier than the other first editions, ie. perhaps even in late December, 1649. This 1650 edition does not conform completely to either of the 1650 editions in ESTC, containing neither the title lines of the one, but containing a hyphen which is not on the 2nd -- again, not quite fitting either ESTC entry. The book is the famous Puritan biography of great Church fathers and leaders, from ancient Christians like Ignatius and Polycarp, Augustine and Ambrose, to Protestant founders like Luther and Calvin, and to later commentators like Theodore Beza and Joseph Scaliger. It is handsomely printed, and includes numerous beautiful engraved portraits of the Christian luminaries, followed by their biographies. This book has been professionally rebound with contemporary looking leather spine with gilt lettering and leather corners, and marbled hardcover boards. A truly beautiful edition.This book contains the curious poem on the back of the title page, “from the licencer to the Autor, concerning his book”....This Book doth make the dead to live, This Book will live, when you are dead, This Book will make you live, when dead, This Book therefore I make to live.The author, Samuel Clarke or Clark (1599–1683) was an English clergyman and significant Puritan biographer ; Copper plate; 8vo 8" - 9" tall .

      [Bookseller: Greekdrama Books]
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        Antique Print-INDIA-MOGUL EMPIRE-PAKISTAN-AFGHANISTAN-Blaeu-c. 1650

      - Antique print, titled: 'Magni Mogolis Imperium.' - A handsome map of northern India and Central Asia. Pakistan, Afganistan and Bangladesh and extends inland up the Ganges and Indus Rivers to Tartary and the Himalayas, including Katmandu, Kabul and other legendary cities along the great trading routes. Extends south to include a large portion of India, including Narsinga, Orixa Decan, etc. Elephants shown roaming in the Ganges and Camels east of Kabul. Decorative cartouches and sailing ships. With a dedication of Johann Huydekoper. German text on verso. Copperplate engraving / etching with contemporary hand colouring on hand laid paper. Description: Source unknown, to be determined.Artists and Engravers: Made by 'Willem Janszoon Blaeu' after an anonymous artist. Willem Janszoon Blaeu was born 1571 in Alkmaar. He was trained from 1594 to 1596 by the famous danish astronomer Tycho Brahe. 1599 he went to Amsterdam and founded a business as globe maker. Later he started producing map and sea charts, including his first world map in 1605. His most famous work was the "Atlas Novus" or "Theatrum Orbis Terrarum sive Atlas Novus" of 1635, which was published until 1655 in total six volumes. After Blaeu's death in 1638 his sons Joan and Cornelis continued the businees and finished the "Atlas Novus" and started an even larger work, the "Atlas Maior", which reached 12 volumes. Condition: Good, given age. Paper separation upper and lower middle fold; reapaired. A few small spots. Text on verso slightly visible. Small soft crease bottom right corner. Original middle fold as issued. General age-related toning and/or occasional minor defects from handling. Please study scan carefully. Storage location: BG-B1-45 The overall size is ca. 21.7 x 17.7 inch. The image size is ca. 20.4 x 16.3 inch. The overall size is ca. 55 x 45 cm. The image size is ca. 51.7 x 41.3 cm.

      [Bookseller: ThePrintsCollector]
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        Antique Print-LIEGE-LUIK-PALACE OF THE PRINCE BISHOPS-Blaeu-c. 1650

      - Antique print, titled: 'Palatium Episcopale Leodii.' - View of the Palace of the Prince-Bishops in Luik / Liege, Belgium. Dutch text on verso. Copperplate engraving / etching with hand colouring on hand laid paper. Description: Novum Ac Magnum Theatrum Urbium Belgicae Regiae ( ), published in Amsterdam c. 1650.Artists and Engravers: Made by 'Joan Blaeu' after an anonymous artist. Joan Blaeu (23 September 1596 - 28 May 1673) was a Dutch cartographer. He was born in Alkmaar, the son of cartographer Willem Blaeu. In 1620 he became a doctor of law but he joined the work of his father. In 1635 they published the Atlas Novus (full title: Theatrum orbis terrarum, sive, Atlas novus) in two volumes. Joan and his brother Cornelius took over the studio after their father died in 1638. Joan became the official cartographer of the Dutch East India Company. Around 1649 Joan Blaeu published a collection of Dutch city maps named Tooneel der Steeden (Views of Cities). In 1651 he was voted into the Amsterdam council. In 1654 Joan published the first atlas of Scotland, devised by Timothy Pont. In 1662 he reissued the atlas with 11 volumes, and one for oceans. It was also known as Atlas Maior. A cosmology was planned as their next project, but a fire destroyed the studio completely in 1672. Joan Blaeu died in Amsterdam the following year. Condition: Good, given age. Tiny tear bottom edge; reapaired. A few small unobtrusive spots. Original middle fold, as issued. A crease in the right margin just beside the image. General age-related toning and/or occasional minor defects from handling. Please study scan carefully. Storage location: BG-B5-14 The overall size is ca. 23.4 x 19.1 inch. The image size is ca. 20.6 x 16.4 inch. The overall size is ca. 59.5 x 48.4 cm. The image size is ca. 52.2 x 41.7 cm.

      [Bookseller: ThePrintsCollector]
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        Rare Antique Print-LOUIS HESSELIN-ROYAL COUNCIL-ALLEGORY-CHERUB-Ferdinand-c.1650

      - Antique print, titled: 'A messire Louis Hesselin Conseiller du Roy en ses Conseils et Maistre de sa Chambre aux Deniers.' - This rare allegory print is printed from 2 plates and pasted together in the middle. It shows: A dedication and poem to Louis Hesselin, council to the French King and master of 'le Chambre aux Deniers'. Cherubs with a poem (monogrammed BB), putti with a flute, harp, owl and mythological attributes. With the scorpion zodiac sign. Engraving on hand laid paper. Watermark: Grapes. Description: Source unknown, to be determined.Artists and Engravers: Made by an anonymous engraver after 'P. Ferdinand'. We did not find reference to the exact engraver of this plate. Any input appreciated. Condition: Good, given age. Printed from 2 plates, pasted horizontally in middle. Small tear near middle fold, tear in left margin, reinforced using contemporary paper backed with acid free archival tape. A few very small holes, backed. Paper edges a bit irregular with a few tiny tears. General age-related toning and/or occasional minor defects from handling. Please study scan carefully. Storage location: TPCRC-B1-19 The overall size is ca. 16.1 x 22.1 inch. The image size is ca. 15 x 20.9 inch. The overall size is ca. 41 x 56.1 cm. The image size is ca. 38 x 53.2 cm.

      [Bookseller: ThePrintsCollector]
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        Very rare Antique Master Print-SATIRE-BAKING HEADS-BAKER OF EEKLO-Furst-ca. 1650

      - Antique Master Print, titled: 'Newer Haupt- und Kopff kram, das isst Kurzer bericht von allerhande seltzamen und wunderbarlichen kopffen so hin und wider gesunden und gesehen werden.' - View of the rebaking of human heads. Broadsheet illustrating a German saying: 'Viel Kopff / viel Sinn / sagt mann allzeit / Das gibt auch die Erfahrenheit.' A German variation on a popular Flemish sixteenth-century legend that held that a baker in the Flemish village of Eeklo had a curious speciality. Those dissatisfied with their facial appearance could visit the bakery, where their head would be chopped off. Once the problem with it had been identified, the head would be sprinkled with flour and glazed with egg yolk before being shovelled into the oven. While the patient waited for their head to bake, their bleeding would be staunched by a cabbage, which served as a makeshift pate. At the end of the process their head would emerge from the oven, and be restored to its original place. However, the head would always fail to bake through, leaving its owner with a deformity. The legend served as a cautionary tale to those who complained of their appearance. Engraving and bookprint. on hand laid paper. Watermark: Coat of arms with a head. Description: So-called "EinBlatt" (Broadsheet). Provenance: Dr. Hofmeier, Dortmund (Not in Lugt). Very rare pamphlet.Artists and Engravers: Made by 'Paul Furst' after 'Anonymous'. Anonymous, possibly engraved by and published by Paul Furst (1605-1666) in Nurenberg. Condition: Fair, given age. thread margins, heavy wormgate damage. Paper separation at right bottom plate mark / image. Loosely attached to carrier / hand laid paper. Still makes a good impression. General age-related toning and/or occasional minor defects from handling. Please study scan carefully. Storage location: R1-086 LATPC The overall size is ca. 8.7 x 13.7 inch. The image size is ca. 8.7 x 13.7 inch. The overall size is ca. 22.2 x 34.7 cm. The image size is ca. 22.2 x 34.7 cm.

      [Bookseller: ThePrintsCollector]
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        An Exact Abridgment in English, of the Commentaries, or Reports of the Learned and Famous Lawyer, Edmond Plowden, an Apprentice of the Common Law. Concerning Diverse Cases and Matters in Law, and the Arguments Thereupon; in the Times of the Reignes of King Edward the Sixth, Queen Mary, King Philip, and Queen Mary, and Queen Elizabeth, .... by F. H. of the Inner Temple London, Esq;

      London: (1650). Printed by R. White, and T. Roycroft, for Matthew Walbanke, and Henry Twyford, and are to be sold at their shops at Grais-Inn Gate in Holborn, and in Vine Court in the Middle Temple, 1650. - F. H. = Fabian Hicks. "Newis and his wife, against Larke and others" (caption title) begins new pagination; register is continuous. Includes index. ; [8], 232, 62 pages, Small 8vo

      [Bookseller: Antiquarian Collections]
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        Antique Print-RIJNLAND-AMSTELLAND-SOUTH-NORTH-HOLLAND-NETHERLANDS-Blaeu-1650

      - Antique print, titled: 'Rhenolandiae et Amstellandia.' - This maps shows a Rijnland and Amstelland in the provinces North and South Holland in the Netherlands. This includes Haarlem, Amsterdam, Utrecht, Gouda, Leyden and The Hague. Hand colored engraving on hand laid paper. Description: Published in Amsterdam in 1649 by Willem Jansz. Blaeu in 'Toonneel des Aerdrycx, oft Nieuwe Atlas.', a Dutch ed of: 'Theatrum Orbis Terrarum, sive Atlas Novus'; in quo Tabulae et Descriptiones omnium Regionum. Rear text Dutch.Artists and Engravers: Willem Janszoon Blaeu was born 1571 in Alkmaar. He was trained from 1594 to 1596 by the famous danish astronomer Tycho Brahe. 1599 he went to Amsterdam and founded a business as globe maker. Later he started producing map and sea charts, including his first world map in 1605. In 1633 he was appointed Hydrographer for the Dutch East India Company (VOC). His most famous work was the "Atlas Novus" or "Theatrum Orbis Terrarum sive Atlas Novus" of 1635, which was published until 1655 in total six volumes. After Blaeu's death in 1638 his sons Joan and Cornelis continued the businees and finished the "Atlas Novus" and started an even larger work, the "Atlas Maior", which reached 12 volumes. In 1672 a fire destroyed the printing house and a year later Joan died. Some of the surviving plates where bought by F. de Wit and Schenk & Valk. The business was closed finally in 1695. Condition: Very good, given age. Original middle fold, as issued. Middle fold reinforced using contemporary paper. Print has been in matting, some ghosting around the image. General age-related toning and/or occasional minor defects from handling. Please study scan carefully. Storage location: TPC-Expo-P9-01 The overall size is ca. 22.1 x 17.6 inch. The image size is ca. 19.7 x 16.1 inch. The overall size is ca. 56.2 x 44.7 cm. The image size is ca. 50 x 40.8 cm.

      [Bookseller: ThePrintsCollector]
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        11 Antique Master Prints-LANDSCAPE-MARY-CHRIST-Visscher-Swanevelt-ca. 1650

      - 11 Antique prints, titled: 'Verscheyde Aerdige Lantschappen', 11 (of 12) various landscapes (a title page and 10 prints). Each of the landscapes features several figures and donkeys/horses. Two includes Mary with the infant Christ (and Joseph and donkey). Engraving on hand laid (verge) paper, attached to carrier. Description: Ref: Hollstein 6, 8, 9, 92, 93, 94, 98, 103, 104, 105, 106 and 108.Artists and Engravers: Made by N. Visscher after H. v. Swanevelt. Nicolaes I Visscher (1618-1679) was a Dutch engraver, cartographer and publisher. He was the son of Claes Janszoon Visscher. His son Nicolaes II Visscher became an engraver like him. Herman van Swanevelt (1600-1655). Condition: Very good, given age. This series lacks plate number 7. Margins cropped to the platemark, subsequently attached to hand laid carrier sheets. Library stamp on the verso of each sheet. Small stains in the margins. General age-related toning and/or occasional minor defects from handling. Please study scan carefully. Storage location: R1-034 TPC The overall size is ca. 8.2 x 6.3 inch. The image size is ca. 8.1 x 6.1 inch. The overall size is ca. 20.9 x 16 cm. The image size is ca. 20.5 x 15.6 cm.

      [Bookseller: ThePrintsCollector]
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        De Tesseris Hospitalitatis. Liber Singularis, in Quo Ius Hospitii Universum, Apud Veteres Postissimum, Expenditur. Auctore Jacobo Philippo Tomasino

      Vtini: Nicolai Schiratti, 1650. (xvi); 151; (errata) pages. Woodcut on title-page. Full speckled calf neatly rebacked. BOUND WITH ... Jacobi Philippi Tomasini Patavini Episcopi Aemoniensis Petrarcha Rediviuus .... (etc). (xiii); 270; (xvI)(errata) pages. Additional engraved title-page, engraved plates. Paulus Frambottus, Patavii. 1647. Two separate books bound in one.. First Edit. Full-Leather. Near Fine.. 4to. Hardcover.

      [Bookseller: Roger Collicott Books]
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        Rare Antique Print-PANORAMA UTRECHT-Saftleven-c.1650-1660

      - Antique print, titled: 'Utrecht.' - Extr. rare and attractive panoramic view of Utrecht. With the artist sketching at middle bottom foreground. Etching on hand laid paper. Watermark: Stasbourg coat of arms, c. 1650-1660. Description: No reference found. This panoramic view is based on a 3 sheet panorama by Saftleven, dated 1648. Based on paper and watermark this plate can be dated not much later, c. 1650-1660. Ref: Hollst. Dutch 17 (Saftleven plate).Artists and Engravers: Made by an anonymous engraver after 'Herman Saftleven'. Herman Saftleven II (1609-1685) was a Dutch painter, engraver and draughtsman from Rotterdam, active in Utrecht from 1632. He was a pupil of Jan van Goyen and the son of the painter Herman Saftleven I. Condition: Very good, given age. Vertical fold in middle. Remains of paper on rear from previous attachment. Ample margins. General age-related toning and/or occasional minor defects from handling. Please study scan carefully. Storage location: R1-017 TPC The overall size is ca. 16.1 x 12.4 inch. The image size is ca. 13.9 x 10.2 inch. The overall size is ca. 41 x 31.4 cm. The image size is ca. 35.4 x 26 cm.

      [Bookseller: ThePrintsCollector]
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        Antique Print-MACEDONIA-GREECE-EPIRUS-ACHAIA-Blaeu-c. 1650

      - Antique print, titled: 'Macedonia, Epirus et Achaia' - Ornated with a nice allegoric cartouche, one ship and a milage scale. Macedonia is shown in the centre of the map. With many details of placenames of cities and villages, rivers, lakes and mountains are as well engraved. Verso Dutch text. Etching / engraving with contemporary hand colouring on hand laid paper. Description: Source unknown, to be determined.Artists and Engravers: Made by 'Willem Janszoon Blaeu' after an anonymous artist. Willem Janszoon Blaeu was born 1571 in Alkmaar. He was trained from 1594 to 1596 by the famous danish astronomer Tycho Brahe. 1599 he went to Amsterdam and founded a business as globe maker. Later he started producing map and sea charts, including his first world map in 1605. His most famous work was the "Atlas Novus" or "Theatrum Orbis Terrarum sive Atlas Novus" of 1635, which was published until 1655 in total six volumes. After Blaeu's death in 1638 his sons Joan and Cornelis continued the businees and finished the "Atlas Novus" and started an even larger work, the "Atlas Maior", which reached 12 volumes. Cartographers: A. Metius and G. Freitag. Condition: Very good, given age. Original middle fold as issued. General age-related toning and/or occasional minor defects from handling. Please study scan carefully. Storage location: BG-B7-26 The overall size is ca. 22.7 x 18.4 inch. The image size is ca. 19.7 x 16.1 inch. The overall size is ca. 57.7 x 46.7 cm. The image size is ca. 50 x 41 cm.

      [Bookseller: ThePrintsCollector]
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        Motive der Deutschen Architektur des XVI., XVII., und XVIII. Jahrhunderts in historischer Anordnung. Zweite Abteilung: Barock und Rokoko 1650 -1800.

      2, Text (LIII S.), 100 Taf., HLwd.-Mappe m losen Bl., Mappe etwas stockfleckig, innen tadell- Text von H. E. von Berlepsch

      [Bookseller: antiquariat peter petrej]
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        Parallèle de l'architecture antique et de la moderne: avec un recueil des dix principaux autheurs qui ont écrit des cinq Ordres

      Paris, Edmé Martin, 1650. First edition of this important text on the rules and proportions of the Orders of Columns, an epitome of the standard works on the subject by Palladio, Scamozzi, Serlio, Vignola, and other Italian and French authorities. It comprises a series of explanatory texts and visual comparisons showing how the Orders were employed by ancient and Renaissance architects and roundly condemns their incorrect usage and attempts at reform on the part of many architects. The book inaugurated the architectural part of the celebrated "Quarrel between the Ancients and Moderns". Fréart de Chantelou, Roland, sieur de Chambray Le Mans 1606 - 1676 Le Mans Parallèle de l'architecture antique et de la moderne: avec un recueil des dix principaux autheurs qui ont écrit des cinq Ordres. Paris, Edmé Martin, 1650 folio (370 × 240 mm), (62) ff. signed a6 A-O4 and paginated (12) 1-109 (3); engraved title-page, forty full-page engravings, numerous smaller engraved vignettes and ornaments imposed with the text. provenance title inscribed De Legendre -- Theodore Besterman (1904-1976), exlibris 1 -- by his bequest to the Taylor Institution Library, University of Oxford (deaccessioned 1984) -- E.P. Goldschmidt & Company Ltd. -- Private Collection, Dublin Binding abraded, otherwise in very good state of preservation. binding contemporary French calf; back decorated in gilt. First edition of this important text on the rules and proportions of the Orders of Columns, an epitome of the standard works on the subject by Palladio, Scamozzi, Serlio, Vignola, and other Italian and French authorities. It comprises a series of explana­tory texts and visual comparisons showing how the Orders were employed by ancient and Renaissance architects and roundly condemns their incorrect usage and attempts at reform on the part of many architects. The book inaugurated the architectural part of the celebrated 'Quarrel between the Ancients and Moderns'. 2 Four subsequent editions of the Parallèle were published at Paris and John Evelyn's translation, A Parallel of the ancient architec­ture with the modern (1664), went through as many editions in London. 3 [img-2576-left-large_default] Engraving of a caryatid, by Charles Errard (height of binding 374 mm) The engraved title with oval portrait of the author's cousin and instigator of the book, François Sublet de Noyers (1578-1645), is signed Tournier scul., pre­sumably Georges or Jean Jacques Tournier, the latter graveur du Roi and active circa 1650-1684; the engraving on page 63 is signed t. The other plates are unsigned works by Charles Errard (1601/1609-1689), 4 who had met the author at Rome in 1640, 5 where they had obtained casts of classical capitals and completed drawings of classical antiquities as study materials. 6 After Errard's return to Paris in September 1643, these drawings were translated onto copper plates. 7 references Katalog der Ornamentstichsammlung der Staatlichen Kunstbibliothek Berlin (1939), no. 2374; Laurence Hall Fowler and Elizabeth Baer, The Fowler architectural collection of the Johns Hopkins University. Catalogue (Baltimore 1961), no. 127; Leopoldo Cicognara, Catalogo ragionato dei libri d'arte e d'antichità posseduti dal Conte Cicognara (reprint Bologna 1979), no. 507; Architec­tural theory and practice from Alberti to Ledoux, exhibition catalogue edited by Dora Wiebenson (Chicago 1983), iii-A-14; National Gallery of Art, The Mark J. Millard Architectural Collection, i : French books (Washington, dc 1993), no. 76; Avery's choice: Five centuries of great architectural books, edited by Adolf Placzek (New York 1997), p.59 no. 78; Architectural theory: from the Renais­sance to the present: 89 essays on 117 treatises, with a preface by Bernd Evers and an introduction by Christof Thoenes (Cologne 2003), pp.240-247; critical edition (with the author's Idée de la perfection de la peinture) and commentary by Frédérique Lemerle-Pauwels and Milovan Stanic (Paris: École Nationale Supérieure des Beaux-Arts, 2005) 1. The copy is described in Besterman's Old art books (London 1975), p.42 with reproduction pl. 62. 2. Frédérique Lemerle, 'Une querelle des Anciens et des Modernes en architecture: Fréart de Chambray' in Architectes et architecture dans la littérature française, edited by Madeleine Bertaud (Paris 1999), pp.37-47; for additional literature, see Lemerle's entry in the CESR database 'Architectura / Les livres d'Architecture' (link). 3. See British Architectural Library, Early printed books 1478-1840 (London 1995), ii, no. 1132; Eileen Harris, British architectural books and writers, 1556-1785 (Cambridge & New York 1990), pp.196-201. 4. Jacques Thuillier, 'Propositions pour Charles Errard, peintre' in Revue de l'art 40-41 (1978), pp.145, 165, 169, 172. Errard's oeuvre as established by Emmanuel Coquery comprises about 400 drawings and 500 prints; see his thesis 'Charles Errard: ou l'ambition du décor' (Université de Paris Sorbonne, 2004); Emmanuel Coquery, 'La poétique ornementale de Charles Errard' in Rinceaux et figures: l'ornement en France au xvii e siècle, edited by Emmanuel Coquery (Saint-Rémy-en-l'Eau 2005), pp.28-43; Emmanuel Coquery, Charles Errard: la noblesse du décor (Paris 2013), pp.361-366 nos. 182-235. 5. Isabelle Pantin, Les Fréart de Chantelou: une famille d'amateurs au xvii e siècle entre Le Mans, Paris et Rome (Le Mans 1999), p.26 and passim. 6. Roland Fréart de Chambray, 'Proportions que jay mesurées avec Mons. Erard sur les originaux mes­mes a Rome lannee 1640' (Paris, Bibliothèque des Beaux-Arts, Ms 12 PC 6415); see Pantin, op. cit., pp.47-53; Annalisa Avon, 'Su alcuni esempi di scultura e architettura antiche nel Parallèle (1650) di Roland Fréart de Chambray e Charles Errard' in Annali di architettura 13 (2001), pp.111-119. 7. The frontispiece portrait of Sublet de Noyers was also engraved after a drawing by Errard (Albi, Musée Toulouse-Lautrec); see Pantin, op. cit., p.21 (reproduced).

      [Bookseller: Robin Halwas | Rare Books]
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        Antique Master Print-PASTORAL SCENE-COW HERD-DOG-Berchem-Dancker Danckerts-1650

      - Plate: 'Ex Formis Nicolai Visscher cum Privelegio Ordinum Hollandi� & West-Frisi�'. (Published by Nicolaes Visscher, authorized by Holland and West-Friesland.) Pastoral, rural scene of farmers with horse, cows and dogs crossing a small stream. Etching and engraving on a verge type handlaid paper. Description: Etching and engraving published ca. 1650, during life of artist. Our definition of a Master Print is a seperately published print or series of prints, not being an illustrative print to a text. These can both be prints made by old masters (artists) or prints made by others (artists, engravers, etchers) after old masters.Artists and Engravers: This plate by Dancker Danckerts (1634 - 1666), a dutch engraver and publisher. After a painting by Nicolaes Pieterszoon Berchem (1620 - 1683), he was a highly esteemed and prolific Dutch Golden Age painter of pastoral landscapes, populated with mythological or biblical figures, but also of a number of allegories and genre pieces. Condition: Good. General age related toning. Unobtrusive damp stain lef side, which we can remove on request. Nice, powerfull, well-inked impression, with plate tone. Please study scan carefully. Storage location: B26-24 The overall size is ca. 18.9 x 14.6 inch. The image size is ca. 18.3 x 14.2 inch. The overall size is ca. 48 x 37 cm. The image size is ca. 46.5 x 36 cm.

      [Bookseller: ThePrintsCollector]
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        Antique Map-CRETE-GREECE-CANDIA-Janssonius-1650

      - Map : 'Candia olim Creta'. (Map of Crete.) Beautiful originally hand coloured map of Crete with 2 cartouches. Copperplate engraving on verge type hand laid paper with watermark. Original hand colour and new colouring. Description: Origin: Ioannis Ianssonii Novus Atlas, sive Theatrum Orbis Terrarum . Ca. 1650. Artists and Engravers: Johannes Janssonius also known as Jan Jansson was born 1588 in Arnhem, Netherlands. His father was a bookseller and publisher (Jan Janszoon the Elder). When he married the daughter of the cartographer Jodocus Hondius he also set up a business as book publisher in Amsterdam. His first map was published in 1616. Around 15 years later he set up a partnership with his brother in law Hondius add issued further editions of the Mercator/Hondius atlas. After his death in 1664, his heirs still have published several maps. Many of his plates have been acquired by Pieter Schenk and Gerard Valk. Condition: Fine; general age related toning; some light staining from handling. Some separation from acidification from old colouring, backed for reinforcement. A few small tears backed. Storage location: B17-30 The overall size is ca. 21.5 x 16.1 inch. The image size is ca. 20.7 x 15 inch. The overall size is ca. 54.5 x 41 cm. The image size is ca. 52.5 x 38 cm.

      [Bookseller: ThePrintsCollector]
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        Antique Print-AFRICA-Hondius-Picart-c. 1650

      - Antique print, titled: 'Africa Nova Tabula Auct Jud. Hondio.' - Picart's map of Africa is an exact copy of Jodocus Hondius Jr.'s 1623 map of Africa, in its fourth state of 1632. The cartes-a-figures borders appear on three sides, with six city views along the top and ten examples of local inhabitants along the sides. The geography is largely speculative and follows Blaeu's map of 1617 with the Cuama River originating in the mountains rather than in the Sachaf Lake below the Mountains of the Moon (Lunae Montes). The origin of the Nile conforms to the Ptolemaic tradition of the two twin lakes south of the equator. The Kingdom of Monomotapa occupies a large area of southern Africa. Ornamentation includes a wreath-style title cartouche, sailing ships, flying fish, and various sea monsters. Elephants, lions, zebras, ostriches, and even a dragon occupy the interior. Picart's imprint appears on a second cartouche at bottom, again taken from the Hondius map of 1623, and similar to the cartouche on Van den Keere's map of Africa from 1614, featuring a clock with a skull. Picart's map was separately issued and is considered quite rare. Copperplate engraving / etching with contemporary hand colouring. on hand laid paper. Description: Source unknown, to be determined.Artists and Engravers: Made by 'Jodocus Hondius' after an anonymous artist. Jodocus Hondius born 1563 in Ghent (Flanders) and grown up there. He became a globe maker and map engraver. In 1593 set up his business in Amsterdam after he spent some years in London. He was one of the most important engravers of his time and engraved maps for van den Keere, Waghenaer or Speed. Hondius bought the plates of Mercator in 1604, added around 40 maps and published the Atlas first 1606 still under Mercators name. After his death 1612 in Amsterdam, the business was carried out by his sons Jodocus II and Henricus. Condition: Good, given age. A few minor creases. Original folds as issued. General age-related toning and/or occasional minor defects from handling. Please study scan carefully. Storage location: BG-B5-11 The overall size is ca. 22.6 x 16.8 inch. The image size is ca. 21.7 x 16 inch. The overall size is ca. 57.5 x 42.7 cm. The image size is ca. 55.2 x 40.6 cm.

      [Bookseller: ThePrintsCollector]
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        Antique Master Print-LANDSCAPE-NORWAY-Everdingen-ca. 1650

      - Antique print, untitled. Norwegian landscape with rocks near a pool Etching, watermark: top of an early coat of arms of Amsterdam (= ca. 1660-1670). Description: Early impressions are very rare. Apparently Everdingen did not make many impressions from his plates. Most of the impressions found, date from an edition printed around 1796. State: IV (4). Ref: Hollstein 16. Artists and Engravers: Made by A. van Everdingen after own design. Allart van Everdingen (1621-1675) was active as a painter in Amsterdam. He traveled to Norway to make paintings of the landscape for the Trip family, who had gunfoundries there. After this trip, most of his landscapes have a Norwegian theme. Condition: Very good, small margins. Early impression! From an unknown Arabian collection General age-related toning and/or occasional minor defects from handling. Please study scan carefully. Storage location: R1-091 LA The overall size is ca. 4.3 x 3.1 inch. The image size is ca. 4.1 x 3 inch. The overall size is ca. 11 x 7.9 cm. The image size is ca. 10.5 x 7.7 cm.

      [Bookseller: ThePrintsCollector]
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        3 Antique Prints-LANDSCAPE-NORWAY-SPRING-SPA-Van Everdingen-ca. 1650

      - 3 Antique prints, untitled. The second, third and fourth springs, in Spa and Eidsvold. Etching on hand laid paper. Watermark: Pro Patria (= ca. 1796). Description: Originally published ca. 1650. This plate from the edition printed in 1796. State: Second state of 2. Ref: Hollstein 96/97/98. Three prints from the set of four Spa Springs.Artists and Engravers: Made by 'Allart van Everdingen' after own design. Allart van Everdingen (1621-1675) was active as a painter in Amsterdam. He traveled to Norway to make paintings of the landscape for the Trip family, who had gunfoundries there. After this trip, most of his landscapes have a Norwegian theme. Condition: Very good, given age. Ample margins General age-related toning and/or occasional minor defects from handling. Please study scan carefully. Storage location: C301-27 The overall size is ca. 8 x 6 inch. The image size is ca. 6.8 x 5.2 inch. The overall size is ca. 20.4 x 15.3 cm. The image size is ca. 17.3 x 13.2 cm.

      [Bookseller: ThePrintsCollector]
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        Antique Print-DIEPPE-FRANCE-Silvestre-ca. 1650

      - Antique print, titled: 'Profil de la Ville de Dieppe.' - This print shows a view of the City of Dieppe and it's fortifications. Copperplate engraving on hand laid paper. Made by 'Israel Silvestre' after own design. Israel Silvestre (Nancy 1621 - Paris 1691) was a prolific French draughtsman, etcher and print dealer who specialised in topographical views and architectural plates. He was orphaned at a young age, and taken in by his uncle Israel Henriet, a Paris-based print dealer, and friend of Jacques Callot. Condition: Excellent, given age. Original middle fold, as issued. A few stains in margin. General age-related toning and/or occasional minor defects from handling. Please study scan carefully. The overall size is ca. 24 x 17.6 inch. The image size is ca. 22 x 10.9 inch. The overall size is ca. 61 x 44.6 cm. The image size is ca. 55.8 x 27.6 cm.

      [Bookseller: ThePrintsCollector]
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        2 Antique Master Prints-PORTRAIT-MARIE ADELAIDE DE SAVOYE-PRINCESS-Frosne-c.1650

      - Antique Master Print, titled: 'Adelaide de Savoye ' - Portrait of Princess Marie Adelaide de Savoye, in the first and third states. Engraving on hand laid paper. Made by 'Jean Frosne ' after own design. Jean Frosne (ca. 1630 -after 1676) was a French engraver of portraits, landscapes and ornaments. He likely engraved after his own designs. Condition: Very good, given age. No margins, paper slightly wrinkled. General age-related toning and/or occasional minor defects from handling. Please study scan carefully. The overall size is ca. 5.6 x 8.5 inch. The image size is ca. 5.6 x 8.5 inch. The overall size is ca. 14.1 x 21.6 cm. The image size is ca. 14.1 x 21.6 cm.

      [Bookseller: ThePrintsCollector]
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        Der Affenchirurg. (Auch: Die Affenbarbierstube / La boutique du singe perruquier / The Monkey’s Barber Shop). Original-Kupferstich nach David Teniers II.

      Um 1650. - Ca. 24,5 x 31,5 cm. Mit schmalem, umgehenden Rändchen um die Einfassungslinie, etwas nachgedunkelt, leichte Knitterspuren im Mittelfalz, verso mit sauber hinterlegtem Einriß in der Mittelfalte (ca. 2 cm) und wenigen winzigen, kaum sichtbaren Löchlein. Rückseitig mit älterem Sammlerstempel (Initiale ‘CD’). An beiden oberen Ecken auf Trägerkarton gefalzt. Schöner, gratiger Abzug. Le Blanc 52; Hollstein 42. Papier mit WZ Schellenkappe. – Wie alle Radierungen von Coryn Boel und besonders jene, die in der Zusammenarbeit mit Tenier entstanden, sehr selten! Darstellungen von Barbieren, Zahnbrechern (von Zahn-Ärzten mag man nicht nur aus der komfortablen Position des Nachgeborenen kaum reden) und Alchimisten in Affengestalt waren im 17. Jahrhundert besonders populär, galten diese der Bevölkerung doch zumeist als Scharlatane. Teniers bediente dieses Genre mit vielen, detailreichen Bildern und gilt zu Recht als einer der herausragendsten Künstler des Genres. 1001 g

      [Bookseller: Antiquariat Stefan Wulf]
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        Antique Master Print-LANDSCAPE-MAN-KNOLL-Waterloo-ca. 1650

      - Antique print, untitled. It shows: a man and his dog beneath a knoll. Etching, watermark: seven-pointed foolscap. Made by A. Waterloo. Anthonie Waterloo (1610-1690) had a long life, in which he was active not only as an artist, but also as a diplomat. He specialized in landscape art and produced 138 etchings. Especially with these prints he gained fame; they were avidly collected in the Condition: Very good, thread margins. Early impression from the collection of J. R. Voute (not in Lugt) General age-related toning and/or occasional minor defects from handling. Please study scan carefully. The overall size is ca. 6.4 x 4.2 inch. The image size is ca. 6.3 x 4.1 inch. The overall size is ca. 16.2 x 10.7 cm. The image size is ca. 15.9 x 10.5 cm.

      [Bookseller: ThePrintsCollector]
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        Vipera Pythia. Id est, de viperæ natura, veneno, medicina, demonstrationes, & experimenta nova.

      Padua: Frambotti. 1650. Small 4to. Contemporary vellum binding, later red morocco gilt labels to spine, yapp edges; pp. [xii] + 522 + [xxii], including several engravings and engraved head- and tail-pieces, illustrated half title; circular scratch marks to sides, some loss to labels, discreet repairs to pp. 99-102 and 179-80 without loss, corner of pp. 217-8 repaired with loss affecting final word on p. 217/ occasional browning, generally very good. First edition. Text in Latin. Very scarce; a copy of this edition last came to auction in 1988. A 1651 second issue is far more common. This is a fascinating work on snakes, dealing not only with their anatomy, venom, medicinal properties and the treatment of bites but also with the folklore surrounding serpents. The plates depict not only snake anatomy but also mythical representations of serpents. This reflects the intellectual approach of the author: "[his] works presented a blend of empirical scientific observations and spiritual beliefs and speculations. He believed, for example, that studying anatomy would allow one to understand not just the natural world, but also the divine will and workings of the world's creator. (His mysticism also caught the eye of the Inquisition, who brought him in for questioning, although he was eventually acquitted)" (Timothy D. Murray, Alexander C. Johnston, and Curtis Small, catalogue of University Delaware's Animal Vegetable Mineral exhibition, August - December 2014). Severinus (1580 - 1656) was an Italian surgeon who rose to become professor of anatomy in Naples, where he died of the plague. Osler 3961; OCLC records only three copies of this edition, in the British Library, the University of Glasgow and the Frisian Historical and Literary Centre.

      [Bookseller: Henry Sotheran Ltd.]
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        The Civil Right of Tythes, Wherein, Setting Aside the Higher Plea..

      1650. Tithing to the Church of England During the Commonwealth E[lderfield], C[hristopher] [1607-1652]. The Civil Right of Tythes: Wherein, Setting Aside the Higher Plea of Jus Divinum from the Equity of the Leviticall Law, Or That of Nature for Sacred Services, And the Certain Apportioning of Enough by the Undoubted Canon of the New Testament, The Labourers of the Lords Vineyard of the Church of England are Estated in Their Quota Pars of the Tenth or Tythe per Legem Terrae, by Civil Sanction or the Law of the Land: Which Being the Foundations of All Civill Right Here, Must Needs Render Their Spoliation Wrong, The Taking or Withholding as Injurious as of Any Other Mans Due. Humbly Represented to the Judicious and Pious Consideration of All Sober and Advised Christians, Who Fearing God and Hating Covetousness, Have Learned Christ so Far, As, To Give Every One His Own; And Would do no Wrong for Conscience Sake. London: Printed by Tho. Newcomb, For John Holden, At the Anchor in the New-Exchange, 1650. [viii], 344 pp. Lacking final leaf, errata sheet on recto, blank verso. Quarto (7-1/4" x 5-1/2"). Recent three-quarter calf over pebbled cloth, lettering piece to spine, endpapers renewed. Negligible light rubbing to extremities. Moderate toning to text, light foxing in a few places, margins of some leaves have faint dampstaining, light soiling to title page. $500. * Only edition, one of two issues from 1650. The Church of England was disestablished during the Commonwealth and Protectorate. As a result, its status shifted with the political climate. Elderfield's treatise defended the Church's right to collect tithes, a right threatened by Puritans in Parliament. Counting both issues, OCLC locates 10 copies in North America, 5 in law libraries (Columbia, Harvard, LA County, Library of Congress, University of Georgia). English Short-Title Catalogue R18717.

      [Bookseller: The Lawbook Exchange, Ltd. ]
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        Il chirurgo trattato breve di Tarduccio Salvi da Macerata. Diviso in dieci parti, nella prima si discorre d'alcune regole appartenenti al buon chirurgo. Nella II. dell'anatomia. Nella III. dell'aposteme. Nella IV. delle ferite. Nella V. de gli ulceri. Nella VI. delle fratture. Nella VII. delle luxationi. Nella VIII. della natura de' semplici. Nella IX. dell'antidotario. Nella X. di otto modi di havere olij, [.] Aggiuntovi Il ministro del medico, [.] Et un breve, & utile discorso di chirurgia di Pietro Di Piazza [.].

      nella Stamperia di Domenico Manelfi, In Roma 1650 - 4to (204x150 mm), modern half cloth binding with marbled paper at boards, gilt title at spine; 3 works bound together; pp. [8], 168; [4], 59, [1]; [4], 79, [1]. RARE COLLECTION OF THREE WORKS BOUND TOGETHER INCLUDING A TREATISE OF SURGERY AND ONE ON THE PHYSICIAN WORK, BOTH BY TARDUCCIO SALVI, AND ANOTHER WORK ON SURGERY, BY PIETRO DI PIAZZA. This book includes also the following works: [2.]: Salvi, Tarduccio. Il ministro del medico trattato breve di Tarduccio Salvi da Macerata chirurgo nuovamente ristampato, [.] diviso in sei parti. Nella I. si discorre della flebotomia [.] Nella VI. delli cauterij attuali. In Roma: per Domenico Manelfi, 1650. [3.]: Di Piazza Pietro, Breve et utile discorso di chirurgia. In Roma: nella Stamperia di Domenico Manelfi, 1650. Each work has its own title-page, with a little xyl. ornament. Some xyl. initials and ornaments. The second work contains 13 woodcuts in the text (some of them are at full page). Third edition of the two works by Tarduccio Salvi, first published in 1613, bound together with the first edition of the text by Di Piazza. References: IT\ICCU\RMSE\007273 (2 copies). OCLC, 14318886. Cond.: Presence of some rare spots and mild water-stains, but overall very good and complete copy. 490g. [Attributes: Hard Cover]

      [Bookseller: Books and collectibles di Paola Suaria]
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        K speel voor Sot om 't genot van dees Pot

      1650 - Portrait of a Foekepot or Rommelpot (Friction drum) player. Engraving, watermark: foolscap. The print is laid down on a sheet of 17th. Century paper from an album. Rare print. State: only state. Ref: Hollstein 2. Made by J. Dubois after J. Matham. Johannes Dubois (active 1650-1660) is a little known engraver, who made several prints with "genre" subject matter. The overall size is ca. 19.5 x 25 cm. The image size is ca. 19.5 x 25 cm. Very good, no margins. Some browning of the paper General age-related toning and/or occasional minor defects from handling.

      [Bookseller: ThePrintsCollector]
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        Lubecca. Lübeck. Kupferstich von Merian, um 1650. 19,5 x 36,5 cm. Unter Passepartout.

       1650 Versand D: 5,00 EUR

      [Bookseller: Antiquariat Schramm]
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        L'entrata degli animali nell'arca.

      - Acquaforte, firmata in lastra in basso a sinistra "GB CASTILIONE GEIEP (Genovese Invenit et Pinxit)", eseguita su carta vergata con filigrana ovale non identificata, mm. 207x403 (lastra). Stato unico. Bella prova, impressa su foglio assai marginoso. Uno dei pi? celebri soggetti dell'incisore genovese, databile, secondo Percy attorno al 1650-55 per via di un uso denso e controllato di un chiaroscuro di origine rembrandtesca. Il tema biblico Ë accennato in secondo piano mentre il Grechetto sembra dedicarsi con maggiore attenzione al soggetto animalistico come spesso nelle opere del periodo genovese. Abile incisore, Castiglione fu il primo in Italia ad apprezzare ed imitare le stupende acqueforti del Rembrandt. Esemplare appartenuto alla collezione Georg Denzel, come testimoniato dal timbro di collezione riportato sul cartoncino di supporto. Bellini 61; Bartsch 1 grafica d'autore.

      [Bookseller: libreria antiquaria perini Sas di Perini]
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        Sena.

      Francoforte, 1650 - Incisione in rame, 245x290. Bella veduta prospettica generale della citt?; ai lati una legenda con 52 rimandi. Ottimo esemplare marginoso. Qualche restauro al margine inferiore. vedutistica.

      [Bookseller: libreria antiquaria perini Sas di Perini]
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        LE MIROIR DE FAUCONNERIE, OU SE VERRA L'INSTRUCTION POUR CHOISIR, NOURRIR & TRAICTER, DRESSER & FAIRE VOLER TOUTE SORTE D'OYSEAUX, LES MUER & ESSIMER, COGNOISTRE LES MALADIES & ACCIDENTS QUI LEUR ARRIVENT, & LES REMEDES POUR LES GUERIR.

      Rouen, Clement Malassis, 1650. Slim 4to, appproximately 225 x 160 mm, 9 x 6½ inches, title with woodcut hunting scene, seven woodcut illustrations of falcons, 38 pages, quarter calf, gilt lettering and decoration to spine, marbled paper covered boards, marbled endpapers. ½ inch split to upper hinge and small repair to head of spine, corners worn at tips with boards just showing, pale age-browning and spotting throughout, bookplates of L. Heron and A.E.H. Swaen to front and rear pastedowns, otherwise a very good copy. This work provides all the information necessary for keeping and training falcons, hawks and other birds of prey: how to choose birds, how to train them; how to treat them throughout the year; how to treat their illnesses or accidents. The author wrote from personal experience, having served two kings as falconer for over 45 years. All but the first edition properly form part of Du Fouilloux's La Venerie; See: Carl F. G. Richard Schwerdt Volume I, pages 153 & 230-231 (1620 edition.); James E. Harting, Bibliotheca Accipitraria, page 83, No. 156; Sotheby's, Bibliotheque Cynegetique du Verne, Paris 5th October 2016, pages 90-91, No. 128 & 129. MORE IMAGES ATTACHED TO THIS LISTING, ALL ZOOMABLE, FURTHER IMAGES ON REQUEST. POSTAGE AT COST.

      [Bookseller: Roger Middleton P.B.F.A.]
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        Sacra Famiglia con San Giovannino

      1650 - Acquaforte, circa 1650, priva di firma. Esemplare nel primo stato di due, avanti l’indirizzo del De Rossi. Bellissima prova, impressa su carta vergata coeva, con margini, in perfetto stato di conservazione. Raro lavoro, attribuito al Biscaino dal Bartsch che lo cataloga tra i lavori giovanili dell’artista genovese. Recentemente altri tendono ad attribuire l’opera alla grafica giovanile di Simone Cantarini, mentre Hollstein la cataloga tra i lavori di Jean Miel (Anversa 1599 – Torino 1633), attivo in Italia alla scuola di Andrea Sacchi. Bibliografia: Bartch 25 I/II; Hollstein 2 I/II. Dimensioni 125x85. Bartch 25 I/II; Hollstein 2 I/II. Dimensioni 125 85mm

      [Bookseller: Libreria Antiquarius]
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        Pezaro

      1650. Incisione in rame, dipinta a mano d'epoca, 280x395, eseguita su soggetto di Georg Hoefnagel; testo latino al verso; tratta da "Theatrum praecipuarum urbium". Bell' esemplare nella usuale coloritura piuttosto ossidata; accuratamente rinforzato in due punti con carta cina al retro e foderata con un velo di carta cina protettiva.

      [Bookseller: Libreria Antiquaria Perini s.a.s.]
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        Insvla Zeilan, olim Taprobana.

      Amsterdam 1650 - Questa bellissima crat dell'isola di Ceylon è orientata co il nord a sinistra e ornata con elementi decorativi quali il compasso e la rosa dei venti. Incisione in rame coloritura coeva, in buone condizioni. Rara. This superb map of Ceylon is oriented with north to the left with two compass roses and rhumb lines. The island is well delineated with mountains, forests, roads, cities, forts, and temples. It is richly embellished with sailing ships, a sea monster and two fine cartouches. The title cartouche at top is flanked by the allegorical female representation for Asia and a native holding elephant ivory. The scale of miles cartouche at bottom is surrounded by a group of adorable putti. Original color with some toning and light offsetting. The wide margins have a few short edge tears, none near map. There are two tiny holes at center, not noticeable unless held up to the light. Dimensioni 510 410mm

      [Bookseller: Libreria Antiquarius]
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        Der Affenchirurg. (Auch: Die Affenbarbierstube / La boutique du singe perruquier / The Monkey's Barber Shop). Original-Kupferstich nach David Teniers II.

      Um 1650.. Ca. 24,5 x 31,5 cm. Mit schmalem, umgehenden Rändchen um die Einfassungslinie, etwas nachgedunkelt, leichte Knitterspuren im Mittelfalz, verso mit sauber hinterlegtem Einriß in der Mittelfalte (ca. 2 cm) und wenigen winzigen, kaum sichtbaren Löchlein. Rückseitig mit älterem Sammlerstempel (Initiale 'CD'). An beiden oberen Ecken auf Trägerkarton gefalzt. Schöner, gratiger Abzug. Le Blanc 52; Hollstein 42. Papier mit WZ Schellenkappe. - Wie alle Radierungen von Coryn Boel und besonders jene, die in der Zusammenarbeit mit Tenier entstanden, sehr selten! Darstellungen von Barbieren, Zahnbrechern (von Zahn-Ärzten mag man nicht nur aus der komfortablen Position des Nachgeborenen kaum reden) und Alchimisten in Affengestalt waren im 17. Jahrhundert besonders populär, galten diese der Bevölkerung doch zumeist als Scharlatane. Teniers bediente dieses Genre mit vielen, detailreichen Bildern und gilt zu Recht als einer der herausragendsten Künstler des Genres.

      [Bookseller: Antiquariat Stefan Wulf]
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        \"I. Martagon Imperiale Moschatum. II. Caryophyllus minor sylvestris flore simplici. III. Caryophillus minor sylvestris flore pleno\". In der Mitte eine große Türkenbund-Lilie, links eine Nelke und rechts eine Garten-Nelke. Darstellung auf 2 Blättern.

       2 kol. Kupferstiche aus \"Hortus Eystettensis\", um 1650, 47 x 39,5 cm. Nissen BBI, 158. - Fürstbischof Johann Conrad von Gemmingen (1561-1612) ließ Anfang des 17. Jahrhunderts den berühmten Garten von Eichstätt anlegen. Der Nürnberger Apotheker Basilius Besler (1561-1629) zeigt in seinem prachtvollen, 367 Kupfertafeln umfassenden Werk \"Hortus Eystettensis\" die Pracht und Vielfalt dieses botanischen Gartens. - Ohne Text auf der Rückseite. - Die große Darstellung (von 2 Platten gedruckt) nicht zusammengesetzt. Versand D: 6,00 EUR Dekorative Graphik, Blumen

      [Bookseller: Antiquariat Bierl]
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        HORTUS EYSTETTENSIS. - Lilie., "I. Hemerocallis Calcedonica polyanthos. II. Scapuscum bulbo. III. Hyacinthus stellatus autumna lisangustifolys. maior". In der Mitte und links eine Scharlach-Lilie mit Zwiebel, rechts ein Herbst-Blaustern.

      Kol. Kupferstich aus "Hortus Eystettensis", um 1650, 47 x 39,5 cm. Nissen BBI, 158. - Fürstbischof Johann Conrad von Gemmingen (1561-1612) ließ Anfang des 17. Jahrhunderts den berühmten Garten von Eichstätt anlegen. Der Nürnberger Apotheker Basilius Besler (1561-1629) zeigt in seinem prachtvollen, 367 Kupfertafeln umfassenden Werk "Hortus Eystettensis" die Pracht und Vielfalt dieses botanischen Gartens. - Ohne Text auf der Rückseite. - Mit geglättetem Mittelbug. Dekorative Graphik, Blumen

      [Bookseller: Buch- und Kunstantiquariat]
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        \"I. Hemerocallis Calcedonica polyanthos. II. Scapuscum bulbo. III. Hyacinthus stellatus autumna lisangustifolys. maior\". In der Mitte und links eine Scharlach-Lilie mit Zwiebel, rechts ein Herbst-Blaustern.

       Kol. Kupferstich aus \"Hortus Eystettensis\", um 1650, 47 x 39,5 cm. Nissen BBI, 158. - Fürstbischof Johann Conrad von Gemmingen (1561-1612) ließ Anfang des 17. Jahrhunderts den berühmten Garten von Eichstätt anlegen. Der Nürnberger Apotheker Basilius Besler (1561-1629) zeigt in seinem prachtvollen, 367 Kupfertafeln umfassenden Werk \"Hortus Eystettensis\" die Pracht und Vielfalt dieses botanischen Gartens. - Ohne Text auf der Rückseite. - Mit geglättetem Mittelbug. Versand D: 6,00 EUR Dekorative Graphik, Blumen

      [Bookseller: Antiquariat Bierl]
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        HORTUS EYSTETTENSIS. - Scabiose., "I. Scabiosa Indica flore saturate rubro. II. Scabiosa Indica flore dilute rubro. III. Scabiosa tenuifolia flore cinereo". In der Mitte eine Purpur-Skabiose mit gefüllten Blüten, links eine Purpur-Skabiose und rechts eine Tauben-Skabiose.

      Kol. Kupferstich aus "Hortus Eystettensis", um 1650, 47 x 39,5 cm. Nissen BBI, 158. - Fürstbischof Johann Conrad von Gemmingen (1561-1612) ließ Anfang des 17. Jahrhunderts den berühmten Garten von Eichstätt anlegen. Der Nürnberger Apotheker Basilius Besler (1561-1629) zeigt in seinem prachtvollen, 367 Kupfertafeln umfassenden Werk "Hortus Eystettensis" die Pracht und Vielfalt dieses botanischen Gartens. - Ohne Text auf der Rückseite. Dekorative Graphik, Blumen

      [Bookseller: Buch- und Kunstantiquariat]
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        \"I. Scabiosa Indica flore saturate rubro. II. Scabiosa Indica flore dilute rubro. III. Scabiosa tenuifolia flore cinereo\". In der Mitte eine Purpur-Skabiose mit gefüllten Blüten, links eine Purpur-Skabiose und rechts eine Tauben-Skabiose.

       Kol. Kupferstich aus \"Hortus Eystettensis\", um 1650, 47 x 39,5 cm. Nissen BBI, 158. - Fürstbischof Johann Conrad von Gemmingen (1561-1612) ließ Anfang des 17. Jahrhunderts den berühmten Garten von Eichstätt anlegen. Der Nürnberger Apotheker Basilius Besler (1561-1629) zeigt in seinem prachtvollen, 367 Kupfertafeln umfassenden Werk \"Hortus Eystettensis\" die Pracht und Vielfalt dieses botanischen Gartens. - Ohne Text auf der Rückseite. Versand D: 6,00 EUR Dekorative Graphik, Blumen

      [Bookseller: Antiquariat Bierl]
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        \"I. Lilium Montanum maximum polyanthos variegatum\". Vielblütige, gefleckte Türkenbund-Lilie mit Zwiebel.

       Kol. Kupferstich aus \"Hortus Eystettensis\", um 1650, 47 x 39,5 cm. Nissen BBI, 158. - Fürstbischof Johann Conrad von Gemmingen (1561-1612) ließ Anfang des 17. Jahrhunderts den berühmten Garten von Eichstätt anlegen. Der Nürnberger Apotheker Basilius Besler (1561-1629) zeigt in seinem prachtvollen, 367 Kupfertafeln umfassenden Werk \"Hortus Eystettensis\" die Pracht und Vielfalt dieses botanischen Gartens. - Ohne Text auf der Rückseite. - Mit geglättetem Mittelbug. Versand D: 6,00 EUR Dekorative Graphik, Blumen

      [Bookseller: Antiquariat Bierl]
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        \"I. Basilicum Indicum maculatum. II. Basilicum Medium\". Jeweils Basilikum (oder Königskraut).

       Kol. Kupferstich aus \"Hortus Eystettensis\", um 1650, 47 x 40 cm. Nissen BBI, 158. - Fürstbischof Johann Conrad von Gemmingen (1561-1612) ließ Anfang des 17. Jahrhunderts den berühmten Garten von Eichstätt anlegen. Der Nürnberger Apotheker Basilius Besler (1561-1629) zeigt in seinem prachtvollen, 367 Kupfertafeln umfassenden Werk \"Hortus Eystettensis\" die Pracht und Vielfalt dieses botanischen Gartens. - Mit Text auf der Rückseite. - Mit leichtem Lichtschatten, verso der Rand mit Kleberesten. Versand D: 6,00 EUR Dekorative Graphik, Blumen, Pflanzen

      [Bookseller: Antiquariat Bierl]
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        \"I. Helichryson Creticum. II. Dentaria angustifolia baccifera peculiaris. III. Ocimastrum noctiflorum flore albo\". In der Mitte eine gelb blühende Strohblume, links ein zwiebeltragender Zahnwurz und rechts ein Nacht-Leimkraut.

       Kol. Kupferstich aus \"Hortus Eystettensis\", um 1650, 47 x 39,5 cm. Nissen BBI, 158. - Fürstbischof Johann Conrad von Gemmingen (1561-1612) ließ Anfang des 17. Jahrhunderts den berühmten Garten von Eichstätt anlegen. Der Nürnberger Apotheker Basilius Besler (1561-1629) zeigt in seinem prachtvollen, 367 Kupfertafeln umfassenden Werk \"Hortus Eystettensis\" die Pracht und Vielfalt dieses botanischen Gartens. - Ohne Text auf der Rückseite. - Mittig mit einer leichten Quetschfalte. Versand D: 6,00 EUR Dekorative Graphik, Blumen

      [Bookseller: Antiquariat Bierl]
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        \"I. Caryophyllus Indicus flore multiplici luteo peno maior. II. Caryophyllus Indicus flore luteo simplici minor. III. Caryophyllus Indicus flore auro simplici minor\". In der Mitte eine Samtblume, sowie rechts und links jeweils eine Studentenblume.

       Kol. Kupferstich aus \"Hortus Eystettensis\", um 1650, 47 x 39,5 cm. Nissen BBI, 158. - Fürstbischof Johann Conrad von Gemmingen (1561-1612) ließ Anfang des 17. Jahrhunderts den berühmten Garten von Eichstätt anlegen. Der Nürnberger Apotheker Basilius Besler (1561-1629) zeigt in seinem prachtvollen, 367 Kupfertafeln umfassenden Werk \"Hortus Eystettensis\" die Pracht und Vielfalt dieses botanischen Gartens. - Mit Text auf der Rückseite. - Links im Rand ein professionell geschlossener Randeinriss, das Papier mit leichten weißen Flecken. Versand D: 6,00 EUR Dekorative Graphik, Blumen

      [Bookseller: Antiquariat Bierl]
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