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Displayed below are some selected recent viaLibri matches for books published in 1645
2020-02-18 18:30:20
Salvatore CASTIGLIONE (Genova 1620 - dopo il 1676)
Acquaforte originale 1645, firmata e datata in lastra in basso a sinistra. Bellissima prova dell'unico stato, impressa su carta vergata coeva priva di filigrana, rifilata al rame o con piccolissimi margini, generalmente in ottimo stato di conservazione. Fratello di Giovanni Benedetto, del quale curava la carriera artistica e gli interessi, Salvatore Castiglione realizzò questo suo unico lavoro inciso all'età di venticinque anni. La lastra è conservata oggi alla Calcografia Nazionale di Roma, mentre il relativo disegno preparatorio è in una collezione privata. Al verso timbro di collezione di John Tetlow (Lugt 2868). Etching, 1645, signed and dated on the plate at the lower left. A fine impression of the only state, on contemporary laid paper, trimmed on the platemark or with narrow margins, generally in very good conditions. Brother of Giovanni Benedetto, whose artistic carrier and interests he took care of, Salvatore Castiglione made his only graphic work, at the age of twenty-five. Today the plate is conserved at the Calcografia Nazionale of Rome, while the preparatory drawing belongs to a private collection. Provenance: John Tetlow (Lugt 2868) Bartsch 1.
Bookseller: Libreria Antiquarius [Italy]
2020-02-16 13:08:04
LA MARCHE (Olivier de).
A Louvain, chez Everaerdt de Witte, 1645. In-4°, maroquin rouge, triple filet doré en encadrement des plats, dos à cinq nerfs, roulette intérieure (Hardy). [14] ff. - 714 pp. Quatrième édition de ces mémoires curieux, annotée par Jean Lautte, auteur gantois (Brunet, III, 784).Olivier de La Marche (1426-1502), capitaine des gardes de Charles le Téméraire, fut le chroniqueur de la cour des ducs de Bourgogne.Ex-libris aux armes de la famille de Mun.Le relieur a souhaité conserver de grandes marges, de sorte que certains cahiers, plus courts, ne sont pas rognés en queue.Très bel exemplaire dans une reliure signée de Hardy. Ce relieur, formé par Niédrée, exerça à Paris entre 1850 et 1880 (Fléty, Dictionnaire des relieurs français).
Bookseller: Librairie Blomet [France, Paris]
2020-02-16 09:27:07
Giovanni Benedetto Castiglione (Genova 1609 - Mantova 1664)
1645. Acquaforte misure: mm foglio 156 × 231 mm; lastra 117 × 214 mm Pittore e incisore italiano fra i massimi esponenti della scuola barocca genovese. L'origine e la formazione ligure portano il Castiglione a conoscere la pittura fiamminga, in particolare grazie allo studio di artisti come Jaan Roos e Van Dyck, svilupperà un cromatismo caldo e vibrate. Egli ebbe anche un ruolo decisivo nello sviluppo della tecnica dell'incisione infatti è considerato l'inventore del monotipo. I temi più cari che svilupperà sia in pittura che nelle incisioni sono temi a soggetto biblico o mitologico e spesso le scene sono affollate da animali. Impressione eccellente, dai neri decisi e tratto vibrante. Buono stato di conservazione, eccetto due piccoli strappi sul margine sinistro e alcune pieghe sul margine inferiore. Rifilata al margine sul lato destro, margini da mm 14 a mm 19 sui restanti lati. Firmata in lastra, in basso al centro: "GB CASTIGLIONE IN. FE." Carta vergata con frammento di filigrana: "giglio nel cerchio", risalente alla seconda metà del XVII secolo. Bibliografia: Bellini, 1982, 11.III; Bartsch XXI.19.17.
Bookseller: Il Bulino Antiche Stampe s.r.l. [Italy]
2020-02-11 18:10:22
Prynne, William
1645. A Contentious Essay on the Relationship Between Church and State Prynne, William [1600-1669]. Truth Triumphing over Falshood, Antiquity Over Novelty. Or, The First Part of a Just and Seasonable Vindication of the Undoubted Ecclesiasticall Iurisdiction, Right, Legislative, Coercive Power of Christian Emperors, Kings, Magistrates, Parliaments, In All Matters of Religion, Church-Government, Discipline, Ceremonies, Manners: Summoning Of, Presiding, Moderating in Councells, Synods; And Ratifying Their Canons, Determinations, Decrees: As Likewise of Lay-Mens Right Both to Sit and Vote in Councells; (Here Proved to be Anciently, And in Truth None Other but Parliaments, Especially in England) Both by Scripture Texts, Presidents of All Sorts, And the Constant Uninterrupted Practices, Examples, Of the Most Eminent Emperors, Princes, Councells, Parliaments, Churches, And Christian States, (Especially of Our Owne) in All Ages Since Their Embracing the Gospell. In Refutation of Mr. Iohn Goodwins Innocencies Triumph: My Deare Brother Burtons Vindication of Churches, Commonly Called Independent: And of All Anti-Monarchicall, Anti-Parliamentall, Anti-Synodicall, And Anarchicall Paradoxes of Papists, Prelates, Anabaptists, Arminians, Socinians, Brownists, Or Independents: Whose Old and New Objections to the Contrary, Are Here Fully Answered. London: Printed by John Dawson, And are to be Sold by Michael Sparke, Senior, 1645. [xii], [2], 156 pp. Final leaf, which should follow p. 156, misbound after p. [xii]. Quarto (8-1/2" x 6-1/2"). Stab-stitched pamphlet with untrimmed edges bound in … [Click Below for Full Description]
Bookseller: lawbook exchange (intrepidbooks) [Clark, New Jersey, US]
2020-02-11 07:18:43
Persii Flacci, Joannis Bond
apud Johannem Blaeu, Amsterdam, 1645. Full leather, Very well kept, strongly bound, pages are crisp and strong, corners untouched, slight browning from age, signature to front and a date in pen top right title page, tear to the cover page, all shown in the images. 19th century rebinding, very good with some wear. Joannis/John Bond (c. 1550 - 1612) was an English physician, classical scholar, and Member of Parliament. This edition of Persius with his commentary, although not published until after his death. Please view the photographs for more information. Items are guaranteed to be very well packaged prior to postage. Tracking details will be forwarded to the purchaser.
Bookseller: Markisons [Ireland]
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2020-02-08 08:14:01
1645. Vedi immagini e descrizione sottostante. Seicentina, Euclidis Elementorum Geometricorum Libros Tredecim Isidorum et Hypsiclem et recentiores de corporibus regulabis, etc. Procli propositiones geometricas [...] Claudius Richardus e Societate Iesu Sacerdos, patria Ornacensis in libero Comitatu Burgundiae, et Regius Mathematicarum Professor: dicavitque Ex Officina Hieronymi Verdussii, Antuerpiae 1645; cm 31,5x20,5; pp. [24], 564, con alcuni capilettera e fregi incisi in b/n; frontespizio con caratteri in bicromia, che reca un ritratto inciso in b/n di Re Filippo III di Spagna; 408 figure incise in b/n su tavole rip. in apertura e chiusura di volume (vedi foto). Legatura d'epoca in mezza pelle con titolo e fregi impressi in oro al dorso (titolo entro tassello). Al contropiatto ant. applicati vecchi riferimenti bibliografici a stampa provenienti da cataloghi di vendita. Condizioni di conservazione Esemplare ben conservato con tracce d'uso e del tempo, coperta con alcune leggere abrasioni, piccole / minime mancanze a macchiette; dorso con parziale mancanza del tassello e al rivestimento in pelle; cuffia sup. con piccoli strappetti in corrispondenza delle cerniere. Interni buoni con alcune piccole leggere bruniture; alcune pagine di testo con normali ingialliture dovute all'età. Rara importante opera secentesca del celebre matematico Euclide, corredata da 408 figure incise in bianco e nero su tavole fuori testo (vedi foto). Rif.: SETT161.L15544 N Per libri , documenti e curiosità - tutti originali e autentici - visitate il nostro negozio Ebay "Libreria Grandangolo" Per infor … [Click Below for Full Description]
Bookseller: Libreria Grandangolo (libreriagrandangolo) [Modena, IT]
2020-02-06 18:39:04
Wening Michael ( 1645 - 1718 ) Munich
Artist: Wening Michael ( - 1718 ) Munich; issued in: Munich date: ca 1710, 1645. technic: Copper print; colorit: colored; - condition: Very good; size (in cm): 26 x 69; View of the monastery St. Veit in Bavaria, ca. 70 km away from Munich
Bookseller: Antique Sommer& Sapunaru KG [München, Germany]
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2020-02-03 09:56:13
Chevalier, Nicolas (1650-1720).
1645. Condition: Très bon état. En français. Reliure en cuir de veau complet du XVIIIe siècle avec six bandes surélevées et sept motifs doré et découpés à compartiments. Deux petites étiquettes de papier anciennes et discrètes avec des chiffres écrits à la main en haut et en bas de la colonne vertébrale. Des feuilles de fin marbrées plus tard derrière des planches. Pages de garde originales présentes. Intérieurement en bon état mais avec un peu d'obscurcissement au niveau du bloc de texte. Le livre a été rassemblé et complet. Gravures à la page entière de Romeyn De Hooghe. Romeyn de Hooghe (1645-1708) fut un important graveur et caricaturiste baroque hollandais de la fin de la fin du XVIIe siècle. Il était habile comme graveur, dessinateur, peintre, sculpteur et médaillé. Il est surtout connu pour ses caricatures politiques de Louis XIV et ses gravures de propagande soutenant Guillaume d'Orange. Au cours de sa carrière, de Hooghe a réalisé plus de 3 500 impressions. Il a également illustré des livres et ses illustrations se trouvent dans certains des textes les plus importants de son époque. Illustration de 120 médailles en cuivre gravées par Adriaen Schoonebeeck dans le texte. 232 pages. Papiers décoratifs avant et fin.
Bookseller: Ziern-Hanon Galleries Antique Store (ziern) [Saint Louis, Missouri, US]
2020-02-01 12:35:08
BIJBEL|Plancius, Petrus
Dordrecht, Pieter Loyemans en Marten de Bot, 1645. (gegraveerde titelpagina, 23) 288 27 (2), 138 (14), 166 (4), 76 folia + Leeswijzer (2 fol.) Origineel Leer met ribben, beslag en sloten, Folio 40 x 27 x 12 cm. (De uiteinden van de rug zijn sleets en/of gerestaureerd, de klem van het bovenste slot mist en het onderste is slot gedeeltelijk los. Boekblok wat los in de band met voorin vochtvlekken door het bovenste gedeelte. Extra bijgebonden achterin de Bijbel is een leeswijzer getiteld: ‘Kalendier der Bybelen'. Bijzondere uitgave van de Bijbel in Statenvertaling, hier in een roofdruk of piratendruk door Pieter Loyemans en Marten de Bot te Dordrecht. Geïllustreerd met 7 uitzonderlijk zeldzame kaarten naar Petrus Plancius (1552-1622) door Baptista van Deutecum en D.R.M. Mathes. De serie van zeven bijbelkaarten bestaat uit: 1. Paradijskaart. 2. Een wereldkaart (Shirley 177, de derde staat met Mathes' naam ter vervanging van Petrus Plancius.). 3. De woestijnreis. 4. De verdeling van het land onder de 12 stammen. 5. Plattegrond van Jeruzalem ten tijde van het Oude Testament. 6. Kanaän ten tijde van Jezus' omwandelingen. 7. De Zendingsreizen. Alle kaarten uitgezonderd de wereldkaart zijn versierd met een brede rand met gravures met Bijbelse voorstellingen. De kaartenserie dient zodoende niet alleen ter ondersteuning van de geografische setting van de Bijbeltekst maar illustreert tevens de betreffende Bijbelgedeelten.)
Bookseller: Antiquariaat De Roo [Netherlands]
2020-01-31 08:32:08
1645 Holy Bible Very Old Rare Antique Book Old New Testament. Condition is Used. Dispatched with Royal Mail 1st Class.
Bookseller: igokoyche0 [St. Leonards-on-Sea, GB]
2020-01-30 07:35:49
Blaeu
Guillaume et Jean Blaeu, 1645. Titre / Title : LAC DE GENEVE, LACUS LEMANNI. Format: 59 x 51 cm . Condition: tres bon. . very good . Edition: theatre du monde ou nouvelle atlas mis en lumiere par Guillaume et Jean Blaeu . Text(e) verso: Francais / French . Editeur: Jean BLAEU, Amsterdam . Date: 1645 . [Attributes: Soft Cover]
Bookseller: ABELARD [Montolieu, ., France]
2020-01-29 21:34:16
[Pikel, Johann.]
Graz: Widmanstadianis, 1645. First Edition. Hardcover (Full Leather). Very Good Condition. New calf over old boards, remains of clasps, endpapers retained, old monastery bookplate, note on title. Tide mark to bottom edge towards the end, some degradation to last few pages, tear to one page - very good or better otherwise with 26 plates, one folding. [32], 416, [32] pp An attractive miracle book about the Blessed Virgin of Zell, one of the most famous Austrian holy sites. Size: Octavo (8vo). Quantity Available: 1. Shipped Weight: Under 1 kilo. Category: Religion & Theology; Inventory No: 046945.
Bookseller: Pazzo Books [United States]
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2020-01-29 06:11:27
Blaeu
Guillaume et Jean Blaeu, 1645. Titre / Title : L'isle de Ré et Oleron, Insulae divi Martini et vliarus vulgo. Format: 59 x 51 cm . Condition: tres bon. . very good . Edition: theatre du monde ou nouvelle atlas mis en lumiere par Guillaume et Jean Blaeu . Text(e) verso: Francais / French . Editeur: Jean BLAEU, Amsterdam . Date: 1645 . [Attributes: Soft Cover]
Bookseller: ABELARD [Montolieu, ., France]
2020-01-23 00:40:10
ROJAS ZORRILLA (DE FRANCISCO)
1645. son rarìsìmas estats edictiones antiguas". purtroppo scompleto, manca la carta 16 e molte altre carte: da 58 a 88, da 168 a 170, da 186 a 191. vecchi restauri alle prime 4 carte e alle ultime 4 con a volte, perdita di testo.alcuni aloni e macchiette alle medesime.Altrimenti bell'esemplare restaurato e ben legato nel '700, accettabile per la sua indiscussa importanza e rarità. margini corti. antico ex libris al frontis, di Biblioteca nobiliare. --PALAU Vol. XVII pag. 358: "PRIMIERA EDICION MUY RARA".
Bookseller: LibriAntichiArezzo-FC Edizioni (studio.bibliografico.libri.antichi.arezzo) [ Arezzo, IT]
2020-01-22 18:15:13
[FORTIFICATION & APPLIED MATHEMATICS].
A collection of four manuscripts (plus two additional leaves) devoted to fortification (beautifully illustrated with 16 pen and ink drawings of barriers and building tools and equipment); plain and solid geometry and its applications, with problems and solutions, possibly from an examination (with 14 line diagrams plus 2 on an added leaf); maritime navigation, triangulation, determination of longitude, compass corrections and correcting a course for currents, with problems and solutions, possibly from an examination (with about 50 line diagrams); and the surveying of land and dikes and the conversion of measurements, with problems and solutions, possibly from an examination (with a double-page sundial, and a similar sundial on an added leaf).Manuscript 2 lacks 2 or possibly more leaves of text, in ad 4 the added leaf with the full-page sundial has a tear into the sundial and a large transparent brown stain. Many of the leaves have tattered edges or small stains. In spite of these defects, the manuscripts form valuable primary sources for education in applied mathematics. The splendid drawings in ad 1, with extensive accompanying text, provide very detailed information about barriers used against enemy infantry and cavalry ca. 1645, and about the tools and other equipment used to build fortifications at that time, and the two sundials in the ca. 1747 manuscript are especially interesting.
Bookseller: ASHER Rare Books (Since 1830) [Netherlands]
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2020-01-21 12:50:08
1645. foti segni del tempo sulla copertina + pagine ingiallite, con macchie (vedi foto). S. Thomae Aquinatis Summa Theologica In Qua Ecclesiae Catholicae Doctrina Uinversa, Et quicquid In Veterum Patrum Monumentis est oignum observatu ; quicquid etiam vel olim veratum est, nel hodie vocatur ab haereticis in controversiam : il omne ut erudite, solide & dilucide, ita pie atque fideliter explicatur ; In tres partes ab Auctore suo Distributa. Olim Quidem Ex Manuscriptis Exemplaribus, Quorundam Lovaniensium Theologorum, deinde aliorum doctissimorum virorum, ac novitissime nonnullorum Duacensium Theologorum opera, ab infinitis mendis repurgata ; ita it suum primederum notirem nel nunc hubeat nel ad cum proxime accedat. Quid post Reliquas Omnes In Hac Editiones praestitum sit, exponetur Epistola ad Lectorem Sumptibus Ioannis Billaine 1645 *** Pagine: (16) + 272 + (8) + 273 + (18) + 670 + (4) + 204 + (162) pp. Dimensioni : +/- 35,5 cm x 24 cm Peso : 4,800 kg. *** Condizioni: segni del tempo sulla copertina + pagine ingiallite, con macchie (vedi foto) Pagamento Il pagamento può essere effettuato tramite PAYPAL. Iscriviti a PayPal: veloce, gratuito e facile da usare. Spedizione La spedizione viene effettuata generalmente entro 3 giorni lavorativi dalla ricezione del pagamento. Dai un'occhiata a tutte le altre mie inserzioni! Per l'estero, si prega di richiedere il prezzo della spedizione internazionale, tramite CRONO EXPRESS INTERNAZIONALE (Poste Italiane) indicando il paese di destinazione. Pour l'étranger, nous prions de bien vouloir nous demander le tarif pour un envoi par CRONO … [Click Below for Full Description]
Bookseller: MEZZONIANTICHITA (mezzoniantichita2019) [Roma, IT]
2020-01-20 19:43:07
Giovanni Benedetto CASTIGLIONE detto "Il Grechetto" (Genova 1616 - Mantova 1670)
Acquaforte, 1645 circa, priva di firma. Esemplare di secondo stato, con le ossidazioni di lastra presenti all'angolo superiore destro. Bellissima prova, impressa su carta vergata coeva con filigrana non leggibile, sottili margini, tracce di piega centrale, per il resto in ottimo stato di conservazione. Il tema della Natività viene affrontato dal Grechetto più volte nel corso della sua carriera, e fu oggetto di uno dei sui monotipi più famosi. Il disegno preparatorio alla composizione è conservato a Windsor Castle. Etching, 1645 circa, without signature. Example in the second state with plate oxidations on upper right corner. Beautiful work printed on contemporary laid paper with illegible watermark and thin margins, signs of central paper fold, otherwise in excellent condition. The Nativity was a subject Grechetto depicted more than once in his career and it was one among his most famous monotypes. The preparatory drawing is kept at the Windsor Castle. Bartsch 11; TIB 11, Bellini 19 II/II.
Bookseller: Libreria Antiquarius [Italy]
2020-01-18 18:42:07
1645. mancanza di un angolo a pagina 681,frontespizio mostra tre forature a fuoco a cancellare ex libris,bordo restaurato. Iconologia di Cesare Ripa Perugino - Venetia Cristoforo Tomasini 1645 - pagine 684.
Bookseller: kanived [Roma, IT]
2020-01-18 18:42:06
1645. Condition: Buone condizioni. MATTHIOLI P.A. (SENESE). [MATTIOLI]. I DISCORSI, NE I SEI LIBRI DI PEDACIO DIOSCORIDE ANAZARBEO DELLA MATERIA MEDICINALE. DAL SUO ISTESSO AUTTORE INNANZI LA SUA MORTE RICORRETTI & IN PIÙ DI MILLE LUOGHI AUMENTATI. CON LE FIGURE TIRATE DALLE NATURALI & VIVE PIANTE & ANIMALI, IN NUMERO MOLTO MAGGIORE, CHE LE ALTRE PER AVANTI STAMPATE. - IN VENETIA PRESSO MARCO GINAMMI MDCXXXXV (1645) pagine 852 - dimensioni 24 x 33 cm.circa.
Bookseller: kanived [Roma, IT]
2020-01-18 16:09:05
1645. Gian Vittorio Rossi ( Giano Nicio Eritreo, Jianus Nicius , Ianii Nicii Erythraei ) Roma, 1577 - Roma, 1647 Collezione di sei opere in sette volumi stampate a Colonia nel 1645 e legate uniformemente in piena pergamena PINACOTHECA IMAGINUM ILLUSTRIUM , doctrinae vel ingenii laude, Virorum qui auctore superstite, diem suum obierunt - Colonia Agrippina, Apud Iodocum Kalcovium 1645 - due volumi , primo vol. con frontespizio figurato e ritratto incisi , pp. [16]-300[3]+233[7] EUDEMIAE LIBRI DECEM - Colonia Ubiorum Apud Iodocum Kalcovium 1645 - bella marca tipografica ritratto e capilettera incisi, pp. [16]-253-[1] EXEMPLA VIRTUM et VITIORUM , Editio Secunda - Coloniae Ubiorum, Apud Iodocum Kalcovium 1645 - Frontespizio figurato capilettera ornati e ritratto incisi, pp. [16]-235-[5] DOCUMENTA SACRA EX AVANGELIS, Quae Dominicis per annum & nonnullis aliis festis diebus leguntur in Ecclesia. - Coloniae Ubiorum, Apud Iodocum Kalcovium 1645 - marca tipografica ritratto e capilettera incisi, pp. [8]-327 EPISTOLAE AD DIVERSOS, Coloniae Ubiorum, Apud Iodocum Kalcovium 1645 - bella marca tipografica ritratto e capilettera incisi, pp.[8]-382[2]; Legato con : EPISTOLAE AD TYRRHENUM - Coloniae Ubiorum, Apud Iodocum Kalcovium 1645 - bella marca tipografica ritratto e capilettera incisi, pp. [4]-202 DIALOGI SEPTENDECIM - Coloniae Ubiorum, Apud Iodocum Kalcovium 1645 - bella marca tipografica ritratto e capilettera incisi, pp. [4]-340 Volumi in-12° 15x10 cm., legatura in piena pergamena con titoli in oro su tassello in tela rossa e tagli decorati a spruzzo, buono/ottimo stato di conservaz … [Click Below for Full Description]
Bookseller: Libreria Antiquaria Calligrammes (it.calligrammes) [Roma, RM, IT]
2020-01-17 12:46:49
1645. De Rossi Giovanni Domenico. Insigniores Statuarum Urbis Romae Icones.. Liber secundus Statuarum Romae... Roma, Giovanni Domenico de Rossi, 1645. In quarto oblungo. Due tomi in un volume : frontespizio figurato e 49 tavole in rame ; frontespizio figurato e 69 tavole incise su 35 fogli. Mezza pelle moderna, filetti in oro al dorso, tassello e titolo in oro al piatto. Segni d'umidità e vecchi restauri alle prime carte, difetti di minore entità su diverse altre. Opera rara : nessun esemplare censito in questa edizione nelle biblioteche italiane per informazioni alfio.mazza@libero.it tel 333 9467027 . L'opera sarà accompagnata da ricevuta fiscale o fattura. fra oblunghi o in cassa.
Bookseller: antisantangelo (commandoalfio) [Roma, RM, IT]
2020-01-17 12:46:40
Pietro TESTA detto "Il Lucchesino" (Lucca 1611 - Roma 1650)
"Acquaforte, 1645 circa, firmata nell'immagine nell'angolo in basso a sinistra: ""PTesta. in: fec. Romae". Primo stato. Bella prova, impressa su carta vergata coeva, con filigrana "grappolo d'uva" (Gravell watermark archive, GRP 055.1), completa oltre la linea del rame, in ottimo stato di conservazione. Questa incisione appartiene alla serie ""Il figlio prodigo"". Le quattro scene di questa serie si basano sulla parabola del figliol prodigonarrata nel Vangelo di Luca 15:11-32. Come ""Le scene della vita di Achille"" (n. 118-22), riflette l'interesse di Testa per le serie narrative negli ultimi anni '40. Il contrasto tra le linee scure e ricche del primo piano e l'incisione più leggera dello sfondo è ancora più evidente in questa stampa rispetto alle altre della serie ""Il figlio prodigo"". Questa è l'unica stampa della serie per la quale è sopravvissuto un disegno preparatorio. Il disegno, ora nella Galleria dell'Accademia di Venezia, è in controparte e ha quasi le stesse dimensioni della stampa. Le figure principali sono disegnate con contorni molto chiari, senza la modellatura interna che appare nell'incisione. I loro lineamenti e la muscolatura corrispondono alle figure di altri disegni di Testa della fine degli anni '40 È stata notata la relazione tra le incisioni di questo soggetto di Testa e Rembrandt, in cui un'analoga enfasi è posta nell'abbraccio intimo di padre e figlio mentre altri membri della famiglia scendono i gradini o guardano fuori da una finestra." "Etching, 1645 circa, signed in the image in the lower left corner: "PTesta. in: fec. Romae". First state Go … [Click Below for Full Description]
Bookseller: Libreria Antiquarius [Italy]
2020-01-16 11:23:19
1645. Condition: Buone condizioni. RELAZIONE DEL CASO INFAUSTO, Relazione del caso infausto delle due monache convertite uscite dal monastero di Bologna e trovate strozzate in una cantina. Bologna, ca. 1645. Manoscritto cartaceo (mm. 280x205) composto da due bifoli sciolti ma consecutivi. Pp. [8]. Il recto della carta [7] è bianco, al verso si trova il titolo "Relazione del caso infausto delle due Monache convertite uscite dal Mon.ro di Bologna e trovate strozzate in una cantina". Completo. Ottima copia. Il relatore, anonimo e di poche lettere, scrive in un italiano alquanto rozzo ed elementare, ma molto efficace per rendere questa sordida vicenda di "cronaca nera", accaduta nel pieno del secolo della caccia alle streghe e dei roghi accesi dalla Santa Inquisizione. Le monache convertite, o converse, erano giovani donne di umili origini, talvolta ex prostitute (sembra questo il caso), che non prendevano i voti, ma svolgevano lavori servili all'interno del convento e portavano il velo bianco anziché quello nero delle professe. Qui due monache converse, che hanno l'abitudine di intrattenersi in parlatoio con alcuni giovani non proprio devoti, vengono fatte fuggire da due di questi, travestite da uomo, con feluche e ampi tabarri. I due giovani sono il "Bastardo" della nobile casata Ranuzzi e un certo Gherlini. I quattro si recano a casa di un tale Palata, che conosce un prete di nome Possente. Il Palata ha affittato a quest'ultimo, insieme al Ranuzzi, al Gherlini e ad un certo Bracesi, un appartamento libero contiguo alla casa in cui vive, con pure servizio di cena. Il proposit … [Click Below for Full Description]
Bookseller: libreriagovi [Modena, IT]
2020-01-15 21:26:17
Blaeu, Willem (after Gerard Mercator
Blaeu, 1645. Map. Hand-colored copper-engraving of Eastern Europe, depicting "Sclavonia, Croatia, Bosnia cum Dalmatiae Parte" and showing the Danube River and its tributaries across the Balkans and "the political divisions of Slovenia, Croatia, Bosnia, Serbia and Dalmatia". At the top of the map are, respectively, the brilliantly-colored coats of arms of The Venetian Republic, The Hapsburg Monarchy, and The Ottoman Empire. Mercator's cartouche is in top right corner, below which are two distance gauges -- German and Italian -- and a ship in the lower left corner, in the Golfo Di Venetia (Gulf of Venice). Vertical fold (as called for). Some faint, thin bleed-through "trails" to text-side from hand-coloring on map side, and presence of 7 3-inch pieces of tape to edges reveals most likely, matting and mounting at some point in its history. Edited by Willem Janszoon Blaeu, using the original cartographic projections of Gerard Mercator. "Sclavonia, Croatia, Bosnia cum Dalmatiae Parte" shows the Danube River and its tributaries across the Balkans and delineates "the political divisions of Slovenia, Croatia, Bosnia, Serbia and Dalmatia". At the top of the map are, respectively, the brilliantly-colored coats of arms of The Venetian Republic, The Hapsburg Monarchy, and The Ottoman Empire. Mercator's cartouche in top right corner, below which are two distance gauges -- German and Italian -- and a ship in the lower left corner, in the Golfo Di Venetia (Gulf of Venice). Vertical fold (as called for). Some faint, thin bleed-through "trails" to text-side from hand-coloring on map side, a … [Click Below for Full Description]
Bookseller: ezra9 [Eugene, Oregon, US]
2020-01-15 17:49:25
1645. Paolo Giovio Le Vite de i Dodeci Visconti che Signoreggiarono Milano. Descritte da Monsignor Paolo Giovio Vescovo di Nocera tradotte da Lodovico Domenichi. Et in quest'ultima Impressione accresciute de gl'Argomenti à ciascuna d'esse Vite, con le annotationi nel margine, & Tauola copiosissima. Abbellite delle vere Effigie d'essi Principi, dedicate all'illust.mo. et rever.mo Monsig.r Honorato Visconti Arcivescovo di Larissa. In Milano, in Casa di Gio. Battista Bidelli, 1645; 4° (265 x 210 mm.); [20], 132 p.; 15 incisioni a piena pagina di Giovanni Paolo Bianchi: antiporta con stemma di Milano e raffigurazioni mitologiche, ritratto del dedicatario e altri 13 ritratti dei Visconti. L'ultimo ritratto è duplicato. L'esemplare presenta una particolarità interessante: l'incisione del ritratto di Matteo Secondo Visconti è stata completata a penna, forse dallo stesso artista autore del disegno. Legatura del XIX secolo in cartone azzurro, con piccole mende. In ottimo stato La garanzia del prodotto sono i miei feedback 100% positivi SODDISFATTI O RIMBORSATI Spedizione con raccomandata NON E' PREVISTO IL RITIRO A MANO E NON SI EFFETTUANO SCONTI SU SPEDIZIONI COMBINATE.
Bookseller: givetennis [Bagno, IT]
2020-01-15 17:49:18
Giovanni Benedetto CASTIGLIONE detto "Il Grechetto" (Genova 1616 - Mantova 1670)
Acquaforte, circa 1645-50, firmata in lastra in alto a sinistra. Magnifica prova, ricca di toni, impressa su carta priva di filigrana, rifilata al rame o con piccolissimi margini, in ottimo stato di conservazione. Della serie I piccoli ritratti, ispirata alle analoghe incisioni di Rembrandt e Lievens. I lavori di Rembrandt sono senza dubbi fonte di grande ispirazione per questa incisione. Sul fatto che il maestro genovese conoscesse le opere del collega olandese non sussistono dubbi; è addirittura possibile che ne possedesse alcune. Le opere grafiche del Castiglione presentano sia nello stile sia nella scelta dei soggetti una forte affinità con i lavori di Rembrandt. Entrambi incidevano con tratti liberi e miravano a ottenere nelle stampe forti contrasti di chiaroscuro. Magnifico esemplare. Etching, 1645-50 circa, signed on upper left plate. Magnificent work, rich in shades, printed on contemporary laid paper without watermark, trimmer to platemark or with thin margins, in excellent condition. From the series I piccoli ritratti, inspired to the parallel engravings of Rembrandt and Lievens. Rembrandt's works were no doubt a great source of inspiration for this subject. The Genoese artist knew for sure the production of his Dutch colleague and, very likely, he also bought some of them. Castiglione's graphic works present a close relationship with Rembrandt's, both in style and subjects. Both used to engrave their plates with free strokes and both sought to achieve strong chiaroscuro contrasts in their prints. Magnificent example. TIB 032, Bellini 23.
Bookseller: Libreria Antiquarius [Italy]
2020-01-15 16:08:04
SIMLER, Josias
Zürich, Johann Jacob Bodmer, 1645. in-8vo, 62 n.n. Bl. (Titel + 9 Bl. Dedication + 52 Bl. Register) + 1 mehrf. gefaltete Karte 'Die Eÿdgnoschafft mit dero Grentzen' (Hans Conr. Geiger del. Conr. Meyer sc. Zch. + 555 S. , leicht gebräunt, Pergament d. Zeit. (Exemplar komplett mit der oft fehlenden Karte). Erste durch ein Register erschlossene Ausgabe. Mit dem schönen gestochenen Porträt und dem gestochenen allegorischen Titelblatt. Komplett mit Karte. Please notify before visiting to see a book. Prices are excl. VAT/TVA (only Switzerland) & postage. Barth 23689; Lonchamp 2717 (nur die Ausgabe von 1722); Blumer, Gesamtkarten, No 191. [3 Warenabbildungen bei antiquariat.de]
Bookseller: Harteveld Livres Anciens SA [Switzerland]
2020-01-13 19:41:02
Milton, John
London: Printed by Ruth Raworth for Humphrey Moseley, 1645. First Edition. Octavo, 120 pages; VG; bound in full burgundy diced morocco, rebacked with closely matching spine with gilt lettering, new endpapers; bookplate of the Warrington Museum on front pastedown; small hole to page 43, 107, covers exactly one letter each; water damage to the entire interior, probably occurred before the most recent rebinding. The lower half along the gutter is largely free of water damage, but the rest faintly stained; top edge pages cut close, with the margin sometimes being removed in its entirety, and the page number cut in half.; title page shows more wear than other pages; Underlining or marginalia on pages 12, 13, 16, 17, 19, 20, 22, 23, 26, 27, 30, 37, 44, 48, 49, 50, 51, 57, Issue with "S." before "Pauls" in imprint, but no priority has been established. The printing has a deep debossed lettering. Lacking frontispiece and Latin poems. While it has the separate titlepage for Comus (a.k.a. A Mask), it is lacking the one for the Latin Poemata. This 1645 collection of Milton's poetry was the only poetry of his to see print until Paradise Lost appeared in 1667. JG consignment; shelved case 0. [Attributes: First Edition]
Bookseller: Second Story Books [United States]
2020-01-13 13:11:05
GOLDMANN Nicolaus
chez les Elseviers, A Leide, 1645. In folio (mm. 310x210), pp. (14), 224, legatura in piena pergamena coeva. Superbo frontespizio figurato inciso in rame da Adrien Matham con cornice architettonica, veduta a volo d'uccello della città fortificata, allegoria della Guerra circondata da panoplie di armi e vessilli bellici e raffigurazioni di Mercurio e di Ercole. Dedicatoria a Federico Enrico d'Orange e di Nassau. Testatine e iniziali ornate e arabescate. Oltre 90 tavole calcografiche intercalate nel testo. Ex libris di Tycho Wing al contropiatto. Piccolo risarcimento al margine basso del frontespizio, lievissimi aloni secchi di umidità su poche pagine, ma esemplare assai buelle e genuino. Prima edizione francese voltata dal medesimo autore dall'edizione latina, che è di due anni precedente. L'opera è assai significativa nella storia della trattatistica fortificatoria poiché con essa si determina l'affermazione di uno nuovo indirizzo scientifico-matematico negli studi di ingegneria fortificatoria. Bibliografia: Willems, 587; Marini, p.88 "In questa edizione non si trovano aggiunte, ma è peraltro più magnifica di quella del 1643 tanto pel testo, quanto per le figure, ed è ancora più comoda a motivo che le tavole de' calcoli e delle figure sono stampate nelle medesime pagine del testo. Questi elementi contengono la sola parte matematica e puramente descrittiva delle fortificazioni; in essi si rinviene non solo il metodo per calcolare i perimetri, ma ancora la superficie e le solidità delle fortificazioni, accompagnato da una quantità di tavole molto istruttive. Questa è una dell … [Click Below for Full Description]
Bookseller: AU SOLEIL D'OR Studio Bibliografico [ACQUI TERME, AL, Italy]
2020-01-06 20:34:36
LUDWIGSHAFEN/Rh.: OGGERSHEIM:
Kupferstich v. Merian, 1645, 10,5 x 30,5
Bookseller: Antiquariat Clemens Paulusch GmbH [Berlin, Germany]
2020-01-02 15:46:20
GALLO, MAUGENBERTO
1645. Practica prudentiae politicae et militaris (Sententiis, axiomatibus, exemplis et historiis omnis aevi nec non consiliis secretissimis practicis, bello paceque maxime utilibus, variisque notis ex classibus auctoribus desumptis, illustrata) author: GALLO, MAUGENBERTO ( Mugenbertus Gallus ) published in 1645, Frankfurt, Ioannis Godofredi Schonwetteri format 8°, 524 (24) p., vellum binding, complete, good condition.
Bookseller: artsk2013 [Trenčín, SK]
2019-12-30 15:20:03
COLERUS, Johannes;
Mainz Verlag Nicolaus Heyl, 1645. (2. Aufl.); 3 Teile in 1 Band; ca 36x22 cm; (10) 732 (36), 359 (9), 59 (3) Seiten mit gest. Frontispiz, zahlreichen Kupferstichen und Holzschnitten; Ledereinband d. Zt. mit 1 (statt 2) Schließen (Einband bestoßen und fleckig, mit kleinen Bezugsfehlstellen des Leders; Papierbezug der Innendeckel und das vordere Vorsatzblatt mit größerem Eckabriß; Frontispiz und Titelblatt mit kleinen Randmängeln, ebenso einige Blätter mit kleineren Randeinrissen und kleinen Ausrissen [nur an einer Stelle geringfügiger Buchstabenverlust]; Seiten unterschiedlich gebräunt, bzw. gering braunfleckig, die letzten ca 25 Blätter mit Braunfleck in der Mitte; sonst komplett und für ein Gebrauchsbuch aus dieser Zeit gut erhalten) 0,000 gr. Jagd; Landwirtschaft; Medizin; Traumbuch
Bookseller: Antiquariat Hilbert Kadgien [Marktredwitz, Germany]
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2019-12-26 18:00:07
QUEVEDO
à Paris: 1645. QUEVEDO Francisco de - L'aventurier Buscon, histoire facetieuse. [ensemble] Les visions QUEVEDO Francisco de L'aventurier Buscon, histoire facetieuse. [ensemble] Les visions De l'imprimerie d'Arnoud Cotinet, à Paris 1645, Pet. in 8 (10x16cm), 358pp. ; (14) 381, relié. Nouvelle édition, sans doute la troisième, après celle de 1635 et celle de 1644. Il manque la page de titre des Visions, mais nous pensons que l'édition est également de 1645. Traduction par De la Geneste. Les Lettres du chevalier de l'espargne font suite à Buscon.Reliure en plein veau glacé d'époque (peut-être XVIIIe). Dos lisse orné. Pièce de titre en maroquin rouge. Papier d'impression d'assez mauvaise qualité (du type usité à Rouen), de ce fait comportant des rousseurs et une teinte jaune pâle. Exemplaire rogné court. Premier feuillet des Visions restauré en marge.La France n'aura finalement pas rendu pleinement justice à cet immense écrivain du siècle d'or espagnol, éclipsé par le succès de Dom Quichotte, contemporain de son oeuvre ; oeuvre caractérisée elle aussi par le burlesque et la satire, dans une langue parfaitement virtuose et baroque ; peut-être cette langue ciselée et maîtrisée est-elle la cause de son approche difficile en France, mais aussi dans son propre pays. Son oeuvre la plus connue reste le roman picaresque Dom Pablo de Ségovie (L'aventurier Buscon), d'une irrésistible drôlerie, frisant parfois délicieusement avec la vulgarité, mais dans un style toujours soutenu. Les visions sembleront encore bien plus déroutantes par leurs audaces, l'ironie grinçante, sans compter une le … [Click Below for Full Description]
Bookseller: Livres Anciens Gravures Feu Follet (livresetgravures) [FRA, FR]
2019-12-25 13:40:04
Castillo Sotomayor, Juan del
1645. Scarce Treatise on the Roman Law of Usufruct by a Distinguished Spanish Canonist Castillo Sotomayor, Juan del [1560-1640]. Tractatus Controversiarum Iuris Quotidianarum de Usufructu in Quo Singulariter tam Theorice, Quam Practice Universa Eiusdem Materia, Quaestiones, & Dubia Traduntur, Enucleantur, & Resoluuntur. Additis in Fine CCLX. Assertionibus Iuris, Et Totidem Altercationum Seu Quaestionum Resolutionibus Verioribus. Et in hac Veneta Impressione Novissima Accesserunt Additiones in Corpore Eiusdem Tractatus Insertae, Cum Novo Elencho Argumentorum. Cum Suo Indice Locupletissimo, & Speciosisimo Rerum, & Materiarum. Venice: Apud Turrinum, 1645. [xii], 348, [28] pp. Folio (12" x 8-1/2"). Contemporary vellum, raised bands, early hand-lettered title to spine. Minor staining and rubbing to extremities, repairs to corners, boards slightly bowed, minor worming to gutter near head of text block, partial crack between front endleaf and title page. Title page with large device printed in red and black, woodcut head-pieces, tail-pieces and decorated initials. Toning in a few places, rest of interior notably fresh. Early owner signature in fine hand to title page. A nice copy of a scarce title. * Later edition. First published in 1609, this treatise on the Roman law on the right to use the property of another (usufruct) went through several editions and issues in Italy, Spain, France and Germany. According to the title page, this Venetian imprint has unique additions. Complete in itself, this became the first part of a two-volume set when an additional volume was published by … [Click Below for Full Description]
Bookseller: lawbook exchange (intrepidbooks) [Clark, New Jersey, US]
2019-12-20 19:06:08
Molière, Benserade et al.
Paris: Ballard etc, 1645-1669. A collection of ballets and mascarades containing most of those created by Molière and published separately as itemized in Guibert*, Section II pp 490-548. Quarto. Full red morocco,Provenence: Bookplate of Albert-Jean Guibert, the Molière bibliographer and winner of 1965 Prix Saintour, with his annotations in pencil and in penFull description www.goldenlegend.com/pdfs/Molrecu.pdf
Bookseller: Golden Legend, Inc. [United States]
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2019-12-19 05:20:34
BRASILIEN (Brazil / Bresil) / Südamerika (South America):
Kolorierter Kupferstich b. Johannes Janssonius (Jansson) in Amsterdam, 1645, 38,5 x 49 van der Krogt, Koeman's Atlantes Neerlandici, Vol. I, 9850:1.2. - 2. Ausgabe und 2. Zustand (niederländischer Rückentext). - Zeigt Braslien. - Im Kartenhimmel zwei Insetkarten von "Baya de todos os Sanctos" (Salvador da Bahia) und "Villa d'Olinda de Pernambuco". - Unten links figürliche Titelkartusche. - Im Atlantik Segelschiffe und Meeresungeheuer. - In der Karte Einzeichnungen von Kanibalen, Tieren und leben der Einwohner. - Dekorative Karte!
Bookseller: Antiquariat Norbert Haas [Bedburg-Hau, Germany]
2019-12-18 21:29:02
Prynne, William
1645. A Contentious Essay on the Relationship Between Church and State Prynne, William [1600-1669]. Truth Triumphing over Falshood, Antiquity Over Novelty. Or, The First Part of a Just and Seasonable Vindication of the Undoubted Ecclesiasticall Iurisdiction, Right, Legislative, Coercive Power of Christian Emperors, Kings, Magistrates, Parliaments, In All Matters of Religion, Church-Government, Discipline, Ceremonies, Manners: Summoning Of, Presiding, Moderating in Councells, Synods; And Ratifying Their Canons, Determinations, Decrees: As Likewise of Lay-Mens Right Both to Sit and Vote in Councells; (Here Proved to be Anciently, And in Truth None Other but Parliaments, Especially in England) Both by Scripture Texts, Presidents of All Sorts, And the Constant Uninterrupted Practices, Examples, Of the Most Eminent Emperors, Princes, Councells, Parliaments, Churches, And Christian States, (Especially of Our Owne) in All Ages Since Their Embracing the Gospell. In Refutation of Mr. Iohn Goodwins Innocencies Triumph: My Deare Brother Burtons Vindication of Churches, Commonly Called Independent: And of All Anti-Monarchicall, Anti-Parliamentall, Anti-Synodicall, And Anarchicall Paradoxes of Papists, Prelates, Anabaptists, Arminians, Socinians, Brownists, Or Independents: Whose Old and New Objections to the Contrary, Are Here Fully Answered. London: Printed by John Dawson, And are to be Sold by Michael Sparke, Senior, 1645. [xii], [2], 156 pp. Final leaf, which should follow p. 156, misbound after p. [xii]. Quarto (8-1/2" x 6-1/2"). Stab-stitched pamphlet with untrimmed edges bound in … [Click Below for Full Description]
Bookseller: lawbook exchange (intrepidbooks) [Clark, New Jersey, US]
2019-12-18 13:58:10
Jacques Sirmond (1559-1651) Homme de lettres et jésuite, l'un des plus grands érudits de son temps, confesseur de Louis XIII.
«Mon Rnd Père, Je vous envoye le Ms [manuscrit] où est cet ancien martyrologe que le R. P. Ménard désire voir [en 1645, Dom Luc publia la Lettre de saint Barnabé dont l'édition avait été préparée par Dom Hugues Ménard]. Je vous prie de luy rendre avec mes recommandations. Après votre départ me fut apporté un autre petit poème tout nouveau qui sera, s'il vous plaît, pour le R.P. Alexis [...]». [Le révérend Père Dom Luc intégra l'abbaye de Saint-Germain-des-Prés en 1637 et fut chargé du classement de la bibliothèque]. . Destinataire : Jean-Luc d'Achery (1609/1685), bénédictin sous le nom de Dom Luc.. Date : vers 1645. Format : In-8 oblong. Etat : bon. Nombre de documents : 1. Type de document : lettre autographe signée. Nombre de pages : 1
Bookseller: Traces Ecrites [France, Paris]
2019-12-13 13:19:10
TORELLI, Giacomo 1608-1678
[Paris], 1645. IFF XVII:3, p. 64, 740. Bianchi: Feste theatrali per La finta pazza (Paris, 1645); there is disagreement about whether the engraving is by Noël Cochin (1622-1695) or his brother Nicolas (1610-1686). Giacomo Torelli was one of the most important stage designers of the early Baroque, contributing to the success of opera's spectacular nature. His most revolutionary invention was a set of machinery that allowed the entire scene to be changed at once; the action could thus proceed at a much quicker pace than previously possible. After working in Venice, Torelli was brought to Paris, where he installed his machinery in the Palais Royal and the Hôtel du Petit Bourbon. It was in the latter that, in 1645, Torelli designed the sets for a choreographed production of Francesco Sacrati's La finta pazza (1641), the first public performance of an Italian opera in France. "Torelli's sets created a concrete, clearly defined area which, whatever its symbolic significance, attempted to represent a milieu with a particular character. Such a conception was appropriate to the small ensemble scenes of Venetian opera and met the increasing preference for historical subjects and the realistic tendencies fostered by the growing influence of middle-class audiences. The rhythmic articulation of the stage by the transverse and longitudinal lines of the sets, an approach shared by other Venetian designers such as Giovanni Burnacini, focussed attention on the acting zone and enhanced the development of the design of interiors. An almost completely enclosed room appeared for the first ti … [Click Below for Full Description]
Bookseller: J & J Lubrano Music Antiquarians LLC [United States]
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2019-12-13 11:03:08
Vertrekkende vloot Johan Maurits van Nassau naar Brazilië - Salomon Savery naar Frans Post, 1647
1645. 'Classis Navium qua hinc discessit comes Mauritius Praefectus' Ets vervaardigd door Salomon Savery naar het ontwerp van Frans Post uit 1645. Uit het boek van Caspar Barlaeus 'Rerum per octennium in Brasilia et alibi gestarum sub praefectura illustrissimi comitis I. Mauritii Nassauiae' met daarin voorstellingen van de tocht naar en het verblijf in Brazilië van graaf Johan Maurits van Nassau in de jaren 1636-1644, uitgegeven door Joan Blaeu in 1647. Afm. 36 x 50,6 cm. We zien het vertrek van de vloot van Johan Maurits van Nassau vanuit Den Helder naar Brazilië op 25 oktober 1636, aan boord waren ca 3.000 man. Hij was 33 toen hij in Pernambuco aan land ging. De Portugese machthebbers werden verjaagd en Johan Maurits installeerde zich als gouverneur in wat nu Nederlands-Brazilië werd genoemd. De West-Indische Compagnie was vooral van plan in de nieuwe bezitting de aanplant van het winstgevende suikerriet uit te breiden, maar de gouverneur wilde er meer van maken. In het midden van de zeventiende eeuw gold de Republiek als de modernste staat ter wereld en de vooruitstrevende gouverneur nam de republiek in verschillende opzichten als voorbeeld voor modern bestuur. Johan-Maurits stichtte Mauritsstad, bouwde er een paleis, genaamd Vrijburg, en voerde een soort parlement in. Uit zijn bestuur bleek zijn liefde voor Brazilië en aandacht voor de flora, fauna en cultuur. Hij organiseerde expedities naar het binnenland om kennis op te doen over geneeskrachtige kruiden en exotische planten. 17e-eeuwse medici waren zeer geïnteresseerd in remedies tegen allerlei onbekende tropische zi … [Click Below for Full Description]
Bookseller: Inter-Antiquariaat Mefferdt & De Jonge [Amsterdam, Netherlands]
2019-12-12 12:31:06
Abraham BOSSE
Paris: 1645. Voir dans le descriptif principal du livre, l'état exact, hors des catégories Ebay, trop restreintes et trompeuses. TRAITCTE DES MANIERES DE GRAVER EN TAILLE DOUCE SUR L?AIRIN Par le Moyen des Eaux Fortes, & des Vernis Durs et Mols. Ensemble de la façon d?en Imprimer les Planches & d?en Construire la Presse, & autres choses concernans lesdits Arts. PAR A. BOSSE, Graveur en Taille Douce. A Paris Chez ledit BOSSE, en l?Isle du Palais, à la Eoze rouge, deuant la Megisserie. M.DC. XLV (1645) Avec privilege du roy Format : 11 x 18 cm (in-16) ; 71 pages. Frontispice. En page 39, un feuillet entièrement utilisé pour le titre : La Manière de faire le Verny mol. Ensemble le moyen de s?en servir et autres Particularitez. (Une déchirure de 2 cm, sans manque, en haut du feuillet). En p 57, idem : LA MANIERE D?IMPRIMER LES PLANCHE EN Taille Douce. ENSEMBLE du Moyen d?en Construire la Presse. L?ouvrage contient 19 planches y compris le frontispice (V. Brunet) à savoir : - Frontispice - Aux amateurs de cet art - Traite des manieres de graver en taille douce?. Ces trois planches ne sont pas numérotées. 1. Fig? denhaut, fig? dembas 2. (verso de la pl. 1) 3. Fig? denhaut, pointes, fig? dembas : pierre a aiguiser, eschopes (verso vierge) 4. Pour avec les points (verso vierge) 5. Contient IV figures. Reproduite aussi au verso pour accompagner le texte à cheval sur pp. 26 et 27. 6. Manière de jetter leaue forte sur la Planche. Reproduite?. Idem sur pp. 30 et 31. 7. Fig? denhaut fig? dembas (verso vierge) 8. Bras et poitrine de femme. Hachures, feuille? (verso vierge) 9. Gravure à q … [Click Below for Full Description]
Bookseller: BD ARTHUR-R (arthur-r) [FORGUES, FR]
2019-12-11 05:55:06
TORELLI, Giacomo 1608-1678
[Paris], 1645. IFF XVII:3, p. 64, 740. Bianchi: Feste theatrali per La finta pazza (Paris, 1645); there is disagreement about whether the engraving is by Noël Cochin (1622-1695) or his brother Nicolas (1610-1686). Giacomo Torelli was one of the most important stage designers of the early Baroque, contributing to the success of opera's spectacular nature. His most revolutionary invention was a set of machinery that allowed the entire scene to be changed at once; the action could thus proceed at a much quicker pace than previously possible. After working in Venice, Torelli was brought to Paris, where he installed his machinery in the Palais Royal and the Hôtel du Petit Bourbon. It was in the latter that, in 1645, Torelli designed the sets for a choreographed production of Francesco Sacrati's La finta pazza (1641), the first public performance of an Italian opera in France. "Torelli's sets created a concrete, clearly defined area which, whatever its symbolic significance, attempted to represent a milieu with a particular character. Such a conception was appropriate to the small ensemble scenes of Venetian opera and met the increasing preference for historical subjects and the realistic tendencies fostered by the growing influence of middle-class audiences. The rhythmic articulation of the stage by the transverse and longitudinal lines of the sets, an approach shared by other Venetian designers such as Giovanni Burnacini, focussed attention on the acting zone and enhanced the development of the design of interiors. An almost completely enclosed room appeared for t … [Click Below for Full Description]
Bookseller: J & J Lubrano Music Antiquarians LLC [United States]
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2019-12-09 08:21:50
TORELLI, Giacomo 1608-1678
[Paris], 1645. 234 x 307 mm. On laid paper with watermark of grapes and initials "M D"[?]. The design depicts a grand palace entrance lined with Doric columns with five figures in the foreground and a number in the background. Repairs to corners; small nicks to edges. From the collection of the distinguished American mezzo-soprano Marilyn Horne (b. 1934). Somewhat worn; a few light stains; right corners with paper repair; trimmed to just inside platemark; hinge mount to verso. IFF XVII:3, p. 64, 740. Bianchi: Feste theatrali per La finta pazza (Paris, 1645); there is disagreement about whether the engraving is by Noël Cochin (1622-1695) or his brother Nicolas (1610-1686). Giacomo Torelli was one of the most important stage designers of the early Baroque, contributing to the success of opera's spectacular nature. His most revolutionary invention was a set of machinery that allowed the entire scene to be changed at once; the action could thus proceed at a much quicker pace than previously possible. After working in Venice, Torelli was brought to Paris, where he installed his machinery in the Palais Royal and the Hôtel du Petit Bourbon. It was in the latter that, in 1645, Torelli designed the sets for a choreographed production of Francesco Sacrati's La finta pazza (1641), the first public performance of an Italian opera in France. "Torelli's sets created a concrete, clearly defined area which, whatever its symbolic significance, attempted to represent a milieu with a particular character. Such a conception was appropriate to the small ensemble scenes of Venetian opera and met … [Click Below for Full Description]
Bookseller: J & J LUBRANO MUSIC ANTIQUARIANS LLC [Syosset, NY, U.S.A.]
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2019-12-07 15:57:19
TORELLI, Giacomo 1608-1678
[Paris]: [1645]. 234 x 307 mm. On laid paper with watermark of grapes and initials "M D"[?]. The design depicts a grand palace entrance lined with Doric columns with five figures in the foreground and a number in the background. Repairs to corners; small nicks to edges. From the collection of the distinguished American mezzo-soprano Marilyn Horne (b. 1934). Somewhat worn; a few light stains; right corners with paper repair; trimmed to just inside platemark; hinge mount to verso. IFF XVII:3, p. 64, 740. Bianchi: Feste theatrali per La finta pazza (Paris, 1645); there is disagreement about whether the engraving is by Noël Cochin (1622-1695) or his brother Nicolas (1610-1686). Giacomo Torelli was one of the most important stage designers of the early Baroque, contributing to the success of opera's spectacular nature. His most revolutionary invention was a set of machinery that allowed the entire scene to be changed at once; the action could thus proceed at a much quicker pace than previously possible. After working in Venice, Torelli was brought to Paris, where he installed his machinery in the Palais Royal and the Hôtel du Petit Bourbon. It was in the latter that, in 1645, Torelli designed the sets for a choreographed production of Francesco Sacrati's La finta pazza (1641), the first public performance of an Italian opera in France. "Torelli's sets created a concrete, clearly defined area which, whatever its symbolic significance, attempted to represent a milieu with a particular character. Such a conception was appropriate to the small ensemble scenes of Venetian opera and m … [Click Below for Full Description]
Bookseller: J and J Lubrano Music Antiquarians (jlubrano) [Syosset, New York, US]
2019-12-07 10:48:05
TORELLI, Giacomo 1608-1678
[Paris]: [1645]. 234 x 307 mm. On laid paper with watermark of grapes and initials "M D"[?]. The design depicts a grand palace entrance lined with Doric columns with five figures in the foreground and a number in the background. Repairs to corners; small nicks to edges. From the collection of the distinguished American mezzo-soprano Marilyn Horne (b. 1934). Somewhat worn; a few light stains; right corners with paper repair; trimmed to just inside platemark; hinge mount to verso. IFF XVII:3, p. 64, 740. Bianchi: Feste theatrali per La finta pazza (Paris, 1645); there is disagreement about whether the engraving is by Noël Cochin (1622-1695) or his brother Nicolas (1610-1686). Giacomo Torelli was one of the most important stage designers of the early Baroque, contributing to the success of opera's spectacular nature. His most revolutionary invention was a set of machinery that allowed the entire scene to be changed at once; the action could thus proceed at a much quicker pace than previously possible. After working in Venice, Torelli was brought to Paris, where he installed his machinery in the Palais Royal and the Hôtel du Petit Bourbon. It was in the latter that, in 1645, Torelli designed the sets for a choreographed production of Francesco Sacrati's La finta pazza (1641), the first public performance of an Italian opera in France. "Torelli's sets created a concrete, clearly defined area which, whatever its symbolic significance, attempted to represent a milieu with a particular character. Such a conception was appropriate to the small ensemble scenes of Venetian opera and m … [Click Below for Full Description]
Bookseller: J & J LUBRANO MUSIC ANTIQUARIANS [USA]
2019-12-07 00:13:29
TORELLI, Giacomo 1608-1678
[Paris], 1645. 234 x 307 mm. On laid paper with watermark of grapes and initials "M D"[?]. The design depicts a grand palace entrance lined with Doric columns with five figures in the foreground and a number in the background. Repairs to corners; small nicks to edges. From the collection of the distinguished American mezzo-soprano Marilyn Horne (b. 1934). Somewhat worn; a few light stains; right corners with paper repair; trimmed to just inside platemark; hinge mount to verso. IFF XVII:3, p. 64, 740. Bianchi: Feste theatrali per La finta pazza (Paris, 1645); there is disagreement about whether the engraving is by Noël Cochin (1622-1695) or his brother Nicolas (1610-1686). Giacomo Torelli was one of the most important stage designers of the early Baroque, contributing to the success of opera's spectacular nature. His most revolutionary invention was a set of machinery that allowed the entire scene to be changed at once; the action could thus proceed at a much quicker pace than previously possible. After working in Venice, Torelli was brought to Paris, where he installed his machinery in the Palais Royal and the Hôtel du Petit Bourbon. It was in the latter that, in 1645, Torelli designed the sets for a choreographed production of Francesco Sacrati's La finta pazza (1641), the first public performance of an Italian opera in France. "Torelli's sets created a concrete, clearly defined area which, whatever its symbolic significance, attempted to represent a milieu with a particular character. Such a conception was appropriate to the small ensemble scenes of Venetian opera and met … [Click Below for Full Description]
Bookseller: J & J LUBRANO MUSIC ANTIQUARIANS LLC [Syosset, NY, U.S.A.]
2019-12-06 16:06:23
1645. Extraordinary Suffolk County, England map by Blaeu. Beautiful original hand-color. 15.5 x 20
Bookseller: Art Source International Inc. [Boulder, CO, U.S.A.]
2019-12-06 09:57:03
VAN LANGREN, Michiel Florentszoon
[Strasbourg]: 1645. No Binding. [Strasbourg], [ca. 1645]. 477 x 406 mm. Single broad sheet of laid paper with engraved lunar map, paper with grapes watermarks. Very little even browning, a few insignifican spots, central vertical fold, faint vertical crease, a few minute holes (only visible when the map is held up to light). Overall a fine copy of this rare lunar map. ---- Exceptionally rare Strasbourg forgery of Michiel Van Langren's pioneering map of the Moon, obviously copied directly from a third-state example of the original in the library of the University of Strasbourg. A Flemish astronomer and engineer born into a well-known family of cartographers, Van Langren set out to create a more accurate, scientific representation of the lunar surface based on the latest telescopic observations. Based on 30 of his own drawings of various lunar phases, his work was one of the first maps of the Moon. Although the text beneath his original map, published in a limited run in 1645, explicitly forbade unauthorized copies, this example appears to be just that. Van Langren based his place names on saints, royalty, scientists, patrons, and other people of note. He even named one of the seas, Mare Langreni, after his own family. "This copy, which is devote of the five quotations and lengthy explanatory text of the original, is clearly a counterfeit map, not only because of the missing legend, but also because the engraving is inferior and the transcription sloppy, several names being mis-spelled or absent. An intriguing point is that six of Van Langren's original names have been replac … [Click Below for Full Description]
Bookseller: Milestones of Science Books [Germany]
2019-12-06 01:21:55
VAN LANGREN, Michiel Florentszoon
[Strasbourg], 1645. No Binding. Very Good. No Binding. [Strasbourg], [ca. 1645]. 477 x 406 mm. Single broad sheet of laid paper with engraved lunar map, paper with grapes watermarks. Very little even browning, a few insignifican spots, central vertical fold, faint vertical crease, a few minute holes (only visible when the map is held up to light). Overall a fine copy of this rare lunar map. ---- Exceptionally rare Strasbourg forgery of Michiel Van Langren's pioneering map of the Moon, obviously copied directly from a third-state example of the original in the library of the University of Strasbourg. A Flemish astronomer and engineer born into a well-known family of cartographers, Van Langren set out to create a more accurate, scientific representation of the lunar surface based on the latest telescopic observations. Based on 30 of his own drawings of various lunar phases, his work was one of the first maps of the Moon. Although the text beneath his original map, published in a limited run in 1645, explicitly forbade unauthorized copies, this example appears to be just that. Van Langren based his place names on saints, royalty, scientists, patrons, and other people of note. He even named one of the seas, Mare Langreni, after his own family. "This copy, which is devote of the five quotations and lengthy explanatory text of the original, is clearly a counterfeit map, not only because of the missing legend, but also because the engraving is inferior and the transcription sloppy, several names being mis-spelled or absent. An intriguing point is that six of Van Langren's or … [Click Below for Full Description]
Bookseller: Milestones of Science Books [Ritterhude, Germany]
2019-12-01 14:46:07
[VOC - WIC].
Asher 200; Knuttel 5224; Landwehr & V.d.Krogt, VOC 8; Sabin 20235; STCN 861749804 (6 copies). First edition (one of two simultaneously published editions) of a brief work on the renewal of the charter of the East India Company. It also discusses various proposals directly related to the East and West India Company, such as the merging of the two companies, the discontinuance of the companies, the companies' finances, the relation between the companies and the Dutch state, and the founding of new, independent companies for regions as Japan, Brazil, Persia, Banda, etc.With a bookplate on paste-down. With a few small spots and the page-numbers "455-493" added in manuscript in the upper corners. Otherwise in very good condition.
Bookseller: ASHER Rare Books (Since 1830) [Netherlands]
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