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Displayed below are some selected recent viaLibri matches for books published in 1640

        EROTOMANIA, OR A TREATISE DISCOURSING OF THE ESSENCE, CAUSES, SYMPTOMES, PROGNOSTICKS, AND CURE OF LOVE, OR EROTIQUE MELANCHOLY

      Oxford: Printed by L. Lichfield, 1640. First Edition in English. First published in Toulouse in 1610, then revised and reissued in Paris in 1623, this discussion of erotic melancholy enraged the Inquisition and inspired Robert Burton. Toulouse-trained physician Jacques Ferrand (b. ca. 1575) defines the symptoms, especially the mood swings from jocumdity to deep melancholy, that accompanied unreasonable passions, and recommends treatments to control them, from diet and rigorous exercise to bloodletting. The Inquisition took issue with Ferrand even discussing astrology, chiromancy, and magic--even though he disparaged their claims--and with his frank discussion of sexual health. Perhaps his biggest offense, in their eyes, was treating erotomania as a physical disorder to be treated by medical means when the Church considered it a sickness of the soul curable only by God and his ministers. Madan notes that "If Robert Burton was acquainted with the first edition of this book, as he may well have been, there can be little doubt that he has taken or imitated the general method and treatment of the subject, in his Anatomy of Melancholy". Burton certainly owned a copy of the Paris 1623 edition (N.K. Kiessling, The Library of Robert Burton, Oxford, 1988, no. 566). The translation here is by Edmund Chilmead (1610-54), a serious scholar of music and a cleric at Christ Church, Oxford, who supplemented his meager income by transcribing music, translating books, and cataloguing the collection of Greek manuscripts at the Bodleian Library.. 145 x 95 mm. (5 3/4 x 3 5/8"). 20 p.l., 363 pp. Translated from the French by Edmund Chilmead. First Edition in English. Contemporary sprinkled sheep, flat spine divided into panels by double blind rules. Front free endpaper with neat early ink inscription in Latin. STC 10829; Madan I, 219. Front joint with one-inch crack at head, leather loose at head of spine, joints a little worn, tail edge of upper cover with thin half-inch hole from worming, extremities rubbed, but the binding still sound. Endpapers with offsetting from turn-ins, front pastedown with repaired three-inch tear, a5 with one-inch smudge affecting the final word on the last three lines of text, light dampstain to head margin throughout, other trivial imperfections, but still a very good copy, generally clean and fresh with no major defects. First published in Toulouse in 1610, then revised and reissued in Paris in 1623, this discussion of erotic melancholy enraged the Inquisition and inspired Robert Burton. Toulouse-trained physician Jacques Ferrand (b. ca. 1575) defines the symptoms, especially the mood swings from jocumdity to deep melancholy, that accompanied unreasonable passions, and recommends treatments to control them, from diet and rigorous exercise to bloodletting. The Inquisition took issue with Ferrand even discussing astrology, chiromancy, and magic--even though he disparaged their claims--and with his frank discussion of sexual health. Perhaps his biggest offense, in their eyes, was treating erotomania as a physical disorder to be treated by medical means when the Church considered it a sickness of the soul curable only by God and his ministers. Madan notes that "If Robert Burton was acquainted with the first edition of this book, as he may well have been, there can be little doubt that he has taken or imitated the general method and treatment of the subject, in his Anatomy of Melancholy". Burton certainly owned a copy of the Paris 1623 edition (N.K. Kiessling, The Library of Robert Burton, Oxford, 1988, no. 566). The translation here is by Edmund Chilmead (1610-54), a serious scholar of music and a cleric at Christ Church, Oxford, who supplemented his meager income by transcribing music, translating books, and cataloguing the collection of Greek manuscripts at the Bodleian Library.

      [Bookseller: Phillip J. Pirages Fine Books and Mediev]
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        Indiae orientalis Nova Descriptio

      Amsterdam 1640 - Importante carta del Sud-Est Asiatico tratto dal Atlas del Janssonius. Incisione in rame, in buone condizioni. An important map of South East Asia, noteworthy for being amongst the first maps to include any information on the discoveries made by the Dutch vessel Duyfkens in New Guinea and the Gulf of Carpentaria in 1605-6. The map also includes Malaysia, Vietnam, the East India Islands, Philippines and Southern China as far as the Pearl River estuary. C. Quirino, Philippine Cartography, p. 104 Dimensioni 500 390mm

      [Bookseller: Libreria Antiquarius]
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        ISCHIA. - Karte., "Ischia Isola, olim Aenaria".

      Altkol. Kupferstich von J. Janssonius, um 1640, 36 x 46 cm. Schöne und seltene Gesamtkarte mit der Isola di Procida, der Meerenge und dem Festland bei Miseno. Die Städte und wichtige Bauwerke wie Triumphbögen, Festungen, Türme und Aquädukte sind als kleine Ansichten eingezeichnet. Mit drei altkolorierten Kartuschen und drei kleinen Schiffen in der Meerenge. - Breitrandig und im Ganzen leicht gebräunt. Europa, Italien, Landkarten

      [Bookseller: Buch- und Kunstantiquariat]
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        MÜNCHEN. "München". Gesamtansicht über die Isar, im Vordergrund Übergabe der Stadtschlüssel an Gustav Adolph.

      - Kupferstich von M. Merian aus "Theatrum Europaeum", um 1640, 22,5 x 32 cm. Vgl. Lentner 493; Fauser 9267. - Aus einer späteren Ausgabe des "Theatrum". Selten. - Gustav Adolph mit zahlreichem Gefolge werden von einer Stadtdeputation Urkunden und Schlüssel überreicht.

      [Bookseller: Peter Bierl Buch- & Kunstantiquariat]
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        Il Sacrificio di Isacco

      1640 - Acquaforte, 1640-50, privo di data e firma. Stato unico. Il tema del sacrificio di Isacco è raccontata nella Genesi (22: 1-19): Dio comandò ad Abramo di sacrificare il suo unico figlio, Isacco, come prova della sua obbedienza. La storia è stata interpretata come una prefigurazione della crocifissione di Cristo, che il Padre ha mandato per essere sacrificato. Testa raffigura il momento in cui appare un angelo e arresta il braccio di Abramo che sta per colpire suo figlio; Nel frattempo, un altro angelo porta un agnello sacrificale da sostituire a Isacco. Presso il Museo Teylers, ad Haarlem, è conservato un disegno, a penna e inchiostro, solo leggermente più grande e corrispondente a questa incisione nella maggior parte dei dettagli. Harris e Brigstocke riferiscono la realizzazione di questa incisione alla fine del decennio 1630, mentre Bellini ritiene appartenga agli ultimi anni di Testa, o al periodo compreso tra il 1645 e il 1650, in relazione con la serie del figliol prodigo. Cropper suggerisce il biennio 1640-1642, più vicino a L'Adorazione dei Magi e al dipinto della Presentazione della Vergine al Tempio. Tuyll ha osservato che l'invenzione di Testa può essere collegato al rilievo in terracotta dello stesso soggetto di Alessandro Algardi, probabilmente della fine degli anni 1630, ora al Seattle Art Museum. Ci sono molte differenze tra i due, ma le proporzioni e la figura di Abramo potrebbero indicare che la sua conoscenza del rilievo. Testa può anche aver visto l’omonimo dipinto del Domenichino, ora al Prado, nel quale l'angelo toglie il pugnale dalla mano di Abramo e il paesaggio ha molte corrispondenze con quello interpretato da Testa. Come spesso accade per le sue stampe di questo periodo, che si occupano di temi austeri o tragici, l'incisione del sacrificio di Isacco illustra uno dei di brani biblici più drammatici. La propensione di Testa per tali soggetti potrebbe essere condizionata dalla sua complessa personalità, e alla sua depressione. Com’è noto, si suicidò annegando nel Tevere, all'età di 38 anni. Etching, 1640 – 1650, without date and signature. Only state. The subject of Isaac’s sacrifice is told in Genesis (22: 1–19): God commanded Abraham to sacrifice his only son, Isaac, as proof of his obedience. The story was interpreted as a prefiguration of the crucifixion of Christ, whom the Father sent to be sacrificed. Testa depicts the moment when an angel appears and stays Abraham’s arm as he is about to strike his son; meanwhile, another angel brings a sacrificial lamb to be substituted for Isaac. There is a fully resolved compositional drawing for this etching, in pen and ink, only slightly larger and corresponding to it in most details, preserved in the Teylers Museum, Haarlem. Harris and Brigstocke place this etching in the 1630s, whereas Bellini considers it to belong to Testa’s last years, or between 1645 and 1650, relating it to the series of the story of the Prodigal Son. Cropper suggest 1640-42, closer to The Adoration of the Magi and to the painting of The Presentation of the Virgin in the Temple. Tuyll have observed that Testa’s invention may be connected to the terra-cotta relief of the same subject by Alessandro Algardi, probably from the late 1630s, now in the Seattle Art Museum. There are many differences between the two, but the proportions and appearance of Testa’s figure of Abraham may well indicate his knowledge of the relief. Testa may also have known Domenichino’s painting, now in Museo del Prado, in which the angel also removes the dagger from Abraham’s hand and a brilliant landscape is similarly juxtaposed to the shady trees behind Abraham, whose features likewise resemble those portrayed by Testa. As is often the case with Testa’s mature prints, which deal with austere or tragic themes, the etching of The sacrifice of Isaac illustrates one of the most dramatic of biblical passages, touching on heroic suffering and the psychological conflict of the father figure, Abraham. Testa’s proclivity f [Attributes: Soft Cover]

      [Bookseller: Libreria Antiquarius]
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        Horti Academici Lugduno-Batavi catalogus exhibens plantarum omnium nomina, quibus ab anno MDCLXXXI ad annum MDCLXXXVI hortus fuit instructus ut & plurimarum in eodem cultarum & à nemine hucusque editarum descriptiones & icones .Leiden, Cornelius Boutesteyn, 1687. 8vo. With engraved frontispiece and 106 full-page engravings on integral leaves (at least 1 by Jacob Harrewijn). Contemporary gold-tooled calf.

      - Hunt 378; Nissen, ZBI, 859; South African bibl., p. 345; Stafleu & Cowan 2684. First edition of a botanical catalogue of about 3300 plants in the botanical garden of Leiden University (106 illustrated), compiled and apparently drawn by Paul Hermann (1640-1695). Hermann had only recently introduced many to Europe from the East Indies, Ceylon, the Cape and America. Most entries give the Latin name of the plant with references to the literature; some give more detailed descriptions. Hermann, born in Halle an der Saale, sailed with the VOC (Dutch East India Company) to Ceylon in 1672 and collected many plants there. As a professor of botany and medicine at Leiden University, he directed the University botanical garden from 1679 to his death in 1695. He made it the richest garden in Europe during the Dutch golden age, always looking over his shoulder at his leading competitor, Jan Commelin at the Amsterdam botanical garden. "He did excellent, vigorous work in depicting his plants" (Hunt). His premature death prevented publication of a planned second part. With bookplate and initial stamp. With a stain in the gutter of some quires, slightly affecting the lower inside corner of the last few engravings, slightly foxed throughout and a few quires slightly browned, but generally in good condition. The binding is worn, with a crack in the back hinge and the leather flaked. An extensive and well-illustrated catalogue of plants in the Leiden botanical garden.

      [Bookseller: ASHER Rare Books]
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        Gesamtansicht aus der Vogelschau, "Roma".

      - Kupferstich ( v. 2 Platten ) v. Merian n. Tempesta aus Itenerarium Italiae, 1640, 30,4 x 70 Fauser, Nr. 11928. - Schöner tiefschwarzer Abdruck. Die Ränder wurden restauriert.

      [Bookseller: Antiquariat Nikolaus Struck]
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        Prussia Accurate Descripta

      Amsterdam 1640 - Mappa della Polonia, Repubbliche Baltiche e Germania tratta dall'edizione degli eredi Janssonius dell'Atlas Major. Incisione in rame, coloritura coeva, in ottime condizioni. Molto decorativa. Fine old color example of Jansson's map of Poland, Latvia, Lithuania, Estonia and contiguous parts of Germany. Includes two large decorative cartouches, coat of arms and 3 sailng ships. Taken from 'Atlas Contractus', a two-volume atlas, published two years after Jansson's death by his son-in-law, Jan Jansson van Waesbergen. Latin text. KOEMAN: Me 184 & 185. KOEMAN: Me 184 & 185. Dimensioni 500 380mm

      [Bookseller: Libreria Antiquarius]
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        Frate con un libro seduto su una roccia in un paesaggio

      1640 - Magnifica prova, impressa su carta vergata coeva, rifilata al rame o con sottilissimo margine, minime ossidazioni, per il resto in perfetto stato di conservazione. Opera giovanile di Salvator Rosa, sconosciuta ai repertori, e sinora conosciuta nell’unico esemplare della Collezione Ferdinando Salamon, pubblicato nel catalogo monografico dell’Arte Antica di Torino. L’opera viene descritta:"E’ questa una stampa inedita rinvenuta nella stessa collezione seicentesca che conteneva il rarissimo - Uomo seduto su una roccia - e l’unico altro esemplare conosciuto del - Paesaggio lacustre -. Inoltre, nella stessa collezione, vi era anche il - Paesaggio con due figure -. Si tratta con certezza di un’opera giovanile di Rosa, da lui evidentemente abbandonata come le altre di quel periodo, forse un progettato san Gerolamo nel deserto. Le affinità stilistiche lo situano temporalmente ai primi anni del 1640, quando Rosa era parzialmente influenzato dalle incisioni di Claude Lorraine". Magnifico esemplare, di questa rarissima opera del Rosa. Al verso i timbri di collezione di J.E. WETTERAUER (Lugt 3869) R. ALIANELLO (Lugt 5K) Etching, about 1640-45, with no data publishing. A very fine proof, printed on contemporary laid paper, trimmed to copperplate or with thin margins, two small spots, otherwise in perfect condition. Early work by Salvator Rosa, unknown to the repertoires, and so far in the only known copy of the Collection Ferdinand Salamon, published in the monographic catalog of Silverio Salamon. The work is described: "This work was found in the same collection seventeenth century which contained the rare - Man sitting on a rock - and the only other known example of the - Lake landscape -. Also in the same collection, there was also - Landscape with Two Figures -. It is sure of an early work of Rosa, he evidently abandoned like others of the period, perhaps a designed St. Jerome in the desert. The stylistic affinities temporally situate him in the early years of 1640, when Rosa was partially influenced by the engravings of Claude Lorraine. " Ex collection: J.E. WETTERAUER (Lugt 3869) R. ALIANELLO (Lugt 5K) Magnificent example of this very rare work of Rosa, the second known copy. Salamon, Salvator Rosa (Aranella 1615- Roma 1673) L'opera grafica, n. 5. Dimensioni 77x112. Dimensioni 77 112mm [Attributes: Soft Cover]

      [Bookseller: Libreria Antiquarius]
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        Hemels-Belegh, Dat is: Geestelijcke maniere van oorlogen, om den Hemel in te nemen met sulcken geweldt, dat Gode aengenaem is. Gestelt overde woorden onses Heeren Jesu Christi Matth. 11. vers. 12. Den tweeden Druck, by den autheur oversien, ende met marginale Annotatien vermeerdert.

      Dordrecht, François Boels 1640. (4) 222 (6) p. Opnieuw gebonden Leer, 4° (Plaatselijk vochtvlekken, marges van enkele pagina's verstevigd.).

      [Bookseller: Antiquariaat De Roo]
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        Insulae SardinaeNova & accurata descriptio

      Amsterdam 1640 - Bella carta della Sardegna di J. Janssonius pubblicata per la prima volta nell'Atlas Novus sive Theatrum Orbis Terrarum, edito ad Amsterdam in sei volumi tra il 1642-44. Il presente esemplare è nella tiratura successiva, 1700 circa, curata da G. Valck e P. Schenk, che sulla lastra sostituirono il loro excudit a quello di Janssonious Orientata con l'ovest in alto, cartograficamente dipende dal modello maginiano, ed è quello assai diffuso nelle carte dell'epoca, con un interno prevalentemente montuoso e ricco di vegetazione, attraversato da lunghi fiumi dal corso sinuoso. Incisione su rame, finemente acquarellata, in ottimo stato di conservazione. Map of Sardinia printed by G. Valck and P. Schenk, 1700 circa, from the plate by Janssonius with changed publisher's address and added grid of parallels and meridians. The Janssonius map was engraved for his Atlas Novus sive Theatrum Orbis Terrarum, in six volumes, edited in Amsterdam between 1642-1644 Oriented to the West. Copperplate, finely hand-coloured, in good condition. Piloni Abb. S. 111 u. Koeman I, 7530:1B Dimensioni 510 410mm

      [Bookseller: Libreria Antiquarius]
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        Roma

      Francoforte 1640 - Pianta della città incisa ed edita dal Merian, e pubblicata per la prima volta nel "Itinerario Italiae" di Martin Zeiller. La carta è la copia in formato ridotto della grande pianta realizzata da Antonio Tempesta nel 1593. Incisione in rame stampata su due fogli uniti verticalmente, piccolo strappo perfettamente restaurato, nel complesso in ottimo stato di conservazione. Meraviglioso esemplare di una delle più belle e decorative rappresentazioni della città. Plan of Rome, engraved and published by Merian. It was first issued in the Itinerario Italie of Martin Zeiller. The map is a reduction of the big map realized by Antonio Tempesta in 1593. Engraving printed on two sheets, joined up vertically, perfectly repaired tear, geberally in very good condition. Magnificent example of one of the most beautiful and highly decorative representations of the city. A. P. Frutaz, "Le piante di Roma", CXXXV, tav. 275; Hulsen 88, Scaccia Scarafoni 186; C. Marigliani, "Le Piante di Roma delle collezioni private", tav. 76 Dimensioni 710 305mm

      [Bookseller: Libreria Antiquarius]
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        Der Rom. Kay. auch zu Hungarn und Bohaimb

      1640 - [Et]c. Koniglichen Majestat, Ferdinandi dess Andern [et]c. Vernewerte Landes Ordnung deroselben Erbkonigreichs Bohaimb. Auff der Jetzt Regierenden Kay. und Konigl. May. Ferdinandi dess Dritten [et]c. Allergnadigsten Befehl von Newem Auffgelegt und mit Unterschiedlichen Declaratorien und Novellen Vermehret. (Część 1 - 2, w 1 wol.),.(Wien) 1640. Gedruckt bey Mariae Formick. (30 x 19 cm), k. [4], s. 506, k. 6], s. 507-551; k. [3], s. 131, [3], 2 miedzioryty tyt., 2 miedzioryty herbowe, 1 drzeworyt herbowy, winiety i wyklejki, opr. sk. z epoki. Ślady zawilg. i zaplamień, a także zabrudzeń, kilka nieznaczących naddarć, wpis własn., nalepka własn., oprawa z otarciami i innymi niew. uszkodzeniami. Karta tyt. w kolorze czerwonym i czarnym. Miedzioryty tyt. przedstawiają dwugłowego Orła, zaś dwa herby na odwrocie kart tyt. to herby Habsburgów. Treścią książki jest porządek (ustrój) krajowy (obwieszczenia, odezwy, akty prawne) w odniesieniu do Czech i Węgier za panowania dwóch cesarzy rzymskich i królów Czech i Węgier Ferdynanda II i Ferdynanda III. Dotyczy głównie okresu Wojny trzydziestoletniej (1618-1648), pomiędzy protestanckimi państwami Świętego Cesarstwa Rzymskiego, a katolicką dynastią Habsburgów. Wojna spowodowana była przyczynami natury religijnej. Rzadkie. PART 1-2 IN 1 VOLUME. [Attributes: Hard Cover]

      [Bookseller: Antykwariat Wójtowicz]
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        India quae orientalis dicitur, et insulae adiacentes.

      Amsterdam, 1640. - Engraved map of Southeast Asia, showing the area from India in the north west to the most southern part of Japan in the north east, with the Indonesian archipelago in the most south with an outline of the western part of New Guinea (now part of Indonesia). The areas depicted furthermore include present day Bangladesh, Myanmar, Thailand and Vietnam, and Cambodia, Malaysia and the Philippines.

      [Bookseller: Antiquariat INLIBRIS Gilhofer Nfg. GmbH]
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        Simplicii Commentarius In Enchiridion Epicteti, Ex Libris veteribus emendatus. Cum versione Hieronymi Wolfii, et Cl. Salmasii Animadversionibus, Et Notis Quibus Philosophia Stoica passim explicatur, & illustratur. Quae accesserunt, sequens paginae indicabit. [Schöne gest. Druckermarke]

      Leiden Maire 1640 - 1 (weißes) Blatt; 10 Blätter (incl. zweifarbiger Titel, Vorwort von Daniel Heinsius); 332 Seiten; 6 Blätter (Index); 1 Blatt Zwischentitel: "Cl.[audii] Salmasii Notae et Animadversiones in Epictetum et Simplicium. [Große Druckermarke] Lugduni Batavorum, Ex Officina Ioannis Maire. M D C XL (Leiden, Aus der Werkstatt von Johannes Maire 1640)."]; 329 Seiten; 11 Blätter (Indices); 1 auf einen Steg montierter, mehrfach gefalteter Kupferstich von "N. I. Vißcher, Anno 1640" vertrieben, nach einer Vorlage von Hendrick Goltzius von einem anonymen Stecher verkleinert gefertigt, mit "Cebetis Thebani Tabula" betitelt, aufgefaltet ca. 40 x 50 cm; 17 Blätter (Vorwort, incl. Titel: "Tabula Cebetis Graece, Arabice, Latine, Item Aurea Carmina Pythagorae, Cum paraphrasi Arabica, Auctore Iohanne Elichmanno M.D. Com Praefatione Cl. Salmasii. [Druckermarke] Lugduni Batavorum, Typis Iohannis Maire, M D C XL (Leiden, Gedruckt von Johannes Maire 1640)."]; 88 Seiten; 15 Seiten (incl. Zwischentitel: "Pythagorae Aureorum Carminum Arabica paraphrasis, cum Latina Versione. Auctore Ioh. Elichmanno M.D."); 1 (weißes) Blatt. Über sechs durchgezogene Pergamentstreifen gehefteter Pergamentband der Zeit mit kaum noch lesbarem, zeitgenössischem Rückentitel, ebenfalls handschriftlicher Bibliotheksnummer ("76n") auf dem Rücken und nahezu völlig verschwundenem Papieretikett auf dem Rücken. Allseitiger, rötlicher Sprenkelschnitt. (20,8 x 17 cm; Buchblock: 6 cm) 8°. Hoffmann 2,13. Ebert 6768. Schweiger I, 106. Brunet 2, 1012. Graesse 2,484. Dibdin I, 513 f. Breugelmans (Fac et spera, S. 460f) 1640:17. Der solide zeitgenössische Pergamentband etwas sperrend, ist am Rücken etwas nachgedunkelt, am unteren Kapital kleine Fehlstellen. Innen lagenweise papierbedingt teils etwas stärker gebräunt, meist jedoch sehr sauber. Der große Stich insgesamt gebräunt, an einer Faltstelle eingerissen. Alles in allem schöne, solide Ausgabe der wichtigen Texte, dreisprachig (griechisch, lateinisch und arabisch) gedruckt, vollständig mit allen vier Teilen und der nicht immer beigebundenen großen gestochenen Tafel. [Simplicius of Cilicia; Cilicius; Epiktetos; Epictetus; Epictet; Stoa; Stoiker; Cebes Thebanus; Kebes; Cébès de Thèbes; Cebes of Thebes] * Bitte fordern Sie bei Interesse unsere umfangreichen Anmerkungen an. * * Versand mit/ shipping with Deutsche Post oder/ or DHL. - Ask for more pics ! * 2501 gr.

      [Bookseller: Heinrich Heine Antiquariat oHG]
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        Turcicum Imperium

      Siena 1640 - Acquaforte e bulino, circa 1640. Buona prova, impressa su carta vergata coeva, con margini, leggere ossidazioni, nel complesso in buono stato di conservazione. La carta deriva dalla mappa di Willelm Blaeu edita ad Amsterdam. Erroneamente attribuita in passato al Todeschi. Matteo Petrucci è editore, probabilmente di origini romane, attivo a Siena alla metà del XVII secolo, dove raccogliè l’eredità del Florimi. Carta di grande rarità. Etching and engraving, circa 1640. Good impression, printed on contemporary laid paper, with margins, light oxidation, overall in good condition. The map comes from Willem Blaeu map published in Amsterdam. Mistakenly thought to Todeschi. Matteo Petrucci is an editor, probably of Roman origin, active in Siena in the middle of the seventeenth century, where the legacy of Florimi. Work of great rarity. Dimensioni 526 410mm

      [Bookseller: Libreria Antiquarius]
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        Dalmatia et Albania et altri Stati confinanti data il luce da Stefano Mozzi Scolari .

      Venezia 1640 - Carta geografica della costa adriatica della penisola Balcanica, estesa da Zadar a Valona. Incisore ed editore, Stefano Mozzi Scolari (1598 – 1650) era a capo di un'attiva e sviluppata tipografia di Venezia, locata all'insegna delle Tre Virtu' a S. Zulian. Nel campo della cartografia solo pochi ed originali lavori venivano pubblicati dallo Scolari, che ad esempio diede nuovamente alle stampe alcune delle lastre di Bertelli e Gastaldi oltre alle carte murali dei continenti di derivazione del Blaeu; sono infatti conosciute anche le carte murali di Francia, Germania e Spagna. Nota anche una ristampa della carta murale dell’Italia di Matthaeus Greuter (1657). Incisione in rame, coloritura coeva con lievi ritocchi, in ottimo stato di conservazione. Rarissima. A very rare and detailed map of lower Balkans, from Zadar to Valona. Stefano Mozzi Scolari (1598-165) was the chief of an importnat venetian tipography, located in St. Zulian. Engraving with contemporary outline colour, very good condition. Very rare. Tooley, Mapmakers IV, 135. Dimensioni 550 505mm

      [Bookseller: Libreria Antiquarius]
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        THE PRINCE. Reprinted from the Translation by Edward Dacres published in 1640.

      London, at the De La More Press, Alexander Moring Limited, 1929, 1640. LIMITED EDITION OF 10 SPECIAL COPIES PRINTED ON VELLUM, FROM AN EDITION OF 1050, THIS IS COPY NUMBER 5.Translated by Edward Dacres and edited by W.E.C. Baynes, 1929. 8vo, approximately 240 x 165 mm, 9½ x 6½ inches, title printed in red and black, portrait frontispiece of Machiavelli after Santi di Tito, pages: xviii, [1], 1-126, full contemporary vellum with yapp edges, black lettering to spine, top edge gilt. A few pale marks to vellum binding, otherwise a very good clean plus copy. MORE IMAGES ATTACHED TO THIS LISTING, ALL ZOOMABLE, FURTHER IMAGES ON REQUEST. POSTAGE AT COST.

      [Bookseller: Roger Middleton P.B.F.A.]
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        Calabre Ultra

      Amsterdam 1640 - Carta geografica della Calabria tratta dall'opera "Nouveau Theatre de l'Italie" di Pierre Mortier, 1705. La carta è copiata direttamente da Magini, con alcune differenze nella toponomastica. Incisione in ame, coloritura coeva dei contorni, in perfette condizioni. I. Principe "Carte geografiche di Calabria nella raccolta Zerbi", p. 95 Dimensioni 500 380mm

      [Bookseller: Libreria Antiquarius]
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        Calabre Citra

      Amsterdam 1640 - Carta geografica della parte settentrionale della regione. Per la prima volta pubblicata dal Blaeu intorno al 1640; questo esemplare è tratto dalla prima edizione del "Nouveau Theatre de l'Italie" curato da Pierre Mortier, edito ad Amsterdam nel 1704. La carta si differenzia per il titolo in francese e per altri particiolari. Incisione in rame, coloritura coeva dei contorni, in ottimo stato di conservazione. Rara. Map of the Northern part of the Region. Published for the first time by Blaeu in 1640, this example is taken from the firts edition of "Nouveau Theatre de l'Italie" edited by Pierre Mortier, printed in Amsterdam in 1704. Copperplate, contemporary outline colour. Rare. Dimensioni 500 390mm [Attributes: First Edition]

      [Bookseller: Libreria Antiquarius]
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        Territorio di Verona

      Amsterdam 1640 - EDIZIONE VALK & SCHENK. Carta geografica per la prima volta edita da Janssonius nel 1640, qui nella successiva ristampa settecentesca degli editori olandesi Gerard Valk e Piter Schenk, databile ai primi anni del XVIII secolo. La carta è priva di testo al verso e mostra meridiani e paralleli. Incisione in rame, bella coloritura coeva, in ottimo stato di conservazione. Rara. Dimensioni 490 380mm

      [Bookseller: Libreria Antiquarius]
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        Sacra Famiglia con Angeli

      1640 - Acquaforte,1640-45 circa, firmato in lastra in basso a sinistra "P. Testa". Bella prova impressa su carta vergata coeva, rifilata al margine, in ottimo stato di conservazione. Il disegno preparatorio per quest’acquaforte è andato perduto, ma le grandi proporzioni e la struttura fisica degli angeli, indicano un’esecuzione ai primi anni del quarto decennio del sec. XVII, vicina a opere quali "Le Stagioni"; "Il Trionfo dell’artista virtuoso sul Parnaso" e alla pala d’altare per S. Martino ai Monti. Sulla destra, appare la stella araldica di Girolamo Buonvisi che, se non fornisce un’indicazione certa che la stampa sia stata realizzata prima del ritorno del Buonvisi a Lucca, in occasione della morte di papa Urbano VIII nel 1644, supporta comunque la datazione proposta sulla base dell’analisi stilistica. La storia del miracolo della palma che, durante la Fuga in Egitto, si piega alla volontà del Bambino producendo i suoi datteri per sfamare Giuseppe e Maria, è raccontata nel vangelo dello pseudo Matteo. L’albero qui rappresentato è un melo che rimanda all’albero della conoscenza e quindi all’albero della vita: Testa quindi riprende ancora una volta il tema sviluppato ne Il sogno di Giuseppe, cioè la Fuga in Egitto come inizio della via Crucis di Cristo. Etching, circa 1640-45, inscribed in the image in lower left "P. Testa". Good example, printed on contemporary laid paper, trimmed at margins, in very good condition. No drawings survive for this etching, but the muscular figures of the angels and the grander proportions of the other figures, indicate a date in the early 1640s, close to those of "The Season", "The Triumph of the Virtuous Artist on Parnassus" and the alterpiece for San Martino ai Monti. The heraldic star of Girolamo Buonvisi that appears on the left, does not provide absolute confirmation that the print was made before Buonvisi’s return to Lucca upon the death of Urban VIII in 1644, but it supports the stylistic evidence that the print was made close to that date. The story of meal miraculously produced by a date palm for the Holy Family on the Flight into Egypt is told by the Pseudo-Matthew. Testa inserts an apple tree, that refers to the Tree of Kowdledge and so to the Tree of Life: Testa is here taking up once more the theme developed in The Dream of Joseph that Christ undertook the Way of Cross when he fled into Egypt. Bartsh, 12; Bellini, 27; Cropper, 94 Dimensioni 299 233mm

      [Bookseller: Libreria Antiquarius]
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        Riviera di Genova da Ponente

      Amsterdam 1640 - Carta geografica tratta da "Atlas Major", edizione olandese edita ad Amsterdam intorno al 1660. Incisione in rame, bella ed insolita coloritura coeva, in ottime condizioni. ken from "Atlas Major", printed in Amsterdam around 1660. Dutch edition. Copperplate, beautuful and uncommn contemporary colour, in excellent condition. Dimensioni 500 385mm

      [Bookseller: Libreria Antiquarius]
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        Genovesato Serenissimae Reipublicae Genuensis

      Francoforte 1640 - Carta geografica tratta dalla "Neuwe Archontologia Cosmica". Incisione in rame, tracce di colla alla piega centrale, in ottimo stato di conservazione. Taken from "Neuwe Archontologia Cosmica". Coppe, signs of glue in the centre fold, in excellent condition. Dimensioni 385 310mm

      [Bookseller: Libreria Antiquarius]
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        Regiones Svb Polo Artico

      Amsterdam 1640 - Magnifico esemplare della importante carta delle regioni settentrionali di Willelm Blaeu. La carta raffigura le recenti scoperte riportate dalle esplorazioni al Polo Nord, tra la fine del XVI e l'inizio del XVII secolo. La Groenlandia presenta molti toponimi costieri e sono rappresentati sia lo Spitsberg che la Nova Zemla. Esempalre tratto da edizione tedesca del "Atlas Major" di Johannes Blaee. Incisione in rame, bellissima coloritura coeva, in perfetto stato di conservazione. A nice example of Blaeu's signature map of the North Polar Regions, with several wonderful cartouches and decorative coat of arms. Wonderful detail, both real and imaginary, throughout the map. The discoveries of the late 16th and early 17th Centuries are plainly in evidence throughout Hudson's Baffin's and Buttons Bay, along with Davis Straits. Greenland has many bays named. Spitsberg and Nova Zemla are shown, but I not in a complete fashion. 8 compass roses and 4 sailing ships. The North Pole is the center of this map which shows the coastlines of the countries in the Artic Circle.The decorative title cartouche is in the upper part of the map with cherubs and personifications of the wind and winter. In the lower right is the map legend surrounded by two Eskimos, a polar bear and a fox. A nice old color example of this highly sought after map, taken from a German edition of "Atlas Major" by Johannes Blaeu. Dimensioni 535 415mm

      [Bookseller: Libreria Antiquarius]
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        Ducato ouero Territorio di Milano

      1640. Carta geografica del milanese, tratta da "Atlas Major" di Johannes Blaeu, edito Amsterdam intorno al 1660. Map covering the area of Milan, taken from the "Atlas Major" by Johannes Blaeu. Amsterdam, circa 1660. Amsterdam Amsterdam 510 385

      [Bookseller: Libreria Antiquarius]
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        Mappa Aestivarum Insularum, alias Barmudas

      Amsterdam 1640 - Questa magnifica mappa si basa sulla relazione di John Norwood, della Bermuda Company, del 1618. Il territorio è diviso nelle originarie tribù, e nella tabella sono riportati i nomi dei primi coloni, con la relativa parte assegnata. L'isola fu scoperta nel 1515 dallo spagnolo Juan de Bernudez, che le diede il nome. Ma fu solo a partire dal naufragio del 1609 della "Sea Venture", guidata da Sir George Sommers, che l'isola venne colonizzata dagli inglesi, per diventare colonia britannica nel 1684. In omaggio all'ammiraglio, gli inglesi chiamarono l'isola Sommers o Summers Island, da qui il titolo latino di "Mappa Aestivarum Insularum". Di ulteriore interesse, la raffigurazione, nella superiore della mappa, della Virginia e di New England, mentre in basso, a sinistra, si vede la punta di Hispaniola. Una delle più più accurate e affascintanti mappe dell'epoca. Incisione in rame, coloritura coeva dei confini, in ottime condizioni. The map shows the island divided into tribes and lots, and below the map itself appear the coats of arms of Bermuda and England and the names of the first proprietors and the number of shares assigned each. A most attractive variant on the Norwood survey map. The ‘Sea Venture’ under Sir George Somers was wrecked off Bermuda in 1609 and the surviving Englishmen divided the island into Tribes (later Parishes) and Shares, which are individually listed with their owners at the foot of the map. The map's Latin title, Mappa Aestivarum Insularum, means Summer (or Somers) Island for its first leader. Shortly afterwards the Bermudas were granted to the Virginia Company, hence various references to the Company on the map including the distance to the Roanoke Colony in Virginia. The miniature map with its own scale, top left, shows the island’s position relative to the Virginian coast. Jansson derived his map from Richard Norwood’s survey which was carried out in 1622 and published by John Speed in 1627. It remains one of the most accurate and decorative maps of the period. Copperplate, original outline colour, in good condition. Palmer/Tooley, The mapping of Bermuda, plate XI. Dimensioni 520 400mm

      [Bookseller: Libreria Antiquarius]
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        Candia olim Creta

      Amsterdam 1640 - Carta geografica tratta dal "Atlas Major, edizione latina. Incisione in rame, coloritura coeva, in ottime condizioni. Nice wide margined example of Blaeu's map of Crete and surrounding islands from a Latin edition of Blaeu's Atlas. Inlcudes sailing ships and 3 cartouches. Copperplate, with nice original colour, very good condition. Zacharakis C. G. "A Catalogue of Printed Maps of Greece 1477 - 1800" (2009), n. 386 Dimensioni 530 380mm

      [Bookseller: Libreria Antiquarius]
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        Amstel Gesichies - naar Jacob van Ruisdael.

      "Amstel Gesichies"Serie van zes etsen vervaardigd door Abraham Bloteling(h) (1640-1690) naar tekeningen Jacob van Ruisdael, uitgegeven 1664 door Justus Danckerts. Afm. elk 16,4 x 21,5 cm.In de 17de eeuw breidde Amsterdam steeds verder uit, tot buiten de oorspronkelijke muren. De oude stadswallen moesten worden gesloopt voor de Vierde Uitleg. Interessant zijn de werklieden, zelden werden deze mannen met schoppen en karren afgebeeld.1. Titelblad - De prent toont de oostelijke Amsteloever met de Hogesluis in aanbouw. Rechts het afgraven van de stadswal ter hoogte van de latere Vijzelstraat. Op de voorgrond een dam in de voormalige stadsgracht.2. Links de molen bij de Blauwbrug, gezien van de jachthaven in de Amstel naar de Regulierspoort en de Munttoren. De staken zijn bakens die de loop van de toekomstige straten en grachten markeerden.3. De Blauwbrug over de Amstel. Rechts de huizen op Vlooienburg en de toren van de Zuiderkerk.4. De Jachthaven aan de Amstel buiten de Blauwbrug.5. Sint Anthonies Poort, gezien over de Sint Anthoniesdijk. Op de achtergrond de toren van de Zuiderkerk.6 ?De Heer Huydecoopers Huis van Achteren??. Op deze prent wordt de oude vestinggracht gedempt en de stadswal afgegraven. Het gebied is het latere binnenterrein tussen Reguliersdwarsstraat en de Gouden Bocht van de Herengracht. De prent toont de Reguliersdwarsstraat tijdens de aanleg in noordoostelijke richting. Links is de achterzijde van het in 1639 gebouwde huis van Joan Huydecoper van Maarsseveen, Singel 548, te zien. Boven het huis is de Munttoren te zien en helemaal rechts is de Amstel en de molen op het bolwerk bij de Blauwbrug.Literatuur: Hollstein 109-114 IIIPrijs: ?2.850,- (set van zes, incl. lijsten).

      [Bookseller: Inter-Antiquariaat MEFFERDT & DE JONGE]
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        Nova Totivs Livoniae accurata descriptio

      Amsterdam 1640 - Mappa della Repubbliche Baltiche tratta dall'edzione degli eredi Janssonius dell'Atlas Major. Incisione in rame, coloritura coeva, in ottime condizioni. Molto decorativa. Fine old color example of Jansson's map of Latvia, Lithuania and Estonia. Taken from 'Atlas Contractus', a two-volume atlas, published two years after Jansson's death by his son-in-law, Jan Jansson van Waesbergen. Latin text. KOEMAN: Me 184 & 185. KOEMAN: Me 184 & 185. Dimensioni 520 390mm

      [Bookseller: Libreria Antiquarius]
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        Of the Advancement and Proficience of Learning or the Partitions of Science...

      The first edition in English of the expanded version. 2nd state with colophon dated 1640. With both the engraved portrait frontispiece of Bacon and the elaborately engraved title page.

      [Bookseller: Steve Liddle]
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        Insulae Iavae cum parte insularum BORNEO SUMATRAE.

      - Altkolorierter Kupferstich b. Willem Blaeuw, um 1640, 42 x 51 cm Im Mittelpunkt Java, im Osten der Westzipfel von Bali, im Norden der südliche Teil von Borneo und im Nordwesten der Ostteil von Sumatra. Dekorative, prächtig kolorierte Kartousche unten links, der aufwendig gestaltete Meilenanzeiger unten rechts. ** Photos auf Wunsch im JPG-Format erhältlich.**

      [Bookseller: Kunsthandlung Goyert]
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        Della guerra di Fiandra, descritta dal. Parte prima, seconda e terza.

      Venetia, Francesco Baba 1640 - 4º (23,3 x 16,3 cm.) 3 partes encuadernadas en un mismo volumen. Frontis grabado al cobre por Bloemaert, grabados en madera en cada una de las tres portadas. Pergamino de época, rotulación en lomo. Ejemplar muy limpio y en perfecto estado de conservación. Bentivoglio fue Embajador Pontificio en Flandes mientras tuvieron lugar las guerras de religión entre España y los Países Bajos lo que le permitió escribir la obra de primera mano. Palau, 27604 [Attributes: Hard Cover]

      [Bookseller: Delirium Books · Susana Bardón]
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        Africa antique map - Bleau, c. 1640.

      ?Africae nova descriptio? Copper engraving with outline colour to cartographical image and full colour to pictorial borders. Published in Amsterdam by Willem Jansz. and Joan Blaeu c. 1640. Size: 41 x 55,5 cm. In handsome walnut frame.This is a cornerstone map of Africa and is one of the better known, more decorative maps of Africa of the seventeenth century.The map shows major African towns across the top: Tangiers, Ceuta, Algiers, Tunis, Alexandria, Cairo, the island of Mozambique, The Mine at St. George in Guinea and Canaria in the Canary Islands. The left and right borders show various indigenous costumes: Moroccans, Senegalese, traders in Guinea, Congolese, Egyptians, Abyssinians, Mozambicans, the king of Madagascar and inhabitants of Cape of Good Hope.The body of the map is richly embellished with animals, including elephants, monkeys, ostriches, gazelles, lions, cheetahs and camels. In the oceans are numerous sailing ships, sea monsters, flying fish, and a gorgeous compass rose. Much of the geographical information is still based on the Ptolemaic maps, with the Nile shown with its source in the Lakes Zaire and Zaflan. Also included are various other mythical lakes and rivers including the famous Lake Sachaf. Only coastal towns are named on the Cape, with the printing covering much of the unknown territory.Willem Janszoon, or Willem Jansz. Bleau (1571-1638) as he was to be later more commonly known, was one of the noted Dutch cartographers and map publishers of the seventeenth century. After preparation as a pupil of the great Danish astronomer Tycho Brahe, Bleau initially concentrated on globemaking and separately published maps, including wall maps of the continents. From 1608, he dominated the market for wall maps and sea atlases, and in 1630 produced his terrestrial atlas. These atlases were continued by his sons Joan (c. 1599-1673) and Cornelis (1610-1644), culminating in the great Atlas Maior of 1662 in 11 volumes by Joan Bleau with subsequent editions. On February 23, 1672 a fire at the offices of the Bleau publishing effectively ended the successful Bleau business. Joan died after the fire in 1673, and, though Joan II continued the business for some time, many of the plates were auctioned shortly thereafter. This map was not reprinted after 1672 as the Africa copperplate is not known to have survived the fire. The Spanish edition of the Atlas Maior was in the process of being printed, including the section on Africa with this map of Africa, when the fire occurred.Blaeu?s maps set the standard for the quality of the engraving, paper and colour, as well as a fine depiction of contemporary geographical knowledge.Price: ?3.500,- (incl. frame) (BTW/VAT margin scheme).

      [Bookseller: Inter-Antiquariaat MEFFERDT & DE JONGE]
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        Asia antique map - Willem Blaeu, 1640.

      MAP OF ASIA"Asia Noviter Delineata." Carte-a-figures by Willem Blaeu depicting the native manners of dress, and nine city plans and views at the top. Copper engraving printed in 1640, coloured by a later hand. Size 41 x 55,2 cm.A fine example of Willem Blaeu's famous map of Asia. Like the Blaeu Africa map, this is a map that appeals both to a sense of cartographic history and to an aesthetic sense of beauty. This is a cornerstone, folio-size map of Asia and is one of the better known, more decorative maps of Asia of the 17th century. This map is basically a reduction of Blaeu's wallmap of Asia of 1608. The map contains extensive details on what was known of Asia in the early 17th century. Korea is still an enlonged island. Japan has a predominantly east to west direction. In China, the Great Wall is shown along with the in-land lakes.Willem Janszoon, or Willem Jansz Blaeu (1571-1638) as he is more commonly known, was one of the most noted Dutch cartographers and map publisher of the 17th century. Blaeu's maps are "esteemed by collectors for their decorative quality, historical importance, and as the highest expression of Dutch cartographic art during the period of its supremacy" (Tooley, p 28).After preparation as a pupil of the great Danish astronomer,Tycho Brahe, Blaeu initially concentrated on globe making and separately published maps, including wall maps of the continents. From 1608, he dominated the market for sea atlases and in 1630 produced his terrestrial atlas. These atlases were continued by his sons, culminating in the great Atlas Maior of 1662 in 11 volumes with subsequent editions.The map is in its 3rd state. The 1st state of 1617 was issued separately and has the name of "Willem Jansz" (not Blaeu) in the title cartouche. This state is rare and is virtually impossible to acquire. The 2nd state of 1621-30 has the name changed to "Guiljelmo Blaeuw" in the title. Price: ?2.850,- (excl. VAT/BTW).

      [Bookseller: Inter-Antiquariaat MEFFERDT & DE JONGE]
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        Fürstliche Schatz- und Rent-Cammer [Rentkammer]. Nebst seinem Tractat vom Goldmachen, wie auch vom Ministrissimo oder Ober-Staats-Bedienten .

      8, Titelbl., 15 Bl. Zueignung und Vorwort, 484 S. m. 3 Tabellen (davon 1 auf mehrfach gefalteter Falttab.), 6 Bl. Register, (Neuerer?) Interims-Kart., Im Satzspiegel oft etw. gebräunt, nur sehr vereinzelt min. fleckig unaufgeschnittenes, gutes Ex. Frühe Ausgabe zweier ursprünglich einzeln erschienener Werke des Kameralisten Wilhelm von Schröder (1640 - 1688), tätig am Hof Kaiser Leopolds I. in Wien.

      [Bookseller: antiquariat peter petrej]
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