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        Regimen sanitatis Salerni, or, The schoole of Salernes regiment of health... inlarged with a comentary... Whereunto is annexed, a necessary discourse of all sorts of fish, in vse among vs, with theyr effects, appertayning to the health of man.

      Small 4to, [8], "200" [218], [13] p., signed blank before title (signature mark A in ornamental frame), marginal tear in B1, light waterstain towards beginning, some spotting at end, contemp. brown morocco, skilfully rebacked with spine laid down, a very nice copy.The 12th-13th century poem of medical advice given in Latin with the verse translation by Philemon Holland (his only essay into verse?) "Hee that takes Garlicke early in the morne / Needs let no drinke by him to be forborne." With translation by Thomas Paynell of the commentary by Arnaldus de Villanova, and an appendix on fish as healthy food.

      [Bookseller: Sevin Seydi Rare Books]
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        CHRONOLOGIA PRAESULUM LODOVENSIUM. Authore Ioanne Plantavitio de La Pause, Episcopo Lodovensi. Comite et domino Montis-bruni. Ad Eminentissimum Cardinalem Ducem de Richelieu, potentissimum totius Impery Galliei administrum.

      1634Sans lieu ni nom d'éditeur (Aramontii [Aramon] Sumptibus authoris, in usum Cleri Lodouensis), 1634. In-quarto (233 X 182) vélin souple de l'époque ; (1) f. blanc, (10) f. de titre, dédicace au cardinal de Richelieu, poème, avis au lecteur, nomenclature des évêques, 413 pages, (1) f. blanc, 52 pages (nomenclatures et index). Traces de deux cachets anciens effacés en queue de la page de titre, petit manque de papier en marge du titre. UNIQUE et RARE EDITION de cette "Chronologie des évêques de Lodève", biographie des 102 évêques qui se sont succédés à la tête du diocèse de Lodève depuis le IVe siècle jusqu'en 1633, avec celle de l'auteur de l'ouvrage (pp. 406-413). L'auteur, Jean de Plantavit de La Pause (1579-1651), érudit et prélat français, est né dans le Gévaudan bien qu'il soit issu d'une illustre famille d'Italie, les Strozzi. Il fut nommé évêque de Lodève en 1625, mais proscrit par Richelieu au moment de l'affaire de Montmorency, il cherche refuge dans les montagnes auprès des paysans, et enfin absout, regagne son siège épiscopal de Lodève où il ne s'occupe plus que de travaux littéraires. Les bibliographes du XIXe siècle se sont inquiétés de savoir quel imprimeur avait bien pu oeuvrer à cet ouvrage, d'ailleurs le seul connu comme imprimé à Aramon au XVIIe siècle. L'érudit DESBARREAUX-BERNARD penchait pour le toulousain Arnaud Colomiès, d'autres tels Labande et Emile Bonnet l'estimaient sorti des presses de J. Piot en Avignon. (DESCHAMPS & BRUNET, supplément, II, 249 - DESGRAVES, Répertoire bibliographique des livres imprimés en France au XVIIe, IX, Aramon n°1). BEL EXEMPLAIRE, d'une grande fraîcheur, orné d'un joli titre gravé. NICE COPY. PICTURES AND MORE DETAILS ON REQUEST.

      [Bookseller: Librairie ancienne & Moderne Eric Castér]
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        Relazione del contagio stato in Firenze l'Anno 1630. e 1633. Con un breve ragguaglio della Miracolosa Immagine delle Madonna dell Impruneta.

      In Firenza, Gio : Batista Landini, 1634 ; in 4°, vélin de l'époque, titre manuscrit au dos ; [16], 284, [4] pp. ; (signatures : †, ††, A-Z, Aa-Nn4).Edition originale rare. En Italie, pendant la guerre de trente ans, des soldats allemands et français introduisent la peste à Mantoue en 1629 ; elle va ravager toute la Lombardie et le Vénétie et provoquer la mort d'environ 280 000 personnes et sera nommée "la grande peste de Milan" de 1629 à 1631, elle affecte Florence en 1630-1633 et le sud de l'Italie vingt ans plus tard. Les pertes oscillent, selon les régions, entre 10% et 50% de la population soit un total d'environ 1 000 000 d'individus. Le culte de la Vierge d'Impruneta à Florence, remonte de façon certaine au fléau de la peste noire de 1348 ; un des grands moment de cette ferveur populaire concerne justement l'épidémie de peste de 1630 à 1633 ; la procession de 1633 a duré trois jours et elle était présidée par Christine de Lorraine et le grand duc de Toscane Ferdinand II ; peu de temps après, le fin de l'épidémie a été proclamée le 2 octobre, ce qui donna lieu à une procession de remerciements avec des offrandes somptueuses présentées au Musée. Le culte de la Vierge d'Impruneta est toujours très populaire actuellement. Deux petits manques de vélin au mors supérieur en pied et sur le plat, sinon bel exemplaire.

      [Bookseller: Librairie Ancienne Clagahé]
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        Recreations mathematiques composées de plusieurs problemes plaisans & facetieux d'Arithmétique, Geométrie, Astrologie, Optique, Perspective, Mechanique, Chymie & d'autres & raes curieux secrets : Plusieurs desquels n'ont jamais esté Imprimez. Premiere et seconde partie. La troisième partie contient un Recueil de plusieurs gentilles & récréatives inventions de feux d'artifice : la manière de faire toutes sortes de fuzées, simples & composées : le tout représenté par figures.

      A Rouen chez Charles Osmont 1634 3 parties en 1 vol. petit in-8 de (4)-220 pp. (4)-72-(14) pp. (2)-47-(3) pp., vélin (reliure de l'époque). Deuxième édition rouennaise en trois parties illustrées, sortie une première fois des presses de Charles Osmont en 1628. L'édition originale (première partie seule) a paru à Pont-à-Mousson en 1624. Le Père Jean Leurechon (1591-1670) mathématicien et confesseur de Charles III, enseigna pendant seize ans la philosophie et les mathématiques avant de devenir recteur du collège de Bar. C'est dans cet ouvrage que l'on trouve la première idée du télégraphe (problème 65 : Le moyen de faire un instrument qui face ouyr de loing, & bien clair : comme les lunettes de Galilée font voir de loing & bien gros). Avant le Père Leurechon avait paru à Lyon en 1612 les Problèmes plaisans et délectables qui se font par les nombres, ouvrage analogue de Bachet de Méziriac mais strictement mathématique ; après lui, Ozanam publia ses Récréations mathématiques et physiques - le nom de celui-ci est d'ailleurs copié à l'encre du temps sur le titre de notre exemplaire. On attribue généralementt la troisième partie partie consacrée aux feux d'artifices à Jean Appier Hanzelet, le premier imprimeur des Récréations mathématiques (Pont-à-Mousson, 1624) auteur de plusieurs traités de pyrotechnie publiés dans sa ville (Brunet, I, 358). Nombreux bois gravés dans le texte ; chaque partie a sa propre page de titre . Note manuscrite au verso du deuxième titre : J'ay examiné tout ce volume. Exemplaire partiellement dérelié, vélin bruni, page de titre salie et large mouillure sur les deux tiers du volume (principalement les première et troisième parties). Brunet, IV, 1140 ; De Backer Sommervogel, IV, 1757.

      [Bookseller: Bonnefoi Livres Anciens]
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        The workes of that famous chirurgion Ambrose Parey

      London: Th: Cotes and R. Young, 1634. Paré, Ambroise (1510? – 1590). The workes of that famous chirurgion Ambrose Parey translated out of Latine and compared with the French . . . Translated by Thomas Johnson. Folio. Engraved title by T. Cecil, [12], 487, 553-1083, 1093-1173, [23]pp. Over 300 woodcut illustrations, some full-page. London: Thomas Cotes & R. Young, 1634. 333 x 211 mm. Calf ca. 1634, expertly rebacked. Repairs to both free endpapers and blank corner of last leaf, minor toning in a few leaves, light marginal waterstaining on a few leaves, but on the whole a fine, crisp copy. First Edition in English. Paré’s collected works, first published in French in 1575, represent the greatest and most influential book in Renaissance surgery, and the first original surgical writing in Europe since the Middle Ages. Paré’s innovations in treatment are extraordinarily comprehensive, ranging from his opposition to boiling oil in gunshot wounds and ligature instead of cautery in amputations to his revival of podalic version in obstetrics. He popularized the truss in hernia, and ushered in the modern age of prostheses and brace-making, using armorers, whose trade was disappearing with the advent of gunpowder, to manufacture his devices. “Paré used rope and windlass traction for femoral fractures and was able to distinguish hip dislocation from fracture of the femoral neck. He confirmed the cord compression in vertebral fractures that had been recognized by the Egyptians and Hippocrates . . . Paré used appliances and methods rather like those of Hippocrates for reducing hip and shoulder dislocations, and one or two special to himself. He describes displacement of the ‘appendices’ (i.e. epiphyses) of the long bones, to be restored if deformity is to be avoided, and reduced neck dislocations by manipulation and traction . . . ” (Le Vay, History of Orthopedics, pp. 224-25; also 222-230). Paré anticipated Andry in pointing out the role of bad posture in scoliosis, was the first to use corsets to correct spinal deformities, and invented boots for clubfoot. His surgical and orthopedic devices are amply illustrated in the English first edition of his work, which contains over 300 fine woodcut illustrations. Most of Johnson’s English translation was based on the first Latin edition of 1582, made from the second edition of the French Oeuvres (1579); however, the “Apologie and treatise,” not having yet appeared in Latin, was translated directly from the French. It has been debated whether the translator was the same Thomas Johnson who edited Gerard’s Herball; Doe suggests that Johnson may have revised an earlier translation of the surgical books made by George Baker, adding to it his own translation of the medical books (see Doe, pp. 172-181, for a full discussion of the evidence). The woodcuts were probably copies of those in the 1582 Latin Opera, except for those illustrating the anatomical books, which were taken from the Helkiah Crooke’s Microcosmographia (1615; 1631), a translation of Gaspard Bauhin's Theatrum anatomicarum (1605). This copy contains what is thought to be the earlier version of the dedication to Lord Herbert of Cherbury, in which he is given the title “Knight of the Garter” and addressed as “Sir” (see Doe, p. 171). Doe, A Bibliography of the Works of Ambroise Paré, no. 51. Norman 1640. S.T.C. 19189.

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        2 Vol. 1: Recueil des Tiltres, qualités, blazons et armes des Seigneurs Barons des estats generaux de la Province de Languedoc / 2: . des Prelats .

      - 1: Recueil des Tiltres, qualités, blazons et armes des Seigneurs Barons des estats generaux de la Province de Languedoc, tenus par Le Prince de Conty, Montpellier 1634. Imp. Scipio Iasserme, Lyon 1635 (ca. 70 St., s-w-Abb., letztes Blatt verso mit mont. Errata-Zettel) / 2: Recueil des Tiltres, qualités, blazons et armes des Prelats des estats generaux de la Province de Languedoc, tenus par Le Prince de Conty, Montpellier 1634. Imp. Scipio Iasserme, Lyon 1635 (ca. 70 St., s-w-Abb., letztes Blatt verso mit mont. Errata-Zettel). Die Bände gebunden um 1850 (mit Rückenlederbeschriftung), Blöcke je fleckig und mit Läsuren, Besitzervermerke eines „Barrau" anno 1655. 2: Titelei mit Eckfehlstelle, Block oben mit Brandloch am Rand, wenige Seiten mit handschr. Skizze. Bd. 2 dazu mit aufmontiertem handschr. Widmungsblatt: „Ce livre ma este donne le 18 decembre 1655 a Pezenas a la Tenue des eszas generaux au Jestois, Depute de la Ville Foyalle de Mazneich par celui qui la off. et cedie a toute da pr. de Languedoc, Barrau » [???]

      [Bookseller: Cassiodor Antiquariat]
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        L'angelo appare ai pastori

      1634. Acquaforte, puntasecca e bulino, 1634, firmato e datato in lastra in basso a destra. Esemplare nel terzo stato finale, con le ombre sull'albero aggiunte. Bellissima prova, impressa su carta vergata priva di filigrana, con margini, lievissime bruniture della carta, per il resto in perfetto stato di conservazione. Questa bellissima opera di Rembrandt rappresenta la prima scena notturna interpretata dall'artista con l'uso dell'acquaforte. Questa tecnica gli consentiva di sfruttare nuove potenzialità rispetto al passato, ottenendo un intenso contrasto tonale che sarà più evidente e caratterizzerà le opere incise nel periodo 1640 - 50. In questo tipo di lavori, l'artista con l'uso dell'acquaforte e della puntasecca crea delle tonalità di nero vellutate, a emulare la tecnica del mezzo tinto, che peraltro non risulta mai usata. La composizione descrive con toni melodrammatici il timore suscitato nei pastori dalla comparsa dell'angelo; le figure insolitamente piccole nel rapporto d'insieme, contribuiscono a dare uno slancio barocco alla composizione. L'opera è assolutamente complessa e ricercata, come poche incisioni di Rembrandt. Solitamente quando le sue stampe presentano un alto livello di finitura, derivano da un prototipo dipinto o disegnato, tuttavia, nessun'altra variante di questo soggetto è a noi nota. Una delle più ricercate opere di Rembrandt. Etching, drypoint and engraving, 1634, signed and dated in plate at lower right. Example in the third final state, with the shadows on the tree added. A beautiful impression, printed on laid paper without watermark, with margins, very slight burnishing of the paper, otherwise in perfect condition. This beautiful work of Rembrandt is the first night scene interpreted by the artist with the use of the etching. This technique allowed him to take advantage of new capabilities than in the past, resulting in an intense tonal contrast that will be more noticeable and will feature the works recorded in the period 1640 - 50. In this type of work, the artist with the use of etching and drypoint creates shades of black velvet, to emulate the technique of half dyed, which, however, is never used. The composition describes melodramatic fear aroused by the appearance of the angel to the shepherds, the figures unusually small in relationship together, help to give a boost to the Baroque composition. The work is very complex and sophisticated, like few engravings by Rembrandt. Usually when his prints have a high degree of finish, are derived from a prototype painted or drawn, however, no variation of this subject is known to us. One of the most exquisite works of Rembrandt White & Boon 44 III/III; Martin Royalton - Kisch in Rembrandt, Dipinti, Incisioni e riflessi sul '600 e '700 italiano, p. 105, 21. 218 262

      [Bookseller: Libreria Antiquarius]
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        Sacrum sanctuarium crucis et patientiae crucifixorum et cruciferorum, emblematicis imaginibus laborantium et aegrotantium ornatum

      1634 - Antverpiae 1634. Ex Officina Plantiniana Balthasaris Moreti. 4, k. 10 nlb., s. 674, k. 9 nlb., frontispis, 70 miedziorytów na osobn. tabl., 6 miedziorytów w tekÅ›cie, opr. sk. wspóÅ‚cz. Exlibris. Åšlady niew. zawilg. Stan b. dobry. DzieÅ‚o opisuje i ilustruje mÄ™czeÅ„stwo ChrzeÅ›cijan za wiarÄ™ Każdy miedzioryt pokazuje sceny ukrzyżowania wykonanego różnymi metodami. 70 copperplates on the whole leaves, 6 copperplates in the text. [Attributes: Hard Cover]

      [Bookseller: Antykwariat Wójtowicz]
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        Les entretiens curieux d'Hermodore, et du voyageur incognu, divisés en deux parties, par le sieur de Sainct Agran

      En la boutique de jean Pillehotte, 1634. - En la boutique de jean Pillehotte, A Lyon 1634, in-4 (16x23,5cm), (20) 719pp. (1bc.) 66p., relié. - Prima edizione, rara. Monitoraggio di "prove a sostegno, che esclatter la verità di questo lavoro", impaginato separatamente, in latino. Il libro è citato in QUERARD, bufale letterarie. Privilegio del 4 febbraio 1634. Un titolo vignetta. Periodo Pergamena completo. Smooth indietro rispetto alla penna nera. Macchie scure sul coperchio anteriore, tracce di lacci. Torna staccato dalla rilegatura, il libro non si limita a prendere una cucitura. La prima pagina è mancante. Il lavoro controverso è stato originariamente rilasciato in risposta a un libro di Jean Pierre Camus, direttore spirituale disinteressato. Il libro è diviso in diverse interviste, tra cui la decorazione di chiese e diversi punti di dottrina, ma è soprattutto una dichiarazione della vita monastica, e un approccio storico dettagliato e monaci e gli usi monastici sul lavoro, salari dei ... Jacques Chevanes appartenevano all'ordine dei Cappuccini, ha usato diversi pseudonimi per firmare la stesura delle sue opere, tra cui Jacques d'Autun. - [FRENCH VERSION FOLLOWS] Edition originale, rare. Suivi des "Preuves justificatives, qui font esclatter le verité de cet oeuvre", paginées séparément, en latin. L'ouvrage est cité dans Querard, Supercheries littéraires. Privilège du 4 février 1634. Une vignette de titre. Reliure en plein Parchemin d'époque. Dos lisse avec titre à la plume noire. Tâches brunes sur le premier plat, traces de lacets. Dos désolidarisé de la reliure, le livre ne tenant plus que par une couture. La première page de garde est absente. L'ouvrage de controverse a été initialement publié en réponse à un livre de Jean Pierre Camus, Le directeur spirituel desintéressé. Le livre est divisé en plusieurs entretiens, notamment sur l'ornementation des églises et divers points de doctrines, mais il est surtout un exposé de la vie monacale, et une approche détaillée et historique des moines et des usages monastiques, quant au travail, aux salaires... jacques de Chevanes appartenait à l'ordre des Capucins, il s'est servi de plusieurs pseudonymes pour signer la rédaction de ses oeuvres, dont Jacques d'autun.

      [Bookseller: Librairie Le Feu Follet]
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        Theologia moralis

      Apud Ioannem Meursieum, 1634. - Apud Ioannem Meursieum, Antverpiae (Anvers) 1634, in-folio (23x39cm), (12) 1016pp. (1) 198pp., relié. - Nuova edizione, dopo l'originale è stato pubblicato nel 1625. Testo in due colonne scritte in piccolo. Periodo di pelle piena impresso sul ais scrofa legno smussato. Torna ai nervi giansenista. Etichettare come carta con inchiostro sbiadito. Grande piatto di piatti freddi, set di cornice floreale uno con un fregio di santi aureola con un nome. Medaglione centrale. Catenacci in ottone, senza lacci che rimane l'embrione in piano inferiore. 4 tavole di bronzo di piccole dimensioni collocati sui bordi vicino caps. Wormholes. Alcune macchie gialle sul piatto inferiore. Molti fogli dorati. Wormholes su fogli di custodia. Primo foglio di guardia mancante. Bellissimo esemplare di una pelle di cinghiale stampato vincolante. La più famosa opera dell'autore e goduto di un certo successo. Questa teologia morale abbraccia tutti gli aspetti della teologia morale ed etica (la fede, la giustizia, il peccato, la coscienza, scomuniche, ecc.). Si noti che critica Laymann persecuzione delle streghe. Originariamente Innsbruck Laymann, gesuita, ha insegnato teologia, la filosofia e la grammatica in Ingolstadt, Monaco e Dillingen. 2 buffer: Biblio. Trever; Bibliothek Geisthingen - [FRENCH VERSION FOLLOWS] Nouvelle édition, après l'originale parue en 1625. Texte sur deux colonnes en petits caractères. Reliure en pleine peau de truie d'époque estampée sur ais de bois biseautés. Dos à nerfs janséniste. Etiquette de titre de papier avec encre estompé. Grande plaque à froid sur les plats, série d'encadrement floraux dont un avec une frise de personnages saints auréolés portant un nom. Médaillon central. Fermoirs de laiton, sans les lacets dont il reste l'embryon sur le plat inférieur. 4 petites plaques de laiton placées sur les bordures proches de coiffes. Trous de vers. Quelques taches jaunes sur le plat inférieur. Nombreux feuillets brunis. Trous de vers sur les feuillets de garde. Premier feuillet de garde manquant. Beau spécimen d'une reliure en peau de truie estampé. Oeuvre la plus célèbre de son auteur et qui connut un succès certain. Cette théologie morale embrasse tous les aspects théologiques de la morale et de l'éthique (foi, justice, péché, conscience, excommunications, etc.). On notera que Laymann critique les persécutions des sorcières. Originaire d'Innsbruck, Laymann, savant jésuite, enseigna la théologie, la philosophie et la grammaire à Ingolstadt, Munich et Dillingen. 2 tampons : Bibl. Trever ; bibliothek Geisthingen

      [Bookseller: Librairie Le Feu Follet]
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        La Supplica. Discorso famigliare diretta (sic) à quelli che scrivendo o parlando trattano de Comici trascurando i meriti delle azzioni virtuose. Lettura per que' galanthuomini che non sono in tutto critici, ne affatto balordi. Venezia, per Marco Ginammi, MDCXXXIV (1634)

      Ginammi Marco, 1634. in - 8, pp. (16, compr. le prime 2 bianche), 233, (3), leg. coeva p. perg. molle, tit. ms. al dorso. Caratteristico stupendo frontespizio, inciso in rame, con un uomo in maschera in costume che sorregge una locandina su cui è scritto il titolo. Fregi ed iniz. silogr. Dedica dell'autore a "Lodovico il Giusto re di Francia, e di Navarra" (Luigi XIII). Seconda edizione (la prima, senza le parole "La supplica" nel titolo come la presente, era apparsa a Ferrara nel 1628) Rara, importante e curiosisima opera polemica in difesa della professione dei comici e della commedia. In fine (pp. 216 - 233) vi è ristampato il breve "Trattato sopra l'arte comica", già apparso a Genova nel 1627. Come nota il Sanesi (II, p. 49), alcuni tra i più noti comici del XVII secolo, oltre il Barbieri (P.M. Cecchini, G.B. Andreini, F. Scala, G.P. Fabri, L. Riccoboni), furono costretti a pubblicare delle opere polemiche per difendersi dai durissimi attacchi di molti teologi e moralisti che, in contrasto con l'atteggiamento benevolo di una parte del clero, "proseguendo la tradizione cattolica medievale, combattevano tenacemente il teatro e scagliavano contro l'arte corrotta e corrompitrice dei comici le accuse più veementi". L'intenzione particolare di questa "supplica" al suo protettore Luigi XIII, da cui aveva ricevuto grandi onori nel periodo trascorso a Parigi, fu quella di difendere la sua prima commedia, rappresentata e "storpiata" da tutte le compagnie teatrali, "L'Inavvertito, ovvero Scapino disturbato, e Mezzettino travagliato", apparsa a Torino nel 1629, più tardi imitata da Molière nello "Étourdi" (1653) ed ispiratrice di alcune scene dello "Amant indiscret" di Philippe Quinault (1654). Il Barbieri (Vercelli 1576 - Modena 1641), fu stimato ed affermato autore di teatro e comico di gran successo. « Niccolo Barbieri est un des plus célèbres Beltrame, si non le créateur du type. Il avait fait partie de la troupe des Gelosi, puis des Fedeli.. Il a écrit un très curieux ouvrage, La Supplica.. » (Duchartre, La Comédie italienne, 1924, p. 162). Buon esempl., genuino (con lievissimi aloni d'umido).

      [Bookseller: Libreria Antiquaria Pregliasco]
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        [The whole works of Homer; prince of poetts In his Iliads, and Odysses].

      London: Printed [by Richard Field, William Jaggard, and Thomas Harper] for Nathaniell Butter Folio (28.1 cm; 11.125"). [26], 341, [9]; [12], 195–349, 352–76, [2] pp. Lacks engr. t-p. and 5 blanks.. [1634?] Chapman (1559/60–1634) completed translations of Homer's Iliad and Odyssey — long considered to be the definitive English versions — in 1611 and 1615 respectively, after several adventures as a playwright, including a short period of imprisonment with Ben Jonson for their anti-Scottish play Eastward Ho. In 1616, his two epic translations appeared with a general title-page proclaiming the volume Homer’s Works. The ESTC considers that 1616 volume to have been a “reissue of STC 13634 [the 1611 Iliad] and 13637 [the 1615 Odyssey]" and this, the 1634 edition, to be “a later state of STC 13624 [i.e., the 1616 Works]." The volume in hand contains a reprinting of The Iliads, The Odysses with a cancel letterpress title-page, and a cancel leaf from the dedicatory epistle of The Odysses, all printed by Thomas Harper as described in the ESTC. In simplified, perhaps less technical terms, it represents the second printing of the first collected issuance of Chapman’s Iliad and Odyssey in one volume, wherein a previous owner or dealer has substituted the engraved title-page from the 1611 edition of The Iliads for the missing engraved title-page for The Works, eliminating also five blanks! Provenance: Signature of journalist and author William Agnew Paton dated 1896 on upper margin of title-page in ink and on front endpaper dated 1898 in blue crayon; Paton also added a presentation inscription in 1911 to Lewis Buckley Stillwell, a president of the American Institute of Electrical Engineers and long a trustee of Princeton University. Stillwell wrote an inscription to his son Richard in 1831, a year before Richard became the director of the Princeton-associated American School of Classical Studies in Athens. Later in the collection of Classicist Pierre A. MacKay (1933–2015), a Classicist also with Princeton associations. 19th-century mottled calf with gilt-lettered leather label and gilt-stamped compartments on spine, covers delicately framed in gilt double-rules around simple gilt triple-ruled rectangle with crown stamps at corners, all edges gilt; endpapers chipping, binding worn and abraded, text resewn and reattached to binding, rebacked with 19th-century spine laid on. Marked and lacking title-page and five blanks as above, light pencilling on endpapers, a few very short tears at margins, one leaf with ink spotting; light to moderate age-toning with the occasional spot.

      [Bookseller: Philadelphia Rare Books & Manuscripts Co]
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        HISTOIRE GENERALE DE FRANCE AVEC L'ESTAT DE L'EGLISE ET DE L'EMPIRE, TOMES III, IV, V

      1634. Chez Claude Sonnius, Paris. 1634-1637. In-Folio.Carré. Relié demi-cuir. Etat d'usage. Plats abîmés. Dos à nerfs. Mouillures. 203 pages + Table, 412 pages + Table, et 473 pages + Table. Tomes III, IV et V en un volume. Belles gravures en noir et blanc en frontispices et page de titre. Bandeaux et lettrines ornés en noir. Reliure demi-veau havane du XIXe siècle. Auteur, titre et filets dorés sur le dos. Manques en surface des plats. Quelques déchirures et mouillures. Par M. Scipion Dupleix, Conseiller du Roy en son Conseil d'Estat & Privé, & Historiographe de Sa Majesté. Tome III: Histoire de Henry III du nom. Tome IV: Histoire de Henry le Grand, IV du nom, Roy de France et de Navarre. Tome V: Histoire de Louis le Iuste, XIII du nom, Roy de France et de Navarre. Avec Privilège du Roy.

      [Bookseller: Le-Livre.Com]
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        The History of the World

      Walter Burre, G. Lathum and R. Young 1634 - Nicely re-backed copy in full leather with raised bands on spine and orange and gilt title band. Frontispiece has date of 1614, but final page is dated 1634. Maps include: The Great Desert of Arabia, Indium Pelagus, Arabia the Happie, A Description of the Land of Golen and Moses Passage Through the Desert, Syracula/The African Sea, The Desert Arabia/ Arabia the Stonie, an engraving depicting the Roman army and Hannibal's army, an engraving depicting Asdrubal and the Africans and, at the back, A Chronologicall Table. Binding is solid and square. Interior pages are in very good condition, a few have been professionally repaired with tissue. The first 20-30 pages have a compression impression as though a square object was placed in the book and, subsequently, weight placed on top. A nice copy, nonetheless. [Attributes: First Edition; Hard Cover]

      [Bookseller: Jackson Street Booksellers]
 14.   Check availability:     IberLibro     Link/Print  


        Fossa Eugeniana quae a Rheno ad Mosam duci coepta est, Anno CICICCXXVII ductu Comutis Henrici van den Berge. - Amstelodami Sumptibus Henrici Hondij.':.

      - Altkolorierter Kupferstich v. Henricus Hondius aus Atlas ofte Afbeeldinghe van de gantsche Weerldt . b. Johannes Janssonius (Jansson) in Amsterdam, 1634, 37,5 x 49,5 van der Krogt, Koeman's Atlantes Neerlandici, Vol. I, 3790:1.1; Pistor-Smeets, Die Fossa Eugenina, S. 72, Nr. 3.1.4.2. - 2. Zustand der Fossakarte von Hondius. - Die Karte hier mit Belagerungsring um Rheinberg. - Zeigt das Gebiet zwischen anten, Moers, Krickenbeck und Maaslauf. - Unten rechts Titelkartusche. - Unten links Kartusche mit Meilenzeiger und Verlegeradresse. - Unten mittig Kartusche mit Erklärungen.

      [Bookseller: Antiquariat Norbert Haas]
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        Dans les bois d'Andilly. (Auguste de Chatillon.) Morceau pour chant et Piano. Autograph musical manuscript signed in full and dated 1870. The complete work

      Published as a separate piece by Durand & Sch?newerk in Paris [PN D.S. & Cie. 1634], [1873]). "Godard composed works in most genres with the exception of church music, but ultimately he made his reputation as a composer of salon pieces for piano and of songs, albums of which were translated into English... His early promise did not really develop in his later works, although his early death from consumption meant that he had no chance to mature fully as a composer... His songs have considerable charm and one or two numbers from his operas have survived in the repertory in their own right." Richard Langham Smith in Grove Music Online. Louise Mercy d'Argenteau (born Marie-Clotilde-Elisabeth Louise de Riquet, 1837-1890), the dedicatee, became famous for her championship of Russian nationalist composers, especially Alexander Borodin and César Cui. Auguste de Chatillon (1808-1881) was a painter and poet.. Folio (330 x 255 mm). Title + 7 pp. Notated in ink on systems with 3 staves, one for solo voice ("Chant") and two for piano, on 16-stave paper with small octagonal blindstamp of Lard-Esnault, Paris to upper inner corners. With autograph dedication to head of title: "à Madame La Comtesse Mercy d'Argenteau." With text in French. A fair copy. Slightly browned, a bit heavier at margins; some show-through; occasional smudges. Closely trimmed at lower edge, just affecting notation in several instances.

      [Bookseller: J & J Lubrano Music Antiquarians LLC]
 16.   Check availability:     IOBABooks     Link/Print  


        C. Cornelius Tacitus ex I. Lipsii accuratissima editione

      ex Officina Elzeviriana 1634 12mo (cm. 11,9), opera legata in 2 Voll., 10 cc.nn. (compreso frontis. interamente inciso ed una tav. a piena pagina), 432 pp.; da p. 433 a p. 786, 15 cc.nn. Splendide legature coeve in marocchino rosso con nervi, ricchissimi fregi e titolo in oro su tassello nero al ds. Piatti incorniciati da duplici fili oro, dentelle decorate, tagli oro. Carte di guardia marmorizzate con disegno a pettine. Piccole mancanze alle cuffie superiori, ma nel complesso ottimo esemplare. Willems (415): â??Lâ??édition est fort belle et très recherchéeâ??. Provenienza: collezione Wardington (Ex libris cartaceo ai contropiatti posteriori).

      [Bookseller: Libreria Antiquaria Ex Libris s.r.l.]
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        THE COMPLEAT GENTLEMAN and THE GENTLEMANS EXERCISE. Fashioning him absolute, in the most necessary and commendable Qualities concerning minde or bodie that may be required in a Noble Gentleman.

      London, printed for Francis Constable, 1634.. Whereunto is annexed a description of the order of a maine Bataile or Pitched Field, eight severall wayes: with the Art of Limming and other additions, newly enlarged, by Henry Peacham Master of Arts: Sometime of Trinitie Colledge in Cambridge. Includes "The Gentlemans Exercise" Or, An exquisite practise, as well for drawing all manner of Beasts in their true Portraitures: as also the making of all kinds of colours, to be used in Limming, Painting, Tricking and Blazon of Coates and Armes, with divers other most delightfull and pleasurable observations for all young Gentlemen and others. As also Serving for the necessary use and generall benefit of divers Trades-men and Artificers, as namely Painters, Joyners, Free-Masons, Cutters and Carvers, etc. for the farther gracing, beautifying, and garnishing of all their absolute and worthy pieces, either for borders, architects, or columnes, &c. By Henry Peacham Master of Artes, in two books with separate dated title pages, pagination, and register, 3rd edition 1634. Small 4to, approximately 190 x 135 mm, 7½ x 5¼ inches, LACKS ENGRAVED TITLE in first book (supplied in modern facsimile, tipped onto free endpaper) and FINAL 3 PAGES of the second book in the Blazoning Armes chapter (supplied in modern facsimiles) Pages: [xii], 1-153, [8], 154-255, [1]; [8], 1-160, (should be 163), between pages 153-154 there are 4 leaves of cancels marked signature x, See ESTC No. S114316. The first cancel leaf is numbered 153 on the recto and the last is numbered 154 on the verso, both these pages are duplicates, the rest of the cancel pages are not duplicated and are unnumbered, woodcut arms in text of both parts and a few text illustrations in the second part, bound in full contemporary leather, rebacked, gilt lettered label with gilt decoration above and below, gilt date at bottom of spine, double blind rule to covers, new endpapers, some woodcut head- and tailpieces and decorated initials. Binding rubbed and scuffed, repairs to both corners of lower cover, binding slightly bowed, neat repairs to the top corners of the title page and following 3 pages, no loss of text, the first 3 pages after title page have outer margin neatly repaired, no loss of text, first 2 pages of Chapter 1 have small tear to top corners, no loss of text, A3 bound out of order before A2, title pages slightly dusty, marginal staining to title page and first few pages, 1 stained original endpaper laid down on new paper with the name Robert Walpole written 3 times in old ink on the original paper, some pale staining to lower margins of last 26 pages, not affecting text, 2 pages at end slightly ragged, armorial book-plate on first pastedown of Vice Admiral R. M. Harbord Hamond, see Google for details of his commands etc. A good copy, lacking engraved title and last 3 pages on arms at end of second part as noted and replaced with modern facsimiles, the 3 at the end mounted on stubbs. See: A Bibliography of Military Books up to 1642 by Maurice J. D. Cockle, page 100 number 128, Military Observations, instructions in the use of the musket and pike, and in drilling; John Resler Swift, A Catalogue of Books Ancient and Modern Relating to Falconry, Published in the English Language1486-2000, page 249, 455.03; Bibliotheca Accipitraria II, Bibliotheca Piscatoria, A catalogue of Books on Angling by Westwood and Satchell, page 167; The Angling Library of the late John Gerard Heckscher of New York City, Part 2, page 43, No, 1512. The chapter on fishing does not appear in the first edition, pages 251-255; English Literature 1475-1700 by Carl Pforzheimer, page 799 number 787, listing the first edition; ESTC, S114316. MORE IMAGES ATTACHED TO THIS LISTING, ALL ZOOMABLE, FURTHER IMAGES ON REQUEST. POSTAGE AT COST.

      [Bookseller: Roger Middleton]
 18.   Check availability:     Biblio     Link/Print  


        Biblia. Das ist: Die gantze heilige Schrifft Deutsch, D. Mart. Luth. Mit außgehenden Versiculn, Marginalien und Vorreden Lutheri, Concordantzien, Chronologien, und unterschiedlichen Registern . sampt den Summarien D. Danielis Crameri . Auff solche Art noch nie gesehen. 3 Tle. in 1 Bd. Mit illustr. Kupfertitel, sehr zahlr. Textholzschnitten und 2 gr. Holzschnitt-Druckermarken.

      Joh. und H. Stern -1635. -, Lüneburg 1634 - Neuer schlichter HLdr. unter Verwendung der zeitgenöss. Holzdeckel mit floral gepunztem Schnitt. Kl.-4to. 32 nn. Bll., 380 num. Bll.; 263 num. Bll.; Bll. (264)-445, 1 Bl. - Seltene und schön gedruckte Bibel aus der Lüneburger Offizin Sterne. - "Die Luther-Bibel in höchster Vollkommenheit und in einem Format herauszubringen, das für den jeweiligen Zweck am besten geeignet war, daran hat er (Johann Stern) sein Lebtag gearbeitet . Mit welchen großen Hoffnungen haben die Sterne diesen Druck betrieben! Den heutigen Leser stimmt es wehmütig, auf dem Titelblatt zu lesen: 'Im tausendhundertsechsvierunddreyssigsten Jahr, Da stoltzer Fried lieblich blüht ich gedrucket war'." (Dumrese/Sch.). - Mit der reichen Ausstattung durch Holzschnitte scheinen die Verleger bewußt die Tradition der Reformationszeit fortzusetzen. - Der prächtige Kupfertitel mit Szenen von Krieg und Frieden, darunter Flucht, Moses erhält die 10 Gebote, das goldene Lamm, Schlachtfeld und Überreichung der Friedensfahne. - Neu aufgebunden, gebräunt und etw. stockfl., zu Beginn fingerfl. und mit kl. Randläsuren, 1 Textholzschnitt sauber ausgeschnitten (vo. Textverlust). Deckelbezug tls. beschädigt.Bibelslg. Württ. Landesbibl. E 764. - Dumrese/Schilling S. 36 (mit ganzseit. Abb. des Kupfertitels). - Reinitzer 176. 3900 g. [Attributes: Hard Cover]

      [Bookseller: Ketterer Kunst Hamburg GmbH]
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        THE COMPLEAT GENTLEMAN and THE GENTLEMANS EXERCISE. Fashioning him absolute, in the most necessary and commendable Qualities concerning minde or bodie that may be required in a Noble Gentleman.

      London, printed for Francis Constable, 1634.Whereunto is annexed a description of the order of a maine Bataile or Pitched Field, eight severall wayes: with the Art of Limming and other additions, newly enlarged, by Henry Peacham Master of Arts: Sometime of Trinitie Colledge in Cambridge. Includes "The Gentlemans Exercise" Or, An exquisite practise, as well for drawing all manner of Beasts in their true Portraitures: as also the making of all kinds of colours, to be used in Limming, Painting, Tricking and Blazon of Coates and Armes, with divers other most delightfull and pleasurable observations for all young Gentlemen and others. As also Serving for the necessary use and generall benefit of divers Trades - men and Artificers, as namely Painters, Joyners, Free - Masons, Cutters and Carvers, etc. for the farther gracing, beautifying, and garnishing of all their absolute and worthy pieces, either for borders, architects, or columnes, &c. By Henry Peacham Master of Artes, in two books with separate dated title pages, pagination, and register, 3rd edition 1634. Small 4to, approximately 190 x 135 mm, 7½ x 5¼ inches, LACKS ENGRAVED TITLE in first book (supplied in modern facsimile, tipped onto free endpaper) and FINAL 3 PAGES of the second book in the Blazoning Armes chapter (supplied in modern facsimiles) Pages: [xii], 1 - 153, [8], 154 - 255, [1]; [8], 1 - 160, (should be 163), between pages 153 - 154 there are 4 leaves of cancels marked signature x, See ESTC No. S114316. The first cancel leaf is numbered 153 on the recto and the last is numbered 154 on the verso, both these pages are duplicates, the rest of the cancel pages are not duplicated and are unnumbered, woodcut arms in text of both parts and a few text illustrations in the second part, bound in full contemporary leather, rebacked, gilt lettered label with gilt decoration above and below, gilt date at bottom of spine, double blind rule to covers, new endpapers, some woodcut head - and tailpieces and decorated initials. Binding rubbed and scuffed, repairs to both corners of lower cover, binding slightly bowed, neat repairs to the top corners of the title page and following 3 pages, no loss of text, the first 3 pages after title page have outer margin neatly repaired, no loss of text, first 2 pages of Chapter 1 have small tear to top corners, no loss of text, A3 bound out of order before A2, title pages slightly dusty, marginal staining to title page and first few pages, 1 stained original endpaper laid down on new paper with the name Robert Walpole written 3 times in old ink on the original paper, some pale staining to lower margins of last 26 pages, not affecting text, 2 pages at end slightly ragged, armorial book - plate on first pastedown of Vice Admiral R. M. Harbord Hamond, see Google for details of his commands etc. A good copy, lacking engraved title and last 3 pages on arms at end of second part as noted and replaced with modern facsimiles, the 3 at the end mounted on stubbs. See: A Bibliography of Military Books up to 1642 by Maurice J. D. Cockle, page 100 number 128, Military Observations, instructions in the use of the musket and pike, and in drilling; John Resler Swift, A Catalogue of Books Ancient and Modern Relating to Falconry, Published in the English Language1486 - 2000, page 249, 455.03; Bibliotheca Accipitraria II, Bibliotheca Piscatoria, A catalogue of Books on Angling by Westwood and Satchell, page 167; The Angling Library of the late John Gerard Heckscher of New York City, Part 2, page 43, No, 1512. The chapter on fishing does not appear in the first edition, pages 251 - 255; English Literature 1475 - 1700 by Carl Pforzheimer, page 799 number 787, listing the first edition; ESTC, S114316. MORE IMAGES ATTACHED TO THIS LISTING, ALL ZOOMABLE, FURTHER IMAGES ON REQUEST. POSTAGE AT COST.

      [Bookseller: Roger Middleton P.B.F.A.]
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        THE HISTORIE OF THE CHURCH SINCE THE DAYES OF OUR SAVIOR JESUS CHRIST, UNTILL THIS PRESENT AGE. Divided into Foure Bookes... Divided into 16. Centuries... The Third Edition Corrected and Inlarged.

      London: Printed by John Dawson, for John Bellamie. 1634. n. Folio. (18),602,(18)pp. Indices. Cont. full calf with black calf spine label, rubbed, large chip at foot of spine, hinges chipped & starting but cords still holding strong.

      [Bookseller: Kenneth Karmiole, Bookseller, Inc.]
 21.   Check availability:     Biblio     Link/Print  


        ABREGÉ DES VIES DES PRINCIPAUX FONDATEURS DES RELIGIONS DE L'EGLISE, REPRESENTEZ DANS LE CHOEUR DE L'ABBAIE DE S. LAMBERT DE LIESSIES EN HAYNAUT: AVEC LES MAXIMES SPIRITUELLES DE CHAQUE FONDATEUR

      Anvers: Chez Martin Nutius, 1634. FIRST AND ONLY EDITION n. Offered here in an especially well-preserved copy, this work is of primary interest for its beautiful engravings done after paintings that once made the Benedictine Abbey of Liessies famous--paintings which, tragically, were either sold, given away, or destroyed during the French Revolution. All but two of the engravings seen here are portraits of important religious personages, including the obvious central figures (Christ, the Virgin, John the Baptist, the Church Fathers, etc.) as well as more recently cannonized saints such as Theresa of Avila. The prolific Étienne Binet (1569-1639), a Jesuit priest from Dijon, has supplied a short biography for each figure, as well as a list of central maxims associated with them, in order to encourage contemplation by the reader. The radiant plates promote this same spirit of meditation and communicate the distinct personalities of their subjects, thanks to the remarkable talents of the designer who studied the original paintings, Theodor Galle (1571-1633), and the engraver who brought them to life, Cornelis Galle (1576-1656). These two artists were brothers, born into a famous Belgian family of engravers. They learned the craft from their father, Phillip, and later in Italy, where they studied the Masters and perfected their art. Back in Antwerp, Cornelis and Theodor both became prominent members of society and found success and prosperity in their careers: Theodor was master of his guild in Antwerp, where, according to Bryan, "he held a commanding position" and for 33 years supplied engravings for the Plantin press (his descendants continued this relationship until 1694). Cornelis was greatly successful in his work as a printseller, collector, and engraver. Their work, particularly that of Cornelis, is considered to be among the best of the period, and this dynamic collaboration between the two siblings seems to bring out the best qualities of each artist: the plates in the present volume are cleverly designed, full of animated activity and detail, and characterized by a high level of precision, even in the rendering of the smallest figures.. 200 x 165 mm. (7 7/8 x 6 1/8"). 300, [4] pp. FIRST AND ONLY EDITION. Attractive 19th-century blue morocco by W. Pratt, triple gilt fillets on covers, spine gilt in compartments with cruciform centerpiece and curling vine cornerpieces, very pretty gilt turn-ins, all edges gilt. WITH 40 SUMPTUOUS ENGRAVINGS, including an engraved title page, 38 portraits of important religious figures and saints, and a final plate depicting these personnages worshipping God in Heaven. Funck, p. 212, fig. 80 & p. 215; Brunet I, 946. See also: Bryan II, p. 210-11. Joints and corners slightly rubbed, one-inch repair to the margin of leaf N1, faint offsetting from plates (slightly heavier in a handful of cases), occasional minor marginal stains, otherwise A VERY PLEASING COPY, WITH ESPECIALLY STRONG, CLEAN IMPRESSIONS OF THE ENGRAVINGS. Offered here in an especially well-preserved copy, this work is of primary interest for its beautiful engravings done after paintings that once made the Benedictine Abbey of Liessies famous--paintings which, tragically, were either sold, given away, or destroyed during the French Revolution. All but two of the engravings seen here are portraits of important religious personages, including the obvious central figures (Christ, the Virgin, John the Baptist, the Church Fathers, etc.) as well as more recently cannonized saints such as Theresa of Avila. The prolific Étienne Binet (1569-1639), a Jesuit priest from Dijon, has supplied a short biography for each figure, as well as a list of central maxims associated with them, in order to encourage contemplation by the reader. The radiant plates promote this same spirit of meditation and communicate the distinct personalities of their subjects, thanks to the remarkable talents of the designer who studied the original paintings, Theodor Galle (1571-1633), and the engraver who brought them to life, Cornelis Galle (1576-1656). These two artists were brothers, born into a famous Belgian family of engravers. They learned the craft from their father, Phillip, and later in Italy, where they studied the Masters and perfected their art. Back in Antwerp, Cornelis and Theodor both became prominent members of society and found success and prosperity in their careers: Theodor was master of his guild in Antwerp, where, according to Bryan, "he held a commanding position" and for 33 years supplied engravings for the Plantin press (his descendants continued this relationship until 1694). Cornelis was greatly successful in his work as a printseller, collector, and engraver. Their work, particularly that of Cornelis, is considered to be among the best of the period, and this dynamic collaboration between the two siblings seems to bring out the best qualities of each artist: the plates in the present volume are cleverly designed, full of animated activity and detail, and characterized by a high level of precision, even in the rendering of the smallest figures.

      [Bookseller: Phillip J. Pirages Fine Books and Mediev]
 22.   Check availability:     Biblio     Link/Print  


        La Supplica. Discorso famigliare

      diretta (sic) à quelli che scrivendo o parlando trattano de Comici trascurando i meriti delle azzioni virtuose. Lettura per que' galanthuomini che non sono in tutto critici, ne affatto balordi. Venezia, per Marco Ginammi, MDCXXXIV (1634), - in-8, pp. (16, compr. le prime 2 bianche), 233, (3), leg. coeva p. perg. molle, tit. ms. al dorso. Caratteristico stupendo frontespizio, inciso in rame, con un uomo in maschera in costume che sorregge una locandina su cui è scritto il titolo. Fregi ed iniz. silogr. Dedica dell'autore a "Lodovico il Giusto re di Francia, e di Navarra" (Luigi XIII). Seconda edizione (la prima, senza le parole "La supplica" nel titolo come la presente, era apparsa a Ferrara nel 1628) Rara, importante e curiosisima opera polemica in difesa della professione dei comici e della commedia. In fine (pp. 216-233) vi è ristampato il breve "Trattato sopra l'arte comica", già apparso a Genova nel 1627. Come nota il Sanesi (II, p. 49), alcuni tra i più noti comici del XVII secolo, oltre il Barbieri (P.M. Cecchini, G.B. Andreini, F. Scala, G.P. Fabri, L. Riccoboni), furono costretti a pubblicare delle opere polemiche per difendersi dai durissimi attacchi di molti teologi e moralisti che, in contrasto con l'atteggiamento benevolo di una parte del clero, "proseguendo la tradizione cattolica medievale, combattevano tenacemente il teatro e scagliavano contro l'arte corrotta e corrompitrice dei comici le accuse più veementi". L'intenzione particolare di questa "supplica" al suo protettore Luigi XIII, da cui aveva ricevuto grandi onori nel periodo trascorso a Parigi, fu quella di difendere la sua prima commedia, rappresentata e "storpiata" da tutte le compagnie teatrali, "L'Inavvertito, ovvero Scapino disturbato, e Mezzettino travagliato", apparsa a Torino nel 1629, più tardi imitata da Molière nello "Étourdi" (1653) ed ispiratrice di alcune scene dello "Amant indiscret" di Philippe Quinault (1654). Il Barbieri (Vercelli 1576 - Modena 1641), fu stimato ed affermato autore di teatro e comico di gran successo. « Niccolo Barbieri est un des plus célèbres Beltrame, si non le créateur du type. Il avait fait partie de la troupe des Gelosi, puis des Fedeli. Il a écrit un très curieux ouvrage, La Supplica. » (Duchartre, La Comédie italienne, 1924, p. 162). Buon esempl., genuino (con lievissimi aloni d'umido). BMC, XVII SEC., P.73. MICHEL-MICHEL, I, 107. D.B.IT. VI, pp. 237-8. ENCICL. SPETTACOLO, I, 1480-1. RASI, COMICI ITALIANI I, pp. 265-272. [Attributes: Hard Cover]

      [Bookseller: Libreria Antiquaria Pregliasco]
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        Le prince Nouvelle edition Divisée par chapitres avec les sommaires de chaque chapitre Paris chez Toussainct du Bray

      

      [Bookseller: Maggs Bros. Ltd. ]
 24.   Check availability:     Direct From Bookseller     Link/Print  


        Weltkarte world map mappe monde Mercator engraving antique print

      Buch 1634 - Thousands of antique maps and prints in our shop!! (KN 48272) "Typus orbis terrarum" originalcopper engraved mapfromMercator with Janssonius from 1634 size of sheet: ca.22 x17 cm (circa8.6 x6.7 inches) good condition Thousands of antique maps, charts, antique prints, books etc. in our shop Original! - No Copy! - No Reprint! Prepayment. - The Buyer pays for shipping. Insured and registered shipping worldwide. More engravings and antiquemaps in our shop! We combine shipping - if possible Many antique maps and prints in our shop! - Viele weitere antiquarische Bücher und alte Grafiken in unserem shop! Sprache: Deutsch

      [Bookseller: Antiquariat Steffen Völkel]
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        Hungary antique map - Visscher, 1634.

      Nova et recens emendata totius regni Ungariae una cum adiacentibus et finitimis regionibusFine and rare map of Greater Hungary engraved by Van Doeticum, published by Claes Janszn. in 1634. Visscher. Distinguishes from other maps, with different signs to identify towns and villages that remained christian under Turkish rulership. Verso: blank.Size: 35,7 x 53,9 cm.Price: € 1.500,- (excl. VAT/BTW).

      [Bookseller: Inter-Antiquariaat MEFFERDT & DE JONGE]
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        Orlando Furioso in English Heroical Verse by Sir John Harington, [With:] The Most Elegant and Wittie Epigrams of Sir John Harington.

      Small folio (265 x 182 mm) in sixes. London: G. Miller for J. Parker, 1634. Small folio (265 x 182 mm) in sixes, (18), 423, (9), 46 pp. Engraved title and 46 plates, woodcut initials, head- and tail pieces throughout. A made up copy, complete. Full gilt morocco by Strikeman, all edges red-gilt, marbled endpapers. Light scuff to upper board, endpaper over upper hinge split (hinge strong), plates generally clean, very good. Front paste down with bookplate of Alexander L Wyant and the bookplate and small shelf mark of Manhattan College, their blind stamp to the title page and one internal leaf. Third edition of Harington’s translation of this epic into English heroic verse, splendidly illustrated with 46 full page copper engravings, the first edition to contain his “wittie epigrams”, originally published separately in 1615. A popular anecdote first recorded in the 18th century attributes the translation to a royal penance: when Queen Elizabeth, Harington’s godmother, “caught him circulating a translation of the lewd tale of Fiametta from canto 28 of the Orlando among her ladies-in-waiting, she banished Harington from the court until he had translated all thirty-three thousand lines of it” (DNB). The frontispiece, re-engraved for the third edition, is notable for retaining the portrait of Harington’s beloved dog Bengay beneath the portrait of the author. ESTC S106834. Lowndes, 64.

      [Bookseller: John Windle Antiquarian Bookseller]
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        The Collection of the History of England ...

      

      [Bookseller: Peter Harrington]
 28.   Check availability:     Biblio     Link/Print  


        The Bible. Translated according to the Ebrew and Greeke, and conferred with the best Translations in divers Languages. [including] Two right profitable and fruitfull Concordances, or large and ample Tables Alphabeticall. Collected by [Robert F. Herrey]. [bound with] The Whole Booke of Psalmes. Collected into English Meeter, by Thomas Sternhold, Iohn Hopkins, and others.

      (1) London [but Geneva]: Imprinted. by the Deputies of Christopher Barker; (2) Printed by W. [Stansby] for the Company of Stationers, 1589 & 1634 - 4to bound in 8's. (ii), 433, (4) ff; 731-739 pp, [Matthew chapters I-XI supplied from a contemporary black letter Bible], 446, (448)-465, 467-554, (82) ff.; (10), 90, (6) pp, lacking ff. 447 and 466 and 6 pages at the end. Recent full calf, spine with raised bands, gilt lettering. Woodcut general and New Testament titles. Tears across the lower corners of leaves Mm6, Oo3, Nnn8, Ooo2 and Qqq1 with a little loss of text on each occasion, a handful of leaves with short tears without loss, small marginal loss to the title page of the Psalmes, this work with repairs to increasing degrees to the edges of the final 10 leaves. A translation published in Geneva from 1560 onwards by exiled Protestants, notable for the colloquialism in Genesis III:7 (".and they knew that they were naked, and they sowed figge tree leaves together, and made themselves breeches") that has led to the general term "Breeches Bible", although this applies to many different editions printed over many years. Bound in at the front of this volume are 50 leaves of an incomplete, and therefore unidentifiable, contemporary Book of Common Prayer, this with late 17th century manuscript annotations on the verso of the last leaf. Cf. Herbert 199-201, but not conforming with the text sample cited in any of the three "distinct" editions. STC, 2150, 2649.

      [Bookseller: Bow Windows Bookshop (ABA, ILAB)]
 29.   Check availability:     AbeBooks     Link/Print  


        Abriss der Landschafft Veltlin vom frantzosischen General Marquis di Covuri den Spanischen abgenommen.

      Francoforte, 1634 - Incisione in rame, mm 265x307. Orientata a sud, questa carta è uno dei molti rari prodotti editoriali che puntava ad informare il pubblico sulla situazione valtellinese, teatro di guerra fra Francesi e Spagnoli durante le guerre religiose che insanguinarono la valle nella prima metà del secolo. Tratta da "Ostreichischer Lorberkrantz" di N.K. Bellus. Ottimo esemplare marginoso. Sceffer 20. Non in Bianchi, che cita (n. 61) solo l'edizione del 1627 circa (Sceffer 27) .

      [Bookseller: libreria antiquaria perini Sas di Perini]
 30.   Check availability:     IberLibro     Link/Print  


        Nova Virginiae Tabula

      G. & J. Blaeu. 1634-35, Amsterdam - Copper engraving, hand colored in outline, published in Joan Blaeu’s ‘Atlas Novus’ German text edition in Amsterdam around 1634-35. Engraved by D. Grijp. In excellent condition.

      [Bookseller: Antiquariat Reinhold Berg eK]
 31.   Check availability:     ZVAB     Link/Print  


        antique China map, with Korea and Japan - Mercator-Hondius.

      ONE OF THE MOST SOUGHT AFTER MAPS OF CHINA"China' Copper engraving made by Gerard Mercator published in Amsterdam in 1634 by Jodocus Hondius. Verso Dutch text. Coloured by a later hand. Size: 34 x 47 cm. Framed.Of the lands in the Far East, China was seen as the wealthiest and most mysterious and the Jesuit missionairies were among the first to make the dangerous journey.Geographically the map is an interesting array of fact and fiction. The map contains rudimentary geographical information, as there was very little actually known of the region during the early part of the seventeenth century. The two most prominent features of this survey are the portrayal of the peninsula of Korea and the charming illustration China"s great wall, a wonder of both ancient and modern worlds. There is also a note porporting to be the location of the palace of the emperor of China. Despite the odd elongation of the country, there are attemps to show various provinces, and seven great cities such as Canton are marked. The interior of China is dominated by several large lakes and the mythical Chiamai Lacus forms the headwaters of five large rivers in northeastern India. The northwest coastline of America appears in the upper top corner with a notation that refers to the Tartar hordes (and the deer) that inhabit the region.As ever in these early maps seamonsters stalk unwary ships and Hondius shows a Dutch merchant sailing on what is labeled as "Chinensis Oceanus'. This ocean is portrayed with an elaborate and beautiful pattern which attempts to portray the movement of the waves. The islands of Japan also feature on this beautiful map, together with the portrayal of a Japanese craft. In one cartouche, a scene depicts the Japanese persecution of a Christian missionary, probably a reference to the martyrdoms in Nagasaki in 1597. It was this conflict that ultimately led to Japan becoming a closed country for several centuries. Although the cartouche of the map is neither overly large or ornate, it balances the map beautifully with an elegant strapwork design. Beneath it is another charactaristic vignette on maps of China of this early period, showing a wagon powered by sails which Marco Polo swore were in common use at the time.Jodocus Hondius (1563-1612) was the founder of the famous 17th century Dutch map publishing family. Hondius, along with sons Jodocus II and Henricus and son-in-law Jan Janssonius, was prominent in Dutch cartography and competed with the emerging Blaeu family map business.When Jodocus Hondius acquired the copperplates of Gerard Mercator"s atlas, he prepared this map for inclusion in his Atlas sive Cosmographicae..., first published in 1606.This map is from the Dutch edition: Atlas ofte Afbeeldinghe vande gantse Weerldt, dated 1634.Price: € 2.950,- (excl. VAT/BTW).

      [Bookseller: Inter-Antiquariaat MEFFERDT & DE JONGE]
 32.   Check availability:     NVvA     Link/Print  


        Stephani Curcellaei opera theologica, quorum pars praecipua institutio religionis Christianae. Cum indicibus necessariis.

      Sole edition of theological works by the => leader of the Remonstrants (who was also a personal friend of Descartes). Courcelles, a minister at Amiens, became chair of Arminian theology at the Remonstrant Seminary in Amsterdam after Episcopius, who founded the school in 1634. The famous Elzevir print shop published this volume edited by Philippus van Limborch (1633-1712), Courcelles' student and successor. The eulogy following Limborch's preface was written by Arnold Poelenberg (1628-66), another professor at the Seminary whose remarks are still considered the => most important source of information on Courcelles' life (1586-1659). The Latin text is printed in roman and italic with occasional Greek and decorated with handsome woodcut initials and tailpieces. The title-page, printed in red and black, features the printer's device of Daniel Elzevir, the Minerva. Provenance: Swirly red stamp (not a rubber-stamp) blazoning owner's initials in a complicated monogram within a wreath, title-page verso.

      [Bookseller: PRB&M/SessaBks (Philadelphia Rare Books ]
 33.   Check availability:     Direct From Bookseller     Link/Print  


        Weltkarte world map mappe monde Mercator engraving antique print

      Buch 1634. Thousands of antique maps and prints in our shop!! (KN 48272) \"Typus orbis terrarum\" original copper engraved map from Mercator with Janssonius from 1634 size of sheet: ca. 22 x 17 cm  (circa 8.6 x 6.7 inches) good condition Thousands of antique maps, charts, antique prints, books etc. in our shop Original! - No Copy! - No Reprint! Prepayment. - The Buyer pays for shipping. Insured and registered shipping worldwide. More engravings and antique maps in our shop! We combine shipping - if possible Versand D: 5,00 EUR

      [Bookseller: Antiquariat Völkel]
 34.   Check availability:     buchfreund.de     Link/Print  


        Valentia Regnum. Cotestani. Ptol. Edentani Plin.

      G. & J. Blaeu., Amsterdam 1634 - Copper engraving, hand colored. In excellent condition.

      [Bookseller: Antiquariat Reinhold Berg eK]
 35.   Check availability:     IberLibro     Link/Print  


        Historias de Idacio obispo, que escrivió poco antes que España se perdiese. De Isidoro obispo de Badajoz, que escrivió en los tiempos que se perdió España, De Sebastiano obispo de Salamanca, que escrivió desde el Rey don Pelayo, hasta don Ordoño primero deste nombre. De Sampiro obispo de Astorga, que escrivió desde el Rey don Alonso el Magno, tercero deste nombre, hasta el Rey don Vermudo el Gotoso. De Pelagio obispo de Oviedo, que escrivió desde el Rey don Vermudo el Gotoso, hasta don Alonso séptimo deste nombre, Emperador de España

      Pamplona, Nicolás de Assiayn [Asiain]. A costa de Pedro Escuer. de Zaragoza, año 1634 - 4º mayor, [8]+367+[11] p, pergamino rotulado en lomo, algo fatigado pero en buen estado. Escudo real en portada, escudo condal en verso de portada, capitulares, algunas ilustraciones xilográficas; escudo a toda página de la casa de Fernán González en Castilla, antes de la historia del conde Fernán González. Texto a dos columnas. Según indica Palau, se trata de un resto de la edición de 1615 a la que se le cambió la portada. Pérez Goyena 310 y 458

      [Bookseller: MIQUELEIZ ANTIGUEDADES]
 36.   Check availability:     IberLibro     Link/Print  


        antique China map, with Korea and Japan - Mercator-Hondius.

      ONE OF THE MOST SOUGHT AFTER MAPS OF CHINA"China' Copper engraving made by Gerard Mercator published in Amsterdam in 1634 by Jodocus Hondius. Verso Dutch text. Coloured by a later hand. Size: 34 x 47 cm. Framed.Of the lands in the Far East, China was seen as the wealthiest and most mysterious and the Jesuit missionairies were among the first to make the dangerous journey.Geographically the map is an interesting array of fact and fiction. The map contains rudimentary geographical information, as there was very little actually known of the region during the early part of the seventeenth century. The two most prominent features of this survey are the portrayal of the peninsula of Korea and the charming illustration China"s great wall, a wonder of both ancient and modern worlds. There is also a note porporting to be the location of the palace of the emperor of China. Despite the odd elongation of the country, there are attemps to show various provinces, and seven great cities such as Canton are marked. The interior of China is dominated by several large lakes and the mythical Chiamai Lacus forms the headwaters of five large rivers in northeastern India. The northwest coastline of America appears in the upper top corner with a notation that refers to the Tartar hordes (and the deer) that inhabit the region.As ever in these early maps seamonsters stalk unwary ships and Hondius shows a Dutch merchant sailing on what is labeled as "Chinensis Oceanus'. This ocean is portrayed with an elaborate and beautiful pattern which attempts to portray the movement of the waves. The islands of Japan also feature on this beautiful map, together with the portrayal of a Japanese craft. In one cartouche, a scene depicts the Japanese persecution of a Christian missionary, probably a reference to the martyrdoms in Nagasaki in 1597. It was this conflict that ultimately led to Japan becoming a closed country for several centuries. Although the cartouche of the map is neither overly large or ornate, it balances the map beautifully with an elegant strapwork design. Beneath it is another charactaristic vignette on maps of China of this early period, showing a wagon powered by sails which Marco Polo swore were in common use at the time.Jodocus Hondius (1563-1612) was the founder of the famous 17th century Dutch map publishing family. Hondius, along with sons Jodocus II and Henricus and son-in-law Jan Janssonius, was prominent in Dutch cartography and competed with the emerging Blaeu family map business.When Jodocus Hondius acquired the copperplates of Gerard Mercator"s atlas, he prepared this map for inclusion in his Atlas sive Cosmographicae..., first published in 1606.This map is from the Dutch edition: Atlas ofte Afbeeldinghe vande gantse Weerldt, dated 1634.Price: € 2.950,- (excl. VAT/BTW).

      [Bookseller: Inter-Antiquariaat MEFFERDT & DE JONGE]
 37.   Check availability:     NVvA     Link/Print  


        Hungary antique map - Visscher, 1634.

      Nova et recens emendata totius regni Ungariae una cum adiacentibus et finitimis regionibusFine and rare map of Greater Hungary engraved by Van Doeticum, published by Claes Janszn. in 1634. Visscher. Distinguishes from other maps, with different signs to identify towns and villages that remained christian under Turkish rulership. Verso: blank.Size: 35,7 x 53,9 cm.Price: € 1.500,- (excl. VAT/BTW).

      [Bookseller: Inter-Antiquariaat MEFFERDT & DE JONGE]
 38.   Check availability:     NVvA     Link/Print  


        De zee-vaert lof handelende van de gedenckwaerdighste zeevaarden met de daeraenklavende op en onderganghen der voornaemste heerschappijen der gantscher wereld: zedert haere beginselen tot op den dagh van huyden.

      Amsterdam, Jacob Pietersz. Wachter, 1634.8vo. Contemporary vellum. With engraved allegorical title-page depicting Neptune and numerous other figures, 1 half-page engraving by Rembrandt van Rijn: The ship of Fortune, and 17 fine etchings in the text by Willem Basse, and woodcut decorated initials. (20,235,(8) pp.First and only edition. - The 'Praise of navigation' contains one of the very few book-illustrations by the great Rembrandt van Rijn (1606/07-1669). The author, Elias Herckmans (1596-1644), was an experienced seafarer and explorer, who ended his career as rear-admiral in the service of the West India Company, stationed in Brazil. In 1644 he died in Recife, shortly after a tumultuous expedition in the Amazon region. The book describes voyages from Noah's time to 1632, including the voyages of discovery after Columbus both to the East and the West. - A very fine desirable book on maritime history, with an original Rembrandt etching among the illustrations. European Americana 634/69; Borba de Moraes I, p.398; Sabin 31476; Muller, America, 1837; New Hollstein, Rembrandt 123.II; not in Cat. NHSM.

      [Bookseller: Gert Jan BESTEBREURTJE Rare Books]
 39.   Check availability:     NVvA     Link/Print  


        Castara the second Edition. Corrected and augmented.

      London, Printed by B. A. & T. F. for Will: Cooke, and are to bee sold at his Shop 1635. 1634 - 12mo., pp. [16], 167, [1]; a very good copy in early nineteenth-century half green morocco and marbled boards; bookplate and monogram stamp to title-page of Sir William Grace, Baronet, purchase note(?) referring to the Hill sale of 1811. The Bradley Martin copy.Second edition, adding to the contents of the first edition (1634) a commendatory poem that reveals Habington's identity; a 'second part' with twenty-six new poems; and three prose characters: 'A Mistris' and 'A Wife' to introduce the two parts, and 'A Friend' to introduce the section of elegies on George Talbot at the end. This is the issue with the title-page to the second part dated 1635 rather than 1636.'Castara' was Lucy Herbert, daughter of William Herbert, first Baron Powis, and the wife of the author, the metaphysical Catholic poet and playwright William Habington (or Abington), a figure on the fringes of the 'Sons of Ben'. Most of the rather chaste poems here are addressed to her, written during their clandestine courtship (they married in 1633). Others are addressed to friends at the court of Charles II, such as Endymion Porter, patron of Dekker, Herrick and others. Leaf F12 is superfluous, interrupting the poem 'The Reward of Innocent Love' which starts on p. 118 and ends on p. 121 and repeating content printed elsewhere in the volume. The Grolier catalogue suggests that consequently it was 'probably cancelled in some copies', though we can find no evidence that this is the case.STC 12584; Hayward 69. Language: English

      [Bookseller: Bernard Quaritch Ltd ABA ILAB]
 40.   Check availability:     AbeBooks     Link/Print  


        Ars. de statica medicina et de responsione ad staticomasticem. Aphorismorum sectionibus septem comprehensa.

      Venice, Marc'antonio Brogiollo, 1634 - 12mo (125 x 66 mm), ff [11] 71; a fine copy in eighteenth-century calf, gilt rules on sides, slight wear to head and tail of spine. £1750Third edition (first 1614, virtually unobtainable) of this medical classic, the work that 'introduced quantitative experimentation into biological science' (DSB). Written in the form of aphorisms, Santorio presents his research into metabolism, then known as 'insensible perspiration'. He devised an elaborate weighing chair, and experimented on himself to determine the quantitative changes in the body, only eating and drinking while seated in his chair. Through a long series of experiments and careful record-keeping established that a large part of excretion occurs invisibly through the skin. He employed a pulse-clock, and was the first to use a thermometer in physiological experiments; he was also the 'inventor' of the thermometer insofar as he was the first to attach a fixed scale to Galileo's thermoscope, thus making it a quantitative measuring instrument.'Through most of the 17th and 18th centuries Santorio's name was linked with that of Harvey as the greatest figure in physiology and experimental medicine because of his introduction of precision instruments for quantitative studies. He was also the founder of modern metabolic research' (Garrison and Morton n. 572.1).This is the earliest edition listed by Waller, and the second earliest in Krivatsy. Both the first and second editions are exceptionally rare.Provenance: Johann Friedrich Blumenbach (1752-1840), founder of scientific anthropology (see DSB II pp 203-4) with his signature on booklabel on front pastedown; n. 452 in Jeremy Norman Medicine, travel & anthropology from the library of Johann Friedrich Blumenbach (Catalogue six, 1979)Krivatsy 10236; Waller 8477; Wellcome 5760; see Garrison and Morton 573, Grolier Medicine 25, Norman 1890 for the first

      [Bookseller: WP Watson Antiquarian Books]
 41.   Check availability:     IberLibro     Link/Print  


        Ivdas his Repentance. Or, the Lamentable Effects of a Startled Conscience. Delivered in eight severall Doctrines, raised from the third, fourth, and fifth Verses of the 27. Chapter of the Gospell by St. Matthew. WITH: The Saints Spiritvall Strength. Excellently and Amply set forth in three Doctrines drawne from Ephes. 3. 16. WITH: Pavls Conversion. Or, The Right Way to be Saved. As it is excellently well set out in divers Doctrines raised from.

      London, for Andrew Crooke 1634 - 3 works in 1 binding, (10) 52, (10) 65-177, (10) 179-299 p. Rebound Leather with ribbed back and richly decorated with stamps, 4° (each work has a seperate titlepage, lacks the titlepage which covers all three works. On a blank leaf before page 65 written information about John Preston in an old handwriting) [Attributes: Hard Cover]

      [Bookseller: Antiquariaat de Roo]
 42.   Check availability:     ZVAB     Link/Print  


        Commentariorum rerum Germanicarum libri tres. Primus, de Germania veteri, Secundus, a Carolo Magno deinceps, Tertius, de urbibus.

      - Amsterdam, W. Blaeu, 1634-35. 12mo. 2 Bl., 297 (recte 295); 269 (recte 259); 326 S., 1 Bl. Mit 17 doppelblattgroßen Kupferkarten. Pergament d. Zeit, fleckig, vordere Vorsätze erneuert. Dritte Ausgabe, die erste im Taschenformat. - Teil 1: zur Kenntnis des antiken Germaniens; Teil 2: das deutsche Reich in der Neuzeit seit Kaiser Karl V.; Teil 3: Städte-Beschreibungen. Im Gegensatz zu den vorhergehenden Quartausgaben enthält die Taschenausgabe keine Städteansichten, dafür aber Karten der Kurfürstentümer, Herzogtümer, Grafschaften etc. des Deutschen Reichs und benachbarter Staaten (Rheinpfalz, Noricum, Bayern, Sachsen, Brandenburg, Böhmen, Ungarn, Österreich, Kleve, Jülich, Pommern, Hessen, Nassau; Dänemark, Schweden, Holland). - Etwas gebräunt u. teilw. mit leichtem Wasserrand. Titel angestaubt u. mit kleinem Eckabriß. Paginierung springt nach S. 285 bzw. nach S. 131.

      [Bookseller: Buch & Consult Ulrich Keip]
 43.   Check availability:     ZVAB     Link/Print  


        Grundriß der Belägerung und Statt Franckfurt wie solche von Ihr Churf. Durchl: neben Gener. Banner den 13 May belagert und den volgenden 23 dito erobert worden Anno 1634. Altkolorierter Kupferstich wohl aus MeriansTheatrum Europaeum.

       1634 Bildmaß der Darstellung: 27,5 x 35 cm ( Höhe x Breite ), unter Passepartout und Glas gerahmt ( Rahmenmaß: 43,5 x 49,5 cm - ungeöffnet ). Gesamtansicht der Stadt aus der Vogelschau. Mit schöner Titelkartusche sowie umfangreicher Bildlegende mit 15 Nummern: Lebusische Tor - Gubenische Tor - Brückentor - Schanz über der Brücke - Weg nach Guben - Closter Carthause - Weg nach Lebuß - Churf. Durchl. Quartier - S. Exc. Herr Feldmarschall Banner-Quartier ( hierauf folgen weitere Quartiersangaben der Belagerer der Stadt ). Mit Meilenzeiger *Ruthen*. Das Blatt von farbfrischer Erhaltung, der Rahmeng gering bestoßen. Insgesamt guter Zustand. ( Bitte beachten: Wegen Bruchgefahr hier bitte möglichst Selbstabholung, Versand auf eigenes Risiko ) ( Pic erhältlich // webimage available ) Versandkostenfreie Lieferung Merian, Matthäus Merian, Kupferstich, altkoloriert, Frankfurt, Frankfurt an der Oder, Belagerung, Oder, Krieg, Festung, Soldaten, Quartiere, Brücken, Guben, Lebusa, Brandenburg

      [Bookseller: Antiquariat Friederichsen]
 44.   Check availability:     buchfreund.de     Link/Print  


        Kst.- Karte, aus der deutschen Ausgabe des Atlas Novus b. G. Blaeu, "Rhenvs, Mosella, Vahalis, Mosa, & reliqui qui in illos se exonerant Flvvii".

      - mit altem Grenzkolorit, um 1634, 76 x 49 (H) Krogt, Koeman's Atlantes Neerlandici, Bd. II, Nr. 1120. 2A. - Sehr seltene Karte des Rheinlaufes bei Blaeu, die nur in 2 Varianten der deutschen Ausgabe des Atlas Novus ( 1634 und 1635 ) erschienen ist und bereits 1635 in den anderssprachigen Ausgaben durch die bekannte Karte des Rheinlaufs ersetzt wurde. Mit den Platten der Germaniakarte wurde diese Rheinlaufkarte separat für die ersten Blaeu - Atlanten gedruckt. Zeigt den ganzen Rheinverlauf. Oben links kol. Windrose, oben rechts separat gedruckte, kol. Titelkartusche. Unten links ein kol. Meilenanzeiger, darüber ein großer Adler mit Wappen ( kol. ). - Bruchstellen restauriert.

      [Bookseller: Antiquariat Nikolaus Struck]
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        \"Carte Des Palatinats Du Rhein Et De Bavieres Duches De Franconie, Wirtemberg, Suabe. L`Elsace Suisse Et Comté de Tyrol\".

       Altkol. Kupferstich bei Nicolas Tassin, Paris, 1634, 37 x 51,5 cm. Nicht bei Hellwig/Reiniger/Stopp, Landkarten der Pfalz am Rhein, 1513-1803. - Zeigt Südwestdeutschland mit der Schweiz, Elsaß, Vorarlberg und Westtirol. Oben links Titelkartusche, unten Kartusche mit Meilenzeiger. Seltene Karte. Versand D: 6,00 EUR Spezialkarten, Landkarten

      [Bookseller: Antiquariat Bierl]
 46.   Check availability:     buchfreund.de     Link/Print  

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