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Displayed below are some selected recent viaLibri matches for books published in 1615

        1 )Codex Canonum Ecclesiae Africanae.2 )Francisci Florentis Antecessoris Avrelianensis Dissertationum selectarum Juris canonici Libri duo.

      Abrahamum Pacard, Lutetiae Parisiorum 1615 - Fort in-12 ( 180x110 mm ) plein maroquin vieux rouge, titre doré sur dos à 4 nerfs ornés d'une riche roulette dorée, fleurons dorés dans les caissons encadrés de filets et guirlandes dorés. Filets et guirlandes dorés encadrant les plats, large fer dorés au centre des plats.Très bel ex-libris à l'étiquette collée en contre plat ( Nigra sunt sed formosa ).2 textes reliés en 1 volume.- 1 ) Codex Canonum Ecclesiae Africanae. Christophorus Justellus Ex MSS. Codicibus edidit, Graecam versionem adiunxit, & notis illustranit. 379 pages.Illustré d'une vignette sur le titre et d'une lettrine gravée.- 2 ) Francisci FLORENTIS Antecessoris Avrelianensis Dissertationum selectarum Juris Canonici Libri duo quibus subiicitur Commentarius ad Titulum de vista & honestate Clericorum. Ad illustrist Praesidem HENRICUM MEMMIUM.Parisiis, Apud Joannem Camusat, 1632.255 pages.Vignette sur le titre, lettrines gravées. Anciens

      [Bookseller: Librairie FAUGUET]
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        Histoire générale des Plantes contenant VIII livres également departis en deux tomes : Sortie latine de la Bibliothèque de Me Jacques Dalechamps puis faite par Françoise par Me Jean des Moulins, mèdecins très-fameux de leur sièclee, où sont pourtraités et descrites infinies plantes par les noms propres de diverses Nations, leurs espèces, forme, origine, saison, temperament naturel et vertus convenables à la mèdecine, avec un indice contenu au commencement du second, tome trés utile et trés necessaire pour monstrer les proprietez des Simples, et donner guérison à toutes les parties du corps humain.Ensemble les tables des noms en diverses langues.

      Lyon Guillaume Rouille 1615 2 vols in folio basane époque, dos à nerfs ornés or et à froid, couronnes de feuillages sur les plats, coiffes et coins usés, quelques éraflures, très bon état intérieur et somme toute bel exemplaire Cet ouvrage célèbre est illustré de 2731 gravures sur bois, d'un beau tirage. C'est la première édition française.Exemplaire portant l'ex libris manuscrit : Johannis MOZE pharmacopiés Lugdunensis 1625.L'ouvrage est divisé en 18 livres : Description & portraits de tous les Arbres qui croissent aux forêts sans être plantés; de tous les Arbrisseaux qui croissent de leur bon gré parmi les haies & buissons, des Arbres qui croissent dans les vergers, des Blés & Légumes, & autres Herbes croissant pêle mêle avec les blés, des Herbes potagères & autres qui croissent dans les jardins, des Plantes qui portent des Ombelles, des Plantes qui sont recommandées à raison de leurs belles fleurs, des Plantes odorantes, des Plantes bulbeuses, des Plantes purgatives, des Plantes vénéneuses.

      [Bookseller: Librairie Jeanne Laffitte]
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        RIME DEL SERENO ACCADEMICO SVENTATO.

      Appresso Giuseppe Lorio, 1615. Prima edizione. Cm.13,2x6,8. Pg.148, (8). Legatura in mz.pergamena con piatti marmorizzati. Minimi restauri cartacei alle ultime carte. Stemma della Accademia degli Sventati impresso al frontespizio. Alfonso Antonini (Udine, 1584 - 1657) svolse carriera militare, soprattutto in Boemia e in Fiandra e al servizio della Serenissima. Corrispondente di Galileo, fu tra i fondatori della Accademia Udinese degli Sventati nel 1606. La presente costituisce la sua unica opera letteraria, "da considerare come uno dei canzonieri marinisti più genuinamente ispirati; ricco di senso cosmico e naturalistico, che talora tocca al sublime" (da Enciclopedia Treccani). > Comelli, "L'arte della stampa nel Friuli Venezia Giulia", 124 Solo tre esemplari in SBN. Codice libreria 128094.

      [Bookseller: Studio Bibliografico Pera]
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        Amphitheatrum aeternae providentiae divino-magicum. Christiano-Physicum, nec non Astrologo-Catholicum. Adversus veteres Philosophos, Atheos, Epicureos, Peripateticos, & Stoicos (...).

      1615 1In-8, plein maroquin olive, dos à nerf richement orné de caissons cloisonnés et fleuronnés, double pièce de titre de maroquin havane, triple filet d'encadrement sur les plats, filet sur les coupes, dentelle intérieure, tranches dorées, protégé sous étui de cartonnage marbré (rel. ca 1770 "Derôme Le jeune"), (1) f., (22), 336 p. et (8) f. d'index et errata, bandeau, lettrines et culs de lampe Lugduni, Apud Viduam Antonii de Harsy [Lyon, Veuve Antoine de Harsy], 1615. Edition originale de ce livre qui valut à lauteur d'être arrêté, jugé et brûlé vif la langue tranchée, à l'âge de 34 ans. Véritable brûlot, louvrage est de ceux qui ont contribué à jeter les bases de la philosophie moderne."Habileté dialectique, force de dénigrement, indépendance vis-à-vis de ses maîtres, connaissance étendue des systèmes les plus divers, malice enfin... L'Amphitheatrum, plus qu'un bréviaire d'athéisme, est une revue des différents systèmes et un document inestimable sur l'état de la spéculation au début du XVIIe siècle"."Cet impie dont le hurlement blasphémateur, traversant les années, semble avoir, jusqu'à l'apogée dévot du règne de Louis XIV, bouleversé les curs des fidèles, empli de terreur les défenseurs de la foi et atteint comme une menace dans leur retraite prudente les incrédules" (Pintard, 'Libertinage érudit', p. 20). Né près de Naples, Vanini étudia la théologie, la, médecine, le droit et la philosophie en Italie; il entra dans les ordres et parcourut l'Europe en propageant une doctrine qui évolua vers l'athéisme. Venu à Paris, puis à Toulouse pour y continuer son enseignement, il y fut arrêté. Convaincu d'athéisme, de blasphème et de sorcellerie mais aussi dhomosexualité et de corruption de murs, il fut condamné à avoir la langue tranchée et à être brûlé, le 9 février 1619, sur la place du Salin à Toulouse; ses cendres furent jetées au vent. Il resta, devant la mort fidèle à ses convictions, repoussa le crucifix en proclamant que Dieu n'existe pas et que la mort n'est que l'antichambre du néant.L'ouvrage fut poursuivi et détruit, "rarissime" selon Dorbon.(Brunet, V, 1075. Caillet, 11028. Dorbon, 5060. Peignot, 'Livres condamnés', II, 174. Thorndike VI, 568-573. Wellcome, 6485).Provenances: baron de Caule, avec ex-libris ancien gravé. Bibliothèque de la demeure d'Auchincruive en Ecosse et "Mortimer L. Schiff" avec son ex-libris doré sur cuir.Petite restauration de papier au f. 9. Quelques rousseurs. Très bel exemplaire dans une reliure de maroquin olive de Nicolas-Denis Derôme dit "Derôme jeune", le plus célèbre représentant de la dynastie des relieurs, avec sa petite étiquette imprimée: "Relié par Derôme le Jeune rue St Jacques au-dessus de St Benoist".

      [Bookseller: Librairie Hatchuel, Livres anciens et ra]
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        Martyrologivm Romanvm, ad Nouam Kalendarij Rationem, & Ecclesiasticæ Historiæ Veritatem Restitutum, Gregorii XIII. Pont. Max. Ivssv Editvm

      Venice, Italy: Ioannem Guerilium 1615 - 874 pp., index (xxx+718+126 pp.). In Latin. ex-library, call number on spine, vellum cover is soiled & wrinkled, cover ties are missing, stamp on bottom edge ("Martyrolog."), label & stamp & wrinkling on front pastedown, front hinge is partly-separated between title & facing pages, stamp & inscription & call number on title page, pages are age-toned, some pages are dog-eared, small piece of margin torn from 1st index page, tears & wrinkling to rear pastedwon [Attributes: Soft Cover]

      [Bookseller: Masalai Press]
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        LETTERS FROM AND TO SIR DUDLEY CARLETON, Knt. during his embassy in Holland from January 1615 / 16 to December 1620... With an Historical Preface.

      London, no imprint, 1780, 1615. THIRD EDITION 1780, 4to, approximately 285 x 225 mm, 11¼ x 8¾ inches, engraved portrait frontispiece by Mierevelt, pages: [4], lxx, 510, [24], finely bound in full red crushed morocco, triple gilt ruled border plus narrow gilt edge roll, gilt raised bands and richly gilt in compartments, gilt lettered black morocco label, all edges gilt, elaborate gilt inner dentelles (turn ins), marbled endpapers. A couple of minor marks to covers, a touch of rubbing to head and tail of spine, very slight rubbing to tail of upper hinge, tiny crack at top of upper hinge, small armorial bookplate of William Carr pasted over another on front pastedown, slight offsetting from title page onto margins of portrait, small British Museum duplicate stamp on verso title page and on final page, loss of 2 words on 2 facing pages of the Preface due to adhesion. A very good clean tight copy in an attracive binding. First published in 1757, reprinted in 1775. Sir Dudley Carleton (1574 - 1632) diplomat and politician, raised to the peerage in 1626 as Baron Carleton of Imbercourt, he became Viscount Dorchester in 1628 for his services to King and country. In the same year he was appointed Secretary of State. See Sabin, Dictionary of Books Relating to America 10901, and Lowndes Bibliographer's Manual, both state that the third edition is the best edition. MORE IMAGES ATTACHED TO THIS LISTING, ALL ZOOMABLE. FURTHER IMAGES ON REQUEST. POSTAGE AT COST.

      [Bookseller: Roger Middleton P.B.F.A.]
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        Metoposcopia e ophthalmoscopia. Argentinae, excudebat Theodosius Glaserus, sumptibus Pauli Ledertz, 1615

      1615. in - 8, pp. (16), 140, legatura coeva in pergamena floscia, titolo manoscritto lungo il dorso. Ritratto dell'autore al frontespizio, altri 25 ritratti nel testo, di cui 2 in silografia, di personaggi quali Filippo II duca di Pomeriana, cui l'opera è dedicata, Platone, Cristoforo Colombo (p. 21), Andrea Doria, incisi da Jacob van der Heyden. Prima edizione di una delle primissime opere sulla metoposcopia: un'antica arte divinatoria che consiste nell'analisi delle rughe della fronte per risalire al carattere e al destino di una persona, il cui padre fondatore viene considerato Girolamo Cardano. Importante sottolineare che in questo trattato è, inoltre, attestata per la prima volta la parola oftalmoscopia. Il Fuchs fu professore di retorica a Ko?nigsberg. Esemplare, come sempre, con arrossature, un po' corto di margini.

      [Bookseller: Libreria Antiquaria Pregliasco]
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        Della fisonomia dell'huomo.. Libri sei. Tradotti di latino in volgare e dall'istesso auttore accresciuti di figure & di passi necessarij a diuerse parti dell'opera et hora in quest'ultima editione migliorati in più di mille luoghi che nella stampa di Napoli si leggeuano scorettissimi & aggiontaui la fisonomia naturale di Monsignor Giouanni Ingegneri

      Per Pietro Paolo Tozzi, 1615. in - 8 Frontespizio sbiadito con piccolo restauro marginale anticamente firmato e datato. Sei pagine manoscritte dell \ 'epoca sostituite alle originali, vari percorsi di tarlo estinto

      [Bookseller: Libreria Antiquaria Giulio Cesare]
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        Vitae germanorum philosophorum : qui seculo superiori, et quod excurrit, philosophicis ac humanioribus literis floruerunt. Collecte a Melchiore Adamo

      Impensis Jonae Rosae. Typis Johannis Lacelloti, 1615. - Impensis Jonae Rosae. Typis Johannis Lacelloti., Haidelbergae (Heidelberg) 1615, in 8 (19x12cm), (16) 526pp. (8)., relié. - First Edition. Marca di stampante sul frontespizio. Assenti Brunet e Graesse. Periodo di vitello pieno. Torna lavorato in rilievo. Tappo superiore lisi. Una perdita del coperchio inferiore. Mascella superiore parzialmente incrinato. Risguardi Lack con carta a mano. Vita filosofi germaniche del tardo Quattrocento nel 1614. La nozione di germanicità e filosofo (il senso umanistico) è esteso poiché l'elenco comprende Erasme, svizzeri, olandesi e anche Durer ... ma Joan Faustus Georgius Fabricius, Christophorus Longolius, Copernico, Mercator, Orlandus Lasso, Nicodemo Frischlinus, Nicolas Clénard, Henricus Glareanus ... essere matematici, medici, astronomi, geografi ... - [FRENCH VERSION FOLLOWS] Edition originale. Marque de l'imprimeur sur la page de titre. Absent à Brunet et à Graesse. Reliure en plein veau d'époque. Dos à nerfs orné. Coiffe supérieure élimée. Un manque à la coiffe inférieure. Mors supérieur en partie fendu. Manque pages de garde avec papier à la cuve. Vie des philosophes germaniques de la fin du Xve à 1614. La notion de germanité et de philosophe (au sens d'humaniste) est étendue puisque la liste comprend Erasme, des suisses, des hollandais, et même Durer... mais également Joan Faustus, Georgius Fabricius, Christophorus Longolius, Copernic, Mercator, Orlandus de Lasso, Nicodemus Frischlinus, Nicolas Clenard, Henricus Glareanus... soit des mathématiciens, des médecins, des astronomes, des géographes...

      [Bookseller: Librairie Le Feu Follet]
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        Delle Famiglie Nobili Fiorentine. Parte prima.

      Anno 1615. In folio (cm 27x40), pergamena molle coeva con tassello al dorso e riquadri dorati ai piatti (piccoli difetti). Quattro carte non numerate comprendenti il frontespizio figurato e il ritratto dell'autore, pagine 212 e 4 carte non numerate contenenti l'indice. Sono presenti 13 grandi tavole (nove sono a doppia pagina) raffiguranti alberi genealogici con paesaggi come sfondo. Eccetto qualche piccolo inevitabile difetto la conservazione è ottima. Molto raro. (Toscana - araldica - figurato del '600) (Rif.A1449 - 664/48)

      [Bookseller: La Casa del Collezionista]
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        La Guerra dell'Amore

      1615. Coppia di incisioni ad acquaforte e bulino, 1615, firmate e datate in lastra in basso. Esemplari nel secondo stato di tre, classificati dal Lieure come molto rari. Bellissime prove, impresse su carta vergata coeva con filigrana con "orso", (Lieure 16, indicata come tipica di questi lavori), rifilate al rame o con sottili margini, in ottimo stato di conservazione. Le opere raffigurano la festa del carnevale organizzata in piazza Santa Croce a Firenze nel febbraio del 1615. Traducono il genio artistico di Giulio Parigi, architetto di corte dei Medici, ideatore e organizzatore delle feste e degli sfarzosi eventi di corte, e furono pubblicate con i versi del poeta Andrea Salvadori in Guerra d'amore Festa del Serenissimo Gran Duca di Toscana, Cosimo Secundo, fatta in Firenze il Carnevale del 1615. Il tema della festa era la competizione tra Cosimo II e Lorenzo de' Medici, che interpretano i due attori principali. I protagonisti sono raffigurati all'interno di un'arena temporanea allestita nella piazza, dove si svolge un combattimento tra le due fazioni. La storia è accompagnata dalla disputa tra Venere e Marte, con il trionfo di Venere che intona un canto in onore della pace e dell'amore. Sebbene basata su disegni preparatori di Giulio Parigi, le due composizioni furono studiate e preparate da Callot attraverso propri disegni preparatori. Le numerose figure presenti nelle due lastre in seguito fornirono l'ispirazione e furono riprese per i Balli di Sfessania (Lieure 379 - 402) e nei Tre Pantaloni (Lieure 288 - 290). Rare ed importanti opere. Bibliografia: G. G. Bertelà & A. P. Tofani. Feste e Apparati Medicei da Cosimo I a Cosimo II pp. 142 - 149 & 226; Lieure 170, 171; H. Diane Russell. Jacques Callot prints & Related Drawings pp. 60 - 62, 49 - 52; Reed & Wallace, Italian Etchers of the Renaissance & Barocque pp. 222, 112. "Pair of etchings with engraving, 1615, signed and dated in the plate at the bottom. Examples in the second state of three, classified by Lieure as "very rare". Beautiful impressions, printed on contemporary laid paper with watermark ""bear"" (Lieure 16, indicated as typical of these works), trimmed to the platemark or with thin margins, in excellent condition. The works depict the feast of carnival organized in Piazza Santa Croce in Florence in February 1615. Translate the artistic genius of Giulio Parigi, architect of the court of the Medici, founder and organizer of festivals and glitzy events at court, and were published with the verses of the poet Andrea Salvadori in Guerra d'amore Festa del Serenissimo Gran Duca di Toscana, Cosimo Secundo, fatta in Firenze il Carnevale del 1615. The theme of the festival was the competition between Cosimo and Lorenzo II de 'Medici, who play the two main actors. The main characters are portrayed in a temporary arena set up in the square, the location of a battle between the two factions. The story is accompanied by a dispute between Venus and Mars, with the triumph of Venus who sings a song in honor of peace and love. Although based on preparatory drawings by Giulio Parigi, the two compositions were designed and prepared by Callot through their preparatory drawings. The numerous figures in the two plates later provided an inspiration and were taken to the Dances of Sfessania (Lieure 379 - 402) and in the Three Pants (Lieure 288 - 290). Rare and important works. Bibliografia: G. G. Bertelà & A. P. Tofani. Feste e Apparati Medicei da Cosimo I a Cosimo II pp. 142 - 149 & 226; Lieure 170, 171; H. Diane Russell. Jacques Callot prints & Related Drawings pp. 60 - 62, 49 - 52; Reed & Wallace, Italian Etchers of the Renaissance & Barocque pp. 222, 112." 300 224

      [Bookseller: Libreria Antiquarius]
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        Paesaggio con Cristo che allontana il demonio

      1615. Bulino, circa 1615, firmato in lastra in basso a sinistra. Esemplare nell'unico stato conosciuto. Magnifica prova, finemente acquerellata da mano contemporanea, impressa su carta vergata coeva con filigrana "stemma araldico con giglio", con margini, consueta traccia di piega verticale centrale, in eccellente stato di conservazione. La composizione deriva da un soggetto del pittore olandese David Vinckboons, ed è edita da Nicolas Visscher . L'eccelsa qualità della coloritura a mano distingue questo lavoro dalle prove in bianco e nero. Engraving, circa 1615, signed on plate at lower left. Example in the only known state. Magnificent proof, exquisitely coloured by contemporary hand, on contemporary laid paper, "coat of arms with fleur - de - lis" watermark, with margins, usual trace of central vertical fold, in excellent conditions. This print derives from a subject by dutch painter David Vinckboons and is edited by Nicolas Visscher. The excellent colouring quality distinguishes this print from the proofs in black - and - white. Hollstein 20 482 347

      [Bookseller: Libreria Antiquarius]
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        Facecieuses paradoxes de Bruscambille, & autres discours comiques. Le tout nouvellement tiré de l'escarcelle de ses imaginations

      Chez Thomas Maillard, 1615. - Chez Thomas Maillard , A Rouen 1615, in-12 (7,5x15cm), (16) 77ff. (2), relié. - Prima edizione, rara. Cartone pergamena crema Bradel moderno. Piece come pelle di pecora nera. Un alto margine di umidità pallida, mangiare sul testo, senza conseguenza molto. Nella epistola ai lettori, l'autore parla di questo libro come terza prova; quindi questo è il terzo libro pubblicato da Bruscambille, che contiene: A favore della scena, a favore dei capezzoli, Pardoxe la prigione, a favore del mondo della commedia, a favore della moda, a favore del pidocchio, a favore di quattro, a favore di tre, a favore di sciocchezze, chiquane A favore di, a favore di hyver, A favore di pedanteria, espettorato gradevole in favore della bottiglia. Deslauriers attore († 1634), sotto lo pseudonimo di Bruscambille era un teatro regolare del Hotel de Bourgogne, prima che recitava il fumetto prologo, spesso volgari, osceno e molto malizioso, un linguaggio complesso e spesso ricercato satire spesso evocano Rabelais. - [FRENCH VERSION FOLLOWS] Edition originale, rare. Reliure en plein cartonnage parcheminé crème à la Bradel, moderne. Pièce de titre de basane noire. Une mouillure pâle en marge haute, mangeant sur le texte, sans grande conséquence. Dans l'épître aux lecteurs, l'auteur parle de ce livre en tant que troisième essai ; il s'agit donc du troisième ouvrage publié par Bruscambille, qui contient : En faveur de la scène, En faveur des tetins, Pardoxe sur la prison, En faveur de la comedie du monde, En faveur de la mode, En faveur du morpion, En faveur du nombre de quatre, En faveur du nombre de trois, En faveur du galimatias, En faveur de la chiquane, En faveur de l'hyver, En faveur du pedantisme, En faveur du crachat, En faveur de la bouteille. Le comédien Deslaurier (mort en 1634), sous le pseudonyme de Bruscambille était un habitué du théâtre de l'hôtel de Bourgogne devant lequel il déclamait ces prologues comiques, souvent grivois, paillards et fort facétieux, d'une langue complexe et souvent recherchée, les satires évoquent souvent Rabelais.

      [Bookseller: Librairie Le Feu Follet]
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        Aureus tractatus praeeminentiae M.C.V. indebitae torturae ac excessus in ea, & debilitationis membrorum torti. Sequuntur supplicationes suae excellentiae quaerimoniae indebitae torturae, debilitationis membrorum, & excessus. Cum annotationibus, et singularibus syndicatus officialium. Authore Francisco Carrabba

      ex typographia Ioannis Iacobi Carlini, 1615. In - 4°, pp. (12),166,(10), frontespizio inciso in rosso e nero, marca tipografica in xilografia raffigurante lo stemma del dedicatario Caesar Alderisiuspiena, pergamena coeva, mancanza al margine superiore del piatto inferiore, ottimo esemplare, fresco. Alcune antiche annotazioni al margine di mano coeva. Timbro di biblioteca privata al frontespizio e al colophon. Interessante e raro trattato sull'indebita tortura, i suoi eccessi e l'indebolimento degli arti torturati, scritto dal giureconsulto Francesco Carrabba (1589 circa - dopo il 1620) che passa in rassegna la materia dal punto di vista giuridico esponendone le varie casistiche che possono riscontrarsi, i vari moduli di denunce e certificati, le suppliche e le forme di negoziato con la Curia. Edizione originale, secondo l'iccu censito solo in quattro biblioteche.

      [Bookseller: Libreria Antiquaria Xodo]
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        Sol Elliptic: hoc est novum e perpetuum solis contrahi soliti phaenomenon, quodnoviter inventum, strenae loco.. Augustae Vindelicorum (Augsburg), Typis Christophori Mangij, 1615

      Mang Christoph, 1615. in - 8 (ma segnato in - 4, mm 192 x 140), pp. (4), 34, (2), legatura in cartone rustico. Al titolo raffigurazione del ''sole ellittico'', nel testo 9 tavole di osservazione solare e 10 illustrazioni, il tutto in silografia n.t., testatine e finalini ornati. Prima edizione, assai rara, di questo trattato dedicato dallo Scheiner al fenomeno di rifrazione solare all'orizzonte che, soprattutto al mattino, fa apparire il sole ellittico anziché sferico, anche attraverso l'osservazione al telescopio. Basato sulle osservazioni che l'astronomo gesuita (1573 - 1650) compì di ritorno da Ingolstad tra 1612 e 1613 questo lavoro si inserisce nella dibattuta querelle sulle Macchie Solari che nacque tra lo Scheiner e Galileo. Il testo apparve una seconda volta nel 1617 ma con il titolo ''Refractiones coelestes'' e sostanzialmente cambiato nel contenuto e nelle illustrazioni. Esemplare con margini ridotti (foglio del titolo rifilato sul lato esterno, con piccola perdita su 5 righe).

      [Bookseller: Libreria Antiquaria Pregliasco]
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        S. Thomae Aquinatis Summa totius theologiae, in qua quicquid in universis Bibliis continetur obscuri, quicquid in veterum patrum (ab ipso nascentis Ecclesia initio) monumentis est doctrinae notabilis; quicquid denique vel olim vocatum est, vel hodie vocatur ab haereticis in controversiam, id totum, vel certe maxima ex parte, ut erudite e pie , ita fideliter atque dilucide, per quastiones, e responsiones explicatur; in tres partes ab auctore suo distributa. Editio novissima, in qua praestitum quid sit, sequenti pagella indicatur.

      Chevalier, 1615. In 4°, piena perg., cc.nn. 6 di Index + pag. 212 (Prima pars Summae..) + cc.nn. 4 + pag. 212 (Prima secundae partis Summae...) + cc.nn. 8 + pag. 335 (Secunda secundae Sancti Thomae Aquinatis opus plane aureum...) + pag. 218 , di cui le prime 12 risultano cc. nn.(Tertia pars Summae..) + pag. 179 (Supplementum ad tertiam partem) + 103 cc.nn. di Index. Front. con pregevole inc. raffigurante il Santo e vari oggetti allegorici, il volume è dotato di altri 4 front. tutti figurati da una medesima inc. raffigurante il Santo. Finaline. Tagli spruzzati blu. Tutte le pag. sono ornate da filo nero. Carta e stampa fresche. Piccola menda allo spigolo inferiore del piatto post. La pag. 199 / 200 è inserita prima della pag. 197 / 198.

      [Bookseller: Libreria Cicerone M.T.]
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        1615 HUGE FOLIO Pope Gregory I Great MIRACLES Greek Monastics Catholic Dialogues

      Antverpiæ : Apud Ioannem Keerbergium, 1615. - 1615 HUGE FOLIO Pope Gregory I Great MIRACLES Greek Monastics Catholic Dialogues Rare 2in1 with Abbot of Gorze Armorial Provenance Pope Gregory I (c. 540 – 604), commonly known as Saint Gregory the Great, was Pope from 3 September 590 to his death in 604. Gregory is well known for his writings, which were more prolific than those of any of his predecessors as pope. He is also known as St. Gregory the Dialogist in Eastern Christianity because of his Dialogues. For this reason, English translations of Eastern texts will sometimes list him as Gregory "Dialogos" or the Latinized equivalent "Dialogus". Main author: Pope Gregory ; Pope Sixtus Title: Sancti Gregorii Magni Papæ primi Opera : Sixti V. Pont. Max. ivssv emendata, aucta, & in tomos sex distributa. Vtpote in quibus, præter accuratam priorum mendarum repurgationem, notas etiam breuiores ad marginem additas, ac typorum quibus illustriora S. Scripturæ loca dignoscantur varietatem, accesserunt insuper pleraque alia lectu & scitu dignissima, antehac cum in Romana, tum in Parisiensi editione desiderata . Published: Antverpiæ : Apud Ioannem Keerbergium, 1615. Language: Latin Notes & contents: • 2 tomes in 1 o Two title pages • Embossed arms on cover - Antoine de Lenoncourt, Abbot of Gorze (1607 – 1636) • 1 engraved plate FREE SHIPPING WORLDWIDE Wear: wear as seen in photos Binding: tight and secure leather binding Pages: complete with all 510 + 1222 pages; plus indexes, prefaces, and such Publisher: Antverpiæ : Apud Ioannem Keerbergium, 1615. Size: ~15in X 10in (38cm x 25cm) FREE SHIPPING WORLDWIDE Shipping: Very Fast. Very Safe. Free Shipping Worldwide. Satisfaction Guarantee: Customer satisfaction is our first priority. Notify us within 7 days of receiving your item and we will offer a full refund guarantee without reservation. $750 Photos available upon request. [Attributes: First Edition; Hard Cover]

      [Bookseller: Schilb Antiquarian]
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        Naturkinder von Fidus

      - - Enthält das Blatt, Zur Brautinsel!" sowie ein vierseitiges Inhaltsverzeichnis mit begleitendem Text/Dazu 2 vom Künstler original signierte Drucke: Abendgesicht, signiert ,Für Maria Gruß Fidus sowie ,Die Brautinsel" signiert ,Dem transatlantischen Paare" vom Fidushause. Zusammen 14 Tafeln. 2 davon mit original Widmung und Signatur vom Künstler/Beiligen 3 farbige Drucke von Fidus; Lichtgeber/Eisläuferin/Meeresmittagweiten - Gewicht in Gramm: 1615 J.C.C. Bruns Hof-Verlagsbuchhandlung, Minden, 1902. 2 Blatt mit 8 (von 10) Lichtdrucktafeln in original Halbleinen-Flügelmappe. Folio (48,5 cm x 34,5 cm) (etwas fleckig/2 Blatt eingerissen/mit Knickspuren)

      [Bookseller: Celler Versandantiquariat]
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        Histoire Romaine continuée depuis la fondation de la Ville de Rome jusques à l'Empire de Tybere. Mise en nostre langue par le commandement du Roy, et dédiée à sa Majesté. Par F. Nicolas Coeffeteau, son Prédicateur ordinaire.

      A Paris, en la boutique de Nivelle, chez Sébastien Cramoisy, 1615. - in-8. 16ff. 489pp. (i.e. 519). 10ff. Plein maroquin olive, dos à nerfs, plats et entrenerfs richement ornés d'un semis doré de fleur de lys, tranches dorées, gardes doublées de papier à la cuve (reliure de l'époque, petits accrocs aux coiffes). Edition Originale de l'une des traductions les plus influentes de la littérature française du 17e siècle. Nicolas Coeffeteau (1571-1623), natif du Maine, fut notamment prédicateur de Henri IV puis de Louis XIII et c'est à la demande de ce dernier, alors âgé de treize ans, qu'il composa cet ouvrage qui eut immédiatement le plus grand succès. "De toutes les traductions que vit éclore cette période de notre littérature, aucun n'eut autant de réputation que celle de Florus, que publia Coeffeteau en 1615. (Il) estimait cette traduction le plus beau de tous ses ouvrages. Il l'avait soignée avec une sorte de prédilection, luttant d'élégance avec l'original" (Charles Urbain). Cette première édition datée de 1615 est très rare. Fenêtre réparée anciennement dans le blanc de la page de titre. Charmant exemplaire en reliure de l'époque fleurdelysée. L'exemplaire conservé à la Bibliothèque Nationale de France est relié en maroquin olive aux armes de Louis XIII. [Attributes: First Edition; Hard Cover]

      [Bookseller: Librería Comellas]
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        Tooneel der keyseren en coningen van christenryck sedert den onderganck van het Griecks Keyserdom vervatende hare beeltenissen afcomsten en de voornaemste daden ende also 't sommier der historie van meer dan 150 jaren herwaerts bij een vergadert uytde geloofweerdigste schrijvers door N.D.C. tot Delf bij Niclaes de Clerck Anno 1615 Gebonden met: Tooneel der beroemder Hertogen Princen Graven ende krygs-Helden van Christenrijck binnen dese drij laeste eeuwen Vervatende hare beeldnissen afcomsten en voornaemste daden mitgaders den oorspronck ende huijdigen staet der vermaerder Republijcken van Venetien Genua Suitserlandt ende Geneven Uit de geloofweerdigste schrijvers bij een vergadert door N.D.C. tot Delf Bij Niclaes Clerck.

      Delft: Clercq, N. de, 1615. Conditie: 6 Rug beschadigd en met pennestrepen, vroege band gemaakt van perkament dat eerder is gebruikt voor een andere band, mist iig 1 pagina van het register van het 2e boek.. Rijk geillustreerd met +- 140 portretten. Zeldzaam werk Part: 1/6 Witpagina('s)/213 /9 RegisterPart: 2/Titelpagina/6 NNP/637 P/8 Register/2 Witpagina('s) Binding: Contemporary Full Vellum Quarto 4to

      [Bookseller: Antiquariaat Meuzelaar]
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        A Satyre

      London: Thomas Snodham for G. Norton, 1615. Second edition. [88] pp. 12mo. Modern calf, a little rubbed, dampstaining to final three leaves, carelessly trimmed affecting the ornament on the bottom edge of several pages. Second edition. [88] pp. 12mo. As the success of Wither's Abuses Stript, and Whipt (1613) grew so considerable that pirated editions were produced and he soon came to the authorities' attention. He was jailed for libel in 1614. This work, A Satyre was his petition to King James for his release claiming that he had "not sought to scandalize the state, nor sowne sedition" Provenance: James William Ellsworth (bookplate); Robert S. Pirie (bookplate)

      [Bookseller: James Cummins Bookseller]
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        Lettre de monsieur le comte de Sainct Paul, a monsieur le prince de Condé

      Paris: Jean Bourriquant 8vo (16.6 cm, 6.5"). 7, [1 (blank)] pp.. 1615 First printing of a message from the Comte de Saint-Paul regarding his sense of honor and his obligations to the monarchy, and considering what impact they might have on any assistance he could render to the rebellious Prince de Condé. WorldCat and Lindsay & Neu combine to locate seven copies in the U.S. Recent paper?covered boards, front cover with printed paper label. All four leaves pressure-stamped by a now-defunct institution; title-page verso with inked numeral. Additional inked pagination. Clean.

      [Bookseller: Philadelphia Rare Books & Manuscripts Co]
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        Außführliche Fundamenta und Erklerunge. Von dem Praelation oder Vorzug Rechten, Das ist, Auß was ursachen, wann und welcher gestalt je ein Schultgleubiger dem andern, ohne des verfallenen gemeinen debitoris und Schultners Haab und Gütern, möge, könne und solle der Zahlung halben vorgezogen werden.

      Magdeburg, Franck 1615.Titelblatt in Rot und Schwarz. 8 (d. l. w.) Bll., 318 S., 5 (d. l. w) Bll., 215 S., 4 (d. l. w.) Bll. Prgt. d. Zt. Vgl. VD17 3:615038A (Ausgabe 1614). - Der Verfasser war Professor der Jurisprudenz in Straßburg und Advokat in Hagenau. - Schließbänder fehlen, Einband etwas fleckig. Besitzvermerk auf Titel (L. V. F. 1615), gleichmäßig gebräunt. Bücher de

      [Bookseller: Antiquariat Turszynski]
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        The Historie, and Lives, of Twentie Kings of England. With the Successions of the Dukes, and Earles, of this Realme; from the Conquest, vntill the Twelfth yeare of the Famous Raigne of the most Admired Prince King Iames the First. Together with the times of the Creations of the Barons, and Baronets, of this Kingdome. By William Martyn Esquire, Recorder of the Honorable Citie of Exeter.

      London, Printed by W. Stansby for Henrie Fetherstone. 1615 1615. The variant title of: 'The Historie, and Liues, of Twentie Kings of England'. Folio, 270x175mm. Original dark-tan calf with a blind-ruled panel on both boards with decorative inner scroll and floreat corner-pieces. Recently rebacked with five raised bands on the spine, gilt outlined, and burgundy lettering-piece. All edges washed red. [28], 420, [70] pages signatures: [par.]4, b6, A-O4, P-Z6, 2A-2R6, 2S2; 2T-2Z6, 3A5; LACKS the final blank leaf. Includes Index. Ownership inscription ?William Chadwick | Arksey | July 3rd 1862? on front paste-down with book-plate beneath: Doncaster Free Library | 1869 | Reference Department | Class No. B389?. Engraved title-page, tanned and close cropped at head and foredge. Old ownership inscriptions in sepia ink on title-page and first page of Epistle Dedicatorie, both crossed through. Paper repair to lower foredge corner of p. 57 and final leaf, not affecting text. 'The Successions of the Dukes and Earles of this Kingdome of England' (2T1r), is unpaginated and has a separate dated title-page; register is continuous. Book-plate on rear pastedown: Doncaster Borough Free Library | Presented by | William Chadwick, Esq | Arksey | W. E. Williams, Librarian | 17th July 1889?; William Chadwick wrote 'The Life and Times of Daniel De Foe'. Handsome head- and tail-pieces and decorated capitals throughout. Occasional minor fingering. Crisp, clean and tight. ESTC S114245.(Further information and photographs available on request.)

      [Bookseller: Collectable Books]
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        Erster (Anderer, Dritter) Theil/ Der Guldenen Sendtschreiben. Weiland deß Hochwirdigen unnd Wolgebornen Herrn Antonii de Guevara ... darinn vil schöne Tractätl/ subtile discursen, artliche Historien/ herrliche Antiquiteten, und lauter gute Exemplarische sachen begriffen/ so allen und jedlichen/ hohen un[d] nidern/ Geistlichen und Weltlichen Standts Personen/ fast kurtzweilig/ annemblich und nutzlich zulesen / Durch ... Aegidium Albertinum, auß der Hispanischen in die Teutsche Sprach auffs fleissigist verwendt. An Jetzt mit sonderbarem Fleiß auffs new ubersehen ... corrigiert, und verbessert.

      München, Anna Berg 1615.3 Tle. in 1 Band. Mit 3mal demselben fast ganzs. Holzschnitt - Signet. 4 unn., 216 num., 3 unn., 1 w.; 2 unn., 246 num., 4 unn.; 2 unn., 198 num., 4 unn. Bll. Holzdeckelband d. Zt. mit blindgepr. Schweinslederbezug. 4°. VD17 12:108262K; Dünnhaupt 3.6; Gemert 303ff.; Goed. II, 580, 4 d; vgl. Faber du Faur 896 d und Haus der Bücher NF 46. - Leicht gebräunt, gering fleckig, Titel mit Besitzvermerk und Stempel (ausgeschiedene Dublette der Bayerischen Staatsbibliothek), letztes Blatt mit Eckreparatur. Einband etwas berieben und fleckig, ohne die beiden Schließen, vorderer Spiegel mit gest. Wappenexlibris "Dom(us) S. S. Adelhaidis et Caietani" (München, Theatinerkloster; Warnecke 1411). Bücher de

      [Bookseller: Antiquariat Turszynski]
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        Conciones, habitae Lovani ante annos circiter quadraginta; nunc consenus auctoris publicatae.

       Köln, J. Crith 1615. 3 Bll., 762 (recte 760) S., 28 Bll. (letztes w.). Ldr. d. Zt. über Holzdeckel m. Blindpräg. Mit 2 intakten Messingschließen. Etw. berieb. u. staubfl. Vors. u. Tit. m. Besitzverm. Durchgeh. gebräunt, tlw. fleckig. u. wasserrand. Erstes Textbl. angerandet.VD17 12:196437K - Erste Ausgabe, hrsg. v. Simon Ryckius. - Roberto Francesco Romolo Bellarmino (1542-1621), Jesuit und Kardinal, war ein Hauptverfechter des römischen Katholizismus und der päpstlichen Suprematie. Er hatte die Rolle des Grossinquisitors im Häresieprozess gegen Giordano Bruno ubernommen. In Rom hatte Bellarmin Galileo Galilei kennengelernt, den er als Naturwissenschaftler aber auch als gläubigen Christen schätzte. Als Berater des Papstes war er es, der Galilei die Haltung des Vatikans deutlich zu machen hatte. Versand D: 4,00 EUR Theologie, Religionsgeschichte

      [Bookseller: Antiquariat Burgverlag]
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        Alcune poesie sopra la morte del Principe don Francesco Medici

      

      [Bookseller: Maggs Bros. Ltd. ]
 27.   Check availability:     Direct From Bookseller     Link/Print  


        The Bible: that is the Holy Scriptures conteined in the Old and New Testament.

      London: Robert Barker, , 1615. [Together with:] SPEED, John. The Geanealogies recorded in the Sacred Scriptures, according to every Family and Tribe. London, Quarto in eights (208 x 154 mm). Later 17th-century black morocco, decorative gilt spine, 18th-century red morocco label, roll-tool border on sides enclosing gilt roll tool panels and crowned corner ornaments, marbled endpapers. Engraved title pages, double-page map of the Holy Land (in the Genealogies), other wood-engravings in the text. Binding a little rubbed, some headlines shaved by the binder, a few neat old repairs, tear across fore-corner of Qq8 (with loss of some words), repair to margin of 3E6 (with loss of side note), a few faint burn marks in same gathering (doubtless from the proximity of a candle), but overall in very good condition and complete with title pages and the blank leaf A1. A most attractive Jacobean Bible in the Geneva version: the version still used by Oliver Cromwell in the middle of the 17th century. Herbert describes this 1615 printing as "the last roman type quarto edition of this version printed by Barker".

      [Bookseller: Peter Harrington]
 28.   Check availability:     Biblio     Link/Print  


        Erster (Anderer, Dritter) Theil/ Der Guldenen Sendtschreiben. Weiland deß Hochwirdigen unnd Wolgebornen Herrn Antonii de Guevara ... darinn vil schöne Tractätl/ subtile discursen, artliche Historien/ herrliche Antiquiteten, und lauter gute Exemplarische sachen begriffen/ so allen und jedlichen/ hohen un[d] nidern/ Geistlichen und Weltlichen Standts Personen/ fast kurtzweilig/ annemblich und nutzlich zulesen / Durch ... Aegidium Albertinum, auß der Hispanischen in die Teutsche Sprach auffs fleissigist verwendt. An Jetzt mit sonderbarem Fleiß auffs new ubersehen ... corrigiert, und verbessert.

      München, Anna Berg 1615. 3 Tle. in 1 Band. Mit 3mal demselben fast ganzs. Holzschnitt-Signet. 4 unn., 216 num., 3 unn., 1 w.; 2 unn., 246 num., 4 unn.; 2 unn., 198 num., 4 unn. Bll. Holzdeckelband d. Zt. mit blindgepr. Schweinslederbezug. 4°. VD17 12:108262K; Dünnhaupt 3.6; Gemert 303ff.; Goed. II, 580, 4 d; vgl. Faber du Faur 896 d und Haus der Bücher NF 46. - Leicht gebräunt, gering fleckig, Titel mit Besitzvermerk und Stempel (ausgeschiedene Dublette der Bayerischen Staatsbibliothek), letztes Blatt mit Eckreparatur. Einband etwas berieben und fleckig, ohne die beiden Schließen, vorderer Spiegel mit gest. Wappenexlibris \"Dom(us) S. S. Adelhaidis et Caietani\" (München, Theatinerkloster; Warnecke 1411). Versand D: 5,00 EUR

      [Bookseller: Antiquariat Uwe Turszynski]
 29.   Check availability:     buchfreund.de     Link/Print  


        The Bible: that is the Holy Scriptures conteined in the Old and New Testament. [Together with:] SPEED, John. The Geanealogies recorded in the Sacred Scriptures, according to every Family and Tribe. London,

      London: Robert Barker, 1615 - Quarto in eights (208 x 154 mm). Later 17th-century black morocco, decorative gilt spine, 18th-century red morocco label, roll-tool border on sides enclosing gilt roll tool panels and crowned corner ornaments, marbled endpapers. Binding a little rubbed, some headlines shaved by the binder, a few neat old repairs, tear across fore-corner of Qq8 (with loss of some words), repair to margin of 3E6 (with loss of side note), a few faint burn marks in same gathering (doubtless from the proximity of a candle), but overall in very good condition and complete with title pages and the blank leaf A1. Engraved title pages, double-page map of the Holy Land (in the Genealogies), other wood-engravings in the text. A most attractive Jacobean Bible in the Geneva version: the version still used by Oliver Cromwell in the middle of the 17th century. Herbert describes this 1615 printing as "the last roman type quarto edition of this version printed by Barker". Herbert 342.

      [Bookseller: Peter Harrington. ABA member]
 30.   Check availability:     AbeBooks     Link/Print  


        L'IDEA DELLA ARCHITETTURA UNIVERSALE

      Venetiis: [Printed by Giorgio Valentino for] Vincenzo Scamozzi, 1615. FIRST EDITION n. Despite its confusing collation, this is a complete as well as especially attractive copy of the first appearance of one of the great 17th century treatises on Renaissance architecture. In Wittkower's words, it is written by one who "enjoyed an undisputed international reputation and provided a direct link with Palladio." Scamozzi had been a student of, and then assistant to, that great master and took over his unfinished ventures at Palladio's death in 1580. One of two major works by Scamozzi (the other being "Discorsi Sopra L';Antichita di Roma" of 1582), "Idea" is based upon our author';s study of ancient writers in concert with his personal investigation of the ruins of Rome, which he considered essential, the present always being informed by the past. The book is a lavish production with well-designed text, with illustrations that clearly reinforce the written content, and with an aesthetically pleasing overall appearance. Born in Vicenza as the son of a building contractor, and influenced in his early life by Serlio, Vincenzo Scamozzi (1552-1616) was a gentleman-scholar-artist-philosopher of architecture whose interest and understanding in his field was extremely broad. In the "Idea," he divides architecture into four aspects: humanist discipline, building, decoration, and preservation. He delves in detail into cities, public buildings, private houses, foundations, columns, vaulting, roofs, planning, design, tools, etc.--in short, the whole gamut of architectural theory, practicalities, history, science, and art. But according to Millard, the core of this book is that "the 'idea' of the architect rests on basic geometrical forms rather than the imitation of nature practiced by figurative artists. Offering a vast architectural horizon, both geometrically and historically, Scamozzi articulates an eclectic use of the history of architectural theory and practice." Though well represented in auction records, copies that have fallen under the hammer have typically been in varying degrees of distress, as the book was almost always heavily read and referenced by those possessing copies. We are fortunate that our copy was apparently owned over the centuries by armchair architects who apparently confined their building activities to fine book collections.. 348 x 230 mm. (13 3/4 x 9"). Part I: [12], 90, [7], 96, [4], 97-128, 125-190, 190 (misnumbered for 191)-193, [2], 194-218, [4], 219-240, 243 (misnumbered for 241)-352, [34]; Part II: [12], 1-44, 33-36 (misnumbered for 45-48), 49-108, 111-114, 109-110, 119-120, 115-118, 121-172, [4], 173-232, 235-266, 277-279 (misnumbered for 266-269), [5], 271-370, [22] pp. (complete). FIRST EDITION. 19th century honey-brown quarter calf over marbled boards, raised bands flanked by decorative gilt rolls. With woodcut initials and headpieces, woodcut printer's device on six section titles, and 89 ENGRAVED PLATES, including two title pages featuring a portrait of the author and an elaborate architectural frame, eight of the plates double-page. Millard Architectural Collection IV, 123; Avery Architectural Library, p. 904; Fowler 292. Joints and extremities just slightly rubbed, mild chafing to paper boards, minor stain to head edge of preliminary leaves, faint dampstain to fore edge of last six gatherings, other trivial imperfections, but still A FINE COPY, the binding completely sound and with only minimal wear, and ESPECIALLY CLEAN, FRESH, AND BRIGHT INTERNALLY. Despite its confusing collation, this is a complete as well as especially attractive copy of the first appearance of one of the great 17th century treatises on Renaissance architecture. In Wittkower's words, it is written by one who "enjoyed an undisputed international reputation and provided a direct link with Palladio." Scamozzi had been a student of, and then assistant to, that great master and took over his unfinished ventures at Palladio's death in 1580. One of two major works by Scamozzi (the other being "Discorsi Sopra L'Antichita di Roma" of 1582), "Idea" is based upon our author's study of ancient writers in concert with his personal investigation of the ruins of Rome, which he considered essential, the present always being informed by the past. The book is a lavish production with well-designed text, with illustrations that clearly reinforce the written content, and with an aesthetically pleasing overall appearance. Born in Vicenza as the son of a building contractor, and influenced in his early life by Serlio, Vincenzo Scamozzi (1552-1616) was a gentleman-scholar-artist-philosopher of architecture whose interest and understanding in his field was extremely broad. In the "Idea," he divides architecture into four aspects: humanist discipline, building, decoration, and preservation. He delves in detail into cities, public buildings, private houses, foundations, columns, vaulting, roofs, planning, design, tools, etc.--in short, the whole gamut of architectural theory, practicalities, history, science, and art. But according to Millard, the core of this book is that "the 'idea' of the architect rests on basic geometrical forms rather than the imitation of nature practiced by figurative artists. Offering a vast architectural horizon, both geometrically and historically, Scamozzi articulates an eclectic use of the history of architectural theory and practice." Though well represented in auction records, copies that have fallen under the hammer have typically been in varying degrees of distress, as the book was almost always heavily read and referenced by those possessing copies. We are fortunate that our copy was apparently owned over the centuries by armchair architects who apparently confined their building activities to fine book collections.

      [Bookseller: Phillip J. Pirages Fine Books and Mediev]
 31.   Check availability:     Biblio     Link/Print  


        Relatione della venuta e solenne entrata dell'Illustriss. & Eccelentiss. Signor D. Alessandro Vandomo fratello naturale della Maestà del re Christianissimo e gran Priore di Tolosa dell'ordine della Sacra Religione Gierosolmitana. Fatta in Roma alli 2 di Ottobre 1615 con la Cavalcata di S.E. al publico Concistoro, & altri particolari.

      Stampata in Roma, & ristampata in Milano nella Regia Ducal Corte, per Marco Tullio Malatesta, s.d. (1615). In 8vo piccolo (cm. 14,5); senza cop. come d'uso; pp. 16 n.n. ... Innanzi andavano gli cariaggi sopra muli al numero di trenta, dodici dei quali havevano coperte di veluto turchine, con un grandissimo feudo dell'arma di S.E. tutte fatte a ricamo d'oro, essendo pure i cantoni di dette coperte ricamate à oro dell'impresa di S.E. e frangiate attorno d'oro, e seta ... Appresso seguitavano li cavalli leggieri di Nostro Signore, vestiti con casacche di scarlatto trinate d'oro. Poi venivano le Mule de' Signori Cardinali...

      [Bookseller: Libreria Bongiorno Paolo]
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        XIV. boeken van de Geldersse geschiedenissen. Van 't begin af vervolghd tot aen de afzweeringh des Konincx van Spanien; waer van 't eerste deel verhandeld de land-beschrijvingh.Arnhem, Jacob van Biesen, 1654. Folio. With engraved title-page, large folding engraved map and 20 double-page maps and in the text 28 woodcut coats of arms, woodcut medals, and letterpress genealogical tables. Contemporary blind-tooled vellum, rebacked with modern vellum, modern endpapers.

      Bodel Nijenhuis 582; Gouda Quint, Bibliogr. Gelderland, p. 8; Nijhoff & V. Hattum 281. First edition of the first complete history of Gelderland in Dutch, by Arend van Slichtenhorst (ca. 1615-1657), who studied at Leiden and became a lawyer inis native city Arnhem. The work was based upon, and partly a translation of Pontanus' Historiae Gelricae, but Slichtenhorst thoroughly revised, corrected and much enlarged the Latin original. Slichtenhorst starts with the topography and cities of the region, continuing with Gelderland during the reign of Julius Caesar up to the Holy Roman Emperor Rudolf II. The large folding map, by no one less than Willem Jansz. Blaeu, gives an overview of the entire province, while four double-page maps render parts of the province in greater detail.With presentation inscription dated 1823, and an owner's inscription dated 1694. Some words and sentences struck through, rending them unreadable. Tear on p. 1, repaired with tape, some of the folding plates reinforced with tape as well. Some waterstains thoughout the text and some plates are heavily browned. Binding rebacked, as noted. Otherwise a good copy.

      [Bookseller: ASHER Rare Books (Since 1830)]
 33.   Check availability:     NVvA     Link/Print  


        Marck . Bergh':.

      - Kupferstich v. Georg Keller, um 1615, 23 x 16 Thieme-Becker, Künstler-Lexikon, Bd. XX, S. 101 f. (Georg Keller war Maler, Radierer u. Kupferstecher in Frankfurt ; lernte vier Jahre bei dem berühmtesten Holzschneider seiner Zeit, Jost Amman in Nürnberg; seit 1595 wieder in Frankfurt, .). - Zeigt das Gebiet zwischen Siegburg, Drolshagen, Coesfeld u. Rietberg. - Mittig Unna u. Dortmund. - Alle eingezeichneten Städte mit kl. Stadtansichten (Coesfeld, Münster, Ravensberg, Dülmen, Wolbeck, Rietberg, Lippstadt, Drensteinfurt, Lüdinghausen, Olfen, Haltern am See, Selm, Soest, Hamm, Werl, Unna, Dortmund, Kamen, Recklinghausen, Lünen, Castrop-Rauxel, Bochum, Essen, Essen-Werden, Essen-Horst, Gelsenkirchen (Schloß Grimberg), Gelsenkirchen-Buer, Hattingen, Menden, Arnsberg, Iserlohn, Werdohl, Plettenberg, Lüdenscheid, Breckerfeld, Radevormwald, Wipperfürth, Lennep, Bergneustadt, Drolshagen, Hennef (Stadt Blankenberg), Nümbrecht (Homburg) u. Bensberg. - Die Karte mit Einzeichnungen von Truppenbewegungen. - Unten links handschriftlich "Fastenmess A° 1615". - Die Karte nicht von Keller signiert, wird ihm aber zugeschrieben. - Sehr seltener Frankfurter Einblattdruck (Flugblatt) in tadelloser Erhaltung! [Attributes: Signed Copy]

      [Bookseller: Antiquariat Norbert Haas]
 34.   Check availability:     ZVAB     Link/Print  


        Sol Elliptic: hoc est novum e perpetuum solis contrahi soliti phaenomenon, quodnoviter inventum, strenae loco.

      Augustae Vindelicorum (Augsburg), Typis Christophori Mangij, 1615, - in-8 (ma segnato in-4, mm 192 x 140), pp. (4), 34, (2), legatura in cartone rustico. Al titolo raffigurazione del ''sole ellittico'', nel testo 9 tavole di osservazione solare e 10 illustrazioni, il tutto in silografia n.t., testatine e finalini ornati. Prima edizione, assai rara, di questo trattato dedicato dallo Scheiner al fenomeno di rifrazione solare all'orizzonte che, soprattutto al mattino, fa apparire il sole ellittico anziché sferico, anche attraverso l'osservazione al telescopio. Basato sulle osservazioni che l'astronomo gesuita (1573-1650) compì di ritorno da Ingolstad tra 1612 e 1613 questo lavoro si inserisce nella dibattuta querelle sulle Macchie Solari che nacque tra lo Scheiner e Galileo. Il testo apparve una seconda volta nel 1617 ma con il titolo ''Refractiones coelestes'' e sostanzialmente cambiato nel contenuto e nelle illustrazioni. Esemplare con margini ridotti (foglio del titolo rifilato sul lato esterno, con piccola perdita su 5 righe). Cinti, Galileiana, n. 53. Carli-Favaro p.15. Sommervogel VII 737. Zinner 4523. [Attributes: Hard Cover]

      [Bookseller: Libreria Antiquaria Pregliasco]
 35.   Check availability:     AbeBooks     Link/Print  


        Concordantie der Heyligher Schrifturen ofte Vergaderinge van de ghelijckluydende spreuken, woorden, gheschiedenissen ende t'samenstemmende plaetsen der Heyligher schrifturen. Ordentlijck ende leerachtich te samen ghestelt.

      Hoorn, Zacharias Cornelisz. 1615 - (XXXVIII, 2) 1056 p. Opnieuw gebonden oud Perkament met stempels en linten, Folio (titelpagina in kopie, uiterst zeldzame Concordantie van Twisk, 1566-1636, waarin niet alleen op woorden maar ook op begrippen, namen en omschrijvingen gezocht kan worden, dus een goede aanvulling op Trommius. Twisk was Doopsgezind leraar in Hoorn, geschiedschrijver en dichter van geestelijke liederen en psalmvertalingen. Mennonite Encyclopedia IV, 757-759)

      [Bookseller: Antiquariaat de Roo]
 36.   Check availability:     ZVAB     Link/Print  


        Außführliche Fundamenta und Erklerunge. Von dem Praelation oder Vorzug Rechten, Das ist, Auß was ursachen, wann und welcher gestalt je ein Schultgleubiger dem andern, ohne des verfallenen gemeinen debitoris und Schultners Haab und Gütern, möge, könne und solle der Zahlung halben vorgezogen werden.

      Magdeburg, Franck 1615. - Titelblatt in Rot und Schwarz. 8 (d. l. w.) Bll., 318 S., 5 (d. l. w) Bll., 215 S., 4 (d. l. w.) Bll. Prgt. d. Zt. Vgl. VD17 3:615038A (Ausgabe 1614). - Der Verfasser war Professor der Jurisprudenz in Straßburg und Advokat in Hagenau. - Schließbänder fehlen, Einband etwas fleckig. Besitzvermerk auf Titel (L. V. F. 1615), gleichmäßig gebräunt.

      [Bookseller: Antiquariat Uwe Turszynski]
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        Metoposcopia e ophthalmoscopia.

      Argentinae, excudebat Theodosius Glaserus, sumptibus Pauli Ledertz, 1615, - in-8, pp. (16), 140, legatura coeva in pergamena floscia, titolo manoscritto lungo il dorso. Ritratto dell'autore al frontespizio, altri 25 ritratti nel testo, di cui 2 in silografia, di personaggi quali Filippo II duca di Pomeriana, cui l'opera è dedicata, Platone, Cristoforo Colombo (p. 21), Andrea Doria, incisi da Jacob van der Heyden. Prima edizione di una delle primissime opere sulla metoposcopia: un'antica arte divinatoria che consiste nell'analisi delle rughe della fronte per risalire al carattere e al destino di una persona, il cui padre fondatore viene considerato Girolamo Cardano. Importante sottolineare che in questo trattato è, inoltre, attestata per la prima volta la parola oftalmoscopia. Il Fuchs fu professore di retorica a Ko?nigsberg. Esemplare, come sempre, con arrossature, un po' corto di margini. Krivasky, 4457. Garrison-Morton, p. 273. Caillet 4248. Wellcome, I, 2468. Graesse II, 643. [Attributes: Hard Cover]

      [Bookseller: Libreria Antiquaria Pregliasco]
 38.   Check availability:     IberLibro     Link/Print  


        DISCORSI MILITARI DEL SIG. MARC'ANTONIO DELL'ORGIO MELFITANO;

      Lucca, Ottaviano Guidoboni, 1615.. ne' quali si tratta del vero modo di disciplinare i soldati, al costume moderno; di far ordinanze, e battaglie: e di quello, che da gl'offitiali convien farsi, per il felice governo d'un reggimento de soldati, communemente chiamato terzo. Il che dall'autore si mostra, non solo per theorica, ma anco per pratica di molto tempo, fatta da esso in Fiandra, ne' seruitij di S.M. Catholica. FIRST EDITION, text in Italian, 1615. Small 4to, approximately 220 x 155 mm, 8¾ x 6 inches, vignette of a crown on title page, on verso a large engraved coat of arms of Lucca to whose Senate the work is dedicated, printer's wheel device on colophon page, 10 large engraved battle plans in the text with detailed small figures with weapons, waggons, horses etc, decorated tailpieces and initials, pages: (32), 202, (1), bound in full modern calf, maroon glit lettered label, gilt decoarted spine, new endpapers, early signature in old ink on title page, occasional small light brown stains mainly to margins, 1 affecting text and margin from page 193 to the end, not affecting legibility, a few pages lightly age-browned, tiny ink spot on 1 page, no loss of legibility, also on 1 illustration, small closed tear to 1 upper margin, small piece missing from 1 lower margin due to paper flaw, tiny worm hole to last 5 leaves not affecting text, another small wormhole to fore-edge margin of last 2 leaves, 2 small repairs to last 2 pages not affecting text . A very good copy of a scarce book on the military arts. The only copy we could locate in Italy was a second edition of 1616 in the Biblioteca Reale of Turin. Nothing seems to be known about the author other than that he was a military man who served many years in Flanders in the service of the Spanish king. Cockle, Military Books up to 1642, No. 625 states "Very rare"; not in the Library of the Earls of Macclesfield, Part Ten, nor in Spaulding and Karpinski, Early Military Books. MORE IMAGES ATTACHED TO THIS LISTING, ALL ZOOMABLE. FURTHER IMAGES ON REQUEST. POSTAGE AT COST.

      [Bookseller: Roger Middleton]
 39.   Check availability:     Biblio     Link/Print  


        New Feldt Arztny Buch von Kranckheiten und Schaden, so in Kriegen den Wundartzten gemeinlich furfallen [...] Jetzo durch den Authorn widerumb ubersehen, an vielen orthen vermehret und gebessert

      

      [Bookseller: Michael Laird Rare Books LLC]
 40.   Check availability:     Biblio     Link/Print  


        The Bible : Translated According to the Hebrew and Greeke... (Barker's Last Black-Letter Quarto Edition [1615] of the Geneva "Breeches" Bible) bound with the Stationers 1614 edition of The Whole Booke of Paslmes

      London: Barker, 1615. Last Black-Letter Quarto Edition. Hardcover. Good. Bound in full 19th c. sheep over boards with sewn headbands, 4to, printed text measures 198 x 137 mm, leaf size 8-5/8 x 6-5/8 inches [220 x 168 mm], watermarked endpapers, black-letter text printed in double columns having 71 lines to each full column. Volume bound thus: prelims. with 39 leaves, (which includes Morning Prayer, An Order of Evening Prayer, The Letanie, The Collects, The Communion, The Administration of Baptism, Confirmation, Matrimony, Visitation of the Sick, Communion of the Sick, Burial of the Dead, The Churching of Women [Childbirth], A Commination, The Psalms and Godly Prayers with a letterpress colophon at end) ; The Genealogies by J. S. [John Speed] (title, pp. 34) ; The Old Testament (title [dated 1615], pp. 1-358) ; Apocrypha (pp. 359 - 435) ; The New Testament (title [dated 1615], The Summe of the Whole Scripture of the Books..., Certain Questions and Answers..., The Names and Order of all the Bookes..., The Holy Gospel, pp. 441 - 554) ; Two Right Profitable Concordances... (title [dated 1615], Preface [dated 1578], 80 leaves with letterpress colophon dated 1615) ; also bound with : The Whole Booke of Paslmes. Collected into English Meeter, by Thomas Sternehold, John Hopkins, and Others... London. Printed for the Company of Stationers. 1614. (title, pp. [vi] music, 64 [music and song] ). Volume with heavy wear to binding, upper board completely detached, old thoughtess tape repairs to lower board, spine and endpapers, lacking perhaps a general title ahead of the prelims. and the "A" leaf from "A" signature (Morning Prayer) of prelims. - also probably lacking at least the final leaf of The Whole Booke of Paslmes at rear as p. 64 ends with catchword "The", general light soil, toning and wear throughout with faint tide marks to some edges also noted, an occasional stray pen mark and 4 tiny * denoting the "breeches" verse. Volume still tightly bound and very useable. Barker's last black-letter quarto edition of the Geneva "Breeches" Bible, complete with the issue points of "...rea | dy finding..." and "...be instructed | assured...", printed text measures 198 x 137 mm and with Speed's Genealogies as called for. Ref. Herbert 341.B. With the family genealogy for George Barrett [b. 1781] & Jane Garland [b.1779] verso p. 435 and verso New Testament title [both being blanks] beginning with their marriage Feb. 13th 1805 and ending in the mid-1800's after the death of yet another of their young children. Provenance : from the Barrett family to a dealer in Cambridge, England whence it was purchased by Dr. J. MacLead in 1936 and then gifted to his daughter in 1977.

      [Bookseller: Harropian Books, IOBA]
 41.   Check availability:     Biblio     Link/Print  


        RIME DEL SERENO ACCADEMICO SVENTATO.

      Appresso Giuseppe Lorio, In Udine 1615 - Prima edizione. Cm.13,2x6,8. Pg.148, (8). Legatura in mz.pergamena con piatti marmorizzati. Minimi restauri cartacei alle ultime carte. Stemma della Accademia degli Sventati impresso al frontespizio. Alfonso Antonini (Udine, 1584-1657) svolse carriera militare, soprattutto in Boemia e in Fiandra e al servizio della Serenissima. Corrispondente di Galileo, fu tra i fondatori della Accademia Udinese degli Sventati nel 1606. La presente costituisce la sua unica opera letteraria, "da considerare come uno dei canzonieri marinisti più genuinamente ispirati; ricco di senso cosmico e naturalistico, che talora tocca al sublime" (da Enciclopedia Treccani). > Comelli, "L'arte della stampa nel Friuli Venezia Giulia", 124 Solo tre esemplari in SBN. 100 gr. [Attributes: First Edition; Hard Cover]

      [Bookseller: studio bibliografico pera s.a.s.]
 42.   Check availability:     ZVAB     Link/Print  


        The Bible : Translated According to the Hebrew and Greeke... (Barker's Last Black-Letter Quarto Edition [1615] of the Geneva "Breeches" Bible) bound with the Stationers 1614 edition of The Whole Booke of Paslmes

      London: Barker, 1615. Hardcover. Good. Bound in full 19th c. sheep over boards, sewn headbands, 4to, printed text measures 198 x 137 mm, leaf size 8-5/8 x 6-5/8 inches [220 x 168 mm], watermarked endpapers, black-letter text printed in double columns having 71 lines to each full column. Volume bound thus: prelims. with 39 leaves, (which includes Morning Prayer, An Order of Evening Prayer, The Letanie, The Collects, The Communion, The Administration of Baptism, Confirmation, Matrimony, Visitation of the Sick, Communion of the Sick, Burial of the Dead, The Churching of Women [Childbirth], A Commination, The Psalms and Godly Prayers with a letterpress colophon at end) ; The Genealogies by J. S. [John Speed] (title, pp. 34) ; The Old Testament (title [dated 1615], pp. 1-358) ; Apocrypha (pp. 359 - 435) ; The New Testament (title [dated 1615], The Summe of the Whole Scripture of the Books..., Certain Questions and Answers..., The Names and Order of all the Bookes..., The Holy Gospel, pp. 441 - 554) ; Two Right Profitable Concordances... (title [dated 1615], Preface [dated 1578], 80 leaves with letterpress colophon dated 1615) ; also bound with : The Whole Booke of Paslmes. Collected into English Meeter, by Thomas Sternehold, John Hopkins, and Others... London. Printed for the Company of Stationers. 1614. (title, pp. [vi] music, 64 [music and song] ). Volume with heavy wear to binding, upper board completely detached, old thoughtess tape repairs to lower board, spine and endpapers, lacking perhaps a general title ahead of the prelims. and the "A" leaf from "A" signature (Morning Prayer) of prelims. - also probably lacking at least the final leaf of The Whole Booke of Paslmes at rear as p. 64 ends with catchword "The", general light soil, toning and wear throughout with faint tide marks to some edges also noted, an occasional stray pen mark and 4 tiny * denoting the "breeches" verse. Volume still tightly bound and very useable. Barker's last black-letter quarto edition of the Geneva "Breeches" Bible, complete with the issue points of "...rea | dy finding..." and "...be instructed | assured...", printed text measures 198 x 137 mm and with Speed's Genealogies as called for. Ref. Herbert 341.B. With the family genealogy for George Barrett [b. 1781] & Jane Garland [b.1779] verso p. 435 and verso New Testament title [both being blanks] beginning with their marriage Feb. 13th 1805 and ending in the mid-1800's after the death of yet another of their young children. Provenance : from the Barrett family to a dealer in Cambridge, England whence it was purchased by Dr. J. MacLead in 1936 and then gifted to his daughter in 1977.

      [Bookseller: Harropian Books, IOBA]
 43.   Check availability:     IOBABooks     Link/Print  


        Lettre de monsieur le comte de Sainct Paul, a monsieur le prince de Condé.

      Paris: Jean Bourriquant 8vo (16.6 cm, 6.5"). 7, [1 (blank)] pp.. 1615 First printing of a message from the Comte de Saint-Paul regarding his sense of honor and his obligations to the monarchy, and considering what impact they might have on any assistance he could render to the rebellious Prince de Condé. WorldCat and Lindsay & Neu combine to locate seven copies in the U.S. Recent paper–covered boards, front cover with printed paper label. All four leaves pressure-stamped by a now-defunct institution; title-page verso with inked numeral. Additional inked pagination. Clean.

      [Bookseller: Philadelphia Rare Books & Manuscripts Co]
 44.   Check availability:     IOBABooks     Link/Print  


        Malum summi mali sive de infinita gravitate peccati mortalis libri Quinque.

      München, Johannis Hertsroy, 1615. 13 x 8 cm. 12 Bl., 505 Seiten, 9 Bl. Das Titelblatt in Kupferstich gedruckt. Geprägter Schweinslederband der Zeit auf 3 Bünden über Holzdeckel, Beide Deckel mit geprägtem figürlichem Mittelstück (vorne Jesus, hinten Madonna) mit geometrischer Umrahmung. *VD17, 12:103777K. De Backer-Sommervogel VI, 444, 23. - Erster Druck dieser über die Todsünde, verfasst von dem Ulmer Jesuitenpater Johannes Pelecyus (1545-1623). Ein zweiter lateinischer sowie der erste deutschsprachige Druck erschienen beide 1617. Der schöne Kupfertitel in Form einer Portalädikula zeigt in den Seitenbalken sechs biblische Szenen (Sündenfall, Arche Noah, Sodom und Gomorra, goldenes Lamm, Auszug aus Ägypten, Nebukadnezars Traum vom Baum), im oberen Balken das apotropäische Monster und im unteren Balken den Höllenschlund. - Insgesamt sauber und gut erhalten, der hübsche kleine frühbarocke Einband datiert 1615. Versand D: 5,00 EUR

      [Bookseller: Antiquariat Braun]
 45.   Check availability:     buchfreund.de     Link/Print  

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