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Displayed below are some selected recent viaLibri matches for books published in 1590
2017-04-23 02:59:29
STRADANUS Johannes & WIERIX Hieronymus(excudit)
s.n., s.l. fin XVIe début XVIIe, 34 X 25,5 cm (cuvette: 27,5 X 20,5 cm). Marie-Louise: (50,5 X 40cm), une feuille. s.n., s.l. fin XVIe début XVIIe, 34 X 25,5 cm (cuvette: 27,5 X 20,5 cm). Marie-Louise: (50,5 X 40cm), une feuille. - Authentic original engraving chisel made from a drawing of the sixteenth century Johannes Stradanus. Race on laid paper watermarked under marie-louise white and blue, the work of the late sixteenth or early seventeenth century. Signatures of artists in the board. Latin legend at the bottom of the engraving. Some minor foxing otherwise good conservation.Johannes Stradanus says Giovanni Stradano or Jan van der Straet is a Flemish painter and engraver, born in Bruges in 1523 and died in Florence on February 11 1605 After I started to learn painting his father, following the death of the latter, he studied in the studio of Frank Maximiliaan (from 1535-1537) and then in that of Pieter Aertsen in Antwerp (from 1537 to 1540). In 1545, it is a free master in the Antwerp painters' guild. He then begins a journey across Europe: in France, then in Italy, where he lived first in Venice, before settling in Florence. He worked for Cosimo I de 'Medici and working with Giorgio Vasari for the decoration of the Studiolo of Francesco I de' Medici, and that of Clement VII hall of the Palazzo Vecchio. In 1565, he was part of teams of painters and sculptors responsible, under the direction of Giorgio Vasari, to realize the gigantic stage for the entry in Florence Joan of Austria, on the occasion of her marriage to Francis Medici. Greatly influenced by the mannerist, i … [Click Below for Full Description]
Bookseller: Librairie Le Feu Follet
2017-04-22 19:39:21
ORTELIO, ABRAMO.
Anversa, 1590 circa. Due incisioni in un unico foglio e in lastra unica, cm 33,5 x47 (alla lastra) più margini bianchi, testo francese al verso. La prima incisione, sulla sinistra del foglio, relativa al territorio di Bloise, presenta un cartiglio in riquadro in alto a sinistra e una didascalia in basso a destra; nel cartiglio si riporta che Ioannes Temporius di Blois elaborò questa mappa del territorio di Blois, l'anno del Messia 1592, per l'era cristiana l'anno 1590, per il mondo l'anno 5610. La seconda incisione, sulla destra del foglio, relativa al territorio del Limousino (Limoges), presenta un piccolo cartiglio in alto a destra con scritto "Io. Fayanus ML describebat.", per dire che è stata raffigurata da Ioannes Fayanus; nella cartouche lungo il basso si riporta una breve didascalia di sei righe sulla Grecia, pensiero di Ioachim Blanchon, con scritto sulla prima colonna "Homere Demosthene et Archimede ensemble Lymoges á Nourry ou la Vertu saßemble, Muret, Dorat, Fayen, trois excellens esprits"; e sulla seconda colonna "Muret Son Demosthene et Dorat Son Homere. Fayen Son Archimede ayant sa ville Mere Sa Provincie et Son Plan heureusement compris" (traduzione: Omero, Demostene e Archimede sono state sollevate insieme da Limoges, dove la virtù assembla, sotto le spoglie di Muret, Dorat e Fayen, tre menti eccellenti. Muret è il suo Demostene, Dorat è il suo Omero, e Fayen è la sua Archimede, avendo la città come la loro madre, fortunatamente comprese in questa provincia e il piano). Buona conservazione.
Bookseller: BOTTEGHINA D'ARTE GALLERIA KÚPROS [Rosignano Solvay, LI, Italy]
2017-04-22 19:05:39
Johannes STRADANUS, Philippe GALLE, Adrian COLLAERT
Bookseller: Librairie Le Feu Follet [France]
2017-04-22 19:05:39
Johannes STRADANUS, Philippe GALLE
Bookseller: Librairie Le Feu Follet [France]
2017-04-22 19:05:39
STRADANUS Johannes & GALLE Philippe
1590. - s.n., s.l. fin XVIe début XVIIe, 34 X 25,5 cm (cuvette: 27,5 X 20,5 cm). , une feuille. - Authentique gravure originale réalisée au burin d'après un dessin du XVIe siècle de Johannes Stradanus. Epreuve sur papier vergé filigrané, travail de la fin du XVIe ou du tout début du XVIIe siècle. Signatures des artistes dans la planche. Légende en latin dans la partie inférieure de la gravure. Traduction manuscrite d'une écriture ancienne sous la cuvette : "Le désert d'Appulie nourrit de couleuvres les grues et aussi les cigognes attaquent leurs nichées. Elles engagent le combat avec vigueur de leurs becs et les mordent. Le spectacle est très divertissant pour les colons". Filigrane visible par transparence. Les marges de la gravure ont été doublées à l'aide de petits morceaux de papier vergé ancien encollés sur les bords au dos de celles-ci, sinon bel état de conservation pour cette gravure très rare. Johannes Stradanus, dit Giovanni Stradano ou Jan van der Straet est un peintre et graveur flamand, né à Bruges en 1523 et mort à Florence le 11 février 1605. Après avoir commencé à apprendre la peinture auprès de son père, et suite au décès de ce dernier, il poursuit sa formation dans l'atelier de Maximiliaan Frank (de 1535 à 1537), puis dans celui de Pieter Aertsen à Anvers (de 1537 à 1540). En 1545, il est reçu franc-maître à la guilde des peintres anversois. Il commence alors un voyage à travers l'Europe : en France, puis en Italie, où il séjourne d'abord à Venise, avant de s'installer à Florence. Il y travaille pour Cosme Ier de Médicis et collabore avec Giorgio Vasari po … [Click Below for Full Description]
Bookseller: Librairie Le Feu Follet [Paris, France]
2017-04-22 19:05:39
STRADANUS Johannes & GALLE Philippe & COLLAERT Adrian
s.n., s.l. fin XVIe début XVIIe, 34 X 25,5 cm (cuvette: 27,5 X 20,5 cm). , une feuille. s.n., s.l. fin XVIe début XVIIe, 34 X 25,5 cm (cuvette: 27,5 X 20,5 cm). , une feuille. - Authentic original engraving chisel made from a drawing of the sixteenth century Johannes Stradanus. Race on watermarked laid paper, work the late sixteenth or early seventeenth century. Signatures of artists in the board. Latin legend at the bottom of the engraving. Handwritten translation of an ancient writing in the bowl: "Often a hunter falls heedless in caverns or caves covered with grass over where his companions can not remove it, but he unfortunately died and remains the pasture of snakes and hydras are "visible .Filigrane transparence.Les margins by burning were lined with small pieces of old laid paper glued around the edges on the back of them, otherwise good conservation this print very rare.Johannes Stradanus says Giovanni Stradano or Jan van der Straet is a Flemish painter and engraver, born in Bruges in 1523 and died in Florence on February 11 1605 After I started to learn painting from his father, and following the death of the latter, he studied in the studio of Frank Maximiliaan (from 1535-1537) and then in that of Pieter Aertsen in Antwerp (from 1537 to 1540). In 1545, it is a free master in the Antwerp painters' guild. He then begins a journey across Europe: in France, then in Italy, where he lived first in Venice, before settling in Florence. He worked for Cosimo I de 'Medici and working with Giorgio Vasari for the decoration of the Studiolo of Francesco I de' Medici, and that o … [Click Below for Full Description]
Bookseller: Librairie Le Feu Follet
2017-04-22 19:05:39
STRADANUS Johannes & GALLE Philippe
s.n., s.l. fin XVIe début XVIIe, 34 X 25,5 cm (cuvette: 27,5 X 20,5 cm). , une feuille. s.n., s.l. fin XVIe début XVIIe, 34 X 25,5 cm (cuvette: 27,5 X 20,5 cm). , une feuille. - Authentic original engraving chisel made from a drawing of the sixteenth century Johannes Stradanus. Race on watermarked laid paper, work the late sixteenth or early seventeenth century. Signatures of artists in the board. Latin legend at the bottom of the engraving. Handwritten translation of an ancient writing in the bowl: "The desert Appulie eats snakes as cranes and storks attack their broods They engage each strength of their beaks and bite The show is very entertaining for.. settlers "visible .Filigrane transparence.Les margins by burning were lined with small pieces of old laid paper glued around the edges on the back of them, otherwise nice condition for this very engraving rare.Johannes Stradanus says Giovanni Stradano or Jan van der Straet is a Flemish painter and engraver, born in Bruges in 1523 and died in Florence on February 11 1605 After I started to learn painting from his father, and following the death of the , he studied in the studio of Frank Maximiliaan (from 1535-1537) and then in that of Pieter Aertsen in Antwerp (from 1537 to 1540). In 1545, it is a free master in the Antwerp painters' guild. He then begins a journey across Europe: in France, then in Italy, where he lived first in Venice, before settling in Florence. He worked for Cosimo I de 'Medici and working with Giorgio Vasari for the decoration of the Studiolo of Francesco I de' Medici, and that of Clement VII hall of t … [Click Below for Full Description]
Bookseller: Librairie Le Feu Follet
2017-04-22 19:05:39
STRADANUS Johannes & GALLE Philippe et Cornelius
s.n., s.l. fin XVIe début XVIIe, 34 X 25,5 cm (cuvette: 27,5 X 20,5 cm). , une feuille. s.n., s.l. fin XVIe début XVIIe, 34 X 25,5 cm (cuvette: 27,5 X 20,5 cm). , une feuille. - Authentic original engraving chisel made from a drawing of the sixteenth century Johannes Stradanus. Race on watermarked laid paper, work the late sixteenth or early seventeenth century. Signatures of artists in the board. Latin legend at the bottom of the engraving. Handwritten translation of an ancient writing in the bowl: "In Italy the snakes like to hide in the swamp when they hear a dog barking, they come out of the bushes They were then captured using a fork and placed in a.. bag with pliers. They are prepared as a pharmaceutical cure ".Filigrane transparence.Les visible margins of the engraving were lined with small pieces of old laid paper glued around the edges on the back of them, otherwise good conservation status for this print very rare.Johannes Stradanus says Giovanni Stradano or Jan van der Straet is a Flemish painter and engraver, born in Bruges in 1523 and died in Florence on February 11 1605 After I started to learn painting his father, following the death of the latter, he studied in the studio of Frank Maximiliaan (from 1535-1537) and then in that of Pieter Aertsen in Antwerp (from 1537 to 1540). In 1545, it is a free master in the Antwerp painters' guild. He then begins a journey across Europe: in France, then in Italy, where he lived first in Venice, before settling in Florence. He worked for Cosimo I de 'Medici and working with Giorgio Vasari for the decoration of the Studiolo … [Click Below for Full Description]
Bookseller: Librairie Le Feu Follet
2017-04-22 18:14:51
Libro dei Sette Savi
presso Giovanni Fiorina, 1590. In-8° (153x102mm), ff. 134, (2), legatura coeva p. pergamena flessibile. Frontespizio con titolo e impresa editoriale con Flora (allusiva al nome dell'editore) entro cornice xilografica ornamentale. Una testatina e alcuni capilettera xilografici. Arrossature sparse, ma buon esemplare. Raro volgarizzamento (o, meglio, adattamento e rielaborazione cinquecentesca in lingua volgare) del "LIbro dei Sette Savi", la celebre raccolta novellistica di origine orientale che ispirò anche la cornice del "Decameron" e, di conseguenza, di molte delle maggiori raccolte di novelle successive. "L'Erasto è indubbiamente scrittura del secolo XVI, come lo dimostra chiaro l'ordine delle novelle e lo stile prolisso e boccaccesco, Qual testo avesse sott'occhi l'autore ignoto dell'Erasto, mal sapremmo affermare, dacché anche le novelle tratte dall'Historia Septem Sapientium ovvero dai suoi volgarizzamenti francesi e italiani, sono nello stile totalmente trasformate", scrisse Alessandro D'Ancona a proposito del libro. E il Gamba: "Si legge in essa, che il romanzo è tradotto dal greco, ma di testo greco non si ha alcuna traccia. È al certo tolto dalle favole dell'indiano Sendabar, o dal romanzo dei Sette Savi, detto Dolopathos, e contiene graziose novelle scritte con bella disinvoltura, alcuna delle quali fu dal Sansovino inserita nella sua Raccolta de' Novellatori italiani". Il libro dalla sua prima edizione del 1542 (Mantova, Roffinello), contò oltre venti edizioni nel corso del XVI secolo, venendo ripubblicato ancora nel 1784 a Napoli e, nel 1865, per le cuse di Anto … [Click Below for Full Description]
Bookseller: Libreria Antiquaria Galleria Gilibert
2017-04-22 17:18:09
Johannes STRADANUS, Philippe et Cornelius GALLE
Bookseller: Librairie Le Feu Follet [France]
2017-04-22 17:15:59
STRADANUS Johannes & GALLE Philippe et Cornelius
s.n. 1590 - - s.n., s.l. fin XVIe début XVIIe, 34 X 25,5 cm (cuvette: 27,5 X 20,5 cm). , une feuille. - Authentique gravure originale réalisée au burin d'après un dessin du XVIe siècle de Johannes Stradanus. Epreuve sur papier vergé filigrané, travail de la fin du XVIe ou du tout début du XVIIe siècle. Signatures des artistes dans la planche. Légende en latin dans la partie inférieure de la gravure. Traduction manuscrite d'une écriture ancienne sous la cuvette : "En Italie les vipères se plaisent à se cacher dans les marais. Quand elles entendent un chien aboyer, elles sortent des buissons. On les saisit alors avec une fourche et on les met dans un sac avec une pince. Elles sont préparées comme remède pharmaceutique". Filigrane visible par transparence. Les marges de la gravure ont été doublées à l'aide de petits morceaux de papier vergé ancien encollés sur les bords au dos de celles-ci, sinon bel état de conservation pour cette gravure très rare. Johannes Stradanus, dit Giovanni Stradano ou Jan van der Straet est un peintre et graveur flamand, né à Bruges en 1523 et mort à Florence le 11 février 1605. Après avoir commencé à apprendre la peinture auprès de son père, et suite au décès de ce dernier, il poursuit sa formation dans l'atelier de Maximiliaan Frank (de 1535 à 1537), puis dans celui de Pieter Aertsen à Anvers (de 1537 à 1540). En 1545, il est reçu franc-maître à la guilde des peintres anversois. Il commence alors un voyage à travers l'Europe : en France, puis en Italie, où il séjourne d'abord à Venise, avant de s'installer à Florence. Il y travaille pour Cosme Ier … [Click Below for Full Description]
Bookseller: Librairie Le Feu Follet
2017-04-22 13:24:39
Porcacchi Da Castiglione, Tommaso
Greece: Venice Georgio Angelieri for the Heirs of Simone Galignani 1590. Copper engrvaed illustration of the Battle of Lepanto, by Girolamo Porro from Porcacchi's " L'Isole piu Famose del Mondo" 1590 3rd edition [ 1st 1572]. Set in a page of descripive Italian text [page 87], with decorative, woodcut headpiece and historiated initial. Single page. folio, text to verso. Fair impression, , some soiling to margins and text. The battle of Lepanto between the Christians and the Turks took place in 1571, one year before Porcacchi first published his Isolario, so was very topical at the time. The two fleets met near the islands called by the Venetians "Curzolari"[modern day Oxia] and even called the victory that of the Battle of Curzolari, hence the title on this map. Tomasso Porcacchi da Castiglione first published his Isolario in 1572 in Venice, The maps were engraved by Girolamo Porro. whilst Porcacchi provided the descriptions. The "Isolario" follows the tradition started by Sonetti and Bordone of "Island "books Greece Battle of Lepanto Curzolari
Bookseller: Mary Louise Bryan/Paralos Gallery [GRC]
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2017-04-22 13:24:39
PORCACCHI, Tomaso.
Venice, Georgio Angelieri for the heirs of Simone Galignani, 1590. 110 x 150mm, set in text. Some old ink marginalia. An early map of Corsica, engraved by Girolamo Porro of Padua and published in 'L'Isole piu famose del mondo.', with a descriptive text in Italian.
Bookseller: Altea Antique Maps [London, United Kingdom]
2017-04-22 13:24:39
PORCACCHI DA CASTIGLIONE, Thomaso.
Venice: L'Isole Piu Famoso del Mondo. Simon Galignani. 1590 - Copper engraving. Uncoloured. Size: 14 x 10.5 cm. (5½ x 4 inches) A fine, crisp impression. Fine condition. leaf size:197 x 297mm. Small map of Iceland, that shows the island surrounded by a frozen sea - 'mare congelato'. Decorated cartouche compass point. The maps for this atlas were engraved by Girolamo Porro from Padua, and are set within a page of text, with engraved headpiece and decorated initial. There were many editions of this popular atlas between 1576 and 1713. Moreland & Bannister, p.68., Special Offer: This seller is offering an exclusive discount of 50% on all prices for AbeBooks customers. Original Price: 350
Bookseller: Peter Harrington Books
2017-04-21 23:47:08
Sebastian Münster
1590. Schön colorierter Holzschnitt mit Gesamtansicht der Stadt vom Rhein her auf intakter Doppelseite, 28x40 cm in passendem Passepartout. Um 1590 (Kosten für versicherten Versand: 9 )
Bookseller: ort-win [Germany]
2017-04-21 21:33:14
Cicero, M.T.:
- Frankfurt, A. Wechel Erben, C. de Marne & J. Aubry, 1590. (18,5:12 cm). 547 Seiten. VD 16, ZV 3609. - Titel mit kleiner Notiz oben und verso mit handschriftlichem Inhaltsverzeichnis. Angebunden: Derselbe: Philosophicorum volumen primum. Editio ad Manutianam & Brutinam conformata. Bd. 1 (von 2). Ebenda, 1590. 2 Bll. (2. w.), 398 Seiten, 1 Bl. VD 16, ZV 3612. - Titel verso und hinteres Vorsatzblatt mit alten Notizen, S. 1 mit kleinem Einriss. Zusammen in einem dekorativen, blindgeprägtem Schweinslederband d. Zt. mit figürlichen Deckelvignette und handschriftlichem Rückentitel ( etwas fleckig u. berieben, Schließen fehlen). Etwas gebräunt und vereinzelt fleckig, vordere 2 Vorsatzblätter mit kleinen Abrissen. Ciceros berühmter Briefwechsel an Atticus in einem dekorativen Schweisnlederband des 16. Jahrhunderts. "Sein umfangreicher Schriftverkehr, insbesondere die Briefe an Atticus, beeinflussten maßgeblich und nachhaltig die europäische Briefkultur . Seine Bedeutung auf philosophischem Gebiet liegt in erster Linie nicht in seinen eigenständigen Erkenntnissen, sondern in der Vermittlung griechischen philosophischen Gedankenguts an die lateinischsprachige Welt; oft sind seine griechischen Quellen nur in seiner Bearbeitung greifbar, da sie sonst nirgends überliefert sind" (Wiki). OB4-51 Versand Dienstags und Freitags Sprache: Deutsch Gewicht in Gramm: 2000 [Attributes: Hard Cover]
Bookseller: Treptower Bücherkabinett [Germany]
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2017-04-21 19:32:29
Cicero, M.T
Frankfurt, A. Wechel Erben, C. de Marne & J. Aubry, 1590. (18,5:12 cm). 547 Seiten. VD 16, ZV 3609. - Titel mit kleiner Notiz oben und verso mit handschriftlichem Inhaltsverzeichnis. Angebunden: Derselbe: Philosophicorum volumen primum. Editio ad Manutianam & Brutinam conformata. Bd. 1 (von 2). Ebenda, 1590. 2 Bll. (2. w.), 398 Seiten, 1 Bl. VD 16, ZV 3612. - Titel verso und hinteres Vorsatzblatt mit alten Notizen, S. 1 mit kleinem Einriss. Zusammen in einem dekorativen, blindgeprägtem Schweinslederband d. Zt. mit figürlichen Deckelvignette und handschriftlichem Rückentitel ( etwas fleckig u. berieben, Schließen fehlen). Etwas gebräunt und vereinzelt fleckig, vordere 2 Vorsatzblätter mit kleinen Abrissen. Ciceros berühmter Briefwechsel an Atticus in einem dekorativen Schweisnlederband des 16. Jahrhunderts. "Sein umfangreicher Schriftverkehr, insbesondere die Briefe an Atticus, beeinflussten maßgeblich und nachhaltig die europäische Briefkultur ... Seine Bedeutung auf philosophischem Gebiet liegt in erster Linie nicht in seinen eigenständigen Erkenntnissen, sondern in der Vermittlung griechischen philosophischen Gedankenguts an die lateinischsprachige Welt; oft sind seine griechischen Quellen nur in seiner Bearbeitung greifbar, da sie sonst nirgends überliefert sind" (Wiki). B10-5 Bestellungen erfolgen ohne Gewähr und gelten erst nach Bestätigung der Verfügbarkeit. Schadensersatzansprüche sind bei nicht Lieferbarkeit ausgeschlossen. Bei neuen Kunden versenden wir erst nach einem Zahlungseingang. [2 Warenabbildungen bei antiquaria … [Click Below for Full Description]
Bookseller: Treptower Bücherkabinett [Germany]
2017-04-21 18:07:35
Mattioli, Ludovico (1662 Crevalcore/Bologna Bologna 1747)
Radierung, nach J. Ribera (um 1590-1652), auf Bütten mit Wasserzeichen: Buchstaben im Kreis. 21,5:27,7 cm. Nagler 9, mit der irrigen Angabe ?Guido Renus Inv.? Sehr guter vollrandiger Abdruck, mit einem kleinen Ausriss im Rand links oben, rechts unten etwas knittrig, Papier leicht vergilbt.
Bookseller: Galerie Joseph Fach GmbH [Oberursel im Taunus, Germany]
2017-04-20 15:30:31
LETTRES DOUCES
S.D. (1590), Feron - In-16 ( 135 X 80 mm ) de 80f. [161p]. Plein Vélin crème, à rabats, dos lisse muet ( Reliure postérieure ). Lettrines. 113 lettres damour. Bel exemplaire de ce très rare ouvrage. Littérature Edition-originale
Bookseller: Tiré à Part
2017-04-10 06:56:24
?NIJMMEGEN ? NOVIOMAGIUM?. Kopergravure uit de Civitates orbis terrarum ca. 1590 uitgegeven door Georg Braun en Franz Hogenberg. Later met de hand gekleurd. Afm. 32,5 x 39 cm.We zien de Nijmegen vanuit vogelvlucht, met het Valkhof rechts binnen de stadsmuren. In het centrum van de stad de grote gotische Sint Stevenskerk. Ten tijde van Braun en Hogenberg ging de keizerlijke Hanzestad door een moeilijke periode. Bij het Verdrag van Venlo in 1543 kwam Nijmegen met het Hertogom Gelre onder Spaans gezag. In 1579 trad de stad toe tot de Verenigde Provinci?n en werd door de Spanjaarden in de loop van de Opstand belegerd en veroverd in 1585. Prins Maurits, die inmiddels de in 1584 vermoorde Willem van Oranje was opgevolgd als stadhouder, was er bijzonder op gebrand het voor de opstandelingen verloren gegane Nijmegen weer op de Spanjaarden te heroveren. Aan de overzijde van de Waal liet hij het fort Knodsenburg aanleggen, om zodoende de stad dagenlang te kunnen beschieten, waarna de stad zich gedwongen zag zich op 21 oktober 1591 over te geven. Economisch ging het de stad slecht en katholieken werden gedegradeerd tot tweederangs inwoners.Over Nijmegen schrijft Georg Braun: ?Van alle kerken ter plaatse is de Sint Stevenskerk het belangrijkste. Andere bezienswaardigheden zijn onder andere het zeer oude kasteel boven op de heuvel in de nabijheid van de stad, men kan zich afvragen of er in de Lage Landen een beter uitzichtpunt is dan dit. Vanaf daar kan men het landschap, de rivieren, landerijen en velden aanschouwen. Een groot aantal antieke voorwerpen, achtergelaten door de Romeinen, … [Click Below for Full Description]
Bookseller: Inter-Antiquariaat MEFFERDT & DE JONGE
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2017-04-10 06:56:24
DELFUM(Later) met de hand gekleurde kopergravure uit de Civitates orbis terrarum ca. 1590 gemaakt door Georg Braun en Frans Hogenberg. Afmetingen prent ca. 34 x 49cm. De Civitates orbis terrarum wordt beschouwd als de vroegste systematische stedenatlas. Hoewel het geen echte voorlopers had, bleek het werk direct in een behoefte te voorzien, omdat het sociale, politieke en economische leven van die periode zich afspeelde in de steden. Het werd een van de bestsellers van de late zestiende eeuw. De zes delen waaruit het werk bestond, verschenen tussen 1572 en 1618; alleen het eerste deel vermeldt echter bovenstaande titel. Georg Braun (1541-1622), kanunnik van de kathedraal van Keulen, schreef het voorwoord bij de eerste vijf delen en ook de begeleidende tekst op de versozijde van de plattegronden en stadsaanzichten. Veel materiaal voor dit stedenboek is afkomstig van de Antwerpse cartograaf Abraham Ortelius. Diens in 1570 verschenen Theatrum orbis terrarum heeft in een aantal opzichten model gestaan voor de Civitates.Simon van den Neuvel (Novellanus), Frans Hogenberg en (zijn zoon?) Abraham Hogenberg graveerden de koperplaten naar 'op bestelling' gemaakte tekeningen van onder anderen de Antwerpse schilder Joris Hoefnagel, zijn zoon Jacob Hoefnagel en Heinrich Rantzau. Niet alle platen in de Civitates zijn echter speciaal voor dit werk gemaakt. Een aantal is nagetekend van reeds bestaande plattegronden en stadsaanzichten, onder meer uit Sebastian M?nsters Cosmographia en Lodovoco Guicciardini's Descrittione di tutti i Paesi Bassi. In veel gevallen, zoals ook bij de afbeelding … [Click Below for Full Description]
Bookseller: Inter-Antiquariaat MEFFERDT & DE JONGE
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2017-04-10 06:56:24
- Kupferstich v. Braun und Hogenberg aus Civitates orbis terrarum IV, 23, 1590, 33,5 x 43,5 cm Fauser 9804 ** Photos auf Wunsch im JPG-Format erhältlich.**
Bookseller: Kunsthandlung Goyert
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2017-04-08 15:06:26
ELIZABETH I
1590. Clerk of the Privy Seal, saying she doubts not "but yt is well knowen what great [cause we have for the defence of our Realm]e to be furnished w[i]th money: And therefore [we require you as other good subiectes did this] laste yeare lende us sundrye so[m]mes of money", and asking the addressee to "lende us in like manner . to suche parson" as her Privy Council shall appoint as Collector "in that shire, w[hi]ch we promise to [cause to be duely repaid . at the end]e of one yeare in o[u]r receipt upon the [shewinge of this privy Seale subscribed by] the said Collecto[u]r. Geven vnder o[u]r [privie seal]", 1 side 4" x 4", no place, 17th or 27th November "in the xxxiijth [three and thirtieth] yeare of o[u]r raigne", lacking a few words at the beginning of lines, but the sense can be well made out and supplied from a similar letter in the British Library See BL Add 28844, f.1, dated 28th July 1591, requesting a loan of £40.
Bookseller: Sophie Dupre ABA ILAB PADA [Calne, United Kingdom]
2017-04-06 16:00:16
CHACON Pedro
Bookseller: Bauman Rare Books [U.S.A.]
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2017-04-06 16:00:16
CHACON Pedro
Bookseller: Bauman Rare Books [U.S.A.]
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2017-04-06 16:00:16
CHACON Pedro
Bookseller: Bauman Rare Books [U.S.A.]
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2017-04-06 16:00:16
CHACON Pedro
Bookseller: Bauman Rare Books [U.S.A.]
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2017-04-06 16:00:16
CHACON Pedro
Bookseller: Bauman Rare Books [U.S.A.]
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2017-04-04 13:00:00
BOPPARD:
Kupferstich v. Braun und Hogenberg aus Civitates orbis terrarum IV, 24, um 1590, 17,5 x 42,5 cm; 13,5 x 42,5 cm Fauser 10254; Fauser 1646 ** Photos auf Wunsch im JPG-Format erhältlich.**
Bookseller: Kunsthandlung Goyert [Köln-Cologne, Germany]
2017-04-04 13:00:00
OBERWESEL:
Kupferstich v. Braun und Hogenberg aus Civitates orbis terrarum IV, 24, um 1590, 17,5 x 42,5 cm; 13,5 x 42,5 cm Fauser 10254; Fauser 1646 ** Photos auf Wunsch im JPG-Format erhältlich.**
Bookseller: Kunsthandlung Goyert [Köln-Cologne, Germany]
2017-03-29 14:11:19
Con Le Figure Di Bernardo Castello;
Genoa, Italy: Le Annotationi Di Scipio Gentili, E Di Giulio Guastavini. Very Good with no dust jacket. 1590. First Illustrated Edition. Hardcover. Plates; Armorial circular bookplate of Edward Cane. 21 full-page engravings. (Engr title plus 1 preceding each of 20 cantos). 1st illustrated edition of Tassos Jerusalem Delivered. Has Debbiano In Canto 4, Stanza 1, line 2 [p35] and Stimate At top of p48 (Canto 5, Stanza 4, line 1). [1]-11, [1]; I-255, [1 blank]; Annotationi I-71, [1]; [1]-40; Contents [1]-[8] pp. Collation: [6 prelim leaves], A-Q8; A-D8, E-E4; A-B8, C-C4, [4 Contents leaves], in 8? S. Engravings accounted for in signings and pagination. M4 mis-signed ? L4.? Page [251] is 151, P[254] is 246. Misnumbered page 33 Corrected to 43 (possibly for the printer, possibly by a reader). A few headlines are similarly hand corrected, as are a few stanza numbers in the Annotationi. Other old ink marginalia are definitely from a reader. 8vo. Full leather with gilt decorated spine, sprinkled edges. Spine chipped, top 2 spine panels chipped. Discoloration to lower portion of pp61-63. Repair to Vol I, pp[1] and 174, not affecting legibility. Marginal pencil to B3v. Contents very good plus. Hand engraved copper from the original by Bernardo Castello. A beautifully illustrated book. Complete edition. ; 0 .
Bookseller: poor mans books
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2017-03-27 18:42:44
(CHRISTIAN III).
1590. [80] s., samtidigt halvlæder, øverste del af ryg åben i en fals, titelblad trykt i rødt og sort, kongevåben på bagsiden mangler. 16022547
Bookseller: Andersens Antikvariat
2017-03-21 18:17:38
Adrichem (a.k.a. Adrichom), Christiaan van.
Officina Birckmannica, sumptibus Arnoldi Mylij, 1590. Wonderfully detailed study of the Holy Land. Adrichem (1533-85) was a Delft-born priest (a.k.a., Christianus Crucius) who wrote several works on Jerusalem and the Holy Land. His important and influential Theatrum Terrae Sanctae is famous for its engraved maps, but because he used contemporary sources that are now lost, his text is justly sought for its descriptions of Palestine and the antiquities of Jerusalem as these were to be known during the last half of the 16th century. This is universally held to be the first edition, with subsequent editions in 1593, 1600, 1613, 1628, and 1682, and it was translated into several languages, including English. Clouding the bibliographic record however are poorly catalogued copies at Harvard and the Bayerische Staatsbibliothek: A copy at Harvard purports to have been printed in 1589, but with no indication of where or by whom. The Bayerische Staatsbibliothek copy is variously reported as having been printed in Köln in 1582 (Index Aurel.) and 1585 (its OPAC and WorldCat). We believe the Harvard and Bayerische Staatsbibliothek copies to be erroneously catalogued, leading to these questionable dates of production. The volume here begins with an engraved allegorical title-page, has woodcut initials and tailpieces, and bears => 12 folding or double-page engraved maps filled with small details, including sea monsters. The text, printed in roman type in double-column format, contains as lagniappe a chronology from Adam to 1585, the year of the author's death, and on pp. 145-81 h … [Click Below for Full Description]
Bookseller: PRB&M/SessaBks (Philadelphia Rare Books & MSS Co.) [U.S.A.]
2017-03-19 22:29:59
Adrichem (a.k.a. Adrichom), Christiaan van.
[colophon: Coloniae Agrippinae: Officina Birckmannica, sumptibus Arnoldi Mylij, 1590]. Folio (38.5 cm; 15.125"). [6] ff., 286 pp., [15] ff.; [12] fold. or double-page engr. maps. Wonderfully detailed study of the Holy Land. Adrichem (1533–85) was a Delft-born priest (a.k.a., Christianus Crucius) who wrote several works on Jerusalem and the Holy Land. His important and influential Theatrum Terrae Sanctae is famous for its engraved maps, but because he used contemporary sources that are now lost, his text is justly sought for its descriptions of Palestine and the antiquities of Jerusalem as these were to be known during the last half of the 16th century.    This is universally held to be the first edition, with subsequent editions in 1593, 1600, 1613, 1628, and 1682, and it was translated into several languages, including English. Clouding the bibliographic record however are poorly catalogued copies at Harvard and the Bayerische Staatsbibliothek: A copy at Harvard purports to have been printed in 1589, but with no indication of where or by whom. The Bayerische Staatsbibliothek copy is variously reported as having been printed in Köln in 1582 (Index Aurel.) and 1585 (its OPAC and WorldCat). We believe the Harvard and Bayerische Staatsbibliothek copies to be erroneously catalogued, leading to these questionable dates of production.    The volume here begins with an engraved allegorical title-page, has woodcut initials and tailpieces, and bears => 12 folding or double-page engraved maps filled with small details, including sea monsters. The text, printed in roman type in double … [Click Below for Full Description]
Bookseller: Philadelphia Rare Books & Manuscripts Co., LLC (PRB&M) [U.S.A.]
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2017-03-19 13:31:53
Recht) :
Barth, (Herzogliche Druckerei), 1590. Des Allerdurchleuchtigsten Großmechtigsten unüberwindligsten Keyser Carols des Fünfften und des Heyligen Römischen Reichs peinlich Gerichts ordnung auff den Reichstagen zu Augspurg und Regenspurg in Jaren dreyssig und zwey und dreyssig gehalten auffgericht und beschlossen. 176 Seiten, 4 Blatt (Register), Pergamentband des 18. Jahrhunderts mit spanischen Kanten und handschriftlichem Rückentitel, 20 x 16,5 cm, Blindstempel und Namenszug von alter Hand auf Vorsatz, sehr schönes breitrandiges Exemplar.
Bookseller: Antiquariat H. Carlsen [kiel, Germany]
2017-03-16 18:04:39
MÜNSTER SEBASTIAN
1590. Silografia, colorata, mm 235x355. Tratta da "Cosmographey" versione tedesca di "Cosmographia universalis", una delle prime descrizioni del mondo intero e la più importante opera geografica tedesca dopo la Cronaca di Norimberga del 1493. Bell'esemplare con minimi difetti marginali ed un insignificante forellino alla piega centrale.
Bookseller: Libreria Antiquaria Perini s.a.s.
2017-03-07 11:13:10
BIBLE
Genève, Jean de Tournes, pour André Wechel, 1590. ____ L'édition protestante de référence au XVIe siècle. Première édition de cette version donnée par Tremellius, Junius et Théodore de Bèze. Traduction et commentaires d'Immanuel Tremellius et François Du Jon pour l'Ancien Testament, de Du Jon pour les Apocryphes, traduction de Tremellius et de Théodore de Bèze pour le Nouveau Testament, comme dans l'édition de Londres, 1585, revu ici par Du Jon, qui ajoute aussi des notes. Le texte de T. de Bèze est revu et corrigé par Jean de Tournes qui utilisa l'édition de Londres, 1587 et consulta Bèze lui-même. Les notes des différents commentateurs (Tremellius, Junius, Bèze, Loiselier, Viller, Jean de Cherpont) sont distingués par des signes typographiques. Chaque partie a sa propre page de titre. Marque de Wechel sur les titres et à la fin de chaque partie. Grandes initiales. Très bon exemplaire de cette édition que l'on trouve difficilement complète des 6 parties. Delaveau, Hillard, Bibles imprimées ... conservées à Paris N° 953. Cartier, Biblio. des éditions de Jean de Tournes 687. Darlow & Moule 6182. ***** The most important Protestant translation of the sixteen century. First edition of this version given by Tremellius, Junius and Theodore Beza. Of fundamental importance to the spread of Calvinism, it relied on heavily by the compilers of the King James version. 6 parties en un volume in-4. [245 x 163 mm] Collation : (12), 228 / (8), 271, (1) / (8), 219, (1) / (4), 342, (2) / (8), 162, (2) / (8), 500 pp. Vélin à rabats. (Reliure de l'époque.).
Bookseller: Hugues de Latude
2017-03-07 00:14:27
FONTANA, Domenico
Rome: Domenico Basa, 1590. 1st Edition. Hardcover. Folio - over 12 - 15" tall. Folio (412 x 275 mm). [1], 108 (i.e. 112), [4] ll., including engraved title-page, additional engraved title-page with portrait of Fontana (by Natale Bonifazio da Sebenico), woodcut initials, 38 etched and engraved illustrations by Natali Bonifazio da Sebenico (including 3 double-page, 1 folding), and 3 diagrams in text. Title-page slightly soiled, fol. 49 supplied, light spotting in places, a few small waterstains to blank margins, old paper repairs to margins of 6 leaves (one just affecting plate mark on fol. 66-2), upper margin of fol. 75-2 trimmed to plate border, marginalia in pencil throughout. Early 19th century half calf over marbled boards, flat spine gilt (extremities worn, corners bumped). Provenance: Angel Maria de Barcia y Pavón (1841-1927), librarian and painter (bookplate to front pastedown with motto"Inter utrumque volitans" and long inscription on flyleaf); Gerardo Olivares James (Cordoba, 1978). Good copy overall, collated complete. -----Dibner, Heralds of Science 174; Norman 812; Brunet II:1329; Cicognara 3736; Fowler 124; Millard Coll. 40; Mortimer, Italian 193; Olschki 16955. - FIRST EDITION, RECORDING AND ILLUSTRATING ONE OF THE GREAT ENGINEERING FEATS OF THE RENAISSANCE. Fontana organized and directed this successful attempt to move the Vatican obelisk. Over 900 men, 150 horses and 47 cranes were required, and the project took four and a half months to complete (from 30 April to 10 September 1586). The plates "are important examples in the development of architectural drawi … [Click Below for Full Description]
Bookseller: Milestones of Science Books
2017-03-04 23:19:28
[OVID] OVIDIUS Naso, Publius;
Antwerp Plantin 1590-1591 First illustrated edition of a very early juvenilia, volume II only of the two-volume Metamorphoses abbreviated. Oblong 16mo (4 1/8" x 5 1/8"); pagination: 209-361, plus 17 pages, including an Index and approbatio, with 72 plates on 71 leaves (lacking 4 plates and the text on the verso). This copy has two approbation leaves, both dated 1590. The final plate is the full-page Plantin device with the legend 'Labore et Constantinia.' Newly bound by Fitterer to style in full calf with a gilded spine. Ascribed to both the medieval grammarian Aelius Donatus and to Lactantius Placidus. The etchings are by Pieter van der Borcht, who signed the plate on p. 357. (Van der Borcht went to work for Christopher Plantin at an early age and designed many of his typographical ornaments.) Funck 374-375; Adams O-504; Hollstein III, 100, nos. 200-377; Adams O-504; Delen II, 92-93. Very Good"One of the gems of Renaissance illustrated books, adapted anonymously from Ovid for the young and dedicated by the printer to two young boys, Luis and Martin Perez de Baron. A defective copy (priced accordingly), but rich in beautiful plates and beautifully bound.
Bookseller: Fine Editions Ltd.
2017-03-04 22:28:54
Abraham ORTELIUS (1528 - 1598)
1590. Splendida carta del Mondo Antico pubblicata nel Parergon, l'atlante di Ortelius dedicato alla geografia antica. La mappa presenta i territori conosciuti fino al 1492, all'interno di una proiezione ovale in cui sono rappresentate le fasce climatiche canonizzate da Tolomeo. Ortelius, inoltre, nella realizzazione del planisfero tiene conto del passo di Strabone (II, 5,6) nel quale sostiene che la terra abitata occupi meno della metà dell'emisfero boreale. Pur con queste premesse, il disegno dell'ecumene è moderno, come mostrano i profili del golfo di Guinea, del Madagascar e della penisola indocinese. Il planisfero è circondato da una ricca cornice decorativa nei cui angoli sono contenute le mappe, di formato circolare, dei quattro continenti. Incisione su rame, finemente acquarellata, in ottimo stato di conservazione. Esemplare dall'edizione tedesca pubblicata nel 1602. "This interesting map presents the regions of the earth that were known in classic times within a large oval projection showing the relative size of the now-known world. The map extends into Asia as far east as Sumatra and south to Madagascar and the Mountains of the Moon in Africa. The climate zones are shown as Zona frigida, temperata, and torrida, with the Zona frigida noted as being uninhabitable. An ornate border surrounds the map and incorporates four small insets: Europe, Asia, Africa and America representing the ""modern"" world. From the 1602 German edition of the Parergon. Copperplate, with fine colouring, good conditions." Anversa Antwerpen Shirley #176; Van den Broecke #186. 450 320
Bookseller: Libreria Antiquarius
2017-02-28 14:52:05
Abraham ORTELIUS (1528 - 1598)
1590. Questa mappa dell'Abbruzzo Ulteriore, che compare per la prima volta nell'Additamentum del 1590 del Thatrum Orbis Terrarum di Ortelius, si basa sostanzialmente sulla carta di Natale Bonifacio, stampata su un solo foglio, edita a Roma nel 1587 (Meurer p. 118), Esemplare tratto dall'edizione latina del 1592 del Theatrum Orbis Terrarum. Incisione su rame, magnifica coloritura coeva, in ottimo stato di conservazione. Testo Latino al verso. This map of Ulterior Abruzzi, occures for the first time in 1590 Additamentum of Theatrum Orbis Terrarum by Ortelius. It's based on the work by Natale Bonifacio (1538-1592) , on a single sheet, published in Rome in 1587 (Meurer p. 118). This example was part of 1592 Latin edition of Theatrum. Copper engraving, originals colors, in very good condition. Latin text on verso. Koeman: The unique position held by Ortelius' Theatrum in the history of cartography is to be attributed primarily to its qualification as 'the world's first regularly produced atlas.' Its great commercial success 'enabled it to make so great a contribution to geographical culture throughout Europe in the later 16th century.' Anversa Antwerpen Van den Broecke Ort 138; Koeman/Meurer:117, Karrow: 1/170, vdKrogtAN: 7430:31 423 328
Bookseller: Libreria Antiquarius
2017-02-27 21:08:59
Stengler, Fabius
S.l, s.i, 1590. Quart, Rückenbroschur, (8) S. mit Titelholzschnitt, Schmuckinitiale und Holzschnitt am Ende durchgängig etwas gebräunt, typographisches Exlibris auf Titelblatt (Bibliotheca Arth. Goldmann) - vgl. VD16 S 8881 mit identischer Kollationierung und leicht abweichender Beschreibung (Phantastarum dort zweizeilig, vorliegend einzeilig, dort ohne die Schlußwörter Lege, intellige, iudica) - sehr frühe Ausgabe der Scherzdisputation eines bis heute unbekannten Autors - In 23 Thesen untermauert Hase Fabius Stengler das Hasentum. Ist der Hase männlich und weiblich zugleich? In welchen Formen kommt er vor? Ist Eulenspiegel ein Hase? Hat der Hase vier oder zwei Beine? Alles wird diskutiert. [5 Warenabbildungen bei antiquariat.de]
Bookseller: Antiquariat Dr. Wolfgang Rieger [Germany]
2017-02-26 17:37:22
Jacob MATHAM (Haarlem 1571 - 1631)
1590. "Bulino, 1590 circa, inscritto nel margine inferiore ""Cum privil. Sa. Cæ. Mtis. / HGoltzius Inuentor Jac.Matham excud "". Da un soggetto di H. Goltzius. L'incisione, di formato ovale, è basata su un soggetto di Hendrick Goltzius, e rappresenta Marte nudo, ritratto di schiena, che ha sul capo un elmetto decorato con un drago, e una spada appoggiata sul fianco. Ai suoi piedi è un lupo. Sullo sfondo, a sinistra, si scorge una fortificazione. Questa stampa è il pendant dell'altra, raffigurante Venere e Cupido attribuita a Matham. Le due lastre furono incise intorno al 1590, sebbene vennero pubblicate soltanto nel 1601. Splendida prova, ricca di toni, impressa su carta vergata coeva, rifilata alla linea marginale, restauro integrativo di circa 8 mm sul sul lato sinistro, per il resto in eccellente stato di conservazione." "Engraving, 1590 ca., lettered below ""Cum privil. Sa. Cæ. Mtis. / HGoltzius Inuentor Jac.Matham excud "". After a subject by H. Goltzius. The oval plate represents Mars, seen from behind, wearing a helmet decorated with a dragon and with a sword; he stands with his legs astride accompanied by a wolf in the clouds; a fortification at left; after a subject by Hendrick Goltzius. This is a companion piece to the print of Venus and Cupid attributed to Jacob Matham (New Hollstein 340), see 1887,0722.208. They are dated around 1590, although they were only published around 1601. Strong impression, printed on contemporary laid paper, trimmed close to the borderline, a perfectly repired area of about 8 mm at the left edge, otherwise in excellent condition." Holl … [Click Below for Full Description]
Bookseller: Libreria Antiquarius
2017-02-23 11:47:39
Abraham ORTELIUS (1528 - 1598)
1590. "Affascinante carta storica della Gallia Cisalpina, l'antica regione della penisola italica a settentrione della linea Ariminum-Pisae (Rimini-Pisa), di cui il fiume Rubicone segnava il confine con il resto l'Italia, pubblicata nel Parergon di Ortelius. La costruzione della mappa è basata su fonti classiche quali Livio Ausonio,Tacito, Catone, Plinio, Polibio e Cassiodoro. Sotto al cartiglio con il titolo, la dedica al nobile veneziano Francesco Soranzo Francesco Soranzo (1557-1607) "" Venerando Dño D. Francisco Superantio | Veneto, pietate ac sanguine nobili, auctor | lubens merito donabat, dedicabatque"" Nei cartigli al centro in alto e in quello in basso a destra, rispettivamente sono elencati i siti e i popoli di incerta localizzazione. Nel cartiglio al centro del margine destro l'iscrizione in latino ""Electrides insulas ante Padum, a | priscis descriptas. fabulosas facit Strabo"" (Strabone considera immaginarie le isole Elettridi davanti a Padova, descritte dagli antichi) dimostra la profonda conoscenza e anche il rispetto di Ortelius per le fonti consultate. Riguardo, quindi, alla presunta esistenza e localizzazione delle isole Elettridi, Ortelius si limita a ricordare la posizione di Strabone che considerava queste isole - il cui nome significa ""isole dell'ambra"" e che erano una sorta di""Eldorado"" occidentale, sul quale favoleggiavano i navigatori greci - immaginarie. Come sottolinea Koeman ""... il Parergon deve essere considerato come lavoro personale di Ortelius. Per quest'opera, infatti, diversamente dal Theatrum, non copiò le mappe di altri cartografi, … [Click Below for Full Description]
Bookseller: Libreria Antiquarius
2017-02-22 10:25:20
Josephus, Flavius
Straßburg ; Rihel 1590. VD16 ZV 17562 [6], 524, [20] Bl. :mit weit über 100 Holzschnitten. 36 cm, geßprägtes Schweinsleder auf Holzdeckel, an den unteren Kanten aufgeplatzt. Beide schließen fehlen halb, Die ersten ca. 10 Blätter an der unteren Ecke brüchig und beschädigt mit Fehlstellen vor allem am Titelblatt mit kleinem Bildverlust. handschr. Eintrag am Vorderdeckel von alter Hand. Die mit Holzschnitten des Schaffhauser Künstlers Tobias Stimmer (1539-1584) illustrierte erste Rihel-Ausgabe der Geschichte des Jüdischen Kriegs war 1574 erschienen. Bis 1630 erschienen dann fünfzehn weitere Ausgaben. **** Eine Restaurierung des Titelblattes und der ersten beschädigten Blätter kann gegen Aufpreis von 200,00 € vorgenommen werden. Versandkostenfreie Lieferung
Bookseller: REDIVIVUS Buchhandlung & Antiquariat [Germany]
2017-02-21 22:46:50
CHEMNITZ, Martin
(S. Feyerabend),, Francofurdi ad Moenum 1590 - Mit 2 Titelholzschnitten. ca. 20 x 12 cm. Geprägter Schweinsleder-Einbd. auf Holzdeckel mit 4 Bünden. Rückendeckel an den Kanten stärker berieben. 16 Bl., 440 S., 16 Bl. Indices; 6 Bl. 456 S. 21 Bl. Teils wasserrandig, die ersten ca. 70 S. stärker; zahlr. Randanmerkungen u. Unterstreichungen.
Bookseller: Magdeburger Antiquariat
Check availability:
2017-02-16 23:33:07
BOTERO, Giovanni (c. 1543-1617)
Bookseller: Libreria Brighenti [Bologna, BO, Italy]
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