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Ci-dessous vous trouverez certains résultats sélectionnés par viaLibri pour des livres publiés en 1585
2018-01-08 10:33:30
Lonicer, Johann Adam :
Frankfurt, Feyerabend, 1585. darinn aller Geistlichen Personen, H. Ritter und dero verwandten Herkommen, Constitution, Regeln, Habit und Kleidung. Mit Titelvignette, 102 Holzschnitten von J. Amman. 116 nicht nummerierte Blatt, schlichter Pappband des 18. Jahrhunderts, 22 x 17,5 cm, Einband etwas lichtrandig und angestaubt, Buchblock unbeschnitten, innen unterschiedlich gebräunt, die erste drei Blatt mit kleiner hinterlegter Wurmspur im Bund. Erste deutsche Ausgabe, die seltene Variante mit der Schreibweise "M.D.XXCV" des Druckjahres. Erschien gleichzeitig in lateinischer Sprache. Die schönen Holzschnitte zeigen geistliche Figuren in ganzer Figur, darüber eine kurze Beschreibung des Ordens und seiner Tracht, darunter ein achtzeiliger deutscher Vers. [Attributes: Hard Cover]
Libraire: Antiquariat H. Carlsen [kiel, Germany]
2018-01-05 15:45:14
Tasso Torquato e altri
Francesco Osana o (Osanna), 1585. In-12° 120 x 70 mm, pp. [138], 219 [3] con marca tipografica ad entrambi i frontespizi raffigurante la Fama alata con due trombe, una ricurva e l'altra dritta e il motto: Virtute et labore. Iniziali e finalini xilografici. Legatura in mezza pergamena con angoli, fregi e titolo in oro su tassello. Raccolta di scritti in difesa o contro i poemi di Tasso e Ariosto. Margine superiore rifilato e la segnatura E1 posposta. Graesse VII,39, indica questa come seconda edizione, stampata lo stesso anno della prima. Manca alla "Raccolta Tassiana di A. Mai" di Bergamo. L'Opera si apre con la dedica dell' Autore a Ferrante Gonzaga, e altre due dedicatorie "Al Lettore" di Giovan Battista Licini, curatore dell'opera, e "Ai Lettori" dello Stampatore. Seguono due sonetti in lode del Tasso di Domenico Comanini, due sonetti di Angelo Grillo e un altro di Incerto Autore. Inizia quindi il testo vero e proprio, con la prima parte che comprende: "Degli Accademici della Crusca. Difesa dell'Orlando Furioso dell'Ariosto, contra 'l Dialogo dell'Epica poesia di Cammillo Pellegrino Stacciata prima", dedicata a Orazio Rucellai da Bastiano De Rossi. Nella seconda parte, con frontespizio autonomo, si trova: "Apologia del s. Torquato Tasso in difesa della sua Gerusalemme Liberata"; "Lettere diverse scritte dal Signor Torquato Tasso et da altri in materia della Gierusalemme Liberata. Con una del Tasso medesimo, in lode dell'Ariosto" dedicata a Mauritio Cataneo a Roma; di queste lettere la prima è di Horatio Lombardelli, la seconda del Tasso, il Parere del s. Francesco Patric … [Cliquez ci-dessous pour une description complète]
Libraire: Studio Giuseppina Biggio [IT]
2018-01-04 18:09:47
Gerhard Mercator
Duisburg Gerard Mercator. Titelblatt. Kupferstich / Linienstich, alt koloriert, 1585. Von Niederländisch (16. Jh.). 22,8 x 16,3 cm (Darstellung / Platte) / 31 x 21 cm (Blatt). Aus: Gerhard Mercator, Germaniae tabule geographicae (Duisburg: Gerard Mercator 1585). - Große Titelkartusche mit Rollwerk, Girlanden sowie zwei Musen. Zentral Titel, dazu Verlegeradresse: "Per Gerardum Mercatorem Illustriß. Ducis Julie Cliuie &c. Cosmographum". Unten Privileg. - Auch im Kolorit tadellos erhalten. Sehr guter Zustand. Niederländisch (16. Jh.) . Gerard Mercator (1512 Rupelmonde - 1594 Duisburg). Auch Gerard De Kremer oder Gerhard Krämer. Flämischer Mathematiker, Geograf, Philosoph, Theologe und Kartograf. Nach dem Tod des Vaters von den Brüdern vom gemeinsamen Leben in Herzogenbusch erzogen. So war unter anderen Georgius Macropedius sein Lehrer. Ab 1530 Studium an der Universität Löwen. 1532 zum Magister artium promoviert. 1534-37 warer bei Gemma Frisius tätig. 1552 folgt er einem Ruf an die neugegründete Universität Duisburg als Professor für Kosmografie. 1559-62 war er als Lehrer für Mathematik und Kosmografie am Duisburger Akademischen Gymnasium tätig. Sprache: Deutsch
Libraire: GALERIE HIMMEL [Dresden, Germany]
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2017-12-24 16:02:35
Vegetius, Renatus Flavius.
2 Teile in 1 Band. 8. 8 Bl., 320 S. 8 Bl., 480 S., 16 Bl. (Index) mit militär. Aufstellungen als Buchstabenbild-Darstellungen, 1 gefalt. Tafel, 1 Stammtafel u. 51 (18 ganzs.) Holzschnitten, Vignetten u. Initialen. Blindgeprägter Schweinsledereinband d. Zt. über Holzdeckeln auf 4 Bünden. Adams V 337. Cockle 3, Anm. Ebert 23444. Schweiger II, 1304. STC 204. Vgl. Jähns 122 u. Lipperheide Qb 3. - Zweite Ausgabe der geschätzten, erstmals 1585 erschienenen Bearbeitung durch Stewechius. Die schönen Holzschnitte zeigen Belagerungsmaschinen, Schiffe, Waffen, Uniformen usw. - Einband leicht berieben u. bestoßen, handschriftl. Titel auf Rücken kaum lesbar, Schließbänder fehlen, Titel mit Ausschnitt ohne Textverlust u. kl. Notiz, diese unkenntlich gemacht, ein Holzschnitt (2.Teil, S. 53) ankoloriert, papierbedingt leicht gebräunt u. teils minimal stock- u. fingerfleckig, sonst sehr schönes Exemplar.
Libraire: Antiquariat Haufe & Lutz
2017-12-20 21:35:46
[Concilium Tridentinum]
Venedig, Andrea Muschio. (16), 399, (17) SS. [Dabei:] Index librorum prohibit[orum]. Ebd., 1585. (32) SS. Mit 2 versch. Druckermarken, ganzseitigem Textholzschnitt am Schluß der Vorstücke sowie 12 Textholzschnitten. Flexibler Pergamentband der Zeit mit hs. Rückentitel. Spuren von Bindebändern. 8vo. Hübsche kleinformatige Ausgabe der Sitzungen und Beschlüsse des Konzils von Trient (1545-63), das den Erneuerungsprozeß der katholischen Kirche im 16. Jh. einleitete. Der Anhang enthält den "Index der verbotenen Bücher" laut Beschlußfassung von 1564. - Der flexible Pergamentband etwas knittrig. Papierbedingt stellenweise minimal braunfleckig; zu Beginn bzw. am letzten Bl. etwas fingerfleckig und leicht wasserrandig. Erste Textseiten mit zeitgenöss. hs. Anmerkungen und Anstreichungen. Am Titel hs. Besitzvermerk der Zeit "Ex libris Georgii Kembter [?]"; weiterer alter Besitzvermerk ("Bouthillier Kammerprokurator") und kl. Notate am vorderen Innendeckel. Titel am unteren Rand knapp beschnitten (kein Textverlust); Blatt ++2 (Index libr. prohib.) mit kl. Einriß. - Edit 16, CNCE 13038.
Libraire: Antiquariat Inlibris, Gilhofer Nfg. GmbH [Austria]
2017-12-20 21:10:01
Capriolo Elia
Brescia, Appresso Gio. Battista Bacchi, 1630, 1585. in 4°,(21,5x15,5), 10cc., pp. 264 (mal numerate 364), 22 pp., 1c., 16 pp. Legat. in piena perg. coeva con tassello in carta applicato al dorso. Marca tipografica del Tebaldino con veduta della città di Brescia in una cornice figurata. In basso al centro stemma della città di Brescia ( Leone Rampante) con motto " Fide Ferro et Opibus Florens" in ultimo l'aggiunta del Sacco di Brescia dell'Anselmi del 1630.
Libraire: Studio Bibliografico Bosio Giovanni [IT]
2017-12-20 08:30:46
Meissner Daniel ( 1585 - 1625 ) Frankfurt am Main
Artist: Meissner Daniel ( - 1625 ) Frankfurt am Main; issued in: Komotau; date: ca 1623. - technic: Copper print; colorit: original colored; - condition: Very good; - size (in cm): 9,5 x 14,5; - description : Map shows the city Weissenburg; - vita of the artist: Daniel Meisner (1585 - 1625) Fankfurt/ Main was a german poet and copper printer, he was the co-author of Thesaurus Philopoliticus, the famous serial of views and citymaps.
Libraire: Antique Sommer& Sapunaru KG [München, Germany]
2017-12-18 10:20:54
Verdizzotti, Giovan Mario, ed
Venetia: Appresso Domenico, & Gio. Battista Guerra, fratelli, 1585. Hardcover. Six parts in one. [xxii], 440pp. There are several pagination errors including pages 101-107 that are erroneously marked 91-97. Contemporary full vellum, titles in ink on the spine panel. Engraved title page, engraved title for each of the six parts, fifty-five in-text illustrations, head-pieces, tail-pieces, initials. Text in two columns. Includes an index. The vellum is worn and somewhat soiled, the spine has several old wormholes. Contemporary name on the title page. Later handwritten index tipped in. The text block has a stain affecting the lower half of the first several leaves, scattered foxing and minor staining, two old mends to two of the leaves, and a tiny hole to another leaf. The top margin was cut short (this does not affect the text). A good+ copy. In the Italian language. Haym I.149.7.; Quarto.
Libraire: Parigi Books, ABAA/ILAB
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2017-12-18 02:59:42
Mercator Gehard (1512 - 1594) Duisburg
Artist: Mercator Gehard ca ; issued in: Duisburg; date: ca1585 - - technic: Copper print; - colorit: original colored; - condition: Very good; - size (in cm): 31 x 40; - description: Map shows the Ukrain with the peninsula Krim and the black sea; - vita of the artist: "Gerardus Mercator (1512 - 1594)He was a cartographer, philosopher and mathematician. He is best known for his work in cartography, in particular the world map of 1569 based on a new projection which represented sailing courses of constant bearing as straight lines. He is renowned to the present day as the cartographer who created a world map based on a new projection which represented sailing courses of constant bearing as straight lines. In his own day he was the world's most famous geographer but in addition he had interests in theology, philosophy, history, mathematics and magnetism as well as being an accomplished engraver, calligrapher and maker of globes and scientific instruments. He wrote few books but much of his knowledge is to be found in the copious legends on his wall maps and the prefaces that he composed for his atlas ,the first in which the term "atlas" appears and the sections within it.
Libraire: Antique Sommer& Sapunaru KG [München, Germany]
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2017-12-16 15:32:33
- Original antique print, titled: 'An nesciebatis oportere me in us esse quae Patris mei funt'. It shows: an illustration to Luke 2:46, where the 12-year old Jesus has remained in Jerusalem after the Festival of the Passover. He is seated in the temple among the teachers, listening and asking questions. Etching/engraving on a verge type handlaid paper. Description: This print originates from: the print series "Thesaurus Sacrarum Historiarum veteris testamenti" (Gerard de Jode, 1585). This is a collection of ca. 300 prints, each with a short caption signifying its moral and religious importance. The collection was published as a print-Bible, although the it is, actually, in essence a gallery of Mannerist engravings after the greatest painters of the time. Our definition of a Master Print is a seperately published print or series of prints, not being an illustrative print to a text. These can both be prints made by old masters (artists) or prints made by others (artists, engravers, etchers) after old masters.Artists and Engravers: Engraved by: De Jode. Original painting or design by: De Vos. Published by Claes Jansz. Visscher. Gerard de Jode (Nijmegen 1509-Antwerp 1591) was a cartographer, engraver and publisher who worked in Antwerp during the 16th century. His best known work is the two-volume atlas Speculum Orbis Terrarum, published in 1578, created as competition for a similar atlas by Abraham Ortelius. Marten de Vos (1532-1603) was an Antwerp painter and draughtsman of the late sixteenth century. His travels to Italy made him adopt the Mannerist style. Condition: Very go … [Cliquez ci-dessous pour une description complète]
Libraire: ThePrintsCollector
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2017-12-16 15:32:33
- Original antique print, titled: 'Domine Bonu est nos hic esse, si vis faciamus hic tria tabernacula, tibiunu et moysiunu et eliaeunu'. It shows: Jesus, with Peter, James and John at his feet, in discussion with Moses (left) and Elias (right). Matthew 17. Etching/engraving on a verge type handlaid paper. Description: This print originates from: the print series "Thesaurus Sacrarum Historiarum veteris testamenti" (Gerard de Jode, 1585). This is a collection of ca. 300 prints, each with a short caption signifying its moral and religious importance. The collection was published as a print-Bible, although the it is, actually, in essence a gallery of Mannerist engravings after the greatest painters of the time. Our definition of a Master Print is a seperately published print or series of prints, not being an illustrative print to a text. These can both be prints made by old masters (artists) or prints made by others (artists, engravers, etchers) after old masters.Artists and Engravers: Engraver unknown. Artist unknown. Published by Gerard de Jode in 1585. Condition: Very good given age. A vertical fold in the middle of the image. Left edge uneven from binding, some soiling in the bottom right corner. General age-related toning and/or occasional minor defects from handling. Please study scan carefully. Storage location: RC-A11-38 The overall size is ca. 13.6 x 9.8 inch. The image size is ca. 11.2 x 7.9 inch. The overall size is ca. 34.5 x 25 cm. The image size is ca. 28.5 x 20 cm.
Libraire: ThePrintsCollector
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2017-12-16 15:32:33
1585. Original antique print, titled: 'Dum flauas in agro gaudet colligere spicas Ruth, forte affinis venit in arua Booz'. It shows: an illustration to Ruth 2. It shows Ruth kneeling in front of Boaz in the grain field. Etching/engraving on a verge type handlaid paper. Description: This print originates from: the print series "Thesaurus Sacrarum Historiarum veteris testamenti" (Gerard de Jode, 1585). This is a collection of ca. 300 prints, each with a short caption signifying its moral and religious importance. The collection was published as a print-Bible, although the it is, actually, in essence a gallery of Mannerist engravings after the greatest painters of the time. Our definition of a Master Print is a seperately published print or series of prints, not being an illustrative print to a text. These can both be prints made by old masters (artists) or prints made by others (artists, engravers, etchers) after old masters.Artists and Engravers: Engraved by: De Jode. Artist unknown. Gerard de Jode (Nijmegen 1509-Antwerp 1591) was a cartographer, engraver and publisher who worked in Antwerp during the 16th century. His best known work is the two-volume atlas Speculum Orbis Terrarum, published in 1578, created as competition for a similar atlas by Abraham Ortelius. Condition: Good given age. Margins cropped to the image edge. Sheet attached to carrier with hand-drawn border. Bottom edge of the image dampstaiend. General age-related toning and/or occasional minor defects from handling. Please study scan carefully. Storage location: RC-A11-34 The overall size is ca. 11.6 x 9.1 … [Cliquez ci-dessous pour une description complète]
Libraire: ThePrintsCollector [Zeeland, Netherlands]
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2017-12-16 15:32:33
Original antique print, titled: 'Rex rogat Uriam de bello, mittit et illi'. It shows: an illustration for a Bible narrative (2 Samuel 11.7) Uriah before David. King David (central) standing with his entourage behind him, one slave to left, offering a basket full of food. Uriah in military uniform seen to right, kneeling before David with his army behind. Etching/engraving on a verge type handlaid paper. Description: This master print originates from: the print series "Thesaurus Sacrarum Historiarum veteris testamenti" (Gerard de Jode, 1585). This is a collection of ca. 300 prints, each with a short caption signifying its moral and religious importance. The collection was published as a print-Bible, although the it is, actually, in essence a gallery of Mannerist engravings after the greatest painters of the time. Our definition of a Master Print is a seperately published print or series of prints, not being an illustrative print to a text. These can both be prints made by old masters (artists) or prints made by others (artists, engravers, etchers) after old masters.Artists and Engravers: Engraved by: Sadeler. Artist unknown. Published by Gerard de Jode in 1585. Johann / Jan Sadeler I (Brussels 1550-Brussels 1600) is a descendant from a family of chasers, engravers of armour, from Aalst. He was in Antwerp in 1572, which by then was the centre of the printmaking world. He mainly worked for Plantin on works of Coxcie and Maarten de Vos. Condition: Very good given age. Margins a little soiled from handling. . General age-related toning and/or occasional minor defects from handli … [Cliquez ci-dessous pour une description complète]
Libraire: ThePrintsCollector [Zeeland, Netherlands]
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2017-12-16 15:32:33
Original antique print, titled: 'Eumque tortoribus in carcere cas todiendum tradit'. It shows: an illustration to Matthew 18:34. It shows the Master handing the Servant over to the jailors, in the Parable of the Unmerciful Servant. Etching/engraving on a verge type handlaid paper. Description: This print originates from: the print series "Thesaurus Sacrarum Historiarum veteris testamenti" (Gerard de Jode, 1585). This is a collection of ca. 300 prints, each with a short caption signifying its moral and religious importance. The collection was published as a print-Bible, although the it is, actually, in essence a gallery of Mannerist engravings after the greatest painters of the time. Our definition of a Master Print is a seperately published print or series of prints, not being an illustrative print to a text. These can both be prints made by old masters (artists) or prints made by others (artists, engravers, etchers) after old masters.Artists and Engravers: Engraved by: De Jode. Artist unknown. Gerard de Jode (Nijmegen 1509-Antwerp 1591) was a cartographer, engraver and publisher who worked in Antwerp during the 16th century. His best known work is the two-volume atlas Speculum Orbis Terrarum, published in 1578, created as competition for a similar atlas by Abraham Ortelius. Condition: Very good given age. Margins cropped to the platemark. . General age-related toning and/or occasional minor defects from handling. Red lines as published. Please study scan carefully. Storage location: RC-A11-34 The overall size is ca. 9.8 x 7.9 inch. The image size is ca. 9.6 x 7.7 inch. The … [Cliquez ci-dessous pour une description complète]
Libraire: ThePrintsCollector [Zeeland, Netherlands]
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2017-12-16 15:32:33
- Original antique print, titled: 'Post tres dies circumisionis, Fily, Jacob morti tradiderunt quot quot Viri erant in Ciuitate'. It shows: an illustration for part of Genesis, the first book of the Bible. Simeon and Levi, two of Jacob's sons, are murdering the inhabitants of Schechem in Canaan. In the foreground the two sons are leading Dinah away from the city after she has been defiled by the Schechemites. Genesis 34:25 Etching/engraving on a verge type handlaid paper. Description: This print originates from: the print series "Thesaurus Sacrarum Historiarum veteris testamenti" (Gerard de Jode, 1585). This is a collection of ca. 300 prints, each with a short caption signifying its moral and religious importance. The collection was published as a print-Bible, although the it is, actually, in essence a gallery of Mannerist engravings after the greatest painters of the time. Our definition of a Master Print is a seperately published print or series of prints, not being an illustrative print to a text. These can both be prints made by old masters (artists) or prints made by others (artists, engravers, etchers) after old masters.Artists and Engravers: Engraver unknown. Artist unknown. Published by Gerard de Jode in 1585. Condition: Excellent given age. . General age-related toning and/or occasional minor defects from handling. Please study scan carefully. Storage location: RC-A11-32 The overall size is ca. 12.2 x 10.2 inch. The image size is ca. 9.6 x 7.9 inch. The overall size is ca. 31 x 26 cm. The image size is ca. 24.5 x 20 cm.
Libraire: ThePrintsCollector [Zeeland, Netherlands]
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2017-12-16 05:09:34
MYDORGE, Claude.
1585. Worldcat (1 copy); for Mydorge: DSB IX, pp. 598-599; Hattab, Descartes on forms and mechanisms, pp. 90-92; Thorndike VII, pp. 593-594. Very rare fourth edition of the commentary of Claude Mydorge (1585-1647) on the Récreations mathématiques by "H. van Etten" (Jean Leurechon). Mydorge corrected the numerous mistakes made by Leurechon in these mathematical diversions and "added several physical experiments… as well as comments that he claimed were intended only for his friends". Several of examples and comments by Mydorge, also appear in the works of his friend Descartes, making it "reasonable to conclude that many of the other mechanical problems discussed by Mydorge in this work were also known to Descartes… and one can easily imagine Descartes as one of the friends participating in the discussions of these problems alluded to in the prefatory remarks" (Hattab).The "diversions" consist of numerous problems for which a mathematical solution is presented, most of them illustrated by a woodcut. For instance, Mydorge (following Leurechon) informs the reader how to make water in a glass boil without fire, "to make a door open from both sides; … to build a bridge all round the earth which will not fall when its supports are removed; to keep all the water in the world in the air without a single drop falling to earth". The third chapter, on fireworks, contains even more spectacular problems, such as "if all the gunpowder in the world were put in a globe of glass or paper and set on fire all at once, what would happen? Nothing, since the pressure would be equal in every direc … [Cliquez ci-dessous pour une description complète]
Libraire: Antiquariaat FORUM BV [Houten, Netherlands]
2017-12-15 03:33:21
BERTHIOLI Antonio
Libraire: Libreria Antiquaria Pregliasco [Torino, Italy]
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2017-12-15 03:33:14
BERTHIOLI Antonio
Libraire: Libreria Antiquaria Pregliasco [Torino, Italy]
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2017-12-14 03:55:33
Isidorus Pelusiota
Paris, Chaudiere, 1585. Folio, circa 33,5 x 23,3 cm., 8 Bll., 672 (recte 572) SS., 18 Bll.; 6 Bll., 96 SS., 10 Bll., erster Titel in Rot und Schwarz, 2 grosse Druckermarken, mehrere Initialen. Kalbsleder d. Zt., mit goldgeprägtem Mittelstück (Lorbeerkranz; Rücken im 19. Jh. in dunklerem Leder erneuert) Adams I 207; STC French 237; Hoffmann II, 614. Editio princeps und einzige Ausgabe des 16. Jahrhunderts der Briefe des griechischen Kirchenschriftstellers Isidorus aus Alexandrien (circa 360-450). Bedeutend ist Isidor durch seinen umfangreichen Briefwechsel, der Nicephorus zufolge bei seinem Tod etwa zehntausend Briefe umfasst haben soll. Davon sind etwas mehr als zweitausend erhalten, in denen Isidor an Mönche, Priester, Bischöfe, Soldaten, Generäle und Kämmerer schreibt, an die Patriarchen Theophilus und Kyrill und an Kaiser Theodosius II. Er übt dabei scharfe Kritik an Missständen der damaligen Kirche, insbesondere am Ehrgeiz, der Liebe zum Luxus und der Bauwut der höheren Geistlichkeit, wo er sich entsprechend einige Feinde schuf. - Eleganter zweispaltiger Druck parallel Latein und Griechisch, besorgt von Jacques de Billy (1535-1581), der als Anhang mit eigenem Titel seine Sacrae observationes beigibt. - Durchgehend regliert, wenige alte Anmerkungen, etwas gebräunt, nur vereinzelt leicht fleckig, etwas die ersten sechs Blatt im Innenrand angeschmutzt, sonst meist sauber. Vorsätze mit neueren Notizen, Einband beschabt. [10 Warenabbildungen bei antiquariat.de]
Libraire: Antiquariat Thomas Rezek [Germany]
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2017-12-14 03:34:54
BERTHIOLI Antonio
Libraire: Libreria Antiquaria Pregliasco [Torino, Italy]
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2017-12-14 03:34:43
BERTHIOLI Antonio
Libraire: Libreria Antiquaria Pregliasco [Torino, Italy]
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2017-12-13 16:44:16
1585. Antique print, titled: 'Haec ubi patrantur [.].' - Christ before Pilate who argues for Christ's life with the gathered crowd. Description: Source unknown, to be determined. State: First state of 2. Ref: NH 341. IconClass 73D3231.Artists and Engravers: Made by 'Adriaen Collaert' after 'Joannes Stradanus'. Adriaen Collaert (ca.1560–1618) was a Flemish designer and engraver. He was the son of Jan Collaert I and Anna van der Heijden. He married Justa Galle, the daughter of the man he worked for, Philip Galle. Adriaen Collaert was the brother of Jan Collaert I. Johannus Stradanus (also: Jan van der Straat or Giovanni Stradano, 1523-1605) was a Flanders-born mannerist artist active in 16th century Florence. Engraving on laid paper. Anonymous. Good, given age. No margins. Tiny worm hole. General age-related toning and/or occasional minor defects from handling. Please study scan carefully. The overall size is ca. 26.4 x 19.5 cm. The image size is ca. 26.4 x 19.5 cm. The overall size is ca. 10.4 x 7.7 inch. The image size is ca. 10.4 x 7.7 inch. Storage location: C36-31
Libraire: ThePrintsCollector [Zeeland, Netherlands]
2017-12-13 03:33:54
BERTHIOLI Antonio
Libraire: Libreria Antiquaria Pregliasco [Torino, Italy]
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2017-12-13 03:33:44
Tasso Torquato e altri
Francesco Osana o (Osanna), 1585. In-12° 120 x 70 mm, pp. [138], 219 [3] con marca tipografica ad entrambi i frontespizi raffigurante la Fama alata con due trombe, una ricurva e l'altra dritta e il motto: Virtute et labore. Iniziali e finalini xilografici. Legatura in mezza pergamena con angoli, fregi e titolo in oro su tassello. Raccolta di scritti in difesa o contro i poemi di Tasso e Ariosto. Margine superiore rifilato e la segnatura E1 posposta. Graesse VII,39, indica questa come seconda edizione, stampata lo stesso anno della prima. Manca alla "Raccolta Tassiana di A. Mai" di Bergamo. L'Opera si apre con la dedica dell' Autore a Ferrante Gonzaga, e altre due dedicatorie "Al Lettore" di Giovan Battista Licini, curatore dell'opera, e "Ai Lettori" dello Stampatore. Seguono due sonetti in lode del Tasso di Domenico Comanini, due sonetti di Angelo Grillo e un altro di Incerto Autore. Inizia quindi il testo vero e proprio, con la prima parte che comprende: "Degli Accademici della Crusca. Difesa dell'Orlando Furioso dell'Ariosto, contra 'l Dialogo dell'Epica poesia di Cammillo Pellegrino Stacciata prima", dedicata a Orazio Rucellai da Bastiano De Rossi. Nella seconda parte, con frontespizio autonomo, si trova: "Apologia del s. Torquato Tasso in difesa della sua Gerusalemme Liberata"; "Lettere diverse scritte dal Signor Torquato Tasso et da altri in materia della Gierusalemme Liberata. Con una del Tasso medesimo, in lode dell'Ariosto" dedicata a Mauritio Cataneo a Roma; di queste lettere la prima è di Horatio Lombardelli, la seconda del Tasso, il Parere del s. Francesco Patric … [Cliquez ci-dessous pour une description complète]
Libraire: Studio Giuseppina Biggio [IT]
2017-12-13 03:33:40
BERTHIOLI Antonio
Libraire: Libreria Antiquaria Pregliasco [Torino, Italy]
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2017-12-12 19:56:56
1585. Antique print, titled: 'Itala divino foelix Guidone [.].' - The Italian hermit Guido from Ravenna. Description: From the large series of hermits. Ref: NH 998.Artists and Engravers: Made by 'Joannes & Raphael Sadeler' after 'Maarten de Vos'. The Sadeler family were the largest, and probably the most successful of the dynasties of Flemish engravers that were dominant in Northern European printmaking in the later 16th and 17th centuries, as both artists and publishers. The Sadelers were descended from "chasers," engravers of armour, from Aalst. Jan de Saeyelleer or Sadeleer had three sons, all usually called "Sadeler":[2] Jan I (1550 Brussels - 1600 Brussels or possibly Venice),[3] Aegidius I (c. 1555 Brussels - c. 1609 Frankfurt am Main) and Rafael I (1560/61 Antwerp - 1628 or 1632). Another Sadeler, Marcus or Marco, was a printer and perhaps publisher who was working in Haarlem in c. 1586-87, and is presumed to be a member of the family, though it is not known where he fits in. Jan I was the father of Justus (c. 1572-c. 1620) and Marcus Christoph (active 1614 to after 1650). Aegidius I was the father of Aegidius II (c. 1570-1629 Prague). Rafael I was the father of Rafael II (1584 - 1627 or 1632), Jan II (c. 1588 - 1665 or later) and Filips (c. 1600, active to 1650). Aegidius II was the father of Tobias, who was active from 1670-75 in Vienna. Maarten de Vos (1532-1603) was an Antwerp painter and draughtsman of the late sixteenth century. His travels to Italy made him adopt the Mannerist style. His designs were very popular and were followed widely. Engraving on laid pap … [Cliquez ci-dessous pour une description complète]
Libraire: ThePrintsCollector [Zeeland, Netherlands]
2017-12-12 03:32:24
LOMAZZO, Paolo
per Paolo Gottardo Pontio, stampatore regio. A instantia di Pietro Tini, Milan, 1585. FIRST EDITION second issue. 4to. [xl], 700 [i.e. 698] [ii]. [?]?, [??] A-2V?, 2X? Roman letter, titles in Italic. Small woodcut printer’s device on title, divisional half-title with woodcut portrait of Lomazzo in medallion on recto of B1, C19th library label to pastedown with shelf mark, early ms. ex libris and small later library stamp washed out at foot of t-p, monogram ‘GEB’ above,C19th bibliographical notes on fly. A fine, well margined copy, crisp and clean, in contemporary limp vellum remains of ties. First edition, second issue with a new title page, of this seminal work of art theory by the Italian painter and writer Lomazzo. "Lomazzo, the Milanese painter (1538-1600), wished to give in his theoretical writings the final and conclusive argument for the nobility of painting. By demonstrating that the painter’s primary and most important activity was intellectual, and that that his manual activity was in all cases simply an execution of ideas mentally conceived, he extended to painters the dignity hitherto enjoyed by poets and rhetoricians. By supplying rules for the seven parts of painting that he had logically deduced from careful definition, he "reduced painting to an art," and elevated it to an academic subject. These demonstrations were to result in a single and complete treatise that covered theory, technique, and subject matter. . Lomazzo’s publications were not motivated simply by his vanity as a painter or his ambition as a writer. During the century and a half previous to h … [Cliquez ci-dessous pour une description complète]
Libraire: Sokol Books Ltd. ABA ILAB [London, United Kingdom]
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2017-12-11 18:03:33
CICERON
A Paris, chez Claude Micard, 1585.. 16 pages non chiffrées + 895 pages (7x12cm). Maroquin vert. Reliure postérieure. Coins légèrement émoussés. Quelques mouillures. Bon exemplaire. Traduction d'Etienne Dolet. Jolie Reliure du 19e siècle. Titre dans un joli encadrement gravé sur bois.
Libraire: ULTIMO CAPITULO
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2017-12-11 14:13:55
WIERIX, Hieronymus (1553-1619)
Um, 1585. Der Prophet Jona wird von Gott nach Ninive gesandt, versucht sich aber vor Auftrag zu entziehen. Kupferstich auf Bütten nach Maarten de Vos, 19 x 25 cm. - Mit Rand um die Plattenkante; geringfügig gebräunt. Mauquoy-Hendrickx 38; Hollstein 53. - Aus einer vierteiligen Kupferstichfolge zur biblischen Erzählung.
Libraire: Wiener Antiquariat Ingo Nebehay GmbH [Wien, Austria]
2017-12-08 17:05:19
LULLUS RAIMUNDUS
Apud Thomam Brumennium 1585 - 2 opere in un volume in 12°, pergamena molle coeva (lieve asportazione alla cuffia superiore) ; cc. 66, (2 bb.); (8, di cui una b.), 168. Marca tipografica ai frontespizi, testo in caratteri romani. Lieve gora d’acqua, ma buon esemplare. Rara edizione cinquecentesca dell’opera mistica di Raimondo Lullo intitolata “Il Libro dell’Amico e dell’Amato”, rilegata in questo esemplare con un’edizione compendiata del celebre vocabolario teologico di J. Altesteig, opera che trovò, all’inizio del secolo XVI, la violenta opposizione di Lutero. [Attributes: Hard Cover]
Libraire: Libreria Docet di Rabiti Loris [Italy]
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2017-12-05 17:46:27
PORTA, Costanzo
Venetiis, apud Angelum Gardanum, 1585. 3 parti di 6 in un volume in-8, ff. 16; 16; 16; ciascuna parte con frontespizio proprio, entro bella cornice in xilografia. Legatura moderna in m. pergamena ed angoli. L'opera riporta gli spartiti per canto, il basso e il quinto canto (questi ultimi due legati in ordine errato), ma mancano invece le partiture per contralto, tenore e sesto canto. Costanzo Porta (Cremona, 1529 endash; Padova, 26 maggio 1601) è stato un compositore italiano, uno dei maggiori rappresentanti di quella che oggi è conosciuta come la Scuola veneziana. Unanimemente riconosciuto come esperto contrappuntista dai contemporanei, è stato lodato in tutta la sua vita come compositore e insegnante. Buon esemplare di opera rara, purtroppo completa di solo 3 voci su 6. Rism, P-5182; Gaspari, II, 482. [Attributes: Hard Cover]
Libraire: Libreria Antiquaria Pregliasco [Torino, Italy]
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2017-12-04 23:47:31
Hendrick van CLEEVE
Anversa 1585 - Veduta inserita nella raccolta "Ruinarum varii prospectus, ruriumque aliquot delineationes". Hendrick van Cleve o Cliven III, figlio e allievo di William van Cleve, si trasferisce in Italia nella metà del XVI secolo; oltre ad un dipinto raffigurante una veduta di Roma, datato 1550, realizza un cospicuo numero di disegni che serviranno come modelli per l’opera incisa, realizzata al ritorno ad Anversa e pubblicata da Philip Galle nel 1587. Le vedute, che raffigurano principalmente Roma ma anche altre città europee, recano in basso l’iscrizione "Henri. Cliven. inven." o "Henri Cliven pingebat" che ne attestano la derivazione ma non l'autografia. Incisione al bulino, bella impressione su carta vergata coeva, in ottimo stato di conservazione. A nice view taken from the rare "Ruinarum vari prospectus ruriumq. Aliquot delinationes series". Hendrick van Cleve or Cliven III, son and pupil of William van Cleve, moved to Italy in the second half of the XVI century; besides a painting depicting a view of Rome (1550), he realized a considerable amount of drawing which he afterwards used as preparatory for the engravings he realized in Antwerp and published by Philip Galle in 1587. The views, whose main subject is Rome but there are also other European cities, bear the inscription "Henri. Cliven. inven." or "Henri Cliven pingebat" on lower part, which testify their origin, but not necessarily the fact that he realized them. Engraving, good impression on contemporary laid pape, very good conditions. Dimensioni 245 175mm
Libraire: Libreria Antiquarius
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2017-12-04 16:55:20
Ortelius Abraham (1527 - 1598) Antwerp
Artist: Ortelius Abraham ca ; issued in: Antwerp; date: ca1585 - - technic: Copper print; - colorit: colored; - condition: Very good; - size (in cm): 36 x 48; - description: map of Thrace / eastern Greece and western Turkey; - vita of the artist: Abraham Ortelius(1527 ?1598) was a Flemish cartographer and geographer, generally recognized as the creator of the first modern atlas, and the first to imagine that the continents were joint together before drifting to their present position.He began as a map-engraver, in 1547 and entered the Antwerp guild of St Luke as afsetter van Karten. His early career is that of a businessman and most of his journeys before 1560 are for commercial purposes. In 1564 he completed a "mappemonde", eight-leaved map of the world, which afterwards appeared in reduced form in the Theatrum. The only extant copy of this great map is in the library of the University of Basle (cf. Bernoulli, Ein Karteninkunabelnband, Basle, 1905, p. 5). He also published a two-sheet map of Egypt in 1565, a plan of the Brittenburg castle on the coast of the Netherlands in 1568, an eight-sheet map of Asia in 1567, and a six-sheet map of Spain before the appearance of his atlas. Theatrum Orbis Terrarum. In 1573 Ortelius published seventeen supplementary maps under the title Additamentum Theatri Orbis Terrarum. Four more Additamenta were to follow, the last one appearing in 1597. He also had a keen interest and formed a fine collection of coins, medals and antiques, and this resulted in the book.In 1573 Ortelius published seventeen supplementary maps under the title Additame … [Cliquez ci-dessous pour une description complète]
Libraire: Antique Sommer& Sapunaru KG [München, Germany]
2017-12-03 08:59:12
Aristotle; Friedrich Sylburg
Apud heredes Andreae Wecheli Francofurdi 1585 Early edition. Book Quarto (4to) Hardcover Good- condition [iv], 318 pages of text. Lacks final leaf. Rebound in circa 1920 cloth, which is slightly worn and soiled. The entirety of the text is damp-stained, and the title page and following few pages are further discolored. Minor worming to final few pages of index (repaired). Previous owner's name on the front pastedown endpaper, and the occasional notation mark in the text. Title page is in Greek and Latin; text in Greek; annotations in Latin. Title continues "...Latinum & Graecum." Edited by Friedrich Sylburg (1536-1596).
Libraire: Kurt Gippert Bookseller ABAA [US]
2017-12-02 10:24:27
MYDORGE, Claude.
Worldcat (1 copy); for Mydorge: DSB IX, pp. 598-599; Hattab, Descartes on forms and mechanisms, pp. 90-92; Thorndike VII, pp. 593-594. Very rare fourth edition of the commentary of Claude Mydorge (1585-1647) on the Récreations mathématiques by "H. van Etten" (Jean Leurechon). Mydorge corrected the numerous mistakes made by Leurechon in these mathematical diversions and "added several physical experiments as well as comments that he claimed were intended only for his friends". Several of examples and comments by Mydorge, also appear in the works of his friend Descartes, making it "reasonable to conclude that many of the other mechanical problems discussed by Mydorge in this work were also known to Descartes and one can easily imagine Descartes as one of the friends participating in the discussions of these problems alluded to in the prefatory remarks" (Hattab).The "diversions" consist of numerous problems for which a mathematical solution is presented, most of them illustrated by a woodcut. For instance, Mydorge (following Leurechon) informs the reader how to make water in a glass boil without fire, "to make a door open from both sides; to build a bridge all round the earth which will not fall when its supports are removed; to keep all the water in the world in the air without a single drop falling to earth". The third chapter, on fireworks, contains even more spectacular problems, such as "if all the gunpowder in the world were put in a globe of glass or paper and set on fire all at once, what would happen? Nothing, since the pressure would be equal in every direction" (Tho … [Cliquez ci-dessous pour une description complète]
Libraire: Antiquariaat FORUM BV [Houten, Netherlands]
2017-12-01 22:36:46
Gregorio IX (Ugolino di Anagni)
[Imprimerie Royale], 1585. In-folio (340x230mm), pp. (28), colonne 1966 [la numerazione è per colonne], pp. (8) di "Declaratio arboris Consanguinitatis" e "Declaratio arboris Affinitatis" + pp. 42, (2) di indice [la numerazione prosegue qui per pagine], legatura settecentesca p. pergamena rigida con titolo e fregio manoscritti anticamente su dorso a 4 nervi. Tagli a spruzzo. Frontespizio in rosso e nero con grande vignetta xilografica a un terzo di pagina con allegoria di Parigi raffigurata come un naviglio che solca i mari con gigli di Francia a seminato sulle sue vele e il nome "Lutetia" (vignetta allusiva allo stampatore, che era "cum signo Magnae Navis"). Una xilografia a p. pag. al v. della p. 1 con Gregorio IX sul trono pontificio circondato da cardinali e da ritratti di profeti e Padri della Chiesa. Capilettera elegantemente ornati, testo bicolonne. Due xilografie a tre quarti di pagina nella "Declaratio" posta dopo le Decretali, una con l'"Arbor Consanguinitatis" e una con l'"Arbor Affinitatis". Il testo delle Decretali è posto al centro delle pp. su doppia colonna entro fittissimo commento, sempre bicolonne, in corpo più piccolo. Sparsi lavori di tarlo (soprattutto all'indice), gore, macchie (segnatamente al frontespizio) e fioriture; un foro al frontespizio, lievi bruniture. Più che discreto nell'insieme. Cinquecentina parigina, curata dal canonista parmense Bernardo Bottoni, delle "Decretali" di Gregorio IX (riunione in un unico corpus delle cinque collezioni di decreti dei precedenti pontefici), comprensiva delle Decretali Clementine, delle Decretali estravagant … [Cliquez ci-dessous pour une description complète]
Libraire: Libreria Antiquaria Galleria Gilibert [IT]
2017-11-30 10:54:43
LE MOYNE, Jacques (1533-1588)
United Kingdom, 1585. The extraordinary career and oeuvre of the Huguenot artist Jacques Le Moyne de Morgues-the first European artist to visit the new world-have only relatively recently been defined and described. The varied circumstances of his artistic production must surely be unique in the history of art; although large periods of his career are undocumented, he appears to have worked as a court artist in France under Charles IX, is known to have traveled to Florida in 1564 as official artist and cartographer in the ill-fated French attempt to establish a colony there, and to have ended his career as a celebrated botanical artist in Elizabethan London. Until well into the present century, our knowledge of Jacques Le Moyne de Morgues's artistic endeavors was extremely limited and largely confined to the footnotes of inaccessible ethnographic bibliographies. In 1922, however, Spencer Savage, librarian of the Linnean Society, made a discovery that opened the way to the subsequent definition of Le Moyne as an artistic personality; he recognized that a group of fifty-nine watercolors of plants contained in a small volume, purchased by the Victoria and Albert Museum in 1856 solely for its fine sixteenth-century French binding, were in fact by Le Moyne. Savage's publications relating to this discovery prepared the way for subsequent attribution to the artist of other important groups of drawings and watercolors, the most notable being held by the British Museum and the Oak Spring Library, Virginia. Part of a group of miniatures on vellum of plants probably preduced between … [Cliquez ci-dessous pour une description complète]
Libraire: Arader Galleries [U.S.A.]
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2017-11-30 10:54:43
LE MOYNE, Jacques (1533-1588)
United Kingdom, 1585. The extraordinary career and oeuvre of the Huguenot artist Jacques Le Moyne de Morgues-the first European artist to visit the new world-have only relatively recently been defined and described. The varied circumstances of his artistic production must surely be unique in the history of art; although large periods of his career are undocumented, he appears to have worked as a court artist in France under Charles IX, is known to have traveled to Florida in 1564 as official artist and cartographer in the ill-fated French attempt to establish a colony there, and to have ended his career as a celebrated botanical artist in Elizabethan London. Until well into the present century, our knowledge of Jacques Le Moyne de Morgues's artistic endeavors was extremely limited and largely confined to the footnotes of inaccessible ethnographic bibliographies. In 1922, however, Spencer Savage, librarian of the Linnean Society, made a discovery that opened the way to the subsequent definition of Le Moyne as an artistic personality; he recognized that a group of fifty-nine watercolors of plants contained in a small volume, purchased by the Victoria and Albert Museum in 1856 solely for its fine sixteenth-century French binding, were in fact by Le Moyne. Savage's publications relating to this discovery prepared the way for subsequent attribution to the artist of other important groups of drawings and watercolors, the most notable being held by the British Museum and the Oak Spring Library, Virginia. The present work is most comparable to those by Le Moyne in the British Museu … [Cliquez ci-dessous pour une description complète]
Libraire: Arader Galleries
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2017-11-26 02:32:06
Dyer, James
First edition of Dyer, one of two named reports (with Plowden) to appear in the 16th century, of particular value, in Dr. Baker's words, for the "quotations from manuscript reports and readings, many of which are now known only from this source". Contemporary calf, rebacked, the original spine laid down, occasional light staining, repairs to the first blanks, else an exceptionally bright copy. in Aedibus Richardi Tottelli, Ianuarii primo [etc.], London, 1585.
Libraire: Meyer Boswell Books, Inc. [U.S.A.]
2017-11-25 15:01:07
MERCATOR Gerard
Folio (390 x 269 mm); three parts in one volume, two of the parts with an engraved title-page (the Germany title simply a blank leaf), fifty-one engraved maps, one single-page. The title-page to the French section trimmed to the outer border, torn, and laid on a backing sheet; the indexes for France and the Low Countries bound before the maps; some burning from the glue of the guards, the Boulogne with a ragged border. Contemporary calf, rebacked, red morocco label with gilt lettering to spine; boards worn but nicely repaired. Duisburg : Gerard Mercator,
Libraire: Maggs Bros. Ltd. [U.K.]
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