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        San Domenico scaccia il demonio

      1580 - Bulino, firmato in lastra in basso al centro. Edita a Venezia da Luca Bertelli. Buona prova, ricca di toni, impressa su carta vergata coeva, con piccoli margini, in perfetto stato di conservazione. Tra i seguaci tecnicamente più dotati di Marcantonio, Rota fu uno degli artisti che esportò al nord lo stile e la tecnica italiana dell’arte della stampa. Stando agli indirizzi riportati su molte delle sue lastre, era nato a Sebenico, in Dalmazia, la stessa regione natale di Schiavone. Tuttavia la vita dell'artista, prima della sua presenza a Roma, nel 1540, come incisore di riproduzioni, è pressoché ignota. Le prime stampe da lui realizzate coniugavano la maniera raffinata e sistematica di Marcantonio con un'abilità in continua crescita. Engraving, signed at lower centre. A good impression, printed on contemporary laid paper with margins, in excellent condition. Rota was one of those artists who exported Northward the Italian technique and style of printing; he was also one of the most skilled acolytes of Marcantonio. According to the addresses carved on many plates, he was born in Sibenik, in Dalmatia, the same native region of Schiavone. Nonetheless, there are bit a few news about his life before his arrival in Rome in 1540, where he worked ad engraver. His first prints combined Marcantonio’s refined style and a growing technical skill. Bartsch 17; Bury, The print in Italy 1550-1620, p. 191. Dimensioni 217x339. Dimensioni [Attributes: Signed Copy]

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        La flagellazione alla colonna

      1580 - Bulino, circa 1580, firmata in lastra in basso al centro. Da un soggetto di Federico Zuccari. Magnifica prova, ricca di toni, impressa su carta vergata coeva priva di filigrana, rifilata al rame, tracce di sporco al verso, per il resto in ottimo stato di conservazione. La scena è ripresa, seppur con alcune modifiche, dalla flagellazione che Federico Zuccari ha dipinto nel 1575 a Roma per l’oratorio del Gonfalone. Gaspare Oselli o degli Uccelli, detto anche Gaspare ab avibus, è incisore nativo di Cittadella che amava definirsi con l’appellativo di Padovano. Attivo a Venezia con bottega all’insegna Arca di Noè, si formò prevalentemente sull’esempio di Giorgio Ghisi, dal quale incise numerose opere, spesso copiandole. Numerose sono anche le derivazioni dai lavori di Marco Angolo del Moro. Tuttavia, le sue lastre più riuscite sembrano essere i ritratti dei principi e membri di Casa d’Austria realizzati su disegni di Francesco Terzi. Questa opera è edita da Benedetto Stefani, attivo verso il 1580. Oselli incise lo stesso soggetto, in forma diversa, per l’editore veneziano Luca Bertelli. Foglio molto raro. Engraving, circa 1580, signed at lower center. After Federico Zuccari. A great impression, printed on contemporary laid paper, good conditions. The scene is shot, albeit with some modifications, by the Flagellation that Federico Zuccari painted in Rome in 1575 for the Oratory of Gonfalone. Gaspar Oselli also known as Gaspar ab avibus, is an engraver native of Citadella, who liked to call himself by the name of Padovano. Active in Venice with a workshop "all’insegna Arca di Noè", was formed mainly on the example of George Ghisi, by whom he recorded several works, often copying them. There are also numerous derivations from the work of Marco Angolo del Moro. However, his plates seem to be the most successful portraits of princes and members of the House of Austria made to designs by Francesco Terzi. This work is published by Benedetto Stefani, active in 1580. Oselli engraved with the same subject in a different form, for the Venetian publisher Luca Bertelli. A very rare sheet. Le Blanc, p. 122, 6. Dimensioni 320 440mm [Attributes: Signed Copy]

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        P. VIRGILII MARONIS OPERA nunc emendatiora.

      12 [20] ff., 411, 43 (index)] pp., 1 oversized, folding map. Engraved title page. Preliminary p. [40] and p. 92 printed in red and black. Contemporary vellum. Gilt spine. Label on spine. Triple gilt rules on covers. All edges gilt. First this Elzevier edition, being the first Heinsius edition. This edition suffers from some errors in the text, which Heinsius's son attributed to the printer. Provenience: Front free endpaper with librarystamps: "Bibliothèque de M. A. R. Courbonne - Fallitur hora legendo", "Egregios Cumulare - Libros - Praeclara Supellex - Bibliotheca Cortina". The printing house of Elzevier in the north of the Netherlands (established in Leiden) is often compared to that of Plantin in the Southern Netherlands (established in Antwerp). Both were very successful commercial establishments which carried on for generations in the same family. Elzevier texts, often in small formats, were distributed throughout Europe. This edition of Virgil was edited by Daniel Heinsius (1580-1655), was professor of Greek and Latin at Leiden and one of the most famous Renaissance scholars. Slightely worn.

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        Astronomicarum Institutionum Libri III. Quibus doctrinae sphaericae elementa methodo nova, facili, & ad captum Tyronum aptissima traduntur.

      Venice: Paulo Meietti, 1580. Soft cover. Very Good. Large 8vo. [14.5 x 9.9 cm]. (8), 192 ff., with numerous textual woodcut illustrations. Bound in contemporary limp vellum, manuscript title on spine. Minor rubbing to binding, some wrinkling to spine. Minor browning in some quires, some minor marginal worming not affecting text, a few contemporary inscriptions in the text. Generally very good. Very rare first edition, second issue of this understudied work, "apparently the earliest Italian imprint to depict and discuss the Copernican system" (Gingerich) by the Cologne-born Professor of Mathematics at Padua. The work includes a printed diagram of the geo-heliocentric system of Martianus Capella (41r) as well as a diagram and exposition of the Copernican system (leaf 41v). The work is included in the Galileo bibliography of Cinti (no. 5) owing to the Copernican diagram. Cinti does not comment further than this, but it is interesting to speculate that the young Galileo (b. 1564), whether as a student at Pisa or a lecturer at Padua, may have encountered the Copernican hypothesis in the present work. It is not surprising that the exegesis of Copernicus would come relatively late to Catholic Italy in comparison to Protestant, German speaking countries, in light of both the establishment of the Index of Prohibited Books (1559) and the widespread efforts of the Counter-Reformation to insure doctrinal conformity in printed books. That it passed the watchful eye of the censor at all is probably due to its appearance in an unassuming astronomy primer and the somewhat hypothetical manner in which the theory is expressed. Although the impact of Naibod's work in Italy is difficult to assess, it is positively known that a copy of the first issue was owned by Tycho Brahe, still extant in the Clementinum in Prague, and it has been argued by the historian of astronomy Robert Westman that Tycho's encounter with the geo-heliocentric diagram of Martianus influenced the development of the Tychonic system. It also has been suggested that the Tycho assistant Paul Wittich was familiar with this work, and that the concept of "world system" (systema mundi) employed by Kepler, Tycho and Galileo originated with the present work. "In his elementary textbook of astronomy Valentin Nabod gave the system of Martianus Capella in which Mercury and Venus revolve about the sun. He added that Copernicus had taken occasion from this to make Saturn, Jupiter and Mars, and indeed everything included within the sphere of the moon, revolve about the sun as center of the universe, while the sun and fixed stars remain unmoved. Copernicus had thus 'with so small a number of spheres' saved all the phenomena through the ages, as no one before him had done, with the greatest praise and admiration of the learned. Nabod then presented a figure of the Copernican system, which, as we have seen, was an unusual thing to do in an elementary textbook. He remarked that no one should be greatly offended by the movement of the earth and quiet of the sun. If, however, anyone preferred to consider the earth at rest and the sun as in motion, he could reach the same results by practically the same demonstrations, as was understood by all who knew anything about mathematics" (Thorndike, VI.40). Naibod (d. 1593) matriculated at Wittenberg in 1544, one year after the publication of De Revolutionibus, when the faculty included such important Copernicans as Reinhold and Melanchthon. He also wrote commentaries on the astrologer Alcabitius and on the Sphere of Sacrobosco. He acquired a certain amount of fame in the astrological literature of his own time for the rare feat of successfully predicting the day of his own death (see Thorndike VI.121). OCLC lists Huntington (Dibner), CIT, and Harvard. No American copy of Primarum de coelo (Venice 1573), though OCLC lists 4/5 German/Swiss copies. * Cinti 5; not in Riccardi and no mention in Rose, The Italian Renaissance of Mathematics; Weil Cat.29.39 (c. 1950); Thorndike V.40, VI.40ff., 119ff.; Poggendorf II.

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        La deposizione

      1580 - Bulino, seconda metà del XVI secolo, in basso al centro l’excudit di Thomas de Leu. Bellissima prova, impressa su carta vergata coeva, rifilata alla linea marginale, in ottimo stato di conservazione. L’opera raffigura l’episodio finale della Passione di Cristo, ovvero la deposizione dalla Croce, secondo il Vangelo di Giovanni, in cui il corpo di Gesù, ormai esanime, viene deposto dalla croce, da Giuseppe di Arimatea e da Nicodemo, che lo avvolgono in bende e oli aromatici. Assistono alla la Madonna, S. Giovanni Evangelista e Maria Maddalena. L’abbigliamento di Giuseppe di Arimatea riflette la sua agiatezza: è un uomo ricco e onorata, che fa parte del Sinedrio. Indossa un vistoso cappello, e alla cintola porta una spada intarsiata e una borsa. Nella margine bianco inferiore, due versi i latino tratti dal Vangelo secondo Giovanni, 4,9: Deus caritas est. In hoc apparuit caritas Dei in nobis, quoniam Filium suum unigenitum misit Deus in mundum, ut vivamus per eum. L’incisore dell’opera è anonimo. Robert-Dumesnil la elenca semplicemente tra le stampe edite dal De Leu o incise sotto la sua direzione. Opera rara, sconosciuta alle principali biblioteche. Engraving, second half of XVI century, wihout date and signature. A good impression, printed on contemporary laid paper, trimmed close to platemark, in very good condition. The scene depicts the Entombement of Jesus, described in the Gospel of John: the body of Christ is carried on a cloth-stretcher by Joseph of Arimathaea and Nicodemo. The Virgin, Mary Madgalene and St John the Evangelist standing in background. At the bottom, two latin verses from the first epistle of st. John the apostle, 4,9: Deus caritas est. In hoc apparuit caritas Dei in nobis, quoniam Filium suum unigenitum misit Deus in mundum, ut vivamus per eum. The engraver is anonymous. Robert-Dumesnil listed the work among the prints edited by De Leu or engraved under his direction. A very rare work, not listed in the main libraries. Robert-Dumesnil, p. 55, 165. Dimensioni 190 161mm [Attributes: Hard Cover]

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        Assunzione della Vergine

      1580 - Acquaforte e bulino, circa 1580, firmata in lastra in bassa a destra. Da un soggetto di Marco del Moro. Magnifica prova, ricca di toni, impressa su carta vergata coeva priva di filigrana, rifilata al rame, piega di carta verticale, per il resto in buono stato di conservazione. Benedetto Stefani è editore ed incisore veneto, probabilmente nativo di Verona. Collaborò attivamente con i fratelli Angolo del Moro. Opera molto rara, non descritta dai repertori. Etching and engraving, circa 1580, signed at lower right. After a painting by Marco del Moro. A very fine impresion, printed on contemporary laid paper, showing a vertical paper fold, otherwise in very good conditions. The assumption of the Virgin who appears on a cloud surrounded by putti in the upper part, below the apostles crowd around a tomb, after Marco Angolo del Moro. Benedetto Stefani (1570 - 1580; fl), engraver and publisher; worked with the Angolo del Moro brothers. Possibly also from Verona. A very rare work, not listed in the literature. Dimensioni 380 540mm [Attributes: Signed Copy]

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        Histoire des neuf livres de Herodote d'Alicarnasse

      Edition Binding in hand maroquin old red ca 1860 signed Capé. Back with nerves decorated with 4 small florets. Title and golden date. Cold framing on boards with angular flags. Slices sorted. Rich interior frieze. Bits, caps and rubbed corners. Chez Claude Micard A Paris 1580 In-12 (8x12,3cm) 573ff. relié

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        Giuditta con la testa di Oloferne

      1580 - Bulino, 1579-1581 circa, privo di firma. Da un soggetto di Lorenzo Sabbatini, il cui nome appare in basso a sinistra. Bellissima prova, impressa su carta vergata coeva priva di filigrana, rifilata al rame, in ottimo stato di conservazione. L’incisione deriva da un dipinto di Lorenzo Sabbatini che, secondo Gori Gandinelli, apparteneva alla famiglia Bianchetti di Bologna. Del quadro si era persa traccia, finché nel Gabinetto delle Stampe a Milano è comparso un quadro catalogato come il medesimo della raccolta Bianchetti. In realtà, l’identificazione non appare certa, e il quadro potrebbe essere una copia del Sabbatini. Rispetto al modello originale, la stampa presenta delle differenze che potrebbe essere spiegate ipotizzando che Agostino avesse a disposizione un disegno preparatorio del Sabbatini, oggi perduto. Nella stampa, manca la decorazione ai bordi del tavolo, e l’espressione del volto di Giuditta è più gentile ed eroica rispetto al dipinto. Le pieghe voluminose della veste che indossa conferiscono alla donna una maggiore spazialità rispetto al modello. La storia di Giuditta è narrata nella Bibbia Cristiana: per salvare la propria città di Betulia, assediata dagli Assiri di Oloferne, generale di Nabucodonosor, Giuditta si recò con la serva nel campo nemico, per sedurlo. Colpito dalla sua bellezza, il generale cadde nella trappola, e una notte, mentre giaceva nella sua tenda ubriaco, Giuditta gli tagliò la testa e la portò in città, complice la sua ancella. Il giorno dopo la testa di Oloferne fu esposta sulle mura della città, e gli Assiri, atterriti, fuggirono via. La storia è stata fonte di ispirazioni per i più grandi artisti, tra cui Mantegna, Tiziano, Michelangelo, Caravaggio, fino ad arrivare a Klimt. Bellissimo esemplare. Engraving, about 1579-1581, unsigned. After a painting by Lorenzo Sabbatini, whose name appears at the lower left. Excellent work, printed on contemporary laid paper without watermark, trimmed to the copperplate, in excellent condition. Agostino Carracci had made a reproductive engraving after a painting by a Bolognese mannerist, Lorenzo Sabbatini of Judith with the head of Holofernes, now in the collection of the Banca del Monte di Bologna e Ravenna, Bologna. According to Gori Gandinelli, the painting belonged to the family Bianchetti from Bologna. It was lost any track of painting, until in the Gabinetto delle Stampe in Milan appeared a painting listed as the same of the Bianchetti collection. The identification doesn’t appears certain, and the picture could be a copy of Sabbatini. Compared to the original model, the engraving has some differences that could be explained by assuming that Augustine had available a preparatory drawing of Sabbatini, now lost. In the print, missing the decoration of the table’s edge, and the expression of the face of Judith is kinder and heroic than the painting; the voluminous folds of the robe wearing give her more largeness than the model. The Old Testament narrates the episode of Judith: the Assyrian army has besieged the city of Bethulia. Its population cannot hold out any longer and is on the point of surrendering. The rih and beautiful widow Judith devises a plan to save her city. Making himself alluring, che journeys to the enemy camp with her maidservant and, pretending to have deserted her people, approaches General Holofernes. Spending several days in the camp, with the excuse of proposing a plan to conquer Betulia, Judith causes Holofernes to fall in love with her. He invites her to banquet. At the edn of the feast, Judith fatally stikes the general, who is overpowered by drink. She severs his head, and her maidservant places the trophy in a bag. The two women move quickly through the camp and return to the city of Betulia undetected. The death of Holofernes causes confusion among the Assirian, who flee ans persued by the Israelitian. The next morning Judith has the severed head of Holofernes set up on the wall of Bethania. Judith embodies the power of the

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        Il ricco Epulone

      1580 - Acquaforte e bulino, 1580 circa, non datato; nel margine inferiore un verso in latino Erumnos hic Lazarus iacens ad ianuam divitis micas etiam canibus obiectas de mensa Epulonis petit. Lu. 16. Più a destra : Luca Berteli formis. Bellisisma prova, ricca di toni, impressa su carta vergata coeva ed applicata su antico supporto di collezione, rifiliata al rame, in perfetto sttao di conservazione. La scena raffigura la parabola l’episodio di Lazzaro alla mensa del ricco Epulone, che è parte della parabola di Lazzaro ed Epulone, raccontata nel vangelo secondo Luca 16:19-31. La scena è ambientata sullo sfondo di in un vasto paesaggio in cui, sulla destra,in primo piano emerge una costruzione con archi; sotto gli archi, il ricco Epulone è seduto a meda con altri commensali, mentre all’esterno della struttura c’è Lazzaro appoggiato ad un bastone a mendicare gli avanzi, mentre tre cani abbaiano contro di lui per allontanarlo. Sullo sfondo, si scorge un piccolo villaggio con dei mulini ed un ponte. Sul fiume, c’è una piccola barca con due figure; altre tre sono raffigurate lungo la riva. Secondo Malaspina, l’incisione deriva da un disegno di Domenico Campagnola, perché sulla parabola del ricco Epulone esistono tre incisioni, all’incirca delle stesse dimensioni, tutte con l’indirizzo di Luca Bertelli. Oltre la presente, una seconda con l’episodio della Morte di Epulone e una terza raffigurante Epulone all’Inferno. Quest’ultima presenta nel mezzo un cartello con l’iscrizione D.C.IN. che potrebbe interpretarsi come Domenico Campagnola Inventor Zani elenca l’opera sotto Campagnola ma aggiunge "forse Francesco Valeggio". In effetti Nagler descrive un’opera praticamente identica alla presente, con il medesimo verso latino nel margine e l’indirizzo di Bertelli, avente però il monogramma di Francesco Valegio. Il nostro esemplare, con il solo indirizzo di Bertelli, attesterebbe, quindi, uno stato della lastra anteriore. Il paesaggio è tizianesco, infatti questa incisione è descritta da Hume tra altre che presentano paesaggi "after" Tiziano. Lo stile dell’incisione rimanda proprio alla scuola italiana, più specificamente all’area veneta. Magnifico esemplare di questa opera rarissima. Etching and engraving, 1580 circa, not dated, inscribed at bottom margin: Erumnos hic Lazarus iacens ad ianuam divitis micas etiam canibus obiectas de mensa Epulonis petit. Lu. 16. At right: Luca Berteli formis. A very good impression, printed on contemporary laid paper, trimmed to the platemark, very good condition. The scene depicts a landscape with the story of Lazarus and the rich man (Luke 16:19-31): the rich man is seen at table in an open building with several arches ; near the arch towards the middle, is Lazarus leaning on a stick, while three dogs are barking at him and to the left, in the background, some houses and mills, also a bridge. According to Malaspina, probably the inventor of the scene is Domenico Campagnola, because there are three engravings on Lazarus and the rich man, all with Bertelli address and of the same size: these one; "the death of Dives" and "Dives in hell". The last one, in the center carries the inscription D.C.IN., that maybe means "Domenico Campagnola Inventor". Zani listed the work under Campagnola, but adds "forse (maybe) Francesco Valeggio". Nagler describes a print of the same subject, with the same Latin inscription, the Bertelli’s address but with Francesco Valegio’monogram. Therefore, our example indicates an earlier state of the plate, before Valegio’ signature. The landscape is in the style of Titian, in fact this print is listed by Hume, at n. LXXVIII among the work with a landscape after Titian. A great example of this very rare work. Nagler, (Cf-Gi), p. 396; A. Hume, Notices of the life and works of Titian, LXXVIII; Malaspina, II, 98; Zani, VI (parte II), pp. 248-249. Dimensioni 382 248mm

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        Astronomicarum Institutionum Libri III. Quibus doctrinae sphaericae elementa methodo nova, facili, & ad captum Tyronum aptissima traduntur.

      Paulo Meietti, Venice 1580 - (8), 192 ff., with numerous textual woodcut illustrations. Bound in contemporary limp vellum, manuscript title on spine. Minor rubbing to binding, some wrinkling to spine. Minor browning in some quires, some minor marginal worming not affecting text, a few contemporary inscriptions in the text. Generally very good. Very rare first edition, second issue of this understudied work, ¿apparently the earliest Italian imprint to depict and discuss the Copernican system¿ (Gingerich) by the Cologne-born Professor of Mathematics at Padua. The work includes a printed diagram of the geo-heliocentric system of Martianus Capella (41r) as well as a diagram and exposition of the Copernican system (leaf 41v). The work is included in the Galileo bibliography of Cinti (no. 5) owing to the Copernican diagram. Cinti does not comment further than this, but it is interesting to speculate that the young Galileo (b. 1564), whether as a student at Pisa or a lecturer at Padua, may have encountered the Copernican hypothesis in the present work. It is not surprising that the exegesis of Copernicus would come relatively late to Catholic Italy in comparison to Protestant, German speaking countries, in light of both the establishment of the Index of Prohibited Books (1559) and the widespread efforts of the Counter-Reformation to insure doctrinal conformity in printed books. That it passed the watchful eye of the censor at all is probably due to its appearance in an unassuming astronomy primer and the somewhat hypothetical manner in which the theory is expressed. Although the impact of Naibod¿s work in Italy is difficult to assess, it is positively known that a copy of the first issue was owned by Tycho Brahe, still extant in the Clementinum in Prague, and it has been argued by the historian of astronomy Robert Westman that Tycho¿s encounter with the geo-heliocentric diagram of Martianus influenced the development of the Tychonic system. It also has been suggested that the Tycho assistant Paul Wittich was familiar with this work, and that the concept of ¿world system¿ (systema mundi) employed by Kepler, Tycho and Galileo originated with the present work. ¿In his elementary textbook of astronomy Valentin Nabod gave the system of Martianus Capella in which Mercury and Venus revolve about the sun. He added that Copernicus had taken occasion from this to make Saturn, Jupiter and Mars, and indeed everything included within the sphere of the moon, revolve about the sun as center of the universe, while the sun and fixed stars remain unmoved. Copernicus had thus ¿with so small a number of spheres¿ saved all the phenomena through the ages, as no one before him had done, with the greatest praise and admiration of the learned. Nabod then presented a figure of the Copernican system, which, as we have seen, was an unusual thing to do in an elementary textbook. He remarked that no one should be greatly offended by the movement of the earth and quiet of the sun. If, however, anyone preferred to consider the earth at rest and the sun as in motion, he could reach the same results by practically the same demonstrations, as was understood by all who knew anything about mathematics¿ (Thorndike, VI.40). Naibod (d. 1593) matriculated at Wittenberg in 1544, one year after the publication of De Revolutionibus, when the faculty included such important Copernicans as Reinhold and Melanchthon. He also wrote commentaries on the astrologer Alcabitius and on the Sphere of Sacrobosco. He acquired a certain amount of fame in the astrological literature of his own time for the rare feat of successfully predicting the day of his own death (see Thorndike VI.121). OCLC lists Huntington (Dibner), CIT, and Harvard. No American copy of Primarum de coelo (Venice 1573), though OCLC lists 4/5 German/Swiss copies. * Cinti 5; not in Riccardi and no mention in Rose, The Italian Renaissance of Mathematics; Weil Cat.29.39 (c. 1950); Thorndike V.40, VI.40ff., 119ff.; Poggendorf II. [Attributes: Soft Cover]

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        Madonna col bambino

      1580 - Bulino, firmato in lastra con il monogramma di Albrecht Durer, del quale è una fedele copia. Magnifica prova, impressa su carta vergata coeva, rifilata al rame, in ottimo stato di conservazione. The Virgin suckling the child; the Virgin seated on a pillow at centre, with the child; a landscape, in the background. Engraving, signed on image with Dürer's monogram and dated on a plaque '1520'. A strong impression, printed on contempoarry laid paper, trimmed to the platemark, very good condition. Alvin 1866 628; Mauquoy-Hendrickx 1979 749; Hollstein 989.II (Wierix) Dimensioni 97 43mm [Attributes: Signed Copy]

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        HIERUSALEM

      Roma 1580 - Veduta prospettica della città. Incisa da Giacomo Franco per l'editore Claudio Duchetti. Esemplare nel terzo stato, con l'indirizzo dell'editore fiammingo Henric van Schoel e la data 1602. Si tratta di una derivazione della veduta incisa da Etienne Duperac nel 1575 (Laor n. 1016). Descrizione tratta da Bifolco-Ronca, "Cartografia e topografia italiana del XVI secolo. Catalogo ragionato delle opere a stampa" (pubblicazione prevista per febbraio 2018). Titolo & iscrizioni In alto al centro in un cartiglio retto da angeli il titolo HIERUSALEM. In basso al centro una didascalia Porta aurea p[er] quam Iesus sedens in Asino introvit in die palmarum que Heraclio Imperatori venienti cum ponpa Imperiali reclusa primu[m] miraculose postea ei humiliato aperta fuit, et hodie clausa manet Dei volo[n]tate Saracenis, itaque nequa[n]qua[m] aliquis potesta[m] aperire immo tentates Subito muriu[n]t nec usum habere possunt ingrediendo vel egrediendo, a destra nell’angolo Claudij ducheti formis .R. Altre didascalie indicano luoghi e forniscono notizie di carattere storico geografico Orientazione nei quattro lati al centro con il nome dei punti cardinali, Septentrio, Auster, Oriens, Occidens, Il nord a sinistra. Carta priva di scala grafica. Acquaforte e bulino mm 300x424. Stati & edizioni: 1°: come descritto, Claudij duchetti formis. 2°: aggiunto l’indirizzo Ioannes Orlandi formis romae 1602. 3°: il nome di Orlandi è sostituito da l’imprint Henricus Va[n] Schoel formis. Bibliografia: a) Borroni Salvadori (1980): n. 246; Destombes (1970): nn. 139-139a; Ganado (1994): VI, n. 3 & p. 215, n. 83; Phillips (1914): n. 93; Shirley (2004): II, n. 36. b) Laor (1986): nn. 1012-1014; Tooley (1939): n. 339; Tooley (1983): n. 339a. Censimento: 1°: Chicago, Newberry Library; Firenze, Biblioteca Nazionale; Gerusalemme, National Library of Israel; Londra, British Library; Londra, Royal Geographical Society; Malta, National Library; Milano, Raccolta Bertarelli; Parigi, Bibliothèque Nationale; Roma, Biblioteca Nazionale; Washington, Library of Congress. 2°: Fano, Federiciana; Gerusalemme, National Library of Israel. 3°: Chicago, Newberry Library; Gerusalemme, National Library of Israel; Malta, National Library; Parigi, Bibliothèque Nationale. Bird's-eye view of Jerusalem, engraved by Giacomo Franco and published by Claudio Duchetti in Rome. After Etienne Duperac (1575, Laor n. 1016). Example of the third state of the plate, with the address of the Flamish publisher Henric van Schoel, and the date 1602. Copperplate, with margins, very good condition. Very rare; according with our recent study only 4 examples of the third state are known. Literature: Borroni Salvadori (1980): n. 246; Destombes (1970): nn. 139-139a; Ganado (1994): VI, n. 3 & p. 215, n. 83; Phillips (1914): n. 93; Shirley (2004): II, n. 36; Laor (1986): nn. 1012-1014; Tooley (1939): n. 339; Tooley (1983): n. 339a. Known examples: 1st state: Chicago, Newberry Library; Firenze, Biblioteca Nazionale; Gerusalemme, National Library of Israel; Londra, British Library; Londra, Royal Geographical Society; Malta, National Library; Milano, Raccolta Bertarelli; Parigi, Bibliothèque Nationale; Roma, Biblioteca Nazionale; Washington, Library of Congress. 2nd state: Fano, Federiciana; Gerusalemme, National Library of Israel. 3rd state: Chicago, Newberry Library; Gerusalemme, National Library of Israel; Malta, National Library; Parigi, Bibliothèque Nationale. Dimensioni 424 300mm

      [Bookseller: Libreria Antiquarius]
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        Two Putti on Clouds With Head of St. John The Baptist. Original Engraving. Very Rare.

      [c1580-1610]., [Italy:] - Beautiful and rare, fine impression engraving, trimmed at border. Tiny stain mark at outer margin top edge, outside of border, no true affect. Mounted at top corners with old mounting tape strips, on larger plain leaf. A beautiful and haunting piece. Suitable for framing. Two winged putti seated on clouds the one at left holds a plate with the head of St. John the Baptist, a putti head beneath. Giovanni Maglioli (fl. 1580-1610), Italian painter and designer of ornamental prints of sea-creatures and putti. Very rare works. Citations: BM: 1878, 0713.1851.

      [Bookseller: Dark Parks Books & Collectibles]
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        Letters Patent in Latin, with transcription and translation, (1533-1603, from 1558 Queen of England)

      1580 - allowing the freehold transfer of property in Sandon, Essex, by John Lathum & Helen his wife, Robert Goddaye & Joan his wife to Anthony Everard, consisting of 3 dwellings, 3 cottages, 3 barns, 3 gardens, 50 acres of land, 20 acres of meadow, 40 acres of pasture, 4 acres of woodland and 2 shillings' worth of rent, for a fee to the Queen's Farmer of 33s 4d, "Not willing that [the parties] . by reason of the foregoing should by Us Our heirs or successors, or by Our Justices Escheators Sheriffs Bailiffs or other Our Officials or Ministers . be thereby hindered molested accused vexed in any way or burdened", 1 side vellum, 7" x 14", endorsed in English "Licence of Alienation .", the seal shows Queen Elizabeth enthroned under a canopy flanked by the Royal Arms, on the reverse she rides side-saddle, the reins in her right, the sceptre in her left hand, c. 5 ins. in diameter, Westminster, 1st September 22 Eliz. I, seal rubbed and defective with loss of legends, on the obverse most of the design is present, on the reverse small portions are missing including the horse's rear leg but still an attractive seal, mended along a former break, light gnawing on folded portion of document at foot (blank except for a clerk's signature, which from a similar document is [Jo: Oy]bon), surface of about 6 words and a few letters rubbed off but all supplied in transcription

      [Bookseller: Sophie Dupre ABA ILAB PADA]
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        Corpus doctrinae christianae. Quae est summa orthodoxi et catholici dogmatis [...].

      Straßburg, Th. Rihel, 1580. 8°. Mit Holzschn.-Titelportrait. 10 Bll., 849 (1) S., 32 Bll., Blindgepr. Schweinsldr. d. Zt. über Holzdeckeln auf 4 Bünden m. reicher Blind- und Rollenprägung, goldgepr. Initialen („S. H. F.“) u. Jahreszahl („1581“) am Vorderdeckel sowie dreiseitigem Rotschnitt. Straßburger Druck der ersten evangelischen Dogmatik, eine Zusammenfassung der wichtigsten Grundsatztexte des evangelischen Glaubens. - Der schöne, „H. H.“ signierte Einband zeigt auf den beiden großen Mittelplatten Karl V. und Johann Friedrich von Sachsen (siehe Haebler 182, Xa und XII). - Einband etw. beschabt, bestoßen u. leicht geworfen. Rückendeckel m. Resten eines alten Papierbezugs. Schließen fehlen. Vorsatzbl. m. kl. späterem Besitzvermerk. Kl. Namenszug am Titel. Tlw. alte Anstreichungen bzw. Marginalien. Etw. gebräunt u. stockfleckig. - VD16, M 2892; Muller III, 548, 70; nicht bei Adams u. im BM STC, German Books. Versand D: 12,00 EUR Melanchthon, Corpus doctrinae christianae

      [Bookseller: Antiquariat Wolfgang Friebes]
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        Testamenti veteris biblia sacra sive libri canonici, priscae iudaeorum ecclesiae a deo traditi

      London: Excudebat Henricus Middletonus, 1580. FIRST EDITION. Woodcut title vignette, woodcut initials, head- and tailpieces. Later tree calf in a contemporary style, spine with raised bands and "Biblia Sacra" in gilt; very narrow strip cut away from top of title page affecting manuscript ownership signature. Lacking the final two parts as well as the separate title pages for the second through fourth individual parts. Contemporary annotations. First edition of the first complete Latin Bible printed in England, one of five imprints of the 1580 edition. The Latin translation from the Hebrew and Syriac was the work of Immanuel Tremellius (1510-1580), an Italian Jewish convert, first to Catholicism, then to Protenstantism. In 1547 he was invited to England by Thomas Cranmer (1489-1556), the Archbishop of Canterbury. In 1549 he succeeded Paul Fagius as Regius professor of Hebrew at Cambridge. He was assisted by Franciscus Junius (the Elder) (1545-1602), his son-in-law. Tremellius' translation first appeared in 1569 in Geneva, and portions relating to the Old Testament were published at Franfurt between 1575 and 1579. He here improved on the work of Thomas Berthelet's 1535 partial printing of the Vulgate to such an extent that he ultimately exerted considerable influence in England and on the Continent ("Although his version was far from faultless, it evinced very thorough scholarship, and for long, both in England and on the continent, was adopted by the reformers as the most accurate Latin rendering. With some alterations it even received the sanction of the universities of Douai and Louvain"; see ODNB). STC 2056.8.

      [Bookseller: B & L Rootenberg Rare Books & Manuscript]
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        Chronica Slavorum, seu annales [...]. Accessit item historia de vita Henrici III. [...]. 2 Teile in einem Band.

      Fol. Mit 3 Holzschn.-Druckermarken u. einigen Holzschn.-Initialen u. -Vignetten. 6 Bll., 233 (1) S., 3 Bll. 55 (1) S. - Angeb. - Ditmarus von Merseburg. Chronici Ditmari Episcopi Mersepurgii, libri VII. nunc primum in lucem editi [...] Reinero Reineccio [...]. Ebda., 1580. Mit 2 Holzschn.-Druckermarken, einigen Holzschn.-Initialen u. -Vignetten u. einer gefalt. Stammtafel. 6 Bll., 123 (recte 122) S., 3 Bll. - Angeb. - Widukindus Corbeiensis. Annales Witichindi Monachi Corbeiensis, familiae Benedictinae: editi de fide codicis [...]. Ebda., 1577. Mit 2 Holzschn.-Druckermarken u. einigen Holzschn.-Initialen u. -Vignetten. 4 Bll., 71 (1) S. - Angeb. - Reineck, Reiner. Origines illustriss. stirpis Brandenburgicae, seu historiae expositiones geminae de nobiliss. et antiquiss. Welforum [...]. Item commentarius de Marchionum [...]. (Daran: Sabinus, Georg. Historia de vita Hugonis et Theoderici). 2 Teile. Ebda., 1581. Mit 2 Holzschn.-Druckermarken u. einigen Holzschn.-Initialen u. -Vignetten. 81 (1) S., 1 Bl. - Angeb. - Monachus Pegaviensis. Historia de vita et rebus gestis Viperti, Marchionis Lusatiae, Burggrafii Magdeburgensis [...]. Ebda., 1580. Mit einer Holzschn.-Druckermarke u. einigen Holzschn.-Initialen u. -Vignetten. 2 Bll., (1) 46 S. - Angeb. - Reineck, Reiner. Oratio de historia eiusque dignitate [...]. Ebda., 1580. Mit einer Holzschn.-Druckermarke u. einigen Holzschn.-Initialen u. -Vignetten. 2 Bll., 31 (1) S. - Angeb. - Helmoldus Bosoviensis. Historia de vita et rebus gestis Adolfi II. [...]. Excerpta de annalibus Helmoldi [...]. Ebda., 1580. Mit 2 Holzschn.-Druckermarken, einigen Holzschn.-Initialen u. -Vignetten. Mit einer gefalt. Stammtafel. 2 Bll., 18 S., 1 Bl., Pgmt. d. Zt. m. durchzogenen Bünden, handschriftl. Rückentitel u. dreiseitigem Farbschnitt. Interessanter Sammelband mit sieben (davon zwei zweiteiligen) von Reiner Reineck (Reineccius) herausgegebenen bzw. verfassten historischen Werken. - Einband etw. berieben, bestoßen u. fleckig. Rücken m. Fehlstelle (ca. 5 x 3 cm). Schließbänder fehlen. Tlw. leicht gebräunt bzw. fleckig. - Ad 1) VD16, H 1791. - Ad 2) VD16, D 2094. - Ad 3) VD16, W 3696. - Ad 4) VD16, R 860. - Ad 5) VD16, H 3894. - Ad 6) VD16, R 891. - Ad 7) VD16, H 1793.

      [Bookseller: Antiquariat Wolfgang Friebes]
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        Constitutionum Provincialium Tarraconensium Libri Quinque.

      Tarracone, Apud Philippum Mey, 1580. - in-4. 28ff. 411pp. 24ff. Plein vélin souple, titre manuscrit au dos (reliure de l'époque). Edition Originale de cet ouvrage important pour l'histoire de Tarragone, publié par le grand humaniste et historien espagnol Antonio Agustin i Albanell. Né à Saragosse en 1516, Agustin étudia dans les universités d'Alcala de Henares et de Salamanque, puis dans celle de Bologne en Italie. Il fut un éminent jurisconsulte qui se vit confier d'importantes fonctions, dont celle d'auditeur dans la Sacra Rota Romana pour laquelle il avait eu l'appui de l'empereur Charles V. Evêque de Lérida en 1561 il fut nommé en 1576 évêque de Tarragone où il mourut en 1586. Cet ouvrage contient les règles - issues notamment des différents conciles qui avaient eu lieu à Tarragone- qui organisaient la vie sociale et la vie ecclésiastique. Il contient des directives sur les moeurs, l'économie, le commerce, l'alimentation, les sortilèges, les Juifs, les Arabes, etc. "Fruit de la réforme catholique autant que du renouveau des études juridiques, le droit écclésiastique fut également l'objet de publications savantes autant que de commenaires érudits ( ) Les travaux d'Antonio Agustin ne furent pas négligeables à cet égard. Philologue, numismate, historien du droit romain, il apporta à l'étude du droit canonique toutes les ressources de l'humanisme juridique dont il était l'un des meilleurs interprètes. Citons de lui son "Epitome Juris Pontifici" et ses "Constitutionum provincialium Tarraconensium libri quinque (1580), recueil des conciles de Tarragone et des ordonnances des archevêques de cette ville depuis les temps les plus reculés" (Sutto). Rousseurs, assez prononcées aux premiers feuillets. Infime travail de ver dans la marge intérieure de quelques pages, sans atteinte au texte. Bon exemplaire dans son vélin d'origine. Palau, 59845. Cf. "Antonio Agustín between Renaissance and Counter-Reform" (Londres: The Warburg Institute, 1993). C. Sutto, "Les assises juridiques de l'histoire" [in:"L'Epoque de la Renaissance (Crises et essors nouveaux, 1560-1610)"]. [Attributes: First Edition]

      [Bookseller: Librería Comellas]
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        Tabulae Gregorianae Motuum Octavae Sphaerae ac Luminarium ad usum Calendarii ecclesiastici & ad urbis Romae Meridianum supputatae. (angebunden): De Corrigendo ecclesiastico Calendario Libri duo.

      Venedig, Petrus Dehuchinus 1580 - 2 Teile in 1 Band. 4°. 8 n.n. Bl., 50 Bl., 88 Bl., 37 Bl., 1 n.n. S. Errata und Druckvermerk. Mit einigen Holzschnittdiagrammen im Text. Der am Schluss gedruckte Kalender in Rot und Schwarz. Etwas späterer Lederband mit rotem goldgeprägtem Rückenschild, Rückenvergoldung und blindgepräger Deckelfiletierung. Riccardi I, 164-65. - Erste Ausgabe. - Einer der wichtigsten Texte zur Kalenderreform unter Gregor XIII, dem das Buch gewidmet ist. Moleti (oder Moletti) (1531-1588) war Physiker, Mathematiker und Astronom. Er war der Vorgänger Galileo Galileis an der Universität von Padua. Früh wurde bei dem aus vornehmen Hause stammenden Moleti die mathematische Begabung erkannt und gefördert. So wurde er Lehrer des Prinzen des Herzogs von Mantova und 1577 Professor der Mathematik in Padua. Die von der Republik Venedig in Auftrag gegebene Arbeit fand bei Papst Gregor XIII Anerkennung und wurde mit 300 Dukaten belohnt. Zu Lebzeiten veröffentlichte Moleti neben der vorliegenden Schrift nur noch eine Einleitung in die Geographie, einen Band mit Ephemeriden, ein astronomisches Tafelwerk. Als Professor behandelte er jedoch auch die aktuellen Forschungen seiner Zeit, wie ein Kommentar zu Nikolaus Kopernikus De revolutionibus orbium coelestium zeigt. - Aus der Bibliothek des Earls of Macclesfield's "South Library" at Shirburn Castle, mit gestochenem Exlibris auf dem Innendeckel. - Einband an den Kanten leicht beschabt und im Rückengelenk angeplatzt. Mit etlichen Bleistiftanmerkungen sonst breitrandiges Exemplar auf starkem Papier. - Selten. [Attributes: First Edition]

      [Bookseller: Daniel Thierstein]
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        Recueil des roys de France, leurs couronne et maison. Ensemble, le rengs des grands de France. Plus, une Chronique abbregée contenant tout ce qui est advenu, tant en fait de guerre, qu’autrement, entre les roys & princes, republiques & potentats estrangers.

      Jacques du Puys,, Paris, 1580 - In-folio, (6) ff.-471 pp.-(2)-105(/107) ff. (mal fol. 113)-(13) ff. (tables), basane granitée, dos orné, roulette sur les coupes, tranches mouchetées (Reliure du XVIIIe siècle). Première édition sous ce titre de cet important recueil dont les différentes parties ont été établies d’après les Trésors des Chartes. C’était la première fois qu’on réunissait en corps d’ouvrages les titres authentiques des annales de France. «C’est une œuvre capitale tant par le texte que par l’illustration » [Saffroy). Celle-ci comprend trente-huit sceaux et écus d’armes et quarante-et-un portraits des rois de France, de Clovis à Charles IX, gravés sur bois dans le texte. Le titre est orné de la belle marque de Jacques du Puys gravée par Jean Cousin, auquel on attribue également les portraits. Une troisième partie sur les "Traités de paix entre les rois de France et d'Angleterre" paraîtra en 1588. Exemplaire réglé avec une partie des sceaux et écus anciennement coloriés. De la bibliothèque du comte du Hamel de Breuil, avec ex-libris.Reliure frottée, manques aux coiffes et aux coins, feuillet de titre en partie doublé (cachet supprimé en pied), trois feuillets du cahier M reliés dans le désordre, il manque les ff. 110 et 111 de la deuxième partie. Saffroy, I, n°10253 – Brunet, II, 923. [Attributes: Hard Cover]

      [Bookseller: Librairie Ancienne Richard (SLAM-ILAB)]
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        Advertissemens à M. Jean Bodin sur le quatriesme livre de sa République. Autres advertissemens dudit Ferrier sur la loy Domus D. de legat I.

      Arnaud et Jacques Colomiés, Toulouse 1580 - ____ Première édition. Dans le quatrième livre de sa République, Bodin avait reproché à son ancien ami, Auger Ferrier d'avoir indiqué une opposition entre Vénus et Mercure, ce qui est une impossibilité astronomique. Auger Ferrier lui répond et, après sa justification, critique une centaine de propositions de "La République" de Bodin. Ferrier est clairement un adepte de Copernic et il ne mâche pas ses mots : "C'est faux", "vous vous trompez", "la figure céleste de la création du monde a esté mieux espluchée par ledict Jean Pic que par vous", "vous avez esté trop crédule ". L'année suivante Bodin répliqua aux attaques de Ferrier et de quelques autres, en publiant une "Apologie de René Herpin pour la République de J. Bodin". Bodin l'accuse d'avoir mal lu Copernic, alors que lui, Bodin, reste un géocentrique affirmé, toutes les conjectures de Copernic ayant été rejetées par les "mathématiciens", il faut entendre ici les astronomes. (Max Engammare, Soixante-trois, la peur de la grande année climactérique à la Renaissance, p. 100 et suiv.) Auger Ferrier (1513-1588), médecin, professeur à la Faculté de Toulouse, était astrologue de Marie de Médicis. Le feuillet B2 a été rogné au raz du texte avec perte probable d'une manchette, le dos a été renforcé par une bande de papier au XIXe. Provenances : - Senaux (signature sur le titre, peut-être Jean de Senaux, magistrat toulousain, né en 1580). "De la bibliothèque de l'abbé Goujet 1746" (inscription au bas du titre). Claude-Pierre Goujet (1697 - 1767) historien et religieux janséniste avait constitué une bibliothèque de 10 000 volumes, dont le catalogue est demeuré manuscrit. Il est l'auteur de nombreux travaux d'érudition, dont d'importants suppléments au "Dictionnaire historique" de Moreri. Cette première édition qui a été publiée à Toulouse est très rare : pas d'exemplaire dans OCLC et elle manque à la BNF. Celle de Cavellat à Paris la même année est plus fréquente. *-------* Very rare first edition. No copy in OCLC, nor BNF. In-8. Collation : 84, (12) pp. Vélin. (Reliure de l'époque.). [Attributes: First Edition]

      [Bookseller: Hugues de Latude]
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        Letter signed ("Georg Rollenhagen / der Schulen Rector / und seyne Collegen").

      Magdeburg, 26. II. 1580. - Folio 2 pp. on bifolium. With integral address leaf and papered seal. Writing as director of the Cathedral school to the mayor and council of Kitzingen, intervening on behalf of his student Abraham Dinckel, whose scholarship he suggests should be renewed. Dinkel is said to have been attending his school for four years and intends to prolong his studies "if only he could find more convenient access to the necessary clothing and books [.] Whilst said Abraham Dinckel has behaved himself honourably and assiduously throughout his time with us, we therefore do not doubt that he will achieve something useful if he thus continues here, as it becomes us to testify for the truth and look after young students and especially our the young pupils [.]". - Slight tear to central fold. Provenance: Stargardt, 19 Sept. 1992, lot 63.

      [Bookseller: Antiquariat INLIBRIS Gilhofer Nfg. GmbH]
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        Electorum ecclesiasticorum, id est, Coloniensium, Moguntinensium ac Trevierensium, à primis usque ad eos, qui iam praesident, CATALOGUS. Item, succinta rerum a singulis gestarum narratio. Episcoporum item, qui sub Archiepiscopatus Coloniensi subsunt, id est Leodiens. Ultraiectens. Monasteriens. Osnabrugens. ac Minden...

      Coloniae Agrippinae (Köln), apud Godefridum Kempensem, 1580. Small 8vo (16x10 cm). Nineteenth century half calf (endpapers 19th cent.), with calf cornerpieces, spine with ribbons, gilt title (hinges and corners very sl. rubbed). (xvi),454 pp. - Good copy of the very rare first edition Petrus Cratepolus named himself also after his birthplace Moers: Mersius, Mersus, Mersseaeus, he was also called Petrus Opmeer.

      [Bookseller: Antiquariaat Emile Kerssemakers]
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        Greek MEtaphtrasis tou Psalteros Interpretatio psalmorum versibus heroicis

      

      [Bookseller: Maggs Bros. Ltd.]
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        Advertissemens à M. Jean Bodin sur le quatriesme livre de sa République. Autres advertissemens dudit Ferrier sur la loy Domus D. de legat I.

      Toulouse, Arnaud et Jacques Colomiés, 1580. ____ Première édition. Dans le quatrième livre de sa République, Bodin avait reproché à son ancien ami, Auger Ferrier d'avoir indiqué une opposition entre Vénus et Mercure, ce qui est une impossibilité astronomique. Auger Ferrier lui répond et, après sa justification, critique une centaine de propositions de "La République" de Bodin. Ferrier est clairement un adepte de Copernic et il ne mâche pas ses mots : "C'est faux", "vous vous trompez", "la figure céleste de la création du monde a esté mieux espluchée par ledict Jean Pic que par vous", "vous avez esté trop crédule "... L'année suivante Bodin répliqua aux attaques de Ferrier et de quelques autres, en publiant une "Apologie de René Herpin pour la République de J. Bodin". Bodin l'accuse d'avoir mal lu Copernic, alors que lui, Bodin, reste un géocentrique affirmé, toutes les conjectures de Copernic ayant été rejetées par les "mathématiciens", il faut entendre ici les astronomes. (Max Engammare, Soixante-trois, la peur de la grande année climactérique à la Renaissance, p. 100 et suiv.) Auger Ferrier (1513-1588), médecin, professeur à la Faculté de Toulouse, était astrologue de Marie de Médicis. Le feuillet B2 a été rogné au raz du texte avec perte probable d'une manchette, le dos a été renforcé par une bande de papier au XIXe. Provenances : - Senaux (signature sur le titre, peut-être Jean de Senaux, magistrat toulousain, né en 1580). "De la bibliothèque de l'abbé Goujet 1746" (inscription au bas du titre). Claude-Pierre Goujet (1697 - 1767) historien et religieux janséniste avait constitué une bibliothèque de 10 000 volumes, dont le catalogue est demeuré manuscrit. Il est l'auteur de nombreux travaux d'érudition, dont d'importants suppléments au "Dictionnaire historique" de Moreri. Cette première édition qui a été publiée à Toulouse est très rare : pas d'exemplaire dans OCLC et elle manque à la BNF. Celle de Cavellat à Paris la même année est plus fréquente. *-------* Very rare first edition. No copy in OCLC, nor BNF. In-8. Collation : 84, (12) pp. Vélin. (Reliure de l'époque.).

      [Bookseller: Hugues de Latude]
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        L'introduction au traité de la conformité des merveilles anciennes avec les modernes. Ou, traité preparatif à l'Apologie pour Herodote. L'argument est pris de l'apologie pour Herodote, composé en latin par Henri Estiene, et est ici continué par luy-mesme.

      De l'imprimerie de Guilllaume des Mareses, 1580. plein parchemin moderne, titre manuscrit au dos. (150x90 mm). Bel exemplaire auquel il manque cependant la table. Sans déchirures ni annotations. Le premier tirage genevois date de 1566. 

      [Bookseller: Librairie Christian Chaboud]
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        Album of horse etchings.

      [Paris, early 17th century]. - Oblong 12mo (124 x 78 mm). 24 etchings of horses, each ca. 8 x 5 cms, mounted individually on leaves and bound as an album. Modern full vellum using contemporary material. A complete series of 24 highly expressive etchings of horses, each numbered in the plate and bound (somewhat out of order) in an appealing pocket-sized vellum album. The engraver Pierre Firens (also: Fierens, ca. 1580-1636) was of Flemish origin, probably hailing from Antwerp, but settled in Paris in 1604, soon operating as a publisher and engraver mainly of ornaments. This is a charming suite of two dozen portraits showing horses in various attitudes; the first print is signed. - Very finely preserved. Uncommon. For Firens cf. AKL XL, 251; Thieme/Becker XII, 7. [Attributes: Signed Copy]

      [Bookseller: Antiquariat INLIBRIS Gilhofer Nfg. GmbH]
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        Warhafftige und gr

      - DSB IV, p. 552; VD 17, 23:297705X (2 copies); WorldCat (3 copies). Rare first and only edition of a work solving a mathematic problem concerning the calculation of compound interest, by Johann Faulhaber (1580-1635), teacher of mathematics at Ulm. Faulhaber, trained as a weaver under his father, soon turned to mathematics. He became the most important of the "Cossists", mathematicians concerned with algebra in the 16th century. After publishing his first arithmetic text, Faulhaber founded his own school in Ulm in 1600, which gained international fame as an educational institute for higher mathematics and later also an artillery and engineering school. He taught Descartes and had a lively contact with Keppler. Faulhaber was also the first to introduce logarithms into Germany and was much in demand as fortification engineer, receiving many assignments in this field from the King of Sweden and others. He published numerous mathematical works, mostly in German, and invented several instruments.With library stamps. In good condition, with some worm holes in the gutter margin, not affecting the text, and some minor water stains.

      [Bookseller: ASHER Rare Books]
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        Prussiae Descriptio ante aliquot annos ab Henrico Zellio edita, ab eoq. D. Ioanni Clur, civi Gedanensi Ded. Cum privilegio.' u. 'Thietmarsiae, Holsaticae Regionis Partis Typus. Auctore Petro Boeckel.':.

      - Altkolorierter Kupferstich v. Peter Boeckel u. Heinrich Zell b. Abraham Ortelius in Antwerpen, 1580, 30,5 x 44 van den Broecke, Ortelius Atlas Maps, Nr. 88. J

      [Bookseller: Antiquariat Norbert Haas]
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        Itinerarium Galliae.Amsterdam, Jodocus Janssonius, 1655. 12mo. With engraved frontispiece and 22 folding engraved plates. Contemporary motted, tanned sheepskin.

      - STCN 844225800; cf. Beckmann,

      [Bookseller: ASHER Rare Books]
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        Teatro delle più illustri et famose Città del mondo, dove compitamente si vede il sito loro così delle fortezze come di quelle non fortificate.. Venezia, Francesco Valegio, (1580-1590)

      in-4 oblungo, leg. coeva p pergamena flessibile. Raccolta topografica cinquecentesca, di grande rarità: (titolo generale inc. non presente), serie di 305 vedute e piante di città (mm.85x185 circa cad.) incise in rame con grande chiarezza e precisione, varie firmate dal Valegio. Molte delle vedute si ispirano alle tavole Civitates Orbis Terrarum del Braun e Hogenberg pubblicate a partire dal 1572. Raffigurano le città principali d'Europa e alcune città in Africa e Asia. Tra le tavole, 51 sono le vedute prospettiche o piante di città di tutta Italia, da Venezia, Torino, Reggio, Parma, Bergamo, Como, Perugia, Roma, Napoli, Sulmona, Trapani, ecc. ecc. (vedi la bibliografia del Cremonini). La collezione rappresenta una straordinaria documentazione topografica cinquecentesca di 306 città dei paesi europei ed extraeuropei noti all'epoca, di notevolissimo pregio e rarità, poco nota sul mercato antiquario. Franc. Valegio fu reputato stampatore nonché incisore e calcografo a fine Cinquecento in Venezia, con bottega in Spadaria. Tiratura originale cinquecentesca.

      [Bookseller: Libreria Antiquaria Pregliasco]
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        The Wartburg. A Monument of German History and Art. Restored by The Grand-Duke Charles Alexander of Saxony limitierte Ausgabe, hier Nr. 237 von 350, Vorzugsausgabe Fürstenausgabe

      Berlin, Historischer Verlag Baumgärtel, - 19 Seiten Vorwort und Inhalt, 741 Seiten mit 706 Original-Illustrationen im Text und 54 Tafeln Einband leicht berieben und etwas fleckig, 2 Seiten des Vorwortes lose und seitlich angerändert, Bindung leicht gelockert, da Falz am vorderen Innengelenk nach wenigen Seiten gerissen, sonst in sehr gutem Zustand - Gewicht 18 kg Sprache: Englisch Gewicht in Gramm: 18000 Sonderangebot: Dieser Verkäufer bietet Kunden einen exklusiven Rabatt von 20% auf sämtliche Preise. Alter Preis: 1580,00 EUR. Groß-Folio, Ledereinband, gestaltet von Wilhelm Lucas von Cranach

      [Bookseller: Antiquariat Gisa Hinrichsen]
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        Antidotarium generale. Nunc primum laboriose congestum, methodice digestum. Cum elencho locupletissimo.

      Basel, Eusebius Episcopius, 1580. 4°. Mit 2 versch. Holzschn.-Druckermarken am Titel u. am Ende sowie einigen Textholzschnitten. 8 Bll. (das letzte weiß), 198 S., 5 Bll., Etw. späterer Ldr.-Bd. a. 4 Bünden m. goldgepr. Deckelfileten, etw. Rückenverg., goldgepr. Rückentitel u. dreiseitig gespränkeltem Farbschnitt. Zweite Ausgabe dieses Apothekerhandbuchs; seltener als die 1576 erschienene Erstausgabe. Ein von Schelenz genannter Druck von 1553 existiert nicht. - „Ein wahres Apothekerhandbuch [...] das eine Sammlung von Vorschriften der damals gangbaren Composita bringt und die Arbeiten der Rezeptur und des Laboratoriums vortrefflich erläutert und illustriert [...]. Ein langes Kapitel [...] zeigt die Apotheke auch als Quelle für den kosmetischen Bedarf“ (Schelenz). - Die Textholzschnitte zeigen hauptsächlich Apparate zum Destillieren. - Einband (bes. Ecken u. Kapitale) etw. berieben u. bestoßen. Rückenkanten am oberen Kapital etw. eingerissen. Titel m. altem Besitzvermerk. Tlw. zeitgen. Unterstreichungen u. Marginalien. Etw. gebräunt. - VD16, W 1351 (nur 2 Nachweise); Durling 4703; vgl. Adams W 30; Wellcome I, 6701 u. Ferguson II, 533; nicht im BM STC, German Books. Versand D: 12,00 EUR Wecker, Antidotarium generale, Alchemie, Destillieren, Apotheke, Apotheker, Pharmazie, Kosmetik

      [Bookseller: Antiquariat Wolfgang Friebes]
 33.   Check availability:     buchfreund.de     Link/Print  


        AUTUMNUS".

      - Kupferstich von Philippus Galle nach Johannes Strada, Antwerpen ca. 1580. Ca. 20 x 29,5 cm (Darstellung). Bis zur Darstellung beschnitten und alt aufgelegt, Ecken teils gekürzt, kleine Fehlstelle links oben. British Museum 1957,0413.17. New Hollstein 376.I (Philips Galle), New Hollstein 388.I (Johannes Stradanus) [nach BM]. Oberhalb des Titel, am unteren Rand der Darstellung, mit der Signatur 'Ioha Strada inventor / Phillippus Galle excudebat.' Links und rechts neben dem Titel mit einem vierzeiligen lateinischen Gedicht. Seltenes Blatt aus einer Jahreszeitenfolge. Schöne Darstellung der Weinbauarbeiten, von einem querovalen gestochenem Rahmen umgeben. Zu erkennen sind neugepflanzte Reben, Weinlese, zwei nackte Männer beim Keltern, Fasskeller und Küfer bei der Herstellung eines Fasses.

      [Bookseller: Antiquariat Peter Fritzen]
 34.   Check availability:     ZVAB     Link/Print  


        Vita Christi Paris Michael Sonnius

      

      [Bookseller: Maggs Bros. Ltd.]
 35.   Check availability:     Direct From Seller     Link/Print  


        Opera omnia cum eruditorum testimonijs. Quibus, praeter C.S.C. Epistolas selectas & orationes, nunc demum accesserunt M. Antonij Paganutij Fabulae ex Aesopo Latinè factae, & Ioannis Boccacij quaedam ex Italico.

      - Basileae [Bâle], Ex Officina Petri Pernae, 1580. In-8, demi-vélin ancien à coins, dos titré à la plume, (1) f. de titre, tranches mouchetées, (14), 546 p. Quatrième édition augmentée, la dernière et la plus complète des œuvres d’Olympia Morata (1526-1555), femme de lettres, poétesse, professeure de langues anciennes, l’une des femmes les plus brillantes et les plus influentes de la Renaissance italienne. Fille de l’humaniste Pellegrino Moretto, elle fut élevée à la cour de Ferrare, se convertit au calvinisme et épousa un médecin allemand réformé Andreas Grundler. Poursuivis par l’inquisition, ils durent fuir l’Italie vers Schweinfurt en Allemagne. Mais là encore, chassé par la guerre, ils se réfugièrent à Erbach, puis à Heidelberg. Elle y mourut à 29 ans de la tuberculose quelques mois avant son mari et leur fils unique, eux de la peste. Ses écrits furent pour la plupart perdus ou détruits au cours de ses pérégrinations, à l’exception des oeuvres réunies dans ce volume par l'humaniste Celio Secondo Curione, mentor de l’auteure et ami de la famille: une importante correspondance, des poèmes et oraisons ainsi que des traductions d’Esope et de Boccace. Olympia Morata est la première femme dont les écrits ont été mis à l’index de Rome. L’éditeur-imprimeur, Pietro Perna (1522-1582), originaire de Lucca, également partisan de la réforme s’exila à Bâle. Il entretenait des liens étroits avec l’Angleterre et dédie ce livre à la Elisabeth 1er. Vignette de titre à la marque de l’imprimeur, lettrines, la page d’épitaphe à Morata est ornée d’un large décor d’encadrement allégorique figurant l’Allemagne et l’Italie de part et d’autre. Caractères grecs et latins. (Adams, M-1741. Bujanda, ‘Index de Rome’, 411. Erdmann, ‘My gracious silence: Women in the mirror of 16th c. printing', 116-117). Quelques brunissures et rousseurs. Les feuillets du cahier ** sont reliés en fin dans le désordre mais bien complets, restauration en marge de 2 f. sans perte de texte et petite restauration de papier à la page de titre également sans perte. Bon exemplaire, bien relié en vélin à coins, dans une reliure légèrement postérieure. [Attributes: Hard Cover]

      [Bookseller: Librairie HATCHUEL]
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        L'introduction au traité de la conformité des merveilles anciennes avec les modernes. Ou, traité preparatif à l'Apologie pour Herodote. L'argument est pris de l'apologie pour Herodote, composé en latin par Henri Estiene, et est ici continué par luy-mesme.

      De l'imprimerie de Guilllaume des Mareses, s.l. 1580 - in-12 plein parchemin moderne, titre manuscrit au dos. 16ff ,656 p. (150x90 mm). Bel exemplaire auquel il manque cependant la table. Sans déchirures ni annotations. Le premier tirage genevois date de 1566.

      [Bookseller: Librairie Christian Chaboud]
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        Antidotarium generale. Nunc primum laboriose congestum, methodice digestum. Cum elencho locupletissimo.

      Basel, Eusebius Episcopius, 1580. - Zweite Ausgabe dieses Apothekerhandbuchs; seltener als die 1576 erschienene Erstausgabe. Ein von Schelenz genannter Druck von 1553 existiert nicht. - „Ein wahres Apothekerhandbuch [.] das eine Sammlung von Vorschriften der damals gangbaren Composita bringt und die Arbeiten der Rezeptur und des Laboratoriums vortrefflich erläutert und illustriert [.]. Ein langes Kapitel [.] zeigt die Apotheke auch als Quelle für den kosmetischen Bedarf" (Schelenz). - Die Textholzschnitte zeigen hauptsächlich Apparate zum Destillieren. - Einband (bes. Ecken u. Kapitale) etw. berieben u. bestoßen. Rückenkanten am oberen Kapital etw. eingerissen. Titel m. altem Besitzvermerk. Tlw. zeitgen. Unterstreichungen u. Marginalien. Etw. gebräunt. - VD16, W 1351 (nur 2 Nachweise); Durling 4703; vgl. Adams W 30; Wellcome I, 6701 u. Ferguson II, 533; nicht im BM STC, German Books. la Gewicht in Gramm: 1000 4°. Mit 2 versch. Holzschn.-Druckermarken am Titel u. am Ende sowie einigen Textholzschnitten. 8 Bll. (das letzte weiß), 198 S., 5 Bll., Etw. späterer Ldr.-Bd. a. 4 Bünden m. goldgepr. Deckelfileten, etw. Rückenverg., goldgepr. Rückentitel u. dreiseitig gespränkeltem Farbschnitt. [Attributes: First Edition]

      [Bookseller: Antiquariat Wolfgang Friebes]
 38.   Check availability:     ZVAB     Link/Print  


        \"Quedelinburga\". Gesamtansicht mit Schloß links und großer Pferdekutsche im Vordergrund.

       Altkol. Kupferstich aus Braun-Hogenberg, um 1580, von Anna Beek im 17. Jhdt. vergrößert und koloriert, 37 x 41 cm. Anna Beek (1657 - 1717) vergrößerte die Ansichten von Merian und Braun-Hogenberg, indem sie die Ansichten in Umrissen ausschnitt, auf größeres Papier montierte und den Himmel mit großen Wolken in schönen Pastelltönen gestaltete. Das Bild ist von einer gelben Bordüre umgeben. In dieser Form ein Unikat! Versand D: 6,00 EUR Sachsen und Sachsen-Anhalt

      [Bookseller: Antiquariat Bierl]
 39.   Check availability:     buchfreund.de     Link/Print  


        The Dialoges in Englishe, betwene a Docter of Diuinitie, and a Student in the lawes of Englande. Newlie corrected and imprinted with newe additions. Beale T477; S.T.C. 21574

      London: in Aedibus Richardi Totteli, 1580. Early unlettered sheep, rubbed, joints cracking but firm, some browning, but a good wide-margined copy with an early gloss throughout; the Taussig copy A late sixteenth century edition of the first classic of English equity, called by Professor Thorne "a most important book for the historian of English law" and recently described as "a brilliant . . . attempt to construct a systematic theory of law

      [Bookseller: Meyer Boswell Books, Inc.]
 40.   Check availability:     Biblio     Link/Print  


        Geschlechter Buch : Darinn der loblichen Kaiserliché Reichs Statt Augspurg so vor Fünffhundert und mehr Jaren hero, daselbst gewonet, und bib auff acht abgestorben ... ; sampt aines jeden Geschlechts Wapen, Zeichen und Schilt und Helm auch Ankunfft herkommen alles mit künstlichen Figuren angezeigt.

      Francfort, Sigmund Feyerabend, 1580. ____ Bel ouvrage offrant une suite de 156 gravures sur bois à pleine page, montrant des chevaliers en armure, avec leur blason et leur nom. Une gravure allégorique à pleine page, un titre en noir et rouge avec un bois gravé, un frontispice entièrement gravé et une marque d'imprimeur illustrée in-fine. Jost Amman a gravé la planche allégorique et le frontispice. Les portraits de chevaliers par Paul Hector Mair, avaient figuré dans un autre ouvrage publié en 1550. Brunet 1, 235. Fairfax-Murray 49. Provenance : Léon de Laborde (1849-1852), dont le chiffre est doré sur le dos. ***** A collection of 156 full-page woodcuts of knights in full armour, each with his coat-of-arms & family name. Fairfax-Murray 49. In-folio. [284 x 190 mm] Collation : (2), 162, (2) pp. Demi-maroquin rouge à coins, dos à nerfs orné d'une couronne monogrammée, tranches marbrées. (Reliure du XIXe.).

      [Bookseller: Hugues de Latude]
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        Discours des signes merveilleux qui sont apparus, sur la ville de Lan en Lanoy [Laon], & autres lieux de ce royaume, le mercredi 6 jour d'Avril, mil cinq cent quatre vingts. Avec le discours de tous les tremblements de terre qui sont advenus en ce même jour en plusieurs endroits de ce Royaume.

      Paris, Jean Coquerel, 1580. ____ Une relation d'un tremblement de terre à Laon, interprèté comme une manifestation divine. Il a été accompagné de signes incontestables (à Calais, par exemple on a vu dans le ciel trois sortes de lances jettant du feu), indices de la proximité du jugement dernier. "A un chateau nommé Couci, qui est à deux lieus de nostre Dame de Liessé, il y eut un tel tremblement qu'une damoiselle qui était dans une chambre haute, se jetta par les fenestres du grand effroy & espouventement qu'elle avait." Dans une abbaye nommée Presmontré, "il est advenu pareil tremblement, si horrible que le clocher de l'Eglise tremblait si fort, que toutes les cloches sonnaient". Illustré par quelques gravures sur bois, dont une représente un dragon. Ce rarissime ouvrage est un canard, c'est à dire une brochure vendu à l'occasion d'un fait divers d'actualité : l'ancêtre de nos journaux. Comme souvent dans ce genre d'ouvrages, l'auteur vise à amender les hommes en leur présentant les signes de la colère divine. Vignette au titre. Fleurons, bandeaux gravés. Exemplaire réglé. Ex libris imprimé : "CH ER". AUCUN EXEMPLAIRE DANS LES BIBLIOTHEQUES PUBLIQUES. ***** A description of an earthquake in Laon, interpreted as a divine manifestation. No copy known of this very rare booklet in public libraries of the world. In-8. Collation : (16) pp. Vélin, encadrement doré sur les plats. (Reliure du XIXe.).

      [Bookseller: Hugues de Latude]
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        Histoires Prodigieuses extraictes du plusieurs fameux autheurs....

      Paris: Hieronymus de Marnef & the widow of Gulielmus Cavellat, 1580. 1st Edition. Hardcover. 12mo - over 6¾ - 7¾" tall. 1580-1582. 5 parts in 1 volume. 8vo (120 x 75 mm). [10], 191, [3] ff; 120, [8]; 372, [4]; 80, [8]; 159 [1] pp. including 2 blanks at end of pt. 2 and 1 blank at end of pt. 4. Titles with woodcut printer's devices, part 4 penultimate f. with woodcut printer's device, 102 woodcuts by Jean Cousin within text, woodcut decorative initials and tail-pieces. Signatures: A-Z8 AA-BB8 CC4, A-H8, Aa-Zz8 AAa4, A-E8 F4, A-K8. 20th century burgundy crushed morocco, all edges gilt, spine and boards ruled in gilt, spine lettered in gilt (spine faded, boards and extremities rubbed), marbled endpapers. Upper- and fore-margin closely trimmed but without affecting text. Light waterstains in places, occasional very minor spotting. Contemporary ink annotations to few leaves. A handsome copy, quite clean and crisp internally. ----Caillet II, 5186bis; not in Adams. The rare first complete edition of this work on demons, sea-monsters, serpents, monstrous births, comets, earthquakes and floods, amongst other unnatural and natural phenomena, with many of the bizarre creatures brought to life in the woodcuts. Only the first part is by Boaistuau, with part 2 by Claude de Tesserant parts 3 and 5 by François de Belleforest and part 4 (dated 1580) by R. Hoyer. The work includes 102 woodcuts by Jean Cousin within the text representing monsters and prodigies whose stories are told. The taste of the times for the marvelous and the strange has been expressed in numerous publications which attempted to describe and list the monsters of the World. This one, first published in 1560, enjoyed a great success throughout Europe, and gave Boaistuau the respect of the learned community. Very Good....

      [Bookseller: Milestones of Science Books]
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        Lof-sanck van Jesus Christus den eenigen ende eeuwigen sone Godes: ende zyne andere Nederduytse poemata. Nieuwelijcks oversien, vermeerdert, ende verbetert. Met de uytlegginghen. Amsterdam, Jan Jacobsz. Schipper, 1650. 8vo. With a woodcut interlaced decoration on the title-page, a small engraved nativity scene (for the Lof-sanck), a full-page engraving of the memorial monument for Jacob van Heemskerk (for the Neder-Duytsche poemata) and 72 emblematic engravings (4.5×6.5 cm), mostly by Crispijn de Passe. 17th-century vellum.

      - Landwehr, Emblem and fable books Low Countries 297; Praz, p. 366; De Vries 33; cf. Fontaine Verwey, Uit de wereld van het boek II, p. 74, no. 31; Franken, De Passe 1348. Third (second combined) edition, with minor corrections, of Petrus Scriverius's extensively annotated collection of the poetical and emblematic works of the famous Dutch and Neo-Latin poet and Leiden professor Daniel Heinsius (1580-1655). The present edition includes Scriverius's original dedications to Jacob van Dijck, ambassador to King Gustavus Adolphus of Sweden.The presswork is unusually good so that the very small roman and italic used for the notes remains very legible. With a water stain in the lower outside corner of some leaves, but otherwise in very good condition. A classic of Dutch poetry and emblemata, with numerous engravings.

      [Bookseller: ASHER Rare Books]
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        Institucions dels furs, y privilegis del Regne de Valencia: e o summari e reportori de aquells

      Valencia, Pedro Guete, 1580 - 8º mayor, [12]+414+[2] p. Pergamino flexible, probablemente posterior, rotulado en lomo, plano anterior rotulado reproduciendo portada de la obra, guardas posteriores. Firma en portada, papel tostado, puntos de óxido. Mínimas restauraciones en p. 114, 115, 157 y 315; pasajes subrayados con lápiz de color en p. 266-267. FALTO DE UNA HOJA DESPUÉS DE LA TABLA, CONTENIENDO LAS ERRATAS DE LA OBRA. Pedro Jerónimo Tarazona nació en 1547, en la población valenciana de Beniganim. Fue Doctor en Derecho, Asesor Togado de la Gobernación de Orihuela y Regente del Consejo Supremo de Aragón. Esta obra es un extracto o exposición de las disposiciones legales de los fueros de Valencia; la comenzó a escribir en 1571, ante la necesidad de realizar una nueva edición de los Fueros, acordada en 1564 por las Cortes

      [Bookseller: MIQUELEIZ ANTIGUEDADES]
 45.   Check availability:     IberLibro     Link/Print  

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