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Displayed below are some selected recent viaLibri matches for books published in 1542

        Viglii Zuichemi Phrysii Iureconsulti Clarissimi Commentaria in Decem Titulos Institutionum Iuris Civilis (with) Inquatuor institutionum iuris civilis.

      Froben (and) Christianum Egenolphum, Basel & Frankfurt 1542 - IN CONTEMPORARY GERMAN PIGSKIN Folio. 2 works in 1 vol. pp. [viii] 182 [x]; ll. [x] 199 [i]. Roman and Italic letter, woodcut initials. T.p. and verso of last with printer's device in both works. Contemporary ms ex libris "G? Hillingerin?" to t.p, c 1700 bookplate from Lobris Castle, (Loboradz, Lower Silesia); second work heavily annotated in places in brown and red ink. Light age yellowing, small wormtrail to outer edge of t.p. a good clean well margined copy in contemporary German pigskin, panels ruled and roll-stamped in blind with floral motif, depictions of the stations of the cross on outer panel, and the likenesses of Virgil, Cicero and Ovid on inner panel, spine in five compartments with raised bands, bronze clasps. FIRST EDITION of Viglius' commentary on inheritance and last wills and testaments, with an dedication to Gerard Mulert, counsellor to Emperor Charles V, the book is divided into ten chapters covering: ordinary wills, wills made by soldiers, those not permitted to make last wills, the process of disinheriting children, the order of heirs and inheritors, the substitution of heirs and inheritors, reasons last wills are invalid, weakened, or irresponsible, and finally the different rights of heirs. The second work is a commentary on Justinian's civil laws directed not only to students of law, but "all of the public". Book three, on inheritance, is most heavily annotated in a contemporary hand to a few sections: on natural succession of heirs and inheritance in cases of illegitimacy, "incestuoso et nefario", as well as section on extraordinary wealth of inheritance, and "the division of political obligation" regarding money lending, and finally a section on verbal contracts, before abandoning his annotating practice altogether. A very handsome copy, particularly interesting for its annotations and combination of interrelated texts on the laws of inheritance. It neatly evidences how in the mid-16th century the works of Justinian were still being used as practical legal works in combination with the latest legal reference books. Viglius (1507-1577) was a Dutch statesman and jurist, professor of jurisprudence at Ingolstadt, later famous for his learning among Erasmus and his circle, and favourite of Emperor Charles V, with whom he travelled as a scholar of imperial rights. Clingus (1504-1571) was a jurist and legal scholar who studied at Wittenberg under Melanchthon, where he was later appointed Rector. Adams A 2351, C2231. Latin [Attributes: Hard Cover]

      [Bookseller: Sokol Books Ltd. ABA ILAB]
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        Divini Platoni Gemmae, sive illustriores sententiae, ad excolendos mortalium mores et vitas recte instituenda. Quibus adjecimus quoque M.T. Ciceronis Sententias elegantissimas. ex libris ipsius De Officiis, Amicitia, Senectute, Paradoxis, Tusculanis. Item ex Terentioi Comoediis, quotquos extant, sententias atque paroemias elegantiores omnes.

      Basileae, Robertum Winter, mense Martio, 1542. - in-8. 3 parties de 8ff. 81pp. 11ff. 173pp. 1f. (bl). 31pp. Plein veau brun, dos à nerfs, plats orné. (Reliure moderne, genre ancien). Edition Originale très rare de ce recueil de sentences et règles morales pour bien conduire sa vie, tirées des écrits de Platon. Il est dû au littérateur et grammairien italien originaire de Venise, Niccolo Liburnio (1474-1557). L'imprimeur de Bâle, Robert Winter a ajoutée, avec titre et pagination particulière, un recueil de sentences tirées de Ciceron et un autre de Terence. Cachets d'une institution religieuse sur le titre. Bon exemplaire. Manque à Adams. Manque à la BN. Manque au NUC. [Attributes: First Edition; Hard Cover]

      [Bookseller: Librería Comellas]
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        Septimus tomus operum divini Aurelii Augustini Hipponensis episcopi._Angebunden: In omnia divini Aurelii Augustini scripta indices duo, eo conscripti modo, ut nihil in his annotatu dignum possis desiderare (.). Mit mehreren Druckermarken.

      Froben, Basel 1542 - 1542-1543. 1438 Spalten; 134 Blatt, 1 Blatt Errata. Blindgeprägtes Schweinsleder der Zeit mit Platten- und Rollstempel-Verzierung, sowie zwei gravierten Messing-Schließen. (etwas berieben und bestossen, leicht fleckig und nachgedunkelt, Kapitale und Kanten mit kleinen Fehlstellen, Deckel leicht wurmstichig, beide Spiegel ohne Bezug, Eintrag von alter Hand auf dem Titel, es fehlt am Ende des Registers ein Blatt . .mit der Druckermarke, sonst lt. Kollation vollständig, die Paginierung teils irrig, Spalten 209-212 irrig als "213-216" paginiert, innen leicht wurmspurig ohne Textverlust, sonst nur gering gebräunt und insgesamt recht frisch). - Der siebte von zehn Bänden der monumentalen und sehr schön und klar gedruckten Ausgabe. Die 33 in diesem Band versammelten Texte beschäftigen sich häufig mit den Donatisten und Pelagianern (darunter: Contra Cresconium Grammaticum; De baptismo contra Donatistas; Contra duas Epistolas Pelagianorum ad Bonifacium; De anima et eius origini; De gratia et libero arbitrio), mit denen sich der Kirchenvater während seiner Zeit als Bischof von Hippo Regius (396-430) auseinandersetzte. Den Angaben des VD 16 zufolge müßte es sich - dies legen Kollationierung und Datierung nahe - trotz abweichendem Untertitel um die von Desiderius Erasmus (von Rotterdam) herausgegebene Ausgabe handeln. Die Platte des Einbandes (datiert 1544) mit siebenfachem Blütenmotiv in zwei Reihen, die Rollstempel ebenfalls mit floralen Motiven, sowie einem ungewöhnlichen, drachenartigen Motiv. Der angebundene Teil enthält das ausserordentlich ausführliche Begriffs- und Stellenregister für das Gesamtwerk, dazugehörig auch das seltene Errata-Blatt, das allerdings nur für die Bände 1 bis 8 die Korrekturen gibt. - VD 16: A 4149 - Adams I A, 2162. BEIGEGEBEN: Kurt Flasch "Augustin. Einführung in sein Denken." Reclam (= UB 9962) 1980, {ISBN 3-15-029962-4} 487 Seiten. 4800 Gramm. [Attributes: Hard Cover]

      [Bookseller: Versandantiquariat Bürck]
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        In quatuor Evangelia enarrationes

      A. Blado, Rome 1542 - "FROM THE FOUNDATION LIBRARY OF EMMANUEL COLLEGE EDITIO PRINCEPS. Folio. pp. [viii] 581[i]. Greek letter. Woodcut printer's device on title. Faint dampstain to lower corner of a few leaves, occasional fingermark, a very good, clean and well-margined copy in 16th-century English (almost certainly Cambridge) blindstamped reversed calf, covers with central blindstamped arms of University of Cambridge within arabesque cartouche, blindrules and corner fleurons, R. Culverwell giltstamped in upper blank portion of upper cover, endleaves from an early 16th-century edition of the Sermons of St Augustine, and fragments of a 14th-century ms. as guards (one being a fragment of Augustine's Sermon 43). Contemporary giltstamp of Richard Culverwell on binding, late 16th-century ms. in libris of Culverwell or of Emmanuel College Cambridge, with shelfmark, on pastedown, 19th-century bookplate of the Earls of Macclesfield on verso of tp, their armorial blindstamp to first two leaves. A handsome and historic volume. EDITIO PRINCEPS of Theophylact's influential interpretation of the four Gospels; a rare survival in private hands from the earliest library of Emmanuel College, Cambridge, in probably its original binding. Theophylact (died after 1107) was a scholar of high reputation who became the tutor of Constantine Ducas, son of the Emperor Michael VII, for whom he wrote 'The Education of Princes'. About 1078 he went to Bulgaria as Archbishop of Achrida; a role he did not cherish and sought to be relieved of. In his letters, he complains often of the rude manners of the Bulgarians. "His commentaries on the Gospels are founded on those of Chrysostom, but deserve the considerable place they hold in exegetical literature for their appositeness, sobriety, accuracy and judiciousness" (Enc. Brit.). Blado and his heirs published typographically elegant works in Rome from 1516 to 1593, where they ranked as counterparts of the Aldi. He was "forse il migliore dei tipografi romani del Cinquecento" (Ascarelli & Menato, p. 100). Blado printed a small number of works in Greek, Hebrew and Ethiopic, being mostly employed by the Camera Apostolica. This copy is from the library of Richard Culverwell, one of the earliest benefactors of Emmanuel College, Cambridge, and involved in its foundation. The College was established in 1584 by Sir William Mildmay on land purchased the year before by Culverwell and his relative Laurence Chaderton, afterwards first Master of the College (without whom, Mildmay said, he would rather found no College). It was a Puritan foundation from the start, and grew rapidly. Culverwell left 5 volumes to the College library c. 1584, the present one being recorded in the catalogue of 1637 as 21.S.27 (noted as being 'Missing'.); another of his books found its way into the library via the Branthwaite bequest in 1619. That work has a very similar binding, with the identical central tool and gilt lettering (see p. 49 of Bush op. cit. infra.). John Harvard was an undergraduate at Emmanuel in the 1630s and when he died in 1638 he followed Culverwell's example leaving half his estate and 320 books to found America's first university. Remarkably, a third of the first hundred British graduates to settle in new England were from Emmanuel, where there is a plaque in Harvard's memory. BM STC It., p. 668; Adams T-594; Brunet V, p. 800 "Belle édition"; Graesse VII, p. 127; not in Dibdin; see S. Bush and C.J. Rasmussen, The Library of Emmanuel College, Cambridge, 1584-1637. Greek" [Attributes: Hard Cover]

      [Bookseller: Sokol Books Ltd. ABA ILAB]
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        Des. Erasmi Rot. In Novvm Testamentvm Annotationes. ab ipso avtore iam postremum sic recognitae ac locupletatae, ut propemodum nouum opus uideri possit

      Basileae [Basel], apud Io. Frob[en], 1542.. Folio (35,5 x 24 cm). [4] Bl., 816 S., [14] Bl. Mit vielen figürlichen Initialen und großer Holzschnitt-Druckermarke auf dem Titel und dem Schlussblatt. Zeitgenössisches blindgeprägtes Kalbsleder über schweren Holzdeckeln mit Messingschliessen. Rücken alt, Vorsätze jüngst erneuert. Schließhaken erneuert (-aften original). Wurmlöcher, gegen Ende etwas stärker, am Rücken daher auch Ecke ausgebrochen. Zu Beginn etwas wasserrandig. Titelblatt recto mit großflächig gedeckter handschriftlicher Notiz (verso etwas durchscheinend und daher eindeutig in das 20. Jh. zu datieren), verso 1850 datierter Geschenkvermerk.. Bezzel 10a). Erschien gleichzeitig im Band 6 der Opera Omnia (=VD16 E 1869), hier jedoch mit eigenem Titel. Schöner Frobendruck in einem interessanten Einband unbekannter Provenienz mit wenigen, ehemals goldgeprägten Ornamenten verziert. Augenfällig ist sowohl ein krähender Hahn (im Zentrum des Rückdeckels), als auch eine figürliche Rolle mit Darstellungen von Venus, Iudith, Fortitudo und Lucrecia, die vor allem wegen der Schreibweise der Fortitudo "Vordidu" ungewöhnlich ist. Als einziges Pendant konnten wir eine Handschrift der SBPK Berlin ermitteln: Lat. fol. 22. Catal. Rose II 1048-1049 no. 891 (mit Beschreibung der Rolle und des Hahns). Die ornamentale Bogenrolle ist von einer solchen Feinheit, dass Sie auf Schweinsleder nicht nur Geltung kommen dürfte. Kurzum scheint der Einband weitere Aufmerksamkeit zu verdienen. Am 12. Dezember 1850 wurde der Band von Pastor Großgart aus Züsch geschenkt an den Dekan Molz in Hermeskeil (beides südlich von Trier).

      [Bookseller: Antiquariat Peter Fritzen]
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        Commentaria in nonum librum Rasis ad regem Almansore[m] [...]. Accedit opusculum De fluxibus alui suo loco restitutus [...].

      Venice, heirs of Lucantonio Giunta, 1542.. Folio. (12), 509, (3) pp. With woodcut printer's device on t. p., different device on final leaf, and woodcut illustrations of various surgical tools at the end of the preliminaries. Contemp. limp vellum with ms. title to spine.. Rare edition of this commentary on the ninth book of the treatise dedicated by ar-Razi (also known as Rhazes; 850-923 or 932) to Almansor, the Prince of Chorosan (with the text). The work discusses special pathology but excluding pyrology and was one of the most popular textbooks at medical schools and faculties well into the Middle Ages (cf. Hirsch/H. I, 171). Rhazes is considered the greatest mediaeval physician next to Avicenna; he also conducted alchemical experiments. According to his biographer al-Gildaki, he was blinded for refusing to share his secrets of chemistry. - A woodcut on the final page of the preliminaries depicts 14 different surgical instruments, including a tongue depressor, a forceps, and various instruments for cauterization. Occasional slight brownstaining, but a good copy from the library of the Sicilian physician Blasio Cucuzza, with his ownership on the final page (calling him the "most learned of all Sicilian physicians in Modica, Ragusa and Syracuse") and additional note dated 10 May 1622. - Edit 16, CNCE 2340. Wellcome I, 383. Durling 250. M. H. Fikri, Treasures from The Arab Scientific Legacy in Europe (Qatar 2009) no. 46, with double-page spread illustration on p. 82f.

      [Bookseller: Antiquariat Inlibris, Gilhofer Nfg. GmbH]
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        Arnobii Dispvtationvm adversvs gentes libri octo nunc primum in lucem editi.

      Romae: Apud Franc. Priscianen Florentinum [1542[-43]]. 3 preliminary leaves, CII numbered leaves, 3 leaves; 33.5 cm. Signatures: a4 (a4 blank, present), A-Q6, R8 (R8, blank, wanting), &2. The seven books of Adversus gentes, followed by the Octavius of Minucius Felix, mistaken for the eighth book. Edited by Franciscus Priscianensis and Hieronymus Ferrarius. Dedication (to Franois I of France) dated (a2v) "Calen. Septembris. 1543." Colophon ([R7r]) dated 1542. The first edition of a defense of the Christian faith and an attack on paganism, with ample descriptions of idolatrous rites and beliefs. Printed from an imperfect manuscript found in Paris, it required extensive text editing. This is an unusually tall copy, clean and beautifully printed. Stock#OB1040. Very Good; rebound in 3/4 leather by Hope Bindery, Jim DiMarcantonio.

      [Bookseller: The Owl at the Bridge]
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        De historia stirpium

      Basel: ex officina Isingrinana, 1542. Fuchs, Leonhardt (1501-1556). De historia stirpium. Folio. [26, of 28], 33, 35-60, [1], 61-896, [4]pp.; lacking leaf 2, containing the first two pages of Fuchs?s letter to the Elector of Brandenburg. Woodcut portrait of Fuchs on verso title, full-page woodcut illustrations drawn by Albrecht Meyer, copied onto the blocks by Heinrich Füllmaurer and cut by Veit Rudolf Speckle; the artists? portraits appear on fff5r. Basel: Officina Isingriniana, 1542. 378 x 248 mm. Contemporary blind-tooled pigskin over wooden boards, skillfully rebacked, free endpapers renewed, original brass clasps and catches retained, some edgewear. Lower margins of leaves eee4 ?" fff6 repaired (not affecting text), tear in leaf p3 repaired, occasional minor spotting, but a very good, tall and clean copy. Old signature partially removed from title page. First Edition. ?Perhaps the most celebrated and most beautiful herbal ever published? (Printing and the Mind of Man). Fuch?s magnificent herbal, illustrating over 400 native German and 100 foreign plants, is also remarkable for containing the first glossary of botanical terms, for providing the first depictions of a number of American plants, including pumpkins and maize, and for its generous tribute to the artists Meyer, Füllmaurer and Speckle, whose portraits appear on the last leaf. The illustrations in Fuchs?s herbal were copied and adapted by other botanical writers, and their influence persisted into the eighteenth century. Fuch?s De historia stirpium was probably inspired by the pioneering work of Brunfels, whose Herbarum vivae imagines had appeared twelve years earlier. ?These two works have rightly been ascribed importance in the history of botany, and for two reasons. In the first place they established the requisites of botanical illustration?"verisimilitude in form and habit, and accuracy of significant detail . . . Secondly they provided a corpus of plant species which were identifiable with a considerable degree of certainty by any reasonably careful observer, no matter by what classical or vernacular names they were called by different authors, or in different countries . . . Brunfels and Fuchs were apparently the earliest to use the new possibilities for the production of good botanical illustrations; both were fortunate in the exceptionally talented artists and craftsmen whom they were able to employ? (Morton, p. 124). Adams F-1099. Dibner, Heralds of Science, 19. Garrison-Morton.com 1808. Horblit, One Hundred Books Famous in Science, 33b. Hunt Botanical Catalogue 48. Morton, History of Botanical Science, p. 124. Norman 846. Printing and the Mind of Man 69. Norman / Grolier, One Hundred Books Famous in Medicine, 17.

      [Bookseller: Jeremy Norman's Historyofscience.com]
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        IN TITUM LIVIUM Annotationes per Beatum Rhenanum & Sigismundum Gelenium [with] POLYBII HISTORIOGRAPHI HISTORIARUM Libri Quinque, Nicolo Perotto interprete

      Lugduni (Lyon): Seb. Gryphius, 1542. Hardcover. Very Good-. Griffon printer's device to both titlepages and final leaf. Octavo contemporary decorated blind-tooled vellum or pig with portraits including central medallion of Martin Luther and initials A.V.M. with date 1544, metal clasps (one bar missing, some wear, darkened). Livy Annotations 240pp Polybius Books I-V 447pp both inc. title and collated complete. Free endpaper with MS notes on Melancthon de Pudicitia (bottom quarter torn off), "Wg. Dau. Seyboth 18 Jun. 1680" on first title & some annotations in text margins. *Scarce imprints in a beautiful highly decorative binding. The Rhenanus/Gelen annotations were first published here by Gryphius to accompany his edition of Livy's Roman History. Perotti's translation of the only fully preserved portion of Polybius' Histories (Books 1-5) was originally published in 1473 (Baudrier VIII, 170; Hoffmann III, 272). Sebastian Gryphius (c.1492?-1556) a German printer who worked in Lyon from about 1520 later founded l'Atelier du Griffon there, using his griffin printer's device. By the 1540s he was the highly reputed "Prince of the Lyon book trade". He promoted the local humanist culture, and his books were prized for their clean lay-out and accuracy (Wikipedia).

      [Bookseller: Abbey Antiquarian Books]
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        Ploutarhou tou Haironeos Ethika suggrammata en 'ois muria sfalmata katorth

      Basilae (Bâle): per Hier. Frobenium et Nic. Episcopium, 1542. Fine. per Hier. Frobenium et Nic. Episcopium, Basilae (Bâle) 1542, in-folio (20x30cm), (12) 877pp., relié. - Rare Greek edition of the Moralia (Moral and mixed works) given by the editor Jerome Froben and his brother-Nicolas Episcopium who continue the work of their father Johann Froben Basel making an important center of printing. Beautiful brand editor title page and a bandage over wood topped the first treaty. Full text in Greek on 47 lines. Handwritten notes of the seventeenth century on the page titre.Plein modern speckled cardboard, smooth spine, printed label; bit shallow slit in front, very strong binding. Angular wetness and tiny little missing on the title page, several other larger but lighter in the last ten pages of the volume foxing. Missing 3 pages in fine after the full text, with the brand of printer. Beautiful copy margins. --- Please note that the translation in english is done automatically, we apologize if the formulas are inaccurate. Contact us for any information! - [FRENCH VERSION FOLLOWS] Rare édition grecque des Moralia (oeuvres morales et mêlées) donnée par l'éditeur Jérôme Froben et son beau frère Nicolas Episcopium qui poursuivent l'oeuvre de leur père Johann Froben faisant de Bâle un important centre de l'imprimerie. Belle marque de l'éditeur en page de titre et un bandeau sur bois en tête du premier traité. Texte intégralement en grec sur 47 lignes. Annotations manuscrites du XVIIème siècle sur la page de titre. Reliure en plein Reliure en plein cartonnage moucheté moderne, dos lisse, étiquette imprimée ; mors peu profondément fendu en tête, reliure très solide. Mouillure angulaire et infime petit manque sur la page de titre, plusieurs autres mouillures plus étendues mais pâles sur les dix derniers feuillets du volume. Manque 3 pages in fine, après le texte complet, avec la marque de l'imprimeur. Exemplaire à belles marges.

      [Bookseller: Librairie Le Feu Follet]
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        ARBUSTUM / FONTICULUS / SPINETUM.

      Parisiis: Apud Franciscum Stephanum: , 1542. Parisiis: Apud Franciscum Stephanum 1542. "Charles Estienne's manual of shrubs, waterplants and thornhedges, designed for the amateur gardener and landscapist." (see SCHREIBER, F. The Estiennes p.107). First published in 1538, this horticultural work by a member of the great Parisian printing family was eventually incorporated into the Estienne's PRAEDIUM RUSTICUM, 1554, a "collection which represents the most complete account of agriculture and horticulture in the 16th century." (Schreiber p. 122); later, in 1564, this larger work was translated by Liebault and Estienne as LA MAISON RUSTIQUE. Our copy of the ARBUSTUM is the second edition printed with a title page device that Schreiber identifies as device 13, a vine in a vase on a pedestal, which, in this copy, includes an additional border, on three sides, of Greek inscription. Renouard p. 99; Schreiber 119; Hunt 42 (the first edition); SARGENT/TUCKER, Catalogue of the Arnold Arboretum p. 235. 8vo (16.5 x 10.5 cm); 42 + (vi) pp. index. Bound in early gold-highlighted damask paper covers; very minor old stain at bottom right corner of margins measuring 2 cm., text unaffected.

      [Bookseller: Hinck & Wall]
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        PONTIFICALE SECUNDUM RITUM SACROSANCTE ROMANE ECCLESIE: cum multis additionibus opportunis ex apostolica bibliotheca sumptis: et alias non impressis: quarum breuis index post epistola[m] S Domino Domino nostro pape dicata[m] statim sese offert

      Lugduni, per probum virum Hector Penet, 1542.. cum multis additionibus opportunis ex apostolica bibliotheca sumptis: et alias non impressis: quarum breuis index post epistola[m]. S. Domino Domino nostro pape dicata[m] statim sese offert. Aptissimis figuris gestus & motus per sonarum ex officiorum decoro exprimentibus excultum. Quottationibus etiam marginalibus auctoritatum sacre pagine in eo existentium: quo libro: quoto quoq[ue] capite habeantur signatum. Opus sane laudabile atq[ue] divinum. 1542, Imprint details from colophon on I9r (folio [255]). Latin text, folio in eights, approximately 320 x 215 mm, 12½ x 8¾ inches, title page printed red and black with a wide pictorial frame depicting God, the Pope and the saints, the two divisional titles pages to the second and third parts are very similar in red and black but have an additional large rectangular engraving in the middle, different in each and below this the beginning of the text, 52 woodcuts in the text, the first at the top of the first page of text measures approx. 70 x 130 mm (2¾" x 5¼"), the rest about 50 x 75 mm (2" x 3"), a few blocks a little worn, most quite sharp, some repeats, decorated and historiated initials of varying sizes, text and music printed red and black throughout, leaves: [5], ii-ccliiii, [1], LACKING LEAVES XL & LXXXII, final blank leaf replaced at some time, collation: †4, a-x8 (-e7 & -l2), y6, z8, A-H8, I10 (-I10 - blank), bound in half black leather over black pebbled cloth, raised bands to spine, gilt rules and blind decoration in compartments, 2 gilt lettered red morocco labels, marbled edges, red and gilt marbled endpapers. Some slight staining to binding, upper hing rubbed and tender, 35 mm (1½") crack to head of upper hinge, inner hinges neatly strengthened at some time with matching pebbled cloth strips, top inner corner of title page damaged with slight loss of image, now repaired with old paper, tiny repairs also to outer corners, no loss, damage to inner upper corner persists on the following 28 leaves diminishing in size, all repaired, with loss of about 6 words in prelims, no loss to actual text pages, pale damp staining to upper quarter of the page from e3-f8, small pale damp stain to lower inner corner from B3 to the final leaf, tiny single wormhole in lower margin from s5 to final leaf. A good copy (lacking 2 leaves as noted). The 'Pontificale secundum ritum sacrosancte Romane ecclesie' is a manual of ceremonial services of the Cathlolic Church including much Gregorian chant, edited by noted Roman Catholicism historian, Albert of Castile (c. 1460-1522). Adams L1239. MORE IMAGES ATTACHED TO THIS LISTING, ALL ZOOMABLE, FURTHER IMAGES ON REQUEST. POSTAGE AT COST.

      [Bookseller: Roger Middleton]
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        Orlando Furioso

      Beautiful illustrated edition and one of the first that gave Gabriele Giolito de Ferrari, dedicated to the Dauphin of France. It is decorated with a superb coaching and typographical mark on the title Giolito (a phoenix rising from the ashes on a globe with the initials of the printer), 46 pretty faces engraved on wood and many large initials decorated, as well as Ariosto's portrait from Titian, medallion placed at the end of the poem, and the brand of the printer in two variants.The end of the book is a vocabulary obscure words and explanation of difficult passages of the book, not included in the pagination, with particular title, compiled by Lodovico Dolce. Giolito gave more than twenty editions in thirteen years of activity, this is the third edition; the first was published in 1542, the second in 1543, with a reprint with some variations that year.Italicized print two columns. appresso Gabriel Giolito de Ferrari In Vinegia (Venise) 1547 in-8 (10,5x16cm) 227 ff. (29f.) - Sig.A-Z 8 Aa-Ff8 *-***8 relié

      [Bookseller: Librairie Le Feu Follet]
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        Von der eerlichen, zimlichen, auch erlaubten Wolust des leibs, Sich inn essen, trincken, kurtzweil und allerlay unnd mancherlay Creaturen unnd gaabenn Gottes, Visch, Vögel, Wildpret, Frucht der erden

      Augsburg: Steiner, 1542. Hardcover. Very Good. Folio [30.25 x 20 cm]. (10) ff., LXV ff. [ff. 35 misnumbered 47; 37 misnumbered 36; 59 misnumbered 60] with 28 woodcuts., the first 4 with partial early handcolor. Bound in contemporary velum wallet binding, spine with silver paint and MS title; text block loosening; t-p dusty and with some finger-soiling, some scattered staining, a few marginal tears, but mainly a very well-preserved copy with woodcuts in excellent impression and minimal foxing to pages. Very rare sole edition of the first German translation of Platina's definitive De honesta voluptate et valetudine, the first printed cookbook (1474), here illustrated for the first time with 28 woodcuts, many of which were executed by Schäufelein and Burgkmair. According to the translator's preface, the present vernacular rendering was intended not only to bring the delicious bounty of God's creation to German tables, but also as a medical guide and codification of the Ancient Greek and contemporary Humanist science of dietetics - the pursuit of a healthy lifestyle based on eating the correct foods at the correct times. Platina's work is divided into ten chapters, or books. The preface by Stephan Vigilius is addressed to 'lovers of noble Medicine and Medicaments', and touts the book as a valuable guide to the true art of healthful eating - contrasted here with Epicureanism (over-eating, self-indulgence, etc.). According to Vigilius a healthy regimen begins at the table, and the proper order of repast, for example, must always be followed (soup first, etc.). The ten books of Platina's treatise are arranged thematically to cover everything from vegetable-tending to fish-farming to the preparation of all types of bird and beast, often utilizing spices including saffron and pepper. Books 5-10 are filled with hundreds of recipes, mainly derived from a manuscript prepared by the greatest celebrity chef of the 15th century, Maestro Martino de Como. Platina incorporates some 261 recipe entries included in Martino's manuscript cookery book, ranging from the simple (frittatas, sausages, and pasta), to the exotic ("to dress a peacock with all his feathers"). Vigilius' translation is not to be confused with the far more common, but spurious, Kochenmeisterei falsely attributed to Platina which appeared in Augsburg and Strasburg in numerous editions during the 1530s. The present, true translation of Platina was published only once and contains a far more elaborate programme of illustration (with cuts by e.g., Burgkmair and Schäfeulein) than its contemporary rivals. Platina's widely popular 'guide to good living' formed a cornerstone of Humanist interest in dietetics prompted in part by the rediscovery of Greek texts on the subject. Other vernacular translations of Platina preceded the German by a number of decades: Italian (1487) and French (1505). According to Milham, all are very rare in census. We have been able to trace definitively 18 of the total 28 woodcuts, 16 of which were executed by Hans Schäufelein and utilized in a large number of productions by the publisher Steiner (Oldenbourg, L 204-244). The full-page, beautifully engraved woodcut on the verso of b4v is derived from Burgkmair's famous Weisskunig suite (Hollstein # 458), prepared in the early 16th century but never published. The remaining 10 woodcuts bear some similarity to Burgkmair's cuts but have yet to be identified, despite consultation with several art historians (with thanks to Dr. Ashley West and Dr. Deborah Krohn for their assistance in this matter). Provenance: with ex-libris of Joseph Wunsch and Ex. Bibliotheca F.Z.M.Hauslab.

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        De Historia Stirpium

      [Facsimile - Erbario - Commentario] La descrizione delle 343 piante è condotta dall'Autore con nuovi criteri scientifici, che specificano nomenclature, aspetto morfologico, ma soprattutto le vires, le virtù curative, con riferimento anche ai classici maestri della medicina antica, quali Galeno e Ippocrate. Un esemplare originale in latino, stampato a Basilea nel 1542, è gelosamente conservato nella Bibliotheca Antiqua di Aboca Museum. L'importanza di questa opera è sottolineata dal fatto che è stata tradotta in diverse lingue e prodotta in vari formati, diventando così un manuale di riferimento anche negli anni a venire. Il testo in latino è corredato da 517 tavole xilografiche (stampate con incisioni su legno) colorate ad acquarello.Dal punto di vista fitografico viene privilegiato, per la prima volta, l'aspetto generale della pianta con radici, steli, foglie, fiori e frutti, al fine di permettere una più sicura identificazione della stessa. Il volume, rilegato con una preziosa copertina in cartone e fasciato in similpelle, è formato da 928 pagine con 517 tavole a colori. Si presenta in un cofanetto rigido in similpelle, stampato in oro con disegni in rilievo a secco. Il volume è corredato da un esauriente fascicolo introduttivo sulla vita e sull'opera dell'autore. Dedicato agli appassionati di botanica, medicina, storia dell'arte, è un complemento prezioso per ogni biblioteca. Anno di pubblicazione: 2003 Formato cm. 23x35x7 Pagine 928 Illustrazioni: 517 Libro

      [Bookseller: Libri Antichi e Rari Francesco&Claudia]
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        Dell'interpretatione de sogni nouamente di greco in volgare tradotto per Pietro Lauro modonese. -

      Venezia, Giolito (in fine: per Comin de Trino de Monferrato), 1542.In - 8. Legatura coeva in pergamena molle, titolo calligrafato su un antico tassello di carta che ricopre il dorso. Marca tipografica sul frontespizio e alcune iniziali decorative inc. in legno. (8), 139, (1) ff.; saltuarie e lievi velature d'umidità e alcuni fogli leggermente arrossati. Assai rara prima edizione in italiano del più antico libro sui sogni e la loro interpretazione, testo così stimato da Freud che il padre della moderna psicoanalisi ne usò il titolo per la sua opera più celebre. Artemidoro, autore greco del II secolo d.C., raccolse un?enorme quantità di materiale sui sogni durante i suoi viaggi in Asia, Grecia e Italia (visse anche a Roma). L'opera offre una panoramica completa della materia onirica, fornendo una sistemazione scientifica dei sogni basata sugli episodi storici, distinguendo in tal modo i sogni legati al passato ed al presente e quelli relativi al futuro, interpretati come profetici e simbolici. Lo stile è semplice, ma allo stesso tempo elegante. Aldo stampò l?originale greco a Venezia nel 1518, Froben la traduzione latina a Basilea nel 1539, e poi Giolito questa in italiano che, delle tante edizioni e traduzioni, è una delle più rare. Paitoni I, 130. Bongi, Giolito, 32. Thorndike VI, 475. Edit 16, CNCE 3213. Cf. Osler, Wellcome e Durling per altre edizioni. Rare first edition in Italian of this highly important work by the 2nd century AD Greek writer on dreams and their interpretation. Freud took the title of his seminal work from this book and described it as ?the most complete and painstaking study of dream interpretation as practised in the Graeco - Roman world?. A few mild damp stains and light toning of some pages. A good copy bound in contemp. limp vellum, somewhat later paper cover on spine with hand - written title in ink in an early hand.

      [Bookseller: Libreria Antiquaria Rappaport]
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        Medicina.Paris: André Wechel, 1554. First edition.

      Exceptionally fine copy, from the library of Nicolas Fouquet, of "the first systematic treatise on pathology, which also introduced the names for the sciences of pathology and physiology. In the second part, entitled 'Pathologia', Fernel provided the first systematic essay on the subject, methodically discussing the diseases of each organ. Fernel was the first to describe appendicitis, endocarditis, etc. He believed aneurysms to be produced by syphilis, and differentiated true from false aneurysms" (Garrison-Morton).<br/><br/> ❧Norman 785; Pincus 107; PMM 68n; Garrison-Morton 2271. <br/><br/> "With his insistence on personal observation and experiment, Fernel was one of the most influential representatives of a new school of medicine. A very successful physician in Paris, he cured the sterility of Catherine de Medici and the ill-health of Diane de Poitiers, and later became physician to Henry II.<br/><br/> "'On the Natural Part of Medicine' [i.e., <i>De Naturali Parte Medicinae</i>, 1542] was later revised and published as the first part of his great general book, the <i>Medicina</i>, Paris, 1554. In that edition it was first called 'Physiologia', thus giving the subject the name by which it has been known ever since. The orthodox theories of the four humours (blood, phlegm, yellow and black bile), the four qualities (hot, cold, wet, dry), and the four elements (earth, air, fire and water), on whose proper interrelations the functions of a healthy body were believed to depend, still prevailed in Fernel. But he entirely rejected all magic and superstition as irrelevant to the study of bodily functions, and clearly stated that anatomy shows only the location and not the nature of these processes. Fernel included in 'physiology' the study of the mind and brain. <br/><br/> "Equally important was the second part of the 1554 <i>Medicina</i>, the <i>Pathologia</i>. The first book on pathology was <i>De Abditis Causis Morborum</i>, Florence, 1507, by the Italian physician Benivieni (c. 1440-1502); it was a pioneer work in which for the first time post-mortem studies were used for finding internal causes of diseases. But Benivieni was a Galenist and did not develop a new system. It was Fernel who first used the term 'pathology' and his was the first systematic essay on the morbid phenomena of the human body, examined methodically organ by organ. Hitherto pathological study had been confirmed to collections of case-histories without any attempt at a logical or methodical system. Fernel's work included a number of notable observations - in the 1567 edition there is a case-history which has been claimed as the first description of appendicitis. Everything that was a cause of an ailment was part of his conception of pathology; later the term was identified more closely with morbid anatomy alone, until at the end of the nineteenth century Cohnheim initiated a return to Fernel's wider concept.<br/><br/> "Both physiology and pathology had, of course, existed in rudimentary form before Fernel; but he was the pioneer who gave these subjects their names and established them as separate systems. His books were very widely studied; the <i>Physiologia</i> went through thirty-four editions in the next hundred years and was translated into French and English." (<i>Printing and the Mind of Man</i>). <br/><br/> <i>Provenance:</i> 'Double-phi' cipher of Nicolas Fouquet (1615-80), finance minister to Louis XIV penned on upper margin of title. From the renowned, but undocumented library of the French non-practicing physician, music publisher, and connoisseur, Jean Blondelet. Contemporary marginalia, including index of diseases related to biblical names on final flyleaf.. Folio (340 x 228 mm), pp. [12], 250 (misprinted 248), [14], 238, [18], 90, [10]. Woodcut portrait in text. Contemporary limp vellum, all edges gilt, two binder's cords broken in upper spine, very unusual 15th century Latin inscriptions, music and cartoons visible on inside front and back covers and inner flaps. Margins of last 10 leaves a trifle gnawed, but a very fine and completely unrestored tall copy, in a full morocco suede-lined box by Lobstein

      [Bookseller: Sophia Rare Books]
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        Ioannis Grammatici Cognomento Philoponi Eruditissima Commentaria in Primos Quatuor Aristotelis De Naturali Auscultatione Libros Nunc Primum E Graeco in Latinum Fideliter Translata

      Venetiis: Brandinus & Octavianus Scotus, 1542-01-01. Hardcover. Good. Folio. [2], 85p, 48p, [1]. Bound in modern leather. 4 raised bands. Gilt title to second compartment. Printers imprint to final leaf. Fine binding and cover. New FFEP. Marginal dampstain throughout. Otherwise, clean, unmarked pages. John Philoponus, also known as John the Grammarian or John of Alexandria, was a Christian and Aristotelian commentator and the author of a considerable number of philosophical treatises and theological works. A rigorous, sometimes polemical writer and an original thinker who was controversial in his own time, John Philoponus broke from the Aristotelianâ€?"Neoplatonic tradition, questioning methodology and eventually leading to empiricism in the natural sciences. He established his own independent thinking in his commentaries and critiques of Aristotle’s On the Soul and Physics. In the latter work Philoponus became one of the earliest thinkers to reject Aristotle’s dynamics and propose the ‘theory of impetus’: i.e., an object moves and continues to move because of an energy imparted in it by the mover, and ceases movement when that energy is exhausted, an early that was the first step towards the concept of inertia in modern physics. His works were widely printed in Latin translations in Europe from the 15th century onwards. His critique of Aristotle in the Physics commentary was a major influence on Giovanni Pico della Mirandola and Galileo Galilei, who cited Philoponus substantially in his works, often citing him more than Plato. The Physics of Aristotle is one of the foundational books of Western science and philosophy, “Without Aristotle's Physics there would have been no Galileo.” (Heidegger, "On the Essence and Concept of φὐσις in Aristotle's Physics). Philoponus’ main significance in the history of science lies in his being, at the close of antiquity, the first thinker to undertake a comprehensive and massive attack on the principal tenets of Aristotle’s physics and cosmology, an attack unequaled in thoroughness until Galileo. LC: Adams P1058

      [Bookseller: SequiturBooks]
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        New Kreuterbuch

      1542. FUCHS, Leonhard. New Kreüterbuch. [16], 427 ff. Illustrated with a woodcut title-page vignette, a full-page woodcut portrait of Fuchs, 517 full-page botanical woodcuts, three woodcut portraits of the participating artists on one leaf, and a printer's device on final leaf. Folio, 380 x 240 mm, bound in contemporary Swiss blind-tooled pigskin, traces of two pairs of ties. Basle: M. Isengrin, 1543. |~||~||~||~| First Edition in German of Fuchs' acclaimed work, without doubt the most beautiful herbal ever published. This edition has six woodcuts not appearing in the 1542 Latin edition, plus a number of corrections and additions to the text. The importance of this work lies chiefly in its illustrations of 400 native German and 100 foreign plants, including several American species -- maize, pumpkin, chili pepper, and snap bean -- which were depicted here for the first time. Several of the plants were drawn on such a large scale that even for this folio volume the plants bend and curve to fit fully within the page. These images were the product of a collaborative effort by three artists: Albrecht Meyer, who provided the original drawings of the plants, Heinrich Füllmaurer, who drew the images onto the woodblocks, and the skilled woodcutter Veit Rudolf Speckle, who was responsible for the delicate printed impressions in this book. All three artisans are depicted on a single plate on fol. BB7v -- one of the earliest of such honors to have been accorded to contributing artists for book illustration. They worked closely with Fuchs, a professor of medicine at Tübingen, to produce detailed and accurate studies which are also remarkably expressive works of art. "In 1542 we get the first portrait of an engraver. This occurs in a beautiful Herbal by the German botanist Fuchsius, which contains five hundred large and noble cuts of which the Goodman is very proud; so that he not only trumpets their praises in his Introduction but he devotes the last page of the Herbal to the portraits of the artists, the 'Pictores Operis,' who adorned this the most lovely book of its kind" (Bliss, The History of Wood-Engraving pp. 3-4). Leonhard Fuchs (1501-1566) was a professor of medicine at Tübingen for over 30 years. Before that he practiced medicine in Munich and developed a reputation throughout Europe for his successful cures of the plague, often citing the efficacy of herbal treatments. In his New Kreüterbuch Fuchs' goal was to represent the life history of the plant in a single image, depicting the development of the fruit and leaves as well as the root system. Meyer's delineations are greatly enhanced by the delicate wood-cutting, which Fuchs justifiably compared to metal engraving. The New Kreüterbuch was frequently reprinted and was later translated into French and Spanish. The influential woodcuts served as a source for many botanical books that followed, including the first English herbal (William Turner's New Herball of 1551) and the herbals of Pietro Andrea Mattioli. The Fuchs text included the earliest glossary of botanical terms, based upon the teachings of Theophrastus. A number of plant species names originally coined by Fuchs were accepted by Linnaeus and are still in use today. An excellent copy in attractive, original condition. Some insignificant stains to extreme blank margins of a few leaves, binding with some soiling and shelf wear at extremities. PROVENANCE: Inscription partially erased at foot of title "Theobaldus Linber** gius of Basil 20 Marz 1630"; Carleton P. Richmond (1915-1999), Harvard graduate and rare book collector of Botanical Books, Americana, and English Literature, with his ex-libris. Nissen, BBI 658. Grolier/Norman, 100 Books Famous in Medicine 17. Adams 1099. Blunt 48-56. PMM 69. Plesch 272. Grolier 100 33b. Pritzel 3138. Hunt I, 48. European Americana 542/10. Fairfax Murray, German 175. Rosenwald 905. Johnston, The Cleveland Herbal 62. Arber, Herbals 64-70.

      [Bookseller: Ursus Rare Books]
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        Ploutarhou tou Haironeos Ethika suggrammata, en 'ois muria sfalmata katorthotai. Plutarchi chaeronei moralia opuscula, multis mendarum milibus expurgata

      Rare Greek edition of the Moralia (Moral and mixed works) given by the editor Jerome Froben and his brother-Nicolas Episcopium who continue the work of their father Johann Froben Basel making an important center of printing. Beautiful brand editor title page and a bandage over wood topped the first treaty. Full text in Greek on 47 lines. Handwritten notes of the seventeenth century on the page titre.Plein modern speckled cardboard, smooth spine, printed label; bit shallow slit in front, very strong binding. Angular wetness and tiny little missing on the title page, several other larger but lighter in the last ten pages of the volume foxing. Missing 3 pages in fine after the full text, with the brand of printer. Beautiful copy margins. per Hier. Frobenium et Nic. Episcopium Basilae (Bâle) 1542 in-folio (20x30cm) (12) 877pp. relié

      [Bookseller: Librairie Le Feu Follet]
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        (DISCORIDE). FATTO DI GRECO ITALIANO AL CUI FINE SONO APOSTE LE SUE TAVOLE

      Per Curtio Troiano di Navò (al fine: per Giovanni de Farri et Fratelli) 1542 (DISCORIDE PEDANIO). FATTO DI GRECO ITALIANO AL CUI FINE SONO APOSTELE SUE TAVOLE ordinate, con certe avertenze, e trattati necessarij, per la materia medesima. Per Curtio Troiano di Navò (al fine: per Giovanni de Farri et Fratelli), 1542. In - 16°, pergamena molle coeva. 310 cc.num., 14 cc.nn., due diverse marche tipografiche silografate al frontespizio e in fine. "Prima edizione della versione italiana" dell'opera del medico greco Dioscoride (1° sec. d.C.) La sua opera "Sulla materia medica", un trattato completo di farmacologia, esercitò grandissima influenza nel campo farmaceutico e medico fino ai tempi moderni. Il sesto libro contiene ?de li mortiferi veleni e di loro previdenza e cura? e ?de li velenosi animali?. Il volgarizzamento particolarmente accurato è opera del celebre umanista. Bell' esemplare.

      [Bookseller: Brighenti libri esauriti e rari]
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        De Crepusculis liber unus, nunc recens & natus et editus. Item Allacen Arabis vetustissimi, De causis Crepusculorum Libert unus, à Gerardo Cremonensi iam olim Latinitate donatus, nunc vero omnium primum in lucem editus

      Title within fine woodcut architectural border, many woodcuts in the text, & a full-page woodcut printer's device on verso of penultimate leaf. 74 unnumbered leaves (the final leaf a blank). Small 4to, attractive antique panelled calf (three inoffensive old stamps on title of the public library of Douai, one of which is a release stamp). [Lisbon: L. Rodriguez, 1542]. First edition of an extremely rare book which contains two notable texts on atmospheric refraction, both entitled De Crepusculis. The first is by Pedro Nuñez (or Nunes) (1502-78), who is considered to be the greatest of the Portuguese mathematicians. He served as chief royal cosmographer and professor of mathematics at the University of Coimbra. His writings reveal him to have been a first-rate geographer, physicist, cosmologist, geometer, and algebraist. He also made important contributions to navigation. Nuñez's text, on atmospheric refraction, twilight, and scientific instruments used to make observations, belongs to his most significant works and occupies the first 65 leaves. "Nuñez made important contributions in the design of instruments. In astronomical observations the impossibility of precisely measuring small portions of an arc was an impediment, and to overcome this difficulty, he conceived the idea of the nonius. In its original form this instrument, consisting of forty-four concentric auxiliary circles, was attached to an astrolabe for measuring fractions of a degree...Each circle had one division less than the one outside it and one division more than the one inside, making it possible to take a reading from the circle that gave the most accurate approximation. This instrument has not been modified during the four centuries since it was devised."-D.S.B., X, pp. 160-61. It later developed into the vernier. The balance of the book prints De Crepusculis by Abhomadi Malfegeyr (or Abu 'Abd Allah Muhammad ibn Mu'adh), translated from Arabic into Latin by Gerard of Cremona. This text was long thought to have been by Alhazen, but A.I. Sabra (see his "The Authorship of the Liber de crepusculis" in ISIS, Vol. 58, No. 1, Spring 1967, pp. 77-85) has made a convincing case that the text was actually written by the Andalusian mathematician Ibn Mu'adh (second half of the 11th century). Ibn Mu'adh's De Crepusculis contains an estimation of the angle of depression of the sun at the beginning of the morning twilight and at the end of the evening twilight. It is an attempt to calculate on the basis of this and other data the height of the atmospheric moisture responsible for the refraction of the sun's rays. Fine and crisp copy. ❧ Palau 196748. Picatoste y Rodriguez 552. Stillwell 781 & 863. Nunes: Kiely, Surveying Instruments, p. 169. .

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        ARNOBII DISPUTATIONUM ADVERSUS GENTES LIBRI OCTO. Nunc primum in lucem editi. Romae, Apud Franc. Priscianen. Florentinum, 1542.

      Prima edizione, a cura del bresciano Fausto Sabeo. Testo latino. Cm.30,7x21. Pg.(8), CII numerate solo al recto, (2). Legatura in piena pergamena rigida. Tagli spruzzati. Esemplare ad ampi margini, con alcuni aloni. Vecchi restauri cartacei alle ultime due carte. Minime chiose manoscritte al frontespizio. La dedicatoria di Fausto Sabeo a Francesco Valesio riporta la data Settembre 1543, mentre al colophon è apposta la datazione "Romae, in aedibus Francisci Priscianensis, 1542". "Arnobio (Sicca Veneria, 255 ? 327) fu un filosofo e scrittore romano, chiamato a volte "il vecchio" per distinguerlo da Arnobio il giovane, monaco del V secolo. Le scarse notizie biografiche provengono da San Girolamo ("Chronica ad annum; De viris illustribus, III, 79, 80; Lettera 58"), che afferma che Arnobio fu un retore pagano di Sicca Veneria, nell'Africa proconsolare, che avrebbe avuto per discepolo Lattanzio e avrebbe anche scritto contro la dottrina cristiana. Convertitosi alla fine del III secolo grazie a un sogno, chiese di ricevere il battesimo per poter far parte della comunità cristiana; allo scopo di superare i dubbi del suo vescovo sulla sincerità della conversione scrisse, dopo la fine del regno di Diocleziano (284 - 305) e prima dell'Editto di Milano (313), un'opera apologetica in sette libri, "Adversus gentes", poi intitolata, nel manoscritto più antico pervenutoci nel IX secolo, "Adversus nationes". Scritti per lettori ignari dei contenuti della fede cristiana, con lo stile del retore, letterario e anche ampolloso ma anche, quando occorre, ironico e realistico, i libri I e II espongono la divinità della figura di Cristo e della religione cristiana - che egli considera in accordo con le teorie dei migliori filosofi pagani, rilevando tendenze cristiane già in Platone - trattano una teoria dell'anima e ribattono le accuse dei pagani al cristianesimo di essere responsabile delle tragedie che colpiscono l'umanità; i libri III, IV e V attaccano la mitologia pagana, considerata contraddittoria e immorale, riportando preziose notizie su templi, riti e idoli; i libri VI e VII difendono i cristiani dalle accuse di empietà. Scarsi sono i riferimenti al Nuovo Testamento e sembra sorprendente la mancanza di citazioni dal Vecchio Testamento del quale non riconoscerebbe i presupposti al Nuovo; del resto, la sua concezione del Dio cristiano è del tutto estranea alla visione ebraica: deriva dall'epicureismo l'inaccessibilità indifferente fra esso, Deus summus, e tutte le altre creature, compresi gli altri dei, che per Arnobio esistono realmente ma sono subordinati al "Deus princeps". Una derivazione gnostico - platonica si nota nella sua concezione dell'anima, materiale e creata da un demiurgo (II, 36): l'uomo è un essere cieco che non conosce se stesso ma la convinzione dell'esistenza del divino è innata nell'anima, malgrado la sua materialità (I, 33) perché la rivelazione lo ha reso partecipe della sapienza divina, ed essa può pertanto raggiungere l'immortalità attraverso la grazia di Dio, mentre le anime dei dannati si dissolvono tra le fiamme dell'inferno (II, 32 e 61). Si critica comunemente Arnobio di non essere un autentico cristiano perché si formò in un ambiente pagano; in realtà il cristianesimo, allora e come avverrà nei secoli successivi, era in una fase di evoluzione ideologica che poteva svilupparsi solo utilizzando, adattate in parte, concezioni della cultura dominante, né esisteva un'ortodossia cristiana, per la mancanza di un'autorità unica riconosciuta che decidesse della legittimità delle varie interpretazioni dottrinali. Quello di Arnobio è dunque il cristianesimo di un erudito del III secolo, con una cultura necessariamente non cristiana, ma gnostica, platonica, stoica; il suo è, sostanzialmente, uno dei cristianesimi possibili nel suo tempo. Viene citato anche da Leonardo Sciascia nel romanzo "Candido", ovvero un sogno fatto in Sicilia del 1977" (da wikipedia).

      [Bookseller: Studio Bibliografico Pera]
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        DE NOTEVOLI ET UTILISSIMI AMMAESTRAMENTI DELL'AGRICOLTURA Di greco in volgare novamente tradotto per Pietro Lauro modonese, con la tavola di tutto ciò che nell&#39;opera si comprende.

      Venetia, apresso Gabriel Iolito di Ferrarii, 1542. In-16 p. (mm. 155x100), p. pergam. antica (risg. rifatti), tit. ms. al dorso, 8 cc.nn., 171 cc.num., marca tipograf. della Fenice al frontespizio e in fine, ornato da eleganti grandi capilettera figur. a vignetta inc. su legno. Opera divisa in 20 libri: cinque sono dedicati al vino e numerosi sono i riferimenti alla gastronomia. Si trovano anche capitoli su come preparare le esche per la pesca di fiume e di mare, sull'allevamento delle pecore, mucche, cavalli, sulla preparazione del miele, dell'olio, ecc. "Prima edizione". Cfr. Bongi,I, p. 40: ?"E?' la traduzione de?' venti libri delle "Geoponiche", raccolta di precetti d?'agricoltura, un tempo attribuita all?'imperatore d?'Oriente Costantino VII Porfirogenito (903 - 959). Nello stesso anno 1542 fu stampata altra traduzione della stessa raccolta fatta da Niccolò Vitelli, il quale si valse però della versione latina di Giano Corrario. Il Lauro, invece, avrebbe condotto il suo lavoro sul testo greco?". Leggermente corto del marg. sup.; restauro al frontesp. per manc. al margine interno (non di testo) e con lieve arross.; altrim. esemplare ben conservato.

      [Bookseller: Libreria Malavasi sas]
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        DE RATIONE CURANDI AD GLAUCONEM LIBRI DUO Interprete Martino Acakia Catalaunensi, doctore Medico eiusdem interpretis in eosdem libros Commentarii.

      Venetiis, apud Iuntas, 1542. In-16 p. (mm. 156x104), cartonato muto antico, 8 cc.nn., 365 pp.num., marca tipografica al frontesp. e al fine (a tutta pag.), ornato da grandi iniz. figur. a vignetta, inc. su legno. Rara "prima edizione giuntina" con il commento del celebre medico francese Martin Akakia (1500-1551). Cfr. Wellcome,I,6885 - Durling,1900 - Camerini "Annali dei Giunta",I,470. Antiche scritte a penna margin. altrim. ben conservato.

      [Bookseller: Libreria Malavasi sas]
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        Eutyci Augustini Niphi Philothei Suessani in libru Destructio Destructionum Auerrois Comentarii . Codicillus de Sensu agente

      Lyon: [apud] Jacobum Givnctam, 1542. (ii); ff 346; (ii) pages. Tiny hole in title-page, lacking final blank leaf. Nineteenth century continental dark green quarter morocco, one corner bumped. With the book plate of the educational reformer and founder of the Dartington Trust L. K. Elmhirst. The Aristotelian scholar Eutycus Augustine Niphus was introduced to the text of Averroes' work 'Destructio Destructionum' by his friend the philosopher Jerome Bernardus of Venice and saw that it was 'full of benefit'. As well he might; for though the work was badly translated and difficult to understand, it was by the great 12th century Arab polymath Averroes, himself an Aristotelian scholar. Under pressure from his friend, Niphus agreed to present his own interpretation, which in the text follows a series of contentions between Averroes and his fellow philosopher Algazel.. Very Good. 8vo.. Book.

      [Bookseller: Roger Collicott Books]
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        Het koddig en vermakelyk leven van Louwtje van Zevenhuizen, of het schermschool der huislieden, vervat in twee deelen. Waar agter gevoegt is de Afrikaansche en Aziaansche weg-wijzer, ...Rotterdam, Pieter de Vries, 1752. 4 parts in 2 volumes, bound as 1. 8vo. With engraved allegorical frontispiece, a letterpress general title-page, 4 part-titles. Contemporary mottled calf, richly gold-tooled spine.

      Buisman 2147; De Vries 242; Landwehr, VOC 1542 note & 1543 note (parts 3-4); Mendelssohn II, pp. 413-14; Muller 504; Scheepers I, 432 (this copy); STCN (4 copies); Tiele, Bibl. 1015; not in: Ford, Isle of Pines. Second edition, by the printer-publisher of the 1704 first edition, of a rare coarse satire whose title can be translated as, "The comical and entertaining life of Louwtje Zevenhuizen, or the family fencing school." The two volumes of the "fencing school" are followed by the African and Asiatic guide, which Spaan had published separately in 1694 and 1695. The former includes a chapter on the fictitious Isle of Pines.The first two parts, volumes one and two of the "fencing school" satirize the rough morals, customs and traditions of Dutch country people, with lively, convincingly realistic and sometimes coarse descriptions. The Afrikaanse weg-wijzer says it is for the benefit of those who can't earn a living in their native country. Chapter VII describes the fictitious Isle of Pines, where Joris Pines was supposedly shipwrecked in 1589 and lived a life of luxury and pleasure with his four wives and 1789 children and grandchildren. The last part describes a voyage to and in the East Indies and the unknown Australia, with information on Java, Ceylon, Formosa, Ambon, Ternate, Celebes and Borneo.With the bookplates of J. W. Six and Jan Steenks. In very good condition. The binding shows some chips and cracks, mainly in the spine, but is structurally sound.

      [Bookseller: ASHER Rare Books (Since 1830)]
 27.   Check availability:     NVvA     Link/Print  


        Delle guerre civili de Romani

      Venetia: Per Curtio de Navò & Fratelli al leone - Giovanni de Farri & Fratelli, 1542. pergamena (vellum). Molto buono (Very Good). 16mo. Tradotto da M. Alessandro Braccese Fiorentino, e nuovamente con somma diligentia stampato. Marca xilografica al frontespizio raffigurante il leone rampante che tiene tra le zampe un nastro recante la scritta "Invidia Fortitudine Superatur Dorso con titolo manoscritto [Graesse, 1993]

      [Bookseller: Studio Bibliografico MArini]
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        Manuscript document, on paper. In Latin

      Aragon, 5 May 1542.

      [Bookseller: SessaBks, A Division of the Philadelphia]
 29.   Check availability:     IOBABooks     Link/Print  


        Satureia, Plate 304

      Basel 1542 - Herbals are books containing the names and descriptions of plants and their medicinal properties. The herbal had declined during the Middle Ages, western European herbals of that era were based on the works of classical authors, in particular Pedanios Dioscorides, the ancient Greek writer who was the father of medical botany. This would change with the publication of Leonhart Fuchs&#146; illustrated herbal De historia stirpium commentarii insigne. The plan and organization of the herbal was entirely original with Fuchs, although the work did include some material derived from his Classical predecessors. Fuchs&#146; De historia stirpium represented an impressive first step from medieval superstition to modern botany. Leonhart Fuchs, a German doctor of medicine, deplored the terrible state of medical practice during his lifetime. Most doctors of his time relied on information from illiterate apothecaries, whom were, in turn, depending upon the peasants who gathered roots and herbs for them. Fuchs realized that patients could easily be poisoned rather than cured because of improper identification of plants. Therefore he compiled this herbal to improve the German pharmacopoeia with a reference of accurate illustrations and identifications of medicinal herbs in both German and Latin. The result was a book of great splendor, without equal among sixteenth-century herbals. It is illustrated with 511 hand-colored woodcut figures, all original and depicted from life. Fuchs looked to living plants for his illustrations, a departure from common practice at that time, but then &#147;improved&#148; them by removing any natural imperfections and by showing a plant in the flowering and fruiting stages simultaneously. These figures established a standard of botanical illustration that has lasted to the present day, and more than 100 species were illustrated for the first time (including 12 New World plants such as maize, kidney bean, chili pepper, cactus, and tobacco). During Fuchs&#146; lifetime, the herbal and its various abridgments went through 39 printings in Latin, German, French, Spanish and Dutch. This hand colored wood-cut engraving, 14.25" x 9.25", is in excellent condition with evidence of verso page text. Satureja is now commonly spelled Satureja or Savory which is a genus of aromatic plants of the family Lamiaceae. Savory is related to rosemary and thyme. This engraving is original hand coloring from 1542 and has perfect oxidation of the copper in the green pigment, which goes idyllically through the paper. De Historia Stirpium is one of the earliest legitimate medicinal textbooks of its time.

      [Bookseller: Arader Galleries San Francisco]
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        INSIGNE COMMENTARIORUM OPUS, IN PSALMOS OMNES DAVIDICOS.ACCEDIT AD HAEC, IN MATUTINALIA VII CANTICA, IN MAGNIFICAT.SYMBOLUM FIDEI.

      OUDINUM PARVUM, VIA AD D. JACOBUM SUB LILIO AUREO, Parisiis 1542 - [Biblia-raro] (cm33) bella e solida piena pergamena coeva, nervi, tit. al dorso. -- cc. 12 nn., cc. 327. Grande marca al frontis, molti capilettera a " fond crible" abbelliscono questa elegantissima edizione. In fine: " excudebat Johannes Lodoycus Tiletanus ". Edizione estremamente rara. Manca al BM. STC. FRENCH e amolta bibliografia consultata compreso il CAT. DELLA BIBL. PROVINCIALE DEI CAPPUCCINI DI REGGIO EMILIA e il CAT. DELLA BIBL. DEL SEMINARIO DI MILANO che hanno ambedue molte opere dell' autore. Manca una carta bianca in fine, ma esemplare molto bello, nitido e genuino. ADAMS D 559.[f27] [Attributes: Hard Cover]

      [Bookseller: LIBRI ANTICHI E RARI FRANCESCO&CLAUDIA]
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        SOLILOQUIA CENTUM. EPITOMATA CENTUM. DYALOGI CENTUM, COMMENTARII DUCENTI. Humano lure excepta per Rev. Do. Joannem De Arnono De Sancto Angelo Farfanellae Divini et Humani Iuris laureatum. PRACTICA IUDICIARIA, Quam sequuntur centum differentiae inter ius.

      Per Melchiorem Sessa, Venetiis 1542 - (500, DIRITTO, RARO). (cm 16,2) Bella mz. pergamena antica, piatti con antifonario rosso e nero, cc. 228, carattere rotondo, capilettera ornati, marca tipogr. in xilogr. in fine. Dedica a Fabrizio e Camillo Jesualdo, datata 1534. Edizione assolutamente rara. Manca a tutta la bibliogr. da noi consultata, compreso BM. STC., Adams, e Sapori "Antichi testi giuridici". Antiche firme "Ex libris" al frontis e alcune chiose coeve ai margini, altrimenti bell'esemplare fresco e nitido, solo qualche lieve fiorit. marginale. Il CENSUS Nazionale, ICCU, registra solo 11 copie nelle biblioteche italiane.[f50] [Attributes: Hard Cover]

      [Bookseller: LIBRI ANTICHI E RARI FRANCESCO&CLAUDIA]
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        DE HISTORIA STIRPIUMDI LEONHART FUCHS OF LEONHART FUCHS (Fine Facsimile of 1542 Folio Botanical Manuscript)

      Italy: Priuli Verlucca. New;. Hardcover. <p>Cover valuable in imitation with seven nerves reinforcement in the back and impressions on dry dishes. Inserito in elegante cofanetto identico alla copertina. Posted in elegant box identical to cover. 898 pagine in folio (cm 28,5x35). 898 pages in folio (28.5 cm x35). In collaborazione con Aboca Museum In collaboration with Aboca Museum</p><p>From one of the Fathers of botany &#39;restorer of art to heal in Europe comes this first edition in 1542 for the types of Michael Isingrin Basel,&#39; editio isingriniana. Le sue caratteristiche sono le seguenti: 898 pagine in folio , 517 tavole xilografiche, 343 "stirpi" cioè specie, 125 termini di glossario, indice analitico in greco, latino, tedesco e di voci di spezieria. Its characteristics are as follows: 898 pages in folio, 517 tables xilografiche, 343 "races" that is, species, 125 glossary of terms, index in greek, Latin, German and items spezieria. Tale capolavoro è conservato nella biblioteca di Aboca Museum. This masterpiece is kept in the library of Aboca Museum. Furono così celebri per secoli l&#39;Autore e la sua opera che in molte lingue oggi il nome "fucsia" identifica la pianta, I cui fiori sono di quel colore, scoperta nel 1703 a Santo Domingo e dedicata da allora proprio al Leonhart Fuchs. They were so famous for centuries the author and his work that in many languages today the name &#39;fuchsia&#39; identifies the plant, whose flowers are of that color, discovered in 1703 in Santo Domingo and dedicated by then just Leonhart Fuchs. </p><p>Aboca Museum Editions, which has the primary purpose of dissemination of knowledge-botanical medicine, especially by means of facsimile and anastatiche tables subject to botanical and herbaria old, today made the reproduction anastatica De historia stirpium, with the collaboration of Priuli & Verlucca, publishers, which will ensure its distribution. Priuli & Verlucca, già forte per essere presente, fin dai primi anni Novanta, nella specializzata e ristretta cerchia di editori sia di facsimile autentici di codici miniati, sia di anastatiche di codici e stampe rinascimentali, insieme con Aboca Museum coglie l&#39;opportunità della perfetta riproduzione degli antichi capolavori facendo nascere un nuovo valore culturale: invece di un unico esemplare praticamente inaccessibile, la disponibilità e la sostanziale eternità della ineccepibile riproduzione anastatica. Priuli & Verlucca, already strong in order to be present, since the early nineties, in the specialized and restricted circle of publishers is authentic facsimile of codes illuminated, both anastatiche codes and Renaissance prints, along with Aboca Museum takes the opportunity of perfect reproduction of the ancient masterpieces by birth a new cultural value: instead of a single copy virtually inaccessible, the availability and substantial eternity of perfect reproduction anastatica. Così è già successo per molti capolavori nella storia, fortunatamente: della statuaria greca abbiamo quasi solo più le copie romane; fu merito dei copisti medievali il salvataggio dei tesori letterari originali dell&#39;antichità; l&#39;invenzione della stampa da fine &#39;400 e quella della fotografia dalla prima metà dell&#39;800, hanno poi portato radicali innovazioni nella riproduzione, finendo col diventare autonomi generi editoriali. This has already happened for many masterpieces in history, fortunately: Greek statues have almost only more copies Roman; was on the medieval copyists saving original literary treasures of antiquity, the invention of printing from the end of&#39;400 and the photography by first half dell&#39;800, then brought radical innovations in reproduction, ended up becoming self-publishing genres. La riproduzione anastatica è così accurata che mantiene persino le imperfezioni ei restauri dell&#39;originale, dando luogo a un libro di gran lusso in grado di soddisfare le esigenze estetiche e contenutistiche di qualsiasi bibliofilo e appassionato della materia botanica. Reproduction anastatica is so accurate that keeps even the imperfections and restoration of the original, resulting in a book of luxury in a position to meet the needs and aesthetic content of any bibliophile and passionate field of botany. È identica la misura in folio , mentre per riprodurre la carta è stata usata una carta vergata tipo corolla-book premium white ; la copertina è in pregevole similpelle bordò, con sette nervi di rinforzo nel dorso e, nei piatti, rilievi a secco con le immagini del Fuchs e dei suoi collaboratori. It is identical to what extent folio, but to play the card was used a card type corolla vergata-book premium white; the cover is in excellent imitation bordò, with seven nerves reinforcement in the back and, on the turntable reliefs dry with images of Fuchs and his collaborators. Insieme con un ampio saggio esplicativo, a cura di Duilio Contin e Alessandro Menghini, il libro è inserito in un elegante cofanetto identico alla copertina. Together with a broad explanatory essay, edited by Duilio Contin and Alessandro Menghini, the book is inserted in an elegant box identical to cover. </p>; 28.5cm x 35cm; 898 pages .

      [Bookseller: New Boston Fine and Rare Books]
 33.   Check availability:     Biblio     Link/Print  


        Libro de pestile[n]cia curativo y preservativo: y de fiebres pestilenciales con la cura de todos los accidentes dellas y d las otras fiebres y habla de.

      Brocar, Alcalá de Henares 1542 - 10 h. inc. portada orlada, a dos tintas, 42 fol. Impresión en caracteres góticos, a dos columnas, letras capitulares grabadas sobre madera. Piel del siglo XIX, lomo con nervios, hilos y adornos dorados. Rarísimo gótico impreso en Alcalá de Henares, el texto castellano impreso en caracteres góticos y el latino en cursiva. Es, junto con Remedio de cuerpos humanos y Vergel de sanidad, una de las obras más importantes que escribió Luis Lobera de Ávila, médico del Emperador Carlos V, a quien siempre acompañó por Europa y África. Sin duda, puede considerársele el médico español más sabio de su tiempo. Ofrece un completo tratado sobre la peste, su prevención, su proceso curativo, como se han de utilizar los elementos para combatir la fiebre, el sudor y otros efectos de la misma, los alimentos que se han de tomar.Lobera de Ávila publicó también entre otros: Vergel de sanidad que por otro orden se llama.; Remedio de cuerpos humanos y silva de experiencia. y Banquete de nobles cavalleros.Ejemplar en buen estado de conservación, con alguna ligera mancha, pequeña restauración en la esquina superior derecha del folio XL, sin afectar texto. Marginalia del siglo XVII. Palau, 139422; Martin Abad, La Imprenta en Alcalá de Henares, 327. El CCPB solo registra un ejemplar en la BNE.

      [Bookseller: Delirium Books · Susana Bardón]
 34.   Check availability:     IberLibro     Link/Print  


        County of Guangxi Province. North stream (Set of 5)(Chinese Edition)(Old-Used) GUANG XI SHENG BEI LIU XIAN ZHI ( TAO ZHUANG GONG 5 CE )

      hardcover. New. Ship out in 2 business day, And Fast shipping, Free Tracking number will be provided after the shipment.Hardcover Pages Number: 1542 Language: Chinese. Taipei County. Taiwan Province can make us a more nuanced understanding of Taipei County. Taiwan Province. the local aspects of society. the Social History of the important information to help in the History prosperity! Satisfaction guaranteed,or money back.

      [Bookseller: cninternationalseller]
 35.   Check availability:     Biblio     Link/Print  


        Hermionitis, Plate 294

      Basel 1542 - Herbals are books containing the names and descriptions of plants and their medicinal properties. The herbal had declined during the Middle Ages, western European herbals of that era were based on the works of classical authors, in particular Pedanios Dioscorides, the ancient Greek writer who was the father of medical botany. This would change with the publication of Leonhart Fuchs&#146; illustrated herbal De historia stirpium commentarii insigne. The plan and organization of the herbal was entirely original with Fuchs, although the work did include some material derived from his Classical predecessors. Fuchs&#146;De historia stirpium represented an impressive first step from medieval superstition to modern botany. Leonhart Fuchs, a German doctor of medicine, deplored the terrible state of medical practice during his lifetime. Most doctors of his time relied on information from illiterate apothecaries, whom were, in turn, depending upon the peasants who gathered roots and herbs for them. Fuchs realized that patients could easily be poisoned rather than cured because of improper identification of plants. Therefore he compiled this herbal to improve the German pharmacopoeia with a reference of accurate illustrations and identifications of medicinal herbs in both German and Latin. The result was a book of great splendor, without equal among sixteenth-century herbals. It is illustrated with 511 hand-colored woodcut figures, all original and depicted from life. Fuchs looked to living plants for his illustrations, a departure from common practice at that time, but then &#147;improved&#148; them by removing any natural imperfections and by showing a plant in the flowering and fruiting stages simultaneously. These figures established a standard of botanical illustration that has lasted to the present day, and more than 100 species were illustrated for the first time (including 12 New World plants such as maize, kidney bean, chili pepper, cactus, and tobacco). During Fuchs&#146; lifetime, the herbal and its various abridgments went through 39 printings in Latin, German, French, Spanish and Dutch. This hand colored wood-cut engraving, 14.25" x 9.25", is in very good condition with only slight staining and evidence of verso page text. Hermionitis, today spelled Hemionitis is a species of plants commonly referred to as ferns. This engraving is original hand coloring from 1542 and has perfect oxidation of the copper in the green pigment, which goes idyllically through the paper. De Historia Stirpium is one of the earliest legitimate medicinal textbooks of its time.

      [Bookseller: Arader Galleries San Francisco]
 36.   Check availability:     AbeBooks     Link/Print  

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