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Displayed below are some selected recent viaLibri matches for books published in 1492
2018-07-16 19:19:00
BRUNUS LEONARDUS
Firenze: Bartolomeo de' Libri, 5 giugno 1492(1492). [Incunabolo-Firenze] (cm.33) ottima mezza pergamena antica, ben restaurata, piatti realizzati con fogli dell' index della Cronica di Norimberga del 1493. -- cc. 208 nn.(di 222). Carattere romano, 40 linee, spazi per lettere capitali. incunabolo celeberrimo per la storia d' Italia e di Firenze, dalle origini al 1401 scritta dal grande umanista aretino Leonardo Bruni; contiene fra l' altro le più antiche notazioni biografiche su Dante Alighieri. La traduzione dell' Acciaiuoli apparve nel 1476, questa nostra seconda edizione a dire del Moreni, I 175, è "forse più bella della prima". Normalmente contiene anche la opera di Poggio Bracciolini "Historia Florentina" 1492, ma molti repertori la notano separatamente. Vedi olschki "Monumenta Typographica" n° 175 e 175/A e olschki "Incunabola Typographica" Cat. 94(1915) n° 26 e 27 dove una copia scompleta della sola parte del Bruni è venduta a caro prezzo. Mancano le prime otto carte segnate a + b1 e b8 + le ultime 4 carte segnate Px: 14 carte in tutto. Una macchia interessa 5 carte interne al III libro, con lettera capitale a tempera azzurra danneggiata, una lieve ombreggiatura all' estremo angolo bianco basso ad alcune carte interne, altrimenti esemplare bellissimo, nitido e a grandi margini di questo capolavoro tipografico di Bartolomeo Dei Libri. * Moreni I 175; * Hain 1563; * Goff B 1248; * I.G.I. 2203; * Pellechet 1116; * G.W. 5613; * Proctor 6197; * Oates in Cambridge 2354; * Harvard 2905; Bmc VI 649.[f72]. Libro. Book Condition: in ottime condizioni. Binding: Ri … [Click Below for Full Description]
Bookseller: Libri Antichi e Rari Francesco & Claudia di Massai Cl [Italy]
2018-06-30 07:10:01
Ambrosius. Opera. 2 Teile (von 3) in einem Band (Anfang von Teil 1; Teil 3 komplett, aber irrig gebunden). Basler Inkunabel mit beinahe blattgroßem Titelholzschnitt, den Kirchenlehrer Ambrosius (um 339 - 397) zeigend, wie er in seiner Studierstube an einem Pult steht und schreibt. – GW II, 1599; Hain I, 896; Lonchamp I,74; Heckethorn, S. 39 (mit Angaben über die Verwendung der Typen). - Für die Angaben zum Drucker: Heckethorn, S. 27 ff; Geldner I, 118f.; Voulliéme S. 25; Dt. Buchdrucker des XV. Jhdts., Harrassowitz Vlg., S. 80. - Für die Angaben zum Titelholzschnitt: Meder, Dürer Katalog, S. 18 und Kat.-Nr. 220; Hieronymus, Oberrheinische Buchillustration, S. 50; Schramm XXI, S. 15f. u. Illustr.-Nr. 600. - Für die Angaben zu den Wasserzeichen: Piccard, Gerhard. Die Wasserzeichenkartei Piccard im Hauptstaatsarchiv Stuttgart. - Die hier vorliegenden Schriften des Ambrosius, der Bischof von Mailand war, stammen aus der dreiteiligen und zugleich ersten Gesamtausgabe seiner Werke. Vom ersten Teil liegt nur der Anfang vor. Neben dem Titelholzschnitt, dem Inhaltsverzeichnis des Gesamtwerkes, einer Beigabe von Johannes de Lapide und der Auflistung der genauen Kapiteleinteilung des ersten Teiles sind dies Ambrosius "Schriften über die Pflichten". Ihre Bedeutung ist groß, da Ambrosius mit den `Libri de officiis` eine "zusammenfassende Sonderdarstellung der christlichen Ethik" versuchte, "die bis Thomas von Aquin der einzige Versuch blieb" (Buchberger I, 430). Der dritte Teil liegt vollständig - wenn auch in irriger Reihenfolge - vor. Hier leitet ein Zwischentitel Ambrosius moralisch-asketische Schriften über die Jungfräulichkeit ein (Kapitel XI - XVIII). Es folgt der eigentliche Anfang des dritten Teils mit Inhaltsverzeichnis aller Kapitel. Folgerichtig schließt sich das Kapitel I - das Buch der Briefe - an. Die Briefe gelten als "eine wichtige Quelle für die Geschichte seiner Zeit" (Buchberger a.a.O.) Wieder wird nun von der eigentlichen Reihenfolge abgewichen: Nach de
(Basel Johann Amerbach 1492) Folio. Mit Titelholzschnitt. (Teil I=) 40 Blatt (genaue Kollation mit Bogenzählung nach GW: a8 b6 c8 d6 - f6 = Anfang und Kapitel 1); (Teil III =) 290 Blatt (genaue Kollation mit Bogenzählung nach GW: a8 b6 c8 d6 - f6 = Kapitel XI - XVIII/ zweispaltig; a8 b6 c8 d6 e8 f6 g8 h6 i8 k6 - o6 = Kapitel I; a8 b6 c8 d6 e8 f6 g10 = Kapitel XIX/ zweispaltig/ g8 mit Orts- und Verlagsangabe sowie Jahreszahl: "Explicitu est opus sermonu beati Ambrosii epi Mediolanesnsis: Basilee p magistratu Johannem de Amerbach: Anno salutiferi // virginalis partus nonagesimosecundo supra millesimum quateroz centesimum"; a8 b6 c8 - h8 i6 - k6 l8 - n8 = Kapitel II - X/ zweispaltig). Halblederband wohl des 17.Jahrhunderts mit handschriftlichem Titel und Jahreszahl; gesprenkelter Buchschnitt. Fleckig; Hinterdeckel mit vereinzelten Wurmspuren; Ecken teils stärker bestoßen. Angeklebter Spiegel mit altem Exlibris und altem handschriftlichem Vermerk „Duplum“; Titelholzschnitt mit altem Besitzvermerk; vereinzelt kleinere Randausrisse; ein kleinerer Wurmgang außerhalb des Textes. Versand D: 5,00 EUR Inkunabeldruck, Theologie
Bookseller: Antiquariat Peter Terrahe & Angelika Oswald [Germany]
2018-06-28 21:39:16
PETRARCA, FRANCISCUS. - [THE FIRST MAN OF LETTERS]
Venice, Johannes & Gregorius de Gregoriis de Forlivio, 13. September, 1492. 4to. Very nice contemporary full vellum binding with lovely later (ab. 1750) gilding to spine and boards. Spine with gilt title-label and gilt lines and boards with triple gilt line-borders and a gilt dotted line-frame with gilt cornerpieces. Upper margin shaved, sometimes cutting into the headline. Otherwise a very nice and fine copy. Clean and fresh with only a bit of light occassinal brownspotting or dampstaining. (6, -index), 117, (1, - printer's device) ff. With full-page woodcut printer's device on final leaf. ¶ Very rare first edition of the most important and influential of Petrarca's publications, his seminal "Epistolae Familiares", which constitutes one of the most significant works of the Renaissance - the first documentation of "modern man". The present publication constitutes the only separately published incunable edition of Petrarch's letters. Later on, in all 350 letters to his friends were published; the present work is made up of the first 102 and the publication thus marks the beginning of one of the most important enterprises of humanism, namely the publication of the letters that reveal to us the man Petrarca. Petrarca is the first modern man whose life can be traced accurately (due to the publication of his letters) and he is considered the embodiment of the transition from the Middle Ages to the Renaissance. The many outer and inner conflicts that we witness in the person Petrarca is a testament to the times in which he lived - a time in which the Middle Ages evolved into the … [Click Below for Full Description]
Bookseller: Bookshop Herman H. J. Lynge & Søn [DK]
2018-06-28 17:32:06
INCUNABULA. (HAEDUS, PETRUS) (=PIERRE/ PIETRO CAVRETTO).
(Tarvisius, per Gerardum (de Lisa) de Flandria, 1492, 13th of October). 4to. Very nice later (about 1600) full sheepskinbdg. w. gilt line-frames and gilt corner-ornamentations on boards. Back gilt. Corners and edges a bit worn (mostly due to wormholing). Wormholes to paper on inside of boards as well as to some leaves, though only marginally and not affecting text. Waterstaining throughout. All in all a well-preserved copy. ff. (6), I-XCII + XCV (lacking five leaves: Colophon-leaf and ff. XCIII, XCIV, XCVI, XCVII), in all 99 of 104 leaves. ¶ Rare first edition of the Italian moralist's main work, because of which the great humanist is remembered today. The full title of the work is "Anterotica sive amoris generibus", though "anterotica" is only mentioned on verso of the first leaf, whereas the work opens with the shorter title on the first leaf. This is the only edition to have appeared during the author's lifetime, the only incunable-edition, and the only edition to have existed untill 1608, when the work was printed for the second time in a rather defective and much less beatuful edition under a different title ("De Contemnendis Amoribus"). <br>The author, Petrus Haedus or Cavretto, was born in Pordenone, Italy around 1424 and died around 1501. The mystical work is written as a conversation between two of his friends, a priest and a poet, who hold opposing viws on the topic - love. It is a great representation of renaissance thought, and a valuable contribution to the study of this period. The typescript is a beautiful small roman one, which is very distinctive.<br>The pr … [Click Below for Full Description]
Bookseller: Lynge & Son [Denmark]
2018-06-24 03:36:04
VENETIAN FRANCISCAN INCUNABLE -- BIBLIA LATINA].
Venice: Hieronymus de Paganinis, 1492. Hardcover. Very Good+. 7 September 1492 [from colophon: “Impressa vero in felici Venetorum ciuitate sumptibus e[t] arte Hieronymi de Paganinis Brixiensis. Anno gratie millesimo quadrigentesimo nonagesimosecundo. Septimus Idus septembris.”]. 8vo (170 x 120mm). 510 leaves (of 552), lacking the Interpretation of Hebrew Names (41 leaves) at the end and final blank. Signatures: A(10), a-z(8), aa-zz(8), A-P(8), Q(12). Title printed with “Biblia” in gothic letter in upper margin above rectangular woodcut of St. Peter holding keys within double ruled border, captioned “Tu es petrus” (later hand coloring to halo and garb of Peter). Title verso with the “Tabula alphabetica historiarum Bibliae” compiled by Gabriele Bruno. Text printed double column, index in triple column, 50 lines to a full column, printed in gothic type with red rubrics and headings, rubricated versal initials alternating red and blue ink, printed marginal citations throughout. Modern vellum, yapped edges, endpapers renewed; (register and first few leaves of prologue little frayed to the margins, some light dampstaining near end, only light intermittent stains, edges lightly browned, annotations trimmed close in few margins and few minor marginal repairs, otherwise a sound and solid incunable edition of the Biblia Latina retaining the inaugural woodcut). Scattered period Latin annotations and manicules in margins, occasionally repeating a word in Scripture, like “Patientia” or names of the biblical persons from text “Helias,” “Jezebel” or “Joab” and names of kings and their s … [Click Below for Full Description]
Bookseller: Sanctuary Books, A.B.A.A. [New York, NY, U.S.A.]
2018-05-26 22:10:59
PHILIPPUS, Jacobus [Foresti]
Venetiis: per magistrum Bernardinum Ricium de Nouaria: anno a natiuita te uni [1492, 15 February]. 1492 FORESTI CHRONICLE Incunabula City View Woodcuts Illustrated ROME Venice An incredible COMPLETE illustrated 1492 edition of the Foresti Chonicle! At the end of the 15th-century, universal chronicles were popular amongst readers and authors alike. Because of their popularity, authors such as Jacob Philippus Foresti created their own editions and supplements to these chronicles. ‘Supplementum Chronicarum’ was such a work, intended to be a supplement to the more regular universal chronicle work. However, parting from the norm, Foresti discusses mythological creatures and characters as true, historical figures. He also notes the events of the Trojan War and makes record of Giovanni Carignano’s lost work on the Popes and their visits with Ethiopians. This example is filled with 45 woodcut illustrations and initials throughout. Item number: #3337 Price: $25,000 PHILIPPUS, Jacobus [Foresti] Opus preclarum Supplementum chronicarum vulgo appellatum. Venetiis: per magistrum Bernardinum Ricium de Nouaria: anno a natiuita te uni [1492, 15 February]. Details: • Foliation: Complete with all leaves o [1], 256, [12] o Signatures: a¹ Leaf a1 unsigned. o Lacking blank leaf a1 o 45 in-text woodcut engravings • References: Goff J 212; Hain-Copinger 2809; Essling 345; Hillard 1114; BMC V 404; GW M 10980; Proctor 4962 • Language: Latin • Binding: Leather; tight & secure; professionally rebound o Functioning Clasps • Size: ~12.75in X 8.5in (32.5cm x 22cm) • Exceedingly rare with no other example … [Click Below for Full Description]
Bookseller: Schilb Antiquarian [Columbia, MO, U.S.A.]
2018-04-30 08:07:14
VENETIAN FRANCISCAN INCUNABLE -- BIBLIA LATINA].
Venice: Hieronymus de Paganinis, 1492. Hardcover. Very Good+. 7 September 1492 [from colophon: “Impressa vero in felici Venetorum ciuitate sumptibus e[t] arte Hieronymi de Paganinis Brixiensis. Anno gratie millesimo quadrigentesimo nonagesimosecundo. Septimus Idus septembris.”]. 8vo (170 x 120mm). 510 leaves (of 552), lacking the Interpretation of Hebrew Names (41 leaves) at the end and final blank. Signatures: A(10), a-z(8), aa-zz(8), A-P(8), Q(12). Title printed with “Biblia” in gothic letter in upper margin above rectangular woodcut of St. Peter holding keys within double ruled border, captioned “Tu es petrus” (later hand coloring to halo and garb of Peter). Title verso with the “Tabula alphabetica historiarum Bibliae” compiled by Gabriele Bruno. Text printed double column, index in triple column, 50 lines to a full column, printed in gothic type with red rubrics and headings, rubricated versal initials alternating red and blue ink, printed marginal citations throughout. Modern vellum, yapped edges, endpapers renewed; (register and first few leaves of prologue little frayed to the margins, some light dampstaining near end, only light intermittent stains, edges lightly browned, annotations trimmed close in few margins and few minor marginal repairs, otherwise a sound and solid incunable edition of the Biblia Latina retaining the inaugural woodcut). Scattered period Latin annotations and manicules in margins, occasionally repeating a word in Scripture, like “Patientia” or names of the biblical persons from text “Helias,” “Jezebel” or “Joab” and names of kings and their s … [Click Below for Full Description]
Bookseller: Sanctuary Books, A.B.A.A. [New York, NY, U.S.A.]
2018-04-24 18:42:27
MANDEVILLE, Sir John.
Florence Lorenzo Morgiani & Johannes Petri: 7 June, 1492. 79 (of 80) leaves, lacking leaf a1 with woodcut; text printed in 2 columns, 39 lines, with good margins; woodcut capitals throughout, initial C in red; occasional minor paper repairs to margins, short marginal tear to g8; occasional very minor soiling/staining (mainly marginal). Small 4to (207 x 138mm). 19th-century leather-backed maroon boards, spine gilt. Rare 15th-century Italian edition of the world's first best-selling travel book, published in the year of Columbus' discovery of the New World. Although largely fictitious, the journeys are based upon travellers' tales extant in the fourteenth century and as such are of considerable interest. Purchas considered Sir John Mandeville to be akin to Marco Polo in terms of importance 'the greatest Asian Traveller that ever the World had' (Pilgrimes III, p65). His travels take the reader through Turkey, Armenia, Persia, Tartary, Arabia, India and China, and gave many Europeans their first taste of the Near and Middle East, as well as the East Indies. Little is known of Mandeville himself, however he claims to be an English knight who travelled between 1322 and 1356, serving under both the Sultan of Egypt and the Great Khan. Although traditionally attributed to Mandeville, in reality the work was an English version of a text known as Itinerarium, of which the original, ascribed to Jean d'Outremeuse, was probably written in Anglo-Norman French. All the pre-1725 editions of Mandeville are scarce, and incunable editions such as this, in a vernacular language, particularly so … [Click Below for Full Description]
Bookseller: Shapero Rare Books [London, United Kingdom]
2018-03-12 06:35:11
INCUNABLE). SENECA, Lucius Annaeus
[Venice, Johannes & Gregorius de Gregoriis, de Forlivio, about 1492]. Folio (31,8 x 21,8 cm). 18th century vellum with seven ribs. 237 ff (of 238, lacking only the final blank C10). 60 lines plus head line. Roman type. Capital spaces with guide letters. Binding a bit worn at lower corners, spine soiled and with an old ticket. 18th century bookplate (Joseph Mazarin?). Marginal notes (some trimmed) in a neat cursive contemporary hand, perfectly legible. A bit soiled and some stains. Tiny wormhole in margin starting from leaf cii to the end. A few restorations in margins. Some insignificant pinpoint holes in the text. In all a good copy. This attractive incunable contains the philosophical works and letters of Seneca, including his correspondence with Saint Paul (which is in fact a forgery from the 4th century), and also some works of the philosopher's father Seneca the Elder, in the Middle Ages thought to be the son's work. No colophon was printed in this book, the explicit ends with a quire register. Contemporary handwritten title on first blank with the Epitaph of Seneca ('Cura, labor, meritum') as a motto. With some misprints in the pagination and elsewhere (e.g. 'Epitsolarum' instead of 'Epistolarum' on leaf II). BMC, V, 595; Goff S-372, BSB-Ink S-269 (the copy that was used for reproduction has some slight differences in the typesetting). 59 copies (45 complete) in the various libraries (but not in the Dutch or the Belgian). = Inkunabel Venedig 1492.
Bookseller: Fokas Holthuis [Den Haag, Netherlands]
2018-03-05 06:47:48
INCUNABLE). SENECA, Lucius Annaeus
[Venice, Johannes & Gregorius de Gregoriis, de Forlivio, about 1492]. Folio (31,8 x 21,8 cm). 18th century vellum with seven ribs. 237 ff (of 238, lacking only the final blank C10). 60 lines plus head line. Roman type. Capital spaces with guide letters. Binding a bit worn at lower corners, spine soiled and with an old ticket. 18th century bookplate (Joseph Mazarin?). Marginal notes (some trimmed) in a neat cursive contemporary hand, perfectly legible. A bit soiled and some stains. Tiny wormhole in margin starting from leaf cii to the end. A few restorations in margins. Some insignificant pinpoint holes in the text. In all a good copy. This attractive incunable contains the philosophical works and letters of Seneca, including his correspondence with Saint Paul (which is in fact a forgery from the 4th century), and also some works of the philosopher's father Seneca the Elder, in the Middle Ages thought to be the son's work. No colophon was printed in this book, the explicit ends with a quire register. Contemporary handwritten title on first blank with the Epitaph of Seneca ('Cura, labor, meritum') as a motto. With some misprints in the pagination and elsewhere (e.g. 'Epitsolarum' instead of 'Epistolarum' on leaf II). BMC, V, 595; Goff S-372, BSB-Ink S-269 (the copy that was used for reproduction has some slight differences in the typesetting). 59 copies (45 complete) in the various libraries (but not in the Dutch or the Belgian). = Inkunabel Venedig 1492.
Bookseller: Fokas Holthuis [Den Haag, Netherlands]
2018-03-02 08:41:23
INCUNABLE). SENECA, Lucius Annaeus
[Venice, Johannes & Gregorius de Gregoriis, de Forlivio, about 1492]. Folio (31,8 x 21,8 cm). 18th century vellum with seven ribs. 237 folios (of 238, lacking only the final blank C10). 60 lines plus head line. Roman type. Capital spaces with guide letters. Binding a bit worn at lower corners, spine soiled and with an old ticket. 18th century bookplate (Joseph Mazarin?). Marginal notes (some trimmed) in a neat cursive contemporary hand, perfectly legible. A bit soiled and some stains. Tiny wormhole in margin starting from leaf cii to the end. A few restorations in margins. Some insignificant pinpoint holes in the text. In all a good copy. This attractive incunable contains the philosophical works and letters of Seneca, including his correspondence with Saint Paul (which is in fact a forgery from the 4th century), and also some works of the philosopher's father Seneca the Elder, in the Middle Ages thought to be the son's work. No colophon was printed in this book, the explicit ends with a quire register. Contemporary handwritten title on first blank with the Epitaph of Seneca ('Cura, labor, meritum') as a motto. With some misprints in the pagination and elsewhere (e.g. 'Epitsolarum' instead of 'Epistolarum' on leaf II). BMC, V, 595; Goff S-372, BSB-Ink S-269 (the copy that was used for reproduction has some slight differences in the typesetting). 59 copies (45 complete) in the various libraries (but not in the Dutch or the Belgian). = Inkunabel Venedig 1492.
Bookseller: Antiquariaat Fokas Holthuis [Netherlands]
2018-03-02 02:54:57
INCUNABLE). SENECA, Lucius Annaeus
[Venice, Johannes & Gregorius de Gregoriis, de Forlivio, about 1492]. Folio (31,8 x 21,8 cm). 18th century vellum with seven ribs. 237 folios (of 238, lacking only the final blank C10). 60 lines plus head line. Roman type. Capital spaces with guide letters. Binding a bit worn at lower corners, spine soiled and with an old ticket. 18th century bookplate (Joseph Mazarin?). Marginal notes (some trimmed) in a neat cursive contemporary hand, perfectly legible. A bit soiled and some stains. Tiny wormhole in margin starting from leaf cii to the end. A few restorations in margins. Some insignificant pinpoint holes in the text. In all a good copy. This attractive incunable contains the philosophical works and letters of Seneca, including his correspondence with Saint Paul (which is in fact a forgery from the 4th century), and also some works of the philosopher's father Seneca the Elder, in the Middle Ages thought to be the son's work. No colophon was printed in this book, the explicit ends with a quire register. Contemporary handwritten title on first blank with the Epitaph of Seneca ('Cura, labor, meritum') as a motto. With some misprints in the pagination and elsewhere (e.g. 'Epitsolarum' instead of 'Epistolarum' on leaf II). BMC, V, 595; Goff S-372, BSB-Ink S-269 (the copy that was used for reproduction has some slight differences in the typesetting). 59 copies (45 complete) in the various libraries (but not in the Dutch or the Belgian). = Inkunabel Venedig 1492.
Bookseller: Fokas Holthuis [Den Haag, Netherlands]
2018-02-03 06:56:01
(MEDICIS Laurent de) & BIENATO Aurelio & MEDICIS Pierre II de
Philippus de Mantegatiis, Milan s.d. [apr�s le 8 avril 1492] et s.d. [1493], ouvrage : 20,8x13,8cm et lettre : 22x30cm, (. Milan: Philippus de Mantegatiis, Milan s.d. [après le 8 avril 1492] et s.d. [1493], ouvrage : 20,8x13,8cm et lettre : 22x30cm, (8f.) Sig : a8, un ouvrage relié et 1 page et quelques lignes sur un feuillet remplié., 1492. ouvrage : 20,8x13,8cm et lettre : 22x30cm. - Philippus de Mantegatiis, Milan s.d. [après le 8 avril 1492] et s.d. [1493], ouvrage : 20,8x13,8cm et lettre : 22x30cm, (8f.) Sig : a8, un ouvrage relié et 1 page et quelques lignes sur un feuillet remplié. - lettera autografa firmata Pierre II Medicis destinatari Dionigi Pucci, avendo 28 linee disegnate in inchiostro con una scrittura sottile e slanciata. indirizzo del destinatario sul retro del secondo foglio. - [FRENCH VERSION FOLLOWS] Édition originale de l'oraison funèbre de Laurent de Médicis prononcée par Aurelio Bienato, évêque de Martorano (Catanzaro, Calabre), le 16 avril 1492 en l'église de Santa Maria la Nuova à Florence, huit jours après la mort du prince. Cette oraison est suivie d'un court poème de huit vers. Il s'agit de l'unique oraison funèbre de Laurent le Magnifique à avoir été imprimée. (John McManamon, Funeral oratory and the cultural ideals of Italian humanism, 1989) Reliure postérieure du XIXème siècle en plein maroquin rouge, dos lisse encadré d'un filet doré et serti de trois poinçons dorés, titre en long, plats encadrés d'un filet doré, large dentelle et doubles filets dorés en encadrement des contreplats. Plusieurs accolades et annotations manuscrites du temps. E … [Click Below for Full Description]
Bookseller: Librairie Le Feu Follet [France]
Check availability:
2018-02-01 00:34:22
PANCIERA DA PRATO Ugo
Lorenzo Morgiani e Johan Petri. 15, XII, 1492. (¿400 INCUNABOLO-VOLGARE). (cm 21) Bella legatura in pieno vitello recente, impresso a secco ai piatti con filetti, rosoni e fregi in stile sec. XIV, nervi e filetti al dorso, sguardie antiche; cc. 69 nn. (di 74), carattere romano, 36 linee. Mancano tre carte all¿inizio; a1, a2, a8, e le due carte della tavola in fine (la 73 e 74). Il colophon è a carta 71 verso, cui segue la carta 72 bianca originale. La segnatura è a8-i8, [*2]. La prima carta avrebbe dovuto contenere le xilografia. Il nostro esemplare inizia con la carta 3, segnata a3, e porta al margine bianco l¿antico ex libris ¿Biblioteca Galletti di Firenze¿. L¿autore, Ugo Venacessi da Prato, scrisse l¿opera nel 1312, trovandosi missionario in Tartaria. Igi registra 9 copie in Italia. Il libro è ampiamente descritto in Sander ¿Livre a figures¿ 5409. Molto raro, manca ad Harvard, Oates in Cambridge e Bodleian; Hain lo cita senza averlo visto. Rosenthal ¿Incunabula typographica¿, Monaco 1900, al n° 2892 mette in vendita una copia priva delle ultime due carte a prezzo assai elevato. Alcuni segni a penna ed antico ex libris manoscritto, datato 1673, alle ultime due carte. Lievissimo alone al margine bianco di alcune carte in fine, altrimenti esemplare molto bello, fresco, nitido e ben marginato. Hain 12303; Igi 7186; Goff p. 16; Polain 2983; Proctor 6354; Sander 5409; Bmc VI 682.[f62] Libro
Bookseller: Libri Antichi e Rari Francesco&Claudia
2018-02-01 00:34:20
Brunus Leonardus
Bartolomeo de' Libri, 5 giugno 1492. [Incunabolo-Firenze] (cm.33) ottima mezza pergamena antica, ben restaurata, piatti realizzati con fogli dell' index della Cronica di Norimberga del 1493. -- cc. 208 nn.(di 222). Carattere romano, 40 linee, spazi per lettere capitali. incunabolo celeberrimo per la storia d' Italia e di Firenze, dalle origini al 1401 scritta dal grande umanista aretino Leonardo Bruni; contiene fra l' altro le più antiche notazioni biografiche su Dante Alighieri. La traduzione dell' Acciaiuoli apparve nel 1476, questa nostra seconda edizione a dire del Moreni, I 175, è "forse più bella della prima". Normalmente contiene anche la opera di Poggio Bracciolini "Historia Florentina" 1492, ma molti repertori la notano separatamente. Vedi olschki "Monumenta Typographica" n° 175 e 175/A e olschki "Incunabola Typographica" Cat. 94(1915) n° 26 e 27 dove una copia scompleta della sola parte del Bruni è venduta a caro prezzo. Mancano le prime otto carte segnate a + b1 e b8 + le ultime 4 carte segnate Px: 14 carte in tutto. Una macchia interessa 5 carte interne al III libro, con lettera capitale a tempera azzurra danneggiata, una lieve ombreggiatura all' estremo angolo bianco basso ad alcune carte interne, altrimenti esemplare bellissimo, nitido e a grandi margini di questo capolavoro tipografico di Bartolomeo Dei Libri. * Moreni I 175; * Hain 1563; * Goff B 1248; * I.G.I. 2203; * Pellechet 1116; * G.W. 5613; * Proctor 6197; * Oates in Cambridge 2354; * Harvard 2905; Bmc VI 649.[f72] Libro
Bookseller: Libri Antichi e Rari Francesco&Claudia
2018-02-01 00:34:20
Brunus Leonardus
Firenze: Bartolomeo de' Libri, 5 giugno 1492(1492). [Incunabolo-Firenze] (cm.33) ottima mezza pergamena antica, ben restaurata, piatti realizzati con fogli dell' index della Cronica di Norimberga del 1493. -- cc. 208 nn.(di 222). Carattere romano, 40 linee, spazi per lettere capitali. incunabolo celeberrimo per la storia d' Italia e di Firenze, dalle origini al 1401 scritta dal grande umanista aretino Leonardo Bruni; contiene fra l' altro le più antiche notazioni biografiche su Dante Alighieri. La traduzione dell' Acciaiuoli apparve nel 1476, questa nostra seconda edizione a dire del Moreni, I 175, è "forse più bella della prima". Normalmente contiene anche la opera di Poggio Bracciolini "Historia Florentina" 1492, ma molti repertori la notano separatamente. Vedi olschki "Monumenta Typographica" n° 175 e 175/A e olschki "Incunabola Typographica" Cat. 94(1915) n° 26 e 27 dove una copia scompleta della sola parte del Bruni è venduta a caro prezzo. Mancano le prime otto carte segnate a + b1 e b8 + le ultime 4 carte segnate Px: 14 carte in tutto. Una macchia interessa 5 carte interne al III libro, con lettera capitale a tempera azzurra danneggiata, una lieve ombreggiatura all' estremo angolo bianco basso ad alcune carte interne, altrimenti esemplare bellissimo, nitido e a grandi margini di questo capolavoro tipografico di Bartolomeo Dei Libri. * Moreni I 175; * Hain 1563; * Goff B 1248; * I.G.I. 2203; * Pellechet 1116; * G.W. 5613; * Proctor 6197; * Oates in Cambridge 2354; * Harvard 2905; Bmc VI 649.[f72]. Libro. Book Condition: in ottime condizioni. Binding: Ri … [Click Below for Full Description]
Bookseller: Libri antichi e rari Francesco e Claudia
2018-02-01 00:34:19
Priscianus Grammaticus
In fine: Venetiis. Philippus Pincius, Xii Kal. Julii 20 Giugno 1492. [Incunabolo-Grammatica] (cm.32,5) ottima mz. pelle sec. XIX, doppio tassello al dorso, titolo e fregi in oro, lievi spellature.-- cc. 308 (con numerazione romana e araba), caratteri romani e greci, 59 linee di commento, vari errori di numerazione, la penultima carta è numerata 313, l' ultima è al recto e al verso porta il solo nome " Priscianus "; la prima è bianca. Celebre grammatica assolutamente completa sia della prima carta bianca originale che dell' ultima col solo nome dell' autore. il testo contiene vari passi e molte parole in greco. L' edizione riunisce la versione di B. Brognolus, il commento di J. de Aingre e vari componimenti degli autori citati nel titolo. Tutte le grammatiche del '400 sono notoriamente rare, la nostra è veramente rarissima, non vista da Hain, Goff registra solo due copie in America, Sander " Princes " non cita alcuna vendita. Manca a Polain, Harvard, Oates, Harper, e a molti grandi cataloghi di Maggs, Olschki, Rosenthal e Quaritch. ottimo restauro integrativo all' angolo in alto di oltre 200 fogli dall' inizio ascomparire con perdita a volte di alcune lettere e parole, per precedente rosicchiatura, insignificante forellino di tarlo a varie carte interne in basso al margine bianco interno; altrimenti esemplare bellissimo, fresco, nitido e a grandi margini assolutamente privo di scritte, sottolineature e note. * Hain-Copinger 13362; * Proctor 5293; * I.G.I. 8054; * Klebs 806-10; * Goff P 969; * BMC V 493. [F80] Libro
Bookseller: Libri Antichi e Rari Francesco&Claudia
2018-02-01 00:34:19
Priscianus Grammaticus
Venetiis: In fine: Venetiis. Philippus Pincius, Xii Kal. Julii 20 Giugno 1492(1492). [Incunabolo-Grammatica] (cm.32,5) ottima mz. pelle sec. XIX, doppio tassello al dorso, titolo e fregi in oro, lievi spellature.-- cc. 308 (con numerazione romana e araba), caratteri romani e greci, 59 linee di commento, vari errori di numerazione, la penultima carta è numerata 313, l' ultima è al recto e al verso porta il solo nome " Priscianus "; la prima è bianca. Celebre grammatica assolutamente completa sia della prima carta bianca originale che dell' ultima col solo nome dell' autore. il testo contiene vari passi e molte parole in greco. L' edizione riunisce la versione di B. Brognolus, il commento di J. de Aingre e vari componimenti degli autori citati nel titolo. Tutte le grammatiche del '400 sono notoriamente rare, la nostra è veramente rarissima, non vista da Hain, Goff registra solo due copie in America, Sander " Princes " non cita alcuna vendita. Manca a Polain, Harvard, Oates, Harper, e a molti grandi cataloghi di Maggs, Olschki, Rosenthal e Quaritch. ottimo restauro integrativo all' angolo in alto di oltre 200 fogli dall' inizio ascomparire con perdita a volte di alcune lettere e parole, per precedente rosicchiatura, insignificante forellino di tarlo a varie carte interne in basso al margine bianco interno; altrimenti esemplare bellissimo, fresco, nitido e a grandi margini assolutamente privo di scritte, sottolineature e note. * Hain-Copinger 13362; * Proctor 5293; * I.G.I. 8054; * Klebs 806-10; * Goff P 969; * BMC V 493. [F80]. Libro. Book Condition: ottimo. Binding … [Click Below for Full Description]
Bookseller: Libri antichi e rari Francesco e Claudia
2018-01-31 18:27:55
(MEDICIS Laurent de) & BIENATO Aurelio & MEDICIS Pierre II de
- Philippus de Mantegatiis, Milan s.d. [après le 8 avril 1492] et s.d. [1493], ouvrage : 20,8x13,8cm et lettre : 22x30cm, (8f.) Sig : a8, un ouvrage relié et 1 page et quelques lignes sur un feuillet remplié. - lettera autografa firmata Pierre II Medicis destinatari Dionigi Pucci, avendo 28 linee disegnate in inchiostro con una scrittura sottile e slanciata. indirizzo del destinatario sul retro del secondo foglio. - [FRENCH VERSION FOLLOWS] Edition originale de l'oraison funèbre de Laurent de Médicis prononcée par Aurelio Bienato, évêque de Martorano (Catanzaro, Calabre), le 16 avril 1492 en l'église de Santa Maria la Nuova à Florence, huit jours après la mort du prince. Cette oraison est suivie d'un court poème de huit vers. Il s'agit de l'unique oraison funèbre de Laurent le Magnifique à avoir été imprimée (John McManamon, Funeral oratory and the cultural ideals of Italian humanism, 1989). Reliure postérieure du XIXème siècle en plein maroquin rouge, dos lisse encadré d'un filet doré et serti de trois poinçons dorés, titre en long, plats encadrés d'un filet doré, large dentelle et doubles filets dorés en encadrement des contreplats. Plusieurs accolades et annotations manuscrites du temps. Ex-libris du Prince Piero Ginori Conti (1865-1939), homme d'affaire et politique italien, encollé sur le premier contreplat. Ex-libris et timbre à sec de la bibliothèque de Gianni de Marco. Prenant le contrepied des habituelles louanges laudatives, Aurelio Bienato présente Laurent le Magnifique comme un prince moderne, modèle de l'Europe, à la fois mécène des arts et des lettres et garan … [Click Below for Full Description]
Bookseller: Librairie Feu Follet
2018-01-30 08:30:41
MEDICIS Laurent de) & BIENATO Aurelio & MEDICIS Pierre II de
- Philippus de Mantegatiis, Milan s.d. [après le 8 avril 1492] et s.d. [1493], ouvrage : 20,8x13,8cm et lettre : 22x30cm, (8f.) Sig : a8, un ouvrage relié et 1 page et quelques lignes sur un feuillet remplié. - Édition originale de l'oraison funèbre de Laurent de Médicis prononcée par Aurelio Bienato, évêque de Martorano (Catanzaro, Calabre), le 16 avril 1492 en l'église de Santa Maria la Nuova à Florence, huit jours après la mort du prince. Cette oraison est suivie d'un court poème de huit vers. Il s'agit de l'unique oraison funèbre de Laurent le Magnifique à avoir été imprimée. (John McManamon, Funeral oratory and the cultural ideals of Italian humanism, 1989) Reliure postérieure du XIXème siècle en plein maroquin rouge, dos lisse encadré d'un filet doré et serti de trois poinçons dorés, titre en long, plats encadrés d'un filet doré, large dentelle et doubles filets dorés en encadrement des contreplats. Plusieurs accolades et annotations manuscrites du temps. Ex-libris du Prince Piero Ginori Conti (1865-1939), homme d'affaire et politique italien, encollé sur le premier contreplat. Ex-libris et timbre à sec de la bibliothèque de Gianni de Marco. Prenant le contrepied des habituelles louanges laudatives, Aurelio Bienato présente Laurent le Magnifique comme un prince moderne, modèle de l'Europe, à la fois mécène des Arts et des Lettres et garant de la paix en Italie. Les visées de son texte sont avant tout politiques?: il y souligne et loue les récents liens diplomatiques établis entre Florence et Naples, qui permirent à Laurent de Médicis d'asseoir son pouvoir sur la cité … [Click Below for Full Description]
Bookseller: Librairie Le Feu Follet [Paris, France]
2018-01-27 13:30:51
(MEDICIS LAURENT DE) & BIENATO AURELIO & MEDICIS PIERRE II DE
" - Philippus de Mantegatiis, Milan s.d. [après le 8 avril 1492] et s.d. [1493], ouvrage : 20,8x13,8cm et lettre : 22x30cm, (8f.) Sig : a8, un ouvrage relié et 1 page et quelques lignes sur un feuillet remplié. - Édition originale de l'oraison funèbre de Laurent de Médicis prononcée par Aurelio Bienato, évêque de Martorano (Catanzaro, Calabre), le 16 avril 1492 en l'église de Santa Maria la Nuova à Florence, huit jours après la mort du prince. Cette oraison est suivie d'un court poème de huit vers. Il s'agit de l'unique oraison funèbre de Laurent le Magnifique à avoir été imprimée. (John McManamon, Funeral oratory and the cultural ideals of Italian humanism, 1989) Reliure postérieure du XIXème siècle en plein maroquin rouge, dos lisse encadré d'un filet doré et serti de trois poinçons dorés, titre en long, plats encadrés d'un filet doré, large dentelle et doubles filets dorés en encadrement des contreplats. Plusieurs accolades et annotations manuscrites du temps. Ex-libris du Prince Piero Ginori Conti (1865-1939), homme d'affaire et politique italien, encollé sur le premier contreplat. Ex-libris et timbre à sec de la bibliothèque de Gianni de Marco. Prenant le contrepied des habituelles louanges laudatives, Aurelio Bienato présente Laurent le Magnifique comme un prince moderne, modèle de l'Europe, à la fois mécène des Arts et des Lettres et garant de la paix en Italie. Les visées de son texte sont avant tout politiques?: il y souligne et loue les récents liens diplomatiques établis entre Florence et Naples, qui permirent à Laurent de Médicis d'asseoir son pouvoir sur la cit … [Click Below for Full Description]
Bookseller: Librairie Le Feu Follet [France, Paris]
2018-01-20 06:54:46
BOSSO MATTEO.
S.n.t. (Firenze, Antonio Miscomini e Francesco di Dino, 1492). In-folio piccolo; 158 cc.; 5 iniziali in oro: due di grande formato entro tralci di vite intrecciati dipinti in bianco su fondo azzurro e verde chiaro, che si estendono lungo il margine interno; le altre dipinte su fondo rettangolare azzurro, rosso scuro e con decorazioni in oro opaco; altre in rosso; tutte opera di mano fiorentina coeva. Legatura moderna in tutta pergamena antica proveniente da un antifonario del secolo XV. Esemplare della collezione di Giuseppe Martini, acquistato all'asta Hoepli del 1929 (n° 82 del suo catalogo "Incunabuli"); ex libris a stampa al piatto anteriore e tre timbri di proprietà settecenteschi lungo il testo (Loci Veronae Capucinorum). Assai lievi aloni al margine bianco esterno di alcune carte. Prima edizione. "Interessante documento per la storia della tipografia, stampato, come osservò Proctor, coi caratteri di due diversi tipografi: il Miscomini e il Di Dino" (Cat. Hoepli). Dei trattati contenuti nel volume si segnala come di particolare interesse la Ne foeminea ornamenta Bononiensibus restituantur ad Bessarionem cohortatio, notevole per la storia del costume, nella quale Bosso sostiene la battaglia - non limitata alla sola Bologna - contro l'eccessivo lusso degli abiti delle donne, che aveva portato in quegli anni allo scontro tra Timoteo Maffei, uno dei più importanti predicatori dell'epoca, e le dame bolognesi, che si erano ribellate attraverso una petizione sottoscritta dalla dotta ed eloquente Nicolosia Sanuti. L'intervento del Bosso sortì presso Bessarione l'effetto di fa … [Click Below for Full Description]
Bookseller: Libreria Antiquaria Mediolanum
2018-01-03 16:28:48
BARTHOLOMAEUS ANGLICUS. - [BOUND IN A KOBERGER-BINDING]
[On colophon:] Nürnberg, Koberger, June 20, 1492. Folio. A beautiful contemporary richly ornamented blindstamped full calf binding over wooden boards, with brass corners, brass centre-piece and brass clasps to front board. Front board with blindstamped lettering to top in a compartment made with quadruple blindstamped lines; underneath a wide "frame" also made of quadruple blindstamped lines. Inside the "frame" wide blindstamped curved decorations to the sides; top of the frame with a series of seven blindstamped diamond shaped ornamentations, inside each one a heart with an arrow through it; bottom of the frame with a series of three a bit larger diamond shaped ornamentations, each with a dragon inside; centre of the frame with beautiful blindstamped floriated decorations. Back board with the same type of frame made up of the four blindstamped lines; the top and bottom with curved decorations; the sides with lovely blindstamped Renaissance style vertical decorations; centre piece with a vertical cross made up of two times four blindstamped lines, creating four compartemnts; inside each compartment a diamond shaped blindstamped decoration with a dragon inside. Spine with three raised bands, creating four compartments. The two middle ones with two blindstamped flower heads in each, the top and bottom compartment with one flower head in each. Front board with a very neat restoration to bottom right corner. Spine a little cracked and with restorations, especially to capitals, which have been supplied with new leather. Back board with the original leather board restored and rel … [Click Below for Full Description]
Bookseller: Herman H J Lynge & Søn A/S [DK]
2017-12-25 17:47:13
Aristoteles; Aretino, Leonardo
1492 - Rare Spanish incunable of Aristotle´s Ethics. 22 September 1492. Zaragoza [Caesaraugustae]. Paulus Hurus. Folio (310 x 230 mm). Missing the last four leaves of table, else complete, including the very rare full-page woodcut. Late 17th or 18th century vellum, spine lettered in ink, loose, ties perished. Light soiling to margins of title and following, otherwise a very nice copy with very wide margins and clean, entirely unsophisticated. 18,000 $ Important Spanish incunable of one of the most important philosophical works; the translation prepared by Leonardo Aretino of Aristotelis´ Ethics, printed in Zaragoza in 1492. The Nicomachean Ethics is Aristotle´s best-known work on ethics, written wither to his son or father, both named Nichomachus; it explores a Socratic question previously explored by Plato, on how men should best live. Aristotle (384 – 322 BC) is arguably of the most significant figures in the history of philosophy and human thought, significantly influential to-date, and especially in the Middle Ages; he studied with Plato and taught Alexander the Great. Aretino (c. 1370 – 1444), Italian scholar, humanist and academic, famous for his Historiarum Florentini populi libri XII, and his translations of Aristotle (the Ethics, Economics, and Politics), is widely recognized as an important historian of the early Reinaissance and dubbed the first modern historian. The full-page woodcut, facing the first leaf of text shows an author -possibly Aretino- presenting his translation to the King, and is dramatically engraved. Paul Hurus [a.k.a. Paul Huros, Paul … [Click Below for Full Description]
Bookseller: HS Rare Books [Capital Federal, CAP, Argentina]
2017-12-20 18:38:23
Aristoteles; Aretino, Leonardo
Important Spanish incunable of one of the most important philosophical works; the translation prepared by Leonardo Aretino of Aristotelis´ Ethics, printed in Zaragoza in 1492. The Nicomachean Ethics is Aristotle´s best-known work on ethics, written wither to his son or father, both named Nichomachus; it explores a Socratic question previously explored by Plato, on how men should best live. Aristotle (384 - 322 BC) is arguably of the most significant figures in the history of philosophy and human thought, significantly influential to-date, and especially in the Middle Ages; he studied with Plato and taught Alexander the Great. Aretino (c. 1370 - 1444), Italian scholar, humanist and academic, famous for his Historiarum Florentini populi libri XII, and his translations of Aristotle (the Ethics, Economics, and Politics), is widely recognized as an important historian of the early Reinaissance and dubbed the first modern historian. The full-page woodcut, facing the first leaf of text shows an author -possibly Aretino- presenting his translation to the King, and is dramatically engraved. Paul Hurus [a.k.a. Paul Huros, Paulus de Constantia] was a German printer active in Zaragoza from 1484 to 1499, with his brother John, they established one of the earliest printing shops of the Iberian Peninsula. To his press we owe the Missale Caesaraugustano, the Peregrinatio by Breydenbach, and Boccaccio´s De Muelieribus Claris. The work is rare, it has never appeared at auction according to RBH, eight copies in the United States according to Worldcat, at University … [Click Below for Full Description]
Bookseller: HS Rare Books [Argentina]
2017-12-18 06:06:46
BARTHOLOMAEUS ANGLICUS - [BOUND IN A KOBERGER-BINDING]
[On colophon:] Nürnberg, Koberger, June 20, 1492. Folio. A beautiful contemporary richly ornamented blindstamped full calf binding over wooden boards, with brass corners, brass centre-piece and brass clasps to front board. Front board with blindstamped lettering to top in a compartment made with quadruple blindstamped lines; underneath a wide "frame" also made of quadruple blindstamped lines. Inside the "frame" wide blindstamped curved decorations to the sides; top of the frame with a series of seven blindstamped diamond shaped ornamentations, inside each one a heart with an arrow through it; bottom of the frame with a series of three a bit larger diamond shaped ornamentations, each with a dragon inside; centre of the frame with beautiful blindstamped floriated decorations. Back board with the same type of frame made up of the four blindstamped lines; the top and bottom with curved decorations; the sides with lovely blindstamped Renaissance style vertical decorations; centre piece with a vertical cross made up of two times four blindstamped lines, creating four compartemnts; inside each compartment a diamond shaped blindstamped decoration with a dragon inside. Spine with three raised bands, creating four compartments. The two middle ones with two blindstamped flower heads in each, the top and bottom compartment with one flower head in each. <br><br>Front board with a very neat restoration to bottom right corner. Spine a little cracked and with restorations, especially to capitals, which have been supplied with new leather. Back board with the original leather board restored … [Click Below for Full Description]
Bookseller: Lynge & Son [Denmark]
2017-12-02 18:41:53
HAEDUS Petrus
1492. in-4, ff. (6), XCVII, (manca l'ult. f.bianco), leg. d'amatore del XIX sec. in p. marocch. verde scuro con riquadro a filetti oro sui piatti, dorso a nervi con tit. e fregi oro, tagli dor., dentelle int. (firmata Zaehnsdorf). Spazi per le iniz., molti con lettera-guida; due spazi bianchi per parole greche sul f. VII; piccolissimo carattere tondo, nitidissimo ed inusuale. I fogli preliminari contengono il titolo, l'indice del contenuto dei 137 brevi capitoli ed il ''Quinti Aemyliani Cimbriaci poetae Epos hendecasyllabicon in Petri Haedi Anterotica ad cupidinem''; in fine, sul f. XCVII del medesimo poeta Cimbriaco il ''Carmen epigraphicon in tres Haedi Anteroticorum libellos ad lectorem'', carme che prosegue al verso, ed in fine il colophon. Prima edizione, rarissima, di questo trattatello su ''Le forme dell'amore'' composto in forma di dialogo e diviso in tre libri, ristampato a Lipsia nel 1503 ed a Colonia nel 1607; in esso l'autore riprende alcuni temi già trattati nell'operettta giovanile ''Amores'' e, con numerosi riferimenti culturali ad autori antichi e recenti (da Cicerone a Petrarca), indica al nipote Alessandro i pericoli della superbia e dell'amore. Pietro Haedus (latinizzazione del vero cognome Capretto, o del friulano Del Zochul), nato a Pordenone nel 1427 ed ivi morto nel 1504, fu prete, poeta, volgarizzatore (sua la traduzione ital. delle ''Costitutioni de la patria del Friuli'' del 1484) e soprattutto dotto umanista; molte delle sue opere sono tuttora inedite. Buon esemplare: strappo restaurato al secondo f. dell'indice preliminare, che tocca qualche lett … [Click Below for Full Description]
Bookseller: Libreria Antiquaria Pregliasco [IT]
2017-11-22 20:15:08
L'AIGNEL (Jean-Baptiste-Jacques)
Bookseller: LIBRAIRIE CHAMONAL [Paris, France]
2017-11-22 18:56:01
ARETINO Pietro (?)
Bookseller: Libreria Magnanet [montepulciano, Italy]
2017-11-21 09:04:05
INCUNABULA. (HAEDUS, PETRUS) (=PIERRE/ PIETRO CAVRETTO).
(Tarvisius, per Gerardum (de Lisa) de Flandria, 1492, 13th of October). 4to. Very nice later (about 1600) full sheepskinbdg. w. gilt line-frames and gilt corner-ornamentations on boards. Back gilt. Corners and edges a bit worn (mostly due to wormholing). Wormholes to paper on inside of boards as well as to some leaves, though only marginally and not affecting text. Waterstaining throughout. All in all a well-preserved copy. ff. (6), I-XCII + XCV (lacking five leaves: Colophon-leaf and ff. XCIII, XCIV, XCVI, XCVII), in all 99 of 104 leaves. ¶ Rare first edition of the Italian moralist's main work, because of which the great humanist is remembered today. The full title of the work is "Anterotica sive amoris generibus", though "anterotica" is only mentioned on verso of the first leaf, whereas the work opens with the shorter title on the first leaf. This is the only edition to have appeared during the author's lifetime, the only incunable-edition, and the only edition to have existed untill 1608, when the work was printed for the second time in a rather defective and much less beatuful edition under a different title ("De Contemnendis Amoribus"). <br>The author, Petrus Haedus or Cavretto, was born in Pordenone, Italy around 1424 and died around 1501. The mystical work is written as a conversation between two of his friends, a priest and a poet, who hold opposing viws on the topic - love. It is a great representation of renaissance thought, and a valuable contribution to the study of this period. The typescript is a beautiful small roman one, which is very distinctive.<br>The pr … [Click Below for Full Description]
Bookseller: Lynge & Son [Denmark]
Check availability:
2017-10-27 10:12:04
Bote, Conrad
Peter Schöffer, Mencz, 1492. Holzschnitt aus der Sachsen-Chronik Conrad Botes mit einer Stadtansicht Magedeburgs sowie Textpassage. Blattgröße 28,5 x 20 cm (Höhe x Breite) unter Glas gerahmt (Rahmenmaß: 38 x 29,5 cm - ungeöffnet ). Das Blatt mit zahlreichen handschriftlichen Anmerkungen von alter Hand, auch auf der Darstellung * Magdeburg soll ein Bischofssitz sein, darunter ganz Wendland zerstöret, Saxo lib.3, Cap. 24-25*.Die Textpassage beginnend: " Keyser Otto de hadde gerne eynen Bischopsdom gemaket to Meydeborch unde des wolde ome de Bischopp Bernd nicht staden.". Das Blatt etwas fleckig, am oberen Rand mit 2 Montagespuren sowie (wie erwähnt) mit zahlreichen handschriftlichen Anmerkungen von alter Hand in Tinte. - sehr selten - ( Gewicht 800 Gramm ) ( Pic erhältlich // webimage available )
Bookseller: Antiquariat Friederichsen [Hamburg, Germany]
Check availability:
2017-10-24 16:55:23
INCUNABLE). SENECA, Lucius Annaeus
[Venice, Johannes & Gregorius de Gregoriis, de Forlivio, about 1492]. Folio (31,8 x 21,8 cm). 18th century vellum with seven ribs. 237 ff (of 238, lacking only the final blank C10). 60 lines plus head line. Roman type. Capital spaces with guide letters. Binding a bit worn at lower corners, spine soiled and with an old ticket. 18th century bookplate (Joseph Mazarin?). Marginal notes (some trimmed) in a neat cursive contemporary hand, perfectly legible. A bit soiled and some stains. Tiny wormhole in margin starting from leaf cii to the end. A few restorations in margins. Some insignificant pinpoint holes in the text. In all a good copy.l This attractive incunable contains the philosophical works and letters of Seneca, including his correspondence with Saint Paul (which is in fact a forgery from the 4th century), and also some works of the philosopher's father Seneca the Elder, in the Middle Ages thought to be the son's work. No colophon was printed in this book, the explicit ends with a quire register. Contemporary handwritten title on first blank with the Epitaph of Seneca ('Cura, labor, meritum') as a motto. With some misprints in the pagination and elsewhere (e.g. 'Epitsolarum' instead of 'Epistolarum' on leaf II). BMC, V, 595 Goff S-372, BSB-Ink S-269 (the copy that was used for reproduction has some slight differences in the typesetting). 59 copies (45 complete) in the various libraries (but not in the Dutch or the Belgian). = Inkunabel Venedig 1492.
Bookseller: Antiquariaat Fokas Holthuis
2017-10-21 18:00:15
- Plate 4: Christopher Columbus with Native Americans, 1492-1503 c1820-1839. Columbus 1451-1506 made four voyages to the New World between 1492 and 1504, exploring the Caribbean and the coasts of Central and South America. He claimed the territiories he discovered for Spain. Line etching and aquatint tone etching with delicate hand colouring on a vellin type paper. 100% original and authentic. Giulio Ferrario was founder of the 'Societa Tipografica de Classici Italiani' and served as the director of the Braidense National Library in Milan, Italy. Artists that worked on this monumental work are: Gallo Gallina, D.K. Bonatti, Angelo Biasioli (1790-1830), L. Rossi, Paolo Fumagalli, Gaetano Zancon (1771-1816), G. Bigatti, C. Bramati, G. Gallo, C. Bottiglia, G. Castellini, Antonio Rancati (1784-1816), Vittorio Raineri, Sydney Parkinson, Castelli, A. Sanquirico (1777-1849), Angelo Monticelli (1778-1837), A.L. Rossins, Bottigella, A. Lanzani, Vittorio Raineri, Campi and others. This plate by D.K. Bonatti after P. Palaggi. Condition: Excellent. General age-related toning and occasional light staining as visible on image. Please study image carefully. The overall size is ca. 14.2 x 9.4 inch. The image size is ca. 9.4 x 7.1 inch. The overall size is ca. 36 x 24 cm. The image size is ca. 24 x 18 cm.
Bookseller: ThePrintsCollector
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2017-10-21 18:00:15
1492. Plate A 2 (Pag. 39).: This plate shows the departure of Christoffel Columbus ships on his way to undiscovered lands in 1492. Copperplate engraving on verge type hand laid paper with watermark (not visible on all sheets). Description: This attractive original old antique print / plate originates from: 'Naaukeurige Versameling der Gedenk-waardigste Zee en Land-reysen, na Oost en West-Indien, Mitsgaders andere Gewesten, ter eerster Ontdekking enn soo vervolgens van Verscheyde Volkeren, meerendels door Vorsten, of Maatschappyen Derwaarts gesonden, gedaan; Zedert het jaar 1492 tot 1499 .', (transl.: Accurate accounts of memorable sea and land-voyages, to the East and West Indies and other regions, first discovering by different nations, mostly kings or companies send there; since 1492-1499.), published by Pieter Van Der Aa, Leiden 1706-1708. This particular print is from part of this book: 'De roemwaardige scheeps-togt van Christoffel Kolumbus door hem allereerst in den Jare 1492. ten overstaan van haar Katholyke Majesteyten, als Ammiraal van den Oceaan, ter ontdekking gedaan na de West-Indische Landschappen. (Transl.: The famous sea-voyage of Christoffel Columbus; First done by him in 1492, for the Catholic Majesties, as sea Admiral, for the discovery of the West-Indian landscapes.)Artists and Engravers: Publisher: Pieter van der Aa (Leiden 1659 - 1733) was a Dutch publisher best known for preparing maps and atlases. Engraver: some plates or emblems in this work have the initials J.G. (Jan Goeree.) Jan Goeree (1670 � 1731) was a draughtsman, engraver, poet and author; m … [Click Below for Full Description]
Bookseller: ThePrintsCollector [Zeeland, Netherlands]
2017-10-19 10:56:49
ALBERTANUS CAUSIDICUS BRIXIENSIS.
Ingolstadt, [Printer of Celtis 'Epitoma' (?Johann Kachelofen), c. 1492.] - 4to, ff. [8], gothic letter, initials supplied in red, capital strokes and underlining in red; some light, mostly marginal, spotting and staining, traces of old stamp in lower margin of first leaf; mid twentieth-century vellum, spine lettered in gilt; lightly soiled, two corners slightly chewed.Very rare Ingolstadt edition of this treatise on the art of speech, the most influential work of the thirteenth-century Brescian causidicus, Albertano.Printing was introduced at Ingolstadt in 1484. This is one of ten works assigned to the 'Printer of Celtis', the third (anonymous) Ingolstadt press, and may in fact be his first production: 'both forms of d are common in this book, which suggests a first effort by its bad press-work' (BMC). The printer may be identified with Johann Kachelofen, who matriculated at the University of Ingolstadt in 1490 and was evidently supplied with type by his half-brother Conrad, of Leipzig (see Ferdinand Geldner, 'Zum Ingolstädter buchdruck des 15. Jahrhunderts', Gutenberg-Jahrbuch, 1968, pp. 97–9).Provenance: from the library of Boies Penrose (1902–1976), with his bookplate and with pencilled inscription (in Eric Sexton's hand?) '18 Ja[nuary] [19]41 B. Penrose gift'; Eric Sexton (1902–1980), with his book label and bookplate; his sale, Christie's New York, 8 April 1981, lot 78; Ned J. Nakles (1931–1999), his sale, Christie's New York, 17 April 2000, lot 83.HC *398; BMC III 677; GW 556; Goff A-206; Bod-inc. A-089. ISTC records 13 copies only, of which two in … [Click Below for Full Description]
Bookseller: Bernard Quaritch Ltd ABA ILAB [United Kingdom]
2017-10-16 13:44:30
TOMAI Pietro
Venice, Bernardinus De Choris da Cremona, 10 January 1491 [but Bologna, Balzerius De Balzeriis, about 1492]. In-4° (mm 200x140). Segnatura: a-d4. 16 carte. Carattere: 108R. Testo su 28 linee. Spazi capitali. Legatura in cartonato coevo, al piatto anteriore lettera ‘R' manoscritta. Esemplare in buono stato di conservazione, qualche lieve alone, porzione superiore del lato esterno lacunosa con conseguente perdita di parte di alcune note marginali. Antichi marginalia manoscritti in latino e greco, sottolineature nel testo, un piccolo disegno di figura maschile sul margine interno del recto della carta c2.Rara contraffazione bolognese della prima edizione veneziana, pubblicata da Bernardino De Choris da Cremona nel 1491, del celebre trattato sulla memoria artificiale di Pietro Tomai, noto come Pietro da Ravenna. Come la maggior parte delle contraffazioni di questo genere, la riedizione del De Balzeriis seguì molto presumibilmente il suo archetipo di un breve lasso di tempo, riproducendone esattamente il contenuto delle carte e il colophon, dove il De Choris viene definito ‘impressor delectus', autorizzato cioè a stampare l'opera dall'autore stesso.Il privilegio concesso dalla Repubblica Veneziana a Pietro da Ravenna rappresenta uno dei più antichi documenti di questo genere, di poco posteriore al primo a noi noto, datato 1469; esso venne concesso all'autore al fine «di vendere per sé e far stampare e vendere da un editore di sua scelta l'opera intitolata Phoenix, e quindi proibì a chiunque di far commercio di tale opera sub poena amitendi illa et in super … [Click Below for Full Description]
Bookseller: Libreria Antiquaria Pregliasco [Torino, Italy]
2017-10-16 12:30:02
INCUNABLE). SILIUS ITALICUS
Bookseller: Fokas Holthuis [Den Haag, Netherlands]
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2017-10-16 12:30:02
INCUNABLE). SENECA, Lucius Annaeus
Bookseller: Fokas Holthuis [Den Haag, Netherlands]
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2017-10-16 12:30:02
INCUNABLE). MARCHESINUS, Johannes
Bookseller: Fokas Holthuis [Den Haag, Netherlands]
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2017-10-16 11:36:24
ARETINO Pietro (?)
Bookseller: Libreria Magnanet [montepulciano, Italy]
2017-10-16 11:32:27
L'AIGNEL (Jean-Baptiste-Jacques)
Bookseller: LIBRAIRIE CHAMONAL [Paris, France]
2017-10-16 11:32:27
L'AIGNEL (Jean-Baptiste-Jacques)
Bookseller: Librairie Chamonal [France, Paris]
2017-10-16 11:29:57
Ardoynis, Santes de.
Bookseller: Antiquariat INLIBRIS Gilhofer Nfg. GmbH [Vienna, A, Austria]
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2017-10-16 11:19:00
BIENATO AURELIO.
Bookseller: Libreria Antiquaria Mediolanum [IT]
2017-10-16 11:11:53
ARETINO Pietro (?)
1492. Quasi sicuramente seconda metà del '700.16°, pp.68, cop. a fiori antica, l'opuscolo è contenuto in un astuccio in p. pelle 800sca, con ricche cornici floreali oro ai piatti, doppio tass. con tit. oro e ricchi fregi oro al dorso. Questa ediz. contiene la Prefazione (p.3: "Manifico utriusque ser Agnello, / Voi, qui scribere scitis quare, quia, / E spesse volte fate col cervello, / di Bartolo e di Baldo notomia, / Nella vostra bizzarra fantasia, / E le leggi passate col coltello, / Nella vostra bizzarra fantasia, / Questi dubbi, di grazia, mi chiarite / Ch'oggi in bordello han mosso una gran lite."); i primi 31 dubbi con relative risoluzioni (pp.4-25); "Altri dubbj amorosi di Pietro Aretino"(pp.27-35, con 17 dubbi e altrettante risoluzioni); "Sonetti lussuriosi di Pietro Aretino"(pp.37-64); "Nicolò Franco all'arcidivino Pietro Aretino flagello de' cazzi"(p.65); "Anacreontica estemporanea a Giovan Gastone de' Medici da alcuni attribuita al Crudeli, da altri al Buondelmonte"(pp.66-68). Dubbi amorosi è una raccolta di brevi componimenti poetici, in cui, tramite storielle licenziose, vengono presentati problemi comuni con la relativa arguta "risoluzione". Ad es. il 6° dei primi Dubbj: "Un prete, ch'alla punta del suo cazzo / aveva un panarizzo da crepare, / gli fu insegnato da un cotal ch'a guazzo / del caldo d'una potta el fesse entrare; / egli a Giulia gentil non per sollazzo / lo mise in potta, ed era sua comare, / sol per non più sentir nel cazzo affanni. / Or qui fece egli ingiuria a san Giovanni? - Risoluzione VI: S'al capitolo quinto voi notate, / decimo quinta, quaes … [Click Below for Full Description]
Bookseller: Libreria Antiquaria Magnanet [IT]
2017-10-16 11:06:49
Ardoynis, Santes de.
Bookseller: Antiquariat INLIBRIS Gilhofer Nfg. GmbH [Vienna, A, Austria]
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2017-10-10 21:50:00
INCUNABLE). SILIUS ITALICUS
Bookseller: Fokas Holthuis [Den Haag, Netherlands]
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2017-10-05 19:01:13
Carcano, Michael de:
Venedig, Johannes und Gregorius de Gregorius (für Alexander Chalcedonius), (i.e. 1493), 1492. 4 Bll., 227 num. Bll., 1. Bl. Got. Typ.; 2 Spalten, 51 Zeilen. Späterer Hldr.bd. mit Rsch. Hain-C. 4504. - GW 6133. - GKW 6133. - Goff C 193. - BMC V, 343. - Einzige Inkunabelausgabe. - Der Verfasser stammte aus einer Familie, die ein Schloß gleichen Namens in der Gegend von Mailand besaß, er war Franziskaner und ein berühmter Prediger und starb um 1490. Am 18. Januar erhielt Alexander Chalcedonius für das Buch ein zehnjähriges Privileg (Fulin 12). Im Kolophon wird als Druckjahr noch 1492 genannt. Da more Veneto das neue Jahr am 1. März beginnt, wird das Werk nach dem 18. Januar und vor dem 1. März 1493 erschienen sein (vgl. GKW). - Mit der Druckermarke III der Brüder Gregoriis (Husung 161). - Blatt a2 gedruckt in Rot und Schwarz. - Vollständiges Exemplar mit den Titelblatt, 3 Blatt "Tabula presentis." sowie dem Schlußblatt "Registrum". - Unser Exemplar mit Eintrag am letzten Blatt: Johannes Faber (genannt Fabri; eigentlich Johannes Hegerlin), Bischof von Wien (1478 in Leutkirch im Allgäu; gest. 21. Mai 1541 in Baden bei Wien). - Mit vereinzelten Unterstreichungen, über 60 kleinere Randbemerkungen und sein Besitzvermerk a.d. letzten Blatt ("Registrum"). Ein weiterer Besitzvermerk von alter, fremder Hand a.d. Titelblatt. - Unserem Exemplar wurden die 3 Blatt "Tabula." und das weisse Blatt nach dem Titelblatt eingebunden. - Die ersten 4 Blätter (inkl. Titel) stärker wurmspurig, Pag. 1 und 2 im Bug verstärkt, die letzten 4 Blätter meist im weissen Rand oder Bug ebenfalls wurmstichig. … [Click Below for Full Description]
Bookseller: Antiquariat Andreas Moser [Wien, A, Austria]
2017-10-04 14:55:57
ROME-CARNIVAL.
Bookseller: Libreria Govi Alberto [IT]
2017-09-29 08:36:05
Johann Amerbach, (Basel, 1492. Folio. Mit Titelholzschnitt. (Teil I=) 40 Blatt (genaue Kollation mit Bogenzählung nach GW: a8 b6 c8 d6 - f6 = Anfang und Kapitel 1); (Teil III =) 290 Blatt (genaue Kollation mit Bogenzählung nach GW: a8 b6 c8 d6 - f6 = Kapitel XI - XVIII/ zweispaltig; a8 b6 c8 d6 e8 f6 g8 h6 i8 k6 - o6 = Kapitel I; a8 b6 c8 d6 e8 f6 g10 = Kapitel XIX/ zweispaltig/ g8 mit Orts- und Verlagsangabe sowie Jahreszahl: "Explicitu est opus sermonu beati Ambrosii epi Mediolanesnsis: Basilee p magistratu Johannem de Amerbach: Anno salutiferi // virginalis partus nonagesimosecundo supra millesimum quateroz centesimum"; a8 b6 c8 - h8 i6 - k6 l8 - n8 = Kapitel II - X/ zweispaltig). Halblederband wohl des 17.Jahrhunderts mit handschriftlichem Titel und Jahreszahl; gesprenkelter Buchschnitt. Basler Inkunabel mit beinahe blattgroßem Titelholzschnitt, den Kirchenlehrer Ambrosius (um 339 - 397) zeigend, wie er in seiner Studierstube an einem Pult steht und schreibt. – GW II, 1599; Hain I, 896; Lonchamp I,74; Heckethorn, S. 39 (mit Angaben über die Verwendung der Typen). - Für die Angaben zum Drucker: Heckethorn, S. 27 ff; Geldner I, 118f.; Voulliéme S. 25; Dt. Buchdrucker des XV. Jhdts., Harrassowitz Vlg., S. 80. - Für die Angaben zum Titelholzschnitt: Meder, Dürer Katalog, S. 18 und Kat.-Nr. 220; Hieronymus, Oberrheinische Buchillustration, S. 50; Schramm XXI, S. 15f. u. Illustr.-Nr. 600. - Für die Angaben zu den Wasserzeichen: Piccard, Gerhard. Die Wasserzeichenkartei Piccard im Hauptstaatsarchiv Stuttgart. - Die hier vorliegenden Schriften des Ambrosius, der Bischof von Mai … [Click Below for Full Description]
Bookseller: terrahe.oswald [Gangkofen, Germany]
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