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2014-02-19 05:53:29
ORFF, Carl 1914-1982
Autograph musical manuscript signed of De temporum fine comoedia. Das Spiel vom Ende der Zeiten. Undated, but ca. 1970.
. 2 pp., being pages 143 and 144 of the full score. Large folio (416 x 318 mm.). Notated in ink and pencil on 30-stave music manuscript paper. Inscribed to Uli Märkle, a close collaborator and friend of the distinguished Austrian conductor Herbert von Karajan. Slightly worn.. De temporum fine comoedia (Play for the End of Time), a major work, was Orff's final musical statement. It was composed over a period of some ten years and had its first performance on August 20, 1973 at the Salzburg Music Festival under Herbert von Karajan with the Cologne Radio Symphony Orchestra. "The gestation of De temporum fine comoedia, which is the epitome of Orff's theatrical work, began while he was working on Prometheus. The score to this 'Spiel vom Ende der Zeiten' was completed between 1970 and 1971, with texts taken from the Oracula sibyllina, an Orphic Hymn to Oneiros, and also from the Carmina Burana collection. Orff lends to a theological idea a theatrical form that was already present in Des Turmes Auferstehung: Origene's 'apokatastasis panton', namely the idea that the world returns to God with the consequence that all guilt is temporally finite. The vastness of this eschatological scenario feeds the visionary quality of this modern mystery play. And in the vision invoked by the Anachoretes one participates in the repentance of Lucifer, announced symbolically in the music by open 5ths to a blare of trumpets. There follows a transfiguring dematerialization of all musical parameters, then a canon for four viols. This symbolic mandala representing 'Ta panta Nous' ('Everything is Spiri … [Click Below for Full Description]
Bookseller: J & J Lubrano Music Antiquarians
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