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Displayed below are some selected recent viaLibri matches for books published in 1998

        Stoßwellenbehandlung bei orthopädischen Erkrankungen

      Thieme, Stuttgart, 1998 - 62 Seiten Artikel stammt aus Nichtraucherhaushalt! BF5726 Sprache: Deutsch Gewicht in Gramm: 222 [Attributes: Soft Cover]

      [Bookseller: buecher_baer80]
 1.   Check availability:     AbeBooks     Link/Print  


        Alla Prima: Everything I know About Painting **SIGNED FIRST PRINTING**

      Stove Prairie Press, Manchester Center VT 1998 - This first printing collects master artist Schmid's thoughts, experience and illustrations in ten chapters with 118 color plates.This copy is in excellent condition, signed by Schmid on the front endpaper with the bright dustjacket in clear, mylar covering. Because of the size of this book-11.25"x9" and weight-2 pounds, additional postage charges will be assessed. The book will be carefully wrapped and boxed for safe shipping. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Longs Peak Book Company]
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        Die roten Schuhe. Farbholzschnitte von Hanfried Wendland.

      Berlin, NeueKleiderDrucke, 1998 - 48(8) Seiten, zweifarbiger Druck. Auflage: 30 (+5) nummerierte Exemplare. Vorliegend Nr. 18. Von Wendland voll signiert und mit Jahreszahl versehen. 13. Druck von Wendland. Satz: 16 Punkt halbfette Helvetica. Maschinensetzerei Peter von Maikowski und Harald Weller. Handsatz und Druck: Peter Rensch, ANDANTE Handpresse. Handbindung: Christian Klünder. Neuwertiges Exemplar. Fine copy. Signed in the back by the artist. Limited for 30+5 copies. Handpressed. Sprache: Deutsch Gewicht in Gramm: 1000 40x30 cm, OHalb-Ledereinband mit blindgeprägtem Rückentitel in illustriertem OSchuber, [Attributes: First Edition; Signed Copy]

      [Bookseller: Antiquariat Schröter -Uta-Janine Störmer]
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        Storia della Sicilia in 11 volumi completi

      Editalia, 1998. Rilegato + titoli in oro Perfette

      [Bookseller: Libreria Fabiocomics]
 4.   Check availability:     maremagnum.com     Link/Print  


        Brice Marden: Work Books 1964 - 1995

      Richter Verlag, Düsseldorf, 1998. 231 pages 230 illustrations 65 in full color. First edition. Very minor shelfwear to the bottom edge otherwise fine. Published on the occasion of the exhibition from the Staatliche Graphische Sammlung München 2 July-24 August 1997, Kunstmuseum Winterthur 6 September-23 November 1997, Wexner Center for the Arts, The State University of Ohio, Columbus OH 31 January-2 April 1998 and Harvard University Art Museum, Cambridge MA 18 July-27 September 1998. Select Biography.. Cloth. Fine Condition/Fine Condition.

      [Bookseller: Exquisite Corpse, Booksellers]
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        Singer - Songwriter Ray Davies of "The Kinks" - photographed in London, 1965.

      1998. Ireland, c. 1998. Vintage print of the original Photograph on archival paper. Image: 28 cm x 20 cm / Framed: 53,5 cm x 43,5 cm. Early photograph by John Minihan, from his personal library. With John's copyright-stamp verso. Signed and titled by John Minihan. Beautifully framed. John Minihan is an Irish photographer, born in Dublin in 1946 and raised in Athy, County Kildare. At the age of 12 he was brought to live in London, and went on to become an apprentice photographer with the Daily Mail. At the age of 15 he won the Evening Standard amateur photography competition. At 21 he became the youngest staff photographer for the Evening Standard. For thirty years he remained in London, returning every year to his hometown of Athy to record the people and their daily lives.nnThe work of Minihan in Athy makes up a large part of his canon. Minihan began taking photos in Athy when he was 16. The photos are an attempt to document the lives of the ordinary people of the town in their day to day business and also in times of joy and sadness, notably during the wake of a woman called Katy Tyrrell.nIn between documenting Athy on visits home, Minihan continued his career on Fleet Street, which included the iconic snap of the 19-year-old Lady Diana Spencer in the garden of the nursery at which she worked, the morning sun to her back, her legs in silhouette through her skirt. Diana had just been announced as the Prince of Wales's love interest and photographers raced to take her photo, Minihan having the fortune to turn up first.nOver the years Minihan developed a close relationship with many writers and his photographs of Samuel Beckett show a particular affinity between the two men. Minihans photos of Beckett are some of his best known, one in particular is described as one of the greatest photos of the twentieth century. William S. Burroughs once referred to Minihan as "a painless photographer".nnMinihan is perhaps best known for his photographs of Samuel Beckett. Minihan first expressed a desire to photograph Beckett in 1969, following Becketts winning of the Nobel Prize for literature, having noticed that all the available photos of Beckett were of a poor quality;nn 'We were running a story but discovered there were only two very vague images of Beckett taken many years before. It was like he didn't exist - that was the moment I decided I wanted to meet this man and take his photograph.'nnMinihan first encountered Beckett in London in 1980, while Beckett was working on a production of one of his own plays, Endgame. Minihan met Beckett in the Hyde Park hotel and showed him some of his photos of Athy to break the ice. The two met on a number of occasions over the next few years, but it was not until 1985 that they met in Paris. They arranged to meet in the restaurant of the Hotel PLM, a regular haunt of Beckett. At ten to five, with the light fading, Minihan took the photo that would go on to be called by some as the photograph of the twentieth century. John Calder credited Minihan with capturing,nn 'the introspective, infinitely sad gaze of a man looking into the abyss of the world's woes'.nnAmong his numerous photographic publications are Photographs: Samuel Beckett (1995); Shadows from the Pale, Portrait of an Irish Town (1996); and An Unweaving of Rainbows, Images of Irish Writers, 1996.nHe is currently a freelance photographer specialising in 'the arts'. His book of photographs of Samuel Beckett was published in 1995. His photographs of Athy have been exhibited throughout the world. He was given the freedom of Athy in 1990. Minihan currently lives and works in West Cork. nMinihan's many exhibitions in museums and galleries around the world include the Museum of Modern Art, Rio de Janeiro, 1984; Centre Georges Pompidou, Paris 1986; the National Portrait Gallery, London 1987/8 and the October Gallery, London 1990 as well as the Guinness Hop Store, Dublin 1991. (Wikipedia)nnRaymond Douglas "Ray" Davies CBE (/'de?v?s/ DAY-vis; born 21 June 1944) is an English musician. He was the lead singer and songwriter for The Kinks, which he led with his younger brother, Dave. He has also acted, directed and produced shows for theatre and television.nnSince the dissolution of the Kinks in 1996, Ray Davies has embarked on a solo career as a singer-songwriter. (Wikipedia)

      [Bookseller: The Time Traveller's Bookshop ]
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        Collection / Series of seven vintage photographs of historical Dublin Shopfronts / Pubs.

      1998. Dublin, 1998. Vintage Photographs on archival paper. Images: 25 cm x 20 cm. From the library of irish photographer John Minihan. Titled and signed by John Minihan. Unframed. John Minihan is an Irish photographer, born in Dublin in 1946 and raised in Athy, County Kildare. At the age of 12 he was brought to live in London, and went on to become an apprentice photographer with the Daily Mail. At the age of 15 he won the Evening Standard amateur photography competition. At 21 he became the youngest staff photographer for the Evening Standard. For thirty years he remained in London, returning every year to his hometown of Athy to record the people and their daily lives.nnThe work of Minihan in Athy makes up a large part of his canon. Minihan began taking photos in Athy when he was 16. The photos are an attempt to document the lives of the ordinary people of the town in their day to day business and also in times of joy and sadness, notably during the wake of a woman called Katy Tyrrell.nIn between documenting Athy on visits home, Minihan continued his career on Fleet Street, which included the iconic snap of the 19-year-old Lady Diana Spencer in the garden of the nursery at which she worked, the morning sun to her back, her legs in silhouette through her skirt. Diana had just been announced as the Prince of Wales's love interest and photographers raced to take her photo, Minihan having the fortune to turn up first.nOver the years Minihan developed a close relationship with many writers and his photographs of Samuel Beckett show a particular affinity between the two men. Minihans photos of Beckett are some of his best known, one in particular is described as one of the greatest photos of the twentieth century. William S. Burroughs once referred to Minihan as "a painless photographer".nnMinihan is perhaps best known for his photographs of Samuel Beckett. Minihan first expressed a desire to photograph Beckett in 1969, following Becketts winning of the Nobel Prize for literature, having noticed that all the available photos of Beckett were of a poor quality;nn 'We were running a story but discovered there were only two very vague images of Beckett taken many years before. It was like he didn't exist - that was the moment I decided I wanted to meet this man and take his photograph.'nnMinihan first encountered Beckett in London in 1980, while Beckett was working on a production of one of his own plays, Endgame. Minihan met Beckett in the Hyde Park hotel and showed him some of his photos of Athy to break the ice. The two met on a number of occasions over the next few years, but it was not until 1985 that they met in Paris. They arranged to meet in the restaurant of the Hotel PLM, a regular haunt of Beckett. At ten to five, with the light fading, Minihan took the photo that would go on to be called by some as the photograph of the twentieth century. John Calder credited Minihan with capturing,nn 'the introspective, infinitely sad gaze of a man looking into the abyss of the world's woes'.nnAmong his numerous photographic publications are Photographs: Samuel Beckett (1995); Shadows from the Pale, Portrait of an Irish Town (1996); and An Unweaving of Rainbows, Images of Irish Writers, 1996.nHe is currently a freelance photographer specialising in 'the arts'. His book of photographs of Samuel Beckett was published in 1995. His photographs of Athy have been exhibited throughout the world. He was given the freedom of Athy in 1990. Minihan currently lives and works in West Cork. nMinihan's many exhibitions in museums and galleries around the world include the Museum of Modern Art, Rio de Janeiro, 1984; Centre Georges Pompidou, Paris 1986; the National Portrait Gallery, London 1987/8 and the October Gallery, London 1990 as well as the Guinness Hop Store, Dublin 1991. (Wikipedia)nnRaymond Douglas "Ray" Davies CBE (/'de?v?s/ DAY-vis; born 21 June 1944) is an English musician. He was the lead singer and songwriter for The Kinks, which he led with his younger brother, Dave. He has also acted, directed and produced shows for theatre and television.nnSince the dissolution of the Kinks in 1996, Ray Davies has embarked on a solo career as a singer-songwriter. (Wikipedia)

      [Bookseller: The Time Traveller's Bookshop ]
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        Drei Kapitäne. Mit 7 achtfarbigen Linolschnitten von Ingrid Jörg.

      Berlin : Berliner Handpresse, 1998. 21 S. : zahlr. Ill. , 35 cm, HLeinen in Blockbuchform Nr. 61 von 100 Ex. Impressum von Ingrid Jörg sign.

      [Bookseller: Antiquariat Galerie Joy]
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        The Chinese Classics

      Taipei: SMC Publishing, 1998. Hardcover. Fine/fine. With a translation, critical and exegatical notes, prolegomena and copious indexes. 5 volumes in 4 (1 & 2 bound together). 4 volume set complete 5 volumes in 4

      [Bookseller: Frank Mosher]
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        Wien 1854 - 1912). Junge Liebe. Öl auf Leinwand. Um 1890. Unten links signiert. 100 x 45 cm. Im prachtvollen Goldrahmen mit Messingschildchen.

      Carl Schweninger entstammte einer Wiener Künstlerfamilie, war der Sohn des Malers Carl Schweninger d. Ä. Zuerst lehrte ihn sein Vater, später studierte er bei Karl Mayer an der Allgemeinen Malerschule der Akademie der bildenden Künste Wien. Seine Motive waren hauptsächlich Rokoko-Genreszenen. Viele seiner Bilder wurden in Zeitschriften wie 'Die Gartenlaube', 'Ueber Land und Meer' und 'Moderne Kunst' veröffentlicht.- Im Garten vor einer Steinmauer lehnt eine junge Schönheit im leichten weißen Kleid, eine Brust entblößt, einen Arm vor die Stirn haltend, der andere wird am Handgelenk von einem jungen Mann festgehalten, der hinter der Mauer steht und der jungen Frau zugeneigt ist.- Verso Reste eines alten Aufklebers der Galerie Commeter in Hamburg, dieser handschriftlich bezeichnet mit Künstlernamen und dessen Lebensdaten sowie betitelt 'Junge Liebe'.- Dabei ein Kaufbeleg vom Auktionshaus Schloss Ricklingen aus dem Jahr 1998.- Aus der Sammlung Häusler, Kiel.-

      [Bookseller: Antiquariat Daniel Schramm e.K.]
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        Adolf Loos 1870 - 1933. 40 Wohnhäuser/40 Houses. Bauten und Projekte/Buildings and Projekts by Adolf Loos. Mit einem Beitrag von Friedrich Kurrent.

      Salzburg - München, Anton Pustet, 1998. 32,5 x 45 cm. 116 Bll. Lose Blattsammlung in OLeinenkasette. Erste Ausgabe. Nr. 8 der limitierten Edition. - Schönes Exemplar. - Umfangreiche Sammlung der Häuser und Pläne von Adolf Loos. Versand D: 7,00 EUR Architektur

      [Bookseller: Antiquariat Weinek]
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        Gesammelte Schriften. 10 Bände in 15 Bänden

      Georg Olms, Hildesheim, 1998 - 2010. CXCVI/8815 S., Leinen - neuwertig/original verlagsfrisch verschweißt/aus der Reihe Historia Scientiarum/Reprografischer Nachdruck der Ausgabe Halle 1702 - 1727 -

      [Bookseller: Celler Versandantiquariat]
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        Lettres de prison à Lucette Destouches et maître Mikkelsen 1945-1947

      First edition, one of 111 numbered copies on chiffon de Lana, the only large paper copies.A fine copy. Gallimard Paris 1998 17,5x22,5cm broché

      [Bookseller: Librairie Le Feu Follet]
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        Wild parrots and the King of La Brea

      Marina del Rey: Bieler Press, 1998. Edition limited to 135 copies, small 4to (approx. 10" x 7½"), 29 leaves of green Usuzumi paper that has been hand-stained using an alcohol-based staining technique and printed on rectos only; bound in Honduras mahogany boards using Ethiopian Coptic-style stitches; only 65 copies in the edition were so bound, the rest remain in sheets. The book was conceived, designed, and printed by Gerald Lange and illustrated by artist Robert Dansby (Jiggs). The three dozen sketch drawings reflect the thoughts and memories of the narrator. Fine.

      [Bookseller: Rulon-Miller Books]
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        Harry Potter and the Chamber of Secrets

      London: Bloomsbury,, 1998. Octavo. Original pictorial boards. With the dust jacket. Housed in a red cloth solander box. Margins of text block gently toned. An excellent copy. First edition, first impression. Signed by the cover illustrator, Cliff Wright, on the rear panel.

      [Bookseller: Peter Harrington]
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        Derek Mahon, Poet - Dublin, 1998.

      1998. Ireland, 1998. Original, Vintage Photograph on archival paper. Image: 18,5 cm x 27 cm / Framed: 41,5 cm x 48,5 cm. Very Rare vintage photograph of the rather shy Derek Mahon, from the library and personal archive of irish photographer John Minihan. With John's copyright-stamp verso. Signed and titled by John Minihan. Beautifully framed. John Minihan is an Irish photographer, born in Dublin in 1946 and raised in Athy, County Kildare. At the age of 12 he was brought to live in London, and went on to become an apprentice photographer with the Daily Mail. At the age of 15 he won the Evening Standard amateur photography competition. At 21 he became the youngest staff photographer for the Evening Standard. For thirty years he remained in London, returning every year to his hometown of Athy to record the people and their daily lives.nnThe work of Minihan in Athy makes up a large part of his canon. Minihan began taking photos in Athy when he was 16. The photos are an attempt to document the lives of the ordinary people of the town in their day to day business and also in times of joy and sadness, notably during the wake of a woman called Katy Tyrrell.nIn between documenting Athy on visits home, Minihan continued his career on Fleet Street, which included the iconic snap of the 19-year-old Lady Diana Spencer in the garden of the nursery at which she worked, the morning sun to her back, her legs in silhouette through her skirt. Diana had just been announced as the Prince of Wales's love interest and photographers raced to take her photo, Minihan having the fortune to turn up first.nOver the years Minihan developed a close relationship with many writers and his photographs of Samuel Beckett show a particular affinity between the two men. Minihans photos of Beckett are some of his best known, one in particular is described as one of the greatest photos of the twentieth century. William S. Burroughs once referred to Minihan as "a painless photographer".nnMinihan is perhaps best known for his photographs of Samuel Beckett. Minihan first expressed a desire to photograph Beckett in 1969, following Becketts winning of the Nobel Prize for literature, having noticed that all the available photos of Beckett were of a poor quality;nn 'We were running a story but discovered there were only two very vague images of Beckett taken many years before. It was like he didn't exist - that was the moment I decided I wanted to meet this man and take his photograph.'nnMinihan first encountered Beckett in London in 1980, while Beckett was working on a production of one of his own plays, Endgame. Minihan met Beckett in the Hyde Park hotel and showed him some of his photos of Athy to break the ice. The two met on a number of occasions over the next few years, but it was not until 1985 that they met in Paris. They arranged to meet in the restaurant of the Hotel PLM, a regular haunt of Beckett. At ten to five, with the light fading, Minihan took the photo that would go on to be called by some as the photograph of the twentieth century. John Calder credited Minihan with capturing,nn 'the introspective, infinitely sad gaze of a man looking into the abyss of the world's woes'.nnAmong his numerous photographic publications are Photographs: Samuel Beckett (1995); Shadows from the Pale, Portrait of an Irish Town (1996); and An Unweaving of Rainbows, Images of Irish Writers, 1996.nHe is currently a freelance photographer specialising in 'the arts'. His book of photographs of Samuel Beckett was published in 1995. His photographs of Athy have been exhibited throughout the world. He was given the freedom of Athy in 1990. Minihan currently lives and works in West Cork. nMinihan's many exhibitions in museums and galleries around the world include the Museum of Modern Art, Rio de Janeiro, 1984; Centre Georges Pompidou, Paris 1986; the National Portrait Gallery, London 1987/8 and the October Gallery, London 1990 as well as the Guinness Hop Store, Dublin 1991. (Wikipedia)nnDerek Mahon (born 23 November 1941) is a Northern Irish poet. He was born in Belfast, Northern Ireland.nMahon was born the only child of Ulster Protestant working class parents. His father and grandfather worked at Harland and Wolff while his mother worked at a local flax mill. During his childhood, he claims he was something of a solitary dreamer, comfortable with his own company yet aware of the world around him. Interested in literature from an early age, he attended Skegoneill Primary school and then the Royal Belfast Academical Institution.nAt Inst he encountered fellow students who shared his interest in literature and poetry. The school produced a magazine to which Mahon produced some of his early poems. According to the critic Hugh Haughton his early poems were highly fluent and extraordinary for a person so young.nMahon pursued third level studies at Trinity College, Dublin where he edited Icarus, and formed many friendships with writers such as Michael Longley, Eavan Boland and Brendan Kennelly. He started to mature as a poet. He left Trinity in 1965 to take up studies at the Sorbonne in Paris.nAfter leaving the Sorbonne in 1966 he worked his way through Canada and the United States. In 1967 he published his first collection of poems Night Crossing. He taught in a school in Dublin and worked in London as a freelance journalist. He currently lives in Kinsale, Co. Cork. On 23 March. 2007 he was awarded the David Cohen Prize for Literature. He won the Poetry Now Award in 2006 for his collection, Harbour Lights, and again in 2009 for his Life on Earth collection. (Wikipedia)

      [Bookseller: The Time Traveller's Bookshop ]
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        White-Bellied Go-Away-Bird, fem. (=Weißbauch-Lärmvogel, Corythaixoides leucogaster). Äußerst seltene Handzeichnung Coopers‘ – Vorarbeit zur Illustration der Turako-Monographie (2002). Athi River Kenya, September, 1998.

      Athi River Kenya, September, 1998. . Größe 34 x 37,5 cm. Signierte und datierte Feldstudie in Blei mit Darstellungen des afrikanischen Vogels aus unterschiedlichen Perspektiven, teils mit angelegtem, teils mit aufgestelltem Kopfgefieder. Mit handschriftlicher Widmung an Werner und Petra Peters und Empfangsdatierung auf Rückseite. Tadellos erhalten. Offensichtlich im Rahmen der Arbeiten Coopers für seine zweite große Publikation zu den nur in Afrika beheimateten Turako-Arten (A Natural History of the Musophagidae, 2002) entstandene, sehr fein gezeichnete Feldstudie, angefertigt in Kenia. – Originale Coopers tauchen äußerst selten im Handel auf, da die meisten Vorzeichnungen zu seinen Illustrationswerken geschlossen an Bibliotheken, in einem Fall auch an einen Privatsammler, verkauft wurden (u.a. an die Australische Nationalbibliothek und die Regierung Papua-Neuguineas). Cooper galt bereits frühzeitig als einer der bedeutendsten zeitgenössischen Vogelmaler der Welt – „if not the best“ (Sir David Attenborough). Er sah sich nicht zu Unrecht in der Nachfolge John Goulds, entwickelte aber fern akademischer Ausbildungen seinen eigenen Stil in Auseinandersetzung mit der Goldenen Ära der Vogelmalerei und anhand unmittelbarer Naturbeobachtung. Cooper hat Zeit seines Lebens nur drei Ausstellungen seiner Malereien abgehalten, die erste war nach 1 Stunde und 10 Minuten ausverkauft, die letzte im Jahr 2013 innerhalb von 11 Minuten. Feldstudien in Blei sind für mich im Handel der letzten vierzig Jahre überhaupt nicht nachweisbar und dürften von Cooper, der es sich zum Ziel gesetzt hatte, jedes neue Bild zu höherer Perfektion zu treiben als das vorhergehende, als geradezu intime Einblicke in den künstlerischen Entstehungsprozess nur an engste Freunde abgegeben worden sein, wie dies auch der Fall mit vorliegender Arbeit ist. – An english description can be supplied upon request!

      [Bookseller: Antiquariat Stefan Wulf]
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        Robust Model-based Fault Diagnosis for Dynamic Systems

      Kluwer Academic Publishers 1998-12-15. Hardcover. New. NEW BOOK

      [Bookseller: Outletzon]
 18.   Check availability:     Biblio     Link/Print  


        Snowflake Bentley.

      Houghton Mifflin Company, Boston 1998 - First edition of this Caldecott Medal award-winning book about Wilson Bentley, the first known photographer of snowflakes. Oblong quarto, original boards. Signed by both Jacqueline Briggs Martin and Mary Azarian, who has drawn a picture of a cottage with hills. Fine in a fine dust jacket. Most children are captivated by snow, but how many go on to make it their lifework? This beautiful biography, winner of the 1999 Caldecott Medal, tells the true story of a Vermont farm boy who was mesmerized by snowflakes. Wilson Bentley was fascinated by the six-sided frozen phenomena, and once he acquired a microscope with a camera, his childhood preoccupation took on a more scientific leaning. Bentley spent his life taking countless exquisite photographs (many that are still used in nature photography today), examining the tiny crystals and their delicate, mathematical structures. Jacqueline Briggs Martin tells this tale with simple, graceful prose that will engage children's imaginations. Edifying and snowflake-scattered sidebars offer more information about Bentley's methods and snowflake science. The artwork of Mary Azarian, whose 19th-century hand-press illustrations decorate the charming Barn Cat, shines once again in Snowflake Bentley, with woodcuts that reveal an appreciation for detail as well as for the man who loved snow. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Raptis Rare Books, ABAA/ ILAB]
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        Derek Mahon, Poet - Dublin, 1998.

      Ireland. 1998 - Original, Vintage Photograph on archival paper. Image: 18,5 cm x 27 cm / Framed: 41,5 cm x 48,5 cm. Very Rare vintage photograph of the rather shy Derek Mahon, from the library and personal archive of irish photographer John Minihan. With John's copyright-stamp verso. Signed and titled by John Minihan. Beautifully framed. John Minihan is an Irish photographer, born in Dublin in 1946 and raised in Athy, County Kildare. At the age of 12 he was brought to live in London, and went on to become an apprentice photographer with the Daily Mail. At the age of 15 he won the Evening Standard amateur photography competition. At 21 he became the youngest staff photographer for the Evening Standard. For thirty years he remained in London, returning every year to his hometown of Athy to record the people and their daily lives. The work of Minihan in Athy makes up a large part of his canon. Minihan began taking photos in Athy when he was 16. The photos are an attempt to document the lives of the ordinary people of the town in their day to day business and also in times of joy and sadness, notably during the wake of a woman called Katy Tyrrell. In between documenting Athy on visits home, Minihan continued his career on Fleet Street, which included the iconic snap of the 19-year-old Lady Diana Spencer in the garden of the nursery at which she worked, the morning sun to her back, her legs in silhouette through her skirt. Diana had just been announced as the Prince of Wales's love interest and photographers raced to take her photo, Minihan having the fortune to turn up first. Over the years Minihan developed a close relationship with many writers and his photographs of Samuel Beckett show a particular affinity between the two men. Minihans photos of Beckett are some of his best known, one in particular is described as one of the greatest photos of the twentieth century. William S. Burroughs once referred to Minihan as "a painless photographer". Minihan is perhaps best known for his photographs of Samuel Beckett. Minihan first expressed a desire to photograph Beckett in 1969, following Becketts winning of the Nobel Prize for literature, having noticed that all the available photos of Beckett were of a poor quality; 'We were running a story but discovered there were only two very vague images of Beckett taken many years before. It was like he didn't exist - that was the moment I decided I wanted to meet this man and take his photograph.' Minihan first encountered Beckett in London in 1980, while Beckett was working on a production of one of his own plays, Endgame. Minihan met Beckett in the Hyde Park hotel and showed him some of his photos of Athy to break the ice. The two met on a number of occasions over the next few years, but it was not until 1985 that they met in Paris. They arranged to meet in the restaurant of the Hotel PLM, a regular haunt of Beckett. At ten to five, with the light fading, Minihan took the photo that would go on to be called by some as the photograph of the twentieth century. John Calder credited Minihan with capturing, 'the introspective, infinitely sad gaze of a man looking into the abyss of the world's woes'. Among his numerous photographic publications are Photographs: Samuel Beckett (1995); Shadows from the Pale, Portrait of an Irish Town (1996); and An Unweaving of Rainbows, Images of Irish Writers, 1996. He is currently a freelance photographer specialising in 'the arts'. His book of photographs of Samuel Beckett was published in 1995. His photographs of Athy have been exhibited throughout the world. He was given the freedom of Athy in 1990. Minihan currently lives and works in West Cork. Minihan's many exhibitions in museums and galleries around the world include the Museum of Modern Art, Rio de Janeiro, 1984; Centre Georges Pompidou, Paris 1986; the National Portrait Gallery, London 1987/8 and the October Gallery, London 1990 as well as the Guinness Hop Store, Dublin 1991. (Wikipedia) Derek Mahon (born 23 November

      [Bookseller: The Time Traveller's Bookshop Ltd.]
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        Singer - Songwriter Ray Davies of "The Kinks" - photographed in London, 1965.

      Ireland. Early photograph by John Minihan, from his personal library. With John's copyright-stamp verso. Signed and titled by John Minihan. Beautifully framed.. Ireland, c. 1998. Vintage print of the original Photograph on archival paper. Image: 28 cm x 20 cm / Framed: 53,5 cm x 43,5 cm. Early photograph by John Minihan, from his personal library. With John's copyright-stamp verso. Signed and titled by John Minihan. Beautifully framed. John Minihan is an Irish photographer, born in Dublin in 1946 and raised in Athy, County Kildare. At the age of 12 he was brought to live in London, and went on to become an apprentice photographer with the Daily Mail. At the age of 15 he won the Evening Standard amateur photography competition. At 21 he became the youngest staff photographer for the Evening Standard. For thirty years he remained in London, returning every year to his hometown of Athy to record the people and their daily lives. The work of Minihan in Athy makes up a large part of his canon. Minihan began taking photos in Athy when he was 16. The photos are an attempt to document the lives of the ordinary people of the town in their day to day business and also in times of joy and sadness, notably during the wake of a woman called Katy Tyrrell. In between documenting Athy on visits home, Minihan continued his career on Fleet Street, which included the iconic snap of the 19-year-old Lady Diana Spencer in the garden of the nursery at which she worked, the morning sun to her back, her legs in silhouette through her skirt. Diana had just been announced as the Prince of Wales's love interest and photographers raced to take her photo, Minihan having the fortune to turn up first. Over the years Minihan developed a close relationship with many writers and his photographs of Samuel Beckett show a particular affinity between the two men. Minihans photos of Beckett are some of his best known, one in particular is described as one of the greatest photos of the twentieth century. William S. Burroughs once referred to Minihan as "a painless photographer". Minihan is perhaps best known for his photographs of Samuel Beckett. Minihan first expressed a desire to photograph Beckett in 1969, following Becketts winning of the Nobel Prize for literature, having noticed that all the available photos of Beckett were of a poor quality; 'We were running a story but discovered there were only two very vague images of Beckett taken many years before. It was like he didn't exist - that was the moment I decided I wanted to meet this man and take his photograph.' Minihan first encountered Beckett in London in 1980, while Beckett was working on a production of one of his own plays, Endgame. Minihan met Beckett in the Hyde Park hotel and showed him some of his photos of Athy to break the ice. The two met on a number of occasions over the next few years, but it was not until 1985 that they met in Paris. They arranged to meet in the restaurant of the Hotel PLM, a regular haunt of Beckett. At ten to five, with the light fading, Minihan took the photo that would go on to be called by some as the photograph of the twentieth century. John Calder credited Minihan with capturing, 'the introspective, infinitely sad gaze of a man looking into the abyss of the world's woes'. Among his numerous photographic publications are Photographs: Samuel Beckett (1995); Shadows from the Pale, Portrait of an Irish Town (1996); and An Unweaving of Rainbows, Images of Irish Writers, 1996. He is currently a freelance photographer specialising in 'the arts'. His book of photographs of Samuel Beckett was published in 1995. His photographs of Athy have been exhibited throughout the world. He was given the freedom of Athy in 1990. Minihan currently lives and works in West Cork. Minihan's many exhibitions in museums and galleries around the world include the Museum of Modern Art, Rio de Janeiro, 1984; Centre Georges Pompidou, Paris 1986; the National Portrait Gallery, London 1987/8 and the October Gallery, London 1990 as well as the Guinness Hop Store, Dublin 1991. (Wikipedia) Raymond Douglas "Ray" Davies CBE (/'de?v?s/ DAY-vis; born 21 June 1944) is an English musician. He was the lead singer and songwriter for The Kinks, which he led with his younger brother, Dave. He has also acted, directed and produced shows for theatre and television. Since the dissolution of the Kinks in 1996, Ray Davies has embarked on a solo career as a singer-songwriter. (Wikipedia)

      [Bookseller: The Time Traveller's Bookshop]
 21.   Check availability:     Biblio     Link/Print  


        Collection / Series of seven vintage photographs of historical Dublin Shopfronts / Pubs.

      Dublin. From the library of irish photographer John Minihan. Titled and signed by John Minihan. Unframed.. Dublin, 1998. Vintage Photographs on archival paper. Images: 25 cm x 20 cm. From the library of irish photographer John Minihan. Titled and signed by John Minihan. Unframed. John Minihan is an Irish photographer, born in Dublin in 1946 and raised in Athy, County Kildare. At the age of 12 he was brought to live in London, and went on to become an apprentice photographer with the Daily Mail. At the age of 15 he won the Evening Standard amateur photography competition. At 21 he became the youngest staff photographer for the Evening Standard. For thirty years he remained in London, returning every year to his hometown of Athy to record the people and their daily lives. The work of Minihan in Athy makes up a large part of his canon. Minihan began taking photos in Athy when he was 16. The photos are an attempt to document the lives of the ordinary people of the town in their day to day business and also in times of joy and sadness, notably during the wake of a woman called Katy Tyrrell. In between documenting Athy on visits home, Minihan continued his career on Fleet Street, which included the iconic snap of the 19-year-old Lady Diana Spencer in the garden of the nursery at which she worked, the morning sun to her back, her legs in silhouette through her skirt. Diana had just been announced as the Prince of Wales's love interest and photographers raced to take her photo, Minihan having the fortune to turn up first. Over the years Minihan developed a close relationship with many writers and his photographs of Samuel Beckett show a particular affinity between the two men. Minihans photos of Beckett are some of his best known, one in particular is described as one of the greatest photos of the twentieth century. William S. Burroughs once referred to Minihan as "a painless photographer". Minihan is perhaps best known for his photographs of Samuel Beckett. Minihan first expressed a desire to photograph Beckett in 1969, following Becketts winning of the Nobel Prize for literature, having noticed that all the available photos of Beckett were of a poor quality; 'We were running a story but discovered there were only two very vague images of Beckett taken many years before. It was like he didn't exist - that was the moment I decided I wanted to meet this man and take his photograph.' Minihan first encountered Beckett in London in 1980, while Beckett was working on a production of one of his own plays, Endgame. Minihan met Beckett in the Hyde Park hotel and showed him some of his photos of Athy to break the ice. The two met on a number of occasions over the next few years, but it was not until 1985 that they met in Paris. They arranged to meet in the restaurant of the Hotel PLM, a regular haunt of Beckett. At ten to five, with the light fading, Minihan took the photo that would go on to be called by some as the photograph of the twentieth century. John Calder credited Minihan with capturing, 'the introspective, infinitely sad gaze of a man looking into the abyss of the world's woes'. Among his numerous photographic publications are Photographs: Samuel Beckett (1995); Shadows from the Pale, Portrait of an Irish Town (1996); and An Unweaving of Rainbows, Images of Irish Writers, 1996. He is currently a freelance photographer specialising in 'the arts'. His book of photographs of Samuel Beckett was published in 1995. His photographs of Athy have been exhibited throughout the world. He was given the freedom of Athy in 1990. Minihan currently lives and works in West Cork. Minihan's many exhibitions in museums and galleries around the world include the Museum of Modern Art, Rio de Janeiro, 1984; Centre Georges Pompidou, Paris 1986; the National Portrait Gallery, London 1987/8 and the October Gallery, London 1990 as well as the Guinness Hop Store, Dublin 1991. (Wikipedia) Raymond Douglas "Ray" Davies CBE (/'de?v?s/ DAY-vis; born 21 June 1944) is an English musician. He was the lead singer and songwriter for The Kinks, which he led with his younger brother, Dave. He has also acted, directed and produced shows for theatre and television. Since the dissolution of the Kinks in 1996, Ray Davies has embarked on a solo career as a singer-songwriter. (Wikipedia)

      [Bookseller: The Time Traveller's Bookshop]
 22.   Check availability:     Biblio     Link/Print  


        Pearse Hutchinson.

      Dublin. 1998 - Original Photograph on archival paper. Image: 20 cm x 30 cm / Framed: 38,5 cm x 48,5 cm. From the library and personal archive of irish photographer John Minihan. Titled and signed by John Minihan verso. Beautifully framed. Pearse Hutchinson (1927 – 14 January 2012) was an Irish poet, broadcaster and translator. Hutchinson was born in Glasgow. His father, Harry Hutchinson, a Scottish printer whose own father had left Dublin to find work in Scotland, was Sinn Féin treasurer in Glasgow and was interned in Frongoch in 1919–21. His mother, Cathleen Sara, was born in Cowcaddens, Glasgow, of emigrant parents from Donegal. She was a friend of Constance Markievicz. In response to a letter from Cathleen, Éamon de Valera found work in Dublin for Harry as a clerk in the Labour Exchange, and later he held a post in Stationery Office. Pearse was five years old when the family moved to Dublin, and was the last to be enrolled in St. Enda's School before it closed. He then went to school at the Christian Brothers, Synge Street where he learnt Irish and Latin. One of his close friends there was the poet and literary critic John Jordan. In 1948 he attended University College Dublin where he spent a year and a half, learning Spanish and Italian. Having published some poems in The Bell in 1945, his poetic development was greatly influenced by a 1950 holiday in Spain and Portugal. A short stop en route at Vigo brought him into contact for the first time with the culture of Galicia. Later, in Andalusia, he was entranced by the landscape and by the works of the Spanish poets Lorca, Prados and Cernuda: "That early September of 1950," he would later write, "the light walked for me as it never had before, and I walked through the light I'd always longed for". In 1951 he left Ireland again, determined to go and live in Spain. Unable to get work in Madrid, as he had hoped, he travelled instead to Geneva, where he got a job as a translator with the International Labour Office, which brought him into contact with Catalan exiles, speaking a language then largely suppressed in Spain. An invitation by a Dutch friend led to a visit to the Netherlands, in preparation for which he taught himself Dutch. He returned to Ireland in 1953, and he became interested in the Irish language poetry of writers such as Piaras Feiritéar and Aonghus Fionn Ó Dálaigh, and published a number of poems in Irish in the magazine Comhar in 1954. The same year he travelled again to Spain, this time to Barcelona, where he learnt the Catalan and Galician languages, and got to know Catalan poets such as Salvador Espriu and Carles Riba. With the British poet P. J. Kavanagh, he organised a reading of Catalan poetry in the British Institute. He went home to Ireland in 1957 but returned to Barcelona in 1961, and continued to support Catalan poets. An invitation by the publisher Joan Gili to translate some poems by Josep Carner led to the publication of his first book, a collection of thirty of Carner's poems in Catalan and English, in 1962. A project to publish Hutchinson's translation of Espriu's La Pell de brau (The Bull-skin), fell through some years later. Some of the poems from this project are included in the collection Done into English. In 1963, his first collection of original poems in English, Tongue Without Hands (the title a quotation from the Spanish epic El Cid), was published by Dolmen Press in Ireland. In 1967, having spent nearly ten years altogether in Spain, Hutchinson returned to Ireland, making a living as a poet and journalist writing in both Irish and English. In 1968, a collection of poems in Irish, Faoistin Bhacach (A Lame Confession), was published. Expansions, a collection in English, followed in 1969. Friend Songs (1970) was a new collection of translations, this time of medieval poems originally written in Galaicoportuguese. In 1972 Watching the Morning Grow, a new collection of original poems in English, came out, followed in 1975 by another, The Frost Is All Over

      [Bookseller: The Time Traveller's Bookshop Ltd.]
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        Reservate Des Augenblicks / Momentary Resorts

      Cantz Verlag, Ostfildern, Germany 1998 - First edition. Oblong hardcover. First printing. Text in English and German by Sigrid Hauser, Francesco Bonami, and Guy Tortosa. Includes 98 color and 17 black and white images. A very near fine copy in a near fine dust jacket with some minor wear. (Parr & Badger v2, 280) [Attributes: First Edition; Hard Cover]

      [Bookseller: Jeff Hirsch Books, ABAA]
 24.   Check availability:     AbeBooks     Link/Print  


        Snowflake Bentley.

      Boston: Houghton Mifflin Company, 1998. First edition of this Caldecott Medal award-winning book about Wilson Bentley, the first known photographer of snowflakes. Oblong quarto, original boards. Signed by both Jacqueline Briggs Martin and Mary Azarian, who has drawn a picture of a cottage with hills. Fine in a fine dust jacket. Most children are captivated by snow, but how many go on to make it their lifework? This beautiful biography, winner of the 1999 Caldecott Medal, tells the true story of a Vermont farm boy who was mesmerized by snowflakes. Wilson Bentley was fascinated by the six-sided frozen phenomena, and once he acquired a microscope with a camera, his childhood preoccupation took on a more scientific leaning. Bentley spent his life taking countless exquisite photographs (many that are still used in nature photography today), examining the tiny crystals and their delicate, mathematical structures. Jacqueline Briggs Martin tells this tale with simple, graceful prose that will engage children's imaginations. Edifying and snowflake-scattered sidebars offer more information about Bentley's methods and snowflake science. The artwork of Mary Azarian, whose 19th-century hand-press illustrations decorate the charming Barn Cat, shines once again in Snowflake Bentley, with woodcuts that reveal an appreciation for detail as well as for the man who loved snow.

      [Bookseller: Raptis Rare Books ]
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        Egon Schiele: The Complete Works, Expanded Edition.

      Thames and Hudson, London 1998 - 719 pages of text. Hardcover binding in almost new condition. The unclipped dustjacket is slightly shelfworn; protected in archival mylar. Includes over 3275 illustrations, including 94 plates in full color and 107 in duotone. This expanded edition contains 205 new entries and previously unavailable photographs that are not present in the 1990 edition. First printing of the expanded edition. Size: Octavo (8vo) [Attributes: First Edition; Hard Cover]

      [Bookseller: Kurt Gippert Bookseller ABAA]
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        Oeuvre-Katalog. Das graphische Werk. / Werke 1906 - 1925 / 1925 - 1929 / 1929 - 1938 / 1939 - 1953 / 1954 - 1963. Herausgegeben von Werner Spies.

      Houston / Köln. Menil Foundation / Verlag M. DuMont Schauberg. 1975 - 1998. - 1. Auflage. 33 x 25 cm. Zusammen etwa 2500 S. OHalbleinen mit OUmschlag. Schuber etwas nachgedunkelt, sonst sehr gutes, frisches Exemplar. Erste Auflage. Vollständiger Catalogue raisionnee des graphischen- und malerischen Oeuvres. Band 1 Das graphische Werk, mit der beigegebenen von Max Ernst im Stein signierten Originallithographie auf Velin d`Arches. Bände 2 - 6 Werke. Texte in Deutsch, Englisch und Französisch. Durchgehend mit s/w Abbildungen versehen. Es erschien 2007 ein siebter Band. [Attributes: Hard Cover]

      [Bookseller: Antiquariat Querido - Frank Hermann]
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        The Leningrad Codex: A Facsimile Edition

      Grand Rapids, MI: William B. Eerdmans Publishing Company/Brill Academic, 1998. First printing. Hardcover. Fine. First printing, 1998, hardcover with plates pasted on beige cloth boards, large square quarto, 1016pp., facsimile pages in b&w. Book fine with handsome boards and tight binding, text clean bright and unmarked. No DJ. THIS LARGE, HEAVY BOOK WILL REQUIRE ADDITIONAL SHIPPING FEES.

      [Bookseller: Caliban Books ABAA-ILAB]
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        Harry Potter and the Chamber of Secrets; the Prisoner of Azkaban; the Goblet of Fire; the Order of the Phoenix; the Half-Blood Prince; the Deathly Hallows.

      London: Bloomsbury,, 1998–2016. 6 volumes, octavo. Original pictorial boards. With the dust jackets. A fine set. First editions, first impressions of books two to seven in the Harry Potter series.

      [Bookseller: Peter Harrington]
 29.   Check availability:     Biblio     Link/Print  


        Private Eye Action As You Like It [One of 26 Copies, Signed]

      Holyoke, MA: Crossroads. (1998). The limited edition of this collection of early detective stories by Lansdale and Shiner, originally published in the late 1970s and early 1980s, prior to the authors' first books, but not collected in book form before this. Of a total edition of 1126 copies, there were 1000 copies in wrappers, 100 numbered hardcovers in grey cloth and dust jacket, and 26 lettered hardcovers bound in full red leather. This is letter "X" of the deluxe edition of 26 copies, signed by Lansdale and Shiner. An extremely scarce issue of a scarce title. Both Lansdale and Shiner have had successful writing careers since these stories were first published: Shiner won a World Fantasy Award for his novel Glimpses, and Lansdale has won nine Bram Stoker Awards as well as an Edgar, among many others. The red leather is spotted at the edges, thus overall very good without dust jacket, presumably as issued. First Edition. Hardcover. Very Good.

      [Bookseller: Ken Lopez Bookseller, ABAA]
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        Kaldar : World of Antares

      Haffner Press 1998 - Collection of three pulp SF stories. Limited to only 500 copies. Publisher's first book. From the estate of cover artist Jon Arfstrom. Very scarce. Fine in jacket. [Attributes: First Edition; Hard Cover]

      [Bookseller: DreamHaven Books]
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        Kaldar - World of Antares

      Haffner Press, Royal Oak, Michigan 1998 - 8vo - over 7" - 9" tall. 235 p. Special edition of 300, this no. 93, pictorial limitation page facing the title page. Edmond Moore Hamilton (1904-1977) is credited with writing, in 1936, the first hardcover compilation of what would come to be known as the science fiction genre, "The Horror of the Asteriod and Other Tales of Planetary Horror". This volume is a collection of three stories from the fragile pulp pages of Magic Carpet and Weird Tales magazines, and is the first hardbound edition of the stories. It features original artwork by 1940's Weird Tales illustrator Jon Arfstrom as well as an introduction by Edmond Hamilton's longtime friend, Ray Bradbury. Also included is an autobiographical article by Hamilton from the January 1934 fanzine, Fantasy Magazine (N.B., some of the above info from the Press' web site). ***DESCRIPTION: Bound in black cloth with gilt decoration and lettering on the spine designed to match the Arkham House editions of Robert E. Howard's "Skullface and Others" and William Hope Hodgson's "The House on the Borderlands", plain endpapers, pictorial limitation page serving as frontispiece, vignette of a creature on the title page, octavo size (just under 9" tall), pagination: (i-viii) being the preliminaries, (i)-iv being the introduction by Ray Bradbury, 2 blanks (v-vi), (1)-219, blank (220), colophon (221). The unclipped dust jacket shows the original price of $55.00, and displays wrap-around cover art by Jon Arfstrom on a black background, white lettering on the front and spine, short summary of book on the front flap, author and artist bios on the back flap. ***CONDITION: Volume is fine, with a strong, square text block, solid hinges, perfectly straight corners with no rubbing, the interior is clean and bright, the text block is crisp and tight as though the book has never been read, and it is entirely free of prior owner markings; there is a minute amount of rubbing on the gilt on the spine, else fine. The dust jacket is not price-clipped and is also fine overall, the colours on the spine are bright and true to the front panel (no sunning), the edges of the jacket are crisp (no edgewear); our dust jacket is the first state, with the black matte finish, and does show a few light scuff marks (per the publisher the printer shipped the books unprotected, and the black in on the dust jackets scuffs too easily and mars the finish); there is also a very light trace of black ink residue from the cloth binding on the verso of the dust jacket where the flaps meet the panels, else fine. ***POSTAGE: International customers, please note that additional postage may apply as the Abe standard does not always cover costs; please contact us for details. ***Swan's Fine Books is pleased to be a member of the IOBA and we stand behind every book we sell. Please contact us with any questions you may have, we are here to help. [Attributes: First Edition; Hard Cover]

      [Bookseller: Swan's Fine Books, ABAA, ILAB, IOBA]
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        Handbuch der Original-Graphik in deutschen Zeitschriften, Mappenwerken, Kunstbüchern und Katalogen (HDO) 1890 - 1933. Band I - VII und Register-Band.

      Düsseldorf. Edition GS. 1989 - 1998. - Auflage 450 - 650 Exemplare. 8 Bände. 29 x 21 cm. 260; 258; 260; 260; 283; 284; 232; 42 S. 7 Bände OLeinen mit OUmschlag / Register OLeinen. Umschläge der Bände I und V am Rücken ausgeblichen, sonst sehr gutes Exemplar. Wichtigstes Kompendium zur Grafik in Büchern, Zeitschriften und Mappen vom Jugendstil über Expressionismus bis Neue Sachlichkeit. Enthält 6000 abgebildete Notationen. Vollständige Folge inklusive Registerband. [Attributes: Hard Cover]

      [Bookseller: Antiquariat Querido - Frank Hermann]
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        Crisis at crystal reef: young jedi knights #14 (Star Wars: Young Jedi Knights)

      Berkley 1998-12-01. Paperback. New. NEW BOOK

      [Bookseller: Outletzon]
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        Les Dessins de Hans Bellmer

      Denoel, 1998. Presentazione in francese di Constantin Jelenski. 97 disegni riprodotti in bianco e nero. 4to. pp. 114. Dedica autografa con disegno originale di Renato Guttuso (Inscription with an original drawing signed by the Guttuso). Molto buono (Very Good). . Prima edizione (First Edition). . Il disegno originale di Renato Guttuso alla prima pagina bianca del volume raffigura una colomba. La colomba riprende il tema assai noto di Picasso, a cui Guttuso era legato da profonda amicizia e ammirazione e che manifestava sovente, raccontando degli incontri suoi e della moglie Mimise con il Maestro in Provenza. Un disegno praticamente identico (indirizzato però a Luigi de Conciliis è riprodotto nel volume ''Arte a Roma negli anni Sessanta. Una collezione'', Allemandi 1998).

      [Bookseller: Studio Bibliografico Marini]
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        Frank O. Gehry: The Complete Works.

      New York: Monacelli Press, 1998. First edition.Quarto, original cloth. Signed by Frank Gehry on the title page. Fine in a fine dust jacket. One of the world's great architects, Frank O. Gehry has produced an astonishing body of work over the past forty years. This pioneering designer continues to receive worldwide praise from both peers and critics as the most talented and influential architect working today. With the artistry of a sculptor and the brilliant articulation of an engineer, Gehry creates complex yet sensual buildings that are lyrical constructions defying categorization. Assembled by Francesco Dal Co and Kurt Forster, two of architecture's most important writers and historians, in collaboration with Gehry, this comprehensive, critical documentation -- the first major monograph ever published -- surveys his visionary architecture, from his early houses to his powerful recent works.

      [Bookseller: Raptis Rare Books]
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        Los Murales de Siqueiros

      Americo Arte Editores 1998 - 9701804627 9701804627 Fine. (Binding: Hardcover, Jacket: Fine) Cloth.Text in Spanish. Fine copy with fine dust jacket.'

      [Bookseller: Moe's Books]
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______________________________________________________________________________


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