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Displayed below are some selected recent viaLibri matches for books published in 1994

        A Green Journey: Botanical Gardens

      Centro Di edizioni, Firenze. 1994 - cm 22x29, pag (80), ril edit ill, custodia, comp.te illustrato con fotografie a colori. Uno dei 50 esemplari firmati e numerati con una fotografia originale a colori firmata e numerata al retro. Libro d'artista.

      [Bookseller: Libreria Ardengo]
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        Orthopädische Operationslehre. -Teil: Band. 2/1 Becken und untere Extremität / Bearb. von R. Bauer . Abb. in Einzeldarst. von G. Spitzer .

      Stuttgart : Thieme - Umfang/Format: XV, 701 Seiten : zahlreiche Illustrationen und graph. Darst. Erscheinungsjahr: 1994 Aus dem Vorwort Nachdem Band I der Orthopädischen Operationslehre (Wirbelsäule) 1991 erschienen ist, liegt nun Band II vor. Waren ursprünglich für Band II (Becken und untere Extremitäten) ca. 600 Druckseiten vorgesehen, werden es in der definitiven Fassung ca. 1300 Seiten sein. Diese signifikante Vermehrung des Umfanges macht es erforderlich, Band II in zwei Einzelbänden herauszubringen. Ursache dieser Umfangsvermehrung ist in erster Linie die stürmische Entwicklung der orthopädischen Chirurgie in den letzten Jahren. Als Beispiel sei die komplexe Problematik komplizierter Revisionseingriffe in der Endoprothetik angeführt. So machen sehr unterschiedliche Schadensfälle nach Hüft- bzw. nach Knieendoprothetik ein in technischer Hinsicht differenziertes Vorgehen erforderlich, das in extremen Situationen bis zum totalen Femurersatz reichen kann. Wegen der großen und immer noch zunehmenden Bedeutung derartiger Revisionseingriffe haben sich Verlag und Herausgeber entschlossen, unter anderem auch dieses Kapitel sehr umfassend darzustellen, wobei sich operationstechnische Darstellungen auch mit kleinsten Details befassen. Aus Gründen einer größtmöglichen Benutzerfreundlichkeit werden in Band 1111 nach topographischen Gesichtspunkten Becken, Oberschenkel und Kniegelenk abgehandelt. Band 11/2 ist den Erkrankungen des Unterschenkels, Sprunggelenkes und Fußes gewidmet. Außerdem sind in Band 1112 jene Sachgebiete dargestellt, die aus didaktischen Gründen nicht topographisch, sondern nosologisch gegliedert sind, wie Neuroorthopädie, Knochen- und Weichteiltumoren, Amputationen und arthroskopische Operationen. Basis für die Erstellung der vorliegenden Operationslehre waren neben der operativen Erfahrung der Autoren das anatomische Substrat. Um dem Leser die Arbeit mit diesem Werk zu erleichtern, wurden wesentliche Zugangswege für die abgehandelten Operationen aus dem Atlas Operative Zugangswege in Orthopädie und Traumatologie auszugsweise übernommen und in einem Einleitungskapitel vorangestellt. Bestimmte Zugangswege wurden neu erarbeitet und einzelnen Operationstechniken direkt zugeordnet, sofern sie für andere Kapitel nicht von Bedeutung waren. gepflegtes Exemplar, nur kleine Lesespuren .KUNDENINFROMATION: Bitte zahlen sie Bücher unter 5€ nicht per Kreditkarte. Bei Zahlung auf Rechnung gewähren wir 3% Rabatt. / CUSTOMERINFROMATION: in payment as invoice we grant a 3% discount.

      [Bookseller: Antiquariat Artemis]
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        Edition Blattwerk. [Konvolut aus 30 Bände beinhaltet:] Blatt 1. `linzer notate.positionen` Anthologie (Hsg. Steinbacher); 2. Waltraud Seidlhofer `ausgewaehlte gedichte 1967-1992`; 3. Robert Stähr `Schritt/Wechsel`; 4. Judith Fischer `innereien`, mit Scherenschnitten von Christian Hutzinger; 5. Fritz Widhalm `Ein schwarzer Herrenschirm`; 6. Christine Huber `verlaufen vermehrt. mehrstimmige gedichte`; 7. Gsaller `zack!`; 8. Fritz Lichtenauer `pattern` mit poetischen Beigaben von Ronald Pohl; 9. Werner herbst `alfabet`; 10. Chris Bezzel `intermezzo`; 11. Franzobel `Hundshirn`; 12: Konzept und Poesie` Anthologie (Hsg. Franzobel u. Chr. Steinbacher); 13. Werner Garstenauer `relief` mit Transparentfolien von Otto Saxinger; 14. Dieter Sperl `draußen im kopf`; 15. Ronald Pohl `in puts. ein zimmer küchen kabinettstück`; 16. Waltraud Seidlhofer `la(e)sergedichte` mit Textgrafiken von Fritz Lichtenauer; 17. Robert Stähr `Umtexte`; 18. Ingo Springenschmid `sonders & samt`; 19. Angelika Kaufmann `+ 7 : 17` mit Gedichten von Sylvia Kummer; 20. Judith Fischer `mimose . schneckenhaus`; 21. Friedrich W. Block `10. poesis digitalis`; 22. Toni Kleinlercher `Eiweißschaum aus allen Pornotoren. Eine afrikanische Reiseernüchterung`; 23. Andreas Jungwirth `Zwischen Nase und Brillenbogen. Einfälle` mit Telefonomanien von Gerhard Jaschke; 24. Ronald Pohl `der möwensimulator`; 25. Andreas Okopenko `Traumberichte`; 26. Fritz Widhalm `mr. elk & mr. seal`; 27. Waltraud Seidlhofer `text: ein erinnern`; 28. Lisa Spalt `leichte reisen von einem ende der erde`; 30. Ronald Pohl `von stühlen drangs, gedichte`; 31. Bodo Hell, O.B.Saxinger `Augenklappe`.

      Linz - Wien, Blattwerk, 1994 - 2000. 30 Bde. Pag. OBrosch. m. OSch. Es fehlt der Band Blatt 29 -`Drehpunkte zwischen Poesie und Poetologie` Anthologie (Hsg. Thomas Eder u. Chr. Steinbacher). 27 Bände: mit eighd. Signaturen, bzw. Widm. - Leichte Gbrsp., Bd. 2: leicht stockfleckig. Schöne Bände. Versand D: 7,00 EUR Anthologie; Reihenwerke; Signatur; Widmungsexemplare

      [Bookseller: Antiquariat Weinek]
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        Casabella. Italian/english edition. 172 (Doppel-)Nummern: Nr. 608 (Jan./Feb. 1994) bis Nr. 771 (Nov. 2008), sowie Nr. 788 (April 2010) bis Nr. 796 (Dez. 2010) in 39 Bänden.

      Mailand, Elemond spa, 1994-2008 und 2010 4°, je Heft ca 150 S., zahlr., meist farb. Abb., zahlr. Pläne, Anzeigen, Mit den Umschlägen der Orig.-Broschur in Priv.-Kart. zusammengebundene Hefte (jeweils 3 bis 6 Nummern pro Band), Bibliotheksexemplar: Priv. Rückenschildchen, Schildchen auf Innendeckel oder Vorsatz, Laufzetteltaschen auf hint. Innendeckel; innen sehr vereinzelt gestempelt. Heft Nr. 724 lose beiliegend. Tadelloses Ex. (Beiliegend «Indici» für 1999, 2001 und 2002; weitere «Indici» eingebunden, sowie eine CD-ROM mit den «Indici 1996 - 2005 (Nr. 632 bis 738)» als pdf) Eine der grossen italienischen bis heute existierenden Architekturzeitschriften mit internationaler Geltung. - Casabella wurde 1928 in Mailand von Guido Marangoni als «La Casa Bella» gegründet (\"Das schöne Heim\"); die erste Ausgabe umfasste 50 Seiten. Als 1933 der Architekt Giuseppe Pagano die Herausgeberschaft übernahm. änderte er den Namen in «Casa Bella». Versand D: 20,00 EUR Architektur - Allgemein Architektur - ArchitektInnen Architektur - Innenarchitektur, Design

      [Bookseller: Antiquariat Peter Petrej]
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        Memoire sur la fermentation alcoolique.Paris: Victor Masson, 1860.

      First edition, unopened in original printed wrappers, of Pasteur's definitive proof that alcoholic fermentation is due to the action of a living organism (yeast), and is not a purely chemical process as most chemists since Lavoisier had believed. "What did this memoir add to the first deductions Pasteur had drawn from lactic fermentation? He now asserted that he was dealing with a living microorganism. This was his most original contribution. Having been unable to create life or to change it by means of molecular asymmetry, he had set out to study its reproduction. In doing so he had come to a revolutionary definition: Fermentation is the act of reproduction of the living germs that constitute yeast" (Debré, <i>Louis Pasteur</i> (1994), p. 105).<br/><br/> "In December 1857 Pasteur published the first in a series of abstracts, notes, and letters on alcoholic fermentation that culminated in a long and classic memoir of 1860 [the offered work]. Divided into two major sections, dealing respectively with the fate of sugar and of yeast in alcoholic fermentation, it inflicted on the chemical theory what Duclaux called "a series of blows straight from the shoulder, delivered with agility and assurance." Pasteur established that alcoholic fermentation invariably produces not only carbonic acid and ethyl alcohol-as was well known-but also appreciable quantities of glycerin and succine acid as well as trace amounts of cellulose, "fatty matters," and "indeterminate products." On the basis of these results, Pasteur emphasized the complexity of alcoholic fermentation and attacked the tendency of chemists since Lavoisier to depict it as the simple conversion of sugar into carbonic acid and alcohol. If the alleged simplicity of the process had formerly been seen as evidence of its chemical nature, he argued, then its actual complexity ought now to be seen as evidence of its dependence on the activity of a living organism. In truth, the complexity of alcoholic fermentation was such as to prevent the writing of a complete equation for it, a fact which was only to be expected, since chemistry was "too little advanced to hope to put into a rigorous equation a chemical act correlative with a vital phenomenon." <br/><br/> "However impressive this line of attack against the chemical theory, an even more decisive mode of argument derived from Pasteur's ability to produce yeast and alcoholic fermentation in a medium free of organic nitrogen.. Pp. 323-426 in Annales de chimie et de physique, Troisième Série, Tome LVIII, 1860. 8vo (226 x 142 mm), pp. 512. Original printed wrappers, uncut and unopened. Light crease and two small holes to front wrapper, else very fine

      [Bookseller: Sophia Rare Books]
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        What a Carve Up! - SIGNED

      Viking 1994 - 1st edition, 1st printing hardback in unclipped dustjacket. Signed by the author on the title page and accompanied by notification of signing event. Book and dustjacket both in fine condition with no inscriptions apart from the author's signature. Not a book club edition, ex library or a remainder. Scans available on request. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Mungobooks]
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        Héraclite - Fragments.

      Les Bibliophiles de l'Automobile Club de France 1994 - Gravures originales d'Yves Doaré. Texte établi, traduit et commenté par Marcel Conche. "Héraclite d'Éphèse" extrait de "Histoire de la philosophie" Tome I par Émile Brébier (1948). 10 eaux-fortes, dont un frontispice, 2 à pleine page et 7 dans le texte (dont 3 sur double page). Complet & Contrôlé. Édition tirée à 140 exemplaires sur Vélin BFK Rives, tous signés par l'artiste. Celui-ci (N°17) nominatif. Les Bibliophiles de l'Automobile Club de France - 1994. Joint 3 menus illustrés, du Diner du mercredi 15 novembre 1989. Pages volantes sous couverture rempliée estampée. Serpentes. Coffret étui de l'éditeur carton toilé brique avec titre au dos. Parfait état. Format in-4°(33x26). Edition illustrée

      [Bookseller: Livres et Collections]
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        Antiphonarium. Vellum manuscript, produced in Spain, most probably between 1603 and 1605.

      N.pl., n.d. 221 leaves in 28 gatherings, lacking leaf 189. Bound in full contemporary calf over thick wooden boards, the binding measures 55x40 cm, the leaves 51x36 cm (Ref: C. Aniz Iriarte & R. Callejo de Paz, 'Real Monasterio de San Pedro Mártir de Mayorga, fundación de la reina Catalina de Lancáster', Salamanca, 1994. A copy of this book comes with the manuscript) (Details binding: The utilitarian aspect of this kind of manuscripts, which were used for years on end for the observance of the Divine Office (see below), explains why the bands of this book are so heavy, the boards so thick, and the parchment so durable and sturdy, and the binding so worn. The back has 5 raised bands, each wooden board is protected by 5 iron studs, all 4 corners of both boards have been strengthened with iron bands) (Condition binding: Back very scuffed and worn, showing several old repairs with strips of leather. The leather along the edges shows wear. The leather on the backcover looks shabby and has been damaged on several places. Both vellum pastdowns have partly been removed. The joints are split, and the hinges are weak.) (Details interior: Script : the text is written in a clear Gothic letter with broad and rounded forms. The letter can be identified as the Iberian Textualis. (see: Albert Derolez, 'The palaeography of Gothic manuscript books from the twelfth to the early sixteenth century'. Cambridge 2006, p. 111-117) On each parchment folium are six lines black text in Latin, with black quadratic musical notation on red staves of five lines. The height of the letters is between 1.3 and 1.8 cm. There are two kind of initials at the beginning of each antiphon, the majority is painted red and blue, and others are spiraling black arabeskish initials, cadel style, sometimes highlighted with yellow paint. The penwork of the coloured initials is filled with a red and blue wave-like pattern. Remarkable are the S-initials formed by two fishes. The standard initials measure ca. 7 cm, some of them are bigger, a few even much bigger. The abbreviation for a psalm (p) , responsorium (r), versus (v) or antiphon (a or an) are red. Also rubricated are the incipits of the psalms (e.g. 'Benedictus', or 'Deus deus') and the mentioning of the Hours (e.g. 'ad Laudes' or 'in iii° no(cturno)'), the days of the week (e.g. 'fer iii'), or feast (e.g 'In festo Inocentium' (sic!)) The numbers of the leaves are also in red, on the recto side at the right upper corner. Half of the gatherings bears a faint signature, which runs from a to z, and aa to ee. There are no catchwords. The manuscript is very probably a copy of a (much) older manuscript Antiphonarium. The spelling shows signs of Medieval Latin, for instance e for ae (querite for quaerite, Marie for Mariae), -nc- for -nt- (nunciavit for nuntiavit, silencium for silentium), habundantia for abundantia, Hemanuel for Emanuel, Israhel for Israel.) (Condition interior: Some small holes in the first and last leaves; right lower corners of the leaves greasy and well thumbed. Occasional and elegant needle and thread repair to a rip or tear. Occasionally a tear in a margin has been repaired with a piece of vellum from another manuscript. The last 2 leaves show more repairs. On the blank lower margin of the verso of leaf 70 a cursive manuscript note (18th century?) on the use of a responsorium on that page for the 'Fiesta de Nuestra Señora de Nievas', Our Lady of the Snows, also known as Saint Mary of the Snows, a popular saint in the 15th and 16th century. There are some small marginal pencil notes in Spanish) (General note: An antiphonarium, or 'liber antiphonarius', is not only a liturgical book intended for the use of a choir. It is more, it is also a construction, the building of which was started some 19 centuries ago in late antiquity. It took, like later gothic cathedrals, ages to construct and grow. An antiphonarium is characterized, as its name implies, by the assignment to it of the antiphons (i.e. alternate chants) used in various parts of the Roman liturgy, not for the celebration of the Eucharist (Mass), but for the Divine Office. It contained the antiphons and antiphonal chants sung by cantor, congregation, and the choir at the canonical Hours, also called Divine Office. In this Office a duty for God was accomplished. This meant that certain prayers, psalms and antiphons had to be recited and/or sung at fixed (canonical) hours of the day or night by priests, monks, or nuns. The choir gathered for this service around a pulpit on which the antiphonarium stood. The 150 psalms, divinely-inspired poetical prayers, of the book of Psalms (a book of the Old Testament) form the heart of the liturgy of Hours. 'As at present commonly understood, an antiphon consists of one or more psalm verses or sentences from the Holy Scripture which are sung before and after each psalm and the Magnificat during Matins and Vespers. The verse which serves as the antiphon text contains the fundamental thought of the psalm to which it is sung, and indicates the point of view from which it is to be understood. In other words, it gives the key to the liturgical and mystical meaning of the psalm with regard to the feast on which it occurs'. The antiphons, which are recited throughout the seven days of the week at fixed hours, are preceded and followed by short choral prayers. Sometimes the psalms were also followed by a reading from the bible, called a 'capitulum', which can be preceded or followed by a blessing, or followed by a 'responsorium', a choral reaction to the bible reading. The psalm after an antiphon can often be replaced by a 'canticum', in which the choir sang an inspiring passage from the bible, for instance the 'Magnificat'. 'The melodies to which the antiphon texts are sung, especially those preceding the Vesper psalms, are generally of a simple character. Seldom has any word two or three notes. Their melodic importance consists in their preparing the mind for the following psalm tune, to which they form a sort of prelude and of whose character they partake'. 'As the antiphones were intended to be sung by the congregation, they are of simple and graphic construction. They breathe a deeply religious spirit and are an efficacious means by which to reveal to the singer the mystical contents of the texts which they musically interpret'. (Quotations from the Catholic Encyclopedia s.v. Antiphon, Antiphonary and Divine Office)) (Note: Our antiphonarium is not a show piece to impress, it was made for local use at a monastery or church. It contains both the 'pars hiemalis' and 'pars aestivalis'. The first (winter) part is the start of the liturgical year. It opens with Advent Sunday, which prepares for the celebration of the Nativity of Jesus at Christmas, and lasts till Lent. The second (summer) part prepares for Eastern and ends with the sunday after Pentecost. Following this chronological order, only the songs for the two most important offices of the 'Divine Office', the Laudes and the Vespers are given. We made some spot checks, and compared the order of the antiphons in this manuscript with the survey of the pre-Trident liturgy as presented on the site: http://divinumofficium.com, with the 'Dominican Ordinarium' of Humbert of 1256, (See http://www.musicasacra.com/dominican/Texts/ordinarium-humbert-1256.pdf) and the printed text of 'Antiphonarium et Hymnarium secundum morem Sanctae Romanae Ecclesiae' edited by M. de Schiavio, Naples, 1685. The order of antiphons in our manuscript resembles roughly that of the offices in these 3 sources.The last one seems closest. There are quite a number of variations and additions, some antiphons have been omitted. Some additions seem to point at 'Maria devotion'. As all manuscript antiphonaria seem to differ in the order of antiphons, responsoria and versus, we present a survey of the contents of the first 82 pages. You may consult this survey on our website: http://www.fragmentaselecta.nl/AntiphonariumSurvey.pdf . Some interesting features are (1) that the first antiphon with which the Advent normally starts, 'In illa die stillabunt montes dulcedinem' is preceded in our antiphonarium, as a kind of 'incipit', by a verse from Jesaja in which the coming of Christ is supposedly announced: 'Ecce nomen dominum venit de longinquo et claritas eius replet orbem terrarum' (Jes. 30:27), followed by a 'Magnificat', and finally by a 'responsium' in the same vein from Jeremiah: 'Ecce dies veniunt dicit dominus et suscitabo david germen iustum et regnabit rex et sapiens erit et faciet iudicium et iustitiam in terra. Et hoc est nomen quod vocabunt eum dominus iustus noster. In diebus illis salvabitur iuda et israhel habitabit confidenter' (Jeremiah 23:5 & 6) Another interesting feature (2) is the stock of seven so-called 'O Antiphons', hymns dating from late antiquity, which were sung in the week before christmas. Each of them starts with an elaborate initial of the exclamation 'O', followed by an epithet of Christ, mentioned in Scripture. They are: O Sapientia (O Wisdom), O Adonai (O Lord), O Radix Jesse (O Root of Jesse), O Clavis David (O Key of David), O Oriens (O Dayspring), O Rex Gentium (O King of the nations), O Emmanuel (O With Us is God). An interesting feature (3) of our antiphonarium is that approximately halfway in the book, the text of Psalm 95 (Greek numbering 94), 'Venite exultemus Domino' is written in full and in prose, it is presented without staves and musical notes. This psalm is called an 'invitatory psalm' because it is an invitation (Venite!, Come!) to the entire day's sequence of prayers. It was sung every day of the year, year after year, at cock crow before matins. The capitals in this psalm are alternately monochrome red or blue. In the margins of the psalm we find rubricated indications for choral use, 'chorus 1' and 'chorus 2'. At 4 passages has been placed an 'incipit' of the antiphon, "Venite', for 'Venite adoremus ... quia ipse est Deus noster', or 'Venite exultemus Domino'. Very remarkable is that the psalm in this manuscript seems to be a mixture of the socalled 'versio romana' and 'versio gallicana', both revised translations of the psalms of the Church father Hieronymus, the first made from the 'Versio Vetus Latina', the second later on from the Greek 'Hexapla'. The 'versio gallicana' became the psalter of the Vulgate bible, and the basis for Gregorian chant. 'It became the standard psalter used in the canonical hours throughout the West from the time of Charlemagne'. (Wikipedia s.v. Latin Psalters, which lemma also offers a complete text of our psalm in 6 different Latin versions, including the 'versio romana' and 'gallicana') In the psalm (psalm 95) of our antiphonarium can be detected a trace of the obsolete 'versio romana'. Verse 3 of this psalm in our antiphonarium ends with 'Quoniam non repellet dominus plebem suam', a phrase which Hieronymus cancelled in the revised 'versio gallicana', and which was skipped from the Bible. The scribe omitted furthermore, while copying psalm 95, erroneously verse 6 and the first half of verse 7. He did so probably because this omitted verse 'Venite adoremus ... quia ipse est Deus noster' was sung as an antiphon before and after this psalm) (Date and Origin: On the verso of the last leaf has been pasted a blank slip of paper. This hides underneath a clear and legible text, written in 2 columns, a kind of colophon. The first column reads: 'El escriptor de este libro/ y luysa de quinones/ la q co su diligesia/ lo puso en perfeciones/ pide a vras mercedes/ una ave maria/ en sus oraciones'. (Above the letter q and o and the e of the 3rd, and the first e and first r of the 5th line has been written a contraction sign) The second column reads: 'La ilustre señora/ de medoca dona nïa/ una magificat pide/ a vras mercedes/ por charidat y cortesia'. (Above the letter e in mendoca and the a in dona, the i of nia, and the first a in magificat and the r in vras has also been placed a contraction sign. In full: 'El escriptor de este libro y Luysa de Quiñones, la que con su diligencia lo puso en perfeciones piden a vuestras mercedes una Ave Maria en sus oraciones'. And: 'La ilustre Señora De Mendoca donada novicia una Magnificat pide a vuestras mercedes por charidat y cortesia'. This is, 'The scribe of this book and Luisa de Quiñones, who with her diligence put this to perfection, ask your graces for a 'Ave Maria' in their prayers. The illustrious Señora de Mendoza, novice nun, asks your graces a Magnificat for her charity and courtesy'. Luisa de Quiñones, daughter of the nobleman Don Gonzalo de Quiñones and Doña Leonor Guzmán, was prioress of the Monastery of 'San Pedro Martir' in her hometown Mayorga de Campos, near Valladolid, from 1591 till 1594. This 'monasterio' was a female convent of the Dominican Order, and numbered in those days ca. 40/50 women, most of them from propertied families. It still exists and it celebrated its 600th anniversary in 1994 with 15 Sisters. Luisa Quiñones is already mentioned as a member (sor) of the convent in 1574. With her advent her family, the Quiñones, acted for some decades as sponsors of the monastery. Furthermore, several female members of this family entered the monastery in the last quarter of the 16th and first quarter of the 17th century. It started in 1580 with Luisa's brother, Don Gonzalo Quiñones, and her sister, Doña Catalina, who contributed 100 ducates in order to restore the monastery and its church. Under Luisa's guidance the monastery went through a flourishing period, it grew in members and possessions, and through gifts. She is mentioned in a list of 16th century prioresses as a 'mujer de grand autoridad'. Luisa left the monastery in 1600, at the age of 50, and already a nun for 36 years, to lead in Villafranca del Bierzo a new female establishment of the Dominican Order. In 1603 she returned to Mayorga, because she did not comply with the rigorous reforms in that new monastery, called La Laura. Luisa met after her return to her old monastery in Mayorga a young novice 'Sor Juana de Mendoza Hurtado', who had entered the monastery with her 'vestición del hábito monástico' in 1601, probably at the age of 13/14, as had Luisa done. On the 17th of march 1605 Juana took her monastic profession. If this 'Juana de Mendoza' is the same as the 'ilustre señora de Mendoca', described on the last page of the Antiphonarium as 'donada novicia' (novice), then this antiphonarium must have been written between 1603 and 1605. Luisa and the novice, acted probably as sponsors of the production of this manuscript. That they asked on the last page for a 'Ave Maria' and a 'Magnificat', both ancient Maria hymns, seems appropriate, for the devotion to the Virgin Mary was a very important element of Dominican spirituality, especially for female Dominicans. It was believed that the Spaniard Dominicus de Guzmán established the Dominican order, (officially acknowledged in 1215 by the pope as 'Ordo Praedicatorum') under the good graces and guidance of Maria, mother of God. Luisa, we assume, took care of the production of the manuscript (la que su diligencia lo puso en perfeciones) and young Juana, who brought a monastic dowry of 600 'ducados', received thanks for providing the funds (charidat y cortesia). Who the scribe was and where the antiphonarium was written the book doesnot tell. He or she was probably not illuster enough to be mentioned by name. Who the recipients of this antiphonarium were, we also donot know. Most probably the monastery of both ladies. The female Dominicans could not perform apostolic work as their male colleagues did. Nevertheless, they were not idle. The 'programma de formación' of the nuns of the monastery of San Pedro Mártir consisted of 'el estudio del Evangelio, Liturgia, Canto, Constituciones, Oración y Trabajo'. (Real Monasterio, p. 129) All the Sisters had to perform tasks or services. Some had to wash, clean and cook. The members of the Choir, who chanted the Divine Office, had to take care of the administration, the storehouses and supplies, concierge services and the needlework. The Spanish Dominican scholars Aniz Iriarte & Callejo de Paz, who investigated the history of this monastery, do not mention in their book the existence of a scriptorium, or the production of manuscripts or books. If this manuscript was produced in the monastery, it was probably done by a hired secular scribe, or by some female 'escriptor' from another monastery. Or it was produced in a neighbouring monastery. The monastery of San Pedro Mártir went through two disasters during its more than 600 years of existence, a big fire ca. 1500, and the so-called 'desamortización' of 1835-1837, during which the Spanish church suffered from the 'Ecclesiastical Confiscations of Mendizábal', or in Spanish 'La desamortización eclesiástica de Mendizábal'. In this period a set of decrees was issued that resulted in the expropriation and privatisation of monastic properties in Spain. The 'desamortización' led to the vacating of most of the ancient monasteries in Spain, which had been occupied by the various convent orders for centuries. (See Wikipedia s.v. 'Ecclesiastical Confiscations of Mendizábal') The dominican community of the monastery of San Pedro Mártir in Mayorga was also dissolved, and its properties were sold by auction. However, some artistic and religious objects were saved secretly, and were hidden in private houses or churches. (solo algunos bienes de carácter religioso y artístico pudieron salvarse, ocultándolos en casas particulares o depositándolos en iglesias y monasterios de contemplativas, cuando esto pudo lograrse'. (Real Monasterio, p. 278)) Between 1837 and 1845 the administration of the monastery ceased to exist, but after that period the Sisters gradually reestablished themselves. It was probably during this critical period that this Antiphonarium was lost to the monastery. It was sold by the state, or must have lain hidden somewhere, was perhaps forgotten, and popped up again in a Belgian junkstore somewhere in the second half of the 20th century. (See below) (Provenance: The last owner and rescuer of this antiphonarium was the Dutch parish priest (pastoor) Marinus Petrus Janssen, 1923-2014, fellow brother of the Cistercian Abbey Mariënkroon, and since 1978 priest in Sluis, a small town in Zeeuws-Vlaanderen, the southern part of the province Zeeland. He had three brothers who were Cistercians, and one who was a Franciscan. (See his obituary notice: http://www.mensenlinq.nl/overlijdensberichten/drs-marinus-petrus-janssen-5677425) He seems to have been one of those priests, who, though not popular with his bishop for their unorthodox behaviour and opinions, was loved and admired by his parishioners. He was a man who had an aversion to bragging. For his parishioners he was just 'pasterke', an untranslatable 'honorary' title which implies admiration, intimacy and appreciation. Already in his eighties he still celebrated Mass, and visited the old of his flock. His nephews and heirs, now in their forties, like to tell anecdotes about their uncle. A visit was not a punishment for them when they were young. They tell about tomfoolery and (practical) jokes. Once their uncle burried a gypsum statuette of a saint, which he had painted with gold. When it was found by a boy, the village fell under the spell of gold fever, until the statuette came under the eyes of the local goldsmith. On one occasion, when his church suffered from the inconvenience of too many pigeons, he borrowed from a farmer a device to prevent flocks of starlings to plunder his orchard. He installed it in his church-tower, and frightened the pigeons and his parish by the enormous boom caused by this device. A striking anecdote tells about the broadmindedness of this priest. He once surprised a young couple, who were kissing, or perhaps a little more, in the confessional box of his church. They ran away, but the reverend Mr. Janssen yelled at them laughingly that there was no need to be afraid or ashamed, because they were in the house of God, and that God was love. He said of himself, when he was interviewed by the provincial newspaper on the occasion of the 60th anniversary of his ordination in 2007, that he did not consider himself to be a man without sin. He was looking for heaven on earth, rather than in the sky. 'What afterlife means, you donot know, I donot know, nor does the pope. For us heaven is for the time being not to be found in the sky. We must look around in our society to see God. By doing so, we might stumble onto something marvelous, peace for example'. (see: http://www.pzc.nl/regio/zeeuws-vlaanderen/zestig-jaar-pasterke-voor-mensen-1.1856232#content). We thank him for rescuing this antiphonarium. His nephews told us that their uncle found this manuscript once in a kind of junk store somewhere in Belgium. The owner confessed that he was planning to make decorative lampshades of the parchment. Abhorred by this prospect Mr. Janssen decided to buy the manuscript. He thus rescued it from destruction. A photograph of 'pasterke' Janssen can be found here: http://www.fragmentaselecta.nl/MarinusPetrusJanssen.pdf . We found a blog of a student of Medieval Studies at the University of Toronto who offers pictures, made in 2013, of vellum manuscript lampshades to be found in the Hearst Castle, in San Simeon, California. See especially the picture with 4 lamps in W. R. Hearst?'s private library: http://weblog.larkvi.com/page/2/ ) (Collation: a - z8, aa - dd8, ee6; (leaf aa5 (leaf 189) has been removed))

      [Bookseller: Antiquariaat Fragmenta Selecta]
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        The Jade Studio Masterpieces of Ming and Qing Painting and Calligraphy from the Wong Nan-p'ing Collection

      New Haven: Yale, 1994. 1st ed. Hardcover. Fine/Fine. illustrations (many in color), photo, maps, index, 307p. Original dark blue cloth. dj. 31cm. SIGNED on half-title by James Cahill who wrote one of the introductory essays appearing in this volume. Introduction by Richard M. Barnhart. Exhibited at the Yale University Art Gallery April 9, 1993 - July 31, 1994 and later at two other American museums and the Chinese University of Hong Kong.

      [Bookseller: McBlain Books]
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        Nuclear Magnetic Resonance

      Royal Society of Chemistry, 1994. Hardcover. New. SKU: MM-60239683; EAN: 9780851864624

      [Bookseller: Media Mall]
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        Mri and Ct of the Dog (Gebundene Ausgabe)von Josef Assheuer (Autor), Martin Sager (Autor)

      Blackwell Wissensch., Bln, 1994. 1994. Hardcover. 28,2 x 21,6 x 3 cm. As the price of MRI and CT equipment falls, there has been an increasing use of these powerful investigative techniques in veterinary medicine. Using illustrations, the authors provide full coverage of the entire body in the CT and MRI modalities, both in the normal animal and in various pathological conditions. Alongside the radiological images appear corresponding anatomical drawings which highlight relevant structures in order to aid the process of recognition and diagnosis. The book has been conceived along the same lines as the human book by Wegener. As the price of MRI and CT equipment falls, there has been an increasing use of these powerful investigative techniques in veterinary medicine. Using illustrations, the authors provide full coverage of the entire body in the CT and MRI modalities, both in the normal animal and in various pathological conditions. Alongside the radiological images appear corresponding anatomical drawings which highlight relevant structures in order to aid the process of recognition and diagnosis. The book has been conceived along the same lines as the human book by Wegener.

      [Bookseller: Lars Lutzer]
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        The Plays For Radio 1964 - 1991

      Faber & Faber 1994 - This is the new edition, which included In The Native State. Clean and tight, looks unread. SIGNED on the front end paper. A nearly perfect book - there is a neat embossed former owner stamp, see photo - inside a protected perfect jacket. VERY SCARCE. Language: eng Language: eng 0.0 Language: eng 0.0 [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: THE BOOKSNIFFER]
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        Penck, A.R. - Pferd und Augen.

      - Lithografie / Pinsellithografie, in Schwarz, auf Hahnemühle-Bütte, 1994/1995. Von A.R. Penck. Auflage 15 Exemplare / Druckerexemplar. 37,1 x 52,6 cm (Darstellung) / 53 x 78,5 cm (Blatt). Rechts unten in Bleistift signiert. Links Auflagenbezeichnung. - Ohne Mängel. Tadelloser Zustand. A.R. Penck (1939 Dresden - lebt und arbeitet in Dublin). Eigentlich Ralf Winkler. Deutscher Maler und Grafiker, Vertreter der gestisch-abstrakten Malerei. Gehört zu den bekanntesten Namen der neueren internationalen Kunstszene. 1954 Lehre als Werbezeichner, erste Arbeiten, Holzschnitte und Porträts. 1955 Ablehnung an den Akademien in Dresden und Ost-Berlin. 1960/61 Bewerbung bei der Volksarmee wird abgelehnt. 1963-65 Auseinandersetzung mit Mathematik, Kybernetik und theoretischer Physik. Seit 1968 Verwendung des Pseudonyms 'A.R. Penck' - später weitere Pseudonyme wie 'Mike Hammer' oder 'T.M.'. 1974 Umzug nach Dresden. 1975 Verleihung des Will-Grohmann-Preises. 1976 Ausstellung mit Joerg Immendorff. 1980 Ausbürgerung aus der DDR und Umzug nach Kerpen bei Köln. 1982 documenta in Kassel. 1983 Umzug nach London. 1988 Berufung als Professor an die Kunstakademie Düsseldorf. Seit 1991 Atelier in Berlin. 1992 documenta in Kassel. 1988 Retrospektiven in der Nationalgalerie Berlin und im Kunsthaus Zürich. 2003 Retrospektive im Museum Küppersmühle, Duisburg. [Attributes: Signed Copy]

      [Bookseller: GALERIE HIMMEL]
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        Penck, A.R. - "Ich-Standart mit Schatten".

      - Lithografie / Pinsel- & Kreidelithografie, in Schwarz, auf Hahnemühle-Bütte, 1994. Von A.R. Penck. Auflage 15 Exemplare / Druckerexemplar. 35,9 x 52,3 cm (Darstellung) / 53,5 x 78,5 cm (Blatt). Rechts unten in Bleistift signiert. Links Auflagenbezeichnung. - Ohne Mängel. Tadelloser Zustand. A.R. Penck (1939 Dresden - lebt und arbeitet in Dublin). Eigentlich Ralf Winkler. Deutscher Maler und Grafiker, Vertreter der gestisch-abstrakten Malerei. Gehört zu den bekanntesten Namen der neueren internationalen Kunstszene. 1954 Lehre als Werbezeichner, erste Arbeiten, Holzschnitte und Porträts. 1955 Ablehnung an den Akademien in Dresden und Ost-Berlin. 1960/61 Bewerbung bei der Volksarmee wird abgelehnt. 1963-65 Auseinandersetzung mit Mathematik, Kybernetik und theoretischer Physik. Seit 1968 Verwendung des Pseudonyms 'A.R. Penck' - später weitere Pseudonyme wie 'Mike Hammer' oder 'T.M.'. 1974 Umzug nach Dresden. 1975 Verleihung des Will-Grohmann-Preises. 1976 Ausstellung mit Joerg Immendorff. 1980 Ausbürgerung aus der DDR und Umzug nach Kerpen bei Köln. 1982 documenta in Kassel. 1983 Umzug nach London. 1988 Berufung als Professor an die Kunstakademie Düsseldorf. Seit 1991 Atelier in Berlin. 1992 documenta in Kassel. 1988 Retrospektiven in der Nationalgalerie Berlin und im Kunsthaus Zürich. 2003 Retrospektive im Museum Küppersmühle, Duisburg. [Attributes: Signed Copy]

      [Bookseller: GALERIE HIMMEL]
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        Moult and Ageing of European Passerines

      Academic Press. Hardcover. 012384150X For your consideration is the title, "Moult and Ageing of European Passerines," by Lukas Jenni & Raffael Winkler. Our book is graded Very Good and is nice overall condition. The covers are clean and glossy with minor edge-scuffing and slightly "bumped" edge-corners. One edge-corner has been fitted with a clear corner protector. The textblock edges are unblemished. The endpapers and all text pages and illustrations are clean and unmarked. The binding is good with no splits. This book will be stored and delivered in a secure storage box with foam padding. Published by Academic Press, 1994; 224 pages; Hardcover binding; Large-Format; White matte covers with passerine illustration, and title in blue lettering. . Very Good.

      [Bookseller: Salish Sea Books]
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        Poznan, plan miasta: Skala ok. 1:25 000 = City map

      Polskie Przedsiebiorstwo Wydawnictw Kartograficznych im. E. Romera, 1994. Paperback. Used; Acceptable. Paperback; English language; a fair reading copy. Your book will be securely packed and promptly dispatched from our UK warehouse. All international orders are sent Royal Mail airmail.

      [Bookseller: Sunrise Books Ltd]
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        Barbara Bush: A Memoir ***Signed***

      Charles Scribner's Sons, New York, NY 1994 - Inscribed "With best Wishes / Barbara Bush / November 22nd, 1999" on title page in blue ink. An interesting note on the date of this signature is that it was signed exactly on the 36th anniversary of the death of the 35th president, John F. Kennedy. Barbara Bush was born in 1925 to Pauline and Marvin Pierce, who later became president of McCall Corporation. In the suburban town of Rye, New York, she had a happy childhood. She went to boarding school at Ashley Hall in South Carolina, and it was at a dance during Christmas vacation when she was only 16 that she met George Bush, a senior at Phillips Academy in Andover, Massachusetts. They became engaged a year and a half later, just before he went off to war as a Navy torpedo bomber pilot. By the time George returned on leave, Barbara had dropped out of Smith College. Two weeks later, on January 6, 1945, they were married. After the war, George graduated from Yale, and they set out for Texas to start their lives together. Six children were born to them: George, Robin, Jeb, Neil, Marvin, and Dorothy. Meanwhile, George built a business in the oil industry. With Texas as home base, he then turned to politics and public service, serving as a member of Congress, U. S. Ambassador to the United Nations, Chairman of the Republican National Committee, Chief of the U. S. Liaison Office in the People's Republic of China, Director of the Central Intelligence Agency, and later as Vice President. In those 44 years of marriage, Mrs. Bush managed 29 moves of the family. When her husband was away, she became the family linchpin, providing everything from discipline to carpools. The death of their daughter Robin from leukemia when she was not quite four left George and Barbara Bush with a lifelong compassion. She says, "Because of Robin, George and I love every living human more." Barbara Bush was always an asset to her husband during his campaigns for public office. Her friendly, forthright manner won her high marks from the voters and the press. As wife of the Vice President, she selected the promotion of literacy as her special cause. As First Lady, she called working for a more literate America the "most important issue we have." Involved with many organizations devoted to this cause, she became Honorary Chairman of the Barbara Bush Foundation for Family Literacy. A strong advocate of volunteerism, Mrs. Bush helped many causes--including the homeless, AIDS, the elderly, and school volunteer programs. Today Barbara Bush lives in a home she and her husband built in Houston, Texas, where she enjoys being part of the community. Their children and grandchildren visit them often in Houston and at the family summer home in Kennebunkport, Maine. Devoted to her family, Mrs. Bush still finds time to work on an autobiography, serve on the Boards of AmeriCares and the Mayo Clinic, and continue her prominent role in the Barbara Bush Foundation. The biographies of the First Ladies are from ¿The First Ladies of the United States of America,¿ by Allida Black. Copyright 2009 by the White House Historical Association. [Attributes: First Edition; Hard Cover]

      [Bookseller: Legends In History]
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        SIGHT AND TOUCH

      Limited Editions Club (1994), [New York] - Nearly square large folio (22" x 24") bound with a tan goatskin spine and linen boards. Illustrated with three large multicolor woodcuts by Balthus printed on handmade Japanese paper and tipped in. This poem, presented in Spanish, French, and English, is dedicated to the artist. Copy #5 of 300 numbered copies SIGNED by the artist and by the Nobel Laureate author. Fine in a Very Good folding box with dampstaining [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Charles Agvent, est. 1987, ABAA, ILAB]
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        An Autobiography WITH: Evidence 1944-1994 [Whitney Museum]

      New York: Random House. SIGNED LIMITED EDITION. Fine. SIGNED LIMITED SPECIAL EDITION BOX SET, with two original hand-stamped engraver's proofs. Although the limitation states 250 copies, only about 100 were actually produced. Signed and numbered in the box by Avedon. Issued to accompany the celebrated 1994 Avedon retrospective at the Whitney Museum. With engraver's proofs of Jasper Johns (New York City, 1965) and Jean Shrimpton (Paris, 1970). An Autobiography is lavishly illustrated with 284 photographs documenting Avedon's career from the 1940's to the 1990's; Evidence includes essays by Jane Livingston and Adam Gopnik and is illustrated with over 600 iconic Avedon images. New York: Random House, 1993-94. Folio, original matching full linen with colored lettering, matching clamshell box with blind-stamped title; engraver's proofs in separate paper folders (as issued); with slip denoting "Whitney originals". Fine condition. RARE.

      [Bookseller: The Manhattan Rare Book Company]
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        Kingfishers and Related Birds

      Landsowne Editions, 1994. Half-Leather. Collectible: Very Good. Signed by Author and Illustrator. Sydney: Lansdowne Editions, 1983-1994. Six volumes in three solander boxes with leather labels and velvet lined interiors, Folios. Each volume is hand-bound in imported leather and fabric, and presented in a cloth-covered solander box. Only 1,000 sets printed, this set is number 780. Signed by the author and illustrator on the limitation page of each volume. PART I: Alcedinidae (Kingfishers) 564 pp. with 52 color plates (both volumes). Volume 1: Ceryle to Cittura (includes the fish-eating and specialist kingfishers). Volume 2: Halcyon to Tanysiptera (includes woodland kingfishers and the beautiful racket-tailed or paradise kingfishers). PART II: Todidae to Phoeniculidae - Volume 3: Todidae, Momotidae and Meropidae (Todies, Motmots and Bee-eaters) 315 pp., 26 color plates. Volume 4: Leptosomatidae, Coraciidae, Upupidae and Phoeniculidae (Rollers, Hoopoes and Wood Hoopoes) 251 pp., 22 color plates. PART III: Bucerotidae (Hornbills) 437 pp. including 56 color plates (Both Volumes). Volume 5: Bucorvus to Anthracoceros. Volume 6: Buceros to Ceratogymna. Complete sets are scarce as a great many of the text blocks of Part III were never bound. The Australian publisher Lansdowne Editions published fine leather bound bird books in the late 20th Century. Most featured text by Joseph M. Forshaw and the paintings of William T. Cooper in signed limited editions. The solander box for PART III: Bucerotidae has bumped corners and is somewhat shaken.

      [Bookseller: Buteo Books]
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        The Jade Studio Masterpieces of Ming and Qing Painting and Calligraphy from the Wong Nan-p'ing Collection

      Yale, New Haven 1994 - illustrations (many in color), photo, maps, index, 307p. Original dark blue cloth. dj. 31cm. SIGNED on half-title by James Cahill who wrote one of the introductory essays appearing in this volume. Introduction by Richard M. Barnhart. Exhibited at the Yale University Art Gallery April 9, 1993 - July 31, 1994 and later at two other American museums and the Chinese University of Hong Kong. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: McBlain Books, ABAA]
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        Ringe: Die Koch Sammlung; Rings: The Alice and Louis Koch Collection

      W. S. Maney and Son, 1994, Buckram, Book Condition: Near Fine, Dust Jacket Condition: Fine, First British Edition. Size: Folio - over 12" - 15" tall, Dies ist eine zweisprachige Buchausgabe. Der Text ist in deutscher und auch in englischer Sprache. This is a bilingual edition. The text is in German and also in English. Complete in two volumes, including dust jackets and slipcase. This is an unnumbered copy from an unstated limited edition probably not exceeding 1,000 copies. Printed and presumed bound in England. Black buckram hardboard bindings, with crisp gilt-stamped lettering to the spines. Unbumped spine heads and tails, with sharp corners, except that the upper front corner of Vol. II has a trivial bump. 13.5 x 10 inches. Each volume with a blue silk satin page marker ribbin. With xxxix and 320 and [xl to] xlix and 323-664 numbered pages. The volumes with thousands of color plates, and displaying at least two views of each of the 1980 finger rings in the collection. All plates on glossy, heavy coated stock. The catalogue is arranged chronologically. The first seven pages of volume I, counting from the first free end paper, with a very small 1 inch crease at the lower corner. Else immaculate volumes, and very tight, with little hint of shelf life. The dust jacket spines, for instance, are not sunned. Either unread or very gently read. No remainder marks. Lovely pictorial DJs, unclipped and virtually unrubbed. In the original plain slipcase of black buckram-covered cardboard. Near Fine volumes in Fine DJs in a Near Fine slipcase. A very heavy set, weighing in excess of 12 pounds. The Alice and Louis Koch collection, largely compiled before 1904, comprises almost 2000 finger rings. The ring collection has been compared to that of the British Museum in scope and significance.

      [Bookseller: The Book Carrel]
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        Veterinary Reproductive Ultrasonography: Horse. Cattle. Sheep, Goat. Pig. Dog. Cat [Englisch] [Gebundene Ausgabe] Wolfgang Kähn (Autor) Wolfgang Kaehn Wolfgang Kahn Atlas of Veterinary Reproductive Ultrasonography

      Schlütersche, 1994. 1994. Hardcover. 1,8 x 20 x 26,3 cm. Covering horse, cattle, sheep, goat, swine and the dog and cat, this volume offers a comprehensive and illustrated account of veterinary gynaecologic examination and reproduction. Staring with the common indications for ultrasonography, gynaecologic and obstetric examination, the book goes on to address the interpretation of ultrasonographic findings. The pregnant and non-pregnant uterus, pathologic changes of the uterus and other abnormal ultrasonographic findings are described and explained. Features include: illustrations which aim to facilitate accurate and rapid decision-making; focus on technique, as well as interpretation; and coverage of ovarian tumours and cysts. The book is intended for veterinarians. This is a guide to the reproductive problems facing the busy veterinary practitioner in every day practice. The pregnant and non-pregnant uterus, as well as pathologic changes of the reproductive system are described and explained. The book is superbly illustrated and covers all the important domestic large and small animals: dogs, cats, horses, cows, sheep, goats and pigs. Zusatzinfo 36 colour illustrations, 361 illustrations Sprache englisch Maße 192 x 260 mm Naturwissenschaften Biologie Zoologie Veterinärmedizin Vorklinik Tiermedizin Klinische Fächer Bildgebende Verfahren ISBN-10 0-7234-2008-4 / 0723420084 ISBN-13 978-0-7234-2008-8 / 9780723420088 Veterinary Reproductive Ultrasonography: Horse. Cattle. Sheep, Goat. Pig. Dog. Cat [Englisch] [Gebundene Ausgabe] Wolfgang Kähn (Autor) Wolfgang Kaehn Wolfgang Kahn Tierheilkunde Biologie Zoologie Veterinärmedizin Vorklinik Tierheilkunde Tiermedizin Klinische Fächer Bildgebende Verfahren Veterinary Reproductive Ultrasonography: Horse. Cattle. Sheep, Goat. Pig. Dog. Cat [Englisch] [Gebundene Ausgabe] Wolfgang Kähn (Autor) Wolfgang Kaehn Wolfgang Kahn Atlas of Veterinary Reproductive Ultrasonography Biologie Zoologie Veterinärmedizin Vorklinik Tierheilkunde Tiermedizin Klinische Fächer Bildgebende Verfahren Covering horse, cattle, sheep, goat, swine and the dog and cat, this volume offers a comprehensive and illustrated account of veterinary gynaecologic examination and reproduction. Staring with the common indications for ultrasonography, gynaecologic and obstetric examination, the book goes on to address the interpretation of ultrasonographic findings. The pregnant and non-pregnant uterus, pathologic changes of the uterus and other abnormal ultrasonographic findings are described and explained. Features include: illustrations which aim to facilitate accurate and rapid decision-making; focus on technique, as well as interpretation; and coverage of ovarian tumours and cysts. The book is intended for veterinarians. This is a guide to the reproductive problems facing the busy veterinary practitioner in every day practice. The pregnant and non-pregnant uterus, as well as pathologic changes of the reproductive system are described and explained. The book is superbly illustrated and covers all the important domestic large and small animals: dogs, cats, horses, cows, sheep, goats and pigs. Zusatzinfo 36 colour illustrations, 361 illustrations Sprache englisch Maße 192 x 260 mm Naturwissenschaften Biologie Zoologie Veterinärmedizin Vorklinik Tiermedizin Klinische Fächer Bildgebende Verfahren ISBN-10 0-7234-2008-4 / 0723420084 ISBN-13 978-0-7234-2008-8 / 9780723420088 Veterinary Reproductive Ultrasonography: Horse. Cattle. Sheep, Goat. Pig. Dog. Cat [Englisch] [Gebundene Ausgabe] Wolfgang Kähn (Autor) Wolfgang Kaehn Wolfgang Kahn Tierheilkunde Veterinary Reproductive Ultrasonography: Horse. Cattle. Sheep, Goat. Pig. Dog. Cat [Englisch] [Gebundene Ausgabe] Wolfgang Kähn (Autor) Wolfgang Kaehn Wolfgang Kahn Atlas of Veterinary Reproductive Ultrasonography

      [Bookseller: Lars Lutzer]
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        Lectionary of St Petersburg - Signatur: Codex gr. 21, 21a - National Library of Russia (St. Petersburg, Russia)

      Akademische Druck- u Verlagsanstalt (ADEVA) - Graz 1994 - Facsimile Edition of: Lectionary of St Petersburg with shelf mark Codex gr. 21, 21a - National Library of Russia (St. Petersburg, Russia), also known as Das Lektionar von St. Petersburg. Data of the original: 33.3 x 25.5 cm, 30 pages. Trabzon (Turkey), 2nd half of the 10th century. Illustrations: 13 mostly full-page miniatures, 3 fragments of miniatures, 3 elaborated initials. Names related to the work: *** Facsimile Edition: 1 volume: Exact replica of the original (extent, color and size). Limitation: 700 copies. All folios are cut according to the original. Leather with blind embossing (true copy of the original binding). All folios are cut according to the original. Commentary: 1 volume (42 pages) by Elena Schwarz *** Languages: German, English *** We were able to win the current "keeper" of the codex, Mrs. Elena M. Schwarz from Saint Petersburg, as the most authoritative author. The commentary (German/English) comprises contributions on the environment of the manuscript, a codicological analysis, as well as a transcription of the Greek text. *** Elena Schwarz, curator at the St. Petersburg National Library of Russia. 42 pp., in German and English, cloth. Within Germany and the European Union shipping generally is free. For the US, Canada, Australia and all other countries the shipping costs are limited to 250 EUR. Please ask for the exact shipping costs, thank you. [Attributes: Hard Cover]

      [Bookseller: Ziereis Faksimiles]
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        XXIV Sonnets de Shakespeare - EXCEPTIONAL UNIQUE COPY - Illustrated with 7 etchings + SUITE of the 7 HANSIGNED "BONS A TIRER" + THE SIX STATES of an etching + MENU by Zao WOU-KI #Handsigned

      Les Bibliophiles de France, Paris 1994 - - PRESENTATION : in-4 in leaves under linen wrapper and slipcase. - TEXT : Poems by Shakespeare in English with their traductions by Bonnefoy in French. - ILLUSTRATION : 7 original full page etchings with aquatint by Zao WOU-KI. - EXCEPTIONAL COPY : Our copy offered by Zao Wou-Ki to the printer also includes the 7 "Bons a tirer" of the etchings individually handsigned by the artist. On some of them we can read in pencil from the hand of Zao Wou-Ki "Derniere epreuve avant acierage" (litteraly translated as Last proof before ironed) that means that those proofs were printed before the ironed of the copper plate that give them a more detailed printing. Our copy also includes the 6 states (from first to 6th states) of the etching used for the menu and a copy of the menu with the last state of the etching. - SIGNATURE : Signed by Yves Bonnefoy & Zao WOU-KI at the justification page. - SIZE : 14 x 11". - LIMITED : 195 copies. - REFERENCES : Agerup 366 to 372. - CONDITION : Excellent. ASK FOR EXTRA PICTURES [Attributes: Signed Copy; Hard Cover]

      [Bookseller: Artfever]
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        The Master Of Petersburg

      Secker & Warburg, London 1994 - First UK Edition. Fine book, except for slight tanning to the page ends, in a near Fine, unclipped Dustjacket with some rubbing to the back panel and evidence of a sticker removal on the back jacket panel, else fine. Signed by the author on the title page. Coetzee's homage to Dostoevsky. [Attributes: First Edition; Signed Copy]

      [Bookseller: MDS BOOKS]
 26.   Check availability:     AbeBooks     Link/Print  


        Cornelia Schleime. [Mappe mit 5 überarbeiteten Siebdrucken].

      Amsterdam. Aschenbach Galerie. 1994. 82 x 62 cm. 5 Blatt. Illustrierte OHalbleinen-Mappe mit Schlaufenbindung. Tadelloses Exemplar. Edition der Galerie Aschenbach mit 5 Siebdrucken, 76 x 58 cm in Grün, Gelb, Blau, Rot und Ocker, jeweils mit montierten Farbfotografien, diese wiederum integriert überdruckt. Jedes Blatt unten rechts signiert und datiert 94. Cornelia Schleime, geboren 1953 in Ost-Berlin, 1984 Übersiedlung nach Berlin-West, lebt und arbeitet in Berlin und Brandenburg. Einzelausstellungen ab 1986, davon drei bis 1995 bei der Galerie Aschenbach, seither neben zahlreichen anderen hauptsächlich bei der Galerie Michael Schultz, Berlin. Versand D: 2,00 EUR 20. Jahrhundert / 20th Century, Deutschland / Germany, Kunst, Editionen, Mappenwerke, Originalfotografie, Originalgrafik, Siebdruck

      [Bookseller: Antiquariat Querido - Kunst und Fotograf]
 27.   Check availability:     buchfreund.de     Link/Print  


        Ein Wintermährchen. Mit 30 Holzstichen (16 Holzstiche, 14 Vignetten und ein Schabblatt für den Einband) von Karl-Georg Hirsch.

      Bayreuth, The Bear Press, 1994,. - 67(1) S., 4°, O-Ganz-Pergament auf 4 durchgezogenen Riemchen mit eingelasser, goldgeprägter Deckelillustration auf Leder im OSchmuck-Schuber. Vergoldeter Rückentitel. Marmorierte Vorsatzblätter. Gold-Kopfschnitt, Fadenheftung. Druck durch die Offizin Haag-Drugulin in der Didot-Antiqua auf VL-Bütten. Handschriftlich nummeriertes Exemplar: 109 von 113 der Edition de Tete (Gesamt 150). Darunter von Hirsch signiert. Nachwort von Kurt Wölfel. Handgebundener Einband von W.G. Kießig, Berlin. Neuwertiges Exemplar. 17. Druck der Bear Press Wolfram Benda. Das Foto zeigt eine Graphik. Limited edition with 30 graphics by Hirsch. Sprache: Deutsch Gewicht in Gramm: 1000 [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Uta-Janine Störmer]
 28.   Check availability:     ZVAB     Link/Print  


        Xeroxed typescript with editor's notes for Jim Dandy: A Novel, with 2 inscriptions from Faust to friend and publisher Matthew Bruccoli

      (Carroll and Graf), (New York) 1994 - Xeroxed typescript with editor's notes for Irvin Faust's novel. Inscribed twice from Faust to his friend and publisher Matthew Bruccoli, dated October 1994 and March 1995, 'This manuscript is for Matt Bruccoli because he kept the faith' and 'This is Matt Bruccoli's page as J.D. is in many ways his book.' Unbound sheets, printed on rectos only. 401 pp. Heavily annotated throughout with editor's marks by an unknown hand in green and red pencil, some annotations on sticky-notes as well. Sheets housed in 2 piece blue cloth slipcase. Acquired from the estate of Bruccoli. Digital images available upon request. [Attributes: Hard Cover]

      [Bookseller: Caliban Books Pittsburgh PA, ABAA]
 29.   Check availability:     AbeBooks     Link/Print  


        Morandi: Dipinti Catalogo Generale; Volume Primo and Volume Secondo

      Italy: Electa, 1994. hardcover. very good/Boxed set. This boxed set is the Catalogue Raisonne of the paintings of Morandi. The two volumes document the paintings of Morandi from the years 1913 to 1964. This work is Important to understanding the numbering system that Vitali used to delineate the work and a guide to the size and provenance of each painting. Also shown is the exhibition history. This is a monumental work by Morandi's associate, friend and critic. These volumes are in very good condition. However the front boards to volume secondo is loosening in the hinge area, covers are scuffed in places, and there is shelf wear to slipcase. Worn area on botton of spine on second volume.

      [Bookseller: Art Books Press]
 30.   Check availability:     Biblio     Link/Print  


        Penck, A.R. - Ohne Titel (Mann mit Speer).

      - Farblithografie / Pinsellithografie, in Schwarz & Ocker, auf Hahnemühle-Bütten, 1994. Von A.R. Penck. Auflage 15 Exemplare / Druckerexemplar. 34,5 x 52,5 cm (Darstellung) / 53 x 79 cm (Blatt). Rechts unten in Bleistift signiert. Links Auflagenbezeichnung. - Ohne Mängel. Tadelloser Zustand. A.R. Penck (1939 Dresden - lebt und arbeitet in Dublin). Eigentlich Ralf Winkler. Deutscher Maler und Grafiker, Vertreter der gestisch-abstrakten Malerei. Gehört zu den bekanntesten Namen der neueren internationalen Kunstszene. 1954 Lehre als Werbezeichner, erste Arbeiten, Holzschnitte und Porträts. 1955 Ablehnung an den Akademien in Dresden und Ost-Berlin. 1960/61 Bewerbung bei der Volksarmee wird abgelehnt. 1963-65 Auseinandersetzung mit Mathematik, Kybernetik und theoretischer Physik. Seit 1968 Verwendung des Pseudonyms 'A.R. Penck' - später weitere Pseudonyme wie 'Mike Hammer' oder 'T.M.'. 1974 Umzug nach Dresden. 1975 Verleihung des Will-Grohmann-Preises. 1976 Ausstellung mit Joerg Immendorff. 1980 Ausbürgerung aus der DDR und Umzug nach Kerpen bei Köln. 1982 documenta in Kassel. 1983 Umzug nach London. 1988 Berufung als Professor an die Kunstakademie Düsseldorf. Seit 1991 Atelier in Berlin. 1992 documenta in Kassel. 1988 Retrospektiven in der Nationalgalerie Berlin und im Kunsthaus Zürich. 2003 Retrospektive im Museum Küppersmühle, Duisburg. [Attributes: Signed Copy]

      [Bookseller: GALERIE HIMMEL]
 31.   Check availability:     ZVAB     Link/Print  


        Long Walk To Freedom; The Autobiography Of Nelson Mandela

      Macdonald Purnell, 1994, Hardcover, Book Condition: Very Good, Dust Jacket Condition: Good, 1st Edition, Signed by Author(s). the book is signed on a plate that has been tipped on to the title page. the page comes from a soft cover that was signed with a lengthy inscription. the inscription by Mandela is dated 1996 which was during the period that Mandela served as state president of south africa. the inscription in mandela's distinctive hand reads ' to Daymon and Cullinan, Best wishes to a wonderful pair on your Birthday. may you have many more! N.Mandela 15.6.96'.the Jacket is shelf worn,a few tears. the back flap has been tape repaired.Internally clean.Excellent binding.presents very well in cellophane.

      [Bookseller: Chapter 1 Books]
 32.   Check availability:     Bookzangle     Link/Print  


        Morningsun 1 (eines Diptychons). Aquatinta und Photogravüre.

      1994 1994 - 76 x 54 cm, 54 x 38 cm, Tadell. Expl. 1/60. Rechts unten signiert und dat. - Urs Lüthi, geboren 1947 In Kriens LU, agiert seit 1970 mit den Mitteln der Körperkunst und der Photographie und kommt auf dieser Basis zu seinem eigentlichen graphischen Medium Photoreproduktion.1980 erweiterte er seine Arbeit um Radierung und Aquatinta, zuletzt um die Heliogravüre. 1000 gr. Schlagworte: Grafik - nach 1945Neueingänge - Grafik, Gemälde, Plakate [Attributes: Signed Copy]

      [Bookseller: antiquariat peter petrej]
 33.   Check availability:     IberLibro     Link/Print  


        Zsolnay - Kunst - Edition Männer- Leben. Vorzugsausgabe: Gierig (Martin Amis), Der Traum des Dick Pierce (John Casey), Der Honorarkonsul (Graham Greene), Schmutziger Lorbeer ( Budd Schulberg Schicksalswege in einer gnadenlosen, sich ständig veränderten Welt

      Wien, Paul Zsolnay Verlag, 1994 - einmalige, limitierte Vorzugsausgabe Nr. 500 von 500. Im Band "Der Honorarkonsul" von Immendorff nummeriert und signiert, Umschlagentwurf und Vorsatzillustrationen von Jörg Immendorff. 5 Bände in Holzkassette. Diese noch in Orginalfolie, nur zur Kontrolle des signierten Bandes geöffnet, ungelesenes und völlig unberührtes Exemplar, in dieser Erhaltung wahrscheinlich einmalig. Jörg Immendorff (* 14. Juni 1945 in Bleckede bei Lüneburg; + 28. Mai 2007 in Düsseldorf) war ein deutscher Künstler (Malerei, Bildhauerei, Grafik und Aktionskunst) und Kunstprofessor. Immendorff wurde seit Beginn der 1980er Jahre zu einem der bekanntesten deutschen Künstler der Gegenwart. Sprache: Deutsch Gewicht in Gramm: 2550 8°, gebundene Ausgabe, Hardcover/Pappeinband mit Holzkasette [Attributes: First Edition; Signed Copy]

      [Bookseller: Bührnheims Literatursalon GmbH]
 34.   Check availability:     ZVAB     Link/Print  


        Handbook of the Birds of Europe, the Middle East, and North Africa: Complete set [BWP]

      Oxford University Press, 1994. Hardcover. Used: Like New/Fine. Nine volumes in dust jackets. Oxford University Press, 1977 - 1994. Handbook of the Birds of Europe, the Middle East, and North Africa: The Birds of the Western Palearctic. Volume I - Volume IX. The complete set of this model handbook to a regional avifauna. Fine in dust jackets.

      [Bookseller: Buteo Books]
 35.   Check availability:     IOBABooks     Link/Print  


        Winston Churchill, The Official Biography, full leather binding, complete in 12 volumes

      Norwalk, Connecticut: Easton Press, 1994. Hardcover. The Official Biography of Winston Churchill, begun by Randolph Churchill and completed by Martin Gilbert, is an epic piece of scholarship about a singularly epic life. The eight massive main text volumes were originally published between 1966 and 1988. Even grander than the British first editions is this superlative set of the Official Biography main text volumes produced by The Easton Press in 1994. Easton produced this set as twelve volumes (more manageably sized than the original eight, splitting each of the last four volumes into two volumes). The Easton Press edition claims 24 inches of shelf space, weighs 36 pounds, and fills nearly 8,700 pages. Moreover, it is the finest edition of the Official Biography to date. Each volume is bound in dark red leather, featuring hubbed spines, black title panels, and elaborate decoration with 22 kt. gold accents. The contents are printed on acid-neutral, archival paper, with all page edges gilt, moire fabric endsheets, sewn-in satin ribbon markers, and head and foot bands. The set is profusely illustrated throughout. This particular set is in truly fine condition, with no apparent signs of wear or use. There are no previous ownership marks of any kind. Please note that we will invoice for actual postage costs for this large, heavy set. Bibliographic reference: Zoller A301a-h.

      [Bookseller: Churchill Book Collector]
 36.   Check availability:     IOBABooks     Link/Print  


        Frederic Edwin Church: Catalogue Raisonne of Works of Art at Olana Historic Site (2 volumes in slipcase)

      Cambridge University Press, 1994. Hardcover. VG+. Blue cloth. Volume 1 [xxxviii, 565 pages] contains Acknowledgements, List of Illustrations, List of Illustrations [in Volume 1, of which there are 157 bw plates], Short Titles and Abbreviations, and an Essay by David C. Huntington. This is followed by an Introduction, and a substantial text that breaks the holding of Olana into chronological categories. This is followed by Appendix I (Works Prepared For Painting) and Appendix II (The Examination and Treatment of Church's "The After Glow"). A General Index is followed by a Index of Titles of Works at Olana, and a List of Concordances. Volume 2 contains the reproductions. There are 47 color plates and over 735 bw reproductions in this volume. Please note that this is NOT a catalogue raisonne of the artist's entire artistic effort-only those which are present at Olana (and this is certainly a substantial and very relevant category). The two volumes present a monumental effort and give scholars and interested readers an intimate look at the life of this renowned landscape painter (and early plein air enthusiast) and his world.

      [Bookseller: Mullen Books, Inc. ABAA / ILAB]
 37.   Check availability:     Biblio     Link/Print  


        Salvador Dalí : Das druckgraphische Werk 1924-1980. Oeuvrekatalog der Radierungen und Mixed-Media-Graphiken; bzw. (-) der Lithographien und Holzstiche 1956-1980. Mit einem Vorwort von Robert Descharnes.

      München u. New York, Prestel-Verlag 1994?1995. - 2 Bände (cpl.). 4° (30.5 x 24.5 cm). 262 u. 188 SS. Reich illustriert mit Farbtfn. u. s/w-Abbn. OLn. mit OU. Wenig Gebrauchsspuren. Gesamthaft gutes Exemplar. Massgebliches Werkverzeichnis der Druckgraphik von Salvador Dalí. - ISBN (dt. Ausgabe) 3-7913-1285-5 u. 3-7913-1492-0 -- NETTOGEWICHT 3.3 kg Sprache: de [Attributes: Hard Cover]

      [Bookseller: Franz Kühne Antiquariat und Kunsthandel]
 38.   Check availability:     ZVAB     Link/Print  


        Sämtliche Werke - 24 Bände von 33: () + II + III + () + () + VI + VII + VIII + IX + XI + XI + XII + XIII + XIV + () + XVI + XVII + XVIII + XIX + XX + XXI + () + () + XXIV + () + () + () + XXIX + XXX + XXXI + XXXII + XXXIII - Einzelbände auf Anfrage

      Olms - Weidmann, Hildesheim - Zürich _ New York 1994 - 3. unveränderter Nachdruck der Ausgabe Berlin. Bräunlichgraue Leineneinbände mit schwarzen Rückenettiketten und Goldbeschriftung auf dem Buchrücken. Zustand: wie neu. Die Bücher sind bis auf 5 Bänd noch in der Verpackungsfolie. Einzelbände auf Anfrage In deutscher Sprache. pages. 208mm x 148mm [Attributes: Hard Cover]

      [Bookseller: travelling-salesman]
 39.   Check availability:     AbeBooks     Link/Print  


        New York State. hrsg. von Louisa Campbell. Fotogr. von Joseph F. Viesti ., APA-Guides

      Berlin ; Gütersloh ; Leipzig ; München ; Potsdam ; Stuttgart : RV, Reise- und Verkehrsverl. [München] : APA Publ. München : GeoCenter-Verl.-Vertrieb, 1994 - 351 S. : zahlr. Ill., Kt. ; 23 cm Exemplar in gutem Zustand k8402 ISBN 3575213771 Sprache: Deutsch Gewicht in Gramm: 400 [Attributes: Soft Cover]

      [Bookseller: Antiquariat Buchhandel Daniel Viertel]
 40.   Check availability:     ZVAB     Link/Print  


        Memoires de J. Casanova de Seingalt ecrits par lui-meme. Edition nouvelle publiee sous la direction de Raoul Veze, d\'apres le texte de l\'edition princeps Leipzig-Bruxelles-Paris (1826-1838). Variantes et Commentaires historiques et critiques...

      La Sirene Paris 1924 (...Introduction d\'Octave Uzanne. Band 1 - 12 cpl.. Erscheinungszeitraum 1924 - 1935 ). Jeweils im reich floral goldgeprägtem, braunem Oldr mit Kopfgoldschnitt und jeweils 2 farbigen Rückenschildchen, 4° ( 25,5 x 16 cm ). Auf Büttenpapier gedruckt mit marmorierten Vorsatzpapieren. Mit zusammen ca. 4000 Seiten mir sehr zahlreichen schwarz-weißen Abbildungen und Illustrationen, teils auf Tafeln. Einbände teils etwas berieben, teils gering fleckig, Ecken und Kanten teils gering bestoßen. Band 7 am schmalen Einbandrücken etwas stärker fleckig, Band 9 mit kleinen Tintenflecken auf dem Buchdeckel vorn, Band 2 oben mit beschädigtem Kapital, 2 weitere Bände mit kleinem Einriß am oberen Kapital. Im ersten Band auf Vorsatz montierter alter Klebezettel mit bilbliographischen Angaben zu diesem Werk, das offenbar in nur 290 Exemplaren erschienen ist ( der Zettel großenteils entfernbar ). Wenige Bände innen gering fleckig - insgesamt aber guter, dekorativer Zustand der schönen und seltenen Ganzlederausgabe Zusammen 12 Bände. ( Gesamtgewicht ca. 13500 Gramm ) ( Pic erhältlich // webimage available ) Versandkostenfreie Lieferung Casanova, Seingalt, Memoiren, Erinnerungen, Memoires, Octave Uzanne, Ganzlederausgaben, Leder, Ganzleder

      [Bookseller: Antiquariat Friederichsen]
 41.   Check availability:     buchfreund.de     Link/Print  


        Omniverse Sun Ra, comprehensive pictorial and annotated discography, including record title index, composition index, personnel index, instrument index, Saturn record label and vinyl number index, record label index and essays, photo documents, tapeography, filmography, bibliography, (IN ENGLISCHER SPRACHE),

       1994. mit zahlreichen, teils farbigen Abbildungen und Fotos von Val Wilmer, xiii, 250 Seiten, 30x30, weiße farbig illustrierte Original-Broschur, TADELLOSES EXEMPLAR DIESES SEHR SELTENEN TITELS, BEILIEGEND: Ein Blatt Original-Pressemitteilung zur Veröffentlichung des Titels MIT EINE´M EIGENHÄNDIGEN GRUSS UND EINER ORIGINAL-SIGNATUR DES AUTORS HARTMUT GEERKEN sowie EINEM 28-seitigen KATALOG des Schweizer Jazz-Museums zu SUN RA mit Fotos von Val Wilmer Versand D: 5,00 EUR Mu 38265, i

      [Bookseller: Antiquariat im Baldreit]
 42.   Check availability:     buchfreund.de     Link/Print  


        Xeroxed typescript with editor's notes for Jim Dandy: A Novel, with 2 inscriptions from Faust to friend and publisher Matthew Bruccoli

      (New York): (Carroll and Graf). 1994. Loose in Folder. Very Good. Xeroxed typescript with editor's notes for Irvin Faust's novel. Inscribed twice from Faust to his friend and publisher Matthew Bruccoli, dated October 1994 and March 1995, 'This manuscript is for Matt Bruccoli because he kept the faith' and 'This is Matt Bruccoli's page as J.D. is in many ways his book...' Unbound sheets, printed on rectos only. 401 pp. Heavily annotated throughout with editor's marks by an unknown hand in green and red pencil, some annotations on sticky-notes as well. Sheets housed in 2 piece blue cloth slipcase. Acquired from the estate of Bruccoli. Digital images available upon request.

      [Bookseller: Caliban Books ABAA-ILAB]
 43.   Check availability:     Biblio     Link/Print  


        President Clinton thanks Oscar winning director Fred Zinnemann for sending him his directing script and photograph picturing him, Gary Cooper, and Grace Kelly on the set of Clinton's favorite movie, "High Noon"

      Washington, D.C., May 23, 1994. 6.75" x 8.75". "Rare Autograph Letter Signed ""Bill Clinton"" in full as President, 1 page, 6.75"" x 8.75"". On pale green White House stationery, presidential seal engraved in gilt at top center. The White House, Washington, May 23, 1994. To Fred [Zinnemann]. Never folded. With the Clintons' 1994 Christmas card, 7.25"" x 6"" (closed), bearing inside a printed greeting and facsimile signatures of the President and First Lady. Interestingly, the card was ""Paid for by the Democratic National Committee."" Fine condition.In full, ""Dear Fred - Your letter, the directing script, and the wonderful picture of you on the set with [Gary] Cooper and [Grace] Kelly were wonderful gifts. --- I was elated to receive them and hope someday to thank you in person.""Most ALsS of Clinton as President, which are scarce, are signed ""Bill."" Here offered is a rare ALS signed in full ""Bill Clinton.""In a June 7, 1993, letter, President Clinton had congratulated Academy Award winning director Fred Zinnemann on his 86th birthday, expressing appreciation for his films ""including my favorite movie High Noon...""High Noon was nominated for seven 1952 Academy Awards, including Fred Zinnemann for Best Director. It won four: Best Actor (Gary Cooper), Best Music and Best Song (Dimitri Tiomkin), and Best Film Editing. Zinnemann won two Oscars for Best Director for From Here to Eternity (1953) and A Man for All Seasons (1966)."

      [Bookseller: University Archives]
 44.   Check availability:     Biblio     Link/Print  


        La Commedia di Dante Alighieri. Tratta da quella, che pubblicarono gli Accademici della Crusca l`Anno 1590. Col Comento del M. R. P. Pompeo Venturi della compagnia di Gesu`. Con la Vita del Poeta scritta da Leonardo Aretino, 6 Volumes.

      Firence, Resso Luigi Bastianelli, e Compagni, 1771 - 1774. VI, 52, 176, 340, 285, 294, 301, 346 S. Braune Original-Ganzlederbände auf vier echten Bünden mit goldgeprägten Rückentiteln sowie reichen floralen Goldprägungen; dreiseitiger Rotschnitt Buchrücken etwas berieben. Sonst sehr gutes Exemplar dieser sehr schönen Ganzleder-Ausgabe; Seiten bemerkenswert sauber und fleckenfrei Spine rubbed something. Otherwise a very good copy of this very beautiful full leather issue; pages remarkably clean and stain-free). Weitere Fotos zu diesem Angebot auf der Homepage des Antiquariats (bitte Art.-Nr. auf der Angebotsseite in das Suchfeld eingeben). Versand D: 5,00 EUR Dante Die göttliche Komödie

      [Bookseller: Das Konversations-Lexikon]
 45.   Check availability:     buchfreund.de     Link/Print  


        (Das große Gespenster-Spielebuch) - Nachts auf der Burg.

       Um 2002. Die Kinder begrüßen das kleine Gespenst auf einer Burgmauer, sonst sind nur einige Nachttiere unterwegs, wie z.B. der skeptisch dreinblickende Uhu, der die Katze bei der Mäusejagd beobachtet . Aquarell mit Deckfarben und Bleistift von Ali Mitgutsch, re. u. sign., um 2002. 33,8 x 41 cm. - Sauber und glatt, - Originalvorlage für das Buch \"Das große Gespenster-Spielebuch\", bei Ravensburger in Ravensburg, 2002. - Wie immer bei Mitgutsch besticht das Bild nicht nur durch die kräftigen Farben, sondern vor allem durch die zahlreichen kleinen Begebenheiten, die im Bild stattfinden und nach und nach entdeckt werden wollen. - Ali Mitgutsch: *21.8.1935 München. Mitgutsch, der nach dem Krieg eine Ausbildung zum Lithographen absolvierte, wandte sich in den 1960er Jahren den illustrierten Kinderbüchern zu. Sein Markenzeichen wurden die sogenannten Wimmelbilder, Bilder, auf denen viele Menschen viele unterschiedliche Dinge machen, eingebettet in eine gemeinsame Szene. Für Kinder, wie auch für Erwachsene, gibt es unendlich viel zu entdecken. Dabei hat Mitgutsch eine zeichnerische und malerische Qualität entwickelt, mit der die Figuren lebendig werden und ihre Handlungen zuweilen zwar witzig und liebenswert, aber nicht lächerlich wirken. Unzählige Kinder wuchsen seither mit Mitgutschs Bildern auf. Er erhielt dafür mehrere Nominierungen zum Deutschen Jugendbuchpreis, den er schließlich mit seinem Buch \"Rundherum in meiner Stadt\" 1969 gewann. Mitgutsch lebt und arbeitet in München. Versand D: 5,50 EUR Handzeichnung, Kinderbuch, Ali Mitgutsch

      [Bookseller: Antiquariat Tobias Müller]
 46.   Check availability:     buchfreund.de     Link/Print  

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