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Displayed below are some selected recent viaLibri matches for books published in 1991

        The First Picture Book. Everyday Things for Babies

      1991. STEICHEN, Edward. The First Picture Book. Everyday Things for Babies. By Mary Steichen Calderone. With an afterword by John Updike. 8vo., original morocco backed cloth and slipcase. New York: Library Fellows of the Whitney Museum of Art, [1991]. |~||~||~||~| One of 250 copies signed by Updike & Calderone. A handsome reworking of a book originally published in 1930. The book was the brainchild of Mary Calderone, Steichen's daughter, and she got her father to provide the illustrations. With an original photogravure by Steichen bound in, and the same image as separate print in folder. Spine faded, otherwise fine.

      [Bookseller: Ursus Rare Books]
 1.   Check availability:     Biblio     Link/Print  


        To Kill a Mockingbird

      New York: Lippincott (Harper & Row), 1991. NEATLY INSCRIBED BY HARPER LEE on the front free endpaper. A crisp, very sharp copy to boot of the 1991 Lippincott/Harper & Row reprint, whose dustjacket still retains the iconic design of the 1960 1st edition. Clean and Near Fine in a bright, price-intact, Near Fine dustjacket. Octavo, 296 pgs. . Signed by Author. Cloth. Collectible; Fine/Fine. Illus. by George W. Gage.

      [Bookseller: Appledore Books, ABAA]
 2.   Check availability:     Biblio     Link/Print  


        Tenth Decennial Digest. Part 1, vols. 1 to 44 (1986-1991)

      1991. [Decennial Digests]. Tenth Decennial Digest, Part 1. St. Paul, MN: West Group. Vols. 1 to 44 complete set (1986-1991). Ex-private law firm library with stamps on inside covers and outer page edges, else very good condition. * A complete digest of state and federal court case cases (1986-1991), summarized and classified according to the West Key Number System.

      [Bookseller: The Lawbook Exchange, Ltd.]
 3.   Check availability:     Biblio     Link/Print  


        The New Mutants 98 NM (1st) First Deadpool

      Marvel, 1991. Comic. Like New. Near Mint. Slight stress marks around the staples at the spine else a near perfect copy with bright glossy covers and sharp corners. Direct edition. See the pictures. 1st printing.. * * * * * * * * * * {FREE Media Mail Shipping! Images available for any item, just ask. Any images shown next to the listing that have our www.aCastleofBooks.com watermark on them are the exact item you will receive, all other images are for reference only. Free delivery confirmation for domestic orders. Books with Author signatures are guaranteed authentic. We understand collectors needs in terms of accurate grading and proper packaging. We stand behind our descriptions 100%. All items will be shipped securely to insure that they arrive in exactly the same condition in which they left. May have small easily erasable pencil markings on first page. Our Packing Slips do not contain any pricing information so you may order items as Gifts or for Dropship without concern. We ship every Monday, Wednesday & Friday morning. All items subject to prior sale. Why the odd prices? We run a percent discount for our Biblio listings, which insures Biblio has our lowest prices online, but does give odd change.}

      [Bookseller: A Castle of Books]
 4.   Check availability:     Biblio     Link/Print  


        Archive of Leaflets and Flyers Documenting Early 90s Throbbing Gristle / Psychic TV Rave Events

      (n.p.): [self published] 1991 -1994 - A collection of 35 pieces of promotional ephemera from the early California Rave scene. Genesis Breyer P-Orridge is best known as the godfather of industrial music; a genre created in U.K. during the mid-seventies, marked by an aggressive blend of hard rock and electronic music. The sound can be traced back to the Velvet Underground and electronic pioneers like Kraftwerk and would later spawn groups like Trent Reznor's Nine Inch Nails. Relocating to California in the early 90s, P-Orridge aligned himself with neo-psychedelic thinkers like Terence McKenna and the cyber-prophets at MONDO 2000. With those collaborators, Breyer P-Orridge helped founder what would become Rave Culture with 'Hyperdelic" happenings held at industrial locations in and around San Francisco. The cultural relevance of this movement cannot be over-exaggerated. In addition to the flyers is a letter from P-Orridge: "dearest Mike, / Here is the first loan repayment. / Hopefully, will get thee / rest to you early Sept. / Also thee loose / flyers are all from / England prior to our leaving. / For your box. / Also Flyers in brown / padded envelope etc / are for your stash. / L-ov-E / Genesis." Fine on printed multi-colored advertising card.

      [Bookseller: Harper's Books]
 5.   Check availability:     AbeBooks     Link/Print  


        The August Coup

      HarperCollins, London, UK 1991 - SIGNED BY AUTHOR on title page. First Edition/First Printing. As new condition, opened only to sign. Brodart protected. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: CatchandReleaseBooks]
 6.   Check availability:     AbeBooks     Link/Print  


        The Commemorative Limited Edition of the Works of Roald Dahl. Set of novels and short stories including Charlie and the Chocolate Factory, Charlie and The Great Glass Elevator, Fantastic Mr. Fox, Magic Finger, Danny -Champion of the World, The Wonderful Story of Henry Sugar, The Twits, George's Marvelous Medicine, The BFG, The Witches, Boy, Going Solo, Matilda, Esoi Trot, James & The Giant Peach

      London: Jonathan Cape and Harper Collins 1991., 1991. 15 vols. Illustrated by Quentin Blake and others. Publisher's gilt-titled quarter blue morocco, over patterned paper boards, top edge gilt in individual decorative slipcases, all contained in a blue cloth case with ribbon. The Commemorative Edition, published on the Author's 75th Birthday. A fine presentation of the classic children's' stories. All books in fine condition, tivial wear to inner cases and a little rubbing to outer box. LIMITED EDITION, of only 500 sets of which this is No 425. The only major collection of Dahl's works.

      [Bookseller: Adrian Harrington Rare Books]
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        Travelling or NeoPostModrinPreMortemism or Dieser Rasen ist kein Hundeklo (II) or Interminable Gabberjabb Number Seven

      Mt. Horeb, WI: The Perishable Press. 1991-1996. One of 125 copies on various papers (hand, mould and machine-made) numbered at least 19 times and signed at least 10, employing an "unthinkable number" of typefaces, ink colors, and press runs. With "Front Matter" as follows: "1. Just about all books start out from an idea. 2. Everything in the world is waiting to become a book. 3. Before ideas can be read they need to become words..." Page size: 10-1/4 x 7-1/4 inches (164cm x 184cm), 154 pages. Bound by the printer/publisher: old paper maps over boards (no two alike), variegated cloth spine, new. Pages are printed, collaged, rubber stamped, drilled, notched, pigment patterned, (ticket) punched, grommeted, scribed, ear tattooed, drawn, camouflaged or time clocked. The critic, Mary Lydon tells us that this No. 7 GABBERJABB also involves, "...iconoclasm/craft, art/daily life and sophistication grounded in physiology and earthiness...a reflective vehicle in its ability to break and intersect narrative lines, play with syntax, integrate found materials, convey enigma, paradox and information all at once." Walter Hamady, noted artist, printer and publisher, has been making books since 1964; the current list totals 131. In a 1991 article for "Visible Language" by Mary Lydon, "The Book as the Trojan Horse of Art. Walter Hamady, The Perishable Press Limited", the author elucidates Hamady's theory that "literacy blinds us...to the 'bookform' itself..." In order to become a purveyor of information "the picture plane" disappears from view in favor of its sole "content." Hamady is quoted, "[T]he book is perhaps the most personal form an artist can deal with. It encompasses a multiple and sequential picture plane, it is tactile, and to be understood it must be handled by the viewer, who then becomes a participant...The book as a structure is the Trojan horse of art - it is not feared by average people." The Gabberjabbs are particularly fine examples of Hamady's theory. The reader is obliged to read and re-read letters jammed together, bookmaking and the book form itself. Compared to Kurt Schwitters, Duchamp and Joseph Cornell, Hamady has been a major influence on at least one generation of book artists. He is the recipient of numerous grants and awards and one-man and group exhibitions. He has been the subject of many articles, and his works are in most of this country's important rare book libraries, i.e. the Houghton, Yale, Getty Center, Newberry, Walker Art Center, Cleveland Institute of Art, as well as outside the U.S.: Bodleian Library, British Library, Klingspor Museum, Lenin Library, Royal Library Stockholm, Victoria & Albert, etc. This GABBERJABB is from one of this country's most important artists -- at the top of his game. PP #122.

      [Bookseller: Priscilla Juvelis, Inc.]
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        Line in the Sand: Peace or Victory?

      Sarasota, Florida:: Su Lund,, 1991.. One-of-a-Kind. 24 x 10 x .75" closed. Triptych structure. Mixed media on laced-in binders board, linen hinges, bamboo spine, pigments, linen cord, eggshell fragments, gold metal ball feet, thread, marble dust, leather onlays, leather hinges. Found objects. Acrylic. Su Lund: "This is an anti-war piece created during the Gulf Wars for an exhibit in New York [City at the Center for Book Arts]. The outside panels show a whole leather hand intact at center, the side panels suggest explosion with bits, parts flying apart. The inner center panel shows a Peace symbol of Vietnam war era/or a Victory symbol of WWII era. Which is it?? The left panel suggests gun and noose shapes among sandpaper strips (desert sand), the right panel is a thumbs down (on war) symbol. Sand and sandpaper are coating the surfaces, along with eggshell and marble dust. Right panel folds in first, then left makes the cover.

      [Bookseller: Vamp & Tramp, Booksellers, LLC]
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        Collected Ukiyo-e 1: Harunobu [Meihin Soroemono Ukiyo-e 1: Harunobu]

      [Tokyo]: Gyousei, 1991 [Tokyo]: Gyousei, 1991. First edition. Sumptuous exhibition of numerous Harunobu Suzuki ukiyo-e prints, in color, and others in black and white, with text in Japanese. Folio, 14 1/2" x 10 1/2"; olive cloth; glossy pictorial jacket, slipcase. Book, jacket and slipcase all in fine, as new condition. An extraordinarily scarce and beautiful reference on master ukiyo-e printmaker Harunobu Suzuki (about 1724/25 to 1770), assembled and described by three of the world's most learned authorities on the subject: Muneshige Narazaki, Juzo Suzuki, and Tadashi Kobayashi. Clearly designed as a collectible form, this Gyousei offering was printed for only a short time, only in Japan, and only in Japanese. 98 Harunobu prints are reproduced full-color, full-page, and full sized; the unusual dimensions chosen for these oversized pages allowed reproduction of the prints at their actual size. That dazzling display is accompanied by critical commentary in Japanese and many more prints and illustrations in black and white. This volume is part of a series by this trio of experts, who combed the museums of Japan and the world to find the best preserved examples of the best work of each of the master ukiyo-e masters. Hard to imagine an better-preserved example of this beautifully constructed art reference collectible than this one; even the slip-case, which by its nature generally absorbs something of a beating, has only the minutest flaws. The book, jacket and contents are flawless. L49

      [Bookseller: Singularity Rare & Fine]
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        Interbeing

      Santa Ynez, California:: Pamela Zwehl-Burke,, 1991.. Edition of 5. 8 x 11.25"; 11 pages. Horizontal concertina. 11 zinc etchings, printed, scraped, drawn, and printed from a single plate. Collagraph illustrated cover. Housed in plexiglass slipcase that sits in a detachable plexiglas stand. Etchings — flowers and vegetation — suggest the teem of interconnected life. Pamela Zwehl-Burke: "From one zinc plate, drawn, etched, printed, burnished and drawn again, a sequence describing the cycle, the interdependence of the rose and the compost (garbage). I study Buddhism daily; I was deeply moved by Thich Naht Hanh's use of the term 'interbeing,' used to explain the continual interface among all things. In this case, the stuff that supports and becomes what we so prize comes from and becomes the humble, nourishing, ground of being. The back cover is a direct print from inked stems and thorns and rose leaves."

      [Bookseller: Vamp & Tramp, Booksellers, LLC]
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        Sul gatto

      OFFICINA BODONI 1991 1 Officina Bodoni, Verona, 1991. Caratteri Poliphilus, carta a tino Fabriano, 8 incisioni e puntesecche di Isa Pizzoni. Tiratura 130 esemplari. Legatura in cartonato verde, autore e titolo sul dorso in oro, con custodia di cartone.

      [Bookseller: Libreria Alp-hà srl]
 12.   Check availability:     maremagnum.com     Link/Print  


        Swimming

      New York: Library Fellows of the Whitney Museum of Art, 1991. ONLY EDITION. Edition limited to 175 copies. Commissioned by the Whitney Museum of Art, the colophone is signed "Tina Barney & Tina Howe" in pencil on the colophon page. Nine original chromogenic prints in a quarter-leather binding, 13 x 17 in. (33.0 x 43.0 cm), presented in a cloth portfolio case. Includes a previously unpublished play by Tina Howe. Preserved in an protective chemise Tina Barney (born 1945, New York City) is an American photographer, born into a wealthy, upper class New York family. Her grandfather introduced her to photography when she was a young girl, and Barney began collecting photographs at the age of 26. It was not until the mid-1970's that Barney personally started working with photography. Initially, as a bored housewife living a life of leisure, Barney focused on candid snapshots of her well-to-do family and relatives set amongst an array of lavishly decorated backdrops, including classy New York apartments and plush New England vacation homes. With a 35mm camera she was able to reveal both the familial relationships and sheer extravagance of material wealth she was accustomed to. During the 1980's, Barney became one of the first photographers to work in the ?"directional style?" when she forfeited the spontaneous freedom of the 35mm for a more detail-oriented, large-format camera. The direction she uses in her photography ranges from posing her subjects amidst their elaborately ornate living environment to requesting that her subjects repeat a certain unplanned gesture. Barney's photography, with its mundane subject matter and stiffly posed subjects, recalls works of 19th century portraiture in which every detail included alludes to the social status of the individual being portrayed. This notion becomes clear in works such as Jill & Polly in the Bathroom (1987) and The Daughters (2002), in which the background possesses the same intricacy and significance as the subjects themselves. In her later work, Barney favors personality over context, successfully establishing a more intimate connection between viewer and subject by bringing her camera closer into their lives. For example, in Marina and Peter (1997), father and daughter are shown sharing a private moment, but at the same time acknowledge the presence of the photographer. Here Barney revives the individualism and spontaneity of a snapshot by allowing her sitters to choose their own poses instead of giving direction. According to Barney, ?"when people say that there is a distance, a stiffness in my photographs, that the people look like they do not connect, my answer is, that this is the best that we can do. This inability to show physical affection is in our heritage.?" (The Art Institute of Chicago) For almost thirty years, Tina Barney has realistically showcased the human condition through the eyes of the social elite, and has been described as a Diane Arbus of the rich. Barney currently lives and works in Rhode Island. The last copy that appeared at auction was at Swann Galleries (Photographic Literature, May 22, 2007, lot 485A) which realized $6,720

      [Bookseller: Michael Laird Rare Books LLC]
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        25 linogravures.

      Neuchatel, Editions Media 1991.. 38 x 45 cm. 25 Bl. als Blockbuch gebunden. In Originalleinwandband und Schuber.. 1/40 numerierten und auf dem ersten (weissen) Blatt signierten und handschriftlich bezeichneten Exemplare. Die 25 Linoleumschnitte in Orange/Schwarz.

      [Bookseller: Antiquariat Daniel Thierstein]
 14.   Check availability:     ZVAB     Link/Print  


        ABSTRACTIONS FAITES

      (Rétaud): Pré Nian Press, 1991. paper wrappers, loose sheets housed in lined-faced box, cardboard packing box. Pré Nian Press. folio. paper wrappers, loose sheets housed in lined-faced box, cardboard packing box. unpaginated. Limited to 60 copies. Poems illustrated with six silkscreens by Bertrand Bracaval. Signed by the poet and the illustrator. Title page and title on upper board of box in blind. Malenfant is a professor of literature at the University of Quebec at Rimouski. He won the Governor General's Prize in 2001 and the Alain-Grandbois in 1998 for his poetry. In 2005 he was awarded the Alcide-C.-Horth Distinction for his contributions in teaching and writing. Bracaval has been awarded many prizes through nearly four decades beginning with the Prix Lafont in 1967 and most recently the Prix Robert Beltz in 2002. His works are continually exhibited and are held in such public collections as the Centre George Pompidou, British Library, and the Boston Athenaeum.

      [Bookseller: Oak Knoll Books/Oak Knoll Press]
 15.   Check availability:     Biblio     Link/Print  


        Die Säge. Eine blaue, fast himmelblaue Geschichte, ein Bronzerelief, eine Zeichnung und noch zwei Geschichten.

      Denklingen, Schriesheim, Fuchstaler Presse und Verlag Frank Albrecht., August 1991,.. 27. Druck der Fuchstaler Presse. Die Auflage betrug 15 Exemplare, zu jedem der Exemplare schuf der Autor und Künstler ein eigenes Bronzerelief (Unikat), dessen Entwurf als Frontispiz beigebunden ist. 28 Blätter mit einer signierten Bleistiftzeichnung als Frontispiz (Entwurf des Reliefs). Handsatz und Handdruck auf Bütten durch Eva und Matthäus, Denklingen. 4°, Leinwandeinband mit einem montierten Bronzerelief im Schuber. (Einband von Karl-Josef Wittpahl).. Exemplar Nr. 1 (von gesamt 15). Neuwertig. Bei Bestellungen gegen offene Rechnung bitte Telefonnummer angeben. Danke!

      [Bookseller: Antiquariat Roland Moser]
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        SHORT-TITLE CATALOGUE OF BOOKS PRINTED IN ENGLAND, SCOTLAND, & IRELAND |A

      London: The Bibliographical Society, 1991. cloth, dust jacket on volume one and two only. 4to. cloth, dust jacket on volume one and two only. liii,620; xi,494; xix,405 pages. 3 volumes. Second edition, revised and enlarged; begun by W.A. Jackson & F.S. Ferguson. Completed by Katharine F. Pantzer. The third volume is a printers' and publishers' index, other indexes and appendices etc. Distributed for the Bibliographical Society.

      [Bookseller: Oak Knoll Books/Oak Knoll Press]
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        [INDIAN WARRIORS RIDING AWAY FROM CAMP, AN AMERICAN FORT IN THE NEAR DISTANCE]

      [20th century, based on paintings and sketches ca. 1850s].. Oil on panel, 15 1/2 x 23 inches. American carved and gilded wood frame. Fine condition. An action-filled image of Indian life near an American Army fort (inscribed "Fort Pierre" lower right) along the Missouri River, this fine oil painting of a large party of heavily armed and war-painted braves riding out of their camp past their squaws and dogs, is similar to the style of the important frontier painter, Carl Wimar, but also shows the stylistic influences of other notable artists of the American West such as Seth Eastman, Anton Schonborn, and Alfred Jacob Miller. The German- born Wimar based himself in St. Louis, which he used as a springboard for sketching trips through present-day Nebraska, North Dakota, South Dakota, and Montana. "He translated these [sketches] into paintings that authentically and powerfully depict Indian life....His dramatic portrayals of the conflict between native Americans and pioneers helped to establish many of the myths of the American West that prevail to this day" - Ron Tyler. A handsome painting showing the upper Missouri in the fur trade era. Rick Stewart, CARL WIMAR: CHRONICLER OF THE MISSOURI RIVER FRONTIER (Amon Carter Museum, 1991), passim. Peggy & Harold Samuels, ILLUSTRATED BIOGRAPHICAL ENCYCLOPEDIA OF ARTISTS OF THE AMERICAN WEST (Garden City, 1976), passim.

      [Bookseller: William Reese Company - Americana]
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        Kretschmer, Katharina. - "Sonnenblumen III".

      . Collage / Papiercollage, 1991/2012. Von Katharina Kretschmer. 50,0 x 45,0 cm (Darstellung / Blatt). Links unten monogrammiert und datiert "KK 91/12". Verso in Bleistift signiert, datiert und betitelt. - Tadelloser Zustand. Katharina Kretschmer (*1971 Dresden, lebt und arbeitet in Dresden). Deutsche Malerin und Grafikerin. 1991-94 Studium an der Burg Giebichenstein in Halle u.a. bei Frank Ruddigkeit und Ronald Paris. 1994-97 Studium an der Hochschule für Bildende Künste Dresden bei Claus Weidensdorfer. 1997-99 Aufbaustudium bei Ronald Paris an der Burg Giebichenstein in Halle. Seit 1998 freischaffend. Seit 1999 im Sächsischen Künstlerbund und im Neuen Sächsischen Kunstverein. 2011 Arbeiststipendium der Stadt Dresden. In Papier-Collagen entwickelt sie eine vitale Bildsprache unter Verwendung unterschiedlich bearbeiteter Materialien, wie Dekor-Papieren, eigenen Handzeichnungen sowie eigenen fragmentierten Kaltnadelradierungen und Holzschnitten..

      [Bookseller: Galerie Himmel]
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        The Rune

      1991. FORG, Gunther. The Rune. By Ezra Pound. [22] pp. Illustrated with 5 lithographs Folio, bound in self wrappers, preserved in the original cloth folding box. San Francisco & New York: Hine Editions & Edition Julie Sylvester, 1991. Gunther Forg has created a series of five lithographs to accompany Pound's poem 'The Rune' from the San Trovaso Notebook. Printed from five lithographic stones drawn by the artist at the Limestone Press in November 1990. Housed in the original cloth folding box, the book is signed by Forg. One of an edition of 40 copies.

      [Bookseller: Ursus Rare Books ]
 20.   Check availability:     ABAA     Link/Print  


        Early Auden

      1991. TUTTLE, Richard. Early Auden. By W.H. Auden. Illustrated title-page and 10 accordion-folded panels of translucent paper wrapped around white bristol paper containing colour aquatints by Richard Tuttle. Folio, bound in vellum-covered boards in paper slipcase. San Francisco: Hine Editions, 1991. A mint copy of what is possibly Tuttle's most beautiful book, which perhaps explains why it was chosen to be the cover illustration for the American Livre de Peintre exhibition at the Grolier Club. The Auden poems are set in panels which float on the aquatints. The book functions normally or can be opened up like a screen. One of an edition of 80 copies, signed by Richard Tuttle. The American Livre de Peintre 52. Richard Tuttle, Field of Stars, p. 134. |~||~||~|

      [Bookseller: Ursus Rare Books]
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        Brandenburgischer Triangel. Gang durch eine Landschaft.

      Berlin, Edition Manfred Schmidt, 1991.. 10 Bl. und 3 signierte Original-Aquarelle. Fol., illustr. OUmschlag. Druck der Friedrichshagener Presse. Eines von 50 Ex. mit den drei vom Künstler sign. Aquarellen "Seelow", "Gusow", "Marxwalde" (Neu-Hardenberg) auf schwerem Velinkarton.

      [Bookseller: Antiquariat Galerie Joy]
 22.   Check availability:     ZVAB     Link/Print  


        My Sister--Life

      1991. KUPER, Yuri. My Sister--Life. By Boris Pasternak. Illustrated with 6 etchings by Kuper. Translated by Mark Rudman. Large folio, bound in quarter grey morocco over hand-made paper boards, in slipcase. New York: The Limited Editions Club, 1991. |~| Limited Edition of 250 copies, although according to the Publisher, fewer than 200 copies were actually printed. Signed on the colophon by Kuper. Printed at the Wild Carrot Letterpress on handmade paper containing scraps of Russian newspaper clippings. "…Kuper has exhibited at galleries in Europe and the US, and his work is part of the permanent collections of MOMA, Moscow Museum of Fine Arts and Fonds National d'Art Contemporain in Paris… Kuper's work recalls the Russian Constructivists' radical, dynamic, geometric abstractions in his use of strong diagonals and primarily geometric forms. This is evident in his images for "My Sister - Life" where we find a cluster of matches scattered randomly from their box, a cup and saucer with its spoon resting partially on the table, or a pen cutting boldly across the pictorial space. As new.

      [Bookseller: Ursus Rare Books]
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        LOTHAR BAUMGARTEN: Carbon

      1991. Kouri, Pentti LOTHAR BAUMGARTEN: Carbon. 142 pages. Oblong folio, cloth. Los Angeles, The Museum of Contemporary Art, 1991.|~| Signed by Baumgarten. Issued with additional booklet laid-in which has also been signed. Roth, Book of 101 Books, 268.

      [Bookseller: Ursus Rare Books]
 24.   Check availability:     Biblio     Link/Print  


        Das kühne Mädchen (Gulliver)

      Beltz, 1991.. 136 Seiten Taschenbuch.

      [Bookseller: Versandantiquariat Felix Mücke]
 25.   Check availability:     ZVAB     Link/Print  


        Encyclopédie de l'Islam Tome VI Mahk-Mid BRILL 1991

      BRILL. Hardcover. B004K884P6 Brill; Leiden, 1991. Hardcover. Fine in gilt embossed full deep green buckram binding, NEW in publisher's shrink. No Dustwrapper as issued. Text in French. Tall 8vo[octavo or aprx 7 x 10.5 inches], 877pp. We pack securely and ship daily with delivery confirmation on every book. The picture on the listing page is of the actual book for sale. Additional Scan(s) are available for any item, please inquire . Fine.

      [Bookseller: Mark Lavendier, Bookseller]
 26.   Check availability:     Biblio     Link/Print  


        MATRIX 11

      Manor Farm: Whittington Press, 1991. quarter leather, marbled paper over boards, in slipcase with separate bound copy of additional material. Whittington Press. 4to. quarter leather, marbled paper over boards, in slipcase with separate bound copy of additional material. (v), 207, (14) pages. Limited to 955 copies, this being one of 105 copies bound thus. (Butcher 110). Filled with tipped-in plates, photographs and samples of private press items. Some of the articles in this issue are "Reynolds Stone and Cambridge" by Brooke Crutchley, "Stanley Morison and Jan van Krimpen, a Survey of their Correspondence" by Sebastian Carter, "On Preparing Designs for Monotype Faces" by Jan Van Krimpen, and "Compton Marbling" by Solveig Stone. Also includes, in a separate bound volume, a copy of Twins by John O'Connor, illustrated with two color engravings and signed by the author.

      [Bookseller: Oak Knoll Books/Oak Knoll Press]
 27.   Check availability:     Biblio     Link/Print  


        UFO From Venus I Came

      UFO Photo Archives, Tucson 1991 - Signature dated 5/7/91. One of 1,000 copies. owner's name, lightly pencilled marginalia, and about ten dogeared pages. dustjacket with light rubs and light edgewear. 280+pp. [ref. W2.070] [Attributes: Signed Copy; Hard Cover]

      [Bookseller: Milliway's Books]
 28.   Check availability:     AbeBooks     Link/Print  


        The Adventures of a Novel in Four Chapters

      1991. CONNER, Bruce. The Adventures of a Novel in Four Chapters. By Michael McClure. 4to, paper boards with cloth spine with an ink drawing by Conner tipped-in. San Francisco: Hine Editions, 1991.|~| An important piece of San Francisco bookmaking, combining the typical inkblot style illustrations of Bruce Connor with text by his friend the beat poet, Michael McClure. Printed in letterpress and accompanied with an original ink drawing by Conner tipped-in at the colophon. Signed by Conner and McClure. One of an edition of 100 copies.

      [Bookseller: Ursus Rare Books]
 29.   Check availability:     Biblio     Link/Print  


        Hockney's Alphabet

      1991. HOCKNEY, David. Hockney's Alphabet. Folio, bound in quarter vellum with handmade Fabriano Roma paper sides, housed in matching box. London: Faber & Faber, 1991. |~||~||~||~||~| Limited Edition of 250 numbered copies for sale. Illustrated by David Hockney and SIGNED by the following contributors: Douglas Adams, Martin Amis, Julian Barnes, William Boyd, Margaret Drabble, Patrick Leigh Fermor, William Golding, Seamus Heaney, David Hockney, Kazuo Ishiguro, Erica Jong, Doris Lessing, Norman Mailer, Ian McEwan, Arthur Miller, Iris Murdoch, Nigel Nicolson, John Julius Norwich, Joyce Carol Oates, V.S. Pritchett, Craig Raine, Susan Sontag, Stephen Spender, and John Updike. Anthony Burgess, Ted Hughes, Paul Theroux, Gore Vidal, and T.S. Eliot (who, for obvious reasons, could not sign), did not sign. This book was published to raise money for people living with AIDS. The book contains the 26 letters of the alphabet plus "&," each accompanied by a poem or short text with a full-page illustration by Hockney.

      [Bookseller: Ursus Rare Books]
 30.   Check availability:     Biblio     Link/Print  


        My Favorite Summer, 1956

      1991. BASEBALL. MANTLE, Mickey & Phil PEPE. My Favorite Summer, 1956. xviii, [2], 246, [2] pp. Illustrated with 16 photographic plates. 8vo., bound in original publisher's cloth in dustjacket. New York: Doubleday, 1991. $ 975.00 First Edition. The Mick chronicles his amazing 1956 season, possibly as great a season as any professional athlete ever had. He won the triple crown, leading the Majors with a 353 batting average, 52 home runs and 130 RBIs. He was also MVP. A fine copy. SIGNED by Mickey Mantle.

      [Bookseller: Ursus Rare Books]
 31.   Check availability:     Biblio     Link/Print  


        OBRAS COMPLETAS. Edición del autor.

      Círculo de Lectores, 1991-1998., Barcelona, - 15 volúmenes en cuarto de unas 600 páginas cada volumen. En el primer volumen se encuentra la primera edición "La casa de la presencia", ilustrado con 24 fotografías y un frontispicio con un retrato del autor. Número 345 de un tiraje de mil primeros ejemplares numerados (de tres mil) autografiados por el autor en la parte inferior del frontispicio. Encuadernación editorial en tela con sobrecubierta. En perfecto estado. Sup-50 [Attributes: First Edition; Hard Cover]

      [Bookseller: Llibreria Aquitània]
 32.   Check availability:     IberLibro     Link/Print  


        The Rune

      1991. FORG, Gunther. The Rune. By Ezra Pound. [22] pp. Illustrated with 5 lithographs Folio, bound in self wrappers, preserved in the original cloth folding box. San Francisco & New York: Hine Editions & Edition Julie Sylvester, 1991.|~| Gunther Forg has created a series of five lithographs to accompany Pound's poem 'The Rune' from the San Trovaso Notebook. Printed from five lithographic stones drawn by the artist at the Limestone Press in November 1990. Housed in the original cloth folding box, the book is signed by Forg. One of an edition of 40 copies.

      [Bookseller: Ursus Rare Books]
 33.   Check availability:     Biblio     Link/Print  


        Untitled 1991 (SIGNED by Eric Fischl: Limited Ed. print)

      Pace Editions, N. Y. 1991 - This b&w print is hand SIGNED by Eric Fischl; titled: "Untitled 1991" (BEACH SCENE), numbered limited edition of 125; published by Pace Editions 1991 and printed by Spring Street Workshop; image printed to the edges: size 16 x 20in (406 x 508mm); 1 color relief pressure print from stratified collage on wove Okawara paper; signed & numbered at bottom left corner; just a few very tiny dinks in the fine woven paper being very delicate & thin and very difficult to see; two small darkened areas to figure at bottom right are apparently not defects- they are part of the print; otherwise in VERY GOOD COND. [Attributes: First Edition; Signed Copy]

      [Bookseller: DR FINE ARTS]
 34.   Check availability:     AbeBooks     Link/Print  


        BLUMENSTUNDENBUCH SIMON BENING - Faksimile Luzern

      Luzern, Faksimile Verlag, 1991. Hier verkaufen wir das Faksimile des Blumenstundenbuches von Simon Bening - 16. Jahrhundert - Bayerische Staatsbibliothek, München, Clm 23637. Herausgeber war: Faksimile Verlag Luzern. Gedruckt wurde es im Jahr 1991 - limitierte Auflage von nur 980 Stücken! - Faksimile & Kommentarband im Acrylglasschuber; stammt aus sehr gepflegtem Nichtraucherhaushalt; ungelesenes Stück; Entstehung des Originals: zwischen 1520 und 1525 in Gent oder Brügge; Faksimileband umfaßt 438 Seiten; Maße: ca.17,3 x 13cm; 70 Miniaturseiten und über 300 Seiten mit einer Fülle an Buchschmuck (vor allem mit Blumen, aber auch Vögeln und anderem Getier, ausgestattet); roter Samteinband (minimale Spuren); 3-Seiten-Goldschnitt; streng limitierte Auflage von 980 numerierten Exemplaren; Exemplar trägt Nr.91; Kommentarband, anläßlich der Faksimilierung der Handschrift verfasst, enthält auf 431 Seiten die neuesten Untersuchungen anerkannter Experten: Prof. Dr. Eberhard König, Berlin, und Dr. Bodo Brinkmann (ebenfalls absolut ungelesen); Acrylglasschuber (Verwendung eines Bsp.-fotos eines bereits verkauften Exemplars) - Das Blumen-Stundenbuch von Simon Bening gehört zu den schönsten Werken der Buchmalerei. Es demonstriert eindrucksvoll den hohen Rang der flämischen Buchkunst des 16. Jahrhunderts. Zwei Besonderheiten heben dieses Meisterwerk unter allen Stundenbüchern hervor: zum einen das lockere Streumuster von Blumen oder Vögeln, das jede Textseite ziert; zum anderen die vielen unterschiedlichen Formen der Seitengestaltung innerhalb einer Handschrift. Deshalb gilt dieses Werk in seiner Gestaltungsvielfalt als unübertroffener Höhepunkt seiner Zeit. Simon Bening stammte aus einer Künstlerfamilie. Schon sein Vater war Buchmaler, es lässt sich jedoch kein Werk eindeutig mit ihm in Verbindung bringen. Simon war ohne Zweifel der berühmteste Buchmaler seiner Zeit. Er wurde 1483, vermutlich in Gent, geboren. 1500 scheint er schon künstlerisch tätig gewesen zu sein. In den Jahren bis 1519, als er das Bürgerrecht von Brügge erwarb, war er offensichtlich sowohl dort als auch in Gent tätig. Er war zweimal verheiratet und hatte insgesamt fünf Töchter. Im Alter von 78 Jahren verstarb er im Jahre 1561. Wie bei Stundenbüchern allgemein üblich, beginnt die Handschrift auch hier mit einem Kalender. Danach folgt ein Eröffnungsgebet, an das sich Auszüge aus den vier Evangelien anschließen. Danach sind sieben verschiedene Gebetsstunden eingefügt, die jeweils das Passionsgeschehen veranschaulichen; der Bericht folgt vollständig dem Bericht des Evangelisten Johannes. Das Kernstück des Stundenbuches ist aber das Marienoffizium, das sich aus biblischen Texten wie etwa Psalmen zusammensetzt. Abgeschlossen wird das Werk durch die sieben Bußpsalmen, eine Litanei, ein Totenoffizium sowie verschiedene Gebete an die Trinität, an Maria und einige Heilige. Der Text folgt dem Gebrauch nach Rom und engt daher die Verwendung des Stundenbuchs nicht ein. Es konnte gleichsam "international" verwendet werden, ohne lokale Einschränkungen befürchten zu müssen. Die Schrift des Stundenbuches, eine Gotica Rotunda, ist durchgehend einheitlich und daher höchstwahrscheinlich von nur einem Schreiber aufgezeichnet worden. Erwerben Sie hier eine wahre Rarität. Das Werk ist absolut ungelesen! Alle Preise incl. MwSt., AGB, Kundeninformationen, Widerrufsbelehrung, Musterwiderrufsformular finden Sie bei unseren Anbieterinformationen..

      [Bookseller: agentiko - www.agentiko.de]
 35.   Check availability:     ZVAB     Link/Print  


        Coffret cahiers du Cinéma, Histoire d'une revue, tomes 1 et 2: A l'assaut du cinéma; Cinéma, tours et détours, de 1951 à 1981

      Cahiers du Cin?ma, 1991 25x18 Cartonné jaquette+ emboitage

      [Bookseller: philippe arnaiz]
 36.   Check availability:     Biblio     Link/Print  


        Marking Time. Six Prints by Dieter Grund

      Toronto: Lake Galleries. 1991. First Edition thus, one of 35 copies all on stonehenge paper, each copy signed on the portfolio by Grund, consisting of three sheets of accordian folds to make nine pages, hand-numbered on the colophon and hand numbered and signed by the artist on each of the three sheets. Page size: 20 inches x 17 inches , when folded. Bound: gray paper portfolio with title in gold and relief etching by Grund on front cover, fine. Dieter Grund is a well- known Canadian artist (born in Germany, educated in Canada and now residing there) whose work is in many important Canadian collections. He has chosen three poems by the well-known Canadian poet, Gwendolyn MacEwen. The three poems selected are from her 1982 publication, THE T. E. LAWRENCE POEMS. Grund has executed six mixed media relief prints which include stencilling and hand coloring. The Sabon type and relief prints were editioned by the artist at Presswork Editions. MacEwen's poetry is well served by Grund's imposing relief prints. See an Image.

      [Bookseller: Priscilla Juvelis, Inc.]
 37.   Check availability:     Biblio     Link/Print  


        Die Spree am Nikolaiviertel in Berlin-Mitte, um 1991. Original-Ölgemälde auf Leinwand, ohne Rahmen, Format 60 x 80 cm.

      um 1991.. . Der Blick geht nach Westen über die Spree, auf der ein Lastkahn fährt, vorbei an Marstall und Palast der Republik zum Berliner Dom. Rechter Hand das Nikolaiviertel mit der Bronzefigur des Hl. Georg. - Der Künstler Klaus Heidtke ist 1935 in Berlin geboren, Studium an der Meisterschule für Kunsthandwerk, unterrichtete bis zum Jahr 2000 an der Hochschule der Künste Berlin (HDK, heute UDK), zahlreiche Einzel- und Gemeinschaftsausstellungen. Außer den Berlinbildern ist Klaus Heidtke mit Stilleben, Akt- und Porträtbildern hervorgetreten. Weitere Bilder von Klaus Heidtke finden Sie auf unserer Homepage.

      [Bookseller: Versandantiquariat Bürck]
 38.   Check availability:     ZVAB     Link/Print  


        The Altos

      1991. TUTTLE, Richard. The Altos. By Barbara Guest. Illustrated with 11 softground etchings with hand-coloring by Richard Tuttle. Folio, bound loose as issued in publisher's cloth box. San Francisco: The Limestone Press, 1991. An immaculate copy of this monumental book. Tuttle created 11 softground etchings for this book each of which have been hand coloured by the artist. One of an edition of 120 copies, of which 40 were not for sale. Signed by both Richard Tuttle and Barbara Guest. Richard Tuttle, Field of Stars, p. 134. |~||~||~||~|

      [Bookseller: Ursus Rare Books]
 39.   Check availability:     Biblio     Link/Print  


        Helen Levitt (Signed First Edition)

      Museum of Modern Art, San Francisco 1991 - First edition. Hardcover. The first national retrospective look of her then distinguished 50 year career. Includes 61 tritones and 24 color illustrations. A fine copy in a fine dust jacket. Signed by Levitt on the title page and very uncommon as such. One of the best books on Levitt. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Jeff Hirsch Books, ABAA]
 40.   Check availability:     AbeBooks     Link/Print  


        Die Niederlandischen Maler und Zeichner des 17. Jahrhunderts - ( Die Niederländischen Maler und Zeichner des 17. Jahrhunderts )

      Bruckmann - Munchen 1991 3 tedesco Opera in 3 volumi, legat. edit. rigida in tela, in 4to, cm 24x29, 1979 - 1980, catalogazione completa dei dipinti dei pittori olandesi del 1600 - circa 400 pagine per volume, numerosissime illustr. in b / n e numerose tavole a colori. - Die niederlandischen Maler des 17. Jahrhunderts Volumes 1 through 3 - includes short artist biographies and facsimile signatures but mostly pictorial a few color plates but usually black and white often with two illustrations to a page - copyright 1948 - volumi 1, 2, 3: la pittura

      [Bookseller: Di Noto libri rari]
 41.   Check availability:     maremagnum.com     Link/Print  


        La reine Albemarle ou le dernier touriste

      Original, one of 48 numbered on pure vellum cloth Rives, only large paper copies Edition. Beautiful specimen. Gallimard Paris 1991 15x22cm broché

      [Bookseller: Librairie Le Feu Follet]
 42.   Check availability:     Direct From Bookseller     Link/Print  


        PINOCCHIO

      Stampa Nazionale 1991 Firenze, 1991; Stampa: Stampa Nazionale Firenze. Idea e progetto grafico di Lapo Binazzi. Introduzione di Andrea del Guercio, prefazione di Fabrizio Gori. Trattasi del famoso Pinocchio futurista o pinocchio triangolare, con 62 illustrazioni dei pittori V. Berti, F. Gori, P. Favi, E. Malenotti, L. Pini Dimensioni: 51,5 x 35; pp. 137. Legatura in mz pelle con titolo in oro e nervi al dorso, piatti rivestiti con carta di riso e decorazioni floreali create con vegetali naturali. Ogni copia prodotta artigianalmente, è diversa nella rilegatura e quindi ogni esemplare è unico nella veste tipografica. Fa parte della tiratura senza le litografie.

      [Bookseller: Studio Bibliografico Arrighetto]
 43.   Check availability:     maremagnum.com     Link/Print  


        Storia dei Musulmani di Sicilia - 7 volumi

      Seconda edizione di un capolavoro della storiografia siciliana. A cura di Carlo Alfonso Nallino.La "Storia dei Musulmani di Sicilia" di Michele Amari, la cui prima edizione uscì in 3 volumi dal 1854 al 1872, rappresenta uno dei monumenti più insigni della storiografia europea dell'Ottocento. Nel lungo percorso che si snoda dalla Sicilia bizantina alla nascita della potenza araba, dalla conquista musulmana all'impresa normanna, Amari, erede della grande tradizione storiografica romantica, e in pieno clima risorgimentale, intravede il sorgere di una Nazione italiana che assimila le conquiste culturali e scientifiche della Sicilia araba e normanna. La storia di quest'opera è molto complessa, di fatti Amari in seguito all'uscita della prima edizione di "Storia dei musulmani di Sicilia", impiego' altri 50 anni circa per correggerla e rivederla, apportando modifiche di notevole importanza. Felice LeMonnier (l'editore della prima edizione) , non volle pubblicare una seconda edizione , infatti l'opera usci' nel 1930 , valenti storici tra cui Tommasini, Schiaparelli e Nallino si occuparono di apportare le modifiche prodotte da Michele Amari. Per ovvi motivi la seconda edizione di questa famosa opera risulta essere piu' completa della prima in quanto racchiude in se diversi decenni di scoperte, documenti e riferimenti al libro Biblioteca Arabo Sicula dello stesso La libreria offre per un periodo limitato uno sconto del 10% su tutti i suoi libri. Il prezzo originale dell'articolo era 536 euro. Perfetto stato, sovracoperta del III voll. e del IV con sdrucitura, BrOSSURA ILLUSTRATA con sovracoperta, cofanetto, 27 X 20 cm - I voll. 365 pp., II voll. 312 pp., III voll. 267 pp., IV voll. 367 pp., V voll. 350 pp., VI voll. 320 pp., VII voll. 368 pp.

      [Bookseller: Libreria Del Corso]
 44.   Check availability:     IberLibro     Link/Print  


        2003.

      Originalt serigrafi i 12 farver. Galerie Börjeson, Malmö 1991. 101,50 x 120 cm. Signeret af kunstneren. Trykt i 150 nummererede eksemplarer. Indrammet.. Würtz Frandsen: Catalogue raisonné G8

      [Bookseller: Peter Grosells Antikvariat]
 45.   Check availability:     Antikvariat     Link/Print  


        Madeleine Vionnet

      First edition. Hardcover. 305 pages. Monograph on this important French fashion designer. Text by Jacqueline Demornex translated by Augusta Audubert. Preface by Madeleine Chapsal. Photographs by Patrcia Canino. Contributiones by Jacques Griffe and Azzedine Alaia. Includes 350 illustrations 100 of which are in color. A very good copy with some slanting to the binding in a very good plus dust jacket that has some rubbing and some fading at the edges of the front panel. Seemingly fairly uncommon. [Attributes: First Edition; Hard Cover]

      [Bookseller: Jeff Hirsch Books, ABAA]
 46.   Check availability:     AbeBooks     Link/Print  


        The Bottom of the Harbor [Signed Limited Editions Club]

      New York: The Limited Editions Club, 1991. Limited. Hardcover Hardcover. Near Fine/Near Fine. (Literature) MITCHELL, Joseph. The Bottom of the Harbor. New York: The Limited Editions Club, 1991. Photogravures by Berenice Abbott. Limited edition, no. 188 of 250. Signed by Mitchell. Quarto, 12 x 9.25 inches. Hardcover, quarter bound with black Nigerian oasis goatskin on spine and black Irish linen on boards, 249 pages. Limited Editions Club letter laid-in. Slipcase measures 12.25 x 9.75 inches. Near Fine/Near Fine condition. Due to weight, extra shipping may be necessary. Must ship Priority for international orders.

      [Bookseller: Yeomans in the Fork]
 47.   Check availability:     Biblio     Link/Print  

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