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Displayed below are some selected recent viaLibri matches for books published in 1981

        Take it! 1-6 [Complete Run]

      Boston, Massachusetts: Take It! Magazine. 1981-1982. A complete run of this short-lived but pioneering Boston-based magazine, including the elusive final issue. Folios and one quarto. Between 32pp. and 48pp. Illustrated self-wrappers, the quarto issue stapled. Fine. Created by Michael Koenig, with help from longtime music critic and independent music historian Byron Coley, Take It! covered the punk, hardcore, and newly emerging indy music scenes. Each issue included a flexi-disc with music from Dead Kennedys, Angry Samoans, The Trademarks, The Creamers, Yello, Renaldo and The Loaf, The Mutants, 1/2 Japanese, and Flipper. The run features articles, interviews, essays, and reviews from Richard Meltzer, John Holmstrom, Jonathan Borofsky, Gang of Four, Mission of Burma, Black Flag, Flesh Eaters, The Slits, The Psychedelic Furs, and many others. A nice run of this influential music magazine. .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
 1.   Check availability:     Biblio     Link/Print  


      (Manchester): Babylon Books, (1981). First Edition. Wraps. Very good +. 4to. Pictorial wraps. Offset printed. Some mild rubbing, edgewear. Very good plus or better overall. [44]pp. Published before the formation of The Smiths, Morrissey's first book consists of 8 pages of text by the singer followed by reproductions of Dolls photographs and press clippings. A direct outgrowth of articles Morrissey penned for various zines (among them KID'S STUFF and THE NEXT BIG THING), the future singer's "book- zine" appeared in 1981 from hometown publisher Babylon Books, a one-man operation headed by John Muir. Muir has claimed the book sold upwards of 3000 copies, but if that's so most of those were undoubtedly from a second printing done to take advantage of The Smith's growing popularity and likely coinciding with the similarly-motivated reprint of Morrissey's second book for Baby- lon, JAMES DEAN IS NOT DEAD (1983). Even accounting for this title's ephemeral production, however, with OCLC recording just three copies worldwide (and *all* of those a 1995 reprint), we strongly suspect Muir's claims are inflated. It would be difficult to overstate the Doll's influence on Morrissey’s development as an artist. He was the president of their UK fan club; and their albums, performances, and perhaps most of all personae were foundational experiences for the young singer-songwriter. A book we've been looking for for almost ten years and the first we've seen offered in that time.

      [Bookseller: Brian Cassidy, Bookseller]
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        Growing Up with Mickey

      Philadelphia: The Rosenbach Museum & Library, 1981. - Limited to 500 numbered and signed copies, this high quality art print in full color was prepared for the exhibition Maurice Sendak: The Artist's Collection of Children's Toys, Books and Drawings. It measures 22-1/2 x 17-1/2 inches and pictures the artist waving into a cheval mirror at a reflection of Mickey Mouse, commemorating that both he and Mickey (Steamboat Willie) were born in 1928. The image originally appeared in TV Guide magazine (1978) where Mr Sendak writes about his childhood memories and how they have affected his creativity and passions over the years. This poster is reproduced in the artist's 1986 book POSTERS (p. 3). [Attributes: First Edition; Signed Copy]

      [Bookseller: Battledore Ltd]
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      K?ºnstlerbuch Anthony D'Offay, London . 1981 - 20 S., 33 x 27 cm. Handgebundenes K?ºnstlerbuch mit ausfaltbarem Vor- u. R?ºckumschlag, mit eingesteckten Offsetprints u. Pochoirdrucken. Signiert! [Attributes: Signed Copy; Hard Cover]

      [Bookseller: Galerie Buchholz OHG (Antiquariat)]
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      Rosenkilde og Bagger 1981, 2.upplagan (faksimilupplaga), ca 8.000s illustrerade med planscher delvis i färgtryck. Förlagets röda linneband med förgyllda ryggtitlar i förlagets pappkassetter; endast några cellofanomslag är bevarade. Komplett välhållen svit i 22 volymer, del 22 är Registerband.. Första svenska upplagan utgavs av Allhems 1956-78. Övriga redaktörer: Allan Karker (Danmark), Gunvor Kerkkonen (Finland), Jakob Benediktsson och Magnús Már Lárusson (Island), Finn Hødnebø (Norge)

      [Bookseller: Antikvariatet i Norrköping]
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        Francesco Clemente Pinxit

      Published by Anthony d'Offay , London 1981 - , hand-made book complete with 8 colour plates held to leaves at corners, plus 6 colour reproductions directly on art paper, black & white and colour reproductions on boards and flaps, SIGNED by Francesco Clemente at rear, includes loose typed insert at front from the publisher First Edition , cloth and boards lightly rubbed in places, internally clean and bright, in very good condition , green cloth spine and fore-edge with colour reproductions to boards 33 x 27 cm approx. Hardback SIGNED by the artist [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Keoghs Books]
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        Joan Miro, Litografo - [Volumes 1-3]. Prologues by Raymond Queneau [Vol. 2] and Joan Teixidor [Vl. 3]. Complete with all Original Lithographs

      Barcelona : Poligrafa [C1972-C.1981] 0 - Chiefly color illustrated. [Spanish]. Fine cloth copies in equally fine dws. Particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered. An exceptinal set; highly uncommon in such positive condition. Additional bibliographic detail on request. 8 Kg. 0 pp. [Attributes: First Edition; Hard Cover]

      [Bookseller: MW Books Ltd]
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        Dangling in the Tournefortia: Poems.

      Black Sparrow Press, Santa Barbara 1981 - #125 of 300 numbered & signed copies. A Fine tight copy in a Fine acetate dust jacket. Catalog Nog

      [Bookseller: Gregor Rare Books]
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        Akathistos (himno Marial griego)

      Editora Internacional De Libros Antiguos, SA 1981 - Edición facsímil del primer himno a la Virgen incluido en un códice que, con el título genérico de Poesías en loor de la Virgen, se conserva en la biblioteca de El Escorial (Madrid) bajo la signatura R.I.19. Escrito originalmente en el siglo VI en Bizancio y copiado para Felipe II con motivo de su coronación, tiene 30 folios de pergamino (18,5 x 24,5 cm) decorados con 23 miniaturas en forma de cuadros que ocupan la mitad de la página y 15 ornamentaciones de motivos vegetales, todas ellas sobre grueso pan de oro estampado en caliente, troquelados en todas sus páginas según el original, y encuadernados como éste, en seda amarilla. estampada en seco. Volumen complementario con transcripción del texto griego, su traducción al español y un estudio histórico, artístico y codicológico, por Gregorio de Andrés, encuadernado igual que el facsímil, 113 pp. Edición numerada de 2000 ejemplares.

      [Bookseller: El Arte de la Memoria]
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        PHOTOS IN + OUT CITY LIMITS: BOSTON ("PHOTOS IN & OUT CITY LIMITS: BOSTON") - Rare Signed Copy of The First And Only Edition

      New York City, NY: ULAE Incorporated, 1981 - 1st Printing. Signed. 70 pages. Published in 1981. Collection of photographs on subject. The first of a planned series on American cities, the project ended with a companion volume on New York City. The first and only edition. Published in a small and limited print run as a softcover original only. There is no ISBN. The book is now rare. An austerely elegant production by Robert Rauschenberg: Oversize-volume format. White softcovers with metallic-silver titles beautifully embossed on the cover and spine, as issued. Photographs by Robert Rauschenberg. Essay by Clifford Ackley. Matching white hard board slipcase. Printed on thick uncoated stock paper in the United States to the very highest standards. Without DJ, as issued. Presents the great artist's collection of black-and-white photographs on Boston, the partial fulfillment of his 30-year-old wish to photograph the entire United States, a project he never completed. Showcases his unique approach to photography as a process of discovery, selection, and assemblage of objects from everyday life. One of the least well-known facts about Rauschenberg is that he began his career as a photographer. He makes no distinction between his photography and his painting, and he brings the same acute eye to both. The photographs, like the paintings, are formally rigorous, sensuous, and piercing. His celebrated method of appropriating found images and objects to capture the fabric, tempo, and "feel" of modern life is photographically-inspired and characterizes his large body of work. The idea of appropriation is not unique to Rauschenberg. It is a central tenet of Surrealism and continues to be the latter Movement's enduring legacy. What makes Rauschenberg's work unique is the way he has "set in motion an interplay of shapes in which the human form is integrated to a rigorous yet flamboyant sense of design, pictures in which art and real life coincide" (Pontus Hulten). "A protean genius who showed America that all of life could be open to art. Rauschenberg didn't give a fig for consistency or curating his reputation; his taste was always facile, omnivorous, and hit-or-miss, yet he had a big-ness of soul and a richness of temperament that recalled Walt Whitman" (Robert Hughes). "Mine is the need to be where it will always never be the same again. Photography is the most direct communication of non-violent contacts" (Robert Rauschenberg). An absolute "must-have" title for Robert Rauschenberg collectors. This copy is very prominently and beautifully signed in pencil by Robert Rauschenberg. This title is now highly collectible. This is one of few signed copies still available online and is in especially fine condition: Clean, crisp, and bright, a beauty. Many copies have major flaws because the color white soils very easily. According to dealers who knew him, Rauschenberg basically stopped signing books in the 1990's. Signed copies still available online are vintage, not recent, and very few. A rare signed copy thus. 45 tritone plates. One of the greatest artists of the 20th century. A fine collectible copy. (SEE ALSO OTHER ROBERT RAUSCHENBERG TITLES IN OUR CATALOG) [Attributes: First Edition; Signed Copy; Soft Cover]

      [Bookseller: Modern Rare]
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        The Chessplayer & Other Essays.

      Andoversford, Gloucestershire Whittington Press (1981) - Quarto. (28)pp. One of twenty-five copies bound in vellum. Illustrated with two wood engravings by Hellmuth Weissenborn. Signed by the artist, R. George Thomas (writer of the introduction and editor of the author's letters and poems), and Myfanwy Thomas (the author's daughter). First appearing circa 1911 in a little-known magazine called "Orpheus," "The Chessplayer" describes a recurring, haunting dream using vivid language and Blake-like imagery. With red and black marbled endpapers which match the slipcase. Slight bowing to the vellum, else fine. [Attributes: Signed Copy; Soft Cover]

      [Bookseller: Bromer Booksellers, Inc., ABAA]
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        In the Belly of the Beast: Letters from Prison

      New York: Random House. (1981). Sixth printing. Introduction by Norman Mailer. Fine in a lightly worn, about fine dustwrapper. This copy Inscribed by Toni Morrison, an editor at Random House at the time of publication, to fellow author James Baldwin: "To Jimmy from Toni 11.10.82." Abbott, a life-long convict, presents his bleak view of the system. He was released from prison shortly after publication, after a campaign waged by the literati. Soon thereafter he stabbed a waiter to death, and returned to the warm bosom of his institutional hell. He died in prison in 2002. .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
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        Andy Warhol - Philippe. Photographies Originales.

      Par l'auteur 1981 - - Par l'auteur, S.l. 1981-1982, 22x22cm sur papier Ilford 30x40cm, 2 planches photographiques. - Diptyque de portraits photographiques originaux en noir et blanc réalisés et tirés par Marc Trivier. Les deux photographies, mises en regard, sont: - Un portrait photographique original de Andy Warhol à New-York en 1982. - Un portrait photographique original de Philippe prise à Manage en 1981. Portrait d'artiste, d'anonyme, de fou, d'abattoir ou d'arbre : Marc Trivier a photographié chaque sujet avec la même intensité interrogative. Toutes réalisées dans le même format carré, élémentaire et clos, sans retouche ni recadrage, les photographies semblent moins mettre en scène un sujet - célèbre ou inconnu, élu ou déchu, vivant ou mort - qu'interroger une présence. «Ce qui m'intéressait, ce n'était pas de photographier simplement un corps ou un visage, mais cette situation particulière qui est quelqu'un en train de faire la photo de quelqu'un d'autre.» En confrontant les portraits d'artistes à leur correspondant altéré, Trivier dévêt l'oeuvre de ses effets et dévoile l'énigmatique nudité du corps photographique. "Dans sa cosmogonie, chaque chose, chaque être, végétal, animal ou humain, mérite le même respect. Car tous sont confrontés à la même loi d'airain : la solitude. " (Luc Desbenoit in Télérama, le 05/03/2011 à l'occasion de la rétrospective Marc Trivier à la Maison Européenne de la Photographie). Tirages argentiques non signés, comme la plupart des oeuvres de Trivier. Epreuves uniques tirées par l'artiste. Petite tache en marge supérieure de la photographie de Warhol. Rarissime diptyque d'un des grands photographes contemporains. [Attributes: First Edition]

      [Bookseller: Librairie Le Feu Follet]
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        For the Hundredth Time: Gabberjabb Number 5

      Minor Confluence: Perishable Press. 1981. Selected as one of AIGA's 50 Best Books of the Year. One of 200 copies printed, this copy is inscribed by Hamady on the back cover: "This is a special copy for our friend ___ ____ there in Salisbury/ the cigar box label was given to me a long time ago (along with some cigar molds) by Paul Blackburn. If you subtract 14,500 from copy number you will see this is copy number five. All best, Walter the Hamady 15 VIII 81." Laid in is an autograph note signed by Hamady from Labor Day of the same year; in part: "Your words do cheer me up in a world that seems so bossy & indifferent." Approximately 50 words, written on the back of a postcard, but mailed in an envelope (included). Both the book and the letter are fine. Hamady's Interminable Gabberjabb series, begun in 1973 and comprising eight books by its end in 2005, is considered to have "changed the face of contemporary book arts in the United States" (Univ. of Arizona Poetry Center). Number 5 is considered by some to be one of the finest in the series, in its playfulness and the variety of its collage elements, which contrast with and complement the very serious content pertaining to his relief at his wife's return from the hospital after successful surgery. The Gabberjabbs collectively challenge the "reader" to slow down, discard the usual assumptions and attitudes toward the printed work, and engage the material in a manner that is interactive and collaborative: one feels almost as though one is creating the book as one reads it -- a conceit carefully engendered by the author. Since the books were created from the leftover materials from Hamady's other projects, each copy tends to be unique in some fashion. Gabberjabbs were recognized quickly for their importance and the small print runs quickly disappeared. OCLC locates 57 copies of Number 5, an extraordinarily high number for a book with such a small limitation. Copies seldom turn up on the market, let alone copies that are annotated by the author, as this one is, with the additional inserted letter as well as the original 1981 invoice for the subscriber's purchase. A fine copy of a landmark artist's book, and a rarity in the market. First Edition. Hardcover.

      [Bookseller: Ken Lopez Bookseller, ABAA]
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        50 Years of Alpinism

      - 1981 Diadem, London, 1st edition, 8vo, pp.207, 90 bw photos, 6 maps/diagrams, green cloth; signed & dated 1985, dust jacket unclipped, fine, cloth fine. Autobiography of one of Italy's finest mountaineers. Cassin is synonymous with some of the most important ascents in mountaineering. He made many first ascents in the 1930's, led the team on which Bonatti made the first ascent of Gasherbrum IV (1957), led the first ascent of McKinley's Cassin Ridge (1961), and led the 1975 Lhotse south face attempt with Messner. Also includes the Dolomites, Walker Spur, Peru, and more. Scarce as a signed copy. Neate C21, Yak C47. Ref 25864 [Attributes: Signed Copy; Hard Cover]

      [Bookseller: Top of the World Books, LLC]
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        In the Garden of the North American Martyrs

      New York: The Ecco Press. (1981). First. Uncorrected proof. Fine in green wraps. Signed by the author. The author's first collection of stories and his first book in the U.S. Although not marked in any way, this copy is from the distinguished modern first edition collection of Bruce Kahn. .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
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        Crónica De Una Muerte Anunciada

      La Oveja Negra, Bogotá 1981 - Dedicatoria De Gabriel García Márquez En Primera Página. 156Pp. + Biografía Del Autor. Size: 20 x 12.5 Cm. [Attributes: First Edition; Soft Cover]

      [Bookseller: Guido Soroka Bookseller]
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      Anthony d'Offay Gallery, London 1981 - np (48pp), 123 duotone illustrations. Limited to two hundred and fifty copies only, this is the deluxe issue of the catalogue published in conjunction with a 1981 exhibition of a series of the renowned German artist's 1975 drawings on Calendar pages entitled "Words Which Can Hear" held at London's Anthony D'Offay Gallery. A pristine copy of this uncommon item BOLDLY NUMBERED AND SIGNED by Joseph Beuys in brown ink at the rear, as issued. PLEASE NOTE: Additional shipping costs are required for this item beyond our standard rates due to its weight and value - we will inform you of the applicable amount at time of purchase. [Attributes: Signed Copy; Hard Cover]

      [Bookseller: Arcana: Books on the Arts]
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        Little, Big.

      Victor Gollancz, London 1981 - First Hardcover editon of the author's most well known work. Octavo, original black cloth with titles to the spine in gilt. Lengthily inscribed by the author. Fine in a fine price clipped dust jacket. A very sharp copy of this important book. Little, Big is the epic story of Smoky Barnable, an anonymous young man who travels by foot from the City to a place called Edgewood—not found on any map—to marry Daily Alice Drinkawater, as was prophesied. It is the story of four generations of a singular family, living in a house that is many houses on the magical border of an otherworld. ''A book that all by itself calls for a redefinition of fantasy'' (Ursula K. Le Guin). [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Raptis Rare Books, ABAA/ ILAB]
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        [Manuscript]: The Retreat from Liberty: The Erosion of Democracy in Today's Britain

      London: Michael Moorcock. [1981]. Loose (mostly) typed sheets printed rectos only laid into a folder hand-lettered by Moorcock with his address label. Approximately 105 leaves. Title page, contents, introduction, and the first page of each chapter on his personal stationery, the rest on white typing paper. Letter from the publisher Zomba laid in urging Moorcock to deliver the book by mid-January. A couple of leaves (copies of Margaret Thatcher speeches) are photocopied, the rest are typed. Tears on a couple of pages, page 75 has a small chip removing a few words, and numbered page 33 is lacking (but seems to have been removed by the author or publisher). Very heavily corrected by Moorcock in his hand, removing or revising many passages, and writing others in. Moorcock's assault on Thatcher and Reaganism, especially decrying the retreat from feminism. A fully realized working manuscript by this important science-fiction writer who has written on a wide spectrum of topics; he is a self-described pragmatic anarchist. It is arguable that Moorcock's view of Thatcherism helped inform the opinions of his close friend Alan Moore, and may have been an influence on the great graphic novelist's work including V for Vendetta and Watchman. Moore used some of Moorcock's characters in his The League of Extraordinary Gentlemen series. .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
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      New York: Everest House Publishers,. [1981]. Octavo, pp. [1-8] 9-400 [note: limitation leaf inserted between pages (6) and (7)], inserted frontispiece, other illustrations in text,. cloth.. A fine copy in unprinted tissue dust jacket and paper slipcase.. (#128875). First edition. One of 250 numbered copies signed by King. This is number 125. Winner of the 1982 Hugo award for best nonfiction book. "... essential for any library of horror fiction." - Barron (ed), Horror Literature 7-6 and 9- 15. Includes "Appendix 2: The Books," pp. 389-391, a checklist of approximately 100 novels and single author story collections published during the 1950s, 1960s, and 1970s that "seem ... important to the genre we have been discussing."

      [Bookseller: L. W. Currey, Inc.]
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        Danse Macabre ---signed By Stephen King

      N.Y.: Everest House, 1981, 1st Edition, 1st Printing, the Signed, Slipcased Limited Edition, 1981. ----------hardcover, a Fine copy in a Near Fine plain tissue dustjacket with a wee bit of age toning to spine of jacket, tissue jacket serves no real purpose other than a bit of protection from rubbing so many copies had the tissue removed, this one is intact and in a hi-quality mylar protector, in a Near Fine slipcase with a bit of sunning to edges, signed by KING, one of 250 numbered copies, any image directly beside this listing is the actual book and not a generic photo. Signed. First Edition. Hard Cover. Fine/Near Fine. Illus. by Text Cover.

      [Bookseller: Leonard Shoup]
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        Danse Macabre

      Macdonald Futura, London 1981 - First Edition:First Printing:Book Condition:A Near Fine copy, very gently bumped top and bottom of the spine, small bump to bottom front edge, internally very clean and bright, tight binding.Dustjacket Condition:Very Good, very gently rubbed and chipped top and bottom of the spine and corners, gently rubbed top front edge, small mark to front of jacket, retains original publishers price. [Attributes: First Edition; Hard Cover]

      [Bookseller: Bawnmore Fine and Rare Books]
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        Archive of Correspondence with Glen Dawson

      1981-1992. Six typed letters signed and 9 typed postcards signed from Zwinger to Dawson, and one autograph letter signed from Zwinger to Dawson's wife, Mary Helen. Together with three of Zwinger's books: Wind in the Rock [NY: Harper & Row, 1978]; A Desert Country Near the Sea [NY: Harper & Row, 1983]; and The Mysterious Lands [NY: Dutton, 1989]. The latter is signed by the author; the first two are inscribed by Zwinger to Dawson: the first reads, "For Glen Dawson - I suspect this book is the prologue to working in Baja California; in many ways they are the same but Baja is thornier, spinier, and much tougher to walk through. Still, one has to begin somewhere - Ann Zwinger/ January, 1980." A Desert Country Near the Sea is inscribed to both Mary Helen and Glen, in 1983: "whose help made so much of this book possible, both in production and ushering it on its way, and who also find Baja a place of enchantment. With my affectionate regard and thanks. Ann Zwinger." The correspondence begins in 1981 with Zwinger typing a long thank you letter (two sides of a greeting card), apparently in response to Dawson sending one of the books he published by Miguel del Barco on Baja, California. Zwinger updates Dawson on her progress on A Desert Country Near the Sea, which has been delayed due to her work on A Conscious Stillness, following the death of co-author Edwin Teale. The next letter is a self-described "fan letter" to Dawson, commending him on the "scholarship and presentation" of his Baja books. Next follow a postcard thanking Dawson for a check and a touristy postcard from Greece. In 1983, Zwinger pens an effusive thank you letter to Mary Helen for a day spent with the couple. There follows a series of postcards: Zwinger thanking Dawson for the loan of a WONDERFUL book by Dr. Henderson (likely Men & Whales at Scammon's Lagoon); saying that the book Men of El Tejon is out of her price range; thanking Dawson for an unspecified update and reporting on weather and travel; reporting from France; thanking him for an "absolutely beautiful turritella gonostoma" (look it up); and, in 1987, two cards, one thanking Dawson for sending along reviews and letters about Zwinger's book Xantus, which Dawson published, and another card saying she is thrilled with the quality of the book (presumably Xantus). From 1988 to 1992, Zwinger resumes sending Dawson letters rather than postcards. In August, 1988, she thanks Dawson for yet another book and tells him she is waiting for the copy-edited manuscript of her "desert book" [The Mysterious Lands] and that she is working on a proposal for an "aspen book" with an "excellent photographer" and that it "has gotten both of us out a lot, rather a more-than-you-ever-wanted-to-know-about-aspen-and-weren't-going-to-ask book [Aspen: Blazon of the High Country with Barbara Sparks]." In January 1989, Zwinger writes to thank Dawson for a copy of Ward Ritchie's Of Bookmen & Printers and goes on to thank him for all his work and for his friendship. In January 1991, she writes both Glen and Mary Helen with wishes for a happy 50th anniversary and continues on to describe a Christmas hike she and her daughter took in the Grand Canyon, "beset by weather and the huge cold front that sank down to put frost on the saguaros in Phoenix and Tucson and ice on the roads. Coming up we had a windchill factor of minus something or other...It was one of those things you would never in your right mind do but when you have done it you look back with a sense of privilege..." In 1992, Zwinger writes to thank Dawson for his "General Index" [Baja California Travels Series General Index]: "...what a spectacular list of books you've presided accomplishment that you and Edwin Carpenter have achieved that is unique and exceedingly worthwhile...But most of all, my thanks for including me..." She reports on finishing up a "very difficult" book on the Colorado River in the Grand Canyon, and on becoming a grandmother: "I need to find a way to be a less Nana Ann in absentia, to show her a river and say someday..." In addition to the books and letters, there is an announcement for a reception for A Desert Country Near the Sea; a letter to Dawson from a Research Associate at University of California, Berkeley referencing Zwinger; and an invitation to see Zwinger at a 1985 Book and Author Luncheon presented by the University of Arizona Library. A substantive correspondence between the award-winning naturalist and writer Zwinger and the publisher, mountain climber, antiquarian bookseller and environmentalist Dawson. Five mailing envelopes included. All items near fine or better.

      [Bookseller: Ken Lopez Bookseller, ABAA]
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        Grupa autora

      serbian languageISTORIJA SRPSKOG NARODA 1-10 komplet Autori:|~|grupa autora Izdava?|~|Srpska knji?evna zadruga-Beograd Broj strana:|~|702+597+690+473+603+397+683+592+495+570 str. ( 22 x 17 cm ) ilustr. Godina izdavanja:|~|1981-1993. god. stanje veoma dobro Odredjeni delovi teksta neznatno podvlaceni grafitnom olovkom -potpis vlasnika

      [Bookseller: Knjiga na dlanu]
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        Arts Traditionnels et Histoire au Zaire: Cultures Forestieres et Royaumes de la Savane.

      Societe d'Arts Primitifs/Institut Superieur d'Archeologie et d'Histoire de l'Art, Brussels 1981 - Cloth, 28 cm., 331 pp., with color and black and white plates and maps. Publications d'Histoire de L'Art et d'archeologie de l'Universite Catholique de Louvain, Vol. XXIX. Text in French and English. Very good copy. Light rusty stain at fore edge (2 cm.) and some very light smudges at edge of ffep. In a dust jacket in very good condition but for a few closed tears and creases, and a large chip (3 cm.) at head of spine (not affecting title.) [Attributes: Hard Cover]

      [Bookseller: Moe's Books]
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        The Work of Atget (Four Volumes)

      New York: The Museum of Modern Art. (1981-85). First. First editions. Four volumes. Large quartos. Volume I: Old France; Volume II: The Art of Old Paris; Volume III: The Ancien Regime; Volume IV: Modern Times. Cloth. Fine in slightly rubbed, else fine dustwrappers. Each volume is warmly Inscribed by Maria Morris Hambourg to the same recipients. Freitag 271. .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
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        Latvijas padomju Enciklopedija. Latvian Encyclopedia.

      Galvena enciklopediju Redakcija, Riga 1981 - 10 volumes in 12 books, complete. Overweight, shipping extra. Payment: ABE or Paypal on request. [Attributes: Hard Cover]

      [Bookseller: Entaku Bookshop]
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      Babylon Books (1981), (Manchester) - 4to. Pictorial wraps. Offset printed. Some mild rubbing, edgewear. Very good plus or better overall. [44]pp. Published before the formation of The Smiths, Morrissey's first book consists of 8 pages of text by the singer followed by reproductions of Dolls photographs and press clippings. A direct outgrowth of articles Morrissey penned for various zines (among them KID'S STUFF and THE NEXT BIG THING), the future singer's "book- zine" appeared in 1981 from hometown publisher Babylon Books, a one-man operation headed by John Muir. Muir has claimed the book sold upwards of 3000 copies, but if that's so most of those were undoubtedly from a second printing done to take advantage of The Smith's growing popularity and likely coinciding with the similarly-motivated reprint of Morrissey's second book for Baby- lon, JAMES DEAN IS NOT DEAD (1983). Even accounting for this title's ephemeral production, however, with OCLC recording just three copies worldwide (and *all* of those a 1995 reprint), we strongly suspect Muir's claims are inflated. It would be difficult to overstate the Doll's influence on Morrissey’s development as an artist. He was the president of their UK fan club; and their albums, performances, and perhaps most of all personae were foundational experiences for the young singer-songwriter. A book we've been looking for for almost ten years and the first we've seen offered in that time. [Attributes: First Edition; Soft Cover]

      [Bookseller: Brian Cassidy, Bookseller ABAA/ILAB]
 29.   Check availability:     IberLibro     Link/Print  

        OUT OF THE DARKNESS The Planet Pluto

      Stackpole Books, Harrisburg, PA 1981 - Two long hand-written letters on Lowell Observatory stationary SIGNED by Tombaugh laid in - letters are addressed to R. William Shaw noted Cornell astronomer and concern matters astronomical, letters are dated 1937 and 1938; Dust Jacket: Tiny rubs at spine ends; Photographs and drawings; 0.9 x 9.1 x 6 Inches; 221 pages [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Gravelly Run Antiquarians]
 30.   Check availability:     AbeBooks     Link/Print  


      Haywire Press, NY 1981 - Folio, 40 plates, printed on heavy stock and spiral bound into a cloth binding, titled on the front board. A fine copy. This copy is SIGNED by the photographer. [Attributes: First Edition]

      [Bookseller: Andrew Cahan: Bookseller, Ltd., ABAA]
 31.   Check availability:     AbeBooks     Link/Print  

        Flowers and Trees (Signed)

      Haywire Press 1981 - First edition overized hardcover. This book has been signed and inscribed (to the owner) by Mr. Friedlander on the dedication page. The book is near very good with some rubbing and edgewear to the covers, some rubbed and scuffed corners and a small stain to the bottom of the inside of the front cover and the first page. Issued without a dust jacket. A nice example of a scarce book. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: MyFirstEditions]
 32.   Check availability:     AbeBooks     Link/Print  

        Les Cahiers des Amis de Pierre BENOIT - Numéros I à XI + La France N° 12 + Lettre Autographe Signée.

      Publiés par l'Association des Amis de Pierre Benoit à Prades (Pyrénées-Orientales). 1985-2000 + Été 1981 - 12 Brochures sous couvertures jaunes ou vertes imprimées en rouge, in-8, 21x15 cm environ, textes de Pierre Benoit, Joseph Monestier, Louis Monestier, Jacques-Henry Bornecque (le biographe de Pierre Benoit), Bernard Côme, Robert Vidal, Claude Foucart, Pierre Mayoux, Maurice Thuilière, Jean Stelli, Michel Parrot-Lagarenne, Bernard Vialatte, Charles Derennes, Francis Didelot, Charles Blanc, Philippe Chabaneix, Jean-Jacques Gautier, Duc de Castries, Edmée de La Rochefoucauld, Pierre de Gorsse, Paule Henry Bordeaux, Pierre Paraf, Paul Guth, Paul Mousset, Roger Caillois, Michel Déon, etc., quelques planches photographiques en hors texte, ensemble en très bon état (quelques couvertures légèrement manipulées). Joint : Maison d’Écrivain - La Pelouse, Maison de Pierre Benoit. Imprimerie BM à Canéjan (Gironde). Juin 2000. Petite brochure agrafée, 148x100 mm, 32 pages couvertures comprises, textes d'Alain Ferrari, photographies, état quasi neuf. Joint une Lettre Autographe signée de Pierre Benoit, format 18x11,5 cm, recto verso, une douzaine de lignes, très bon état. 88+72+72+72+56+72+86+80+64+88+142+86+32 pages. Détail du lot : Les Cahiers des Amis de Pierre BENOIT - Numéros I à XI. 1985-2000. Lumière des Cimes - La France - Trésor des Cités - Pierre Benoit - N° 12 - Été 1981. La Pelouse - Maison de Pierre Benoit. Lettre Autographe Signée de Pierre Benoit. [Attributes: First Edition; Signed Copy; Soft Cover]

      [Bookseller: Bookinerie]
 33.   Check availability:     AbeBooks     Link/Print  

        Oxford Apokalypse MS. Douce 180 aus dem Besitz der Bodleian Library, Oxford. Vollständige Faksimile-Ausgabe im Originalformat der Handschrift und Kommentarband !,

      Graz, Akademische Druck- und Verlagsanstalt, 1981 - 4°, 2 Bücher - 1. Apokalypse Faksimile Ausgabe. reich verzierter Original-Leder-Einband mit Reichhaltiger Goldprägung. 168 Seiten mit 97 Miniaturen im Schuber + 1 Kommentarband. 241 Seiten und Bildanhang mit 171 Abbildungen. Betitelter OPbd. mit Goldprägung. - sehr guter Zustand - 1981. Limitierte Ausgabe, hier Nummer 631 von 960. z14 ISBN: 3201011827 Sprache: de Limitierte Ausgabe, hier Nummer 631 von 960. [Attributes: Hard Cover]

      [Bookseller: Antiquariat Ehbrecht]
 34.   Check availability:     AbeBooks     Link/Print  

        Die Wappen des preußischen Adels 1. bis 3. Teil, komplett in drei Bänden. Reprografischer Nachdruck von Siebmacher s Wappenbuch. 1.Teil: Bd.III, 1.Abth. Der Adel des Königreichs Preußen . Grafen und Freiherren (Nürnberg 1859). Bd. III, 2. Abth.: Edelleute. Durchpaginiert 491 S., 512 Tfn. Und Anhang mit 43 S., 30 Tfn. // 2. Teil: Bd. VII, 2 Abth. Preußische Grafen und Freiherren. Ergänzungsband 55 S., 34 Tfn. Bd, III, 2.Abth, 2.Bd, 2.Tl: Der preußische Adel. Freiherren und Grafen 43 S., 30 Tfn. Bd. III, 2.Abth., 2.Bd.,1.Tl. Der preußische Adel. Edelleute (Nachträge und Verbesserungen) 230 S., 180 Tfn. // Teil 3: Bd.IV, 4.Abth. Ausgestorbener preußischer Adel, Provinz Preußen (Ost- und Westpreußen) (Nürnberg 1874) 120 S., 82 Tfn. Bd. VII, 3.A

      Bauer & Raspe, Neustadt a.d. Aisch 1973, 1981, 1978. - WerbUeb 28 x 19,5 cm. Drei uniforme blaue Originalleinbände mit goldgeprägten Titeln auf dem Einband. Text zweispaltig gesetzt, teilweise ganzseitige s/w Abbildungen der Wappen. Sehr gute Exemplare. (= J. Siebmacher s Grosses Wappenbuch Bände 14, 15 und 16). 6600

      [Bookseller: Antiquariat und Buchhandlung Carl Wegner]
 35.   Check availability:     AbeBooks     Link/Print  

        What We Talk About When We Talk About Love

      Knopf, New York 1981 - Signed by Carver on endpaper. His first commercial success. Slight fading on dj spine. Slight sunning to top and bottom edge. otherwise a fine copy. Size: Octavo [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Contact Editions, ABAC, ILAB]
 36.   Check availability:     AbeBooks     Link/Print  


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