viaLibri Requires Cookies CLICK HERE TO HIDE THIS NOTICE

Displayed below are some selected recent viaLibri matches for books published in 1981

        Bunny Rogers Amethyst Party at his home in Holland Park. Bryan Ferry with his girlfriend Lucy. 09/06/1981.

      745 x 520mm. Giclée Print using Archival pigment inks on Hahnemüle Fine Art Pearl 285gsm paper. Limited edition of 10 numbered copies signed by the photographer. Alan Davidson is a press photographer based in London for more than 30 years, Alan has photographed the rich, the famous, the before-they-were-famous to those that have fallen from grace. Going through his vast archive, with new treasures found within the old brown manilla envelopes, reads like a who's who of the great and good (and the very bad) of London society. Cinema stars rub shoulders with pop stars, royalty with politicians. Working from the late 1960s to the present day Alan remembers the days before celebrities became surrounded by 30 young publicists and before there were 50 photographers at every event you went to, allowing him to take intimate and relaxed portraits, unlike the anodyne syndicated press shots of today.

      [Bookseller: Henry Sotheran Ltd.]
 1.   Check availability:     Direct From Seller     Link/Print  


        The Fortunate Traveller [Inscribed to Mark Strand]

      Farrar Straus Giroux, NY 1981 - The uncorrected proof copy of this collection of poetry by Walcott, a West Indian author of poetry and plays who won the Nobel Prize for Literature in 1992. This copy is inscribed by Walcott to the poet Mark Strand: "To Mark - continuing strength/ Derek." With Strand's ownership signature beneath. One of the poems in this collection, "Piano Practice" is individually dedicated to Strand. It is printed here in the proof as it appeared in The Kenyon Review in 1980, but changes were made between this and the published version, and laid in here are two photocopies of the proof version showing two versions of Walcott's revisions (in the hand of a copy editor?). The photocopies are stapled and folded in thirds; the proof is near fine in wrappers. Strand was Poet Laureate of the U.S. the year Walcott won his Nobel Prize; Strand also won the Pulitzer Prize for Poetry in 1999, for his collection Blizzard of One, which contained the poem "The View," dedicated to Walcott. A superb literary association between two of the preeminent poets of the 20th century. [Attributes: First Edition; Signed Copy; Soft Cover]

      [Bookseller: Ken Lopez Bookseller, ABAA (Lopezbooks)]
 2.   Check availability:     AbeBooks     Link/Print  


        The Nuclear Age

      Portland: Press-22, 1981. Fine. First edition, wrappered issue. Fine in wrappers. A limited edition of an excerpt from O'Brien's work-in-progress at the time, later published with the same title. Of an edition of 125 numbered copies in wrappers and signed by the author, this is Signed but unnumbered, and is stamped "proof set". Very scarce, possibly unique. Although not marked in any way, this copy is from the distinguished modern first edition collection of Bruce Kahn.

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
 3.   Check availability:     Biblio     Link/Print  


        Gesammelte Reiseerzählungen. 33 Bände. Reprint-Edition der "Freiburger Erstausgaben" herausgegeben von Roland Schmidt

      unbekannt 1981 - Neuwertig, ungelesen. Die meisten der 33 Bände enthalten Nachträge der Nachworte - Sprache: Deutsch Gewicht in Gramm: 17500 Karl-May-Verlag, Bamberg, 1982-1984. zus. ca. 19.500 S., original Kunsthalbleder mit dunkelgrünem Rückenschild mit Goldprägungen

      [Bookseller: Celler Versandantiquariat]
 4.   Check availability:     ZVAB     Link/Print  


        Portrait de Frank Auerbach. Photographie Originale de l'artiste

      Large original photographic portrait in black and white directed and shot by Marc Trivier.Unsigned silver print, like most of Trivier's works. Unique proof drawn by the artist.Trace tape and white part torn in places.Photographs of artists, madmen, trees or slaughterhouses, Marc Trivier approaches all these subjects with a look as precise as intense."In its cosmogony, every thing, every being, vegetable, animal or human, deserves the same respect. For all are confronted with the same law of brass: loneliness. (Luc Desbenoit)The beauty that emanates from his photos comes from this nudity. There is no editing or cropping. We find in his work the same square format that traps our eyes in photographs where the makeup of color is rejected for an incisive black and white. Since all artificiality has disappeared, we are not dealing with the staging of a subject but with a presence exacerbated by the radiant and singular light, witness of a moment of life and not of pose. It is this light, linked to and obsessed with Trivier's medium, that gives his works the aura that makes them so present:"Of thirty-five years of photographic practice, of obsessions, it is perhaps that which remains: a singular mode of recording of the burning of light, declined from one image to another, in a succession propositions that are similar and yet each is as singular as the fraction of time to which it refers. (Marc Trivier)Taken from the front, with a look at the subject directed towards the lens, the photographs that Marc Trivier realizes personalities of the 1980s are not those of a star portraitist, but result on the contrary from a desire to desacralize:"Instead of being a portraitist of writers and artists among many others, he is marginalized by his device: under the pretext of adjustments, he makes his models wait, he makes them ask several minutes which gives them a weary air. He may be waiting for a more natural behavior. And we find ourselves facing Francis Bacon in precarious balance, Samuel Beckett, Jean Dubuffet or Michel Foucault more or less packed in their chair. Intimate images. ". (A picture of tifoxing Marc Trivier, S. Rousselle-Tellier, in Marges, 2004)Photographed in their personal universe, most of the time their room, the subjects surrender themselves, no longer master their image. The imbalance that results reveals the fragility of these strong personalities, and allows Trivier to restore the unity of the intimate body and the public work."I read Genet; for me Genet, it was letters on a book. And then one day I saw his portrait, it was like a fracture. How was it possible that these signs are also someone? To make a portrait is to tie up the name and the face. (Marc Trivier)Warhol, Foucault, Beckett, Dubuffet ... the greatest writers and artists have posed for Trivier. At the same time, the artist is also interested in the margins of society, which men do not want to see. He then photographs the lunatics and slaughterhouses he places next to celebrities. By the end of the 1980s his work was unanimously recognized and he received the prestigious Young Photographer Award from the International Center of Photography in 1988 as well as the Prix Photographie Ouverte (Charleroi). After the Palais de Tokyo in Paris and the Musée de l'Elysée in Lausanne, the Casino in Luxembourg, the European House of Photography in Paris devotes a major retrospective to him in 2011. Par l'auteur s.l. 1981 24x24 cm sur papier Ilfordune feuille

      [Bookseller: Librairie Le Feu Follet]
 5.   Check availability:     Direct From Seller     Link/Print  


        Verso il giorno Meditazioni mattutine trasmesse da Radio 2 della Rai

      Città del Vaticano: LIBRERIA EDITRICE VATICANA, 1981. IED. Brossurato. BUONO. 12 19. Pastorale USATO

      [Bookseller: Controcorrente Group srl BibliotecadiBab]
 6.   Check availability:     Biblio     Link/Print  


        Borges en/y/sobre cine (Ensayo) (Spanish Edition)

      Editorial Fundamentos 1981 - Ammareal reverse jusqu'à 15% du prix net de ce livre à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Good. Ammareal gives back up to 15% of this book's net price to charity organizations. [Attributes: Soft Cover]

      [Bookseller: Ammareal]
 7.   Check availability:     AbeBooks     Link/Print  


        The Matsuri- Kirie, a Japanese Art

      Big Co., Ltd., Tokyo, Japan 1981 - Excellent condition with no markings. Possibly signed by author on first few pages. Image available on request. "On a Festival Day In Japan" In plastic cover for extra protection. [Attributes: Hard Cover]

      [Bookseller: Q's Books]
 8.   Check availability:     AbeBooks     Link/Print  


        Hefte der Edition Hundermark.

      8. Jeweils ca 16 S. OBroschuren. 10 Hefte in OPappschuber mit montiertem Titelschildchen. Schuber minimal gebraucht, Heft 10 untere Ecke gering gestaucht. Sonst sehr schön. Erste Ausgaben, nur Heft 1 in zweiter Auflage. Vorzugsausgabe, Nr. 16 von 80 Exemplaren des Sammelbandes. * Enthält: 1: Endre Tot, TOTal questions by TOT (1981, Gesamtauflage 600 Exemplare, von TOT signiert). 2: Jiri Valoch, 12 exercises (1976, GA 300 Ex.). 3: George Macunias, Flux paper events. (1976, GA 500 Ex.). 4: Bernhard Johannes Blume, Einige halluzinative Schraffuren. (1978, GA 300 Ex., von Blume signiert). 5: C. Böhmler, Erdkunde. (1979, GA 300 Ex., von Böhmler signiert). 6: Peter Pick, Physiognomie von Krankheiten. (1980, GA 300 Ex., von Pick signiert). 7: Rudolf Bonvie, La chasse photographique est ... . (1980, GA 300 Ex., von Bonvie signiert). 8: Al Hansen, Performance. (1981, GA 500 Ex., von Hansen signiert). 9: Henri Chopin, Typewriterspoems (1982, GA 500 Ex., von Chopin signiert). 10: Joe Jones, Five Bells (1982, GA 500 Ex., von Jones signiert - untere Ecke gering gestaucht). 8 der Hefte signiert.

      [Bookseller: wetterfahne]
 9.   Check availability:     booklooker.de     Link/Print  


        En lisant en écrivant

      - José Corti, Paris 1981, 12x19cm, broché. - Edition su carta corrente. L'invio autografo firmato e datato Gracq scultore e pittore Raymond Mason. note manoscritte del dedicatario, a matita, l'ultimo guardia e posteriore del secondo corso nei suoi occhi. Un piccolo strappo in piedi incollate posteriore leggermente decolorate.   - [FRENCH VERSION FOLLOWS] Edition originale sur papier courant. Envoi autographe daté et signé de Julien Gracq au sculpteur et peintre Raymond Mason. Annotations manuscrites du dédicataire, au crayon de papier, sur la dernière garde et le verso du second plat en son regard. Une petite déchirure recollée en pied du dos très légèrement décoloré.  

      [Bookseller: Librairie Feu Follet]
 10.   Check availability:     maremagnum.com     Link/Print  


        Portrait de Willem De Kooning. Photographie Originale de l'artiste

      Large original photographic portrait in black and white directed and shot by Marc Trivier.Unsigned silver print, like most of Trivier's works. Unique proof drawn by the artist.Photographs of artists, madmen, trees or slaughterhouses, Marc Trivier approaches all these subjects with a look as precise as intense."In its cosmogony, every thing, every being, vegetable, animal or human, deserves the same respect. For all are confronted with the same law of brass: loneliness. (Luc Desbenoit)The beauty that emanates from his photos comes from this nudity. There is no editing or cropping. We find in his work the same square format that traps our eyes in photographs where the makeup of color is rejected for an incisive black and white. Since all artificiality has disappeared, we are not dealing with the staging of a subject but with a presence exacerbated by the radiant and singular light, witness of a moment of life and not of pose. It is this light, linked to and obsessed with Trivier's medium, that gives his works the aura that makes them so present:"Of thirty-five years of photographic practice, of obsessions, it is perhaps that which remains: a singular mode of recording of the burning of light, declined from one image to another, in a succession propositions that are similar and yet each is as singular as the fraction of time to which it refers. (Marc Trivier)Taken from the front, with a look at the subject directed towards the lens, the photographs that Marc Trivier realizes personalities of the 1980s are not those of a star portraitist, but result on the contrary from a desire to desacralize:"Instead of being a portraitist of writers and artists among many others, he is marginalized by his device: under the pretext of adjustments, he makes his models wait, he makes them ask several minutes which gives them a weary air. He may be waiting for a more natural behavior. And we find ourselves facing Francis Bacon in precarious balance, Samuel Beckett, Jean Dubuffet or Michel Foucault more or less packed in their chair. Intimate images. ". (A picture of tifoxing Marc Trivier, S. Rousselle-Tellier, in Marges, 2004)Photographed in their personal universe, most of the time their room, the subjects surrender themselves, no longer master their image. The imbalance that results reveals the fragility of these strong personalities, and allows Trivier to restore the unity of the intimate body and the public work."I read Genet; for me Genet, it was letters on a book. And then one day I saw his portrait, it was like a fracture. How was it possible that these signs are also someone? To make a portrait is to tie up the name and the face. (Marc Trivier)Warhol, Foucault, Beckett, Dubuffet ... the greatest writers and artists have posed for Trivier. At the same time, the artist is also interested in the margins of society, which men do not want to see. He then photographs the lunatics and slaughterhouses he places next to celebrities. By the end of the 1980s his work was unanimously recognized and he received the prestigious Young Photographer Award from the International Center of Photography in 1988 as well as the Prix Photographie Ouverte (Charleroi). After the Palais de Tokyo in Paris and the Musée de l'Elysée in Lausanne, the Casino in Luxembourg, the European House of Photography in Paris devotes a major retrospective to him in 2011. Par l'auteur s.l. 1981 22x22cm sur papier Ilford 30x40cm une feuille

      [Bookseller: Librairie Le Feu Follet]
 11.   Check availability:     Direct From Seller     Link/Print  


        Portrait de André Masson. Photographie Originale de l'artiste

      Large original photographic portrait in black and white directed and shot by Marc Trivier.Unsigned silver print, like most of Trivier's works. Unique proof drawn by the artist.Photographs of artists, madmen, trees or slaughterhouses, Marc Trivier approaches all these subjects with a look as precise as intense."In its cosmogony, every thing, every being, vegetable, animal or human, deserves the same respect. For all are confronted with the same law of brass: loneliness. (Luc Desbenoit)The beauty that emanates from his photos comes from this nudity. There is no editing or cropping. We find in his work the same square format that traps our eyes in photographs where the makeup of color is rejected for an incisive black and white. Since all artificiality has disappeared, we are not dealing with the staging of a subject but with a presence exacerbated by the radiant and singular light, witness of a moment of life and not of pose. It is this light, linked to and obsessed with Trivier's medium, that gives his works the aura that makes them so present:"Of thirty-five years of photographic practice, of obsessions, it is perhaps that which remains: a singular mode of recording of the burning of light, declined from one image to another, in a succession propositions that are similar and yet each is as singular as the fraction of time to which it refers. (Marc Trivier)Taken from the front, with a look at the subject directed towards the lens, the photographs that Marc Trivier realizes personalities of the 1980s are not those of a star portraitist, but result on the contrary from a desire to desacralize:"Instead of being a portraitist of writers and artists among many others, he is marginalized by his device: under the pretext of adjustments, he makes his models wait, he makes them ask several minutes which gives them a weary air. He may be waiting for a more natural behavior. And we find ourselves facing Francis Bacon in precarious balance, Samuel Beckett, Jean Dubuffet or Michel Foucault more or less packed in their chair. Intimate images. ". (A picture of tifoxing Marc Trivier, S. Rousselle-Tellier, in Marges, 2004)Photographed in their personal universe, most of the time their room, the subjects surrender themselves, no longer master their image. The imbalance that results reveals the fragility of these strong personalities, and allows Trivier to restore the unity of the intimate body and the public work."I read Genet; for me Genet, it was letters on a book. And then one day I saw his portrait, it was like a fracture. How was it possible that these signs are also someone? To make a portrait is to tie up the name and the face. (Marc Trivier)Warhol, Foucault, Beckett, Dubuffet ... the greatest writers and artists have posed for Trivier. At the same time, the artist is also interested in the margins of society, which men do not want to see. He then photographs the lunatics and slaughterhouses he places next to celebrities. By the end of the 1980s his work was unanimously recognized and he received the prestigious Young Photographer Award from the International Center of Photography in 1988 as well as the Prix Photographie Ouverte (Charleroi). After the Palais de Tokyo in Paris and the Musée de l'Elysée in Lausanne, the Casino in Luxembourg, the European House of Photography in Paris devotes a major retrospective to him in 2011. Par l'auteur s.l. 1981 22x22cm sur papier Ilford 30x40cm une feuille

      [Bookseller: Librairie Le Feu Follet]
 12.   Check availability:     Direct From Seller     Link/Print  


        Portrait de Bran Van Velde. Photographie Originale de l'artiste

      Large original photographic portrait in black and white directed and shot by Marc Trivier.Unsigned silver print, like most of Trivier's works. Unique proof drawn by the artist.Small tear on the upper edge and stain on the white part of the photograph.Photographs of artists, madmen, trees or slaughterhouses, Marc Trivier approaches all these subjects with a look as precise as intense."In its cosmogony, every thing, every being, vegetable, animal or human, deserves the same respect. For all are confronted with the same law of brass: loneliness. (Luc Desbenoit)The beauty that emanates from his photos comes from this nudity. There is no editing or cropping. We find in his work the same square format that traps our eyes in photographs where the makeup of color is rejected for an incisive black and white. Since all artificiality has disappeared, we are not dealing with the staging of a subject but with a presence exacerbated by the radiant and singular light, witness of a moment of life and not of pose. It is this light, linked to and obsessed with Trivier's medium, that gives his works the aura that makes them so present:"Of thirty-five years of photographic practice, of obsessions, it is perhaps that which remains: a singular mode of recording of the burning of light, declined from one image to another, in a succession propositions that are similar and yet each is as singular as the fraction of time to which it refers. (Marc Trivier)Taken from the front, with a look at the subject directed towards the lens, the photographs that Marc Trivier realizes personalities of the 1980s are not those of a star portraitist, but result on the contrary from a desire to desacralize:"Instead of being a portraitist of writers and artists among many others, he is marginalized by his device: under the pretext of adjustments, he makes his models wait, he makes them ask several minutes which gives them a weary air. He may be waiting for a more natural behavior. And we find ourselves facing Francis Bacon in precarious balance, Samuel Beckett, Jean Dubuffet or Michel Foucault more or less packed in their chair. Intimate images. ". (A picture of tifoxing Marc Trivier, S. Rousselle-Tellier, in Marges, 2004)Photographed in their personal universe, most of the time their room, the subjects surrender themselves, no longer master their image. The imbalance that results reveals the fragility of these strong personalities, and allows Trivier to restore the unity of the intimate body and the public work."I read Genet; for me Genet, it was letters on a book. And then one day I saw his portrait, it was like a fracture. How was it possible that these signs are also someone? To make a portrait is to tie up the name and the face. (Marc Trivier)Warhol, Foucault, Beckett, Dubuffet ... the greatest writers and artists have posed for Trivier. At the same time, the artist is also interested in the margins of society, which men do not want to see. He then photographs the lunatics and slaughterhouses he places next to celebrities. By the end of the 1980s his work was unanimously recognized and he received the prestigious Young Photographer Award from the International Center of Photography in 1988 as well as the Prix Photographie Ouverte (Charleroi). After the Palais de Tokyo in Paris and the Musée de l'Elysée in Lausanne, the Casino in Luxembourg, the European House of Photography in Paris devotes a major retrospective to him in 2011. Par l'auteur s.l. 1981 40x40cm sur papier Ilford 50x60cm une feuille

      [Bookseller: Librairie Le Feu Follet]
 13.   Check availability:     Direct From Seller     Link/Print  


        Portrait de Frank Auerbach. Photographie Originale de l'artiste

      Large original photographic portrait in black and white directed and shot by Marc Trivier.Unsigned silver print, like most of Trivier's works. Unique proof drawn by the artist.Photographs of artists, madmen, trees or slaughterhouses, Marc Trivier approaches all these subjects with a look as precise as intense."In its cosmogony, every thing, every being, vegetable, animal or human, deserves the same respect. For all are confronted with the same law of brass: loneliness. (Luc Desbenoit)The beauty that emanates from his photos comes from this nudity. There is no editing or cropping. We find in his work the same square format that traps our eyes in photographs where the makeup of color is rejected for an incisive black and white. Since all artificiality has disappeared, we are not dealing with the staging of a subject but with a presence exacerbated by the radiant and singular light, witness of a moment of life and not of pose. It is this light, linked to and obsessed with Trivier's medium, that gives his works the aura that makes them so present:"Of thirty-five years of photographic practice, of obsessions, it is perhaps that which remains: a singular mode of recording of the burning of light, declined from one image to another, in a succession propositions that are similar and yet each is as singular as the fraction of time to which it refers. (Marc Trivier)Taken from the front, with a look at the subject directed towards the lens, the photographs that Marc Trivier realizes personalities of the 1980s are not those of a star portraitist, but result on the contrary from a desire to desacralize:"Instead of being a portraitist of writers and artists among many others, he is marginalized by his device: under the pretext of adjustments, he makes his models wait, he makes them ask several minutes which gives them a weary air. He may be waiting for a more natural behavior. And we find ourselves facing Francis Bacon in precarious balance, Samuel Beckett, Jean Dubuffet or Michel Foucault more or less packed in their chair. Intimate images. ". (A picture of tifoxing Marc Trivier, S. Rousselle-Tellier, in Marges, 2004)Photographed in their personal universe, most of the time their room, the subjects surrender themselves, no longer master their image. The imbalance that results reveals the fragility of these strong personalities, and allows Trivier to restore the unity of the intimate body and the public work."I read Genet; for me Genet, it was letters on a book. And then one day I saw his portrait, it was like a fracture. How was it possible that these signs are also someone? To make a portrait is to tie up the name and the face. (Marc Trivier)Warhol, Foucault, Beckett, Dubuffet ... the greatest writers and artists have posed for Trivier. At the same time, the artist is also interested in the margins of society, which men do not want to see. He then photographs the lunatics and slaughterhouses he places next to celebrities. By the end of the 1980s his work was unanimously recognized and he received the prestigious Young Photographer Award from the International Center of Photography in 1988 as well as the Prix Photographie Ouverte (Charleroi). After the Palais de Tokyo in Paris and the Musée de l'Elysée in Lausanne, the Casino in Luxembourg, the European House of Photography in Paris devotes a major retrospective to him in 2011. Par l'auteur s.l. 1981 18x18cm sur papier Ilford 24x30 une feuille

      [Bookseller: Librairie Le Feu Follet]
 14.   Check availability:     Direct From Seller     Link/Print  


        Beertje Bombazijn. (Met een 'woordje vooraf' door Dick Hosselaar [= W.F. Hermans]). (Archiefexemplaar met 11 van de 12 bladen).

      Amsterdam, De Literaire Loodgieters, 1981. 15,0 x 15,0 cm. Leporello. (11) p. Met de hand gezet en gedrukt op karton in een oplage van 'maximaal 50 [= (volgens DLL:) 43 of (volgens JS:) 49] exemplaren'. 1e druk.l Prachtig 'kinderboek' van Hermans, een fragment uit de iets eerder verschenen roman Uit talloos veel miljoenen, gedrukt en gebonden in de Drukwerkplaats Ewald Spieker, naar typografie van Pierre Roth en met indrukwekkende typografische illustraties van Lionel Prent [= Ewald Spieker]. Deze uitgave haalde zelfs de kranten. NRC schreef dat het boekje niet te koop was: 'Spieker spreekt van een goed uitgevoerde grap. Roth is afgelopen weekend dertig exemplaren naar W.F. Hermans in Parijs gaan brengen'.Dit archiefexemplaar telt helaas 11 van de 12 vierkante pagina's: de pagina met de tekst 'Ja die Beertje Bombazijn/ Die vond het leven fijn' ontbreekt.DLL 7. JS 367.

      [Bookseller: Antiquariaat Fokas Holthuis]
 15.   Check availability:     booklooker.de     Link/Print  


        Colonel Heros von Borcke's Journal 26 april-8 October 1862 [With Manuscript Leaf]

      Palaemon Press Limited. Hardcover. Winston-Salem, 1981. 8vo, cloth in slipcase, 224 pp. Number 115 of 180 copies. With an original leaf of Borcke's journal laid in. The memoirs of a Prussian general who traveled with the Confederate army. Borcke suffered wounds during the conflict that forced him out of military life in 1867. A fine copy in a slightly rubbed very good plus slipcase with a chip and a closed tear to affixed labels. . Fine. 1981. First Edition.

      [Bookseller: Auger Down Books]
 16.   Check availability:     Biblio     Link/Print  


        Chhavi - 2. Rai Krishnadasa Felicitation Volume.

      Banaras Bharat Kala Bhavan 1981 - First edition Folio, pp.xiv, 323, 76 mounted colour plates, many illustrations. A very good copy in original cloth, plastic cover torn. Weight: 5 kg - postage quoted on request.

      [Bookseller: John Randall (Books of Asia), ABA, ILAB]
 17.   Check availability:     AbeBooks     Link/Print  


        Standard Edition of the Complete Psychological Works of Sigmund Freud (twenty-four volumes).

      London:: Hogarth Press,. Near Fine in Near Fine dust jacket. 1981. Hardcover. 0701200677 . Complete in twenty-four volumes. Translated from the German under the general editorship of James Strachey, in collaboration with Anna Freud. Later printings. Brief underlining to one line on page 111 of Volume XX, else each volume is near fine in a near fine (occasional small spot of soiling and/or an occasional short closed edge tear) dust jacket. .

      [Bookseller: Grendel Books, ABAA/ILAB]
 18.   Check availability:     Biblio     Link/Print  


        A Primer Of Birds : Signed By Ted Hughes And Leonard Baskin

      The Sole UK Printing published by The Gehenna Press in 1981. Number 170 of only 250 printed on hand made paper. The BOOK is in near Fine condition with just a slight mottling of the endpapers in places. Hughes' collection of poetry enhanced with seven woodcuts by Leonard Baskin including one coloured woodcut. Signed by both Hughes and Baskin to the limitation page. A wonderful production and increasingly scarce.

      [Bookseller: Ashtonrarebooks]
 19.   Check availability:     PBFA     Link/Print  


        For the Birds. In Conversation with Daniel Charles.

      Boston & London: Marion Boyars, 1981 - Octavo. Original very pale yellowish-brown paper-covered boards, title gilt to the spine. With the laminated jacket. Spine slightly crumpled at the tail, jacket mildly tanned at the spine, front endpapers, title and half-title browned from the inclusion of a quantity of news-clippings, else very good. First edition in English, first published in French in 1976. This copy inscribed on the front free endpaper to publisher Marion Boyars; "for you, dear Marion, John Cage (The first sextuple)" The recipient's name and the signature have both been overwritten six times suggestive of the composer's use of chance, number and repetition in the Ryoanji drawings, creating here a similar- and in this case highly personalised - rhythmic blur [Attributes: First Edition; Signed Copy]

      [Bookseller: Peter Harrington. ABA member]
 20.   Check availability:     ZVAB     Link/Print  


        JANE EYRE

      Franklin Center, Pennsylvania: Franklin Library. 1981. First Edition; First Printing. Hardcover. Fine, Accented in 22kt gold, printed on archival paper with gilded edges, smyth sewing & concealed muslin joints. Bound In full leather with hubbed spines. Pristine. A Limited Edition.; A Limited Edition. The 100 Greatest Books of All Time.; 8vo 8" - 9" tall .

      [Bookseller: Rare Book Cellar]
 21.   Check availability:     Biblio     Link/Print  


        Daidalos. Berlin Architectural Journal [Hefte 1-75]

      Texte parallel auf deutsch und englisch, Indexheftchen beiliegend Quart 4, 25 - 35 cm, Broschur, top Zustand Daidalos war eine Zeitschrift für Architekturtheorie, die von 1981 bis 2000 vierteljährlich erschien. Es war die einzige durchgehend zweisprachig erscheinende Architekturzeitschrift (englisch/deutsch) im deutschen Sprachraum. [Wikipedia] F293f Eine Rechnung mit ausgewiesener Mehrwertsteuer liegt Ihrer Bestellung bei.

      [Bookseller: Versandantiquariat Karl Heinz Schmitz]
 22.   Check availability:     booklooker.de     Link/Print  


        DAIDALOS

      Es handelt sich um die ersten 26 Ausgaben (September 1981 - 15. Dezember 1987) der Architekturfachzeitschrift DAIDALOS. Vierteljährlich erschienen bis 2000. Leichte Gebrauchsspuren an den Einbänden. Einzelheft ca. 700g. Enthalten ist zudem das Register der Jahrgänge 1981-1986 (Hefte 1-20). Die Zeitschriften enthalten keine Markierungen o.ä.. Lediglich ein Aufkleber des bisherigen Inhabers auf jeder ersten Innenseite. ISSN 0721-4235.

      [Bookseller: Architekturwerkstatt]
 23.   Check availability:     booklooker.de     Link/Print  


        George's Marvellous Medicine

      First Edition, First Impression (Jonathan Cape, 1981). Signed by Road Dahl to a cut signature slip affixed to the title page. Spine ends and bottom corner of front board bumped; light foxing/soiling here and there to edges. Original dust jacket is price-clipped with a little wear to extremities.

      [Bookseller: Fine Book Cellar, IOBA]
 24.   Check availability:     Biblio     Link/Print  


        Outside Over There

      Harper & Row, Publishers 1981 - Signed first edition by Maurice Sendak A very fine copy with a very good dust jacket You can’t ask for more!!!!!! [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Fati's Odds & Ends]
 25.   Check availability:     AbeBooks     Link/Print  


        Le Avventure di Pinocchio

      GIUNTI MARZOCCO, FIRENZE 1981 - Narrativa per la Scuola ITALIANO Volume a cura di Anna Di Diodoro. Brossura editoriale illustrata con titolo al piatto e al dorso, copertina morbida in cartoncino con lievi segni di uso e punta superiore della quarta tagliata, tagli ingialliti con tracce di fioritura, pagine ben conservate, volume corredato con illustrazioni di Attilio Mussino

      [Bookseller: Biblioteca di Babele]
 26.   Check availability:     AbeBooks     Link/Print  


        Memorie di un cacciatore

      NOVARA: EDIPEM, 1981. IED. Rilegato. BUONO. 13,5 19,5. La nostra biblioteca classica in cento volumi USATO

      [Bookseller: Controcorrente Group srl BibliotecadiBab]
 27.   Check availability:     Biblio     Link/Print  


        Midnight's Children

      Jonathan Cape, London 1981 - London, Jonathan Cape, 1981. First Edition. First Impression. Hardback. One of the finest works of literature and speculative fiction. Concerns a telepath born the moment India gained independence from Britain. Winner of the Booker Prize, the Booker of Bookers and the second Booker of Bookers. An excellent work of Magic Realism, or let's just say it outright - fantasy. A very good copy. Some sunning to the spine, a little light edge wear, particularly to the corners, one small chip (5mm x 5mm) to spine tip. Some toning to the board edges. A little wear to the lower page block. Internally fine. A respectable copy and better than usually found. Cover art by Bill Botten [6433, Hyraxia Books]. [Attributes: First Edition; Hard Cover]

      [Bookseller: Hyraxia Books. ABA, ILAB]
 28.   Check availability:     AbeBooks     Link/Print  


        Lettere a Marina

      MILANO: BOMPIANI, 1981. IED. Brossurato. BUONO. 12 20,5. USATO

      [Bookseller: Controcorrente Group srl BibliotecadiBab]
 29.   Check availability:     Biblio     Link/Print  


        La Francia addormentata nel bosco

      Spirali Edizioni, 1981. ITALIANO 0,29 Brossura editoriale in cartoncino semi rigido plastificato, con copertina illustrata. Pagine in buonissimo stato, con tagli bruniti. Traduzione dal francese di Giuliana Sangalli, con al collaborazione di Iosanna Arturi e Letizia Lionello. Volume n. VIII ( 8 ) della collana. USATO

      [Bookseller: Biblioteca di Babele]
 30.   Check availability:     maremagnum.com     Link/Print  


        Clash of the Titans (SIGNED FIRST HARDCOVER APPEARANCE)

      New York: Warner Books, 1981. Book Club Edition. Hardcover. Near Fine/Near Fine. 5 1/2 X 8 1/2 Inches. 185 Pages. SIGNED BY ALAN DEAN FOSTER DIRECTLY ON THE TITLE PAGE! Signed by Alan specifically for Back in Time Rare Books. This is the FIRST APPEARANCE IN HARDCOVER of this 1980's science fiction classic. Basis for the Laurence Olivier and Burgess Meredith film of the same name. The film was essentially the last one that legendary creature creator Ray Harryhausen worked on (stop motion work). Letter code in back of book is "W28". First Edition of the Book Club Edition. A rare book to find in hardcover format and truly unique signed by Alan Dean Foster.

      [Bookseller: Back in Time Rare Books, LLC]
 31.   Check availability:     Biblio     Link/Print  


        Lettere a Milano 1939 - 1945

      ROMA: L' Unità, 1981. IED. Rilegato. BUONO. 15 22,5. USATO

      [Bookseller: Controcorrente Group srl BibliotecadiBab]
 32.   Check availability:     Biblio     Link/Print  


        Nostradamus Le profezie

      MILANO: CLUB DEGLI EDITORI, 1981. IED. Rilegato. BUONO. 17,5 24,5. USATO

      [Bookseller: Controcorrente Group srl BibliotecadiBab]
 33.   Check availability:     Biblio     Link/Print  


        Häuser am Schlesischen Tor ( Berlin-Kreuzberg ). Farbiges Aquarell und Faserstift auf Büttenpapier, rechts unten mit *Kohlhoff (19)77 * signiert und datiert., verso bezeichnet.

      Blattmaß ca. 42 x 60 cm ( Höhe x Breite ). Das Aquarell gering fleckig, verso mit Resten alter Montierung. Walter Kohlhoff ( *1906Berlin 1981 ebenda ). W. Kohlhoff war über 20 Jahre lang Vorstandsmitglied des Vereins Berliner Künstler. Maler urbaner Landschaften Berlins und seiner Umgebung. Kohlhoff zeigt seine Stadtbilder menschenleer und verleiht ihnen somit teils einen denkmalhaften Charakter. In seinen Arbeiten wendet er sich vor allem den ruhigen Orten der Großstadt wie auch Hinterhöfen, Großstadtdächern und abgelegenen Arealen wie Seitenstrassen, Kleingärten, Bahngleisen, Fabrikanlagen etc.. Er malte im Rahmen einer späten Neusachlichkeit. Dies gilt auch für seine anderen Motive wie Bilder aus den Alpen, Landschaftsstudien, Stilleben. Ferner malte er Porträts, Selbstporträts und Aktzeichnungen. ( Weitere Bilder auf Anfrage further pics at request ) ( Artikelnumer 15771 )

      [Bookseller: Antiquariat Friederichsen]
 34.   Check availability:     booklooker.de     Link/Print  


        Publio Cornelio Scipione Africano

      MILANO: RIZZOLI EDITORE, 1981. Rilegato. BUONO. 16,5 22,5. Biografie USATO

      [Bookseller: Controcorrente Group srl BibliotecadiBab]
 35.   Check availability:     Biblio     Link/Print  

______________________________________________________________________________


      Home     Wants Manager     Library Search     562 Years   Links     Contact      Search Help      Terms of Service     


Copyright © 2018 viaLibri™ Limited. All rights reserved.