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Displayed below are some selected recent viaLibri matches for books published in 1975

        MAUPASSANT E L'ALTRO

      ADELPHI, MILANO 1975 - PICCOLA BIBLIOTECA ITALIANO N.27 della collana, pagine in buonissimo stato di conservazione, brossura editoriale con sovraccoperta, ingiallita al dorso e con lieve usura ai bordi La libreria offre per un periodo limitato uno sconto del 20% su tutti i suoi libri. Il prezzo originale dell'articolo era 999,00 euro.

      [Bookseller: Biblioteca di Babele]
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        Gruner, Rudi. - "Lehmgrube".

      - Zeichnung / Gouache, auf weißem kräftigem Karton, um 1975. Von Rudi Gruner. 38,0 x 60,0 cm (Darstellung) / 41 x 63 cm (Blatt). Links unten mit Pinsel in Deckfarben signiert: "Rudi Gruner". Verso nochmals signiert und bezeichnet. - Unbeschnitten. Der kräftige Karton rückseitig an ehemaligen Klebepunkten marginal ausgedünnt. Farbfrisch und kontrastreich erhalten. Guter Zustand. Rudi Gruner (1909 Chemnitz - 1984 Karl-Marx-Stadt). Deutscher Maler, Zeichner und Illustrator. 1924-28 Ausbildung zum Musterzeichner an der Fachschule für Textilindustrie Chemnitz. 1932 Heirat mit Charlotte Pannicke. 1932-37 arbeitslos, gelegentlich Aushilfe in einer Drogerie. Ab 1937 Wohnung und Atelier in der Bernsdorfer Straße in Chemnitz. 1939-44 als Werbegrafiker tätig (v.a. Kinoplakate). 1944/45 Kriegsdienst als Soldat. Seitdem freischaffend in Chemnitz tätig. Enger Kontakt zur Künstlergruppe Chemnitz mit Martha Schrag, Georg Gelbke und anderen. 1950 Mitglied Verband Bildender Künstler Deutschlands. In den 1950er und '60er Jahren zahlreiche Illustrationen zur Weltliteratur (z.B. "Das Leben des Lazarillo vom Tormes", Leipzig: Reclam 1961). 1984 Hans-Grundig-Medaille. Ausstellungen: 1939 und '43 Beteiligungen Chemnitzer Kunsthütte, 1985 Galerie Oben in Karl-Marx-Stadt, 1997 Beteiligung "Die großen Alten 2" Neue Sächsische Galerie (mit Wilhelm Rudolph, Hermann Glöckner und Otto Müller-Eibenstock), 1999 Galerie Borssenanger Chemnitz, 2009 Retrospektive zum 100. Geburtstag Verein Kunst für Chemnitz. Sprache: Deutsch [Attributes: Signed Copy; Soft Cover]

      [Bookseller: GALERIE HIMMEL]
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        Field Talk Poems by Frank Stanford

      Seattle: Mill Mountain Press, 1975. First edition. Paperback. Fine. Tall trade paperbound volume of poems by the cult poet hero Frank Stanford. Drawings by Ginny Crouch Stanford. 30 pp. A sharp fine copy in simple bound blue wrappers lettered in red. The author's fourth collection and one of the more elusive books in his all-too brief career.

      [Bookseller: Derringer Books, Member A.B.A.A.]
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        Max Ernst: OEuvre-Katalog, 1906-1963. The Complete Paintings, Drawings, Sculpture, Frottages and Collages. 5 volumes.

      Houston, Tex.: Menil Foundation, 1975-98. Distribution by Wittenborn Art Books.(). Catalogue raisonné. First editions. 5 vols.: 436, 418, 412, 398, 420 pp.; 796, 774, 776, 743, 740 monochrome illustrations, respectively. Text in English, German and French. Catalogue descriptions in German with English language glossary. Cloth in dust jackets in cardboard slipcases. This set does not include the volume on the prints. Seit dem Erscheinen des ersten Bandes über die Graphik im Jahr 1975 wurde in bisher sechs Bänden eines der großartigsten Oeuvres des 20. Jahrhunderts von Werner Spies sowie Sigrid und Günter Metken und Helmut R. Leppien (Graphik) in wissenschaftlicher Bearbeitung vorgelegt. Über die Gesamtaufnahme eines der imponie-rendsten Werke der Moderne hinaus wurde hier ein wenig bekanntes Oeuvre in seiner Geschlossenheit erstmals ganz erfassbar gemacht. Es entstand die Basis für eine sagenhafte Resonanz, die sich seitdem in unzähligen Ausstellungen fortsetzt und Max Ernst als einen der ganz großen Meister der Moderne feiert.Alle sechs Bände führen die Werke in durchlaufend chronologischer Folge auf und geben damit Einblick in die Welt einer kreativen Intelligenz, die in allen Medien die erstaunlichsten Bildfindungen leistet. Wer das Staunen verlernt hat, dem wird sich in diesen Bänden eine Bildwelt eröffnen, deren Reichtum alle modernen Phantasien übersteigt und deren Entschlüsselung noch lange die kunstbegeisterte Welt beschäftigen wird.Band 2: Werke 1906 - 1925. 436 Seiten mit 796 AbbildungenBand 3: Werke von 1925 - 1929. 418 Seiten mit 774 AbbildungenBand 4: Werke 1929 - 1938. 416 Seiten mit 776 AbbildungenBand 5: 1939 - 1953. 381 Seiten mit 66 AbbildungenBand 6: Werke von 1954 - 1963. 424 Seiten mit 784 AbbildungenVon Werner Spies, Sigrid und Günter Metken und mit dreisprachiger Einleitung, Ausstellungs- und Literaturverzeichnissen sowie dreisprachigem Glossar, Format 33 x 25 cm, gebunden mit Schutzumschlag

      [Bookseller: Wittenborn Art Books]
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        The Man in the High Castle

      UK First Edition, First Impression (Gollancz, 1975). Light soiling to head of text block. Very small mark to front panel of original and unclipped dust jacket. An excellent, near fine copy.

      [Bookseller: Fine Book Cellar, IOBA]
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        L'Histoire d'O di Guido Crepax (The Story of O)

      Franco Maria Ricci, Milano, 1975. 1st Edition. Hardcover. Good Condition/Good. Illustrator: Guido Crepax. Book With slip case (bump damage to corners). Glassene wrapper protecting binding. This damaged with some loss. Silk cloth binding over boards with gilt blocked titles. Some damage to spine head. Printed on light blue quality heavy weight paper. Text in Italian. 153 pages of text (with adaptations/quotes from Reage's text and quotes from Freud and other sources on eroticism) faced with 153 pages of comic strip style and full page drawings in black. One of a numbered limited edition of 900 signed by Crepax in a colophon. This example is number 834. The last three leaves are creased vertically. Size: Elephant Folio - over 15 - 23" tall. 153+153 pages. Text is in Italian. Item Type: Book. Binding is tight. No inscriptions. Illustrator: Guido Crepax. Shipped Weight: Over 3 kilos. Category: Art & Design; Italian Language; Erotica. Please contact H4o Books if you require images or further information. Inventory No: 025698. .

      [Bookseller: H4o Books]
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        The Official Black Folks Joke Book/ The Official White Folks Joke Book 2 Books in One

      Softcover mass markets publication. 199 pp. Pinnacle Books, Los Angeles, CA (1975). "Fourth Printing, July 1978" stated. Minimal edgewear. Bright, clean copy with no markings or soiling or creases.Very Fine. *** Due to the scarcity, price, and/or other conditions of this book, it will not be shipped by parcel post or other common carrier. Consummation of sale will require person-to-person transfer of this item between seller and buyer (or agent thereof) at the Book Ranger facility in Monroe, GA, or other location amenable to both buyer and seller. The 30-day right of return is therefore waived by this personal inspection of item at time of delivery.***

      [Bookseller: Book Ranger]
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        Minamata

      Holt, Rinehart and Winston, New York 1975 - SIGNED BY W. EUGENE SMITH across the half-title. A virtually pristine copy to boot of the 1975 stated 1st American edition. Tight and Fine in a bright, price-intact, Near Fine to Fine dustjacket. Tall quarto, Smith's remarkable, crisp black-and-white photos thruout. "The story of the poisoning of a city, and of the people who choose to carry the burden of courage" [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: APPLEDORE BOOKS, ABAA]
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        Self-Portrait in a Convex Mirror

      The Viking Press 1975 - Inscribed by Ashbery to former owner on title page with happy birthday wishes, signed and dated January, 30, 2012. First edition, first printing, first state spelling error "Guggenhaim" on copyright page. 83 pp. Near Fine in unclipped and unfaded dust jacket with a small crease near head and two tiny closed tears along top edge. Just a hint of shelf wear. An excellent signed copy of the Pulitzer Prize, National Book Award, and National Book Critics Circle Award-winning poetry collection. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Burnside Rare Books, ABAA]
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        Max Ernst: OEuvre-Katalog, 1906-1963. The Complete Paintings, Drawings, Sculpture, Frottages, Collages and Graphics. Volumes I- VI.

      Houston, Tex.: Menil Foundation, 1975-2006 Distribution by Wittenborn Art Books.(). Catalogue raisonné. 6 vols.: 288, 436, 418, 412, 398, 420 pp.; 656, 796, 774, 776, 743, 740 monochrome illustrations, respectively. Text in English, German and French. Catalogue descriptions in German with English language glossary. Cloth in dust jackets in cardboard slipcases. This set includes the volume on the graphic work. Seit dem Erscheinen des ersten Bandes über die Graphik im Jahr 1975 wurde in bisher sechs Bänden eines der großartigsten Oeuvres des 20. Jahrhunderts von Werner Spies sowie Sigrid und Günter Metken und Helmut R. Leppien (Graphik) in wissenschaftlicher Bearbeitung vorgelegt. Über die Gesamtaufnahme eines der imponie-rendsten Werke der Moderne hinaus wurde hier ein wenig bekanntes Oeuvre in seiner Geschlossenheit erstmals ganz erfassbar gemacht. Es entstand die Basis für eine sagenhafte Resonanz, die sich seitdem in unzähligen Ausstellungen fortsetzt und Max Ernst als einen der ganz großen Meister der Moderne feiert. Alle sechs Bände führen die Werke in durchlaufend chronologischer Folge auf und geben damit Einblick in die Welt einer kreativen Intelligenz, die in allen Medien die erstaunlichsten Bildfindungen leistet. Wer das Staunen verlernt hat, dem wird sich in diesen Bänden eine Bildwelt eröffnen, deren Reichtum alle modernen Phantasien übersteigt und deren Entschlüsselung noch lange die kunstbegeisterte Welt beschäftigen wird. 1: Das Graphische Werk. Von Helmut R. Leppien. 288 Seiten mit 656 Abbildungen, dreisprachigem Vorwort des Herausgebers, dreisprachiger Einleitung, alphabetischem Titelverzeichnis, Konkordanz und dreisprachigem Glossar, Format 33 x 25 cm, gebunden mit Schutzumschlag. Band 2: Werke 1906 - 1925. 436 Seiten mit 796 Abbildungen. Band 3: Werke von 1925 - 1929. 418 Seiten mit 774 Abbildungen. Band 4: Werke 1929 - 1938. 416 Seiten mit 776 Abbildungen. Band 5: 1939 - 1953. 381 Seiten mit 66 Abbildungen. Band 6: Werke von 1954 - 1963. 424 Seiten mit 784. Abbildungen Von Werner Spies, Sigrid und Günter Metken und mit dreisprachiger Einleitung, Ausstellungs- und Literaturverzeichnissen sowie dreisprachigem Glossar, Format 33 x 25 cm, gebunden mit Schutzumschlag.

      [Bookseller: Wittenborn Art Books]
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        Donald Judd. A Catalogue of the Exhibition at the National Gallery of Canada. Catalogue Raisonne of Paintings, Objects, and Wood-Blocks 1960-1974. - Catalogue raisonné de peintures, objets et planches en nois 1960-1974.

      Ottawa, National Gallery of Art, 1975. - In-4°, XVI-320p. Edition bilingue français-anglais. Catalogue d'exposition et catalogue raisonné de l'oeuvre de Donald Judd. Illustré d'innombrables photographies en noir et blanc. Quelques soulignements marginaux, sinon en excellent état. Ouvrage de référence. Recherché.This book is both the exhibition catalogue and catalogue raisonne. 47-page exhibition catalogue from the show held May 24 to July 6 which was comprised of 51 works never before exhibited. 188-page catalogue raisonne of 355 paintings, objects, and wood-blocks made between August 1 1960 and July 1, 1974. Both sections have descriptions of each object. Profusely illustrated with over 400 black & white reproductions. 32-page essay by Roberta Smith. 2-page chronology. 30-page list of exhibitions. 4-page selected bibliography. 5-page index of owners of work. All texts in both English and French. [Attributes: Soft Cover]

      [Bookseller: Le Cabinet d'Amateur]
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        Trierer Apokalypse. Vollständige Faksimile-Ausgabe im Originalformat des Codex 31 der Stadtbibliothek Trier.

      Graz, Akademische Druck- und Verlagsanstalt 1974-1975. - 2 Bände (Faksimile und Kommentarband). 26,8 x 21,6 cm. Faksimile: [74] Blatt; Kommentarband: 163 Seiten, XLV Tafeln mit 84 Abbildungen. Original-Pergament bzw. Original-Ganzleinen. Codices selecti, Vol. XLVIII [48]. Vollständige farbige Faksimile-Ausgabe im Originalformat 262 x 216 mm. Alle Blätter sind originalgetreu randbeschnitten. Kommentarband: Kodikologische und paläographische Beschreibung von Richard Laufner. Der Kodex und sein Bildschmuck von Peter K. Klein. "Die nach ihrem späteren Aufbewahrungsort so benannte Trierer Apokalypse ist nicht nur die älteste auf uns gekommene illustrierte Fassung der Offenbarung des Johannes, sondern sie enthält auch den umfangreichsten Bilderzyklus dieses biblischen Buches, der sich aus dem frühen Mittelalter erhalten hat. Der unschätzbare ikonographische Wert des Codex liegt darin, daß deutliche Spuren von altchristlichen, vermutlich römischen Vorbildern erkennbar sind. Somit ist uns mit der Trierer Apokalypse auch eines der wenigen Zeugnisse erhalten, die das spätantike Kunstschaffen widerspiegeln, jene Quelle, aus der die mittelalterliche Kunst geschöpft hat." (ADEVA). "Unter ikonographischen Gesichtspunkten ist der Trierer Zyklus von unschätzbarem Wert. Er basiert auf der Tradition der spätantiken Apokalypsedarstellungen und läßt deren Archetypus in wesentlichen Teilen erkennbar werden. Die 'Trierer Apokalypse' gehört zu den bedeutendsten Hinterlassenschaften der kontinentalen Buchkultur um 800". (M. Embach, in: Kostbare Handschriften und Urkunden aus Echternach und Trier: eine Ausstellung der Stadtbibliothek und des Stadtarchivs Trier , Trier, Paulinus 2010, S. 9).

      [Bookseller: Antiquariat Peter Fritzen]
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        Joan Miró Lithographs II.

      New York: Leon Amiel, 1975.(). 1953-1963. 254 pp. Contains 12 original lithographs. Preface by Raymond Queneau. Cramer, 198.

      [Bookseller: Wittenborn Art Books]
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        [Diaries]. Ancestral Voices. Prophesying Peace. Caves of Ice. Midway on the Waves. A Mingled Measure. Ancient as the Hills. Through Wood and Dale. Deep Romantic Chasm. Holy Dread. Beneath a Waning Moon. Ceaseless Turmoil. The Milk of Paradise

      London: [I-III] Chatto & Windus; [IV] Faber & Faber; [V-XII] John Murray, (1975-2005).. Twelve volumes. All first editions, first impressions. Publisher's cloth, dust jackets, "Ancient as the Hills." signed by the author on a Waterstones bookplate mounted on the half title, an unrelated inscription on the half title of volume I. Slight fading to the jacket spine of one volume, an excellent set.

      [Bookseller: Bow Windows Bookshop]
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        Sioux in Green Oval.

      New York: Kennedy Graphics, 1975. Distributed graphics by Alan Wofsy Fine Arts.(). Lithograph in five colors on Vélin d'Arches paper. Native American series. 63 x 93 cm. Edition of 100. Hand signed and numbered by the artist. Fern and O'Sullivan, 655.

      [Bookseller: Wittenborn Art Books]
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        Dog Soldiers; [with:] A Hall of Mirrors.

      New York: Ballantine Books,, 1975. 2 works, octavo. Original wrappers, titles to spines and front covers in black and red, and yellow and blue, all edges of Hall of Mirrors yellow. A little creasing to wrappers, some rubbing to extremities, light foxing to edges; a very good set. First Ballantine Books editions, first printings. Presentation copies, inscribed by the author on the title pages, "For Dink Bruce, with thanks and best wishes, Bob Stone". The recipient was Benjamin "Dink" Bruce, a cult figure in Key West, Florida. Dink's father Telly Otto Bruce ("Toby") originally moved to Key West at the behest of his Arkansas friend Ernest Hemingway in 1935, serving the author in a vague capacity of general fixer for some thirty years, and Dink later became a local cult figure in his own right: "Bruce seemed to cross paths with every celebrity who came through Key West. He didn't seek them out; they found him. In Key West, Dink Bruce was royalty" (McKeen, Mile Marker Zero: The Moveable Feast of Key West, p. 90). Robert Stone lived in Key West until his death in 2015. Dog Soldiers was first published by Houghton Mifflin in 1974, A Hall of Mirrors was first published in 1966, also by Houghton Mifflin. Dog Soldiers is a National Book Award Winner and was adapted by Stone and Judith Rascoe into the 1978 film Who'll Stop the Rain.

      [Bookseller: Peter Harrington]
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        La pittura subformale

      Milano, Garzanti, 1975 - Con testi di Gian Alberto Dell'Acqua, Giuseppe Marchiori, Franco Russoli, Michel Tapiè e dedica di Eugenio Montale. Con 24 grandi tavole a colori fuori testo. Folio. pp. 24 - tavole. Bella dedica con 2 disegni a piana pagina e firme autografe dell'Artista (sulla prima e sull'ultima pagina bianca) (Substantial inscription with 2 original drawings signed by the Artist). Molto buono (Very Good). Sovracoperta sciupata ai margini (Some chipping and nicks around top and bottom of dust jacket). . . Rilegato tela, sovracoperta (cloth, dust jacket) [Attributes: Hard Cover]

      [Bookseller: Studio Bibliografico Marini ALAI - ILAB]
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        Zeichnungen zu Codices Madrid von Leonardo da Vinci.

      Stuttgart, manus presse 1975. 155 S. 81 eingebundenen s/w-Granolithographien und eineer lose beigelegten num. u. sign. Granolithographie 11/100. OHLn. 23,5 x 17,1 cm. Eins von 900 (gesamt 1000) Exemplaren. Die beigelegte Lithographie 11 von 100. Tadelloses Exemplar.

      [Bookseller: Antiquariat Stefan Küpper]
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        The Greatest: My Own Story

      Random House, New York 1975 - First Printing of the Stated First Edition. Signed by Muhammad Ali directly on the title page. Book in fine condition; in dust jacket, with bump to top, outer back corner, crease to upper corner of inside front-flap, and light edge wear, else in fine condition. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Idler Fine Books]
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        THE PICTURE NEWSPAPER Vol IV, Nos 1-3 [set]

      The Picture Newspaper, Inc, New York 1975 - 36pp., 36pp, 40pp. Illustrated throughout with photos and art in b/w and color. A groundbreaking, all-image magazine in newspaper format, featuring some of the most fascinating photographers and personalities of the day. Approx. 14.5 x 22.5, folded (as issued). Each issue comprises two sections. Issue #1 highlights: a set of photos of Jerry Hall playing with a guy's buttocks, leaving playful lipstick marks on it; photos by Antonio Lopez. Male nude by Ken Haak. Drawings of male nude by Antonio Lopez. Marilyn Monroe by Milton H. Greene. Peter Hujar portraits of Divine and John Waters. Richard L. Schaefer. Christian Piper. Chris Callis. Richard Misrach, portrait of Julia (otherwise unidentified, but this appears to be Berkeley street poet, later Poet Laureate, Julia Vinograd). Issue #2 highlights: Bill Cunningham. Grace Jones, by Antonio Lopez. Richard Avedon. Peter Beard. Man Ray Patti Smith with Bob Dylan, photo by Danny Fields. Annie Leibovitz. Christian Piper. Wizard of Oz and Richard Bernstein (model in comic strip paper bikini) centerfolds. Issue #3 highlights: Richard Bernstein 'Guggenheim' cover. Bill Cunningham. Edward Steichen. Toscani. Ralph Gibson. Divine illustration by John Mathews. Leni Riefenstahl, Masai women. David Myers. Sylvia Plachy. Jayne Mansfield & Cherry Vailla, Donald Duck centerfolds. Tabloid-format newspaper magazines. Light edgewear; small closed tear to edge of centerfold in fisrt issue, second issue has very minor wear, third issue is near fine. A well-preserved set. Very good [Attributes: Soft Cover]

      [Bookseller: Alta-Glamour Inc.]
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        INTRODUZIONE CRITICA ALLA LETTERATURA LATINA

      SALERNO: SOCIETA' EDITRICE SALERNITANA, 1975. BROSSURA. BUONO. 16 22. USATO

      [Bookseller: Controcorrente Group srl BibliotecadiBab]
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        THE PHILOSOPHY OF ANDY WARHOL (FROM A TO B AND BACK AGAIN)

      New York: Harcourt, Brace, Jovanovich. 1975. Second printing of the first edition (with correct BCDE letter code). Second printing of the first edition (with correct BCDE letter code). Signed by the author. Original yellow paper-covered boards over orange cloth spine, in dustwrapper. An excellent very near fine copy, the binding square and firm, the contents clean throughout and without previous owner's inscriptions or stamps. Complete with the very good rubbed, nicked and chipped dustwrapper ($7.95 to the upper front flap). Signed by Andy Warhol diagonally in black ink across the half title. Further details and images for any of the items listed are available on request. Lucius Books welcomes direct contact with our customers.

      [Bookseller: Lucius Books]
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        NAUM KNOP

      , 1975. 1975. BRUGHETTI, Romualdo. NAUM KNOP. Text in Spanish and English. [Buenos Aires, Argentina]: Ediciones Lesague, [1975]. Quarto, black imitation leather in dust jacket. First Edition. Knop was born in Buenos Aires of Russian parents in 1917 and became an extremely well-known muralist and sculptor, particularly in metal and wood. Signed inscription by Knop on the title page: "It is my pleasure to send you this book in which part of my work can be seen. If it were of your interest you can write to me to Naum Knop [then he writes his address and telephone number]. A scarce book but extremely difficult to find a signed copy! Very Good (contents clean & tight); few short tears & related creases d/j. Rare! $500.00.

      [Bookseller: Antic Hay Books ]
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        Ishiwara Kanji and Japan's Confrontation with the West

      Princeton University Press, 1975. 430 pages, blue-gray cloth in a lightly worn dust jacket with several small chips. slight fade to spine, unclipped. Very scarce. Record # 406236

      [Bookseller: Monroe Street Books]
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        Quat'saisons

      La table ronde 1975 - - La table ronde, Paris 1975, 14x20,5cm, broché. - Edition originale, un des exemplaires du service de presse. Envoi autographe signé d'Antoine Blondin : "A l'ami Lallemand, en hommage amical." Agréable exemplaire. [AUTOMATIC ENGLISH TRANSLATION FOLLOWS] first edition, one of the review copies service. Autograph signed by Antoine Blondin: "A friend Lallemand, in friendly tribute ." Pleasant copy. [Attributes: First Edition; Signed Copy; Soft Cover]

      [Bookseller: Librairie Le Feu Follet]
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        ÚLTIMA EXPOSICIÓN INTERNACIONAL DE ARTECORREO '75. E. A. Vigo – Horacio Zabala.

      Galería Arte Nuevo., Buenos Aires 1975 - 15x25 y 13x23. Catálogo de la muestra. 8pp. Se incluye también 'Multiples', un sobre que contiene 8 piezas de arte correo de Robin Crozier, Horacio Zabala, Julien Blaine, Paulo Bruscky, Edgardo Antonio Vigo, Diego Barboza, Philip Dunkan, Lomholt. Raro completo

      [Bookseller: Carmen Alonso Libros]
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        THREE HUNDRED MASTERPIECES OF CHINESE PAINTING IN THE PALACEMUSEUM.

      Taichung [1975], N.P.M. Blue silk, stitched binding, as new, copy, 2 blue cloth folding cases, ivory clasps, profusely illustrated with tipped in color plates, tissue guards, English & Chinese text, index, very clean, flawless. R A R E Extensive plate-by-plate commentaries on each work. Compiled by Wang Shih-chieh [Wang Shijie] & Lo Chia-luen. English introduction by Wang & essay by Lo: AN APPROACH TO THE APPRECIATION OF CHINESE PAINTING. A magnificient and monumental work, covering 300 of the most of the important artists works from the T'ang to Ming dynasties. Each illustration is preceeded by a tissue sheet with description, date, size & details in English. This is a major reference resource for the collection for these periods. Highly useful to any serious library, student or collector. THE PLATES: 300 plates, mostly collotype but some tipped-in color. EDITION: The FIRST EDITION was published in 1959, in a LIMITED NUMBERED EDITION OF 1500. + Another 1959, unnumbered edition of 500 copies, 6 blue silk bound volumes, 3 per box. Followed by 1960 edition of 500 copies Followed by 1975 edition of 1000 copies. .

      [Bookseller: Rare Oriental Book Company, ABAA, ILAB -]
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        Die ungebührliche Müllerin. 12 Original-Zeichnungen.

      Deutschland, 50erJahre. - Blattgröße 22 x 16,5 cm.5x18 cm und kleiner. Ausgeführt in Blei und koloriert auf einzelnen Blättern. Diese montiert auf schwarzem Karton im Folio-Format. Den Gerüchten zufolge, soll es sich bei dem anonymen Künstler um einen süddeutschen Beamten gehandelt haben, der sich in seiner Freizeit masochistischen Phantasien hingab. El's Frauen sind grosse, fleischige Herrinnen, die Männer oft jungenhaft. Alle wurden auf einfachem, leicht gelblichen Zeichenpapier ausgeführt. Beigegeben ist die einzige Dokumentation über den Künstler: |Die ungebührliche Müllerin|. Ein deutsches Sonntagsmärchen. Entdeckt und erzählt von Istvan Schwenda. Ero Press 1975. Leicht angestaubt. Guter Zustand dieser Kuriosität mit Kultcharakter. -------------------- |English description available on request. Traduction française sur demande.| [Attributes: Soft Cover]

      [Bookseller: Antiquariat Ars Amandi]
 28.   Check availability:     ZVAB     Link/Print  


        12 Instant Images: The Sx-70 Experience

      Cambridge, Massachusetts: Polaroid Corporation(1975). First Edition / First Printing. Fine in No Dust Jacket, As Issued. 18 pages. Landmark collection of large-scale Polaroid reproductions. One of the most beautiful art photography collections of the 20th century. Limited Clamshell Box/Portfolio Edition of 1000 copies. The first and only edition. There is no ISBN. The Limited Edition is now rare. A magnificent production by Manfred Heiting and Polaroid: Oversize-volume format. A very tall and slim book. Photographs by various contributors. Each photographer is represented by one loose, 13 X 17 inch, large-scale plate. Text printed on six separate 13 X 17 inch, large-scale sheets. The latter provides invaluable information on the Polaroid SX-70 Land Camera And Film System and brief Biographies of the photographers. Linen cloth clamshell box/portfolio with black titles embossed on the cover and maroon lift ribbon hand-crafted by Joh. Enschede & Zonen The Netherlands. Plates reproduced on thick, Chromecoat 300 gsm glossy stock paper in the United States to the highest standards. In publisher's protective plastic wrappers. Without DJ, as issued. Presents, in a lavish Limited Edition format, "12 Instant Images: The SX-70 Experience". The remarkable range, nuances of color, and clarity of the Polaroid SX-70 camera. Demonstrated through loose plates by Charles Eames, Judith Eglington, Sam Haskins, Ikko, Monique Jacot, Rita Kohmann, Michael Kostiuk, Jr. , Francois Lamy, Horst Munzig, Helmut Newton, Pete Turner, and Christian Vogt, with a facsimile of their respective signatures printed on recto (the first fifty copies were hand-signed). Polaroid The Company may be gone, but Polaroid The Photograph remains. This self-published collection casts a retrospective glow and honors a medium that defies the Digital Age, and remains a favorite among artists for its quirky look and instantly gratifying, one-of-a-kind images. Nearly every serious photographer fell in love with the Polaroid camera, and used it at some point. Peter Beard, David Hockney, Robert Mapplethorpe, and Andy Warhol, among other major artists, created a significant body of Polaroid work. Carlo Mollino, the ultimate aesthete-artist, is best-known for and gave new meaning to the Polaroid photograph as one-of-a-kind. An absolute "must-have" title for Polaroid and photography book collectors. This title is a great photography book collectible. As far as we know, this is one of only two copies of the Limited Clamshell Box/Portfolio Edition (of 1000 copies) still available online, is in the publisher's original plastic wrappers, and is in especially fine condition: Clean, crisp, and bright, a pristine beauty. A rare copy thus. 12 loose color plates. Some of the finest photographers of the 20th century. A fine collectible copy. (SEE ALSO "THE POLAROID BOOK" AND OTHER HELMUT NEWTON AND CHRISTIAN VOGT TITLES IN OUR CATALOG).

      [Bookseller: ModernRare]
 29.   Check availability:     Bibliophile     Link/Print  


        Film Comment --January/February 1975 (Special Issue: The Hollywood Cartoon)

      New York: The Film Society of Lincoln Center, 1975. Original wraps. Very Good. The Jan/Feb 1975 "Hollywood Cartoon" issue of Film Comment, WARMLY INSCRIBED BY THE GREAT CHUCK JONES on the front cover, next to his full-page drawing of "Bugs Bunny". Magazine-formatted, clean and VG in its stapled wrappers, with very light waviness at the front panel. 96 pgs., 16 color pgs. Includes a lengthy interview with Chuck Jones and scholarly articles about Windsor McCay, Max Fleischer, Tex Avery, Michael Maltese and Maurice Noble ("Chuck Jones' crucial collaborators"), etc.

      [Bookseller: Appledore Books, ABAA]
 30.   Check availability:     Biblio     Link/Print  


        Where Time Has Vanished

      Tokyo: Asahi Shimbun Co., 1975. First edition. Hardcover. Near Fine. Large, nearly square hardbound volume. Folio size (over 13"). A book with atmospheric black and white photographs by Narahara Ikko. Book design by Mitsuo Katsui. Brief text in Japanese. Includes 100 full-page black and white photographs plus one color photograph at the end. Book is in superb near fine condition. Comes in hard slipcase with title and author printed at spine. Some small scuffs to the spine of slipcase, otherwise in excellent condition. This copy comes in the original printed thick cardboard shipping carton. A large and heavy volume.

      [Bookseller: Derringer Books, Member A.B.A.A.]
 31.   Check availability:     Biblio     Link/Print  


        Granite & Cypress: Rubbings from the Rock. Poems Gathered from the Stonemason Years When Submission to the Spirit of Granite in the Building of House & Tower & Wall Focused His Imagination & Gave Massive Permanence to His Verse.

      University of California at Santa Cruz: Lime Kiln Press, 1975. University of California at Santa Cruz:: Lime Kiln Press, 1975., 1975. Oblong folio. [58] pp. Printed on English Hayle handmade paper, title-page woodcut by William Prochnow. Bound by Schuberth Bookbindery in German linen, open-laced deerskin over Monterey Cypress spine, Japanese Uwa end-papers. Custom slipcase made of Monterey Cypress inlaid with a square "window" of granite from Jeffers' stoneyard (drawn by the poet from the sea), built to stand erect on a felt-lined cypress stand; case with hair-line crack, else fine. SIGNED by printer William Everson in ink at limitation page. Prospectus signed by Everson and three proof-sheets laid-in. LIMITED EDITION of 100 numbered copies. EXCEPTIONALLY RARE presentation of Jeffers' powerful collection, housed in a beautiful case meant to stand on its own as a work of art. This unique blending of physical and lyrical expression weaves together layers of meaning in a celebration of permanence, poetry, and fine presswork, resulting in a truly outstanding piece. The Lime Kiln Press was a hand-press workshop run by Everson at UC Santa Cruz. Granite & Cypress is its third publication. "Perhaps the most extraordinary of Everson's lifelong attempts to create the unified or 'sacral' book, in fact, involves the printing of Robinson Jeffers' Granite & Cypress: Rubbings from the Rock. Every aspect of the poetic content, the landscape against which the poems were written, and the nature of the poet himself has been taken into account in the designing of this artifact" (Bartlett, p. 207). In a letter to critic and author Lawrence Clark Powell, Jeffers' wife, Una, writes: "The conflict of motives on the subject of going to war or not was probably one of several important factors that, about this time, made the world and his own mind much more real and intense to him. Another factor was the building of Tor House. As he helped the masons shift and place the wind and wave-worn granite I think he realized some kinship with it, and became aware of strengths in himself unknown before" (Jeffers in Occidental College, p. 4). From the prospectus: "Readers will find here, then, four unprecedented features. In the book itself they will read together for the first time the nuclear body of poems which Jeffers wrote under the impact of stone, the transforming symbol of his creative emergence. They will see the long Jeffers line extended to its natural outreach, like the pulse and withdrawal of the tides to which he attributed his prosody. They will find a typography in which the implication of stone is carried to the ultimate, registering the wave-worn permanence of his mood and themes. And in the incomparable case which enshrines the whole they will possess the architectonic resolution of all these elements, memorializing the achievement of a spirit intense but serene, and the passionate instinct, immoderate and fierce, by which he will always live." Bartlett, Lee. Benchmark & Blaze: The Emergence of William Everson. Lanham, MD: Scarecrow Press, 1979; Jeffers, Una, Occidental College, and Robinson Jeffers Committee. Robinson Jeffers Newsletter, (1975).

      [Bookseller: Jeff Weber Rare Books ]
 32.   Check availability:     ABAA     Link/Print  

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