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Displayed below are some selected recent viaLibri matches for books published in 1975

        Cowboy Kate and other Stories.

      London: Haskins Press, 1975 - Folio. Original grey boards, titles to upper board and spine in black. With the photographic dust jacket. A fine copy in the minimally creased dust jacket and original rubber-stamped cardboard carton. Profusely illustrated with photographic reproductions by Haskins. Second edition, the first by Haskins's own press. One of 1,500 numbered copies signed by the photographer. First published by the Bodley Head in 1965, the book was reissued by Haskins under his own imprint in this far superior format. Scarce in such fresh and complete condition. [Attributes: First Edition; Signed Copy]

      [Bookseller: Peter Harrington. ABA member]
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        Cowboy Kate and Other Stories (Signed Limited Edition)

      London: Haskins Press, 1975. Limited Edition . Hardcover. Fine/Fine. This is a signed limited edition of Sam Haskins classic photobook Cowboy Kate and Other Stories published by Haskins Press, London in 1975. Originally published by Bodley Head in 1965, Haskins reissued the book under his own imprint in this far superior format that is beautifully produced in gravure and full captures the photographic grain that Haskins used as a medium for expression and image design. Cowboy Kate was awarded the Prix Nadar, France, in 1964 and continues to be a major influence on contemporary photographers, film makers, and fashion designers. Measuring approximately 12 inches x 15 inches, the book is a hardcover with a photographically illustrated dust jacket. The book and dust jacket are both in FINE condition. The book is protected by a mylar cover. The book is inscribed and boldly signed by Sam Haskins on the title page.

      [Bookseller: Franklin Books]
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        Autograph Note Signed, with a drawing, July 1975 [with, on verso:] Autograph Notes Signed by PREVIN, Andre, and FARROW, Mia, July 1975

      n.p., n.d. - Feiffer writes: "To Alfred Eisenstaedt--The fastest legs in the business / Many thanks"; his drawing shows sandled feet, bare legs and shorts beside which cameras left and right click away in the manner of a Wild West gunslinger shooting from the hip. Previn's note hails "The only man who can discuss Prokofiev and take pictures of five children at the same time!!" while Farrow's reads, "Short hair / long hair, short again-- / two, three, four five children-- / one eight ten years-- / come back next year its always good to see my friend" Pen and ink on paper. Marginal binding holes, else fine

      [Bookseller: James Cummins Bookseller, ABAA]
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        Historical Panorama of San Francisco.

      San Francisco, Calif. 1975 - Watercolor and gouache. 25 x 58 inches. Original design for the mural at the Home Savings Branch at 2750 Van Ness Ave. at Lombard (now the Washington Mutual Lombard Financial Center). This design is replicated as a circular mural around the entire branch public space interior. The 22 panels are titled by artist in pencil on the mount beneath each panel and include: Indian, Appaloosa, Spanish, Padres, Early Settlers, Miners 49, Spanish Galleon, Clipper Ship, Railraoad Tycoons, Barbbary Coast, Gamblers, The Fire, Fireman, Ferry Boat, Chinatown, Victorian House, Women of 1890, Bicycle 1880, Pony Express, Cable Car, Society 1900, Golden Gate Park and The Golden Gate Bridge with Yachts. Signed, dated, annotated and titled by the artist in pencil beneath the images. Framed. Image reproduced is of one 2 if the panels. [Attributes: Signed Copy]

      [Bookseller: Wittenborn Art Books]
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        Salem's Lot

      Garden City: Doubleday. 1975. His second novel. Inscribed by King in the year of publication: "For ____, from your mother -- / I hope you enjoy it and have a Merry Christmas!/ Stephen King/ November 20, 1975." A small skinned spot on the front free endpaper makes this a near fine copy in a near fine, corner-clipped second issue dust jacket (with the printed price $7.95 and the reference to "Father Cody" in the flap text), with modest corner rubbing and a strip of offsetting to the rear panel. An attractive copy of this book, much better than usually found, and with the earliest King inscription we have seen in it. Early King books with contemporary inscriptions are extremely uncommon: the first printings were small and the books didn't sell particularly well. It wasn't until about 1980 that his books were bestsellers immediately upon publication. Also, King didn't do the extensive author tours that later became the norm for promoting books. First Edition. Hardcover.

      [Bookseller: Ken Lopez Bookseller, ABAA]
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        Max Ernst: OEuvre-Katalog, 1906-1963. The Complete Paintings, Drawings, Sculpture, Frottages, Collages and Graphics. Volumes I- VI.

      Houston, Tex.: Menil Foundation-2006 Distribution by Wittenborn Art Books. 1975 - Catalogue raisonné. 6 vols.: 288, 436, 418, 412, 398, 420 pp.; 656, 796, 774, 776, 743, 740 monochrome illustrations, respectively. Text in English, German and French. Catalogue descriptions in German with English language glossary. Cloth in dust jackets in cardboard slipcases. This set includes the volume on the graphic work. Seit dem Erscheinen des ersten Bandes über die Graphik im Jahr 1975 wurde in bisher sechs Bänden eines der großartigsten Oeuvres des 20. Jahrhunderts von Werner Spies sowie Sigrid und Günter Metken und Helmut R. Leppien (Graphik) in wissenschaftlicher Bearbeitung vorgelegt. Über die Gesamtaufnahme eines der imponie-rendsten Werke der Moderne hinaus wurde hier ein wenig bekanntes Oeuvre in seiner Geschlossenheit erstmals ganz erfassbar gemacht. Es entstand die Basis für eine sagenhafte Resonanz, die sich seitdem in unzähligen Ausstellungen fortsetzt und Max Ernst als einen der ganz großen Meister der Moderne feiert. Alle sechs Bände führen die Werke in durchlaufend chronologischer Folge auf und geben damit Einblick in die Welt einer kreativen Intelligenz, die in allen Medien die erstaunlichsten Bildfindungen leistet. Wer das Staunen verlernt hat, dem wird sich in diesen Bänden eine Bildwelt eröffnen, deren Reichtum alle modernen Phantasien übersteigt und deren Entschlüsselung noch lange die kunstbegeisterte Welt beschäftigen wird. 1: Das Graphische Werk. Von Helmut R. Leppien. 288 Seiten mit 656 Abbildungen, dreisprachigem Vorwort des Herausgebers, dreisprachiger Einleitung, alphabetischem Titelverzeichnis, Konkordanz und dreisprachigem Glossar, Format 33 x 25 cm, gebunden mit Schutzumschlag. Band 2: Werke 1906 - 1925. 436 Seiten mit 796 Abbildungen. Band 3: Werke von 1925 - 1929. 418 Seiten mit 774 Abbildungen. Band 4: Werke 1929 - 1938. 416 Seiten mit 776 Abbildungen. Band 5: 1939 - 1953. 381 Seiten mit 66 Abbildungen. Band 6: Werke von 1954 - 1963. 424 Seiten mit 784. Abbildungen Von Werner Spies, Sigrid und Günter Metken und mit dreisprachiger Einleitung, Ausstellungs- und Literaturverzeichnissen sowie dreisprachigem Glossar, Format 33 x 25 cm, gebunden mit Schutzumschlag. [Attributes: Hard Cover]

      [Bookseller: Wittenborn Art Books]
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        Max Ernst: OEuvre-Katalog, 1906-1963. The Complete Paintings, Drawings, Sculpture, Frottages and Collages. 5 volumes.

      Houston, Tex.: Menil Foundation-98. Distribution by Wittenborn Art Books. 1975 - Catalogue raisonné. First editions. 5 vols.: 436, 418, 412, 398, 420 pp.; 796, 774, 776, 743, 740 monochrome illustrations, respectively. Text in English, German and French. Catalogue descriptions in German with English language glossary. Cloth in dust jackets in cardboard slipcases. This set does not include the volume on the prints. Seit dem Erscheinen des ersten Bandes über die Graphik im Jahr 1975 wurde in bisher sechs Bänden eines der großartigsten Oeuvres des 20. Jahrhunderts von Werner Spies sowie Sigrid und Günter Metken und Helmut R. Leppien (Graphik) in wissenschaftlicher Bearbeitung vorgelegt. Über die Gesamtaufnahme eines der imponie-rendsten Werke der Moderne hinaus wurde hier ein wenig bekanntes Oeuvre in seiner Geschlossenheit erstmals ganz erfassbar gemacht. Es entstand die Basis für eine sagenhafte Resonanz, die sich seitdem in unzähligen Ausstellungen fortsetzt und Max Ernst als einen der ganz großen Meister der Moderne feiert.Alle sechs Bände führen die Werke in durchlaufend chronologischer Folge auf und geben damit Einblick in die Welt einer kreativen Intelligenz, die in allen Medien die erstaunlichsten Bildfindungen leistet. Wer das Staunen verlernt hat, dem wird sich in diesen Bänden eine Bildwelt eröffnen, deren Reichtum alle modernen Phantasien übersteigt und deren Entschlüsselung noch lange die kunstbegeisterte Welt beschäftigen wird.Band 2: Werke 1906 - 1925. 436 Seiten mit 796 AbbildungenBand 3: Werke von 1925 - 1929. 418 Seiten mit 774 AbbildungenBand 4: Werke 1929 - 1938. 416 Seiten mit 776 AbbildungenBand 5: 1939 - 1953. 381 Seiten mit 66 AbbildungenBand 6: Werke von 1954 - 1963. 424 Seiten mit 784 AbbildungenVon Werner Spies, Sigrid und Günter Metken und mit dreisprachiger Einleitung, Ausstellungs- und Literaturverzeichnissen sowie dreisprachigem Glossar, Format 33 x 25 cm, gebunden mit Schutzumschlag [Attributes: Hard Cover]

      [Bookseller: Wittenborn Art Books]
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        Punk (Magazine): Complete

      New York: Punk Publications, 1975-1981. Complete original run (issues #1- #17). Variously Folio folded tabloid and quarto, pictorial wrappers. Illustrated. Complete in 15 issues total, numbered 1-17 (issues 9 and 13 were never printed), plus the D.O.A. The Official Film book. Near Fine condition overall: some issues Fine, most Near Fine, and issues 2 & 10 Very Good. Pages clean, little wear. Light rubbing. A few issues have Rough Trade stickers on their rear cover, for UK export. Issue 2 has a tear along its left edge as well as typical blue ink along edges. Issue 10 has some rubbing and finger smudges on cover. Issue 1 has a tiny dampsatin on the margin of its front cover. Slight foxing to cover of issue 12. An attractive set.

      [Bookseller: Burnside Rare Books]
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        MICHELANGIOLO BUONARROTI, con 17 incisioni in rame di MARC DAUTRY- VOL. I- II, Roma, Eldec Edizioni pregiate, 1975

      - Due volumi rilegati con raffinata eleganza in pIena pelle con ali, a cura della legatoria Conti Bortone di MIlano, con chiusura a portafogli assicurata da laccetti di cuoio; I volumi sono avvolti da tre striscie di pelle chiara ed ai piattI è impressa in oro, sulla prima striscia in alto, la firma di MICHELANGELO. Formato cm. 35 x 42,5, Il primo volume reca 8 incisioni in rame a fogli sciolti, protette da veline e tutte firmate a matita in basso sulla destra da MARC DAUTRY, ed inoltre a lato del frontespizio il ritratto inciso di Michelangelo (fissato al volume) sempre firmato da Dautry, pagine 227 (2) con preziosi indici. Il secondo volume, reca anch'esso 8 incisioni in rame (la prima è a doppia pagina) tutte firmate come per il primo volume pagine 223 (5) per un totale complessivo di 17 incisioni. In entrambi ci sono all'inizio ed alla fine la riproduzione di pagine manoscritte ad opera del sommo artista. Edizione critica e prefazione di ENZO NOE' GIRARDI. Questa splendida edizione presenta IL MEGLIO DELL'OPERA DEL GRANDE MAESTRO IN POESIA ED IN PROSA e questa riproduzione assai fedele costituisce una rarit? tipografica di grande pregio ! L'ORIGINALE SI TROVA NEL CODICE VATICANO. UN ALTRO DEI POCHI ORIGINALI SI TROVA NELLA STAATBIBLIOTHEK DI MONACO DI BAVIERA ED E' 'SCRITTO IN LATINO. La tiratura è assai limitata ed èstata così predisposta : 30 esemplari fuori commercio 8 + 16 esemplari "ad personam" 126 esemplari corredati da una seconda serie di incisioni, stampate su carta Giappone, con firma autografa dell'artista, contraddistinti con numeri da I a CXXVI. Ex libris su targa in argento. 1820 esemplari completi di incisioni, stampate su carta Arches, contraddistinti con numeri da 1 a 1820 (il nostro esmepolare fha parte di quersta tiratura e race il num. 955) Le incisioni in rame sono state stampate in torchio a mano dal maestro stampatore MANUEL ROBBE. Il carattere del testo "Caslon Two LInes Pica" è stato fuso appositamente per questa edizione dalla fonderia CASLON RADIGUER di Parigi su matrici originali del 1734. La composizione a mano, l'impaginazione e la stampa tipografica sono state eseguite da maestri tipografi Yvette e Jean Paul VIBERT.

      [Bookseller: Ferraguti service s.a.s. - Rivisteria]
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        Antikes, islamisches und mittelalterliches Glas, sowie kleinere Arbeiten aus Stein, Gagat und verwandten Soffen in den Vatikanischen Sammlungen Roms (Museo Sacro, Museo Profano, Museo Egizio, Antiquarium Romanum) Catalogo del Museo Sacro della Biblioteca Apostolica Vaticana publicato per ordine della Santita di Paolo Papa VI

      Citta del Vaticano, Biblioteca Apostolica Vaticana, 1975.. Volume V 133 Seiten, 92 Tafeln, sowie zwei Farbtafeln 32 cm x 41 cm, Folio, Halbleinen, sehr guter Zustand. Dieser Katalog vereint alle antiken Gläser (mit Ausnahme der Goldgläser) der vatikanischen Sammlungen. Er beinhaltet Abbildungen und Beschreibungen von 1159 Glasstücken. Fremersdorf war Direktor des Römisch-Germanischen Museums in Köln. Mit einem Vorwort von Alfons M. Stickler, Präfekt der Vatikanischen Bibliothek. BR14F1

      [Bookseller: Versandantiquariat Karl Heinz Schmitz]
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        Mike Mandel: Untitled (Baseball-Photographer Trading Cards), Complete Set of 135 Cards

      Mike Mandel (self-published), Santa Cruz, California 1975 - First edition, first and only printing. 134 photo-offset lithographic reproductions of photographic portraits printed on individual "trading cards," with an additional card including a complete checklist of participating photographers. Photographs by Mike Mandel. Texts, statistics and quotes by the respective artists printed on verso (e.g., Ed Ruscha: "Everything you've ever wanted is right in your own backyard;" Bobby Heinecken: ".Critics often misspell his last name, hence he is often mistaken for the European beer player."). Each card 3-1/2 x 2-1/2 inches. Lithographic reproductions printed by Mike Roberts, Berkeley, California. The cards were originally packaged with sticks of chewing gum by Topps Chewing Gum, Brooklyn, New York. In 1975, Mike Mandel traveled around the U.S. with baseball equipment and uniforms to produce a series of portraits of important and influential photographers, curators, art historians and critics. The resulting cards were, and still are, traded by those in the field. Out of print. CONDITION: Fine (all cards). The photographers, curators, art historians and critics included are: 1) Bob Flick; 2) Joel Meyerowitz; 3) Van Deren Coke; 4) Joe Deal; 5) Ron Walker; 6) Lee Witkin; 7) Al Sweetman; 8) Don Drowty; 9) Ellen Brooks; 10) Dennis Hearne; 11) Elaine Mayes; 12) Bart Parker; 13) Larry Sultan; 14) Ed West; 15) Arthur Siegel; 16) Leonard Freed; 17) Margery Mann; 18) Harry Callahan; 19) Gary Metz; 20) Peter Gowland; 21) Ansel Adams; 22) Ed Ruscha; 23) Grace Mayer; 24) Mike Mandel; 25) Harold Allen; 26) Laura Gilpin; 27) Hank Smith; 28) Anne Tucker; 29) Phil Perkis; 30) Michael Simon; 31) Bill Owens; 32) Manuel Bravo; 33) Nathan Lyons; 34) Bill Arnold; 35) Jim Hajicek; 36) Les Krims; 37) Joyce Neimanas; 38) Judy Dater; 39) Al Coleman; 40) Ira Nowinski; 41) Jack Welpott; 42) Linda Parry; 43) Burke Uzzle; 44) Jim Dow; 45) Dave Freund; 46) Todd Walker; 47) Catherine Jansen; 48) Eva Rubinstein; 49) Eddie Sievers; 50) Minor White; 51) Michael Becotte; 52) Fred McDarrah; 53) Richard Link; 54) Betty Hahn; 55) Nick Hlobeczy; 56) Bob Cumming; 57) Ken Josephson; 58) Naomi Savage; 59) John Divola; 60) Tom Barrow; 61) Carl Chiarenza; 62) Bea Nettles; 63) Roger Mertin; 64) John Benson; 65) Cal Kowal; 66) Aaron Siskind; 67) R. von Sternberg; 68) Paige Pinnell; 69) Arthur Tress; 70) Jacob Deschin; 71) Linda Connor; 72) Don Blumbeing; 73) Jim Alinder; 74) Harold Jones; 75) M.J. Walker; 76) Bill Parker; 77) Al Woolpert; 78) Duke Baltz; 79) Gus Kayafas; 80) Duane Michals; 81) Darryl Curran; 82) Arnold Newman; 83) Geoff Winningham; 84) Paul Vanderbilt; 85) Anne Noggle; 86) Timo Pajunen; 87) Edmund Teske; 88) Imogen Cunningham; 89) Andy Anderson; 90) Bill Larson; 91) Pete Bunnell; 92) Robert Doherty; 93) Joe Jachna; 94) Oscar Bailey; 95) Jerry Uelsmann; 96) Art Sinsabaugh; 97) Charles Roitz; 98) Doug Stewart; 99) Chuck Swedlund; 100) Bill Edwards; 101) Bobby Heinecken; 102) Micha Bar-Am; 103) Beaumont Newhall; 104) Wynn Bullock; 105) Jerry McMillan; 106) John Schulze; 107) Neal Slavin; 108) Lee Rice; 109) Joan Lyons; 110) Bill Jenkins; 111) Fred Sommer; 112) Barbara Crane; 113) Emmet Gowin; 114) Barbara Morgan; 115) Mark Power; 116) Cornell Capa; 117) Lionel Suntop; 118) Bunny Yeager; 119) Doug Prince; 120) Eileen Cowin; 121) Eve Sonneman; 122) Reg Heron; 123) Scott Hyde; 124) Conrad Pressma; 125) John Szarkowski; 126) Bill Eggleston; 127) Mike Bishop; 128) Bob Fichter; 129) Liliane DeCock; 130) Tom Porett; 131) Arnold Crane; 132) Arnold Gassan; 133) Elliott Erwitt; 134) Len Gittleman; 135) Trading card checklist. The cards are stored in clear polyproylene archival baseball card pages (9 cards to a page). From the artist: "The project satirized the phenomenon of the fine art photography community being consumed by the larger art world and commercial culture. I photographed photographers as if they were baseball players and produced a set of cards that were packaged in random groups of ten, with bubble gum, so that the only [Attributes: First Edition]

      [Bookseller: Vincent Borrelli, Bookseller]
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        Le temps de la mue - Texte et illustrations de Léonor Fini.

      - ED Galerie Bosquet, 1975 - In folio. Sous chemise et étui cartonnés de l'éditeur. 20 eaux fortes en couleurs de l'artiste. Tirage total à 230ex, celui-ci signé et numéroté 64/185. Toutes les planches sont signées par l'artiste. Etat neuf

      [Bookseller: Place des Arts - Paris]
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        The Sonnets of William Shakespeare. Preface by Robert Graves With Drawings by Clarke Hutton. Designed by Edward Burrett

      Swallow Press. 1975 - Folio. Nine page preface by Robert Graves. Illustrated with 40 full page drawings by Clarke Hutton. Full tan Niger morocco by Sangorski & Sutcliffe, London, stamped in gilt with a vignette of a sunburst, t.e.g.; purple and gold patterned endpapers. 154 pp. Enclosed in a matching purple and gold board slipcase. signed by Robert Graves, Edward Burrett and Clarke Hutton. Printed by W.E. Baxter of Lews, Susssex. No.124/300 copies, this copy with the additional original drawing by Clark Hutton for the illustration at page 65, this being one of 40 copies with an original drawing, the drawing in matching window mount and cloth-backed patterned portfolio with ties. The drawing is signed and dated '1974' by Hutton in pencil. [Attributes: First Edition; Hard Cover]

      [Bookseller: Roe and Moore]
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        Complete Writings 1959-1975. Gallery Reviews. Book Reviews. Articles Letters to the Editor. Reports. Statements. Complaints

      Halifax/New York . 1975 - 232 S., zahlr. Abb., kart., 27,5 x 21,5 cm. Au?üen etwas fleckig u. mit Besitzvermerk auf Titel. [Attributes: Soft Cover]

      [Bookseller: Galerie Buchholz OHG (Antiquariat)]
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        La Metamorphose

      Ariane Lancell, Paris 1975 - Original wrappers contained in silk lined solander box with decorative silk exterior and gilt titles, exterior rubbed on corners and slightly faded, wraps splitting at joints and one split extends a few cm into the front cover, contents clean and bright, text with elaborate engraved initials, No.XV of XV Exemplaires D'Artiste. A seperate portfolio contains 15 coloured etchings by Antonio Totero each of which is numbered xv in pencil and with an image size of 36cm by 27cm, the portfolio has an initial page explaning the various sets of illustration produced and this is signed by Totero as well as by the editor and printer. , Folio 39cm by 59cm, Unpaginated pp [Attributes: Hard Cover]

      [Bookseller: double - B - books]
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        Roller-Printed Paste Papers for Bookbinding.

      North Hills PA: Bird & Bull Press 1975 - First edition. One of "Approximately 215 copies" (200 were for sale); large, oblong octavo, 57 pp., + [4]. 25 paper samples, including the one used on title, tipped in; 13 illustrations in the text; original blue pasteboard sides with white parchment spine lettered in gold. A fine copy. [Attributes: Hard Cover]

      [Bookseller: Peter Keisogloff Rare Books, Inc.]
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        Derriere Le Miroir. No. 212, January 1975

      Maeght, Paris 1975 - 28 pages. 36 x 29 cm. Folio, Limited edition, copy 76 of 150 on velin d'Arches signed by Calder in pencil. Seven original color lithographs: front and back covers and five within, two are double-paged, plus additional color and black and white plates in the text. Text by Mario Pedrosa. Text in French. Bright, clean copy, chemise spine lightly toned, slight nicks to front head joint. Orig. illustrated wrappers in white board chemise. Near fine in very good slightly dusty slipcase with crimson front cover label. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Royoung Bookseller, Inc. ABAA]
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        Léda - Illustré de 23 lithograhies originales de VALADIE # SIGNE

      Pierre De Tartas 1975 - - PRESENTATION : in-4 en feuilles sous emboitage bleu toilé. - ILLUSTRATION : 23 lithographies originales dont 8 pleine double page. - SIGNATURE : Au crayon au justificatif, deux lithographies sont également signées. - LIMITE : 300 exemplaires numérotés au crayon, un des 75 exemplaires sur Japon. - PAPIER : Papier japon nacré. - DIMENSIONS : 30 x 40 cm. - ETAT : Excellent mais sans les suites annoncées. AUTRES PHOTOS SUR DEMANDE [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Artfever]
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      The Fantod Press, New York 1975 - Gorey, Edward. L'HEURE BLEUE. [New York]: The Fantod Press, (1975). First edition. Oblong 24mo - 6-3/16" x 5-1/2". White paper wrappers with blue and black pictorial stamping in as new condition. [32]pp. The book consists of paired pages, the first of which has a short, two line sentiment by Gorey, the second of which has a full page three color (blue, black and white) illustration by Gorey that illustrates the paired sentiment. The internal pages are in unmarked, as new condition. Limited to 500 numbered copies signed by Edward Gorey, of which this is copy 169. A first edition statement appears as part of the colophon. The condition of the book is VERY FINE. [Attributes: First Edition; Signed Copy; Soft Cover]

      [Bookseller: Wallace & Clark, Booksellers]
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        L'Heure Bleue

      Fantod Press / Gotham Book Mart, (New York) 1975 - First edition. Slightly oblong 12mo. Fine in wrappers. One of 500 numbered copies Signed by the author. [Attributes: First Edition; Soft Cover]

      [Bookseller: Between the Covers-Rare Books, Inc. ABAA]
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        THE BOOK OF THE THOUSAND NIGHTS AND A NIGHT: 16 Volumes A Plain and Literal Translation of The Arabian Nights' Entertainments & SUPPLEMENTAL NIGHTS: to the Book of the Thousand and One nights with Notes, Anthropological and Explanatory

      The Burton Club, America 1975 - Volume 1 has the previous owner's name and the purchase price in 1977 in ink on the lower right hand corner of the front free end page.There is no other damage to describe.10 gilt decorated hardcover volumes plus 6 argent ( silver) decorated supplemental volumes. All volumes have untrimmed front edges, and top edges tinted a pale burgundy.Apart from the singular annotation, the books do not appear to have been opened. Size: 8vo - over 7¾" - 9¾" tall. Please refer to the accompanying picture Quantity Available: 1. Shipped Weight: Over 3 kilos. Category: Myths, Legends & Folklore; Arabia; Inventory No: 0238966. This book weighs over 1 Kg packed and extra postal costs will be asked for when shipping outside Australia. [Attributes: Hard Cover]

      [Bookseller: Syber's Books]
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        LIBRO DEL BUEN AMOR (2 vols.)

      Editora Internacional de Libros Antiguos, Edilan, S.A., Madrid 1975 - 2 vols. Folio m. Vol. I. Edición facsímil del Códice de Salamanca. Obra completa./ Vol. II. Estudio histórico-crítico y transcripción literal del Códice de Salamanca por César Real de la Riva. XCIII, 1 h. 230 p. Encuadernación en plena piel editorial. - Publicado por la Universidad de Salamanca. Edición numerada con el certificado de la Universidad de Salamanca. Muy buscado. [Attributes: Hard Cover]

      [Bookseller: Berrocal Libros Antiguos]
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        Danny. The Champion of the World.

      New York: Alfred A. Knopf, Inc., 1975 - Octavo. Original brown cloth spine with orange-brown boards, spine lettered in gilt. With the dust jacket. Spine bumped, small tear to fore edge of title, a very good copy in the price-clipped jacket with a few minor nicks to corners. Illustrations by Jill Bennett throughout the text. First edition, first printing. Inscribed by the author to "Audrey love Roald Dahl, Oct 26 1975".

      [Bookseller: Peter Harrington. ABA member]
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      London: Jonathan Cape 1975 - First edition, first printing. Inscribed by the author. Original brown cloth with gilt titles to the spine, in dustwrapper. A very good or better copy, the binding clean and square, the contents without previous owner’s inscriptions or stamps. Text block edges a little spotted. Complete with the very good or better rubbed and slightly nicked dustwrapper. Not price-clipped. Inscribed by Roald Dahl and dated Oct 31st 1975 in blue ink on the front free endpaper. Further details and images for any of the items listed are available on request. Lucius Books welcomes direct contact with our customers. [Attributes: First Edition; Hard Cover]

      [Bookseller: LUCIUS BOOKS (ABA, ILAB, PBFA)]
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        Chroniques de l'Art Vivant - Collection complète du numéro 1 de novembre 1968 au numéro 57 de mai 1975 (58 numéros au total avec le 1 bis) - Complete set in 58 volumes

      Maeght Editeur - Chroniques de l'Art Vivant 1975 - très nombreuses illustrations en noir et blanc 1ere édition Book Condition, Etat : Très Bon broché, sous couverture illustrée In-4 58 volumes - 2190 pages Contents, Chapitres : Lancées en novembre 1968, sous l'impulsion d'Aimé Maeght et de sa fondation, les Chroniques de l'Art Vivant vont paraître jusqu'en mai 1975. Publiée sous la direction de Jean Clair, un des meilleurs spécialistes français de l'art moderne, cette revue s'intéresse à tous les domaines artistiques d'avant-garde dans l'effervescence culturelle des années 1970. La peinture d'abord, avec la plupart des artistes contemporains d'importance qu'Aimé Maeght avait contribué à faire connaître par ses expositions dans sa galerie d'abord, puis à la Fondation Maeght par la suite. Les grands classiques comme Matisse, Braque, Léger, Miró, Chagall, Calder et Giacometti, mais également les grands artistes de l'après-guerre comme Bram van Velde, Tàpies, Ubac, Tal Coat, Bazaine, Chillida, Riopelle, Alechinsky, Rebeyrolle, Adami, ou Monory. De manière plus générale, les " Chroniques " abordent toutes les disciplines artistiques, aussi bien le cinéma contemporain, sous la plume de Dominique Noguez, la musique contemporaine avec les articles de Jean Caux, la revue littéraire d'Alain Clerval, mais aussi la danse moderne avec Lise Brunel qui nous a quitté récemment, ou le théâtre moderne et les comptes rendus de Philippe du Vignal. Les grands noms français de l'art moderne ont apporté leur contribution aux Chroniques, Michel Ragon, Pierre Restany, Gilbert Lascault, Catherine Millet avant qu'elle ne se lance dans l'aventure Artpress, Gérald Gassiot-Talabot, mais aussi le philosophe Jean-François Lyotard, sans oublier les célèbres entretiens d'Irmeline Lebeer. De nombreux numéros spéciaux abordent une thématique spécifique, aussi bien des approches par pays, numéros sur l'avant-garde russe, les U.S.A., la Grande-Bretagne, l'Italie, la Belgique, l'Allemagne, l'Espagne, la province (française), que des numéros consacrés au réalisme, à la mort, à la ville, à la photographie, l'art et l'enfant, la lumière, le corps, les arts parallèles. Chaque numéro propose une mise en page originale, des couvertures élégantes au graphisme étonnant, et de très nombreuses illustrations, la plupart en noir et blanc, avec un panorama mensuel de toutes les activités artistiques. Les Chroniques de l'Art Vivant constituent une documentation exceptionnelle sur l'art de cette période, resituée dans le contexte innovant et provocateur des années 1970. Nous proposons la collection complète et la plupart des numéros au détail. Sommaire détaillé sur demande. Bel ensemble complet des 58 numéros des Chroniques de l'Art Vivant, très bon état général, les couvertures sont propres, les intérieurs frais, tres legeres pliures sans gravité sur les couvertures de 3 ou 4 numéros - Sommaire détaillée sur demande - Near fine condition, all the issues are in fine or near fine condition, no markings, under editor's illustrated wrappers, minor wear on the wrappers of 3 or 4 issues, it remains a near fine set - Complete description on demand. Please contact us, should you need any further information. 17400 [Attributes: Soft Cover]

      [Bookseller: Librairie Philoscience]
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        Chute de cheval - Dessin original (encre et lavis) d'Yves BRAYER

      1975 - - PRESENTATION : Dessin original d'Yves BRAYER. - TITRE : Chute de cheval. - TECHNIQUE : Encre et lavis d'encre. - SIGNATURE : En bas à gauche. - TAILLE : 19 x 27cm. - ANNEE : circa 1975. - ETAT : Excellent, monté sous passe-partout, prêt à encadrer. [Attributes: Signed Copy]

      [Bookseller: Artfever]
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        Michael Snow: Cover to Cover

      Nova Scotia College of Art & Design and New York University Press, Halifax, Nova Scotia and New York 1975 - First edition, first printing. Hardcover. Photographically illustrated cloth-covered boards, no dust jacket as issued. Artist's book by Michael Snow. Photography by Keith Lock. Photography and prints by Vince Sharp. Unpaginated, with 312 full-bleed black and white plates. 9 x 7 inches. Out of print. Extremely scarce. CONDITION: Fine. A Near Mint copy. [Cited in Martin Parr and Gerry Badger, The Photobook: A History, Volume II. (London and New York: Phaidon, 2006).] Conceptual artist Michael Snow here presents an intriguing artist's book that engages with and questions the nature of photographic veracity and the legibility of surfaces--a stance that is somewhat akin to the work of his contemporaries Kenneth Josephson, Robert Cumming and Duane Michals. As its title implies, Cover to Cover, which contains no text save the colophon, can be read forwards and backwards, with both sections converging towards the center. Both the front and back covers are illustrated with a detailed photograph of a wood-paneled door, and as the reader progresses through the pages, which unfold as a quasi-cinematic non-linear narrative, a succession of full-bleed images leads into and through spaces and surfaces that continuously vacillate between illusory physical and representational existence. The appearance of figures, cameras, images within images, blank sheets of paper, windows and doorways on each page enacts a slippage that renders the photographic images and their referents unstable. The result is an important book that is difficult to put down, challenging readers to read and reread its imagery almost compulsively. [Attributes: First Edition; Hard Cover]

      [Bookseller: Vincent Borrelli, Bookseller]
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        Moby Dick Or, The Whale. The Artist's Limited Edition

      The Press of A. Colish, Mount Vernon, New York 1975 - Special Limited Edition, first issue in this format. Size: Folio. Text body is clean, and free from previous owner annotation, underlining and highlighting. Binding is tight, covers and spine fully intact. This is copy number 492 of fifteen hundred copies that have been printed for The Artist's Limited Edition. LeRoy Neiman has created thirteen paintings for this edition and has signed the frontispiece serigraph. Jacques-Yves Cousteau has written the special Preface, which he has signed on page xi. Full gilt stamped and illustrated leather, Notes on the Illustrations by LeRoy Neiman, xv, 272 pages, ribbon place marker. In its original slipcase which is in very good condition with some light soil. Illustrator: Neimann, LeRoy. Quantity Available: 1. Category: Fiction Classic & Modern; Inventory No: 007221. [Attributes: First Edition; Hard Cover]

      [Bookseller: Dennis Holzman Antiques]
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        Science and Civilisation in China. Set of 19 Books. Volumes I - VII.

      Cambridge University Press, Cambridge, England, 1975 (- 1999) - Except one book (vol 4,2) in very fine condition, but without dustjackets. Vol. I: Introduction. II: History of Scientif Thought. III: Mathematics and the Science of Heavens and the Earth. IV: Physics and physical Technology (3 vols.). V: Chemistry and chemical technology - Part I-VII, IX, XIII. (= 9 vols.). VI: Biology and Biological Technology. Part I-III ( 3 vols.). VII: Language and Logic. Part 1. Englisch 45000g [Attributes: Hard Cover]

      [Bookseller: Krull GmbH]
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        The Case for Reappraisal of U.S. Overseas Information Policies and Programs, Incorporating Congressman Fascell's Report (Daniel J. Boorstin's Copy)

      U.S.A.: Praeger. Hardcover. 316 pages. Published in cooperation with The Emergency Committee for Reappraisal of U.S. Overseas Policies and Programs, and The Overseas Press Club Foundation, Edward R. Murrow Memorial Fund. Formerly of the Smithsonian Library with several related internal markings. Bookplate of Daniel J. Boorstin inside front board. Mr. Boorstin was the Librarian of Congress from 1975 until 1987 and won a Pulitzer prize in 1973. Moderate wear. Binding intact. A sound copy. . Good. 1970. First Edition.

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        Tex Avery: King of Cartoons

      Popular Library, 1975. Paperback. Good +. G+ pictorial softcover. Light 'warble' or pressure warp to book (as seen in pics).Light foxing and moisture damage to top text edge. SIGNED by Author AND SIGNED BY SUBJECT, TEX AVERY with Inscription. Mild scuffs to edges. Covers bright/clean. Pages all unmarked. EXTREMELY RARE and Scarce Copy signed by TEX AVERY, the creator of many beloved characters of MGM and Warner Brothers such as Bugs Bunny, Daffy Duck, Porky Pig, Red Riding Hood and many others. Binding solid. Please contact me if you'd like additional pics. 237 pp.

      [Bookseller: Eastburn Books]
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      [Pittsburgh]: [International Poetry Forum]. [1975]. A broadside poem, measuring approximately 9" x 12", reproducing the author's holograph and his signature. Approximately 500 copies printed for distribution at a reading, using paper of various sizes and colors. This copy is 8-3/4" x 11-3/4", light brown, and as such not noted in the De Bellis/Broomfield bibliography. Additionally, this copy is actually signed by Updike, below the facsimile signature, and dated 7/13/91. Tiny spots of foxing, near fine; now framed to 12-1/2" x 15-1/2". Much scarcer than its estimated print run would suggest, and extremely scarce signed. That this variant eluded the bibliographers, who were almost unbelievably thorough in tracking down the multitude of issues of Updike's enormous body of work, also suggests extreme scarcity. First Edition.

      [Bookseller: Ken Lopez Bookseller, ABAA]
 32.   Check availability:     Biblio     Link/Print  

        8 1/2" X 11 1/2" ORIGINAL PEN AND INK PICTURE

      1975., 1975. Art depicts two Indian boys riding on a horse in front of three Indian teepees with people going about their work and two automobiles parked to one side of a tent. The work is signed by Fellows with his familiar Cowboy Artists of America insignia just below his signature. "Born in Ponca City, Oklahoma, Fred Fellows lived his early years exposed to the 101 Ranch and the culture of the Otoe and Osage Native Americans.At age nine his family joined the tail-end of the Okie exodus that followed the dust bowl trail to California but each year Fred returned to Oklahoma where he spent summers with his grandparents in their art-filled home. His grandfather a celebrated civil industrial engineer in Ponca City would take his family frequently to nearby museums. Fred was awe struck by Bryant Bakers Pioneer Woman monument in Ponca City. Although he did not realize it then, Fred’s fate as a future artist had been cast. He had an active imagination and a God given talent for drawing." Fellows was elected into membership in the Cowboy Artists of America in 1968 and in 1997 was elected president of the Cowboy Artists of America. By 2003, he had presided over the organization twice. His paintings and sculptures have been featured in many magazines throughout the country, among them Arizona Highways, Western Horseman, Newsweek, and Southwest Art and Architecture Digest. He has won many awards for his artwork including several from the CAA including Gold Medal for Most Popular Work in 1976, Silver Medal for Sculpture in 1991-1995, and Best of Show in 1991. He was honored to have had a retrospective at the Gilcrease Museum in Tulsa, Oklahoma in 2002. This original black and white ink sketch is matted and protected by a transparent shrinkwrap film. Fine.

      [Bookseller: BUCKINGHAM BOOKS]
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        JOAN MIRO LITHOGRAPHS 1953-1963. Volume 2 only of 6. 12 ORIGINAL LITHOGRAPHS

      New York, Leon Amiel, 1975.. FIRST AMERICAN EDITION 1975, translated from the French, Volume 2 only of 6, edition limited to 5000 numbered copies, this copy out of series and unnumbered, large 4to, 320 x 245 mm, 12½ x 9¾ inches, 200 lithographs, most full page and most in colour, plus 12 ORIGINAL COLOUR LITHOGRAPHS, including the DUSTWRAPPER, 5 double page, 253 pages, in original publisher's cream cloth, red lettering to spine, red endpapers, in DUSTWRAPPER with green promotional wraparound band, plus publisher's outer acetate dustwrapper and plain cardboard slipcase. Book in FINE condition, both dustwrappers also FINE, showing no wear, slipcase very slightly worn. This is Volume 2 (1953-1963) of a 6 volume Catalogue Raisonne of the lithographs of Miro. The original lithographs were printed by Mourlot in Paris. MORE IMAGES ATTACHED TO THIS LISTING, ALL ZOOMABLE. FURTHER IMAGES ON REQUEST. POSTAGE AT COST.

      [Bookseller: Roger Middleton]
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        L'Heure Bleue

      New York: Fantod Press, distributed by the Gotham Book Mart, 1975 - First edition, copy 483 of 500 numbered copies signed by the author. 5.5 x 6.5 inches. [32] pp, illustrations by Edward Gorey. Blue and black wrappers. Fine [Attributes: First Edition; Signed Copy; Soft Cover]

      [Bookseller: James Cummins Bookseller, ABAA]
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        Kiyonaga. Masterpieces of Ukiyo-e Prints Volume 4

      Tokyo, Shueisha, Showa 1975 - Folio. Japanese. Hardcover and dust jacket in slip case. Fine binding and cover. Minimal wear to extremities. Clean, unmarked pages. Ships daily. This is an oversized or heavy book that requires additional postage for international delivery outside of Canada and the US. Torii Kiyonaga was a Japanese ukiyo-e printmaker and painter of the Torii school. Kiyonaga is considered one of the great masters of the full-color nishiki-e print and of bijin-ga, images of courtesans and other beautiful women. Like most ukiyo-e artists, however, he also produced a number of prints and paintings depicting Kabuki actors and related subjects, many of them promotional materials for the theaters. He also produced a number of shunga, or erotic images. [Attributes: Hard Cover]

      [Bookseller: Sequitur Books]
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      Halifax: Press of the Nova Scotia College of Art and Design; NY: New York University Press, 1975. First edition, first issue. Snow, Michael. 8vo., (316 pp.), b&w photographs on every page. Illustrated cloth, with applied publisher's paper printed label affixed to the spine; printed acetate slip serving as title page bound in. A very good copy. This copy is additionally signed by Michael Snow. Canadian photographer and film maker, Michael Snow (1929- ) completed this work in 1975. Snow approached this series with the organization of a film maker. In turn, the reader attempts to construct a narrative from this series of fragmentary images.&

      [Bookseller: Andrew Cahan: Bookseller, Ltd]
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        The New Reformers" [Original Photo-Collage of Burroughs and Gysin]

      Geneve: Francoise Lagarde / Le Colloque de Tanger, 1975. First Edition. Fine. Original B&W silver gelatin print. 12” X 9.5”. Photographer's stamp to verso. One of 50 numbered copies. SIGNED by Burroughs and signed and date by Gysin to recto. Fine condition. Famous image of Burroughs and Gysin, a photo-collage of their heads atop two stone relief figures (one of whom is Martin Luther - the full relief can be seen on the rear jacket of THE THIRD MIND). It was utilized for the posters promoting Le Colloque de Tanger, a September 1975 conference held in Geneva celebrating the work of Burroughs and Gysin. Lagarde helped organize the event with Gerard-George Lemaire and produced a portfolio of photographs in conjunction. This photograph was separately issued and is more uncommon than perhaps even the limitation might suggest. As Shoaf describes: "Atticus Books Catalogue Eight notes 'Planned for publication but never released.' It is believed that most went to Richard Aaron [Am Here Books] but they apparently were never distributed" (p. 107). [Schottlaender F38].

      [Bookseller: Brian Cassidy, Bookseller]
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        The Standard Edition of the Complete Psychological Works of Sigmund Freud, complete set in 24 volumes

      London: Hogarth Press And The Institute Of Psycho-analysis. c. 1975. Later printing. Hardcover. Near Fine. Complete set in 24 volumes. All later printings, published from the late 1960s to the mid 70s. Hardcovers, uniformly bound in blue buckram with gilt titles. Each volume with a b&w frontis. Near Fine copies. TIght bindings. Clean and unmarked contents throughout all volumes. ONly minor rubbing and shelfwear to the spines of a few volumes. No dust jackets (except for vols. 10 and 20 which are in Very Good jackets). Due to the size of this set extra postage may be required. Complete in 24 volumes: v. 1. Pre-Analytic publications and unpublished drafts (1886-1897)--v.2. Studies on hysteria (1893-1895)--v.3. Early analytic publications (1893- 1899)--v.4. The Interpretation of dreams (I) (1900)--v.5. The Interpretation of dreams (II) (1900-1901)--v.6. The Psychopathology of everyday life (1901)--v.7. A case of hysteria, three essays on sexuality and other works (1901-1905)--v.8. Jokes and their relation to the unconscious (1905)--v.9. Jensen's 'Gradiva' and other works (1906-1908)-- v.10. The Cases of 'Little Hans' and the 'Rat Man' (1909)--v.11. Five lectures on psycho-analysis, Leonardo and other works (1910)--v.12. Case History of Schreber, papers on technique and. other works (1911-1913)-- v.13. Totem and taboo and other works (1913-1914)--v.14. A History of the psycho-analytic movement, papers on metapsychology and other works (1914- 1916)--v.15. Introductory lectures on psycho-analysis (I) 1916-1917)-- v.16. Introductory lectures on psycho-analysis (II) (1917)--v.17. An Infantile neurosis and other works (1917-1919)--v.18. Beyond the pleasure principle, group psychology and other works (1920-1922)--v.19. The Ego and the Id and other works (1923-1925)--v.20. An Autobiographical. study, inhibitions symptoms and anxiety, lay analysis and other works (1925-1926)- -v.21. The Future of an illusion, civilization and its discontents and other works (1927-1931)--v.22. New introductory lectures and other works (1932-1936)--v.23. Moses and Monotheism, and outline of psycho- analysis and other works (1937-1939)--v.24. Indexes, bibliography, etc.

      [Bookseller: Caliban Books ABAA-ILAB]
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      London, Jupiter Books, 1975.. FIRST EDITION 1975, SPECIALLY BOUND EDITION OF 100 COPIES SIGNED BY LOWRY, THIS COPY OUT OF SERIES AND NOT NUMBERED, SIGNED ON A SPECIALLY PRINTED CARD MOUNTED ON THE FRONT ENDPAPER. SOLD WITH ORIGINAL PHOTOGRAPH OF THE ARTIST. 4to, 280 x 240 mm, 11 x 9½ inches, 31 pages of text plus 31 colour and 99 black and white plates, bound in the publisher's full dark blue morocco, lettered gilt on spine with 2 gilt rules at head and tail, dark blue endpapers, all edges gilt, silk marker. A touch of rubbing to head and tail of spine, no previous owner inscriptions. A very good copy. Laid in is a large photograph of an elderly Lowry in conversation with the artist Mervyn Levy. MORE IMAGES ATTACHED TO THIS LISTING, ALL ZOOMABLE. FURTHER IMAGES ON REQUEST. POSTAGE AT COST.

      [Bookseller: Roger Middleton]
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        The Great Toys of George Carette

      - This book does not have a dust cover, 1975, Ex-Library, All Books are dispatched the same working from the UK if ordered before 1pm GMT, Securely & carefully packed, Great customer service,

      [Bookseller: Pegasaurus Books Ltd]
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        The Great Toys of Georges Carette (trade catalogue, 1975 reissue)

      New Cavendish, 1975. Softcover. Very Good Condition. ~~PAPERBACK~~VG- 1975 New Cavendish large format paperback with many illustrations, light spine creases and area of sticker wear at top rear of spine area, light vertical crease to front cover. Scarce, paperback with same ISBN as hardback edition. Sent Airmail at no extra cost; Worldwide Shipping IMMEDIATE 1ST CLASS/AIRMAIL DISPATCH First edition of the work in this format and binding, and/or set or series. Quantity Available: 1. Shipped Weight: Under 1 kilogram. Category: Games & Gaming; ISBN: 0904568024. ISBN/EAN: 9780904568028. Inventory No: 052756..

      [Bookseller: 84 Charing Cross Road Books]
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        The Secret Teachings of All Ages. An Encyclopedic Outline of Masonic, Hermetic, Qabbalistic, and Rosicrucian Symbolical Philosophy, being an interpretation of the secret teachings concealed within the rituals, allegories, and mysteries of all ages

      Los Angeles: Philosophical Research Society, 1975. Hardcover Hardcover. Fine. Golden anniversary edition. 245 pages, plus color plates. 12 by 19 inches. With a new preface by Hall and a foreword by Henry L. Drake. This is the first full-size reproduction of the original with the color plates. The initial capitals of the preface and introduction are also in color; the decorative initials in the text are not (they were in the original). One of 550 copies signed and numbered by Hall. A fine hardcover copy; no dust jacket, as issued. Signed and numbered by Hall. A large, heavy book.

      [Bookseller: Eureka Books, ABAA]
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