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Displayed below are some selected recent viaLibri matches for books published in 1975

        Joan Miró Lithographs. Volumes 1-6 (I, II, III, IV, V & VI), the complete set in English.

      New York and Paris: Tudor/Amiel/Maeght-1992, 1975 - 4to. The complete set in 6 volumes, lacking the 34 original color lithographs except the original lithograph dust-jackets are present. All volumes clothbound in dust jackets and acetate dust jackets; in excellent condition. Volume 1: 1930-1952, 236 pages, 189 color plates; Volume 2: 1953-1963, 254 pages, approx. 200 color plates; Volume 3: 1964-1968, 217 pages, and over 200 color plates; Volume 4: 1969-1972, 210 pages and over 200 color plates; Volume 5: 1972-1975, 192 pages, 210 color plates; Volume 6: 1976-1981, 200 pages, 180 color plates. References: Freitag 6573; Cramer 160, 198, 230 and 249.

      [Bookseller: Wittenborn Art Books]
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        Joan Miro Lithographs: Volume II

      Leon Amiel, New York 1975 - First English language edition. Folio. Fine in fine dustwrapper and possibly original, unprinted plastic overjacket with a small tear on the spine, in fine original unprinted cardboard slipcase. Catalogue raisonne with eleven original lithographs. One of 5000 copies, this copy unnumbered. [Attributes: First Edition; Hard Cover]

      [Bookseller: Between the Covers-Rare Books, Inc. ABAA]
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        JOAN MIRO LITHOGRAPHS 1953 - 1963. Volume 2 only of 6. 12 ORIGINAL LITHOGRAPHS.

      New York, Leon Amiel, 1975.FIRST AMERICAN EDITION 1975, translated from the French, Volume 2 only of 6, edition limited to 5000 numbered copies, this copy out of series and unnumbered, large 4to, 320 x 245 mm, 12½ x 9¾ inches, 200 lithographs, most full page and most in colour, plus 12 ORIGINAL COLOUR LITHOGRAPHS, including the DUSTWRAPPER, 5 double page, 253 pages, in original publisher's cream cloth, red lettering to spine, red endpapers, in DUSTWRAPPER with green promotional wraparound band, plus publisher's outer acetate dustwrapper and plain cardboard slipcase. Book in FINE condition, both dustwrappers also FINE, showing no wear, slipcase very slightly worn. This is Volume 2 (1953 - 1963) of a 6 volume Catalogue Raisonne of the lithographs of Miro. The original lithographs were printed by Mourlot in Paris. MORE IMAGES ATTACHED TO THIS LISTING, ALL ZOOMABLE. FURTHER IMAGES ON REQUEST. POSTAGE AT COST.

      [Bookseller: Roger Middleton P.B.F.A.]
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        Miro: Lithographs. Volume II. 1953-1963.

      Leon Amiel. Maeght Editeur, Paris and New York 1975 - First limited edition. The English translation of Miro's lithographic work from 1953 to 1963. There are 12 stunning original colour lithographs by Miro, pulled by Mourlot. The book, its lithographs and the dust jacket are as new. [Attributes: Hard Cover]

      [Bookseller: JMHunt]
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        Joan Miró Lithographs II

      New York: Leon Amiel, 1975. 1953-1963. 254 pp. Contains 12 original lithographs. Preface by Raymond Queneau. Cramer, 198.

      [Bookseller: Alan Wofsy Fine Arts]
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        Ugly Rumours

      London: Allen & Unwin. (1975). His first book, a novel set in Vietnam, about a Special Forces lieutenant and a sergeant serving as advisor to a Vietnamese Infantry Division. Not published in this country, and the author has pointedly refused to list it among his "previous publications" on his later books or allowed it to be reprinted. His memoir, In Pharaoh's Army, alludes somewhat disparagingly to the novel he was writing while he was serving in Vietnam, presumably Ugly Rumours. Wolff is one of the most highly regarded short story writers in America, winner of the PEN Faulkner Award, and his memoir This Boy's Life was made into a memorable movie. A novel by him on the pivotal event of his generation -- the Vietnam war -- is a notable contribution to contemporary literature, regardless of the author's opinion of its quality. This copy is signed by Wolff, and scarce thus, presumably because of his feelings detailed above. A fine copy in a very near fine dust jacket with some shallow scratching to the lamination. First Edition. Hardcover.

      [Bookseller: Ken Lopez Bookseller, ABAA]
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        Otto Bauer - Werkausgabe. Band 1 bis Band 9. Herausgegeben von der Arbeitsgemeinschaft für die Geschichte der österreichischen Arbeiterbewegung. Herausgeberkomitee: Manfred Ackermann, Karl Czernetz, Heinz Fischer, Gottfried Hatzl, Ernst K. Herlitzka, Heinz Kienzl, Fritz Klenner, Wanda Lanzer, Eduard März, Hugo Pepper, Alois Piperger, Erich Pogats, Hans Schroth, Joseph T. Simon, Karl R. Stadler, Ernst Winkler, Stefan Wirnlandner.

      Wien, Europa, 1975 - 1980.. 9 Bde. Pag. [pro Bd. ca. 1000 S.]. OLwd. m. OSch.. In neun Bänden komplett. - Leichte Lichtschatten, schöne Expl. - Bauer, (1881 - 1938), war nach dem Studium der Rechtswissenschaften an der Univ. Wien (Promotion 1906, Die Nationalitätenfrage und die Sozialdemokratie, 1907, (2)1924) politisch und publizistisch für die österr. Sozialdemokratische Partei tätig, seit 1907 als Redakteur der "Arbeiter-Zeitung"; er war Mitbegründer des theoretischen Parteiorgans "Der Kampf". 1918/19 Staatssekretär im Außenministerium, vertrat der Theoretiker und Wortführer des Austromarxismus eine radikale nationalstaatliche Lösung in Mitteleuropa. Bauer war maßgeblich an der Gestaltung der österr. Verfassung von 1920 beteiligt und verfaßte 1926 das Linzer Programm der Sozialdemokratischen Partei. Nach dem Scheitern des Februaraufstandes 1934 floh er in die Tschechoslowakei und emigrierte 1938 nach Frankreich. Bauer veröffentlichte u.a. Die österreichische Revolution (1923, Nachdruck 1965) und Zwischen zwei Weltkriegen? Die Krise der Weltwirtschaft, der Demokratie und des Sozialismus (1936). Postum erschien seine Einführung in die Volkswirtschaftslehre (1956, hrsg. von Ernst Winkler und Benedikt Kautsky). (DBE)

      [Bookseller: Antiquariat Weinek]
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        Il sorriso del Buddha.

      Pancheri, Rovereto. 1975 - Al frontespizio titolo e autore manoscritti a matita. Stampato in torchio a mano in n° 30 esemplari ad personam numerate da 1/30 a 30/30 (15/30) e n° 10 copie d’autore numerate da I/X a X/X. Libro d’artista con una pagina in bianco con testo in nero e viceversa altra pagina in nero con testo i bianco. Critico d’arte e saggista di origine istriana, ha al suo attivo varie migliaia di corrispondenze, in gran parte dalla Francia, la Gran Bretagna, i Paesi Bassi e la Svizzera, pubblicate su più di quaranta fra quotidiani e periodici italiani, francesi, svizzeri e americani, e varie monografie di autori contemporanei, cataloghi di mostre, raccolte di poesia e poesia visiva, cartelle di grafica, multipli e libri d’artista. Rarissimo. Formato: [24] c., 21x21, m.t. Buono.

      [Bookseller: Studio Bibliografico Adige]
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        Bunker Archeologie

      Centre Georges Pompidou - CCI, Paris 1975 - coll. couv. sple. un peu fottée rabats ill. n&b. 20x24cm. 660gr. 186pp. ill. n&b. état excellen ed. orig. [Attributes: First Edition]

      [Bookseller: A Balzac A Rodin]
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        When Money Dies: The Nightmare of the Weimar Collapse

      William Kimber, London 1975 - Small mark on front endpaper. The dustwrapper is not price clipped and is protected. [Attributes: First Edition]

      [Bookseller: Beach Hut Books]
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        THE POET'S HAND BOOK. Signed By 24 Poets with Drawings.

      NP. [New York]: ND, [1968 -1975]., New York - Ginsberg, Allen, et al. THE POET'S HAND BOOK. Signed. NP. [New York]: ND, [1968 -1975]. First edition 1 of 1 copy. A collection of 24 mostly "Beat" poet hands drawn with poetic license by their owner's other hand [well] - mostly from the late 60's; the earliest dated '68 - the latest dated '75 including the paws of Ginsberg & Corso, Bill Berkson. Dick Gallup, Anne Waldman, John Giorno, Ron Padgett, Joe Brainard, Gerald Malanga, Jim Carroll, Ted Berrigan, & others - in a 30 page Artist's 9" x 12" unpaginated Sketch Book in basically fine condition. I don't remember who started it all - one of the crew. The first hand is Berkson's & the last is signed Gregory Nunzio Corso in full. [Saroyan's is a loose insert on card stock] Ginsberg's hand "ah" is that of the master - in itself worth the price of admission, neatly adorned with AG Mantras. All in all a Hip New York moment in the continuum - a remarkable relic from the period, 23 original ink drawings. Unique. The Lefties win on paper 14 2 10 but only on paper. In excellent condition. [Attributes: First Edition; Signed Copy]

      [Bookseller: TBCL The Book Collector's Library]
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        Salem's Lot

      Doubleday 1975 - First Edition, First Printing SIGNED by Stephen King on a laid in signature. The book states "First Edition" on the copyright page and has the first issue point with code Q37 printed on P. 439. This original dustjacket has benefitted from professional restoration. The end result is a beautiful dustjacket that is rich in color, with no chips or tears. The book is in nice shape with minor wear to the edges. The binding is tight, and the pages are clean. There is no writing, marks or bookplates in the book. Overall, a sharp clean copy of this true first edition SIGNED by the author. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Quintessential Rare Books, LLC]
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      Belfast: Ulsterman 1975 - FIRST EDITION, ownership inscription to title-page, pp. 24, 8vo, original yellow stapled wrappers, front cover with dot matrix portrait of Heaney and lettering in orange, very light fading around spine and some very light soiling, very good Inscribed by Heaney on the title-page to William B. Ewert, an American publisher whose list included Heaney: ‘Bill, "Oh yes, I crept before I walked." (p. 24). Seamus Heaney 10.iv.’93’.

      [Bookseller: Blackwell's Rare Books ABA ILAB BA]
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        Oskar Kokoschka. Das druckgraphische Werk / Das druckgraphische Werk II. Druckgraphik 1975-1980 sowie Nachträge und Berichtigungen. 2 Bde.

      - Salzburg, Galerie Welz 1975-1981. Gr.-4° (31,5 : 24 cm). 296; 46 S. Mit 542 (78 farb.) Abb. u. Front., Nachlass-Stempel u. 44 teils farb. Abb. Orig.-Ganzpergament (Handeinbände von Ernst Ammering, Ried) jeweils mit Signatur Kokoschkas in Goldprägung auf Vorderdeckel und 2 schwarzem Orig.-Leinenschubern. Arntz II, S. 76. - Freitag 4968. - Jeweils eines von 190 identisch numerierten Exemplaren der LUXUSAUSGABE mit je einer in Sichthülle lose beiliegenden, numerierten und signierten Originallithographie (WW 470) und Originalradierung (WW 474). - Der massgebliche komplette Oeuvre-Katalog der Druckgraphik mit insgesamt 567 ausführlich dokumentierten Blättern, die alle in den Farben der Originale abgebildet sind. - Enthält zeitgenössische Texte von P.Bekker, G.Busch, M.Dvorak, A.Ehrenstein, W.Grohmann, G.F.Hartlaub, C.G.Heise, Kokoschka, P.Westheim u.a. Eine Konkordanz zu Arntz und ein systematisches Verzeichnis der Bildthemen schliessen das Werk ab. - Die Vorzugsausgabe war kurz nach Erscheinen vergriffen.

      [Bookseller: Gerhard Zähringer, Antiquariat & Galerie]
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        Geste d'amour (Très grand in folio)

      - Préface de Max Pol Fouchet de 4 pages, Edim-Art, 1975. Grand in-folio (79/58 cms), recueil contenant 40 lithographies en noir (l'exemplaire en possède 41), toutes signées et n° 21/150 et tirées sur les presses de l'atelier Guillard et Gourdon. Édition limitée à 210 exemplaires, ici un des 150 sur papier vélin d'Arches blanc pur chiffon. Le tout est en chemise toile rigide et un emboitage réalisés par les cartonnages Adine. Deuxième exposition à l'espace Cardin En 1974, « Geste d'amour » renoue avec une certaine sérénité. Illustration de son travail d'observation à l'hôpital Sainte-Anne. C'est la sublimation de la folie. Les 40 lithographies sont le fruit de ce travail.

      [Bookseller: Le Beau Livre]
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        STAR TREK - Erotic Spock and Captain Kirk Paper Dolls, with Multiple Costumes

      - Circa 1975. A collection of 75 pieces, being a naked Spock and Captain Kirk, sporting adjustable erections, with a variety of costumes that can be placed on the paper dolls. Themes include masochistic [with chains and a whip], Roman, Drag and more. Also includes extra erect penises, shoes, hats, and accessories. Very Good Condition. Figures stand at 9" tall.

      [Bookseller: Monroe Bridge Books, SNEAB Member]
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        JEWS IN SPAIN & PORTUGAL. A Bibliography (Reference Library of Social Science)

      USA: Garland. Hardcover. 0824010892 364 pages. Extensive index. Over 5,000 entries. "...An attempt to bring under bibliographical control a wide range of published materials pertaining to the Jewish presence in Spain and Portugal from antiquity to the present day." - from Introduction. Clean and bright with very light wear. Binding tight. Library markings are primarily to interior of book. A sound copy of this important work. . Very Good. 1975. First Edition.

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        Obras Completas

      AGUILAR, Rio de Janeiro 1975 - I a VI

      [Bookseller: Livro Ibero Americano Ltda]
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      Olocco/ Aguilar., Córdoba. 1975 - Crisolín, fuera de numeración, raro. 32º menor. 190 pp. Impecable, el anterior propietario ha tachado una firma con rotulador.;LA GESTIÓN DEL CONTRA REEMBOLSO SON 4 EUROS

      [Bookseller: Palabras & Cosas]
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        Archive of Mail Art By the Glass Menagerie Sent to The Great Building Crack-up

      Np, 1975-77. *Previously unknown mail art from the "Son of Coum", aka "Colette P-Orridge", aka Colin Naylor.*& & Approximately 60 items, mostly collages on postcard with rubberstamp and hand-colored elements. A couple of the collages have loose elements from glue being dried, but mostly near fine. & & & Colin Naylor was, along with Genesis P-Orridge of Coum, the editor of a large pot-boiler art survey book entitled Contemporary Artists. P-orridge had started working as Naylor's assistant on the project in February of 1975 at the age of 25, his first full time employment. While the compilation of the encyclopedia was probably very tedious, it did allow Naylor and P-Orridge the chance to contact many artists - which is perhaps how Naylor got in touch with fellow travelers the Great Building Crack-Up, Rhett And Bob Delford. Also, P-Orridge and Naylor created at least one fictional artist in the encyclopedia, one Ted Glass – making the encyclopedia an intervention as artist book, similar to some of the actions of Cosey. This fictional Ted Glass would soon come to life in a troubling way for P-Orridge. & & In October of 1975 Genesis faced a court case from the police for sending indecent material through the mail; one of the postcards held as evidence of this was a piece of mail art sent to the same fictional Ted Glass. P-Orridge was eventually found guilty, and was fined 120 pounds; the legal fees were even higher, and from then on his mail was subject to inspection by the police. There are several references to both the investigation and the trial as it occurred here, including an account of a postal investigator perhaps becoming fascinated with Coum and possibly even involved somehow in the mail project, as well as a postcard soliciting contributions for P-Orridge's defense. & & & & & . . . an undated, but probably early letter, perhaps the beginning of this correspondence, spells out the sometimes complicated arrangements between the The Glass Menagerie and members of Coum. "To avoid too much confusion: Genesis is alias 'Crystal' and singly or collectively with his Girlfriend Cosey plus a varying number of others he is also known as 'Coum.' Colin is also known as 'Colette' (sometimes an adopted son-of-coum, and known as 'colette p-orridge'.. ho hum. also capable of alter-egoing into the persona or concept of ‘thee glass menagerie’ (origins too obscure to go into at the moment, but clues figure throughout most mail-type correspondence)."& & Some of the collages are sophisticated, many making use of a striking framing motif of upraised hands, and incorporating what appears to be pornographic clippings, artwork of other individuals. & & Also a tantalizing mention of Ray Johnson threatening legal action, via famous NY art world attorney Jerry Ordover, for sending him "naughty nudie postcards." There are passing references to Marc Camille Chaimowicz, Peter Frank, Barbara Reise, A. D. Coleman et al. & & [Ford 5.4, 6.10-11. ]&

      [Bookseller: Division Leap, ABAA]
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        Haggadah and History

      Philadelphia: JPS, 1975. Accompanied by 8 leaves in facsimile of the oldest, illustrated printed Haggadah in folding chemise with red morocco label gilt. Boards, chemise and slipcase in matching marbled boards and book backed in red crushed morocco gilt. TEG. Number 76 of 252 copies of which 200 are numbered and 52 lettered. 200 plates in facsimile within the book.. Limited/Numbered. Leather Backed Boards. Near Fine/Slipcase Near Fine. 4to - over 9¾" - 12" tall. Trade.

      [Bookseller: The Title Page ABAA]
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      Doubleday & Company, Garden City 1975 - First edition. Fine in about fine dustwrapper with a couple very short tears. Inscribed by Williams to actress Ruth Ford: "To Ruth: You were always right! Love, Tennessee." In the book Williams' refers to Ford as "the wise and lovely actress, Ruth Ford, who seems to have been born with more worldly wisdom than I have accumulated even at this point in life." Ford, the Mississippi-born sister of surrealist author Charles Henri Ford, was a beautiful model and actress, first in Orson Welles's Mercury Theatre, and later in films and theater. Notably, she starred on Broadway in Jean Paul Sartre's *No Exit* in 1946, under the direction of John Huston (the last of five Broadway plays he directed). Her apartment in the Dakota became a salon for authors such as Williams, Edward Albee, Terrence McNally, and Truman Capote. A chance encounter between Stephen Sondheim and Arthur Laurents in her Manhattan living room led to their collaboration, with her Dakota-neighbor Leonard Bernstein, on *West Side Story*. Similarly, she brought together Kay Thompson and Hilary Knight to create the celebrated stories of *Eloise*, the little girl who lived at the Plaza.Ford is well known also for her long friendship with William Faulkner, which began with her dating his brother Dean in the early 1930s. Faulkner was openly smitten with Ford for many years. He wrote his experimental 1951 title *Requiem for a Nun*, a sequel to his early and controversial novel *Sanctuary*, with her in mind. He further declared, to the consternation of his agent and publisher, that it was her dramatic property (*Requiem for a Nun* was a mixture of stage play and novel). Stage production of the title stalled for years, partly because Faulkner's experimental drama did not lend itself to live theatre, and partly because the producers were unsure of Ford's suitability. Faulkner was adamant that it was her dramatic property, and in 1959 she adapted the play herself and starred in its London production opposite her second husband, Zachary Scott. Her stage version received enthusiastic reviews in both London and New York, but did not fare so well with audiences and closed after a short run on Broadway. Ford continued to act on both stage and screen well into the 1980s. She passed away in 2009 at the age of 98. A wonderful inscription and nice association. See this book in 3D on our site. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Between the Covers-Rare Books, Inc. ABAA]
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        Derrière Le Miroir N° 214 Adami.

      Maeght 1975 - In folio en feuilles, sous chemise et étui. 2 lithographies originales en couleurs en double page. Edition de tête, tirage limité à 150 exemplaires sur vélin d'Arches signés par l'artiste. Bel exemplaire.

      [Bookseller: La Basse Fontaine]
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        Inventive Clothes 1909-1939

      Kyoto Chamber of Commerce and Industry, Kyoto 1975 - FIRST EDITON and RARE LIMITED EDITION, sumptuously illustrated with over 150 folio color photographic plates of fashion designs. Printed in Kyoto, Japan in conjunction with the "Inventive Clothes" exhibition at the National Museum of Modern Art, Kyoto. (The exhibition was originally held at the Metropolitan Museum of Art in New York.) With essay "Fashion is the Avant Garde of Circumstance" by Diana Vreeland, who was also the special consultant for the exhibition, and featuring the designs of some of the leading figures in fashion including Paul Poiret and Gabrielle Chanel. Kyoto: Kyoto Chamber of Commerce and Industry, 1975. Folio, original pink cloth with gilt lettering; original slipcase. A hint of bowing to book. A fine copy. RARE: Although the limitation is unspecified, this edition rarely appears on the market. [Attributes: First Edition; Hard Cover]

      [Bookseller: Manhattan Rare Book Company, ABAA, ILAB]
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        Vent du nord vent du sud.

      Presses De La Cité 1975 - In-8 ( 265 X 170 mm ) de 186 pages en feuilles sous triple emboitage de l'éditeur ( chemise souple, chemise rigide et étui ) de skivertex bleu-nuit, titre doré sur le dos et sur le plat de la chemise souple ( présentation de l'éditeur ). Edition originale, 1 des 50 exemplaires numérotés sur vélin N°15 ( seuls grands papiers ). Parfait état. éditions-originales Littérature [Attributes: First Edition]

      [Bookseller: Tiré à Part]
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        Keziah Dane ---by Sue Grafton -a signed Copy

      London: Sphere, 1975, 1st Printing - ----------paperback, a solid Very Good copy, a clean copy with a small abrasion along the spine and front cover, signed by GRAFTON without inscription, missing from most Grafton collections, the author's 1st book, by the author of the hugely popular KINSEY MILHONE mysteries, any image directly beside this listing is the actual book and not a generic photo. [Attributes: First Edition; Signed Copy; Soft Cover]

      [Bookseller: Leonard Shoup (Member of IOBA)]
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        Ã¦Â¸…é•Â·, Kiyonaga. Masterpieces of Ukiyo-e Prints Volume 4

      Tokyo, Shueisha, Showa, 1975-01-01. Hardcover. Like New. Folio. Japanese. Hardcover and dust jacket in slip case. Fine binding and cover. Minimal wear to extremities. Clean, unmarked pages. Ships daily. This is an oversized or heavy book that requires additional postage for international delivery outside of Canada and the US. <br><br> Torii Kiyonaga was a Japanese ukiyo-e printmaker and painter of the Torii school. Kiyonaga is considered one of the great masters of the full-color nishiki-e print and of bijin-ga, images of courtesans and other beautiful women. Like most ukiyo-e artists, however, he also produced a number of prints and paintings depicting Kabuki actors and related subjects, many of them promotional materials for the theaters. He also produced a number of shunga, or erotic images.

      [Bookseller: SequiturBooks]
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      New York: Kennedy Graphics. Distributed graphics by Alan Wofsy Fine Arts. 1975 - Lithograph in five colors. Old Testament series. 87 x 57 cm. Fern & O'Sullivan, 657.

      [Bookseller: Wittenborn Art Books]
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        30th Anniversary of Victory. Poster from an international competition organised in Poland.

      WAG KAW LZG, 1975. exhibitionposter, 98 x 66,5, WAG KAW LZG zam. 311 / D1350. Original edition. This poster became the third price in the competition.

      [Bookseller: Krul Antiquarian Books]
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        Der Parlamentarische Rat 1948 - 1949. Akten und Protokolle, Bände 1 - 11.

      Boppard am Rhein, Harald Boldt Verlag, 1975 - 1997.. Grüne Original-Ganzleinenbände mit schwarzgeprägten Rücken- und Deckeltiteln in Original-Schutzumschlägen sowie - zusätzlich - Original-Pergamentumschlägen. Umfassendes Dokumentationswerk zur Tätigkeit des von den Ministerpräsidenten der Länder auf Weisung der Alliierten hin ins Leben gerufenen Parlamentarischen Rates, der die Verfassungsgrundlagen der zu gründenden Bundesrepublik beriet und am 8. Mai 1949 das Grundgesetz verabschiedete. Bd. 1: Vorgeschichte. Bearb. v. Johannes Volker Wagner, LXXXVII, 457 S. (1975); Bd. 2: Der Verfassungskonvent auf Herrenchiemsee. Bearb. v. Peter Bucher, CXXXV, 676 S. (1981); Bd. 3: Ausschuß für Zuständigkeitsabgrenzung. Bearb. v. Wolfram Werner, XLIX, 798 S. (1986); Bd. 4: Ausschuß für das Besatzungsstatut. Bearb. v. Wolfram Werner, XXXVI, 153 S. (1989); Bde. 5/I und 5/II: Ausschuß für Grundsatzfragen. Bearb. v. Eberhard Pikart u. Wolfram Werner, LXVIII, 1076 S. (1993); Bd. 6: Ausschuß für Wahlrechtsfragen. Bearb. v. Harald Rosenbach, LXI, 852 S. (1994); Bd. 7: Entwürfe zum Grundgesetz. Bearb. v. Michael Hollmann, XI, 675 S. (1995); Bd. 8: Die Beziehungen des Parlamentarischen Rates zu den Militärregierungen. Bearb. v. Michael F. Feldkamp, LXXIII, 296 S. (1995); Bd. 9: Plenum. Bearb. v. Wolfram Werner, L, 739 S. (1996); Bd. 10: Ältestenrat, Geschäftsordnungsausschuß und Überleitungsausschuß. Bearb. v. Michael F. Feldkamp, LXXXIII, 255 S. (1997); Bd. 11: Interfraktionelle Besprechungen. Bearb. v. Michael F. Feldkamp, L, 309 S. (1997).. Verlagsneue, unbenutzte Exemplare. Weitere Fotos auf der Homepage des Antiquariats (bitte Art.-Nr. auf der Angebotsseite in das Suchfeld eingeben).

      [Bookseller: Das Konversations-Lexikon - Fachantiquar]
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        The Masterworks of Chang Ta-Ch'ien.

      San Francisco, Calif.: Editions Press. 1975 - A portfolio of six original color lithographs. Each approximately 29 x 20 inches (71 x 51 cm.). Edition of 171. This complete portfolio is one of the 125 numbered copies in Arabic, no. 118. Not every print in the portfolio is numbered. Each print is signed in pencil by the artist. Original blue cloth case. [Attributes: Signed Copy; Hard Cover]

      [Bookseller: Wittenborn Art Books]
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        Bid Time Return ---by Richard Matheson ( Later Filmed and Released as Somewhere in Time )

      N.Y.: Viking, 1975, 1st Edition, 1st Printing, 1975. -----------hardcover, a Near Fine copy, in an attractive Very Good+ dustjacket with just the barest hint of fading to the pink lettering on the spine, a wee bit of rubbing to the largely white dustjacket, jacket is now in a hi-quality mylar protector, any image directly beside this listing is the actual book and not a generic photo. First Edition. Hard Cover. Near Fine/Very Good+. Illus. by Photo Cover.

      [Bookseller: Leonard Shoup]
 32.   Check availability:     IOBABooks     Link/Print  


      Murray Crawford Ltd. Cape Town 1975 - First Edition. Printed by Collectors Press Cape Town. With a preface by David Goldblatt. Black cloth Hardcover with a dustjacket which has some minor rubbing. Dustjacket is protected with a mylar sleeve as a collector's item. Very good condition. Plates also clean and clear. 166 pages illustrated with Goldblatt's black + white photographs and captions on the opposite page. Size: Height: 33 cm = 12,9" inches, Width: 25 cm = 10" inches. Weight = 1.400 Gramm. Limited Edition of 1.000 numbered copys signed by the photographer. Sehr guter Zustand. Schutzumschlag etwas berieben, aber geschützt durch Mylar-Umschlag. I might add that I am quite an expert in packing. [Attributes: First Edition; Hard Cover]

      [Bookseller: Gura]
 33.   Check availability:     AbeBooks     Link/Print  

        The Philosophy of Andy Warhol

      New York, Harcourt, Brace, Jovanovich, , 1975. (From A to B & Back Again). Octavo. Original yellow paper boards with orange cloth spine, titles to spine in white and black, the artist&#39;s initials to lower corner of front board in black. With the dust jacket. Spine lightly bumped, dust jacket lightly nicked to corners. First edition, first printing. Signed by Warhol on the half title with a sketch of a Campbell&#39;s soup can. Additionally initialled by Warhol in felt tip.

      [Bookseller: Peter Harrington]
 34.   Check availability:     Biblio     Link/Print  

        The Philosophy of Andy Warhol (From A to B and Back Again)

      New York: Harcourt Brace Jovanovich, 1975. 1st Edition . Hardcover. Near Fine/Near Fine. NF/NF. Stated first edition. Signed and inscribed by Warhol to "Butch" on half title page with an original ink drawing of Warhol&#39;s famous Campbell&#39;s soup can.

      [Bookseller: Nelson Rare Books, IOBA]
 35.   Check availability:     Biblio     Link/Print  

        [Photographic Collage]: Le Colloque de Tanger

      Geneve: Francoise Lagarde. (1975). First. Photographic collage. Approximately 9.25" x 12". Very faint bends at two corners, still about fine. Depiction of the heads of Burroughs and Gysin on stone relief figures, apparently in conjunction with an academic conference in September, 1975 in Tangier. Back stamp of photographer Francoise Lagarde of Geneva. Numbered as copy 9 of 50. Signed by Burroughs and Signed and dated ("Geneva 26 Sept 75") by Gysin. Rare. .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
 36.   Check availability:     Biblio     Link/Print  

        The Philosophy of Andy Warhol

      London, Michael Dempsey in association with Cassell & Co. Ltd, 1975. (From A to B & Back Again). Octavo. Original grey boards, titles to spine in black. With the dust jacket. Near fine in near fine dust jacket. First UK Edition, First Printing. Signed by Andy Warhol in pen on the half title.

      [Bookseller: Peter Harrington]
 37.   Check availability:     Biblio     Link/Print  

        The Philosophy of Andy Warhol (From A to B & Back Again)

      Harcourt Brace Jovanovich, New York 1975 - FIRST EDITION, INITIALED BY WARHOL ON HALF-TITLE. New York: Harcourt Brace Jovanovich, 1975. Octavo, original cloth, original dust jacket. A fine copy. [Attributes: Hard Cover]

      [Bookseller: Manhattan Rare Book Company, ABAA, ILAB]
 38.   Check availability:     AbeBooks     Link/Print  


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